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#I'm not here it's queue
doodlecrimes · 2 years
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[image id: various drawings of the Star Trek characters Data, Lore and Geordi. The drawings are separated into three squares. In the biggest square to the left is Data in his uniform with a beard resembling William Riker's. In the square to the right is Lore in the yellow utility suit. He has a messy mustache and goatie. He's sticking his tongue out. In the bottom square, Geordi is touching Data's face to feel his beard. They are both in uniform. Data says, "Are you certain that it looks okay, Geordi?". Geordi says, "I like it, Data [heart]". The backgrounds are varying shades of orange. /end id] Data with a beard because it's the transmasc swag <3 feat. Lore because he would grow ugly facial hair to torture people out of spite
Do not repost or share my art without permission!
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gigantamaxmareep · 2 years
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[image id: three different images from the Pokemon Adventures manga: Black and White chapter. All of them are from volume 46, round 488 titled “Growing Pains”.
The first image is page 207. The top panel depicts Gigi, White’s tepig, in the center with its back turned to the viewer. It stands on a path that forks into two in front of it. The left fork of the path reads “Battle”, and the right one reads “Showbiz”. The second panel is a closeup of White’s face. She appears lost in thought. The third panel on the very right and below the second shows a front view of Pokemon Champion Alder and Black. They both look speechless. In the fourth panel next to the third, Alder has turned to Black, leaning down slightly, his right hand held up to his own face as if to whisper something. Black has fallen in a comical fashion and only his left leg and arm is visible. In the fifth panel, which is below the third and fourth, a subway tunnel is shown. There is a pillar to the right. The last panel to the left depict Ingo and Emmet. Emmet stands to the left, his right arm held in front of his stomach, gesturing to the right. Ingo stands behind him to the right, his body turned to the side and his hands clasped behind his back. Both of them are smiling.
From right to left and top to bottom, the dialogue reads as follows:
“When that time comes... I want it to have more than one path to choose from. I want my Pokemon...”
“...to choose its own path. That’s how my thinking has changed anyway... after seeing everything that’s been going on in this town.”
“And since... I want my Pokemon to choose its own path, it would be wrong of me, as its trainer, to only be knowledgeable about one of those paths. That’s why...”
“...I’ve decided to ride the Battle Subway.”
“...”
“I was going to say something profound, but she beat me to the punch. Now what?”
It’s time...”
“...to depart.”
The second image is page 208. In the top right panel, Ingo and Emmet welcome White and her Servine into the train. The top left panel shows the train’s doors slamming shut. The third panel below the other two shows the train driving off away from the viewer. The bottom right panel is separated diagonally into station and train. White is leaning out of a window and looking at Black, who is walking after the train. The upper bottom panel on the left shows Black now running after the train. White’s head is seen on the left in side view, looking at Black. The lower bottom panel on the left is a closeup of Black. He is smiling.
The dialogue reads as follows:
“We’ll take care of everything...”
“...once you board the train.”
“Thank you so much!”
“See you, Black!”
“Y-yeah...bye!”
“Um...thanks for everything.”
“The pleasure was mine.”
“We met in Accumula Town and traveled together to Striaton, Nacrene, Castelia and Nimbasa...”
“Five cities, four roads and one bridge... It all went by so fast!”
The third image is page 217. The top panel depicts the Battle Subway in side view, extending towards the right. Three streetlamps with banners are seen standing around it. The text in the top left box reads “Nimbasa City”. The round text box at the bottom right of the panel reads “Big Stadium & Small Court”. The text under it reads “Nimbasa City’s prized sports facility. Watch a variety of sports as well as engage in Pokemon battles with the trainers here”. The round text box under it reads “Battle Subway”. In the center of the page stand Ingo and Emmet. Each of them is wearing a dress shirt and dress pants, a tie, and a long open coat with stripes on its bottom part, as well as a conductor’s hat. They are both saluting with opposite hands. Emmet is smiling. There is text laid over them. From top to bottom, it reads:
“Ingo”
“Emmet”
“Battle Subway Conductors”
“A challenger who wins twenty battles in a row earns a chance to face the Subway Conductors.”
“Another new addition to Nimbasa City is the Battle Subway! The challenger can enjoy a Pokemon battle on a subway carriage while traveling throughout the Unova region. Take on the challenge to test your skills!”
/end id]
Ingo and Emmet’s appearances in the round Growing Pains!
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aeide-thea · 1 year
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on principle opposed to describing art i dislike as 'masturbatory' because even though it's an alluringly contemptuous word to sneer it's impossible to reconcile with my pro-masturbation stance
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salsayz · 4 months
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nikaido 💕 can never get enough of her
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redbeantofu · 9 months
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harra fruits.
inspired by a poem i love, ‘oranges’ by jean little
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solarpunkani · 11 months
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You know what, while I'm doing hot takes. And this one may be obvious considering I'm actively contributing to hosting the Solarpunk Aesthetic Week event but like.
Dear everyone who's constantly deriding the aesthetic portions of the solarpunk movement/genre; do you just not understand that being able to visualize the future you want is immensely important to being able to work towards it? Being able to get other people on board with it?
When I first got interested in Solarpunk, it wasn't for the hot leftist takes about the top ways to dismantle the government for the people, or top tips on how to build your own solar panel apparatuses. What brought me in? Visions of a hopeful future. I learned and began to love the rest as I dove deeper into solarpunk circles, but there is no denying that my first intro to it--and likely many people's first intro to it--was via the art and aesthetic spheres. The term 'solarpunk' was literally coined to refer to the aesthetic movement, and we've been building up from there ever since.
'When are people going to realize the aesthetic parts don't matter and what really matters is praxis--' dude, the aesthetic parts do matter. Inspiring people does matter. Showing people visions of a hopeful future is immensely important, it's why so many people join this movement. We see glimpses of what a hopeful future could look like, through beautiful art or riveting stories, we're inspired by things like stained glass and organic designs and statues and fashion concepts--and then we think to ourselves 'how can we help make this future happen?' And we learn the praxis and we work towards the goals and we share it with others because that's just how we work.
Seeing isn't always believing, but sometimes in order to believe in something with your whole heart, it helps to be able to visualize what you want. For yourself and for others.
So yes. The aesthetic parts of solarpunk do matter. Thank you for coming to my TEDTalk.
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crispyliza · 13 days
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It's a real struggle
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betashift · 8 months
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STAR TREK MATTE PAINTINGS APPRECIATION DEEP SPACE NINE — by Syd Dutton, Robert Stromberg, Eric Chauvin (Illusion Arts Inc.)
Bajor — "Emissary" Starfleet Headquarters — "Homefront" Trill — "Equilibrum" Risa — "Let He Who Is Without Sin..." Cardassia Prime — "Tribunal"
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splickedylit · 1 year
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You can't fight the role the Mother had in store for you
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forbescaroline · 5 months
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TOP 5/10 CHARACTERS PER SHOW (as voted by my followers) ↳ teen wolf edition #2. Kira Yukimura portrayed by Arden Cho
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doodlecrimes · 2 years
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[image id: a drawing of the Adventure Time characters Lemongrab and Lemonhope. In the center of the drawing is a window with green curtains that has a lemon pattern on it. A flower pot stands on the window sill to the left with pink forget-me-nots growing in it. To the right is a bird feeder, with a little yellow lemon bird picking at the food. A dreamcatcher hangs from the top of the window. Lemonhope is peeking at the bird from below the window, and Lemongrab is to the right looking at it from behind the curtain. /end id]
I've never drawn Lemonhope which is homophobic of me so here you go
Do not repost or share my art without permission!
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gigantamaxmareep · 2 years
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[image id: three different images from the Pokemon Adventures manga: Black and White chapter. All of them are from volume 47, round 490 titled “A Stormy Time In The Battle Subway”.
The first page is page 35. The top panel shows a train driving on rails. It’s heading away from the viewer. White is seen at the right of the image, holding onto a subway handle with her right hand and holding a Pokeball with her left hand. The middle panel depicts the train driving in side view. The bottom panel shows White standing in the subway carriage. She is struggling to stand upright. To her right and left are seats. Ingo and Emmet stand opposite of White, facing her. A holographic image of a Pokemon trainer is seen in front of them. It uses the design of the Youngster. Behind the conductors is a door.
From right to left and top to bottom, the dialogue reads as follows:
“My name is White.”
“At the moment, I’m riding on a subway that departed from Nimbasa City.”
“But this is no ordinary subway!”
“It’s a battle arena, a challenge to see how many Pokemon battles you can win in a row!”
“And it’s called...”
“...the Battle Subway!!”
The second image is page 36. The top right panel is a closeup of White, who looks nervous. The top left panel is a side view of both Ingo and Emmet. Emmet is smiling. The panel in row two shows the holographic trainer sending out an Axew, which is leaping to the right. The panel in row 3 shows White nervously sending out her Deerling named Darling, which is running to the left with a determined expression. White is holding the Pokeball with both hands. The bottom right panel shows Axew sending the Deerling flying. The bottom middle panel shows the Deerling laying on the ground defeated, and White rushing over to it. In the bottom left panel, Ingo and Emmet are depicted from the shoulders up. They are facing forward, and Emmet is smiling.
The dialogue reads as follows:
“I’m learning all about Pokemon battles here!”
“Next stop - round 1... again!”
“All aboard!”
“Good luck, Darling!”
“Aah! Hang in there, Darling!!”
“Annnd... the challenger loses.”
“Current winning streak is... zero!!”
The third image is page 37. The top panel shows White holding her defeated Deerling in her arms, and talking to the brothers, looking desperate. Ingo and Emmet stand on the left, facing forward. Emmet is smiling and has his right hand pointing upwards at himself. His Durant stands to his left. In the middle right panel, Ingo and Emmet are facing away from the viewer and looking at White. Ingo’s Klinklang is seen behind him to the left. White is kneeling opposite of them, still holding her Deerling. To her right and left are seats. The upper left middle panel is a side view of Ingo and Emmet. They’re both smiling. In the lower left middle panel, Ingo and Emmet stand facing the viewer. Emmet is smiling and walking towards White. White’s head is seen to the right. She is weirded out by their behavior. In the bottom right panel, Emmet is approaching White in a comical fashion, being very excited. White is cowering, intimidated by Emmet’s behavior. In the bottom left panel, Ingo is pulling Emmet away from White by his collar. White is still sitting on the ground, looking shocked.
The dialogue reads as follows:
“I lost. Again. I haven’t won one battle yet. Where am I going wrong...? Um... Mr. Conductor? What should I-?”
“My name is Ingo.”
“I am Emmet.”
“Don’t worry about losing. This is just a test run before our official launch. We’re just trying out different scenarios.”
“That’s why you’re here.”
“That’s right. We’re observing the reactions of a trainer who can’t even win a single battle.”
“Uh...”
“That was rude, Emmet.”
“Hey, I love Pokemon battles!”
“I can’t wait for you to learn how to fight double battles and win 20 consecutive battles in a row - so you can fight me!”
/end id]
Ingo and Emmet’s appearances in the round A Stormy Time In The Battle Subway! (part 1). Their interactions are peak comedy and you can’t convince me otherwise.
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vitruvianmanbara · 1 year
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Nana x "Where is My Place in the World? Early Shōjo Manga Portrayals of Lesbianism" by Fujimoto Yukari (tr. Lucy Fraser)
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xceanlynx · 7 months
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Did you sneak in there to get high? Why don't you love yourself at all, Ray? I told you to quit using drugs. You drink and do drugs. You're gonna die before you turn thirty.
Only Friends (2023) dir. Jojo Tichakorn & Ninew Pinya
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skelesass · 9 months
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huuuuuhhhhuhuhuhuhuh boys
—-
Twitter | Ko-fi
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solarpunkani · 11 months
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You know what I feel we need more of?
Community centers.
Specifically, places where people can gather, have fun, host events or even just hang out. Similar to what libraries are, but not quite--a place where kids can be loud and rowdy and hang out, make friends, practice sports. Though they definitely should still have quiet areas, maybe craft rooms too. A nice place to go to and hang out after school before you're ready to head home--or a safe place to stay if you don't want to head home. Community centers could also still be fantastic for adults too--they could be used as a place to host classes on different crafts, or repairs, etc.--and still be a perfectly valid place to hang out and seek refuge.
Places like these do exist in many places in a few different forms, but a lot of them are directly tied to organizations and groups that may make people more hesitant to partake in them (ie churches, Police Athletic Leagues), or they have a cost barrier to taking part of the amenities (YMCA). While these places are definitely suitable and fulfilling for many people, they're often limiting and stifling for others--if not just flat-out inaccessible. Not to mention, they don't all fill the roles I mentioned above.
I think having robust community centers would be great for societies all over. I'll admit, my imagination is a bit grand--community gardens, sports rec rooms, swimming pools, reading and craft rooms, a repair cafe, a food cafe, maybe a dorming area for overnight stays, soup kitchens, showers, mutual aid closets and such.
Though I guess that brings about the question of how this would be funded. With churches, it's tithes and other forms of community fundraising. With police athletic leagues, its... taxes, I guess? Alongside other donations. And with the YMCA, it's memberships that provide the funding for their amenities. My initial instinct is to say a mix of taxes and maybe some community contributions would be what funds a good community center, but then there comes the issue of some places having better or worse community centers depending on the median income of their area... especially when you see how places like libraries already get little funding in favor of larger policing budgets (the libraries in my city are all closed on Sundays, and have shorter hours in general, for example)
I know I'm just rambling at this point. I just think community centers are cool! They're punk! And we should have them--cool, fun community centers!
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