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#I was convinced that they had done it
dandyshucks · 3 months
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being in love with a fictional character will make u produce art u didnt know u were capable of
~
[if ur part of the "fiction doesnt affect reality" crowd: please fuck off lol]
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waokevale · 2 years
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Raph did eventually stop abusing this power. Eventually.
12 years later and Splinter still has yet to lift this privilege.
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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stil-lindigo · 2 months
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DONATE THROUGH PAYPAL
DONATE THROUGH VENMO
Safebow, led by raindovemodel over on instagram, is a grassroots team currently doing their best to evacuate almost 200 Palestinian individuals from Gaza.
To do this, they had to raise over $300,000 in a very short amount of time. Amazingly, they not only raised that amount, but surpassed it to the point that they'll now be able to buy prosthetics for the hospitals they work with.
However, Gofundme has thrown a spanner into the work by going completely silent and holding up over half of their funds.
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They are on a time crunch as they desperately try to recoup their money before the border closes. Please donate to their Paypal, Venmo or Zelle. Their window of success is genuinely a matter of days.
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somegrumpynerd · 2 months
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When you find out years later that you accidentally named one of your henchmen
Image ID: A multi-panel comic featuring au sanses. Panel 1: In Killer's original universe. A dark figure stands in the foreground while Killer is sitting back in the snow, covered in blood. Killer says "wh-what are you?" Panel 2: The dark figure is Nightmare but only his smile is visible. He says "I am Nightmare, guardian of all negativity in the multiverse ...and I have a proposition for you, Sans." Panel 3: Nightmare's hand is outstreched, he says "Come with me willingly and I'll take you out of this desolate and barren universe and let you loose on many others." Panel 4: Killer is looking back at Nightmare warily, a thought bubble shows he is thinking "other universes...?". He says "...in exchange for what? What do you want with me?" Panel 5: Nightmare's tentacles are reaching out towards Killer. He says "I feed off the fear and misery and hatred in this world, stirring these up will keep me powerful enough to fight against the guardian of positivity. In short," Panel 6: Nightmare is looming over Killer now, his tentacles surrounding him. He says "I just need you to be a good little killer." The word killer is in red text. Panel 7: Killer is grasping Nightmare's hand, having accepted his offer. Panel 8: Now in a different au, Nightmare stands beside Killer as he taunts Dream, who is out of frame. He says "You're outnumbered now Dream, I have a killer with me this time." The word killer is in red text again. Panel 9: Dream is lying on the ground looking hurt and ruffed up. Killer is standing in the background, looking ready to continue beating Dream up. Nightmare says from out of frame "You should know better than to turn your back on a killer by now." The word killer is in red text again. Panel 10: Nightmare is standing by Killer again, looking smug. He says to Dream, who is not shown "You'll need more than that pathetic bow next time you meet with my killer here." The word killer is in red text again. Killer is looking towards Nightmare, pleased with this. Panel 11: We are now in Nightmare's castle, present day. It is revealed to be Killer telling these events to Dust, who looks bored. Killer says "-and the name stuck, so that's why I'm called Killer now." Dust says very quietly "did I ask" Panel 12: Nightmare is standing in the corner behind them, he looks very surprised and concerned after hearing all this. Text with an arrow pointing to him reads "Didn't realise he had done this." Killer from out of frame says "he doesn't really call me his killer anymore tho" with a frowny face. Dust, also out of frame, says "that's nice now shut up" End ID.
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hyperionwitch-art · 4 months
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Did you think I was done posting art today?? Let's officially ring in 2024 with the Terrible Kids! This time in Ald Ruhn, enjoying some delicious sauced meat on flatbread.
Tev/Dren Masterpost
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slythereen · 6 months
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lestappen playing padel publicly… rbr and christian posting lestappen content… openly supporting their friendship all of a sudden… do you think christian horner sent max on an extraction mission
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mayhemspreadingguy · 1 year
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aaaaand it's finally done :D. Coffee shop date.
Why use a chair when there's the better option?
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ganondoodle · 3 months
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im quite tired of talking about totk, like im sure you all know by know just how frustrated i am, but something i still strongly believe was the logical, and best thing to do in a sequel.. -
while botw was about you feeling lost in a strange world with neither you nor link knowing anything and both discovering it as you go, the theme of lonelyness and isolation, freeing the spirits of dead friends you need toremember again, in the end finally reuniting with one of the only friends still alive, after a 100 years
totk should have been about community, about working together with zelda at your side, as a companion, after having been seperated for so long, and seeing nothing of the time between titles, this should have been her travelling alongside you, after botw you'd WANT to spend time with her and get to know her more, her being the diplomat, the archtitect, the scientist, the translator of old texts, a historian trying to find out the truth about what her fathers kingdom was built on, to right old wrongs perhaps, for a better future- theres so much that she should have been, so much of her character was primed to go into this direction- and instead she is a pretty prize with no personality you get at the end like this is an 80s cartoon still
(this is disregarding the whole fact that ganondorf, AS WELL, should have been a giant factor in all this, in the history of it all, to explore his character and his actions, to have zelda research and find out about histroy clearly written by the victors- theres so much potential depth here that it dirves me crazy, botw was such a set up for more that was wasted, utterly wasted, for something i wouldnt even want to call paper thin bc even paper has more depth than anything in totk)
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danthropologie · 9 months
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Christian Horner about Daniel Ricciardo's return to F1 | ESPN F1 Unlapped, August 3, 2023
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why-the-heck-not · 2 months
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insomnia? do u mean my true crime podcast time
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chloecherrysip · 11 months
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Mario watching his and Luigi's commercial in Punch-Out Pizzeria
#mario movie#mario movie spoilers#mario and luigi#super mario bros#super mario bros movie#super mario bros movie spoilers#cherrysip edits#if you got notifications about gifs from this set yesterday shhhhhhh i was having PROBLEMS#anyway i'm currently working on a gifset for the whole scene of mario getting back up in the pizzeria but then I HAD THIS IDEA#and i was like 'wow that sounds like a comparison that's going to cause me emotional pain' and i was right it absolutely did :) :) :)#[gesturing wildly to gifs while tears stream down my face] U DON'T UNDERSTAND MARIO IS IN THE EXACT SAME PLACE BOTH TIMES#the first time he's nervous but also SO excited and happy about what the future is gonna bring and seeing this commercial is#the culmination of everything he and luigi have been striving for and they're holding each other tight and the world feels wide open#and the second time everything is different. mario has been beaten down. he is terrified and aching and exhausted and convinced#that everyone has been right about him. he's a joke. he's a failure. the only thing he's ever done for his brother is drag him down.#but then he sees the commercial and everything comes back. the joy and the excitement and him and luigi against the world#the only difference is that he doesn't have his brother next to him and that's everything. mario doesn't feel whole otherwise#mario always does his best but when he and luigi are together working in sync he truly feels like anything is possible#and now his brother is out there somewhere in the chaos and bowser isn't gonna stop. he's gotta get up again. he does get up again.#IT'S A LOT BASICALLY. IT'S A WHOLE LOT AND I LOVE THEM DEARLY
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zeb-z · 6 months
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talking entirely character wise. do you think today was a bit of a wake up call for bad. do you think he heard red screaming out of their minds begging for toxic gas and thought about how they’ve lost their minds just a little bit. do you think that when he was given an immediate no when he asked where the red egg was to help them defend he understood how deep of a rift he created. do you think as he sat there silent while the rest of red cheered at killing the egg statue, he wondered if he could have pushed them a little too far. do you think that maybe, just maybe, with the red sun beating down on him in that desert, the gas mask team cheering and dancing, he felt for a single moment the consequences of his actions? that maybe, if he hadn’t started out so hostile with extreme tactics, if he hadn’t been so bloodthirsty and ruthless, if he had had just a little bit of hesitation, that his own attempts at diplomacy would have gone over better? that the rest of the teams would have listened? that red would have trusted his judgement on the egg statues, or at the very least respected him enough to honor an agreement? do you think he realizes that burning his bridges may have fucked him over?
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pigtailedgirl · 26 days
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love, even when it hurts, doesn't mean ends
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Look, if this moment of supreme angst lives rent free in my brain, it can in yours now too.
This is my COTW moment. The my ship, has been absent for this run of the series, but she was never gone. That look of devastation! That Ray choose to run in front of the bullet this time. Again. That Sarah Mclachlan’s Full of Grace plays over the hospital scene and the lyrics “I know I can love you much better than this” hits in full sound with the exact beat Fraser looks at Ray, and then he tells ghost Dad, ya you went on a revenge hunt to kill the man who killed my mom, your wife, I understand, “I would have done the same”. And then leaves to go get this same guy, you know, who just shot Ray. Yeah he’s still talking to himself alright. I CANT HANDLE THIS.
I don’t care that canon went the way it did really because I take this. This moment says everything I needed in my soul to sit here 30 years since start later still going that, that was love okay. And just because it was their last scene together, that hospital one, or just cause Fraser walked out that door and into partnership with Ray K and back to Canada… They still have and had me with the unclosed question and my own answer of the subtext of why. The age old full-circle of Fraser. “I know I can love you much better than this”.
Proof, separation never means ending for my F/V love.
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sapphicsnzs · 18 days
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me looking up if my cat can tell if i’m sick. it says they might be able to sense a change in energy but i whole heartedly believe my cat can tell. like she’s so much more cuddly and she’ll just lay all over me and cuddle right up to me when im sick or sad. anyways i love my sweet angel baby
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blackhholes · 6 months
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Teen Wolf as Horror Subgenres
Season five B: Gothic Horror
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