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#I’m already losing it
sunglassesmish · 7 months
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https://x.com/casrights/status/1708541603462119599?s=46&t=C_twoBlJmxDu2Nz9W99Q2A
a little glimpse at the soft sweater thing 🤭
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AHHHH
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ckygetsjobs · 2 years
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I want ryan and steveo I’m going to lose it
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sixofbabycrows · 4 months
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i really hope we get the whole series adapted cause the percabeth edits are gonna be insane once we get season 5
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starlightseraph · 5 days
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i actually hate house and wilson like what do you mean you talk about railing each other constantly and you live together and you’re the only people you want during the most important times of your lives and you canonically say i love you but when one of you is dying you refuse to say it unless they try everything imaginable to survive and you quite literally can’t live without each other and you nearly die multiple times because of it and you save yourselves for each other and you run away from everyone and everything to ride off in the sunset together and live out the last days of your lives just with each other. what do you fucking mean.
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minty364 · 5 months
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DPXDC Prompt #97
The Justice League fought hard against the anti ecto acts but unfortunately it wasn’t enough and the laws were passed anyways but not before a clause was added to them that states the JL had the right to pull a ghost out of a facility of they had potential to work for them. When they see the potential hero Phantom is caught by the GIW they of course do their best to acquire him. Unfortunately the government sees Phantom as JL property now instead of his own person. Phantom seemed content being trapped on the watchtower and explained it was better than whatever the GIW was planning. Superman thinks something weird is going on with the ghost as when he supposedly went to bed in the room he was assigned he’d temporarily gain a heartbeat again. Constantine is just glad the young prince hasn’t decided to kill anyone in the US congress yet for passing such a ridiculous law. Batman’s adoption senses are tickling.
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prayingfordemise · 4 months
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FUCK THIS PLACE, FUCK EVERYTHING, FUCK EVERYONE, I HATE EVERYTHING. I JUST WANT TO FUCKING DIE OMG
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ladespeinada · 4 months
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usernameyettocome · 5 months
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yk what screw netflix i’ll film the spinoff myself so here’s inej (and nina)
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o-wild-west-wind · 7 months
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who wore it better
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kelenia · 2 years
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Watchout, it’s the Shen brothers!
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turtleblogatlast · 1 day
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[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
#rottmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#rise karai#rise leo#rottmnt karai#rottmnt leo#I think a lot about these two in particular#and how that dynamic could have flourished#the way it was depicted in the finale is so purposefully unique and painful like#that hug man#can you imagine how much more heartbreaking that would have been if we knew her longer#not that it wasn’t already sad but we just simply didn’t know her long enough to be completely attached#also imo having more episodes with her and in general would have presented something I’ve been thinking about since the finale#so like - I like to think each bro kinda immediately leans more toward certain family members#Mikey has Draxum#Donnie has April#Raph has Splinter because this is another one that would be SO GOOD and make the finale moment where Raph sees his memories hit harder#if they had an ep or two more of Splinter and Raph together bc I really do feel like Raph respects Splinter most of the four#and finally- Leo has Karai#and then he loses her#imo? this would align with the movie even more#because it was the act of heroism that kinda killed her in a way - makes sense that Leo would initially be leaning away from that#and yet he ends up exactly like her anyway#haha sorry for rambling I just really love the interesting dynamic these two tend to have#and it’s a shame we didn’t get to see it really explored in rise#but yeah make no mistake while I’m focusing on Leo here I wanted more for all the boys and karai#Mikey’s little moments with her were so sweet and we already know how much he yearns for more family#Karai being from an age long gone would mean she’d be super impressed by literally any invention Donnie has (adult validation!!)#and could you imagine her training with Raph - with this training being referenced in the finale?
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autism-alley · 3 months
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hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.
the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.
the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.
so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.
something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?
the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.
it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.
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smokbeast · 2 months
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I have some scribbles here and there but I haven’t had time to fully clean em.. but sombra concepts I been cooking with @skelekins and his oc imi taming sombra’s beaft moments,,
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carpisuns · 1 year
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doodle dump for the huntlow fic ever by the illustrious @lollytea
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fairyfortalliance · 6 months
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the imagery of no health regen…… wounded skin that doesn’t heal…. torn clothes….. burns…. scorch marks….. bite marks….. blood everywhere…… unraveling bandages…… oh…….
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accio-victuuri · 12 days
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i’m someone who can’t get enough of (fake) stories from the time of cql shoot. so when i see a “story” that i haven’t before ( or maybe i did but forgot about it ), i get excited. lol. even if it’s not a juicy kind of information— i’m cool with it. 🤍 i like this one cause OP seems closer to wyb, it’s more of a short analysis of him & his relationship with XZ during that time.
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the usual disclaimer: these are all fake and treat it as fanfiction. obviously, this content is for cpfs. if you don’t like it then scroll along. if you are somehow offended by stuff like this, it’s your problem. feel free to unfollow or block me.
i got the screenshots over here. enjoy!^^
W often catches up on sleep as soon as he gets on the car because he has a lot of engagements. He doesn’t talk much. Last year, he was not in good health. He had a cough and fever and went to get an IV drip at night. Many fans knew about it, so he talked even less in private. Later, I found that he talked a lot on the set. This is a matter of opinion. He needs to refresh himself when he is so tired.
But he does have a good relationship with X. He is not very outgoing, so he should not have many friends, but he is not the kind of person who really looks down on others and does not talk. Many times he does not know what to say (personal feeling hahaha), so he does not start a conversation. Some people are like this, thinking that it may not be meaningful to say it, so they do not say it. He has changed a lot in recent years, and this drama he has successfully made friends with X.
W didn’t communicate much with me. After all, we had never met before, so I could understand the distance. Once, I was discussing tomorrow’s arrangements with the coordinator. He had just finished shooting a scene and passed by me and suddenly asked me if I had a hemostatic patch (this is a consumable item in the crew, and I had just used it up and didn’t bring a new one). I was shocked. I said no, and he didn’t say anything and seemed to go to the bathroom. Later, I don’t know where he asked, but it was a very girly pattern. I feel that he may have asked around, but I didn’t see him use it. That day, I saw a new hemostatic patch on X’s leg, but it wasn’t the one that was used by the transporter?! When I was chatting with the coordinator, I found out that someone had given it to X first, and W saw it and quietly put away the one with the girly pattern. At that time, he had just joined the crew not long ago. Because we were really not familiar with each other, he might have felt that it was too obvious and a bit embarrassing.
W and X have a lot of scenes together. As the main characters, they interact a lot, much more than what is shown. X is not as talkative as the footage shows. On the contrary, he is a person who cares about other people's feelings. In the footage, we can only say that he was: 1. He fainted from the heat (he almost had a heat stroke), 2. He was too tired, and 3. He didn't expect that everyone would exaggerate it. W was the same. He was just joking and making faces, just like everyone would have some such pranks when they were in school. When he felt something was wrong, he quickly changed the subject.
The main reason was that it was really tiring and hot at that time. Every time I went to the scene, I felt that I could get a heat stroke at any time. They also wore long robes with wide sleeves, which was very hard (W didn't dare to eat too much to maintain the fairy feeling of the character) In short, although this matter fermented a lot, it did not have any substantial impact on the relationship between the two. At that time, the crew also knew that this was their childish behavior and was used to it. After all, they were like this all the time. The two are ordinary people who are more casual in private. If they have a good relationship, they will definitely play around, but they will not be fussy about such trivial matters. W's personality is very interesting. He will suddenly act weird and then return to being calm. When he acts weird, he acts seriously. When he is silent, he is serious. I later thought that this kind of personality may have something to do with his love of street dance, motorcycles, and skateboards. Whether it is physical, emotional, endurance, psychological quality or anything else, he wants to try to touch or even challenge the upper limit in all aspects. He is a true adventurer. Most of these people are quite opinionated. He also said that he is a male chauvinist and has a strong desire to control himself and the outside world.
A double-edged sword, not a weakness. Being serious is good, but it is always difficult for people to grasp the precise degree. If you exceed the limit, you will develop a conditioned reflex of vigilance, which will prevent you from revealing too much of yourself, and on the other hand, you will be wary of outsiders' attempts.
This kind of self-defense is actually related to his experience. One is that he left home very early to work hard, and the other is that he went to Korea for training. You must have heard about the trainee system there, which is fiercely competitive and full of intrigues, and it is easy to fail. Many young trainees don’t have much life experience. No matter how cautious they are at the beginning, they may not be able to play better than the older or Korean people. The habit of not offending others for many years has become one of his personality. I am not so familiar with W, so it is difficult to remind him, but I found that he has improved in his relationship with X. It is very subtle. It is generally a good thing. Hahaha. Maybe it is also due to experience. X’s past is relatively simple. He entered the circle a few years after graduating from college. Before entering the circle, it was relatively smooth. It’s not that he has never experienced setbacks and lows, but it is definitely not as shaky and cautious as W faced during adolescence. It directly changed a person. I believe that W is still a positive and enthusiastic person in his heart, but he doesn’t show it easily. He needs someone to guide him.
What I really found strange was one time when the two of them were standing on a downhill slope. The scene was built in a studio and was a bit high. X walked in front of W and slipped. There was a few steps between the two of them. W rushed forward in two steps and quickly grabbed X's waist. They both almost slipped. He intended to grab his arm with his fingers spread out, but he miscalculated and poked X's lower back. We shot that scene in two or three takes and it was passed. After that, W's hand was a little swollen. I found some ice cubes to apply to him and it stopped swelling, but it looked painful. There were still a few scenes that day, but he didn't tell me because he didn't want to delay the progress. He applied ice when he left the camera. Because he had to go to the hospital for an IV drip after work, I thought I would deal with it together.
The strangest thing about this incident was not his behavior, but that X did not see W come down to apply ice, and came over to ask if his hand was okay. W directly stretched out his hand to show him, twisting it vigorously, shaking his fingers flexibly, trying to prove that he was fine, but X grabbed his wrist and looked at it clearly. X said that it was swollen, and W said it was caused by the intravenous drip. X muttered a few words of doubt, and saw that there were indeed many needle holes on the back of W's hand. He believed it a little. I was about four or five meters away at the time.
The director often asked them to be more ambiguous. At the beginning, it was quite awkward because they were not familiar with each other, but it was fine after they got used to it. X made a lot of small moves, and W would shout his name when he couldn't stand it anymore. W was very smart and could find the door. He didn't lose to X at the beginning. It was forbidden to move. It was common for them to insult and fight each other.
Many people are talking about the drinking scene, so I'll share another one. After the day's shooting, W took off his makeup and walked unsteadily. After walking out of the studio, he was looking for something. I said the car was over there (the exit was narrow and the car was a little further away). He said he knew, and then he turned around and pounced behind me, which scared me. I subconsciously turned around and hid, and found that X also came out, but he hadn't taken off his makeup yet. W stuck to him like an octopus. X was also scared, and his wig was pulled by W, and X screamed in pain. His assistant came out the next second and quickly pulled W away. I reacted and supported W. X was not angry, and told me that W had secretly drunk some more later and might be really drunk, so he asked me to make some honey water for him to sober up. I said okay, thinking where would I find honey water in the middle of the night. W is very thin, but very strong. X's assistant couldn't pull him away completely.
I am a little anxious, but I can’t say anything, I can only worry.
X was in a good mood, and cheerfully patted him and said, "Isn't W laoshi known for not getting drunk even if he drinks a lot?"
W didn't refute, and hugged him so tightly that I felt X was about to suffocate, and then X said: "It's late, see you tomorrow." W let go as if he had suddenly lost his temper, reluctant to let go, wanting to look at X but not daring to. I don't know why, but I felt that he was a little sad.
X joked with him: "Go back after you graduate from kindergarten.
W said sullenly: "I will definitely beat you next time."
X changed his tone of voice and complained: "W wants laoshi to win everything. save me from losing a few times, okay?"
I went back to the hotel and asked X's assistant who the winner was. She said that the two of them competed to see who could talk in the other's ear without blushing, and the loser would drink a small sip. I was speechless. No wonder he rarely played mobile games last night, and went to sleep after chatting on WeChat (he got off work earlier yesterday). It turned out that he was saving his energy to play this today (wrong). I asked again, "No one took the photo (mainly referring to the fans who were waiting there.)" She said that it should not be possible, because the place where the two people were standing was difficult to take a photo.
-END.
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