So much of Garak as a person starts to make sense once you know his childhood was a fucking gothic novel. His main playground was a graveyard and he'd play pretend by perfoming improv eulogies to an imagined audience. For a long time his main touchstone for most important figures from recent history is 'oh yeah I know about that guy my dad buried him. great flower arrangements for that one'. He finds out later his 'parents' are actually a brother and sister who had to get married to avoid the utter shame and social devastation of having a child born out of wedlock, and they live in the basement of his biological father's house. (the madwoman in the attic vs. the tiny elim in the basement.) His biological father calls himself his uncle and locks him in a closet whenever he fails to live up to his insane and unpredictable expectations and everyone just has to act like that's normal and expected, and his will hangs over everything at all times, unseen but always felt keener than anything else. The father who actually raised him grows the world's most beautiful (and as it turns out, most poisonous) orchids and keeps the mask of a god hidden in a box in his work shed. Everyone in the house is choking down secrets like it's the only air they know how to breathe anymore.
What I'm saying is that right from the get-go this guy never had the faintest shot at turning out normal, so I'm glad that by middle age he's found a way to get a bit silly with it as he continues to be deeply deeply not normal about anything ever <3
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No one will understand you--you are all alone
[ID: Colored digital art featuring Lionblaze holding Dovepaw in StarClan and Hawkfrost holding Ivypaw in the Dark Forest. Their positions are mirrored vertically, linked by Dovepaw and Ivypaw's twined tails.
In the top half of the image, Lionblaze holds Dovepaw close to himself, shielding her with his paws, and he growls protectively at the viewer. Dovepaw seems to be uncomfortable at Lionblaze's overprotectiveness, trying to get out of his grasp. She has a solid yellow halo behind her head, and there's a larger yellow ring around her and Lionblaze. Six disembodied eyes are watching them. Outside the ring are several winged StarClan cats, with halos above their heads and around their wrists.
In the bottom reversed half of the drawing, Hawkfrost draws Ivypaw closer to himself, smiling deviously as he covers her face with his paws. Ivypaw looks away with a downcast expression. She has a solid red halo behind her head, and it's dripping like blood. Behind her and Hawkfrost is a dark purple forest of dead trees. Six paws claw upwards towards StarClan. Where the two sides connect are clouds and dripping blood.
The second image is identical, except that it is flipped so that Hawkfrost and Ivypaw are on the top. End ID] ID written by @curlfeatherstar
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i was trying to find some positivity in the Simms transcript and instead i just found something else to get mad abt:
“[the Nandor and Guillermo relationship is about] the experience of having a boss that [you] worship and adore and love. That’s what we’re exploring.”
…so this whole time they were writing Guillermo and Nandor’s relationship as a way to explore their own experiences of hero worshiping their bosses…
and that, somehow, is the greatest, most profound love story in all of modern television…
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re: the tags on the post you just reblogged; would genuinely Love to hear your take on the themes of homestuck. because so many of its themes are at odds with each other and the reader that it truly does become an ouroboros by the end. and that’s fascinating and heartbreaking at the same time
I really can't phrase it better than "eats itself alive by the end," honestly. Once the Beta Kids scratch their session, you can feel how tired and frustrated the author is. It's like he starts hating his own work and how massively it blew up, when he never planned for it to be a project that lasted so long.
And thus it feels like he starts turning on his work's own themes.
Sburb (the game) was abusive and traumatic, but seemed to be trying to make the kids ""grow"" by some unknown philosophy. Figuring out what Sburb (or its creators) were trying to accomplish was a theme.
Only for the author to get frustrated at the idea of there BEING such a motive, seeming to suddenly pivot to Sburb just being a universe-generating mechanism
The theme about motives, being "pawns" in a greater game and uncovering the mystery, thinking critically about authority figures including the GAME ITSELF is unceremoniously discarded for a "Nothing matters actually" conclusion
Another theme was change and growing up, dealing with your mistakes as you make them. How even in a world with time travel, trying to use metaphysical shennanigans to avoid your fuckups just backfires. Eventually you have to face the music, and you'll be better off for it.
But then the author becomes brutishly cynical. The main casts' worst traits eat them alive on the trip to the new session, we learn the Beta trolls ruined their own playthrough and now painfully slog through their afterlives, the Alpha kids are aimless and trapped in a doomed session.
The theme about growth and facing your own mistakes becomes about stagnation and inevitability.
But honestly I think the most telling change in the author's mindset comes from looking at the Alpha Trolls vs the Beta Trolls.
Like, the way that the Alpha Trolls ALL got a full personality, several interactions with the main cast, and through fan input started evolving into characters that had little traits of the fandom at the time
Homestuck was always a story with a crass tone (and it's kind of incredible how quickly the lingo changed, making early HS look a lot edgier in hindsight than it was at the time) but it felt like there was a lot of love for how these characters had kinda been forged together.
Then you get to the Beta Trolls in a dream bubble, basically all tossed into a high-production walkaround minigame. Several of them just direct, joyless jabs at the audience, less of them relevant.
For me it's really the turning point on the themes, the later acts have always felt super dissonant from the early acts because of that
So in my mind I see it as two big "parts" and examine them together as what I feel was a weak synthesis.
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