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#I’m thinking about writing this
elodieunderglass · 7 months
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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justaz · 4 months
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country bumpkin merlin not knowing anything about city life and accidentally courting arthur without knowing
merlin, watching gwen give lancelot her favor: why do you do that
gwen, heart eyes at lance and not paying that much attention to the conversation: so he knows i’m rooting for him
merlin, with an Idea: ah.
gwaine, lover of chaos, pisser offer of nobles and royals alike, ultimate wingman: merlin…you have such lonely lips. shall i introduce them to mine?
merlin, unaware of the game gwaine is playing: so you can steal my breath away? i think not, scoundrel
arthur, crushing his goblet in his hand:
merlin: arthur’s been in a bad mood recently :( i should cheer him up
merlin, remembering when arthur was put out when merlin brought morgana flowers and not him: i know just the thing
merlin, bringing a bouquet of carnations, roses, and tulips and setting them on arthur’s table while he’s eating breakfast: good morning, sire
arthur, trained on flower language in hopes that one day when he was to take a queen he could woo her easily, trying not to audibly choke on his sausage as he reads merlin’s declaration of love sitting in front of him:
arthur, who recently found out about merlin’s magic and was trying to find a way to bring it up, catching him in the act and watching merlin panic to explain himself:
merlin, Freaking: and i swear to you arthur, i have only ever used it for you. my magic is yours. my life is yours. i am yours. i would never do anything to harm you. i have protected you for years and will continue to do so at your side if you’ll have me
arthur, already believing them to be courting, desperately trying to figure out if that was a proposal for marriage or not but tired of being confused and deciding fuck it: here.
merlin, taking it: i…uh…huh?
arthur, watching merlin with hawk eyes and trying to figure out what he’s thinking and feeling: it’s my mothers sigil
merlin, confused as FUCK but is focusing on the fact that arthur is handing him something of his mother rather than a death sentence: my…my lord?
arthur, realizing how scared merlin’s must be about him finding out about his magic and trying to comfort him while also proposing, killing two birds with one stone: i will always keep you at my side, merlin, so long as we both shall live. if you’ll allow me.
merlin, almost collapsing with relief and tearing up, smiling at arthur as if he had parted the storm clouds to allow sun to shine down on them in that moment: of course…of course, arthur. always and forever.
merlin, watching the castle staff rush this way and that: wow. this banquet must be incredibly important
sir leon the long suffering, day one ride or die, one of the original merthur shippers: banquet? merlin, this is for your wedding
merlin, overworked and exhausted: my WHAT? to WHO??
leon, regretting everything he’s ever done in his life that led him to this moment: to…arthur?
merlin, over joyed but also absolutely befuddled: i’m getting married to ARTHUR?????
leon: you two have been courting for the past year or so, have you not?
merlin: i’ve been COURTING ARTHUR?????? FOR A YEAR?????????
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emuanon34 · 2 months
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bread-that-draws · 1 year
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Flowey’s so funny and has me so fucked up like he’s a talking flower. He tries to kill you upon your first interaction. He is ten years old. He is damaged beyond repair. He’s a flower named Flowey. He’s become friends with every single character. He’s killed all of them countless times. He knows everything about everyone. He doesn’t care anymore. He takes care of his mom when she can’t take care of herself. He’s killed her before. He doesn’t care if you kill her. He thinks she’s trying to replace him. He just wants to be himself again. He wants to destroy everything. He hates you. You’re the only one who understands him. He wants his best friend back. He’s terrified of them. He believes in kill or be killed because he died by giving mercy to the wrong person. He believes himself to be the wrong person. He doesn’t understand when you show him that kindness he showed others, even when you know he could kill you for it. He’s tried every route. He asks you if you have anything better to do when you try to do the same. He’s a direct reflection of the player. He’s a fucking talking flower named flowey and his only voice line is by Ronald McDonald and his officially licensed plush does a little dance for you
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pocketseizure · 1 year
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TofK Ganondorf Design Notes
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The character design for the Ganondorf who appears in Tears of the Kingdom is extremely interesting. This is just speculation, but I don’t think he’s dressed like a villain.
The golden ornaments on Ganondorf’s topknot, chest, arms, and ankles reference the common portrayal of Fudō Myōō, one of the most widely venerated deities in Japanese Buddhism. Fudō was originally a minor Hindu deity called Acalanātha, who is an avatar of the wrath of Shiva, the god who destroys so that new life may emerge.
Like Fudō, Ganondorf wears long hair bound into a topknot, golden sandals, and loose pants gathered at the knee. These are sartorial traces of Fudō’s South Asian origins, and they serve to connect Ganondorf to the Gerudo of Ocarina of Time and Breath of the Wild, whose designs are inspired by various cultures along the ancient Silk Road.
Fudō was especially venerated by the warriors of Japan’s medieval period, so perhaps it’s fitting that Ganondorf’s costume alludes to the dress of medieval warlords. His robe, with its embroidered hem, crimson lining, and golden sleeve weights, would have been extremely expensive to create and would only be worn by a wealthy domain lord.
The matte black of Ganondorf’s outer robe is an indicator of high rank, as is its colorful interior. Toward the end of the medieval period, black robes were sewn with gorgeous inner linings in order to demonstrate wealth, power, and prestige. To me, Ganondorf’s robe reads as something that would be worn by Oda Nobunaga, one of Japan’s most notorious warlords.
What’s interesting about Ganondorf’s design is that he doesn’t come off as a deity or a warlord. A god would have no need for such a sumptuous robe, while a lord would not reveal his skin or wear sandals. I’m strongly reminded of the sort of rōnin famously played by Toshiro Mifune in The Seven Samurai, a skilled but aging warrior who retains his dignity despite his debased circumstances.
Ganondorf’s lower torso is wrapped in a haramaki to reinforce his core strength, and his right arm is bare so he can wield his sword without impediment. These are both very human touches, as is the cloth covering his shins and soles so that his skin doesn’t chafe. A more godlike character would not need these concessions, and a more aristocratic character would not bother with them.
In previous games, Ganondorf was covered from chin to toe in ornate armor or belted robes, signifying a lack of openness and vulnerability. Meanwhile, the Ganondorf of Tears of the Kingdom literally bares his chest as he reveals a number of contradictions. He is ornamented yet barefoot, and his regal black robe has been peeled back to showcase a bright lotus pattern.
Even despite his stern frown and clenched fists, I don’t feel that Ganondorf is visually coded as a villain… or, at least, he doesn’t seem completely inhuman.
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ivysoul · 4 months
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ellie being high and just wanting to make u cum <333
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the bong sat idle on the table in front of you two for a fair bit of time after you’d scolded ellie for how much of your weed she was using up. maybe you should’ve done it sooner, because all the weed had gotten to her head and she was far too touchy for her own good.
“god, y’just feel so good around me.” she breathed, her eyes glancing between your face and where your gushing cunt wrapped around her fingers.
you were a mewling, begging mess. you always were for ellie. but something about her being so determined to make you cum tonight, a stark contrast to her usually teasing ways, really made you lose your mind.
she leaned in and placed a wet kiss to the side of your neck, sucking lightly but in the way she knows makes you melt. you let out a high pitched moan, and she laughs at your demeanour.
“y’like being touched like this? hm? like havin’ my fingers in your wet little pussy?” you tried to respond but all that came out of you was a whine as your hips involuntarily rocked back and forth on her hand. “shh, shh. ‘s okay, i’ve got you, mama.”
ellie gently pressed her thumb against your swollen clit. she noticed how you jolted at the featherlight touch. and how you whimpered when she rolled soft circles on the bud.
she kissed your lips for the millionth time that night, loving but needy in their nature. “y’gonna cum for me? gonna show me how good i’m makin’ you feel? c’mon, baby. let me see how pretty you are when you let go.”
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mossterious · 1 month
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Something really poignant about Lisa Frankenstein, to be at least, is the fact that when the creature attacks Janet, it’s not when she’s being rude to her. It’s not when she’s just saying rude things, or beoittling Lisa, or anything. It’s when Janet says that she’s going to admit Lisa.
Because the creature is from the 1830s. And even if he knows about modern culture and inventions, which he sort of seems to?, he’s still FROM the 1830s. And when Janet says the word admitted, he hears the word committed. When Janet says Serenity Manor, he knows that that means an asylum. And he knows what asylums are. They are dangerous places. They are places where you’re stripped of all autonomy. They are places where you send people away to become someone else’s problem, and they normally don’t come back. And so he attacks. He protects Lisa.
And I think that draws a really important comparison between what asylums were, and what mental care is now. Because in a lot of ways, it isn’t much better. There’s still a lot of abuse in the system. There’s still a complete lack of autonomy. There’s still so much ableism and bias within the system. And people are still sent there to get them out of other peoples ways, rather than strictly to help them. And, sure, this movie is set in the 80s, so it’s not exactly modern. I mean, the movie points out that times are different. But with Janet, it almost seems intent on pointing out of similar everything is. Sending Lisa to a psych ward. The diet culture. The “intuitive person” thing. That one line about narcissists needing to be vanquished. And all these things are still a pretty big issue now.
There’s just a lot of comparison. ESPECIALLY a lot of comparison when it comes to disability and madness in these three distinct time periods. And like, it’s obvious that mental health was used as a weapon against people, and especially WOMEN, in the 1830s. But Lisa Frankenstein highlights that in the 80s, it was still a weapon! And that psych ward programs still poses a threat. Theres a comparison between how Janet and Lisa’s dad erase Lisa’s grief and say that she’s “acting out” compared to female hysteria of the creature’s time. There’s also the creature’s reaction to being physically disabled vs Lisa’s, with Patch and everything, but that honestly is another post entirely.
I just think that the discussion of mental health in this film is really important and, frankly, really well done. Especially especially especially through the lens that Lisa is a girl. And Lisa Frankenstein is a movie about GIRLHOOD. And so the movie took the extra step to talk about the denial of women’s feelings and specifically grief, and the pathologization of them. When women feel in a way outside of a norm, they’re wrong. They’re crazy. They’re dangerous. And idk I just think it’s done really well and the comparisons are all right there.
And this is all in a movie based on Frankenstein. This is all about a character based on Victor Frankenstein. The MAD scientist. So I feel like it all fits together incredibly well.
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evasive-anon · 6 months
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Let Danny’s Parents Be Criminals
I hate the reveal gone wrong trope in the dpxdc fandom because we know Jack and Maddie end up supporting Danny and Dani in the end. His parents have some major flaws but wanting to torture their actual child isn’t one. What they are guilty of is going way too hard on any plan they cook up without thinking of the consequences.
If I were writing a dpxdc fic and I wanted Danny in adoptable status I’d just have Jack and Maddie in jail on charges of domestic terrorism after they killed off GIW agents and destroyed the GIW’s bases. They realized their ghost kids were in potential danger and went at the government the same way they went at ghosts, guns blazing and with reckless driving.
They end up in federal prison and they Vlad wins custody cause he’s rich and there is your runaway Danny plot starter.
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anna-scribbles · 7 months
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calling all miraculous fans who watched anime in middle school
PLEASE tell me what you think adrien’s favorite anime is. bonus points for characters you think he would relate to / want to be friends with
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secretmellowblog · 6 months
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Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!
One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.
Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.
(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)
The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.
Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.
It’s politeness at gunpoint.
Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)
So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”
Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.
The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.
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azul-marie · 7 months
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— a touching of souls.
their kisses with you. fem. reader. suggestive. feat. bi-han, kuai, tomas, syzoth.
bi-han —
steady and sure, grabbing at your waist, wrapping a hand around your throat to keep you still as he indulges himself in your lips. although he is not the most affectionate man, bi-han has an exceptional fondness for kisses. perhaps it’s the breathless sounds you make, or the soft gasps in between his tongue — perhaps it is simply that he prefers you at his mercy, a pretty little thing caged beneath or within strong arms. typically at night, when the moon is high and all is silent, he allows himself to calm, to open before you and allow you to initiate. bi-han tends to lose himself in these moments all too easily, an annoyance at his expense. most times, without even trying, simple kisses from you lead to sleepless nights and sore bodies.
kuai liang —
ardent, unrestrained, grasping at hips and breasts and hair, unable to keep what little space remains between the two of you from heating up — figuratively, literally. his lin kuei ways may have taught him restraint, focus, but kuai’s hotheaded tendencies always get the best of him when it comes to you, only for you. his kisses trail like fire all across your body, his teeth leaving scorches in their wake, a tongue like that of flames licking at tender flesh until you melt like caramel in his hands. kuai is unrelentingly keen on smothering you with every bit of adoration he has; his lips alone are more than capable of proving it. you are a goddess worthy of worship, and he a devotee all too willing to bow down and serve, evermore shall his love burn for you.
tomas —
soft like daytime mist, cupping apples of cheeks, the tremble of fingers when his lips touch yours. he has little experience with romancing women, much less the gift of their kisses; you are his beginning, his end. it is precisely why tomas pecks, rather than lose himself to your lips, for a bashful nature keeps what eager will he has in check. his boyish charm only adds to the endearment, and often he finds you to be the one most content in initiating them. it’s a strange comfort, that you still pursue him despite his meeker approach to affection and love. assuring him that he is wanted sends his self-confidence soaring, and gradually does he ease into the idea of receiving and giving kisses on a more constant basis — privately, of course.
syzoth —
quick and light, flurries of kisses, all about your pretty face, your petalsoft lips, sometimes at those sensitive sweet spots across your décolletage if he’s feeling cheekier than usual. syzoth, fairly new to the concept of kissing with warm, wet mouths, tongue and teeth and all, hadn’t expected warm-blood affection to be so pleasant. he is cautious of physicality, having grown to live without its softer aspects for years prior to you, but kisses are easy, innocent enough to practice. you have made it this way for him, precious as you are. he kisses you hello, goodbye, as luck before either one of you leaves for calling duties, and simply when he feels like it, even if friends are around to witness and tease. he doesn’t mind them, as long as you don’t.
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I think that the one thing that I will always absolutely loathe the movies for (other than single handedly screwing up the whole plot of the story) is for making up that bullshit rule about Zeus declaring that no god can have any kind of contact with their children. That’s completely not true but now a huge chunk of people in the fandom believe that rule as canon( because most like to pick and chose what is canon and what is not, and sell head canons as being canon to the books ).
The only rules that are stated in the books relating to demigods and their parents is that 1). Gods cannot blatantly and outwardly help their demigod children during a basic quest (such as help them fight monsters or help them travel somewhere for the quest). 2). That as of the time right after WW2 the big 3 gods are not to sire any demigod children as part of their oath that they made on the River Styx (which Zeus and Poseidon definitely didn’t break ). Gods are still able to spend time with their demigod children and mortal lovers on times out side of quests. However, it’s seen as taboo mainly because the other gods use them having to much to do, and too many demigod children as an excuse to just not do anything for them. Not send them a birthday card, not a visit, and not even being claimed in most cases.
That’s giving the gods too much slack! People like to say "well, they’re gods. They’re trying their best." No they’re not! And this is what Luke’s character blatantly points out!
Hermes not even bothering to visit every once and a while? Hermes not trying to help in even any little way with Luke and May's situation? It’s a main reason why Luke becomes so angry at the gods and even thinks about saying yes to Kronos’ proposal.
And who is the example of what could’ve happened if Hermes would’ve done literally anything? Anything at all? Percy.
Percy didn’t like the gods and Poseidon very much in the beginning ( he doesn’t really like them much now but, you know) but Poseidon at least helps Percy in little ways that can fly under the radar of Zeus and the others. The Pearls to help Percy escape from the underworld? Tyson? Poseidon even crashes Percy’s birthday party ffs! Sure Poseidon isn’t there every time Percy scrapes his knee or fights a monster, but he still shows Percy that he somewhat cares about him.
All Hermes does is tell others how much he cares for Luke and "really truly loves him", but does nothing to prove to Luke that he truly cares. But it’s not just Hermes who does this, almost all of the gods do this! Why? Because they know that they can just say "oh, well I was busy and I tried my best" and others will just believe them and carry on. Or worse, they’ll take what the gods say to heart and demonize anyone who would try to oppose the gods so that it’s seen as a bad thing to hold the Gods accountable for the way they act.
And this is a clear example of the overarching theme that the gods are actually just an oppressive establishment that won’t ever really change unless it’s destroyed or overthrown.
In this essay I will…
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spirker · 1 month
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Remember this is how Ed was looking at his boyfriend when we last saw him.
They are together and they are so in love.
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otaku553 · 9 months
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Haha
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theminecraftbee · 4 months
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task: answer the following question. do you believe in curses? respond as completely with relevant information as possible.
Grian: Well, that's a lie. This isn't a task. I know it's not a task, I set the things up! Not sure why we're getting a question as pointless as this one, but sure, mysterious scroll, I'll answer. There's no such thing as curses, unless you're Timmy, in which case it's funny, yeah? Besides, I didn't actually kill Etho. Even if that did count, self-fulfilling prophecies aren't the same thing as curses, and I know which one I fall under.
Joel: Do I believe in bloody curses what kind of question is that? Do I really get hearts just for answering this? This feels like a prank or something... well, whatever. There are no such thing as curses, except the Boogeyman curse, which I sort of had today, but it wasn't actually the same at all. A lot of the bloodlust, sure, but a lot more... Etho had to be the one to do it, huh? And it's not the same. Not comforting. That's a stupid thing to say actually. Take it out of wherever you're putting this. Cut it out of the recording. Comforting. Please. As if it were ever... Yeah, I'm done actually. Don't have a good answer. Go away.
Scott: What, other than Jimmy? Bless that man, he may not have died first, but he sure tried his best. Sure, I'll believe Jimmy is cursed. I mean, mostly he's just kind of stupid. Lovingly so. I mean, despite him being stupid, I put up with him, right? That seems like a complete answer to this question. Jimmy's an omen but we put up with him anyway. That's all.
Mumbo: NO RESPONSE GIVEN.
Pearl: Oh, I mean, I'm probably cursed. That's what everyone liked to say at one point. I think... I mean, I think this time I have good friends, which is nice. They don't think I'm cursed. And it's not like I--I mean, it's surprisingly fun, acting cursed! And I am just acting. Acting scary, blowing up dance floors, all of that. And I don't really have to this time, so... Maybe I'm not cursed? And since it's acting, it's not real? This is a weird question.
Etho: Oh, man, that's a question. Um, do I have to answer? Because I feel like if I say no, that's really just asking for it, but if I say yes, I have to explain myself. Uh, I think I'm abstaining, unless the zombie thing from earlier counts. That was scary and I hated it. Curses are scary and I hate them in general, but apparently I'm good at them, if you ask everyone else. Um, it's not the only thing I find scary that apparently I'm good at.
Scar: Why, of course I believe in curses! Look at poor, poor... Timbert? Timmy? Jim? Gosh, sorry, I'm very tired right now. That's more proof of curses, by the way! That I'm tired. I've been tired straight since the desert, let me tell you what. And that, my friends, is a curse like no other. What a terrible beast, loneliness is. Wish me luck breaking it, because it's not happening this season!
Cleo: Oh, you mean the thing people like to blame instead of their own actions? Nah. My soulbond was kind of a curse, I guess, but even that's at least half just... bad people. Bad relationships. Good ones, too. We're all just doing what you can, you know? No script, no curses, no characters, just... Oh, I hope everything turns out tomorrow. Sorry, that's unrelated. It's just nicer to hope than to preemptively blame things on curses that don't exist.
Impulse: Well, I mean, I didn't until you just asked me that, but now I feel like I should. Wouldn't that be nice? Being cursed instead of just sort of unlovable? Sorry, no, that's mean to Gem. I shouldn't say that about Gem, she's been good this season. Super, super cursed, mind you, in the like, game mechanic sense? But she's been good, no backstabbing or inability to get love involved. Um, and I guess that's not fair to Bdubs, kind of, except it also totally is and I haven't forgiven him. So I guess if they ask I said I believed in curses, and that's why my life keeps circling clocks? Don't put any of that other stuff down, I'm trying to work on that.
Lizzie: NO RESPONSE GIVEN.
Gem: I was just cursed for a task, but that probably isn't what you're asking about, right? I'm new, so I don't know! A task is a concrete thing to believe in, like bloodshed or victory or fun and games. You don't have to believe in those to know they're real, either! They just are, whether you like it or not. I understand that much!
Tango: Gah, don't talk to me about... Deep breaths. Look, I don't care if it's a curse, or if it's just me being really bad, or what, I'm not going out pointlessly this time. Jimmy managed not to die first, I can manage to not go out to a stray arrow or my own bomb or a misstep this time, right? Is that so much to ask?
Skizz: Huh? Curses? I mean, I don't think so, and to be totally honest I think it's kind of mean the way people sometimes rag on people about them. Everyone's got so many good things about them! Why do people like to focus on the unfortunate luck, huh?
Bdubs: Hah! Curses! Let me tell you about curses. When I see curses, I eat them for breakfast. I don't got curses, I've got better things to do! I've got my buddies with the Mounders, and I've got-well, I'd say keeping Etho safe, but he's being weird at me again this season. Not that it matters. It never matters. Etho and I, we're... The point is, that doesn't matter anyway, because I have the Mounders, and they're the ones who matter here. And because I'm a strong, independent Bdubs, who doesn't need anyone but my bow and my perfect, flawless fighting prowess! Sorry, what was the question? I've been thinking so much lately that it's just sort of made everything else pop out of my head, so it's hard to keep track. I'm sure I answered it flawlessly, though.
Martyn: Of course there are curses. That's half the fun for you lot, isn't it? Putting your little curses on us and watching us rail against them. Bet you think it's real cute to ask us what we think of the things, too. "Oh, what do you think of curses," like we have any control over them. Please. If I had any control over curses, Jimmy--or, well, no, I guess that one was technically broken, wasn't it? Sure doesn't feel like it. Point is, curses are bad, and they're definitely real, and I hate you for them, got it?
BigB: Look, man, if you're trying to get me to write my character out for you, just say so! I won't tell anyone. We can come up with a hole thing about holes and red tasks and the Backrooms together! It'll be fun! After all, you probably don't know what kind of curse to say I have, right? Haha, just kidding. I have no idea what I'm talking about. Luckily, neither does anyone else, so I think that evens out between the lot of us.
Jimmy: NO RESPONSE GIVEN.
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dreamofbecoming · 1 year
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listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done
but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says
and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.
she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.
so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.
but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.
(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)
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