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#I’m on a rewatch spiral can you tell
crxzysawfangirl · 10 months
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Spiral is so homosexual because why was there a song about toxic love playing in the background while willam and zeke bond??? Gay reasons that’s why.
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reiderwriter · 8 months
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More Than Words
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Pairing: Spencer Reid x Female BAU!Reader
Requested: yes
Summary: After telling a white lie to your family about your relationship status, your forced to beg your coworker Spencer to pretend to be your boyfriend for a weekend wedding.
Warnings: Light smut at the end, penetrative sex, creampie, mentions of Spencer's childhood.
A/N: Thank you for the request on this one! Ever since I rewatched Season 7 and saw Spencer dancing with everyone at JJ's wedding I've been thinking non-stop about him just holding you close like that and I'm going to shut up now because 8k words of that is more than enough lmao.
You can find my masterlist here, and I just started posting all my stuff on AO3 as well, so if you prefer to read there, check it out!
Despite knowing about your brother’s impending nuptials for the last 18 months, it was in the final two-week stretch that you actually started panicking about getting the date that you’d promised them. It was one sweet little white lie that you had made that had just spiraled out of control, but you’d yet to actually manifest the secretive boyfriend who was “very real actually, mom, he’s coming to the wedding actually.”
It was that statement that had sealed your fate, and always one to wear your emotions on your face when you weren’t on a case, it wasn’t long before someone noticed your building anxiety and guilt.
“Okay, spill Y/N. You look like you just witnessed your favorite author kick a puppy or a kitten or something,” Penelope said when you dropped some files off in her room that morning, spinning around on her chair to face you as soon as she caught your reflection in her monitor.
“It’s this wedding I have to go to,” you sighed dramatically, falling into one of the other chairs in the room kept for visitors.
“Want me to help you get out of it?” Penelope offered, patting your hand comfortingly.
“I’m not sure my brother would be too pleased about that, since it’s his wedding and all. My mother would drag me down all the way from here herself if she had to.”
“Okay, so a no-show is a no-go. Then what gives, my sweet avenging angel? There has to be something serious to get you looking all glum.”
You sighed and ran a hand through your hair before straightening up and leaning into Penelope more, creating an air of secrecy.
“Promise you won’t tell?”
“Oh sweetie, if only you knew the secrets these four walls held,” she replied dramatically, pulling a laugh from you.
“Last year, I was so, I don’t know, jealous I guess, of all the attention my brother and his fiancee were getting because of the wedding, and it just felt like every time my mom called me, she would only want to talk about them because of the wedding. I felt left out, and I already live so far away anyway, so it’s hard to have that connection with people back home, so I might have told a small, tiny, inconsequential lie that now actually has consequences?” Your face flushes at the confession, and you can see Penelope trying her best not to blurt out her thoughts, intent on letting you continue.
“I told her I was seeing this guy. He’s amazing, he works in the FBI just like me, and he’s smart, and he takes me on dates to these amazing places, like museums and interesting restaurants and to book fairs. I told her he was handsome and that he looked at me like I put the stars in the night sky, and he just doesn't exist, Penelope. And now I have to disappoint my mother again by turning up to my brother's wedding without a date.”
“Oh sweetheart,” was all she said for a minute, and the sympathetic look on her face made you want to run out of there immediately.
“I know, I know, I need to tell her the truth, but I don’t want to do it at the wedding and spoil her happiness. She loves weddings.”
“And this fake boyfriend is supposed to be your plus-one?” she asked.
“My invitation read ‘To our darling sister and her mystery man,’” you groaned, wondering how you could have been so childish in the first place. You’d acted like any child on a playground would, inventing lies to make yourself seem more important and cooler.
“I think I have the perfect solution for you, angel, but you might not like it,” Penelope grinned from her chair, leaning back and playing with the pen in her hands nefariously as if she’d been waiting for this chance her whole life. You didn’t trust that look, but you had no other option, so you took a deep breath and listened to her plan.
–X–
Three days later, and you were suddenly pacing the hallways with a coffee and a croissant, poised and ready to kidnap an FBI Agent the second he passed you.
At first, you’d laughed at the suggestion she’d made, outlandish as it was. But 72 hours of reflection, and a timely phone call from your mother, and suddenly you were on board and ready to lock on to your target. You stopped pacing when you heard the elevator ding, signaling the arrival of Spencer Reid. You were thankful that his schedule was so regular and timed down to the minute that you had just enough time to ambush him in the hallway before any other member of your team noticed.
“Spencer! Here I bought you coffee and a croissant from that cafe I mentioned a while back,” you panicked, unloading the gifts into his arms quickly, taking him off guard, before checking left and right before pushing him into the nearest empty room and shutting it behind you.
“Good morning to you, too, Y/N. Is there a reason we’re in a closet right now?” he asked, looking down at you with knitted eyebrows.
“Yes,” you gumped, afraid to say anymore.
“Are you going to tell me what the reason is?”
“I need you to be my boyfriend for a weekend,” you finally blurted out.
“You need me to… Just for a weekend?” He looked confused, and you felt your cheeks flame up, as you tried your best to explain the situation for him.
“My brother is getting married in LA this weekend, and I need a date. I told my mom last year that I was in a relationship with a really great guy who also works for the FBI.”
“Oh. So, you broke up with him and don’t want to tell your mom?”
“No, he never existed. Long story, I can explain on the plane, but I really need you to come with me! I’ll pay for everything, and I’ll even get you this coffee and any pastry of your choice every day for a month, please, please, please!” You begged him, so desperate that you were moments away from dropping to your knees and grabbing his leg, refusing to move until he acquiesced. You didn’t have to in the end.
“Oh, sure, I’ll go. When did you say it was?” Your jaw fell open in shock, and it took a few seconds to pull yourself back together as you reacted to his words.
“This weekend? The flight is tomorrow at 6 a.m.” You smiled sheepishly as his eyes bugged out of his head.
“This weekend? What were you going to do if I said no?” He laughed at you a little, taking a sip of the coffee you bought him.
“Honestly? Plan B was to cry, and plan C was to kill off my mystery man in a freak accident.”
“Wow, we just started fake dating and you’re already trying to bump me off.” His smile made you burn hotter than before, as you playfully hit his arm in response.
“Stop saying we’re dating. I pulled you in here to ask you privately because I didn’t want weird rumors circulating in the office,” you pouted.
“Then you better let me out of the closet, Y/N, before people think we’re doing something we shouldn’t be. At least three people saw you drag me in here, you know.”
With that, you rush to open the door and run out, shouting a reminder back at him.
“Just be ready, okay. I’ll see you at the airport at 6 a.m.”
–X–
The flight, despite being ridiculously long, was altogether quite pleasant, and you made it back to California in one piece, Spencer trailing behind you like a lost puppy for a while, letting you take up the role of “airport dad” as you guided him through the airport and to the hotel where the wedding was being held.
“So what’s our cover story?” He asked in the taxi on the way there, breaking the comfortable silence.
“What cover story?” you asked, looking up at him from your phone, still focused on just getting to the destination.
“Where did we meet, how long have we been dating, how much do they know about me?” He listed off the possible questions that his parents were absolutely going to interrogate him with soon. “I need to prepare so we don’t get caught out, right?”
“Oh, right. Based on what I told them, we met at work and we’ve been seeing each other casually for about a year now. I didn’t give them a name yet, which annoys my mom to no end, but I was always pretty private as a child so she didn’t find it all that suspicious. Other than that, they don’t know that much about my mystery boyfriend apart from the things we’ve done together.” He listened attentively as you spoke, taking each of your words in and committing them to memory.
“What was our first date?” He asked.
“Coffee shop. That place I got you the coffee from earlier, it’s called Flondon. I’m a regular there, so it made sense to use it in my story.”
“What else have we done together?”
“There was a book fair in New York a few months back that we, uh, spent the weekend at. You surprised me for my birthday with the tickets.”
“Wow, so I’m a really great boyfriend then.” He joked a little, and you let out another groan of annoyance at his teasing. You didn’t get the chance to finish your conversation though, as the taxi finally pulled up to the hotel.
You climbed out of the taxi after paying the driver, Spencer having already left to grab your bags, before walking into the foyer of the hotel.
“Y/N, just one last thing before we go in,” he stopped you at the door, grabbing you by the arm gently. “Are we… the, um. Hotels tend to get booked up pretty early for weddings, and I’m sure your family will be suspicious if we don’t share a room so…”
He didn’t have to finish voicing his thoughts before you were cursing, not having made the connection before.
“Shit, you’re right. My brother made the booking for me months ago. We just have to go in and get the room key but I totally forgot… It’s fine, right? We’ve roomed together on cases, haven’t we?” You asked, looking up at him.
“No, we haven’t. 67% of our motel bookings allow for single occupation rooms for Agents, I end up sharing a room with Morgan for 15% of overnight stays where double occupation is necessary, Hotch for another 17%, and the remaining 1% is made up of outliers where I had to share with Rossi or Prentiss, but we…we haven’t shared before.” He gestured between the two of you for a moment there, letting the facts sit with you.
“Spencer, it’s okay with me, is it okay with you? I understand if you’re not comfortable with it. We can just turn around now if you want.”
“No, no it’s totally fine. I just wanted to make sure you’re comfortable with it. Morgan says I snore, so I guess I’m not the best roommate in the world.” He smiled at you then, reassuringly, and moved his hand down your arm until it reached your hand.
You looked down at where his hand had entwined with yours and your heart gave a little jolt. Spencer didn’t like physical touch, and you knew that. You tried not to initiate any contact with him, despite being a touchy person, but there had been times after particularly tough cases and with close calls where you’d thrown yourself into the nearest person's arms, and he always happened to be near.
But those hugs had been thoughtless, natural reactions to stressful situations and this was intentional, and more importantly, he’d started it.
“Sorry, I just assumed we should get used to, uh, touching each other, I guess? We’re going to be doing it all weekend, you know, might as well start now.” He gave you an awkward closed-lip smile, and you giggled at his awkward explanatory tone. Squeezing his hand a bit, you grabbed your suitcase again in your free hand, and pushed open the door with your shoulder, pulling Spencer in behind you.
The lobby was filled with people arriving for the wedding, and you instantly spotted three cousins and two aunts from across the room, giving them a little smile as you made your way to the reception desk, Spencer right at your side.
“Hi, reservation for Y/N L/N, please.”
“Sister of the groom, right? Your mother asked me to give her a call when you arrived. Please wait one minute.” She handed you your key, and you felt yourself go pale, turning around to Spencer for reassurance.
“Oh god, she’s coming now, what do we do?”
“Y/N, calm down, it’s okay, we knew we were going to have to see your mom tonight at the reception anyways.”
“You’re right. Okay, right. Okay.” You breathed out, as Spencer wrapped his other arm around you, holding you in a closer embrace while keeping your hands locked together.
“One of my aunts is looking at us. She looks like she wants to say something. Oh god, she’s coming over, Spencer act natural,”
“Saying act naturally is actually counter-active-” but he didn’t have time to finish before you had turned to greet the older woman, disentangling yourself from Spencer’s arms as you hugged the woman warmly.
“It’s so good to see you, Y/N, you know how we all worry about you doing that job of yours. The other week we saw you on the news about that tragedy with the young girl…” she trailed off, giving you a worrying look before quickly shifting her gaze to her actual target, Spencer.
“I think I saw you too, young man. You must be Y/N’s boyfriend,” she smiled at him, waiting to hear a response so she could return to the other matrons with the gossip.
“Yeah, nice to meet you, I’m Spencer.” You could tell he was thankful that the woman hadn’t stuck her hand out to shake his, as he positioned himself mostly behind you, keeping his hands occupied by letting one settle on your hip and the other keeping a hold of your suitcase.
“Spencer? Spencer Reid?” You heard your mother before you saw her, turning around in your place to finally see her, as Spencer whipped his head around as well. “I’ve heard so much about you. It’s so wonderful to finally meet you.”
Your mother had none of the restraint of your aunt, and unfortunately, you’d inherited your clingy side from her, which is why she immediately swooped in to give Spencer a hug. To his credit, he greeted her warmly as well and didn’t avoid the touch, but he kept it short and polite nonetheless.
“Mom, how did you know…”
“You tell me about your coworkers all the time, I’m just surprised I didn’t work it out sooner. I always said that you talked about that Spencer with a fond tone, you should ask your father, he’ll tell you that I did.” You rolled your eyes at your mother’s words, doing your best to avoid Spencer’s gaze. He’d fallen back into place by your side as you greeted your mother.
“It’s so nice to finally meet you, You know, Y/N has been keeping you as this big secret for the last year, and it’s so nice to see that you’re actually real. You’re here!” She sounded so excited for you that your heart almost broke under the weight of your guilt, knowing that you’d have to come clean at some point after the wedding. As it was, you were already going to have to try really hard to avoid the photographer and videographer throughout the night so you didn’t have to be constantly reminded of your idiocy whenever your mother got the photo albums out,
“Sorry, the two of you are probably exhausted after that flight, right? Go and get yourself unpacked. The rehearsal dinner is at 8 p.m. so we’ll catch up then, sweetheart.” She left in a whirlwind, having deposited you next to the elevators, and left you with no other option but to do exactly as she said, making your way to your space for the weekend.
–X–
The following few hours had been a little awkward, to say the least. You’d awkwardly pulled away from one another in the elevator up to the room, apologizing for invading each other's personal space. The room was a decent size, but still small enough that you’d be constantly tripping up over one another the entire weekend if you weren’t careful.
Reid carefully unpacked his tuxedo when you got into the room, and then quietly informed you that he’d need a shower. You’d unpacked your own things while he did, trying not to listen to the water flowing over his body in the next room. His earlier touch had ignited something in you, and your heart was beating at his every gesture now, something that you were sure it hadn’t done before.
What was it about weddings that made you so open to even the possibility of romance that even someone so off-limits could become the object of your affection?
So you tried not to listen, not to wonder why it was taking the man so long to just take a shower, not to let your mind wander to a place where it was perfectly acceptable to wonder what he looked like in that shower, and you unpacked and organized your things.
“Hey, Y/N, I’m really sorry but I forgot to bring my clothes with me,” he called awkwardly through the door a few minutes after you heard the water turn off, and you turned to the bathroom, not expecting the sight before you.
You’d assumed from the quiet volume of his voice that he was calling from within the bathroom itself, but instead, he stood awkwardly in front of you, a towel wrapped around his waist and torso, held together desperately in one hand.
“Oh shit, sorry, I’ll just turn around, I guess,” you stumbled over the words, dragging your eyes back up to his face as you did so, whipping yourself around to stare ahead of you.
“No, no, it’s my fault. I was so hasty I forgot my outfit for tonight. It’s okay.” You heard him fumble for his clothes and return to the bathroom quickly with another mumbled apology, finally allowing you to let out a deep, almost dreamy sigh, startling yourself. Mentally chastising yourself once again, you finished your organizing and let yourself fall onto the bed in the middle of the room sleepily while you waited for him to come out again.
You must have dozed off a little because you woke with a jolt when you felt a soft touch on your arm. There he was above you, a soft and concerned look on his face as he woke you up as kindly as he could.
“Y/N, it’s 7 p.m. We need to get ready for the rehearsal.” He whispered as if he weren’t too bothered if you didn’t want to go down at all, content to let you sleep. But you forced yourself upright anyways, and nodded at his words, swiftly moving yourself towards the bathroom he had since departed.
“Thanks for waking me, Spence,” You rubbed the sleep out of your eyes, gathering your towels and change of clothes before turning back to him. In the four hours you’d apparently been dead to the world, he’d managed to dry his hair, change his clothes, and, from the looks of the book on the bedside table, read through an entire book twice.
He noticed you looking and cleared his throat. “Sorry, you looked so tired I didn’t want to wake you, so I just sat here and read while you got some sleep.”
“It’s okay, Spence. I guess I was pretty tired. I’m gonna go…” you gestured towards the shower and stepped towards it with an awkward smile, not letting him answer before you had closed the door between you and taken a deep breath, setting thoughts of him aside for the night before you focused on getting yourself ready to face your lies.
An hour later, you were making your way back down to the lobby, having received a text from your brother that that was where everyone was gathering before making their way to the dining room. Spencer offered you his arm in the elevator on the way down.
“Here, grab my arm.” He said softly down to you, a sweet smile playing on his lips.
“Oh yeah that makes sense,” you said distractedly, looping your own through his and leaning into him.
“It’ll also stop you from picking your nails,” he joked.
“I don’t pick my nails!”
“You so do. You do it when you’re nervous and when you lie about something. Last month on that case in Chicago when that officer asked for your number, you told him you had a boyfriend and started picking your nails,” he laughed down at you, enjoying your pouting face a bit too much as he profiled you.
“You’re one to talk. The last time a woman asked you out, you started rambling about the linguistic history of the phrase “go out,” in the romantic sense. She stood there for five minutes before she gave up.”
“Wait, when did that happen? I don’t remember any woman trying to ask me out.”
“Then you’re even denser than I realized, Doctor Reid, because they do it constantly.” Your back and forth ended there, though, as the elevator doors finally opened into the lobby. You smoothed out your dress and tried your best to act natural as the two of you made your entrance.
“Y/N! Over here,” you heard your brother and saw him wave at you from the other side of the room, his fiancee next to him receiving guests.
“It’s been so long since I saw my kid sister. Get over here,” he smiled at you, beckoning you over, and you released your hold on Reid to give your brother a warm hug.
“Now who is this kid sister you’re talking about because last I checked you’re only 18 months older than me.”
“18 months, 18 years, all that matters is that I am, in fact, the older one,” he released you from the bear hug and glanced up to Reid, standing awkwardly watching the scene waiting for an invitation to the conversation. “Holy shit, you’re real.”
“Hey! Be nice. This is Spencer, he’s my… he’s my boyfriend, we work together.” You felt your cheeks flame as you introduced the two of them, your brother looking at Spencer through knitted eyebrows, taking on a faux protective stance.
“Spencer, hey. Mom mentioned you were here earlier, but I didn’t think you’d be so gangly… It’s my wedding, and I’ve been told I have to keep all threats to a minimum, but if I see you getting all handsy with my sister, just know that I have a blackbelt in jiu-jitsu.”
“No, you don’t. You have a yellow belt in karate at most, and you got that at age 10.” You laughed at the man.
“And whose fault is that?”
“Oh my god, it’s been almost 20 years, I already apologized!”
“Apologised for what?” Spencer finally managed to butt in, watching your sibling bickering as if it were a tennis match.
“This little rodent,” your brother said, scruffing up your hair as he spoke, “broke my wrist when she was 8 and I was 10.”
“It was self-defense! You were trying to use your karate moves on me and I panicked!”
“And now, you’re a hot-shot FBI Agent and you get to break bad guys wrists all the time.” He finished for you and you laughed, suddenly glad to be back around family.
“So, Spencer, you’re an FBI Agent, too? I thought my mom mentioned something about you being a Doctor earlier.”
“I am. A Doctor. And an FBI Agent, uh, they’re PhD’s not medical degrees, though. Three of them, Math, Chemistry and Engineering. I also have Bachelor's Degrees in Psychology, Philosophy, and Sociology.” He answered, and you looked up at him proudly, taking his hand as you noticed him growing slightly uncomfortable with the attention from your brother.
“Wow,” was all your brother said, until he finished the statement with “All those degrees and my sister was the best you could do, huh?” You punched him in the arm after that, and you felt Spencer physically relax a bit, twinning your fingers with his as you chastised your brother.
“Anyway, thanks for taking the time to come to our, hopefully, lovely wedding, the reception will be starting soon. The dining hall is just through there.” You hugged your brother again, and, with a breath of relief, led Spencer down the hall to the dining hall.
“That went well, I think?” you whispered to him, conspiratorially.
“Your family is nice,” he replied. “Does he always act like that, or is it the wedding spirit possessing him somehow?”
“If you’re referring to my brother, I think he’s probably partaken in a few flutes of champagne already this evening. But yes, he’s always like that. They all like to treat me like a baby when they see me.”
“I think it’s nice. They care about you a lot,” his words were warm, but his eyes were sad, and you remembered what you’d been told of Spencer’s own childhood and felt your heart ache for him. His mom loved him a lot, but Spencer had needed to grow up much too fast. You squeezed his hand, still clasped in yours and before you knew it you were pushing onto your tiptoes to press a kiss to his cheek.
“Thank you, Spencer. For being here,” you said as his now flushed face met yours. You didn’t let him respond though, simply pushing forward into the dining hall, ready to live in the fantasy of your own making for the evening.
–X–
“Spencer, you were amazing!” You giggled, walking down the hall to your room, stumbling slightly in your excitement and haste.
“Those magic tricks? The little babies couldn’t get enough of you,” you spun around, wrapping your arms around the man’s neck and pulling him in close to you, letting him hold you against the door to your room. He laughed a little at your antics as he pulled out the key card.
“Y/N, are you drunk?” he asked, one hand firmly planted on your waist to steady you now.
“No! I’m just happy. And if that happiness was caused by an array of cocktails forced into my hands by distant aunts and cousins who all wanted to know about my absolute catch of a boyfriend, then that is simply secondary to the feeling itself. And furthermore-” He pushed the door behind you in on itself, and your words were cut off by your legs giving out beneath you.
You were so sure you were about to take a tumble to the floor that you shut your eyes tight and braced for an impact that didn’t come. Opening them again slowly, you saw Spencer closer than before, his face mere inches from your own as he held you in an improvised dip, having caught you just before you’d hit the ground.
“Sorry. I… Shit, maybe I am drunk,” you breathed out, not letting your eyes drift from his own, knowing that if you ever considered a glance down at his lips at that moment, you wouldn’t be able to stop yourself from closing the measly distance separating you.
“You should use the bathroom first,” he told you, but without making any move of his own, stuck in that pose with you as if he was content to stay there for as long as he could hold you. “You should take your make-up off. We have a long day tomorrow, right?”
You were the first one to move, letting your feet find a more solid footing beneath you and twisting up from his grip. His hands didn’t leave your body as you became more upright though, still keeping you in that close embrace.
“Yeah, I should… I should go wash up.” You said, and he nodded, still looking at you with the same intensity as before.
“Spencer, that means you need to move,” you whispered quietly, and he jumped back as soon as the words were out of your mouth.
“Sorry. I’ll just… I’ll just be over there,” he held his hands up in surrender before moving further into the room, leaving you next to the bathroom.
Fifteen minutes later, you emerged from the bathroom and were ready to sleep once again. Thankfully, you of earlier that day had managed to store your pajamas in the bathroom ready for their use. Upon exiting the bathroom, you saw that Spencer was getting ready to sleep too, slacks and a shirt having been replaced by a pair of flannel pants and a very old and beaten-up CalTech sweater, looking perplexedly down at the bed.
“Spence, what’s wrong?”
“We didn’t speak any further about the sleeping arrangements…” he mumbled and you looked at the bed in front of you, still confused at his meaning. “Y/N, we have to share the bed.”
“Oh.” You knew you probably sounded dumb, but after the amount of alcohol thrust upon you that night, that was all you could muster at this point.
“I can sleep on the floor if that makes you feel more comfortable. It’s probably no worse than some of the motel beds we’ve stayed on before,” he offered, but you instantly shook your head.
“No, I dragged you out here, I’m not making you sleep on the floor as well,” you sighed and made your way to the side of the bed you’d slept on earlier, beginning to pull the covers down so you could get in.
“What are you doing?” Spencer asked, perplexed by your somehow contrasting words and actions.
“I’m getting ready for bed. It’s late.” You replied, not looking up at him again, for fear that he’d spot the blush on your face. “You should too,” you continued, patting the other side of the bed, gesturing for him to get in, too.
“Oh.” It was his turn to stand there shell-shocked in the moment, and you almost let out a giggle but held back thinking that would be too much for him to take in at that moment.
“Come on, Spence, I’m tired, I’m sure you’re tired. We’re just sharing a bed, it’s not like you have to marry me after this.” You climbed fully into the bed, making sure that your nightgown covered you decently before pulling the covers up around you. Spencer mumbled something that you didn’t catch, but he acquiesced and climbed in after you. You turned your head over on the pillow to face him, turning onto your side as you watched him turn his head to you as well.
“What?” he smiled, noticing your stare.
“Nothing. Good night, Spence,” you smiled, finally letting your eyes drop closed.
“Good night, Y/N.” He whispered, and the sound of his voice carried you off to sleep.
–X–
You weren’t sure if it was the light streaming in through the window or the rise and fall of a chest that wasn’t your own was the first thing to wake you in the morning, but nonetheless, you woke from the comfortable warmth of sleep and found yourself wrapped around your fake boyfriend.
To be fair to yourself, he was also wrapped around you. Your head had gravitated from your pillow to his chest, his left arm wrapped up and around your back. Your leg had also risen in the night, pulled up over his waist, held in place by his other arm, which was, almost embarrassingly, cradling your ass, pulling you in closer to his core. Unsure about how to go about disentangling yourself, you resigned yourself to just waking the man up.
“Spencer… Spencer,” you whispered, letting the hand that had fallen onto his chest tap him slightly. He stirred a little and then cracked an eye open, looking confused with the situation.
“Y/N, is it time for the wedding?” He asked through half-lidded eyes, evidently wanting nothing more than to fall back into whatever dreams he was having. You shifted uncomfortably in his arms then, suddenly growing stiff in the position you’d probably held for hours, and found your nightgown had risen dangerously high on your body, his hand on your near bare ass.
“No, no, it’s just…” You rolled your hips against his in discomfort, and the movement had his eyes breaking open as he finally took in your positions.
“Shit, I’m….Sorry, I don’t know what happened, I must’ve grabbed you when we were sleeping,” he said, reluctantly slipping his hands away from your body, trailing his hand around your leg, and letting it fall onto his stomach. The movement sent a shiver up your spine, as you finally had enough room to lift your torso up, not quite ready to relinquish the proximity of your entire body yet.
“It’s okay, I think it was probably me who started it in the first place. Those pillows weren’t that comfortable…” you tried to explain, the hand on his chest rubbing slow circles into his skin before you could realize what you were doing.
He pushed himself up into a sitting position then as well, clumsily. With your legs still wrapped around his waist, you had no choice but to move with him, suddenly finding yourself straddling him, the bedsheets suddenly pressed away from your body. If he looked down, he’d see a lot more than you planned for him to see, your panties on clear display as your nightgown twisted itself up into the sheets.
“Shit sorry,” he moaned out again, as you steadied yourself with hands on his shoulders.
“No, it’s okay, I didn’t move quick enough.” You quickly pulled your dress down again, and extracted yourself from the bed, lifting your leg up and off of him and finally pushing off the bed, leaving him sat there.
His hands fell into his lap and you started gathering things around the room, readying yourself for the busy day ahead.
“I have to be in the bridal suite at 11, so we have about… two hours to kill before then. Do you want to grab a shower first, or should I?”
“You first,” he mumbled quickly, before clearing his throat and trying again. “You should go first. You probably have more to do today, right?” You nodded at his words and made your way to the bathroom again. Out of the corner of your eye though, as you let the door close behind you, you watched his hands come up to cradle his flushed face, as he let his head fall back again into the pillow.
–X–
The morning was so busy after that, you barely had any chance to talk to Spencer again. You spent the early afternoon in the bridal suite with the wedding party, welcoming your new sister to the family, then made your way to the aisle space set up outside, checking up on last-minute details and helping to flower girls into position. You weren’t walking down the aisle yourself, but you could see that the extra help was letting the very stressed-out Maid of Honour get some well-needed respite. And more importantly, it stopped your wandering thoughts from letting you fantasize about Spencer.
You’d woken up in bed next to people before, of course, but it had never felt so comfortable. In fact, other people you’d slept with said you were pretty distant in your sleep, choosing to move as far away from physical touch as you could get, but you knew with no doubt that you had been the one to move in first, to touch him first. That he’d pulled you even closer had your heart singing, and you wanted to be wrapped up in him all over again, suddenly desperate to seek him out. So you distracted yourself, not wanting to make any mistakes you would regret when you were no longer wrapped up in your own fantasy.
So you kept your distance as the ceremony started. Then the wedding march was playing, and you were holding back tears as his hand slipped into yours, your head falling onto his shoulder as you watched your brother marry the love of his life.
You kept your distance as you reached the reception hall, watching all the old ladies on both sides fawn over him, asking him questions, and watching from his side as he blushed at the attention. You swept the hair out of his eyes as the couple was announced, and you took your seat for the wedding meal and the speeches, his hand falling to your back to guide you to your chair, pulling it out for you like a true gentleman.
You kept your distance as your new sister tossed the bouquet, and despite your low effort and the ravenous looks of the bridesmaids, it fell neatly into your hands as if it belonged there. You ran excitedly over to him to show him and he lifted you into a hug, caught up in your own excitement.
You kept your distance until you realized you’d not kept your distance at all, physically unable to keep yourself away from the man who had somehow stolen your heart in the middle of the night.
“I know that look,” your brother said, somehow sneaking up on you later into the night as you watched Spencer perform even more of his magic tricks for the smaller guests.
“What look?” you asked, not for one second letting your eyes drift from Spencer.
“You’re in love with him,” he said, taking a swig of the drink in his hand.
“He’s my boyfriend,” you said reflexively, turning to the drinks table behind you and picking up one for yourself.
“No, he isn’t. Or at least he wasn’t before this weekend,” your brother said, as your eyes finally snapped up to him.
“Oh, don’t act all surprised, Miss FBI Profiler. You may be good, but I’ll always be your older brother, and contrary to popular opinion, I do in fact pay attention to things.” You sighed and leaned back against the table.
“How’d you figure it out?”
“You were picking your nails the entire way through the reception dinner when the aunties were asking you about your relationship. You did that when we were younger too, when you tried lying to Mom and Dad about how I broke my wrist. Doesn’t take two PhD’s to figure that out.”
“Three.”
“Three what?”
“Three PhDs. He has three of them.” You sighed dreamily and ran a stressed hand through your head.
“He’s just my coworker. I didn’t want to disappoint Mom by coming alone after telling her all those stories, but now…” You tried to explain yourself but words were escaping you in that moment.
“You should tell him, trust me. He definitely feels the same.”
“How are you so confident about that? How did you manage to end up with all of the confidence between the two of us, when I can barely work up the courage to tell my own mother I’m still single?”
“Y/N, look at me. You got the brains, I had to have something. And no man flies to the opposite side of the country on a few day's notice for a girl who is just a friend, okay? That’s more logic than confidence, and that’s supposed to be your strong suit.”
You considered his words for a second, turning back to look at Spencer. Evidently, he’d finished his magic show and was beginning to say goodbye to the children, but he felt your eyes on him somehow and met your gaze. He brought his hand up into a shy wave before a little girl grabbed his attention again, and he looked at her seriously, nodding along to each word she was saying.
“Fuck, what do I do, I’m not good with… any of this.” You turned back to your brother, but he’d left you there, stranded in your own thoughts as you let yourself hope, let your brain dream that one day this would be your wedding and the man by your side would be Spencer Reid.
“Ladies and gentlemen, the bride and groom request the presence of all the couples on the dancefloor for this next song.” You saw your brother again, next to his wife, whispering his explanations in his ear as she turned to look at you and winked as well. God, they were going to be a force to be reckoned with together now, you thought, as people started pushing past you to make their way to the dancefloor.
You recognized the song of course, and it was almost so on the nose you almost rolled your eyes. More Than Words by Extreme. Perfect.
“Y/N, may I have this dance?” He had somehow snuck up on you from behind as you watched your brother, and held his hand out to you. You put your drink down and took it, letting him lead you to the dance floor.
“I didn’t think you danced, Dr. Reid,” you teased him as he pulled you in, letting his hands rest on your waist, as yours came up around his neck, gently letting him sway you side to side in time with the music.
“I don’t really, but it seemed wrong not to,” he smiled. “I’m at a wedding, with the most beautiful girl on my arm, and the couple made it very clear that we should be dancing, so here I am.” You blushed at his words as he spoke. He removed his hands from your waist, instead grasping one of yours in his own as he pulled you closer.
You stared up at him with a soft smile for a few more seconds before letting your head fall back to his chest.
“I know I’ve said it a lot this weekend, but thank you, Spencer.” You said into his shirt, letting him hold you close as the song went on.
“You don’t have to thank me, Y/N.” He insisted, and you looked up at him again. “Actually… I didn’t exactly agree to this with the best of intentions.”
Your heart lept to your throat as you stared up at him, hoping that he would take your silence as a means to continue.
“I’ve been… I thought that maybe…” he struggled to get the words out, his face aflame with the effort.
“You promised me those coffees right?” He finally stuttered out, and you were left confused and a little disappointed.
“Yeah, Spence, it’s okay, I’ll get you those coffees for the month, just like we promised.” You couldn’t help the sad smile that played on your lips as you answered him, so sure that he was about to say something else.
“No, I mean… Y/N I don’t want the coffee. I want this. I want us to go home, and make everything that you made up come true. I want to take you on a date to that coffee shop. I want to be a boyfriend you can call and tell your mom about because it’s serious and it’s going to work out between us. I even… God, I even spent the morning looking up book fairs in New York City so I could make that come true as well,” he rambled the words out and you could feel the tears forming in your eyes.
“Spencer,” you said softly, trying to get him to focus on you, but he’d started speaking and he wasn’t going to be stopped so easily.
“And if any of that creeps you out, just say the word and I’ll never mention it again. Because I know I’m not good with this, and when I feel something, I tend to feel it overwhelmingly, and Derek tells me I can be really oblivious sometimes, which I don’t really get, but-”
“Spencer,” you put a bit more force into your words this time, punctuating them with a hand on his face.
“Spencer, kiss me.” And he does. He takes your head in both of his hands, and he draws you up to him perfectly, letting your hands fall to the lapels of his suit jacket as he steals your breath away one more time. The kiss is lingering, but short, and he hesitantly backs away, looking around to spot witnesses. But you don’t care and you pull him back down for another, and another, until you’re just two lovers on the dance floor that cannot get enough of each other, gasping for breath between chaste kisses as you let him hold you there, gently swaying.
“Spencer,” you whisper finally, forehead resting on his, as the song finally draws to a close.
“Yes?”
“Spencer, take me to bed.” You tell him, and he nods. He leads you over to the bride and groom where you offer each of them a hug and a happy future before making your excuses and running away with Spencer back into the hotel like two love-drunk teenagers, a mess of giggles and stolen kisses as you stumble up to your room for the second time that weekend.
But this time, you don’t hesitate, don’t pull away. He backs you into the door and you let him hold you there, his mouth on yours, your tongues entwined as he fumbles for his key card. You fall together into the room, laughing and smiling the entire way, not letting him escape your touch.
“May I?” He asks, playing with the zipper of your dress as you kiss his cheek, his jaw, his neck, anywhere you can reach, nodding and moaning your consent. The moment the zip is pulled down, he lets you go for a second, and the dress falls straight to the floor. You're practically bare in front of him, chest exposed, neck littered with the beginning of love bites that he’s about to absolutely build upon.
“You’re beautiful.” He says, softly, wrapping his arms around you again, lifting you up so your legs can wrap around him as he delivers one more soul-crushing kiss to your lips. Your brain is a mess of emotions, your only solid thought is that you will never let him go again. You both eagerly worked on unbuttoning his shirt together, a desperate mess of breaths as he finally laid you on the bed. His hand fell to your core, tracing a finger over your sensitive nub as you begged him for more, needing to feel all of him, to devour his very existence.
He pulled himself out of his remaining clothes, lips still attached to yours, climbing over you and holding you tenderly, his arms wrapping around your body as his legs came to settle between your own. Dropping his forehead to yours, he finally spoke again, his hand dropping between the two of you to line himself up.
“Is this… are you sure?” You heard the restraint in his voice, the desperation, the love, the overwhelming lust as he held himself back, needing to hear your consent.
“Spencer, I love you,” you whispered, and he finally pushed himself into you, joining the two of you together in a moment of bliss. You shared another sweet kiss, letting him swallow each and every one of your moans as he began thrusting into you, your hips rising to meet him in your delirious pleasure.
He whispered sweet nothings in your ears, brushing the hair off your face every now and again to tell you how beautiful you looked, and how well you were doing.
“You’re so perfect, Y/N, you’re doing so good for me,” he pressed kisses against your neck with each word, keeping his pace steady as you chased your inevitable high, already clenching around his thick cock.
“Spencer, I love you,” you let the words drop from your tongue like a prayer, repeating them over and over with each thrust as small tears welled up out of your eyes. He kissed them away from your cheeks, listening to each confession as your stomach tightened and your climax spilled over you. He grabbed your waist then, leaving one hand cupping and stroking your cheek as his own thrusts grew sloppy, finally spending himself fully inside you.
“I love you, too,” he whispered into you then, unwilling to let you go for even one second. You spent the rest of the night whispering the words back and forth to one another, waiting with bated breath for the fantasy to break, for the magic of the wedding to wear off.
It never did.
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m1ssunderstanding · 3 months
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Get Back Rewatch 55 Years On: Day Nine
Here’s the thing. Like, on one hand, Paul loves teaching. But on the other hand, I honestly think he’d be a terrible teacher. He’s genuinely trying to explain songwriting to this kid, and all I’m getting is that I should be able to just look at a piano and it’ll give me whatever I want. “So it’s really just . . .” *plays Martha My Dear* “. . . and from there, you know, like, um, there’s no – unless you stop yourself – there’s no stopping yourself.” Yes, thank you, Professor McCartney. Very informative. Good thing you’re a gorgeous genius because not a word of that lecture made any sense. 
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Seriously I am BEGging someone to write Paul and Ringo in the 20s as a cabaret duo! With Paul’s talents being songwriting, slutting it up, piano, and vocals and Ringo’s talents being tap-dancing, ventriloquist dummy impersonation, with the occasional piano, vocals, and sly winks. Maybe they meet George and John through organized crime, idk.
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“They don’t just sort of come in your head, kind of thing?” “Yeah, sure. Fact, I had one this morning.” You know. As one does.
See, even Ringo’s on board with my plan. “Let’s make a silent movie.” And Paul. “In a club. That’s it. We’re in a band. We’re in a band, but we sell drugs.” And now they're stringing Paul up just for kicks. Maybe they could join the circus!
Literally the minute John starts being silly, Paul gets this fond look on his face and you can see the wheels turning like “quick, think of a way to get close to him.” And John’s into it. But they keep doing this seesaw thing and I can’t help but think how reminiscent it is of their dynamic as a whole. 
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“I see you’ve given up smoking, Richie.” “Yes, I have.” Reminds me of that classic, “I don’t even smoke,” thing. Seems like five-hundred years ago.
PLEASE tell me Peter Sellers and Ringo had a torrid love affair during the filming of The Magic Christian. The way Peter touches Ringo’s hair and his face! Ringo being a gentleman and getting Peter a chair! And I mean there’s plenty of queer coding between them in the film.  
But also laughing my ass off at Peter’s reaction to their song-titles/lyrics/gibberish/other references code.
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Yoko, you’re stone-cold and hilarious. “Or what we haven’t.” I honestly have mad respect for her complete disregard/disdain for the Beatles and their art only because that’s how they treat hers for the most part. But girl. You’re married to one of them. He genuinely does love them and what he does with them and you’ve got to respect that or go find someone else, you know?
Also, Paul does Not appreciate the attitude. “Or we’ll just sort of sit here and allow ourselves to be embarrassed. ‘Number nine . . .”
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Aaand, just like that, Peter Sellers “must be off.” He lasted all of 1 minute 26 seconds. Weak. George and Ringo lasted fifteen years. 
MLH is literally that annoying person that asks you a serious question about yourself just so he can use you as a segue to talk about his problems.
John: just recovering from the day, you know. Yoko: from the night. John: embarrassed (you have no right, dude, you literally played your sex tape for everyone like two weeks ago) Paul: Did not want that image, thanks very much. 
It actually KILLS me though that we’ll never understand their code. Paul and Ringo will take it to their graves and no one else knows it and any footage like this we’ve got, and any code songs, will just be mostly uninterpretable for all time. 
Okay these few minutes here are soooo special to me. It’s John at his peak lovely, sweet, gentle, kind self. He makes a joke at which Paul can only nod darkly which makes John realize just how bad of a place Paul’s in. 
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Paul wants them to get to work “achieve something every day.” But John knows he’s not in a good headspace to work and it’ll be shit and then Paul will spiral even more. So, he turns up the humor until Paul is sufficiently cheered. 
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And then, he says. “Guitars? I thought that’s what they do.” And Paul’s stammering. “Oh, that is what they do, but–” John stands up, does a little head-tilt toward the instruments. “Come on, I’ll even show you about half a song I was writing. Come on.” That last in the tenderest, most coaxing voice. It’s just soooo. Like. We talk a lot about Paul ‘handling’ John, and he did. But John sure knows how to handle Paul.
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I SO wish they’d have done something with “Madman”. It’s so fun!! Every single song in this era I will go to bat for, no question. 
Ringo’s little hug for Paul!!!! I can’t.
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pinkeoni · 10 months
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The Great Jonathan Byers Conspiracy
(Or, Jonathan was framed and I'm going to prove it)
So I started a rewatch of the show and I'm on episode two of s1. I get to the part towards the end where Jonathan is taking photos of Nancy. So I think "Okay. This is the part where we see Jonathan take a photo of Nancy topless, right? We see him notice Nancy take her top off and then raise the camera to take another photo, right?"
But that's not what happened
The scene happens as follows. We see Jonathan snap a photo of Nancy— with her shirt on— before the scene cuts inside of Steve's room.
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Nancy then removes her top. Nancy and Steve start making out and we cut back to Jonathan who lowers his camera.
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This is the part where I expected Jonathan to lift his camera up and start taking more pictures. That's how I remember it happening. But no, we instead see Jonathan focus his attention back to the pool and snap a picture of Barb instead.
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So what the hell? Am I being gaslit?
I remember so distinctly a moment where we see Jonathan consciously raise the camera to take another picture of her topless, and yet it's not there. I do still want to clarify however, that the topless photo of Nancy does still exist. We see it clearly in the following episode. So yes, Jonathan did still take a photo of Nancy topless, we just don't see him take it.
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But according to a lot of people online, we did see it, the Duffer Brothers just removed it.
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I remember hearing about this when it first cropped up, which was partially prompted by the Duffers joking to "George Lucas" Will's birthday in season 2, which they never ended up doing anyway. They also stated on Twitter that no scene had ever been digitally edited, and didn't plan to in the future.
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So the Duffers must be lying, right? Otherwise why how would so many people remember seeing that scene? I guess there’s no way to be sure without a DVD or Blu-Ray of the show.
But wait, I have a DVD of season one. I got it for Christmas! But I’m staying at my parents house and I don’t feel like driving three hours just to prove a point. I guess all is lost for the moment.
Unless…
It was at this part of my spiraling that I sent a crazed two minute voice memo at 11:00 at night to my roommate and good friend @lemonsoured filling him in on my conspiracy, and then leaving instructions to go downstairs, locate my season one DVD on the living room shelf, put the DVD into my PS4, go to the end of episode two and take a phone recording of the scene in question.
And lo and behold, the scene of Jonathan taking pictures of Nancy, exactly as it appears on Netflix.
So I am aware that in the video there isn’t much to indicate that this is in fact a recording of the DVD and not a recording of the Netflix version, so you’ll just have to take my word for it. But still, ask any DVD or Blu-Ray owner for what is on their disk, and I can garuntee that they’ll all give the same answer.
Because the shot of Jonathan taking the photo of Nancy never existed. The Duffers aren’t lying. The masses collectively lied to themeselves.
But how did this happen? How did a massive audience full of people, including myself, come to believe that there was a moment of Jonathan consciously taking that photo?
I’ll tell you why. It was a psyop to defame character!
Usually when a new season of Stranger Things rolls around, there comes the flow of comments on twitter saying “Hey, remember when Jonathan took a photo of Nancy changing and now she’s in a relationship with him?” which is usually done in the name of trying to bring down Jonathan and build up Steve.
And I’m not doing this to try to claim that Jonathan is a completely innocent baby who actually did nothing wrong. After all, the topless photo does still exist and as @notmybabies pointed out in the replies of one of posts, Jonathan chose to go through the process of developing it anyway. So he’s not completely off the hook. If the Duffers did want to eradicate Jonathan’s faults, then they would have digitally edited the topless Nancy photo to a different one, something that would have been possible.
But you ever notice how it’s always “Jonathan is a creep” and never “Steve called Nancy a slut and Jonathan a queer?”
I adore Steve, but what I’m trying to see is people seem to try and diminish the depth and complications of both of these characters, and it usually results in fans making Jonathan out to be a sex depraved pervert who has always had it out for Nancy, while Steve is their angel who could do no wrong. Steve couldn’t have had a good redemption arc if there wasn’t a place for him to grow from!
They never want to acknowledge that Jonathan was a lonely kid who made a bad mistake which he apologized for while looking for his brother and that Steve was a different person before he decided to change. Eliminating these character’s depths is eliminating what makes them interesting characters! Neither are completely pure and neither are completely evil!!
So in conclusion:
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bronx-bomber87 · 2 months
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Good evening fandom! Welcome to my inaugural mini review post. Holy hell I can’t believe we’re finally here. These probably won’t be as detailed as normal like I mentioned. Mini review is the goal. It’ll be initial thoughts and feelings. Which will be fun cause all the other seasons other than S5 I had ton of time to reflect on moments. These thoughts for S6 could change when I rewatch the season for review purposes this summer. The exciting thing is having those first reactions. That's what these will be.
So you're getting hot off the presses thoughts haha I just watched it couple hours ago. These are thoughts I had while it was happening. With some editing to make it readable ha Want my reactions be as authentic as possible with these. Why I avoid spoilers tbh. Be interested in seeing what everyone else’s are as well. The gif library was an absolute turd so I didn't get to use all the gifs that were made yet. So I made some. Anyways this so friggin exciting to delve into so let’s get started.
6x01 Strike Back
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Tim got scruffier from the finale to now-and I’m here for it. Mm. Plus he's in Metro gear. Phew Lord. Something about scruffy Tim gets me going. Adore them riding together automatically after their battle. I truly love it. The little things I continually love with them. Also LOVING the Metro call sign. Yum If this going to be his call sign all season I am about it.
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Oh my lord why is her sitting at his desk so squee worthy to me? It’s getting me all in my feels. I love that Lucy can just use his office as her own. So cute using it to steal it for some study time. I love this so very much. Then her asking if they can ride together so he can quiz her? Tim doesn’t hesitate for a moment before saying yes.
Still amazes me we’re in the place with them. The Tim of old would’ve groaned and moaned about such a task. He jumps right on it for her. Ready to help her out. Even though he’s not sure how much it’s gonna do. Clearly very aware Primm is out to get her. That is common knowledge now.
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Lucy is right when she says it sucks. That she has to battle this and face possible wild cards.. It isn’t fair when she's earned her spot more than most. Fought and clawed for everything she's done in this department. Definitely more than Nolan... Hey wouldn't be a review if I didn't pot shot Nolan would it? lol I love Tim finding a solution for them. Saying they can take out do the box calls all day. Widen her knowledge a bit on it. Sharpen her skills with odd calls.
I love her grateful smile when she says 'Thank you.' Loves this man. Damnit they’re so cute their banter coming out of his office is on point. Tim saying she learns best when she’s pissed off. I mean if that isn’t her rookie experience with him in a sentence. Lucy saying this feels like she is giving him permission to be an ass. Heh it kinda is no matter what Tim says.
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You know he kinda loves being able to make her his boot again in some form. He is going to enjoy himself with this. There is no doubt about it. That's why he's doing that smile of his. Lucy calling him out knowing this man so well. Pointing her finger and all. God I love these idiots so much. Tim trying to tell her just his smile. Uh huh sure it is Tim.... Lucy following after him with a smile of her own. These dopes I've missed them so damn much.
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I’m very much loving Tim has not really shaved in 6 weeks ha. The scruffy remains and I’m excited about it. Lucy is starting to question asking Tim to help her. We all know she learns best from that man sitting next to her though. I also always enjoy when she gets to drive. Another micro shift that has changed that I love so much. Her heart eyes when he says Angela’s cop brain is just booting up LOL Loves this goober of man.
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Lucy absolutely losing it and going on a rant of epic proportions had me rolling. LOL Massive emotional downward spiral happening here. I’m dying as I watch Tim take it in. God Eric the master of expressions crushing it again. This was a huge one for her holy crap. Nuclear really. Well done Melissa getting all that in with one breath basically. By the time she’s done I’m cackling at Tim’s expression. LMAO Oh my god these two. God I’ve missed them so much it pained me.
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Lucy knowing Tim's reply without even looking at him. Just epic married status at this point. Doesn’t even have to look at him or for Tim to say anything. It’s already there because of that crazy good connection they have. How deeply they know one another. It’s so good. Tim being the smart man he is says nothing. Lucy knowing he’s thinking it haha
Lucy coming to conclusion she will do crazy wild card during the day and the manual at night. She will sleep when it's over LOL Tim shaking his head. Knowing there is nothing he can say right now that'll make this better. Or to derail her crazy train of thought. This is like S1/S2 them with the added benefit of them being together now. It’s glorious.
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Getting serious Plain Clothes Day vibes from this episode as well. Except this time Lucy light years away from who she was then. Confidently reciting what she’s going to do Tim nodding along. Tim wouldn’t be himself if he didn’t rock her boat a little though. Lucy getting in her head about the crime scene now. Tim isn’t wrong she did tick all the obvious boxes. That the point of today is looking for wild cards. That’s what he wants her to engage that brilliant brain of her's in. It's why he's here.
To zero in on the 'Out of the box thinking'. Poor Lucy spirals out not being able to decide if she wants his help or not. I ADORE Tim telling her it’s ok to not know the answer. Not shaming her in the least just needing her to make a call. God how far we’ve come. Tim pushes her because he knows that is when she learns best. Trying to add a little urgency to her decision making. Unfortunately it backfires. I kinda loved them calling each other by their ranks in this heated exchange.
Lucy is so flustered it’s giving me PCD vibe once again in the best way. The sprinklers turn on and Lucy panics. There’s the wild card….We watch as a bullet leaves this man’s body and enters the storm drain never to be seen again. Lucy being so very disappointed in herself. It’s reminiscent of the disappointment she showed in s1 but only now she's far more experienced. So it hurts much more now….Oh Lucy my heart. You poor thing. Couldn’t have gone more wrong if she tried.
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I can’t believe they played clown music upon her entrance.... Beyond cruel but that's cops. Always taking shots when people mess up spectacularly. Tim trying not laugh.... Babe she is spiraling right now maybe don’t lol Poor thing I would be mortified too. I love how both Tim and Lucy smile when they see Wes and the wee one. My heart. She wants Wes's opinion and he just crushes her with logic. Ugh She needs a hug. Bad day for our girl.
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Lucy continues to break my heart as they sit in front of the crime scene. She is on the verge of tears. Verge of a breakdown it feels like as well. Killing me softly. Saying she should skip the detectives exam. My girl. Tim doesn't want her to give up. I will say this fight I feel like I would be Tim. Trying to be so supportive it’s come off as agreeing with her she can’t do it. When really he was just trying to be supportive of whatever she wants.
Can't win for losing right now Timothy. She is in a bad way right now. Lucy has some weight to her argument though. if I was her in this moment I would feel the same way. If I’m in a bad headspace I need reassurances. So I can relate to both of them in this fight. It’s not a fun time for either of them. Tim is still learning that emotional depth he needs to have with her in these moments.
Being supportive has worked before so he's not sure why it's backfiring right now. They’re solid but always room to grow beauty of them. Lucy spots someone pull up to crime scene crying. She has them peel out with Tim not really understanding why. Lucy catching her digging through her trash. She ends up getting a confession. Phew Well done Luce.
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Oooh this final scene. Oh my damn lord. This is some PRIMO productive angst holy hell. Eric and Melissa came out swinging with it. I knew they were going to have one more scene about it. I just didn't think it would be this explosive. I adore Tim picking up on how short she is with him. Grabbing her by the arm and confronting her. Growth continuous growth for them both continues to show. Love it. Look at Tim being the one to come at this. I’m so proud of him.
Throwing her words from 5x21 somewhat back at her. Saying this isn’t going to work if she isn’t honest with him. Then Lucy really lays into him. Now do I think he purposely undermined her? No I don’t. Not ever. That’s not in his DNA to do that to someone he loves. I was deeply hurt for him when she suggested this. You can see how hurt he is when she says as such. He’s getting emotional and it makes me as well. I just wanna hug him.
Tim as we know is a DEEPLY loyal person. Also one of my main relations to him as a character. To purposely hurt someone they love isn’t fathomable to a loyal person. It's unthinkable. You have to hurt them first. To undermine Lucy would be to hurt her so he would never. To be accused of such by your favorite person? That cut's so insanely deep for him. I haven’t seen him this hurt since the 'Tim Test' line from her in 4x08. I’m legit wounded for him. He is so upset she could think that of him.
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Now Lucy might be onto something with the subconscious part. He could’ve done it not realizing what he was doing. Because love isn’t rational. Man is hardwired to protect her and want to keep her safe. So I could see this especially with her psych background. I think this is solid guess at what happened. Now was this the right time to lash out at him for Isabel stuff? I don’t know…
Felt like a low blow when he was already down for the count. She is throwing him daggers with her eyes most of this conversation. Feels like its more than just the UC right now but that's just my guess at this point. Let's not forget she was having UC doubts towards the end of last season.
Now do they need to have these fights and conversations? HELL YES. My god this subject needs to be discussed. Especially with how 5x20-5x21 were. Want to reiterate this is my first impression. I was literally writing this as I experienced their fight for first time. When I rewatch it this summer this could change. My POV could shift. But right now I see a man who only thought he had her back and was raked across the coals in this moment.
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So for me right now in this moment I feel like Lucy had pent up frustrations and took it out on Tim. The protective side of me for him isn’t pleased with that tbh. Doesn't mean I love Lucy any less. I adore her so much. You all know that. But my gut leaned towards Tim in this fight. That may be bias idk but it’s how I felt when it was said and done. Tim was very very defensive when she brought up Isabel. Which hasn't happened in awhile. But his emotions were heightened and he was on the defensive before they'd reach the topic of her.
Lucy basically kicked him while he was down and he felt it. I'm not discounting her feelings at all. She is allowed to feel overwhelmed. Has every right to be. She is STRESSED and it is coming out in all kinds of ways. Ways that aren't like her. I think she stewed on this thought the ENTIRE shift and it came out in the worst way. Which also isn't like her. What she did had him defaulting back to old school Tim. Cutting off the conversation before more emotions were to be had or he said something he would regret.
Basically cut the fight off at the knees and walked away. Lucy’s face says it all when he walks away. She wasn’t expecting that. Shocked he just left her like that. Oh Lucy, you wounded him more than once and he retreated HARD. Leaving her standing there wondering what the hell just happened? God this is so good though everyone. This is the type of angst I'm all for. What a way to start the season off hot damn. Hurts so good angst to get us going. I could not be more excited for where we go this season. Feel free to comment on this. Love to chat with you all about this. All uncharted territory for us all. We're in for quite the ride.
~~~
Side notes-non Chenford
Who are these friggin people? They’re insanely ruthless. Like Rosalind level ruthless in how they just dispose of people. Sending two their team out as a distraction to be blown up. Jesus. Then sniping their own guy. They’re smart but cold af. Then killing who I thought was the boss at the end. Shit. Consider me intrigued.
I liked the 6 weeks later. Makes sense need to do a time jump.
Celina being more afraid of Tim than Harper. LOL little does she know they’re basically the same person haha
Poor Aaron wants to be back in the game and can’t be. I agree with Grey he’s not ready even if he thinks he is.
God I love Nyla Harper. Took that mofo out like the complete bad ass she is. Came with repercussions which made me sad for her.
Angela being more excited to see burritos than her husband lmao I love this woman.
Feeling little potential flirty action for Aaron and his therapist.
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sebsxphia · 2 months
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heya seb ;) lil bit of angst for you since i was rewatching outer range recently:
let's say rhett is actually married during s1, and in the fight between him and perry, you're the one who gets hurt instead of amy. rhett would be furious (both with perry and himself) and also sooo guilty 🥺
like you're in the bathroom, sniffling quietly as cecelia patches up the cut on your head. rhett hovers in the doorway. he wants to go in and talk to you, comfort you, but fear holds him in place. he had promised himself that he'd never let anything bad happen to you, and now... you might never let him near you again. he wouldn't blame you.
meanwhile you're crying softly, arms wrapped around yourself. you're shaken up and in pain and all you want is a hug from your husband :((
(i'm evil pls ignore me)
ABBIE PLEASE 😭 but i’m so here for this angsty thought! because on the off, rhett immediately goes after perry. he’s cursing his name with such venom and he’s furious that perry would push his buttons like this and cause this fight in the first place. but then he catches cecelia ushering you upstairs with blood seeping through your fingers, where you hold your hand to your graze, and rhett nearly throws up a lung. the guilt that rhett feels is unbearable. he was meant to protect you. he cannot live with himself. all he can do is blame himself and he spirals. but, all you want is rhett.
when you let him into your arms, he apologizes countless times and tells you that he’ll do everything he can to protect you. he promises that he’ll never, ever let someone hurt you ever again. he swears by himself that he will always protect you and that he’s just so incredibly sorry. after that, he’s asking if you’re okay, if he can do anything for you, etc. it’s his responsibility to take care of you and protect you, and by god, he will.
omg. thank you so much for this incredibly angsty thought my love! 🥺💌
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sage-lights · 1 month
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spinning out, waiting for you to pull me in
“Hey,” Amanda's voice quivers. She physically can't look Angela in the eyes when she greets her. Fuck, this shouldn’t be happening right now. The day has barely started and Amanda already feels like running away from everyone.
Angela looks at her skeptically, “I would say ‘Good morning,’ but you look like yours has been pretty terrible already. Everything okay?”
Amanda collects herself enough to muster a sort-of smile and shrugs. She watches as Angela furrows her brows, contemplating something. Before Amanda can insist that it’s no big deal, she feels herself getting tugged towards the back of the office and led between the costume racks.
“Spill. What’s up with you?”
“It’s nothing, honestly,” God, Amanda feels like she’s a teenager again. It’s stupid that she’s this upset about it.
Angela scoffs and rolls her eyes, “Oh, come on, Amanda. Don’t give me that bullshit. We both know something is wrong,” her tone softens once she sees Amanda’s eyes start to become glassy, “It’s not stupid to be upset.”
She laughs a little, “How did you know that’s what I was thinking?”
“Because I know you. And I’ve never seen you like this before.”
“I appreciate you checking in, Ang,” Amanda sighs, “But I really shouldn’t be getting into it at work.”
“I know we’re coworkers, but we’re friends too, right? It’s fine if you really don’t want to talk about it, but I’m here for you,” she grabs Amanda’s hands and gives them a gentle squeeze. That simple gesture was enough to break down the final brick of Amanda's wall, and suddenly, everything came spilling out.
Two nights ago, she had gotten a call from Ian telling her that she didn’t need to come in for work the next morning, which Angela already knew, seeing as she was the one filling in for Amanda yesterday.
What Angela didn’t know, however, was how Amanda’s jaw tightened when she saw the close friends stories of her coworkers, her friends, having fun while she wasn't there. How she had to stop herself from spiraling as she rewatched the videos over and over again. How disappointed she felt in herself for letting this affect her.
Angela lets go of her hands. Amanda’s heart drops for a moment, thinking that she’s overstepped boundaries and came off immature, until she feels Angela hug her.
“We missed you too, you know?” Angela leans away slightly to look up at Amanda, arms remaining around her waist.
"I hate that I'm feeling this way. It feels so high school of me to be sad about my friends hanging out without me. And it's not even like you all planned to see each other! This is our job and," Amanda bites her lip, hesitant to admit, "I guess the kid in me remembers what it was like to get excluded from things. For the longest time, I was convinced it was a me problem. Maybe I never got over that."
"I get it, but you're right. It's a job where none of us have control over who's scheduled on any given day. It's not just a regular hang out between friends. Because if it was, I want you to believe me when I say we'd want you around every single time."
This time, Amanda is the one that pulls Angela into an embrace, "What would I do without you, Angela?"
"Probably cry alone in the gender-neutral bathroom." Angela laughs.
Amanda has to admit, Smosh is a pretty sweet gig. After all, it brought Angela into her life.
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word count: 587
title from: "satellite" by harry styles
i think it's literally been 4 years since i wrote fanfic but! i woke up with such bad amangela brain rot this morning that the thought of them is actually making me ill right now. i wrote this ficlet at 8am in class on the doc i use for taking notes, so it's not my best writing...yeah! hope you enjoyed it!
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physalian · 20 days
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On Writing Theme (Or, Make it a Question)
An element of story so superficially understood and yet is the backbone of what your work is trying to say. Theme is my favorite element to design and implement and the easiest way to do that? Make it a question.
A solid theme takes an okay action movie and propels it into blockbuster infamy, like Curse of the Black Pearl. It turns yet another Batman adaptation into an endlessly rewatchable masterpiece, seeing the same characters reinvented yet again and still seeing something new, in The Dark Knight. It’s the spiraling drain at the bottom of classic tragedies, pulling its characters inevitably down to their dooms, like in The Great Gatsby.
Theme is more than just “dark and light” or “good and evil”. Those are elements that your story explores, but your theme is what your story *says* with those elements. 
For example: Star Wars takes “dark vs light” incredibly literally (ignoring the Sequels). Dark vs Light is what the movies pit against each other. How the selfish, corrupted, short-sighted nature of the Dark Side inevitably leads to a self-fulfilling prophecy of doom—that’s what the story is about.
A story can have more than one theme, more than one statement it wants to make and more than one question to answer. Star Wars is also about the inevitable triumph of unity and ‘goodness’ over division and ‘evil’.
Part of why I love fantasy is how allegorical it can be. Yes I’m writing a story with vampires, but my questions to my characters are, “What makes a monster? Why is it a monster?” My characters’ arcs are the answer to my theme question.
Black Pearl is a movie that dabbles in the dichotomy between law-abiding soldiers and citizens, and the lawless pirates who elude them. Black Pearl’s theme is that one can be a pirate and also a good man, and that neither side is perfect or mutually exclusive, and that strictly adhering to either extreme will lead you to tragedy.
Implementing your theme means, in my opinion, staging your theme like a question and answering it with as many characters and plot beats as possible. In practice?
Q: Can a pirate be a good man? A: Jack is. Will is. Elizabeth is. Barbossa is selfish and short-sighted, and he loses. Norrington is too focused on propriety and selfless duty, and he loses.
Or, in Gatsby.
Q: Is life fulfilled by living in the past? A: Mr. Buchanan clings to his old-money ways and is a sour lout with no respect for anyone or himself. Daisy clings to a marriage that failed long ago, to retain an image and security she thinks she needs. Myrtle chases a man she can’t ever have. Her husband lusts after a wife who’s no longer his. Gatsby… well we all know what happens to him.
The more characters and plot beats you have to answer your theme’s question, the more cohesive a message you’ll send. It can be a statment the story backs up as well, as seen below, questions just naturally invite answers.
Do you need a theme?
Not technically, no. Plenty of stories get by on their other solid elements and leave the audience to draw their own conclusions and take their own meaning and messages. Your average romance novel probably isn’t written with a moral. Neither are your 80s/90s action thrillers. Neither are many horror movies. Theme is usually reserved for dramas, and usually in dramatic fantasy and sci-fi, where the setting tends to be an allegory for whatever message the author is trying to send. That, and kids movies.
Sometimes you just want to tell a funny story and you don’t set out with any goals of espousing morals and lessons you want your readers to learn and that is perfectly okay. I still think saying *something* will make the funny funnier or the drama more dramatic or the romance more romantic, but that’s just me and what I like to read.
When it is there, it’s right in front of your face way more often than you might think. Here’s some direct quotes succinctly capturing the main theses of a couple famous works:
“He’s a good man.” / “No, he’s a pirate.” - Curse of the Black Pearl
“What are we holding onto, Sam?” / “That there’s some good in this world, Mr. Frodo, and it’s worth fighting for.” - LotR, Two Towers
“Even the smallest person can change the course of the future.” - LotR, Fellowship of the Ring
“A person’s a person, no matter how small.” - Horton Hears a Who
“You either die a hero, or you live long enough to see yourself become the villain.” - The Dark Knight
“Can’t repeat the past? Why of course you can!” - The Great Gatsby
“Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should.” & “Life finds a way.” - Jurassic Park
"Ohana means family. Family means nobody gets left behind." - Lilo & Stitch
“But… I’m supposed to be beautiful.” / “You are beautiful.” - Shrek
“I didn’t kill him because he looked as scared as I was. I looked at him, and I saw myself.” - How to Train Your Dragon
“There are no accidents.” & “There is no secret ingredient.” & “You might wish for an apple or an orange, but you will get a peach.” - Kung Fu Panda
*If any of those are wrong, I did them entirely from memory, sue me.
Some of the best scenes in these stories are where the theme synthesizes in direct dialogue. There’s this moment of catharsis where you, the audience, knew what the story has been saying, but now you get to hear it put into words.
Or, these are the lines that stick in your head as you watch the tragedy unfold around the characters and all they didn’t learn when they had the chance.
When it comes to stories that have a very strong moral and never feel like they’re preaching to you, look no further than classic Pixar movies.
“Not everyone can become a great artist, but a great artist can come from anywhere.” - Ratatouille
“I’m not strong enough.” / “If we work together, you don’t have to be.” - The Incredibles
“Just keep swimming!” - Finding Nemo
Ellie’s adventure book, to live your own adventure, even if it’s not the one you thought it would be - Up
The Wheel Well montage, to slow down every once in a while, because in a flash, it’ll be gone - Cars
The entire first dialogue-less section of Wall-E, to stop our endless consumption or else
The real monsters are corporate consumption - Monsters Inc
One cannot fully appreciate happiness without a little sadness - Inside Out
With enough loud voices, the common man can overthrow The Man - A Bug’s Life
A person’s worth is not determined by their value to other people - Toy Story
These are the themes that I, personally, took from these movies as a kid and later in life. If I remembered the scripts any better I could probably pull some direct dialogue to support them, but, sadly, I do not have the entire Pixar catalog memorized.
After you’ve suffered through rigorous literary analysis classes for years on end, the “lit analyst” hat kind of never comes off. Sometimes you try to find a theme where none exists, coming up with your own. Sometimes you can very easily see the skeleton attempt at having a theme and a message that came out half-baked, and all the missed opportunities to polish it.
Whatever the case, while theme isn’t *necessary*, having that through line, an axis around which your entire story revolves, can be a fantastic way to examine which elements of your WIP aren’t meshing with the rest, why a character is or isn’t clicking, how you want to end it, or, even, how you want to approach a sequel.
Unfortunately, very, very often, a movie, book, or season of TV has a fantastic execution of a theme in its first run, and the ensuing sequels forget all about it.
No one here is going to defend Michael Bay’s Transformers movies as cinematic masterpieces, however, the first movie did actually have a thematic through line: “No sacrifice, no victory.” They didn’t stick the landing but, you know, the attempt was made. Where is that theme at all in the sequels? Nonexistent. They could have even explored a different theme and they abandoned it altogether.
Black Pearl’s thematic efforts fell away to lore and worldbuilding in its two sequels. Not that they’re bad! I love Dead Man’s Chest, but to those who don’t like the sequels, that missing element may be part of why.
Shrek and Shrek 2 both centered on their theme of beauty being how you define it and no one else. Fiona finds true love in her “true” form, then strengthens that message in the sequel when she has the chance to be “normal” and conventionally attractive, and still chooses to be an ogre, to be with Shrek. Shrek 3’s theme is…? 
When it was never there, that theme is missing isn’t so obvious. When it used to be there and got left behind, it leaves a crater in its wake everyone notices, even if they can’t pinpoint why.
TLDR: Theme is more than just vague nouns and dichotomies. Good, evil, dark, light, selfishness, altruism, beauty, ugliness, riches, poverty, etc are what your story uses. Your theme is what your story has to say with those elements, using as many characters and plot points as possible to reinforce its message. Is it necessary? No. Is it helpful and does it lead to a richer experience? Yes.
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hello i have Some Thoughts about the newest magp episode
spoilers under the cut 👁️
statement was good :). didn’t give me the same spooks as the others so far but horror is so personal there’s gonna be some that don’t sit with you
i will only give up the tma fear system if jonathan sims himself pries it from my cold dead hands so for this one i feel like it was a blend of like
spiral lonely flesh stranger (maybe some vast)
also girl. that is NOT how u write an essay lmao. she rly was like ☺️ i don’t have any research 😌 but (tells the most horrifying thing that has happened in her life) 😊 i think this will be valuable to study
another norris episode-nothing specifically “martin” abt this one for the theory that they put em in the puter
oh MAN they are not shying away from TMA in this one. gerard keay is a PAINTER who lives with his GRANDMA GERTRUDE ROBINSON whom he refers to as GG! Celia is on a PODCAST with someone named GEORGIE! speaking of celia-alternate realities? time travel? i’m picking up what they are putting down i believe
sam is so in love with celia it’s sickening. rusty quill and starkid rly know how to get me invested in straight ppl
also gwen and alice had BETTER kiss one of these days. like at first i wasn’t rly feeling it. but you can only hate someone so much before it’s just a passionate relationship (eg: batman and joker)
also noooo colin 😔 10£ say he’s trapped in his flat by worms (i love tma season one with all my heart)
also klaus is an anagram for ‘lukas’ and since gerry keay is living with gertrude in london im not taking ANY chances with this show. if peter lukas shows up not only will i close the tab i will delete my bookmark out of spite and have to rewatch the entire series again for the sole purpose of being able to skip all the parts where he is amentioned or alive
also i love the sound design in this - rly captures the feeling that we are listening to something we are not supposed to. like..security cameras and phones have replaced tape recorders and that makes it feel a lot scarier bc i do not have a tape recorder but i am surrounded by tech 24/7
so excited to see where this goes, especially w what we know from the arg
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lemon-leviathan · 5 months
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I Hate It Here, I Fucking Hate It Here.
So For Anyone Who Knows Me, I’m The Type Of Person Who Spoils Things For Myself. Usually Accidentally, But On The Rare Occasion On Purpose Because I’m Also An Inpatient Person. On My Last Post I Asked You All If I Should Finish AOT Because I Stopped Watching It, Well I’ll Be Happy To Let Those Of You Know That I Started Watching It Again. Unfortunately In The Process I Ended Up Spiraling Down A Rabbit Hole And Spoiled MULTIPLE Very Important Scenes For Myself.
🚨🔔‼️So SPOILER ALERT I Guess…‼️🔔🚨
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The Whole Big Dream/Time-Memory Travel Thing, I Finally Understand Now. I Understand Why Eren Was Crying. I Get Why He Asked Mikasa About Her Hair. He Remembers Her From His Most Recent Memories, When Her Hair Was Short And His Wasn’t. He Remembers The Mikasa Who Beheaded Him. The One Who Kissed Him. He Remembers HER. Knowing That Eren Was In Control The Whole Time Really Messes With Your Head Especially When You Start Over And Notice Things You Didn’t Before. Things That Never Made Sense Until Now. He Knew What Was Going To Happen And Who Had To Die, And When. He Saved Bert By Sending The Titan After His Mother, By Sending DINA After His Mother. Maybe Due To Armin’s Colossal? Anyway Poor Boy’s In A Time Loop Of Sorts. But That Wasn’t The Worst Of It. That Wasn’t What Hurt Me The Worst So Far…
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They Told Him…They Finally Told Him. Jean Knows How Marco Died, He KNOWS. Reiner And Annie Told Jean What They And Bert Did To Marco. They Told Him EVERYTHING. How Reiner Pinned Him Down On The Roof, And Forced Annie To Strip Him Of His ODM Gear Before Leaving Him There. Standing A Few Rooftops Away Listening To Him Cry Out And Scream For Help. Calling For Them By NAME. Watching Him Get Picked Up, Watching Him Struggle And Look At Them With A Pained Look In His Eyes Knowing No One Was Coming To Rescue Him. Knowing His Friends Left Him For Dead All Because He Found Out Something He Shouldn’t Have. And Then Reiner My Darling Reiner Being His Weird Soldier/Teenage Self Has The NERVE To Ask Why Marco Was Being Eaten. Like He Moved On Autopilot And Realized What They Did, What HE Did A Little To Late. Hell, The Titan THE TITAN Stopped Momentarily Because It Too Was Confused. Seeing Jean Find Out What Happened To Him, And Then Beating The Shit Out Of Reiner For What Happened Hurt But At The Same Time…I Was Relieved. Marco’s Death Haunted Jean For YEARS And It Probably Still Does But At Least He Has Some Closer…(Can You Tell I Liked Marco?)
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Speaking Of Annie, Yes I Saw The Clip Of Everyone Saying Their Goodbyes To Her. I Saw Levi’s Face…I Know About The Whole Gabi/Sasha/Niccolo/Falco Thing Too (Can I Say I Know About The Connie/Falco Scene Too?) , And I Also Know About Moblit…I Know Horseface And Mikasa Are A Thing. I Know Levi And Mikasa Are Related. I’ve Seen Cabin Eren…
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And Like Most People Armin’s Wailing Freaking HURTS.
All That Aside I’m Still On Season 1 In My Rewatch/Pick Up Of AOT So I Don’t Know Everything Yet…But I Know A Lot. And That’s On My Spoiling Things For Myself!
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putnamcapital · 2 months
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s1 ep 6 rewatch notes
[yeah i am still doing these essays, everyone copes differently OKAY]
I wish i had the words to convey my love for the Simon-Rosh-Ayub dynamic when they’re sitting on his bed trying to talk about his video, not the Kim K. video. it’s an instance of one of the things i ADORE about YR, namely, the importance of the love and support of friends - “the gang is back together”. contra a lot of the teenage and adult movies that put romantic love on a pedestal and everything else goes to the dogs.
That shot of Wille set against the sky when the Queen leaves = is it the apocalypse or is it heartbreak and i'm not the only one seeing the religious imagery right?
“we haven’t done anything wrong.” Simon’s moral clarity, his unbreakable backbone - it’s a moment where it’s obvious the Court has no idea who they are dealing with. I’m not sure Wille even knows then.
Frida doesn’t get enough praise for her acting. that side eye of August as they cross in front of him loafing on the picnic table: sublime.
Another parallel I hadn’t seen before: Sara dresses up before dinner; she likes the image she sees of herself in the mirror. She is “someone she is not”, according to Simon (later that night), but she wants that false countenance. In S2, that same move will devastate Wille. But we have another Sara-mirror scene, in S2. Leaning on the Wille-Sara parallel, there’s something being done here about becoming who you are through artifice (dressing up ‘in costume’) or through love (revealing your true self). August (as opposed to Simon, i think …) ends up being a false or traitorous ‘coming into self through love’ for Sara.
Related … when Sara went to see August to confront him about the video, i have retrospectively imagined her as having planned what happened. But if you look at the scene as it happens, both Sara and August seem to just be playing the situation as it arises. Sara starts off by not even intending to tell August, I think that was honest. When she then confronted him about the video, she first asks why did you do this to Wille and then, how do you have the right, you destroyed Simon? none of it is about her. it’s when August asks her ‘what do you want’ - that i think the idea comes to her. And i think that explains her face after she kisses August - her revulsion at herself. it seems like a situation that spiralled out of control very fast.
i can’t really talk about the Sara-Simon fight scene because it’s my Point of No Return in terms of “This is a nice program to watch of an evening” and “These characters have become my entire waking and sleeping existence, is there treatment for this.”
in the scene that starts with them sitting on the floor in Wille’s room, there is that tender moment by the door, and one of the top two kisses and hugs in the whole of season 1 and 2 combined, punctuated with the forehead tap. and i’ve always thought it so lovely until this time i saw the “red flag” - the towel hanging on the hook - and it reminded me of the red ‘flag’ we see in the locker room every other time things go south.
the scene with kristina and wille in the car starts simply with him saying, “WHAT?” which a) comes straight out of fanfic; b) is hyper-realistic adolescent approach to dialogue but also c) actually shows that they are really close. as in, Wille might loathe his mother by the end of this episode, but also he knows exactly what she’s thinking and they can just skip all the usual staging aspects of conversation. it links, i now see, to the book scene, where wille admits that he can’t just throw out everything he’s been taught, b/c he’s internalized it so well
when K is lecturing W about all the public attention he’s going to get now, and how it will be even worse, it’s the same shot of him looking out the car window wishing he could be literally anyone else as in the first few minutes of s1ep1, after the club fight. and we see his reflection in the window, so we get him 'in double' - who he is IRL, and who he is seen to be by the viewer. very clever. very clever.
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bunthebreadboy · 1 month
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so i’ve been on my atla bs once again, and while rewatching today i got the lovely thought that azula reminded me of a specific kpop idol and spiraled from there. so. here’s my personal list of kpop idols as atla characters!!
these are mostly based on vibes and/or visuals. by no means do i mean to make idols i think are similar to the show’s antagonists out to be bad people!!! i will give an explanation behind my thoughts as well.
also disclaimer, i know next to nothing about boy groups, so please spare me lol
anyways
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seungkwan (seventeen) as aang
- once again, i know nothing about boy groups
- i did however watch the devil’s plan (amazing show by the way, it’s on netflix) and the positive but still very determined vibe seungkwan brought to the show reminded me of aang
- also, this selfie of him reminds me of the one scene with aang in the flower crown
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jihyo (twice/soloist) as katara
- extremely hard workers who trained for years to get to where they are now
- have natural leadership abilities and are total mom friends
- would cuss someone out if they were very annoyed
- thanks to jeongyeon and her water bottles, jihyo is actually a pro waterbender already (jeongyeon is pakku but without the misogyny. the entire pakku/katara fight is just a compilation every single concert encore where jeong and jihyo bicker)
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chan (skz) as sokka
- this honestly just felt right
- every time i see a clip of chan on a live i end up laughing
- i have also heard from stays that skz would collapse without chan and i very much think the same of sokka since he’s the ideas guy
- also aussie sokka lmao
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hyunjin (loossemble) as toph
- competitive level 1000000 (please watch one episode of loossemble assemble and tell me i’m wrong)
- would do something out of spite but is also very protective of friends
- cannot be left alone without causing hazards
- theft (“stealing can be fun” -hyunjin)
- chaos reincarnate when younger, calmer (a bit) when older
- toph would also wear that shirt and pretend she didn’t know what it said even though sokka told her
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heejin (artms/soloist) as suki
- i mostly thought of this because heejin and hyunjin are former loona members and good friends. which would make the scene where suki saves toph from drowning even funnier imo
- but also have you SEEN this woman’s muscles??? i have full confidence that heejin could handle her own in a fight
- every sapphic i know who’s seen atla had a crush on suki growing up and every sapphic loona stan i’ve met (which is most loona stans) has had a crush on heejin
- heejin’s lore in loonaverse is basically being a god and i personally equate that to suki
- also, they’re dorks
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siyeon (dreamcatcher) as azula
- LITERALLY THE REASON I THOUGHT OF THIS POST (specifically vision era hello???) LOOK AT HER
- siyeon is at the scene of the crime like 90% of the time something chaotic happens in dreamcatcher so i can fully imagine her cosplaying azula and running around with sparklers or something
- she’s also very good at looking evil in mvs so i think she could play azula
- that scene in the deja vu music video right before the last chorus when fire shoots up from behind her? she’s literally a firebender
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seonghwa (ateez) as zuko
- i know absolutely NOTHING about ateez aside from a couple of their title tracks but this man looks so much like siyeon i couldn’t resist
- idk i just feel like they’d be good at being the fire disaster siblings
- he also looks like he’d eat up the “the scar is not on the wrong side” line for some reason???
- was probably an angsty teenager at some point
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miyeon (gidle) as ty lee
- nobody can out femme either of these two
- cute extroverts who could also be deadly (like imagine x-file miyeon during boiling rock)
- i feel like ty lee would LOVE doing dance challenges with anyone and everyone
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bibi (soloist) as mai
- i am fully aware that bibi isn’t an idol but i couldn’t resist
- she just gives the mai vibes honestly. you know that trope where the guard asks the character to hand over all of their weapons and just stands there and stares as said character pulls out knives from everywhere? that is both bibi and mai
- bibi is also the queen of every concept so i fully believe she could probably play the entire cast of atla in a chaotic one-woman show
anyways i hope you enjoyed my chaos rambling and i kind of want to do this with other shows so if you liked this please leave me recommendations!
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oddlittlestories · 6 months
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Look I haven’t rewatched season 3 lately and I don’t remember the Tritter arc all that well so I could be misremembering things here and I’m open to counter-interpretation
One of House’s biggest fears is being all alone. And eventually he’ll become too much for the people who love him and they’ll leave and he’ll never find new people. He also feels he needs to face this ‘reality.’
When he fires his old team, it’s a spiral. He doesn’t do well with change, but he has driven off someone he cares about. And that leads to him driving off the other two fellows he cares about.
But Cameron beats him to the punch.
She quits. And I always used to think this was kind of cold. That she decided to jump the sinking ship (valid) & deny the harm that might cause.
But in retrospect I don’t really think so. Intentionally or not, she’s the only one to tell him, “You’ll be okay because you DO have what it takes to get over this.”
And he’s like. Oh. I CAN do this. And he gets a new guitar.
And it all leads to finding the new fellows and forging some of the most important relationships of his entire life. Of finding that he can in fact bond with new people. And that those relationships bring him things he never found anywhere else. And that the people he cares for will come back, if he lets them. And that some even discover that it’s where they wanted to be the whole time.
Idk just thinking about this
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etincelleart · 1 year
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Penny Polendina’s theme in V8 and V9 (RWBY)
Heyo !! I wrote this long analysis about Penny on Twitter and thought I could share it here as well o/
So this is a little silly analysis of mine about my feeling about how Penny was depicted in V8 and V9 :]
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NOTE : 1) Don't take all of that really seriously, this is simply a "fun" little analysis and my OWN view on the subject. This is just how I feel considering the infos we got on Penny during V9 !
2) This is also probably delusional AND I know it
3) So there's not need to come and tell me "shE Ain'T ComInG bAck >:[[[[[[", we can disagree but please give me your opinion and arguments if you'd like to discuss about it ♥
Anyway, for 2 years after V8 finale I felt probably like most people :  "Penny is gone for good, she ain't coming back, this is gonna be a big deal for Ruby in V9 but I guess that's it". I knew that Penny's 2nd death was going to be a big thing for Ruby and I expected it like everyone.
I rewatched Penny's death at the end of V8 and it truly felt like a farewell, a goodbye forever, I mean she got stabby stab from Cinder and chose to ask Jaune to kill her to give the powers to Winter. To me there wasn't any going back after that :[
And even when I'm writing it rn I feel like this thread is probably useless as I can feel how much of a goodbye it felt, and even more with the song "Friend" adding more pain :]] Especially with these lines :
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And with Penny's soul linked to the Winter Maiden powers, now linked to Winter's soul, I guess it felt like a point of no return. It *still* feels like it tbh.
But Volume 9 changed my view on all of that and that's not because I'm an Nuts and Dolts shipper aha. I'm truly trying to speak objectively and to take out my ship glasses-
I expected Penny's theme to be huge for Ruby, but I didn't expect it to be THAT huge and present throughout the entiere volume. Almost every chapter we got a reference, an allusion, an element linked to Penny, a vision, and finally an illusion made by Neo.
I'll try to list all of them :
Chapter 1 - It was pretty much expected, but Ruby learned Penny's 2nd death a this moment. The start of her true breakdown I guess-
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Chapter 2 - Basically the 1st Nuts and Dolts chapter of this volume lmao One of the main key of this episode was Ruby finding Penny's sword, which added to her pain even if she tried to move on pretty fast after.
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Chapter 3 - The guards tell about the swords, the Red Prince ditch the sword and Ruby's not okay with that-
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No mention of her during Chapter 4, so Chapter 5 - Ruby finds Penny's sword at the Blacksmith, and there's this weird line and moment I'll talk about later 
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Chapter 6 - Penny's reflection in the water, related to Jaune's guilt and trauma over her fate
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Chapter 7 - Ruby's PTSD striking while the Jabberwalker attacks her, and she sees a vision of Penny hacked at the Schnee manor, right before they helped her and executed their plan for her and Atlas (also, Jaune talked about his feelings about what happened with her)
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Chapter 8 - Penny illusion made by Neo, attacking and talking to Ruby And no mention of her in Chapters 9 and 10. So except for Chapters 4, 9 and 10, Penny was mentioned EVERY chapter.
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Now I know what some of you might think, this was mostly to set up Ruby's breakdown and make her spiralling because it's such a big deal for her, and you're totally right. Penny was used mostly to accentuate Ruby's pain.
And I know that I said (in another Twitter thread) that I wasn't fully satisfied with the finale because of that theme not being addressed after having her presence throughout the whole volume, I think I needed a reminder about production and budget. I think I'll feel satisfied with V9 finale if Penny's theme have some closure in V10 or V11 with Ruby, Pietro, Jaune and Winter in Vacuo. I imagine that with V9 finale this isn't just “everyone is so happy”, this is just the beginning of healing.
Anyway, if we don't have any closure in the next volumes THEN I'll say that I'm disappointed, but I doubt this wouldn't be addressed at all after such a volume and how much V8 finale was. But yeah, V9 finale had to focus on Ruby.
So, even if Penny's presence throughout V9 is mostly to add some layers on Ruby and Jaune's pain and trauma/breakown, I truly feel like the message from this volume is still in complete opposition with stuff we knew so far.
Tbh until V9 I really thought one of the main message of RWBY was that life AND death were important, and that death was inevitable and couldn't be avoided, like in our world. That death can be cruel and happen anytime to even the most precious souls. And it is in fact, keep moving forward aren't just some cute words, it's a true motto of the show. But the thing is that for Pyrrha, I never felt we had any hope or confirmation that she could come back, and we had a closure for her in Volume 6 with the scene at the statue. And by learning about the Gods in V6 as well, I thought that no one in this show was probably going to be back (except fo Ozma who reincarnates). 
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The thing with V9 is that we discover that the “Gods”, who set up their rules of life and death without any reincarnation and no dead can come back, aren't actually Gods but made by the REAL RWBY God, in a world where reincarnation is THE thing. 🫠
And again, I know that the theme of rebirth was focused on Ruby this volume, that she had to go through that journey to understand that she's human, she's not perfect, she's enough just as she is and can do her best.
But Penny's theme this volume still kinda unsettled me as I didn't expect it to be so present. Truly when you rewatch the Volume idk if it's because I'm biased or something but I see it everywhere. The thing again is that we didn't get any closure for her. We got so much references and scenes for her, and no closure (idk if it's because of budget or intentional tho).
There are a few moments that also seem pretty weird/confusing to me :
1) It was confirmed by the script that when Ruby wakes up on the Ever After, it was Penny's voices calling her 3 times. But those screams are different from the one when Penny and Blake see Ruby falling in V8 finale. I listened again and while one of them seems similar, the others are different. So are those screams we didn't hear as a viewer ? But it still feels weird to add them as if she remembered them when we never heard them. Maybe those screams were just Ruby waking up and her mind mixing everything, but it's still kinda odd to me.
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2) Another weird scene and probably the one that interests me the most, is when Ruby meets the Blacksmith in Chapter 5. I still don't really know how to fully analyse or understand this scene tbh-
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We know the Blacksmith is a "representation of the Tree", so why does she have Penny's sword ? How does she even have Summer's weapon ? Why does Penny's blade turn into Alyx' dagger ? Why does Penny's reflection seem real and Ruby actually sees it, meaning it's not just an effect to tell us that this sword reminds Ruby or her ? And most importantly, when Ruby asks her how she got Penny's blade, the Blacksmith answers : 
Why does Penny's reflection seem real and Ruby actually sees it, meaning it's not just an effect to tell us that this sword reminds Ruby or her ? And most importantly, when Ruby asks her how she got Penny's blade, the Blacksmith answers : "nothing, no one, is ever truly lost". Truly as a viewer and even when trying not to be a Penny or NND stan, I can't help but think that this opens a lot of doors for interpretation. What does that mean exactly ?
Knowing the nature of the Ever After, does she mean that literally ? That Penny's not lost as we all thought in V8 finale ? Or is that metaphorical ? She then says "And you, are you lost ?" so it feels like the first answer wasn't supposed to be about Ruby but about Penny's sword. Before the Blacksmith asks Ruby if she's lost, Ruby looks at the sword in a pensive expression and she sees Penny's reflection. Almost as if she was thinking about what the Blacksmith just said.
But what is the use of these reflections ? If it's not just an effect for the viewer but also something Ruby can see, what does that mean ? There is obviously a link between weapons and identity/characters here
Another thing that confuses me too is the fact that Penny's sword is changed into Alyx' dagger. So were these weapons only illusions ? Does the Blacksmith really have Penny's sword, of even Summer's axe ?
3) Another thing more subtle that apparently not everyone catched, is the leitmotiv from Ruby's talk about Penny in Chapter 2 that comes back during the finale when Ruby choses herself. I edited the 2 scenes so people can hear it and compare, here’s the link to the video on Twitter :
https://twitter.com/EtincelleArt/status/1652360420462587905?s=20
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Why this OST in particular ? We know that Penny is linked to the themes of hope but also choice/freedom. Maybe this is how it is supposed to be a parallel for Ruby choosing to keep her hope and to do her best. But I can't help but think that it is still a bit sus to hear this leitmotiv again in such a big moment during the finale. Especially when we got no mention or vision of her for the last two chapters.
We also had themes that are related to her a lot such a friendship and kindness with Little, souls moving on to their next life (Penny has a soul, "her soul is who she is"). 
I just have this feeling that so much is related to Penny this volume, it feels like it's on purpose so the viewer is grieving her as much as Ruby does :')) But nothing really felt "conclusive" in the end. Again maybe this conclusion will be for later, once Ruby is able to talk with Pietro, since we know he most likely got to Vacuo with Maria as Amity appeared to be fixed and floating in the sky at the end of V9.
But again it links with other thread I've done about Pietro (I’ll probably post it here too on Tumblr) : what about him ? Would he be able to grieve Penny a second time ? How would he handle the 2nd time losing Penny ?
I'm not necessarily saying that Penny will come back blablabla ‘(still praying and high on hope and copium tho), but it's STILL a feeling and I hope that I get after watching Volume 9 when I basically accepted the fact that she was dead in V8 :'))
After V8 I was (and I'm still in someway) part of those who thought that she shouldn't come back a 3rd time, her arc was completed, her death made sense, she made a choice. Truly I couldn't see how her being back would be a good thing. Most importantly, I was scared that her being back again would invalidate everything that happened during V8 and the fact that she chose for herself. It's still one of the reasons for why I'm conflicted about this whole thing :')) 
Depending on how it's done with the writing, NOW that we know what we know about the RWBY lore, the origins, the Tree, the Ever After, the Blacksmith, Ascension, I *could* see it happen. Of course my fan side is like omg yes I'd like her back please please. My writer side before V9 was like "no I love her but it's a bad move". Now I'm more like depending on how it's executed, I might accept it.
I mean, her being back in V7 didn't erase all the pain, suffering and mourning we (as viewers) had to go through with Ruby and other characters. It worked and kept intact all the time we spent asking if she was going to be back or not.
 Knowing how much the theme or reincarnation/rebirth is everywhere in the Ever After, it changes my view on the RWBY universe because life and death aren't just the only options there. There are different rules
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She might come back, she might not come back, I just wanted to express how this volume made me feel about this specific theme. It gives us such a different message compared to Penny's death in V8 :']]
I mean of course this volume is brighter than V8 but after a volume where a character just can't escape death even after fighting for SO LONG, we finally have some light and hope about a possibility of MAYBE her being alive could happen.
(Just my own feelings again) From the start during her Atlas arc, Penny :
 - got framed
- was forced to take the Winter Maiden powers she didn't want
- was attacked by Cinder
- was forced to leave her friends to do things she didn't want to
- was hacked by Watts
- was killed again
Her ENTIERE ARC was tragic and even if Penny's character is optimistic, joyful, friendly, she's a fighter and she has hope, she sees beauty in a lot of things, she *still* never got the chance to truly live the life she wanted to live. So with what we got from V9, I see only two options :
- she's revived SOMEHOW and finally get the chance to live as it was kinda implied in V9
- she stays dead and her character stays so tragic and painful aaaah-
As for *how* she could come back at some point, I have my few ideas but I don't really want to get into that rn, it was mostly about how everything about her felt odd in V9 compared to V8 truly.
To finish on a hopeful and delusional word : "things always come in threes" :p
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roxy206 · 6 months
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Halloween 7 — 10/25/2023
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listen between the fact that I’m sick & the way I’m probably going to spiral based on the clip I saw from this episode … consider yourselves warned 😂
First of all I fucking love that this is what Trixie decided to wear, but I want to know that entire thought process
It’s a serve. It’s a servetina
Can I — You wanna touch me?
Besties 15 seconds in & I’m already gonna lose my mind
Are you wearing Oh Honey? Yeah Oh no
The fucking look on Trixie’s face 😂😂😂
I have a lot of thoughts & feelings about Trixie not being in drag for this episode
The way Trixie keeps moving her sunglasses to look at Katya though
A round of applause for her body
bzzt bzzt
bzzt bzzt
You know what’s scary? Real estate
The tongues
The little wrist tap 🥹
bzzt bzzt
I AM SCREAMING AT TRIXIE ASKING KATYA IF SHE LIKES TO CARVE PUMPKINS & THE EDITING CALLBACK TO carve me out like a pumpkin
Just had my hip done — pleaaaaaase 😂
The selfie lmao
ACAB sweetie
The hand on the knee! The leaning!!!!!
The arm stroke !
Would you kiss them for me maybe? — HOLD ONNN you’re telling me KATYA WAS THE ONE WHO SET THIS IN MOTION ?!?!
My question to you is — Yes it’s a fuckable pussy
How many lips do you have?
Now kiss her. Kiss her — Pete is literally my favorite person
Dear god someone please remind me to rewatch this episode this weekend because HELLO !
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cynningly · 5 months
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TW: body horror and eye strain (glitching)
rewatching tribetwelve atm so take this gif i made!! It’s mostly just an excuse to make my own headcanon Firebrand design. It was originally just gonna be a doodle of him but i spiraled lmao
still might change Firebrand’s design. I love body horror stuff and i wanna play with the idea that he becomes visibly more monster looking when he defects from the collective and his powers aren’t being held back by Slendy anymore. Especially with his “Rogue God” thing and creatures like angels and stuff being absolutely horrifying to look at in religious canon.
However, as much as I think the burn scars look cool (i hope you can tell they’re burn scars), they’re a such a pain in the ass to draw. So are the teeth, the teeth might actually be worse. I wanted to make it look like his cheeks and lips got like burnt off (Noah’s house got burnt down when he was a kid so i like to think this Firebrand is from a session where Noah didn’t make it out in time) so his teeth are exposed and that’s what kinda gives him his uncanny smile.
But he kinda barely looks like Noah anymore. I kinda wanna see what I can do balancing his horror with becoming a monster while giving him a design that still looks like his past self (cause the horror of seeing the fucked up creature you’ll become while also being able to recognize yourself in it is just *chefs kiss*) and is maybe just a bit easier to draw lmao
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Adam Rosner apologists dni or i swear to god i will beat you away with a stick
also quick psa about how I draw Noah cause i do plan to draw and post more t12 stuff:
tldr at the bottom cause this turned out long, sorry
I know a lot of people have been shifting their Noah designs cause Adam is disgusting, and that’s a perfectly fine and more than respectable thing to do. however, i plan to continue to draw Noah as he is. before all this came out, t12 was a massive part of my childhood and Noah was definitely always one of my fav characters. I simply cannot separate t12 from Noah in my own head.
I can, however, separate t12 from Adam.
I rarely ever saw oog tribetwelve stuff, so I will always associate that face with Noah first and Adam second. I will continue to see Adam as a horrible excuse of a human and Noah as a character who suffered because of their actor and writer. In my own humble opinion, Noah can still be a good character even while taking his actor’s deeds into consideration. I believe that you can enjoy t12 while also hating and not supporting Adam. Separating the art from the artist, as some say. Again, if you don’t like drawing Noah as he was in the series and you don’t like seeing the image of a man who did absolutely horrible things that should have put him behind bars, that’s completely understandable and ok.
tldr,
So yeah, i’m gonna draw Noah as he is, but i get people’s desire to change his design to further distance the awesome series of tribetwelve from its awful creator. I just won’t be doing that. I just wanted to explain my reasoning for how I draw him in hopes that 1: y’all can understand how I see this situation and more importantly 2: so you don’t think I support Adam just because I draw Noah canon to how he was in the series. I do not and will not ever under any circumstances support Adam Rosner.
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