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#I spent too much time on it rip
tervaneula · 1 month
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@witchofthemoss
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Well. I have now. And let me tell you how these sudden feelings just kicked me in the chin and sent me rolling down the hill towards Emotions Town 🥺🥺🥺 Ilysm this made my NIGHT
(i listened to this on repeat while drawing, i think lyricstranslate has it in english if anyone's curious)
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sprout-fics · 10 months
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dunno if imissed thurs thots bc time zone is an arse but i pilled an allnighter and needed some smit to keep going bc coffeee aint doing it job anymore so heres a copy paste of my idea from when i was actuallyawake
hallo! so taking a page from the spider verse movie, what if reader did yell out a safeword? there is an “aftercare for a red moment” hole in the fic community (or im just blinded by the algorithm who knows)
So this is a really interesting concept, and also a good way to discuss proper sex practices, so thank you anon!
For those unaware, the color system (Green, yellow, red) is typically associated with BDSM practices. Green is all clear, yellow is slow down/change tactics, and red is full stop, change into aftercare mode. However this system is not exclusively designed for kink related practices, it can be a useful tool for even vanilla sex. Please remember to always check in with your partners and obtain enthusiastic consent before engaging in sexual activities. I am not an expert in this area, so please remember to do your own independent research if you are curious about this topic.
(Warning: Uncomfortable sexual scenarios and use of safe words, please read at your own discretion)
The Color Red
(TF 141 reacting to you using a safe word during sex)
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Johnny 'Soap' MacTavish
You’re not really sure what does it, but something inside you drops abruptly, without warning as Soap’s hand wraps around your throat. 
There’s not even any pressure, just a heavy grasp that circles under your jaw but it’s enough to make something in you rise in panic, blood chilling and breath seizing inside your chest
He’s still hunches over you, your legs wrapped around his hips, brow scrunched in pleasure, voice dragging as he tries to angle himself just right to graze against the soft spongy part of you he knows will make you go boneless in his arms
Whatever pleasure was tightening low across your hips dies as a cold, fearful wash of dread takes its place, the world spinning as you drop fast.
“Red.” You croak, voice trembling, abruptly, entire body going rigid with panic.
It’s over in an instant. Soap knows what the word means, is trained to respond at the first instinct of discomfort, and within a blink his hand is gone, his weight off of you
You curl over onto your side, eyes wide and shoulders trembling, wetness still on the inside of your thighs but air rising sharply as hyperventilation threatens to take over
Soap’s weight is off the bed, giving you space, but when he notices your breathing he kneels beside you at once, eyes brimming with worry
“Hen, sweetheart, it’s alright.” He coos softly, words echoing as a steady stream, a reminder to his nearby presence. “You’re safe, we’re done. Breathe for me, You’re alright.”
“Johnny.” You gasp, reaching for him, and he obliges instantly, maneuvering you both so he sits against the headboard and puts your head into his lap, positioning a pillow underneath it. 
“I’m here.” He reminds you, a hand stroking along your shoulder in soothing circles as you try to control your breathing, listening to him breathe alongside you. Deep inhale, hold for 4, out for 7. Repeat.
“What do you need, hen?” He asks after a few minutes, after the panic has faded to a dull bite, once you stop shuddering and instead curl into an exhausted heap at his side.
You sigh out a shuddering exhale, feel his thumb graze across the top of your shoulder. Gentle, patient, devoted.
“You, Johnny.” You tell him at last. “Just you.”
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Kyle 'Gaz' Garrick
“Red.”
You gasp it out unexpectedly in Gaz’s bed, hands secured above your head as he bends over you, three fingers curling inside you, smug smile plastered over his face as he tries to wring another orgasm from you despite you telling him you can’t, and him finding another, another anyways
Now, however, it’s finally too much, and when he presses just right the sensation it summons is less pleasurable and more aching, stretching an overworn muscle that leaves something twisting unpleasantly inside you
“Oh shit, doll.” He gasps at the word, and slowly withdraws his fingers to not cause you additional discomfort. You whine, but the sound catches in your throat, pleading and tender. “I’m sorry, shh, take a breath for me.”
He reaches up above you, pulls at the rope and it comes loose easily, allows your hands to sink into the pillows and reduces the strain on your shoulders. 
“Hey, hey, I got you.” He murmurs as you shudder, face contorting at the unpleasant ache inside you
He drags you into his arms, and you don’t complain at all, curling into his steady frame as he tucks you against his chest
“You did good.” He tells you at once, reassuring, gentle. “Promise you did good. Just take your time.”
You nuzzle against the coarse, curly hair of his chest, feel him stroke a hand against your back as the ache inside you dies to a low murmur
“I’m okay.” You tell him after a few minutes, taking all the time you need to fully relax into his embrace “It just…it was so much.”
Kyle exhales then, a breath you didn’t realize had been holding. His form goes a little lax against you, relieved by your words
“I’m sorry, doll.” He tells you at once. “I should have stopped sooner.”
You shake your head a little, remind him gently “That’s what the colors are for. I’m alright, just-” and you wince. “Tender.”
You feel him smile into your hair, mouth tugging just an inch, his body warm, solid, reaffirming against yours
“We can fix that.” He tells you softly. “How about I run you a bath and get you cleaned up, hmm?”
You nod, pause, and then crane your head up to plant a kiss against his lips
“Sounds wonderful.”
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Simon 'Ghost' Riley
Sex with Simon can usually be an intense, emotional affair, an experience where you try and carve space within each other through touch, seeking a balm to the brokenness, soothing to the fear and hurt 
Yet there are also times when you both just need release
Which is where you are now, face down, his hands hauling yours behind your back, hips slapping against your pelvis with a rapid, brutal intensity that’s going to leave you pleasantly sore for days
His voice is a grinding, rumbling presence that doesn’t allow you to drift entirely off, forcing you back into the presence of him. A hand tangles in your hair, presses you down into the sheets as he growls lewd, filthy praise down at you
Yet there’s a hint of malice to it, and normally you’d welcome it, send it right back to him, teeth bared and spirit a bright flame that burns against his darkness
Now, however, each word seems to puncture through you, as he hisses ‘Slut. Pretty little whore.’ down at you
You want to take it, want it to feed the coiling need as he buries himself inside you, but tonight it sounds almost like Simon means it.
It hurts.
It forces you to drop so fast it gives you whiplash, mind reeling and you have to remind yourself to say the word that bleeds across your tongue.
“Red.”
Simon stops instantly, removes his hand from your hair like he’s been burned.
You barely even notice, caught in your own turmoil of thoughts, trying to find your way out of the labyrinth. You don’t even notice as he pulls out from you, but the sudden emptiness only feeds the fall, makes a sob curl in your throat as you try and fail to swallow it down
He’s gone from the bed, you notice, and if anything it makes you panic more.
“S-Simon.” He try, voice wavering, and as if you’ve summoned him he appears back at your side, his voice gentler now but strained, guilty
“Here, pet.” A hand against your spine, a feathering touch given only as a mild offering before you give him permission to touch you, to which you gasp “Please.”
The touch becomes firmer, fingers pulling at the rigidness coiled in your frame, and after a moment there’s the cool touch of a washcloth that wipes the sweat from your skin.
“Y-you didn’t mean it, did you?” You try at last, not moving yet, knowing he’d only hush you back into stillness, make sure you didn’t push yourself too fast too soon
Simon takes a moment to process, realization washing over him at why you invoked your color.
“No, never.” He tells you, voice a little distant, and you know the faint unhappiness that colors his own voice isn’t for you but for him, tearing at himself for causing you hurt
You take care of him too, knot your fingers between his in tender reassurance, reminding him that even as he hovers at your side, you stay beside him too
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Captain John Price
You’re trying to soldier through it, the pain that wraps around your thigh as he hauls it over his shoulder, braces it on the broad planes of his frame
Your hands are fisted in the sheets, chest heaving as Price forces his tongue into your cunt, fingers digging red marks into your opposite leg. There’s pleasure coiling n your core with every stripe of his tongue, dragging whimpering moans from your throat
It’s soured, however, by the wrapping on your thigh, the stitched bullet hole radiating pain. The sharp ache drowns any potential pleasure that rises inside you and you try to grit your teeth against it, force it down in pursuit of the warmth of price’s breath against your folds
You can’t. You can’t do it, not with tears beginning to well in your eyes and the sounds coming from transitioning into whimpers of pain. 
“John.” You manage, strained, and for a moment Price is so absorbed in his task he almost doesn’t hear you. “J-John, red. Red.”
Price’s head shoots up, his ears attuned to that word specifically, and when he does you see slick coating his chin, his eyes flickering brightly in worry.
A sob bursts from your chest at the sight, dragging with pain, eyes hot and wet as you press a hand to the red blossoming bandage. 
He surmises the situation quickly, and instantly he’s rising off you, nearly vanishing from you entirely, giving you a bit of space before sitting back down beside you and gently bending your leg onto his lap
“Shh, it’s alright love.” He reassures you, a hand reaching up to stroke at your sweaty forehead, against your brow bunched in worry. “I’ve got you, you’re alright.”
“I’m sorry.” You blurt out even as his fingers knead into your calf. “I didn’t- it hurts.”
“Never apologize for using your colors.” The captain tells you sternly, and he holds your eyes on him, levying you with a disciplining stare that ensures your compliance. You nod, sniffling, and it makes some of the grimness melt from his eyes, tendered with affection
“Where are your pain meds?” He asks then, a hand gently tracing over the bloodied bandage, and you nod to the bedside drawer.
He nods absently, one hand still braced on your leg, the other reaching past you to withdraw the bottle from the assembly of items there
“You’re going to take these.” He tells you without question, drawing your gaze back to him once more. “We’ll get you cleaned up, and then get something warm in your stomach so they go down sunny, yes?”
You sniffle and nod at him, still feeling a little embarrassed, still in pain. Yet it’s softer now with his touch as his eyes turn to you fondly.
“Might even get you some hair of the dog for good measure.” He offers, and it at last summons a shy but warm smile from you
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Again, if your partner every signals they are uncomfortable during sex, stop, talk, and proceed as needed. If anyone ever disrespects you signaling you are uncomfortable or blatantly ignores your safeword, do not engage with them further. Stay safe, stay sane, and stay consensual
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dimorphodon-x · 9 months
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The server had less than 10 players so we were caught very much off guard.
Then again, I suppose we were in Grand Plains.
I was the striped raptor btw
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apricusapollo · 4 months
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YOUR NEW GIRL IS MY CLONE!!!
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Fun fact: In the original pitch for Stranger Things, El had a little brother.
After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.
This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.
But the thing about this moment, is that it might not have been scrapped entirely...
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Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.
Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.
But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.
One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.
The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.
Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.
Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.
Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.
What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.
While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.
Which means she has likely seen him within the last 24 hours regardless.
This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.
Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.
Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.
Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.
We know Will is not younger than El, so how could this apply to him?
Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…
Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.
It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.
And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.
If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.
This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.
I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.
And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?
I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.
The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!
And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.
While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.
Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.
On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.
And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.
Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.
This leads to several moments where El is being compared to as not only a boy, but Will as well.
Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.
And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.
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The changes don't stop there.
Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.
Another thing that changed from the first script, was Scott Clarke's introduction:
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And so you might be thinking, who cares? What does that have to do with anything?
Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:
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Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?
Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...
I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.
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And the changes go on, as they obviously would.
Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.
And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...
If you've made it this far, congratulations.
If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘
#byler#stranger things#willel twins#twelvegate#montauk#as you can see#i am out of my mind#and i'm okay with that#i've spent the last couple months trying to make a video going over all the willel twin evidence#and i can't decide if it's even possible to do without going over an hour#like there is just so much shit that fits too perfectly into this family being ripped apart by mind control and time shenanigans#i hope to have it done soon#trying to make it less than 20 minutes#but it's probably going to end up being closer to an hour#especially with this stuff from the montauk pitch being added to the mix now#anyways#willel and byler are the curtain behind the curtain#if you are open to one of them#you are bound to stumble across the other#and they don't want that to happen#stay tuned for the inevitable twin imagery to continue in s5 related to willel leading up to the big reveal#bc it's arguably the most consistent thing about this damn show#and tbh this all just makes the queer-coding for mike in s1 a lot more concrete to me#them exploring will's queerness through his dad's expectations for him to do more 'manly' things like play baseball#and jonathan saying he shouldn't like things just bc people telll him he's supposed to#how they connect that narratively with the boys being at a baseball field when mike's being pressured about his supposed feelings for el#with the bullies showing up and literally being homophobic seconds later#the fact that jennifer hayes did in fact exist in the original pilot and was the girl mike had a crush on#only for them to scrap that and just make it about her having a crush on will...#never once introducing this idea of mike liking her...
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julesdraws · 1 month
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flustered (1)
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loquaciouscat · 1 year
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*Pats head* it's okay Reigen you tried your best
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iaminatree · 7 months
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glancing at the villainsexual ferdinand von aegir tag on ao3
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chocomars · 8 months
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I saw @/fett.clone’s story on Instagram of TCW Rex head put on Nik Sant body and had a moment of clarity where he ages normally, he’s in his 30s, and he’s a Commander of the Rebellion who’s overloaded with Trauma™.
I added the beard because that’s my fav look of him lmao
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Here’s the story by fett.clone
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POV: The Umbrella Academy gets tickets to the Barbie movie (2023).
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runefactorynonsense · 6 months
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Cozytober - Day 15 - Porch
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humanmorph · 1 year
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Lye „Lyke“ Lychen as a sacrifical altar (to Aterika’Kaal) (but he's also kind of the sacrifice)
my @secret-samol gift for @bronanlynch! for the Aterika’Kaal/Lyke prompt of „what if things had gone differently and Aterika'Kaal was still with Lyke“.
notes on this under the readmore!
AU
In this scenario Lyke would succeed in getting the heart of the Motherbeast in Episode 47 and while Alaway would notice & probably still call out to Aterika’Kaal the way he presumably did in canon, Lyke would be there and get to make a compelling case to Aterika’Kaal the likes of „If you stay with me I am going to feed you. I’ve taken care of you until now, I’ll keep doing that“ (argument supported by the fact he’s currently holding the heart of an incredibly powerful dead god). Aterika’kaal agrees and they barely escape through the Sanctum of the Stone Chorus portal. I think it's fun if Lyke then stays there after the hour described in the move is over, maybe knowing he can't convince Pickman & the others that what he's done is actually good, and fine, there's not even anything to worry about he has this totally handled, But yeah he then sets out from whereever in Sangfielle Aterika'Kaals domain is (Austin did say it was an actual place somewhere), and the rest of the Blackwick Group is left to wonder what the hell happened since Lyke just vanished! Alaway has possibly fucked off too after losing the heart. And them getting fired, the Carnival of Moted Light etc. would still happen (and I guess Chine would succeed at what they were doing since Lyke isn’t there?) and who knows if they’d take any action in finding Lyke after that! All that aside though, Lyke basically offers himself to feed on (through blood and/or energy) and to sustain that he keeps consuming(not literally eating) powerful objects/artifacts/resources and possibly eventually living things (I’d imagine he'd still take work as a „please deal with this weird shit for us“ person and when he has to kill a cursed beast or whatnot... might aswell feed Aterika'Kaal?) (What also plays into that decision, and is part of Lyke justifying this to himself, is that without him, Aterika’Kaal would become too powerful. So he aims to function as kind of a conduit & control the power intake so to speak. I think this probably doesn’t work for very long.) I think this eventually goes bad for him because it’s super taxing on his body and the whole deal kind of flips with Aterika’Kaal feeding/keeping HIM alive. He starts finding bodies in the domain again (alternatively, Aterika'Kaal gets better at hiding them because it knows Lyke doesn't particulary like it when it does that). Lyke probably gets stronger due to this power/magic wise, but also way more fragile (he's constantly anemic!). („I love you. I want us both to eat well.“ - Christopher Citro) („When I write of hunger I am really writing about love and the hunger for it, and warmth and the love of it and it is all one.“ M.K. Fisher) Notes: I put some resources Lyke’s canonically had in-game + some extra stuff in this picture (the arrow is a reference to Marn’s epilogue, the bugs are bugs (with possibly sinister connotations. If you want them to have those, it’s optional) and the fur is from the Ravening Beast). Another detail I came up with I might aswell tell you because otherwise noone might ever know: the ring with the blue stone is a gift from Es. Sketch Notes: 1. Lyke turning his head to kiss a rose / exposing his neck was one of my very first ideas/sketches I made while working on this, and I liked it too much to not include it. 2. This is supposed to be Aterika'Kaal giving Lyke a blood transfusion but it rather looks like it's feeding on him instead...! I like how the relaxed pose turned out. 3. I wanted to draw something smaller in a simpler style to fill the big canvas I was drawing these on (even though now I put them in separate files anyways...). The day I drew this I saw a tweet about a medieval monks sketchbook, so I was still thinking about that. I didn't even plan to color it originally but I ended up getting invested, haha
Inspired mainly by these 3 quotes: „KEITH: I’m a walking- I am a shrine to Aterika’Kaal.“ (Sangfielle 12: The Secret Ledger of Roseroot Hall Pt. 4) „KEITH: There's a version of dealing with Aterika'Kaal that ends with Lyke being satisfied that he rehabilitated a god or at least it looks […] like what he thinks Aterika'Kaal would have been before the YVEs showed up. That's probably his main retirement path, but it also might kill him instead.” (Sangfielle 47: Wax, Iron, and Ichor Pt. 4) „AUSTIN: As you’re fading, the last thing that you do is make this blood sacrifice to Aterika’Kaal. Your own blood.“ (Sangfielle 52: Six Travelers: Lyke)
#secret samol#sangfielle#friends at the table#fatt#rosa art#lye lychen#aterika'kaal#lyke#guy of all time btw this was such a joy to draw and think about#its so funny to me though because i almost put lyke/aterikakaal on my own prompt list but then for whatever reason didnt#and then i saw it on the spreadsheet (2) & was like 'man i hope someone picks them. i want to see this.' BUT IT WAS ME... IM SOMEONE....#@ those 2 people (one is eliot bronanlynch. i know this) especially: i hope you enjoy!!!!!! @ everyone else you too ok : )#the notes were in a pdf originally i didnt think id write so much.#i thought about making it bullet points maybe itd look neater on tumblr but i dont. want to... copy&paste it is...#this isnt the first time i painted digitally but it MAY be the first time ive had a good time with it#i used the twitter circle thing for the first and possibly last (until next secsam) time for this so i could post wips. for motivation#it worked : )#cool to see my actual progress#fun fact about the quotes i added i spent like. a lot of time to look for a better one than the citro quote#because i straight up just do not like the poem its from. i am ripping it out of its context. but it still sounds nice. i folded eventually#the urge to ramble on the the tags........ i will overcome it now and post this#ARGH i forgot tumblr doesnt take transparency on large files well.... it just turns white#well ive made it dark now on the painting it looks better than white but the original was transparent. know this#im posting this kind of late. relatively. i JUST got back from work
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kithj · 4 months
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fruitsyrups · 29 days
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i think your hat post is really cool and interesting but susan’s hat is a cat and i will die on this hill
this is true!!! when i was talking about the modern human hats not resembling animals i meant all of these ones
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(excluding the minerva-bots and finn of course)
#wait. wait. i just thought something#finn wearing his bear hat -> bc it makes him feel connected to the humans#and martin & the hiders (that old woman with the tiger at least) not wearing hats bc they don't feel that personal connection w/ the island#ok this is so obvious but i just think comparing and contrasting finn and martin is so interesting#but i don't think martin really was a hider. i don't think he felt particularly connected to any ideology or viewpoint in particular#he's a floater#yk#martin is so interesting#i dont like the amnesia theory or whatever (that martin also lost his memory in some capacity)#like to me its just that. he was able to commit enough to start a family but not committed enough to go back to them#after being seperated & having freedom#& he just super duper avoids thinking about it bc it makes him feel guilty. but not guilty enough to do anything about it#like when he said he doesn't like thinking about minerva cause it stresses him out that doesn't come across as 'can't remember'#it very much comes across as 'nah im not gonna expend energy into thinking about something emotionally difficult'#like if he actually tried to be a dad to finn he'd have to face all the time he spent not looking for him. instd of just avoiding it all#like where's the fun in making him less Complicated. you know?#whenever finn is in the vicinity martin's always tryna get out of there as fast as possible 😭#i guess that could also just be seen as him trying to avoid the consequences of his actions (like when he's worried finns gonna try to rip#his arm off lmao) but i personally interpret it all as a guilt thing too#none of this is related to the ask but yea 🫣
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kyouka-supremacy · 3 months
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#random rambles#Technically I'm done with this month's header since yesterday.#Practically I've been feeling so insecure about it I've been procrastinating looking for an icon or uploading it at all#Like it *was* natural to have a downgrade in themes I've said it myself a lot of times. After 24+ themes it's understandable I'd run out–#of inspiration (or even simply material) for the very cool stuff#That said. I did very much spend the whole entire day from when I woke up to when I (started studying at past 2am) went to sleep on it#That's what I get for working with the anime tbh. Bones artstyle is ugly there's little to be done about it#While making it I also came up with other two themes concepts.#One is probably going to replace September's plan and the other idk will probably slid to the next year#Idk looking at this year's planned themes lineup it all feels full of things I'm not skilled enough to make...#On top of everything this February's theme wasn't even what I had initially planned!! The one I had initially planned was a chapter 33 pane#Idk why I didn't follow up with it. Maybe I've just grown to think manga panels are too simple (terrible choice) (rip)#I think the thing that bugs me with both the initially picked image and the anime header I made yesterday–#is that there's no smooth transition with the blog. And I know it's not a big deal but pretty much all my themes do and it's bothering me..#And it shouldn't. Like nearly everyone uses an header that is sharply separate from the blog and they make it work#Uhm..............#Idk I should be studying besides.#I think I'll either go looking for an icon and see how the overall theme looks on the blog. Maybe I'll like it better then.#Or I'll just start over and see if I can use the ch 33 panel I had in mind and see if I'll like THAT better#It'd just be a shame if after all the time I've spent on it yesterday I'd just let it lie unused on my computer#There's also the fact that black and white of the manga doesn't feel very February-esque... (Don't ask)#Ugh. I hate looking for icons it's always the worst part 😭😭😭#I was considering the last Beast Atsushi illustration (because ofc I was) but idk. Idk if I can make it work.#And part of me is also like “don't use beautiful Hoshikawa Beast Atsushi on an ugly theme” LOL#But I also suffer heavily from the lack of Beast in this year's lineup.#Okay rant over. Shutting up now#Edit: If this month's theme is ugly please be kind#Edit 2: Jk I've found like four icons. Maybe I'm just very dramatic
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age-of-moonknight · 10 months
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“Danse Macabre,” Moon Knight (Vol. 9/2021), #25.
Writer: Jed MacKay; Pencilers and Inkers: Alessandro Cappuccio, Alessandro Vitti, and Partha Pratim; Colorist: Rachelle Rosenberg; Letterer: Cory Petit
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