I'm doing a very slow reread of orv with some friends, but since I can't talk about my spoilerous rambles with them too much I have decided to make a post here to get my thoughts out. Up to chapter 25, I've been surprised by the amount of little hints we're already getting for larger plot points and the things that are recontextualized now that I'm looking with hindsight rather than experiencing it for the first time, which really speaks to how phenomenally written orv is on a fundamental level. By the time we get to the 3rd scenario, we've had Dokja mention his mother once, when he briefly worries over her safety. Then we get this line:
"I looked around at the people. The first scenario was original sin. Thus, none of the people here were innocent.
That made it more disgusting. Those who trampled on someone else to survive, who couldn’t even bear responsibility for their own life."
Of course it's firstly talking about the lack of morality in this world, when faced with the truth that between the major and minor groups of Gumho station, one fact makes them equal: they are all murderers. The use of the phrase "the original sin" caught my eye because when looking at Dokja's life, murder is his original sin- the murder of his father. That is what sparks the events leading up to this point. It is the true original sin of this world. However, that being followed by "That made it more disgusting...who couldn't even bear responsibility for their own life," is rather hypocritical in that regard. We have no way of knowing exactly how much of that night Dokja remembers at this point of the story, so there are 2 ways to interpret this in regards to his father's murder. 1) Dokja does not remember that he murdered his father, but remembers that his mother had taken responsibility for her crime and served her sentence. In regards to here the people of the minor are far inferior because they cannot adapt the way Sookyung did to their crime. 2) Dokja does remember that he murdered his father, and this disgust is equally leveled at himself, because he knows his mother is innocent but that she took responsibility from Dokja. Thus Dokja of back then is just like these people, unable to take responsibility for his crime.
Then, later on, we see the text, and Dokja specifically, focus on this particular pairing in the minor group.
"The people started to move. All in all, they were people who had already killed.
“M-Mother!”
“Dayoung, come here! Do this! Just like what you did on the subway with Mother!”
Children and mothers."
Then in Chapter 25 we have:
"I honestly admired that the mother and child survived the bloody fight. If she had that much strength, they might be able to survive without going with us."
The English translation doesn't exactly lend itself to identifying the gender of the child, and I am miserably monolingual so I'm not sure if the original text specifies Dayoung's gender, but for thematic reasons I'm choosing to imagine them as a mother/son paring. In that regard, Dokja choosing to notice them out of everyone else, when he's an extremely apathetic person in these early chapters who doesn't care much for those not directly related to him or the story/his survival is very notable. I can't help but think he sees himself in that, as both the son of a murderer and a murderer himself. It's also notable that when complimenting the pair, he only focuses on the mother's strength. Which like. The subconscious projection is so real. To Dokja the child didn't do anything it seems, it's only because of the mother's strength that they will be able to live on.
I'm sure I will be back to add more info on this as I trudge through the novel because Dokja and Sookyung's relationship makes me mentally ill all the time but for now I shall simply lay down and ponder(tm)
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good morning. neuvillette with a dragon!child!reader who, once everything blows over in fontaine, goes to find furina and gives her the biggest hug. they've known her for a very long time. and many times, perhaps she almost, almost cracked to them... but her resolve stood strong every time, and she would backtrack with a laugh and some dramatic flair.
while they can't understand how badly she must have suffered, because they aren't human and their mind is not so fragile, they can at least imagine it. and they can't help but think that maybe she doesn't want to be alone right now; she's been alone for five hundred years. if she wants to be left alone... that's fine, and they know she'll tell them that, but at the very least, as one of her best friends (perhaps her very best one), should they not go check on her?
idk i'm going to play her story quest today probably so i will return with more thoughts!
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thinking about Tatiana makes me so ill she's so tragic and strong and she was never fucking mentioned again after emerald secret.
she was an organic wolf and she got FORCED into an uncomfortable, foreign human form by Micheal + ein for literally no reason (they NEVER use or bring up these body-changing forever potions again) and is stuck that way forever. She was forced to follow ein in order to protect her pack. But at the end of the day, she gets her revenge. She's the one who kills ein. And tHEN SHES FUCKING GONE NOT EVEN A MENTION NOT EVEN BY AARON AS IF HE DIDNT BEG HER FOR INFO AFYAFSOXUXO
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