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#I'm sorry it took me so long to do it
insertsomthinawesome · 6 months
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[requests are closed] Anon i'm sorry this is so late I finished these months ago. I meant to draw more but never got around to it UUUH. SORRY SLDKJSLDGKJSD I love them so much. I need to draw them more. ;;v;;
-NO ROMANCE INCLUDED-
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overtake · 16 days
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“a sexual awakening so intense it registered on the richter scale” is the single best and most accurate description I have ever heard.
pov: you're 16 years old and doing the final test for your super license ahead of joining f1 as the youngest ever driver. you expect the doubt and hate, and you know you can prove on track why you deserve to be there once you actually get in a car, but until then, you just have to be the subject of everyone's headlines and criticism for a factor you can't control.
then this guy comes along.
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race winner who got himself to a top team and is beating his world champion teammate, a cool older handsome charismatic guy with a giant smile and big brown eyes, beloved and kind while still being fiercely talented, competitive, and hungry? the guy who you met in 2011 and who gave you the time of day before you were old enough to sniff at the f1 grid. he's not even going to be your actual teammate (yet), but he still takes the time to tell you he's looking forward to seeing you on the grid when so much of what you've heard is nonstop criticism.
he tells you good luck for your super license with a big grin meant just for you
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and this is how it makes you feel.
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this is live footage of daniel ricciardo becoming a permanent fixture in max's spank bank. it's one of those foundational crushes you have at a young age that sticks with you for life and unconsciously affects "your type" forever and never truly goes away.
also, i just think everyone should hear the way max very softly says "he's a really nice guy, yeah" with so much affection packed into every word.
how are you not to psychosexually imprint on him? one look at that video and max was ready to risk it all. he's been metaphorically tucking his hair, kicking his feet, and giggling since day one. he found a guy who he could race hard, who would challenge him on track, but who would still make the miserable pr days better for them, who was always laughing at max's jokes every time he did his little glance over to ensure it landed. max is so fiercely loyal to his people, and daniel has clearly earned that trust.
tldr: max verstappen is number one dirlie and if he were on f1blr, he would be writing long posts with onboards, data, and that ☝️🤓 attitude of his explaining in detail why everyone is wrong about daniel, and i hope it haunts all the max fans who get their rocks off to calling daniel a washed asshole loser that max's porn folder is daniel late braking compilations.
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mattodore · 4 months
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he's waiting on a call he's planning to send straight to voicemail
#sorry matthias </3 maybe he'll pick up the next time you try calling............ <- me when i lie#river dipping#ts4#ts4 edit#gifs#theodore doe#echthroi#hi friends and lovers hope everyone's doing well <3#i got my old laptop to work so i have a laptop again even if the battery on it is messed up#but still#i haven't been online much bc i've started getting dizzy from staring at computer/phone screens for too long#and in particular the act of scrolling either on mobile or desktop makes my head spin and my eyes hurt :/#but i powered through it yesterday so i could get in game with theo (and matthias) since i missed him really bad... oc plague be upon ye#i took... well. like five hundred screenshots and forty videos... i was in the soup. the mattodore soup. what can i say?#i don't like posting too much on here bc. i'm crazy (<- has avpd) so i probably won't post much from yesterday's fun here#but i'll post whatever i want on pillowfort <3 pic of jerma holding out his hand captioned let's take mattodore together#what else should i say before leaving... right my inbox... well i'll get to it eventually <- have been saying this since october sorry#but okay i've been staring at my screen too long so i need to go lay down for a bit#enjoy theo in motion!! if you’re a theo-head like myself#theodite à la jermamite? hm. its in the works. i’m workshopping.#mentioning jerma twice in these tags… busting a cyanide pill onto my tongue i’ve said too much#i have to go now mwah mwah mwah bye warmth and love to you mwah
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lovesickeros · 5 months
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can.. can I ask for an affectionate reader with characters who aren’t normally like… used to the love? like, not just through words but physical affection like hand-holding, kisses, hugs, all that shebang. probably with a few people like yelan, ei, basically any character that is either cut-off from society or seems socially distant or isolated. 😞
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☆ affectionate reader with yelan, ei, & furina
[ 4.2 Archon Quest spoilers ]
× yelan
Varies between how you display your affection, to be honest. Just like being affectionate with people? She's cool with it as long as you don't pop by while she's working (mostly because she'll end up dragging you into it for a bit of fun). I don't think she's all that touchy feely herself, but she'll absolutely get you gifts instead– like pretty knick nacks? She'll make sure to snag any she thinks you might like. Like a good meal? Sure, she'll take you out to one of the restaurants in the city, doesn't matter how expensive. Her treat. If you do prefer physical gifts rather then being taken out, you'll eventually get used to the random unmarked letters and packages showing up where your staying pretty often. It's obvious to know who it came from even if she never signs anything.
Flirty reader, though? Whole nother can of worms and now it's a challenge. The more confident you are the more interested she is. The other acolytes would absolutely seethe at the idea but she has no hesitation at just straight up flirting back– she's as charismatic as they come and she's got a poker face that's basically impenetrable. She'll probably also make a bet to see who cracks first (she always wins, unsurprisingly). Probably won't get dragged into any of her schemes this way but if you ask politely maybe she'll consider it, anyway.
The smell of freshly brewed tea and the clatter of dice across wood was a common sight at the Yanshang Teahouse– less common was the woman secluded in the far corner, her lips pulled into a grin that flashed fangs and a look that would scare off the most confident of men.
She'd normally try to scope out any new blood that'd made the mistake of stepping into her teahouse and was equally stupid enough to accept a gamble against her just for the thrill of it, but she was far too absorbed in the warm body at her side, one of her die clasped tightly in their hand as she guided them through the motions– they had a knack for it, she had to admit. The thought made her preen, the clatter of the die as it rolled across the table giving her that subtle, familiar rush.
Even if she knew exactly where it'd land.
"Six. Hm, maybe you're just lucky," She muses, plucking the die from the table and holding it up to her eye like a prized jewel, "Or maybe you're not as innocent as you'd have us believe." There's a sharp glint in her eyes at the prospect, but everyone else has the sense to keep their heads down and their words to themselves as she tosses the die herself.
"So why don't we find out and make a bet, just between you and me?"
× ei
Varies between Ei and the Shogun, because you'll probably be seeing either as much as the other. Sometimes you gotta really squint to tell who it is sometimes, but you get used to it. Both are fairly similar, though, in that their first instinct (especially in public) is to tense up like you're about to attack them or something. Difference is Ei eventually relaxes after a solid minute of trying to process your sudden affection and, if no one else is around, she might even reciprocate. Just don't tease her for being a little stiff and awkward about it, she's trying. That's what happens when your only company is a robot and uh. Nothing. For like 500 years. She's trying. Raiden, on the other hand, is just about as awkward as you can imagine. She's polite (blunt) about it because Ei is fond of you and also you are. The Creator. But she's not really built to deal with personal relationships and so she doesn't know how to deal with affection.
..Depending on what you do you may or may not blue screen Ei hard enough that she retreats back to PoE
Ei usually isn't fond of sitting still, unless it's to meditate. At least then she goes in with a purpose, something to achieve– but now, she's just focused on trying not to make a fool of herself. Her muscles are starting to ache from how hard she's tensing, though, in an effort to sit as straight and still as possible as their hands glide through her hair, weaving it into a single braid.
She can just barely hear the subtle lilt of their voice as they hum– and though it is soothing, it is also..very distracting. She can't focus long enough to try and meditate, too lost in the gentle rise and fall of their voice and the care they take to braid her hair. If she'd had a heart, she'd sure it'd be beating so wildly against her ribcage they could hear it.
But then it stops– their hands fall back to their sides and their humming falters. She freezes, too, racking her brain for any slights she must have committed. Instead, she is met with a calm, tender touch on the back of her neck, making her inhale sharply.
"Am I making you uncomfortable, Ei? You're so tense.." She has to grit her teeth to stop herself from bowing so low her head presses against the ground, her hands folded in her lap, clenching instinctively. "..No, Divine One." She answers simply, trying to contain the adoration swelling in her chest.
Yet as much as she tries to relax, to ease their worries, she finds that she cannot.
"Hm." That small murmur, a simple sound that nearly made her jump, was the only warning she got before they scooted closer, wrapping their arms around her stomach and resting their chin on her shoulder with a grin she would liken to Miko's, if she dared to make such a comparison. "Really?"
She swears she must've been feverish at the affection, lightheaded and dazed until she thought she might simply perish at the brush of their hands against her own.
Much to her embarrassment, however, she doesn't realize she's instinctively pulled back into Plane of Euthymia until she sees the familiar dull purples engulf her vision once again.
Though only a small solace, it seemed a little..brighter, this time.
× furina
Varies between pre 4.2 and post 4.2 archon quests to be honest.
Pre 4.2 she comes off as very vain– of course the most Divine would see fit to spoil her with affection! She deserves it, and is obviously their favorite! Just don't look too hard because she's terrible at hiding how flustered she actually is. Absolutely goes home right after and screams into her pillow for at least thirty minutes minimum.
Post 4.2 she's a lot more openly bashful and flustered. She's really not used to affection and even the smallest show of it has her folding immediately. Now that she doesn't need to worry about being found out she's a lot more receptive to affection. Cup her cheeks and compliment her and her knees are buckling. Like. Especially weak for compliments and praise (she deserves it. please spoil her).
She swears she must be hallucinating– she had been having trouble sleeping recently. But..no. The visage of the Creator was as real as the sweat beading on her brow as she stared at them for a long, awkward moment. Should..she let them in? But then they'd see the pathetic state she was in, and the last thing she wanted to do was make a fool of herself in front of them-!
Her choice was quickly made for her, anyway, as she let out an undignified squeak of surprise when they suddenly tugged her forward into their chest, enclosing her in a hug.
Her first reaction was to freeze– her second was becoming absolutely flustered, her cheeks flushing a soft pink and her mouth closing and opening as she tried to find her words.
"I– ah..um." She stumbled over her words instead, floundering like a fish out of water. Yet she felt a distinct sense of emptiness wash over her when they finally pulled back, looking a touch sheepish. "Sorry, sorry– you just looked like you needed a hug."
The silence spoke for itself, her shoulders tensing slightly. But the way the concern and affection bled through their voice made her waver, her hands trembling as she let out a shaky breath that almost sounded like a sigh.
"It's..It's fine! Fine, I'm fine." She repeated, trying desperately to ignored the way her voice cracked and how hot her face felt– though it was more an attempt to affirm herself that she was not thinking about how warm they felt, how much she..actually enjoyed the hug. She wasn't thinking about it all! Absolutely not!
..Maybe a little.
"Just warn me next time, please?"
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seyaryminamoto · 2 months
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Fic-to-Art #38: Ozai carries Azula to the physicians' wing
This has been done for A WHILE now, but I didn't post it because the past days have been chaotic and not just on a personal level. For one thing, I really wasn't eager to drop this when people were losing their shit massively over the liveaction and its recontextualization of Azula and Ozai's dynamics, I didn't look forward to releasing this just to be told that whatever I've done in my story is somehow wrong, sooooooooo... that held me back, for a few days.
Then? The AI-Tumblr deal started to be talked about and I may or may not have freaked out about that too. Sooo... this is the first glazed and nightshaded piece of my creation, as consequence. The original, clean and proper version is available in my Patreon. Is this me being a dick to Tumblr-only people? Unfortunately, it very much isn't, I'm not trying to say that if you want the best iterations of my art, you should pay me for it... this is squarely, entirely, at staff/the CEO's feet. Obviously, there's the insecure side of me that goes "what makes you think they'd steal YOUR art when there are so many better artists out there!" but ultimately? AI is about taking everything en masse. It isn't a matter of developing a criteria about who makes the better art... it's just taking EVERYTHING and trying to repurpose it in whatever twisted way it needs to. Therefore? I think my choice is more of a matter of caution than anything else. Once AI bullshit dies out (and I really hope it does), we may just return to the same level of quality across all my accounts. For now, it is what it is.
ANYWAY! Point is this artwork is very much what my Patrons happened to vote for this month, a very shocking scene where Ozai reacted in the least foreseen way to Azula being attacked. Azula's confusion/terror comes from a place of not knowing what to do and being powerless to stop her father even if she doesn't feel comfortable with his help... but for once, Ozai isn't making a dreadful choice that will only devastate his daughter. He's actually worried about her health... and feeling genuine guilt over what landed her in the situation where she was in danger in the first place. Yes. I like me my complex Ozai who finally learned actions have consequences. He bores me to death otherwise :') if anyone STILL doesn't know that this whole situation is Gladiator-specific, then I shall clarify fully: this is artwork based on my fic. It's about a story that has been developing these characters for ALMOST ELEVEN YEARS now. It has nothing to do with whatever's going on in canon or in the liveaction, the scene in question was written almost two years ago and the artwork proposed and voted for several days before the liveaction aired. Ergo: there is no connection between this and that. Nor am I saying through this piece that Ozai is a good father. He is not. He can still be an interesting character to work with on a narrative level anyway :')
Alright. With that out of the way, hope you guys like this piece! The big one I haven't posted is ALSO finished, also glazed and nightshaded, but I think I might just end up posting it on the 26th if I don't have time to do anything big for our eleventh anniversary... yep, I'm so busy I don't even have a huge project in mind this time. Also? I have a lot to write and I'm finally happily writing it, and I would like to continue doing that...
Anyway! If you would like to be part of the creative process behind this piece, as well as see it in its proper, OG, less color-bleeding clunky version? A $1 Patreon pledge gives you the chance to join in suggesting prompts, voting for them and reading Gladiator snippets 6 days before a new chapter is released!
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ywpd-translations · 3 months
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Ride 758: The senpai's few words
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Pag 2
1: Aoyagi-san!!
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Pag 3
1: Wha- what happened, Danchiku, you stopped so suddenly
2: Why is he here, in Kyushu!?
What is it, what is it
4: He's probably the person I'd want to see the most right now!!
5: What is it, is there someone in the audience area?
Someone you know? You look so surprised
I wouldn't be so surprised even if someone was there
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Pag 4
2: He-hello!! You... you came to... cheer us on!?
3: It's been a while, Danchiku
4: Yes.... yes!!
Thank you so much for coming so far to see us!!
5: You got bigger
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Pag 5
2: Thank you so much
3: Uhm, actually
There's something I'd like to talk to you about, is that....
4: Aoyagi-saaaan!!
-okay!?
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Pag 6
1: What, for real!?
What, are you really here- amaaazing!!
Oi, Issa, I was....
2: Wait... did you just made Aoyagi-san lose consciousness with your tackle!?
3: Aoyagi-saaan!! Hahahaha!!
You're attacking him when he's already down...!!
4: I'm... o... okay...
No, he keeps pausing while talking!!
Hahaha
5: I'll lead you to our tent!! Carry him, Danchiku!!
'Carry him'....
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Pag 7
2: Thank you
2: I wished you had told me you'd come though, Aoyagi!!
You forgot to add “san”, Kabuagi
3: There was something... I wanted to talk to you about but
4: I guess it can't be helped....
(You're ending up yielding again, Danchiku)
5: Ah right
6: Aoyagi-san is
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Pag 8
1: A member of last year's team!!
He's the column who supported Sohoku from below last year!!
2: Someone who gained experience through hard work and difficulties and debuted in his third year, ran as a sprinter, pulled the team, and brought back the members so many times
3: Without talking, without refusing, he just did it silently!!
5: Even when he was in a pinch, when he was injured, he moved forward with all his might without ever standing out!!
If he hadn't been there, there's no way Sohoku could have won!!
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Pag 9
1: He-he sounds amazing, teh
Right!! I'm really flashy, so his way of running is probably the exact opposite of mine
2: Hearing it again, he really is an amazing person.....
and I also know well what happened with his leg on the third day
4: If I was in the same position and got injured.... would I be able to run the same way?
5: “He'll run away right away”
“He's a chicken”
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Pag 10
1: In this Inter High that is about to start
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Pag 11
1: Since Aoyagi-san came to see us, I'll smash the starting dash!
There's no need to smash, run calmly
2: Should I get subbed out?
I'm still in time
4: “No one will blame you”
“I can be done in fifteen minutes”
5: I'm at my peak now!!
Save it for the race
6: You're an idiot as usual
I'll forgive everything you say, Aoyagi-san!!
7: What can I do, what......
Nothing....!!
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Pag 12
1: The stage event is starting soon
Last year's champions, Sohoku High School, representative of Chiba, please come to the stage
Kakaka, it's our turn!!
2: Teh.... I'm nervous, the
There's gonna be tons of spectators!!
3: Do-do we take a video? I'll do it, Sugimoto-san
I'll leave it to you then. I'll finish up here
4: Su-
Sugimoto-san!!
6: Ao.... yagi-san.....
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Pag 13
1: Could you do me one favor?
2: Ah- yes!
Do you want something to eat!! Right away!!
3: The food truck is there... is curry alright?
4: …. no
5: A band-aid!? A nail-clipper!?
Leave it to me, after all I worked a lot behind-the-scene last year
6: Oi, Danchiku, what are you doing. Let's go
8: Ye.... yes
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Pag 14
1: Take care of that idiot
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Pag 15
3: The Inter High is harsh and long
But he's reckless and can't read the air
5: You, on the other hand
6: You always keep an eye on your surroundings and pay attention to what people say and do
And that means
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Pag 16
1: That you can make an accurate judgment of risk in any situation
3: The ability to read small details when you're in a pinch is essential in road racing
4: Earlier in the midst of more than a hundred people in the audience area, you
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Pag 17
1: found me at one glance
4: I think you know this too, but he can only look ahead
Please support him, take a step back and, as always
5: be watchful
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Pag 18
2: Yessir!! Thank you so much!!
4: “Take a step back”.....!! Taking a step back.... yielding, are my...
5: If this small heart is my ability
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Pag 19
2: then I'll be the one running, Issa!!
Together with you!!
At full throttle!!
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Pag 20
1: Run, Danchiku
Just like I did last year
2: with Junta
3: I'm sure your feelings will give you strength
These are the members of Sohoku, the Chiba prefecture representative who won the championship last year
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Pag 21
1: So far they have won two times in a row
3: What's wrong.... your balloon... shall I get it for you?
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Pag 22
2: Thank you, Onii-chan
3: That's surprising, Midosuji-san
You're so kind
4: Puku.... I am kind, though?
To
5: anyone who doesn't wear a number bib, that is!!
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scrybe-of-tech-p03 · 8 months
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Hey P03!
*magic stuff to allow G0LLY to exists as a separate unit for 5 asks*
Hello G0LLY! (aaa if this isn't allowed then I'm sorry! I really adore your art style uwu, (previously known as that one british person))
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xenocorner · 2 months
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Art Resources 01 [Facial anatomy]
Hi! First post of the Art Resources thing I mentioned a while back :) Figured I'd start with something people generally want to know more about- or something people think they already know about but could still used some lesser known tips!
Resources, break downs and tips under the Keep Reading thing :]
1. The Basics
There are thousands of methods to constructing the face. The most popular one is the little circle with the cross in the middle, and sometimes a few more lines for the jaw. While that can be a useful guideline, if you're just starting to learn the ropes it might be better to use a method that has more structure decomposition and land marks to help guide you. Here I'll leave two methods of deconstructing the face that I believe are the most useful to draw faces in different angles and perspectives as well as identify where exactly should each element be placed.
REMEMBER: All of these methods are just guidelines. In order to get different facial features, you can adjust proportions for each of these and play around with sizes.
1.1 The Loomis Method
A structural approach to drawing the head, based on first: simplifying general forms and second: identifying landmarks for the face elements. Pretty good for beginners, helps you understand the head from a more tridimensional stand point to be able to draw it from different angles.
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1.2 The Reilly Method
Also a structural approach, but this one is based on understanding the rhythms of the face (proportions, harmonies, and even some general muscular anatomy). It can be a bit harder to understand and use as a building block for beginner artists, but it can serve as a way to check your proportions after an initial sketch.
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Here are other two methods, a bit less known, but that go a bit more in depth about the head. If you're a beginner, I'd recommend watching the Loomis method first before diving into these other two methods. Note: these are playlists covering each method, and the videos are longer, but worthwhile.
1.3 The Michael Hampton Method
1.4 The Steve Huston Method
And here's a hybrid of a visual and structural approach too if you're interested! (Again, this one is recommended mostly if you already have a good grasp of the general structure)
Having trouble finding that reference of the head from that specific angle? Here's a 3D model that can be used as reference from any angle. Bonus: It has a built in light feature that allows you to understand which planes of the face the light would hit!
There's also a version with more feminine features.
Here's a website that lets you pick a head angle and then searches for reference images with that angle too. Allows you to pick age, gender, and other features like glasses, facial hair, etc.
2. Understanding What's Below
When drawing the head and face, what most people think of is what we see everyday: the skin. However, there's more to the head and face than just that: there's a whole structure laying underneath that builds up everything on top. Understanding that structure can lead to better execution of skin level facial anatomy.
And what's that structure? Well, bones of course. And muscles. Even if (most of the time) we don't draw them, knowing they exist and how they are placed on top of each other can help with building what we do draw. Understanding the building blocks of the face will make it easier to avoid, say, making one eye bigger than the other. Or a forehead that's too small. Or ears that are too high. Or side profiles that cut off the brain.
Something I recommend for this is making study sheets of the bone structure, muscular structure, and skin structure. For this it's important to name the main bones and muscle groups. Not because you need to commit them to memory, but because if you name them on your practice sheet, it's easier to remember later on that they EXIST (even if you don't remember the name).
Here's a 3D model of the skull
Useful guide for the names of the bones of the skull
Here's a 3D model of the face muscles with names
3. Elements of a Whole
So we now understand the general structure of a face and some useful guidelines to build it. Good! But now, a face has a bunch of individual elements with their own individual structure and stuff to look out for. Those are, of course:
Eyes
Noses
Lips
Ears
3.1 Eyes
It's important to note that the eye has a volume of its own- it's not just a sticker laying on top of the face. It can be helpful to think of the eyeball inside the eye socket when drawing it (taking into account the bone structure we learned before). When understanding the eyeball as a sphere, it becomes easier to place the skin above: the eyelids. This can help with drawing the eye from any angle.
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This can also help when drawing the dreaded Other EyeTM, specially if you are still a beginner artist. If you start by constructing the eyes with spheres and approach it from the perspective of "placing" the skin above that sphere, it's easier to get sizes and proportions right.
3.2 Noses
Again, spheres can be your friend.
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3.3 Lips
Spheres part 3
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A funny thing with lips that often gets over looked when one is just learning the ropes of anatomy is that it also wraps around the volume of the face. Just like the eyes aren't stickers laying on top, the lips aren't either. It's important to take the curvature of the face when placing the lips from different angles and expressions. For example, when we thing of a smile, its usually this idea that comes to mind:
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Which yeah, that's fine! ...As long as your subject is facing straight to the camera.
But when we have even a bit of perspective, the way the mouth looks changes, and we often don't think of that and just draw what we think the mouth looks like... which can lead to odd looking mouths, like they're pasted on. So, it's important to keep in mind the volume of the face:
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This is true for all features of the face: keeping in mind the volume. But, it can be more noticeable on the mouth.
3.4 Ears
Spheres part- no.
Even if the ear is one of the "flatter" parts of the head, it doesn't mean they don't have volume. Depending on the angle of the face, it'll change how much of the ear is shown- or which parts.
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All ears are different and have their quirks, but they all can be divided in three major segments, colour coded in the image. If you deconstruct the ear in these three major parts, keeping in mind they have their own volume, it should be easier to figure out which of those parts will be seen depending on the angle of your face.
4. Expressions!
Now that we understand the elements and construction blocks of the face (bones and muscles), we can play around with them a bit more. So, time to make expressions!
When playing with how the skin moves, it's fundamental to understand the muscle groups of the face and how they move, relax and tense depending on the expression. Knowing that these muscles exist and how they interact with the skin above will help you know where the eyebrow should furrow, where wrinkles would form.
A BOOK I widely recommend is Anatomy of Facial Expression, which you can find here for purchase
Or here as a PDF
This book also covers skull anatomy, so it's a useful tool to study the structure talked about in 02.
There's also an ArtStation account that uploads a bunch of useful 3D model resources for anatomy (facial or otherwise).
Scott McCloud's book, Making Comics, has a section dedicated to facial expressions too (great book in general, not only if you're interested in comics!). You can find it in PAGE 80 (or 88 in the document).
Another thing that can be helpful is studying from life! You can do that by making different expressions in front of a mirror and pay close attention to which muscle groups tense and relax, where wrinkles appear, how your skin moves. Or, if you're like me and hate staring at your face, you can also study from video references.
Here's a link to a PLAYLIST containing various videos of people making different expressions.
The previous playlist contains real people, thus, REALISTIC ANATOMY. It's important to note that even if your drawing style is heavily stylised (like anime, cartoon, etc), it's still fundamental that you understand real world rules so you later know how to bend and break them properly to implement those to your own style.
However, that doesn't mean you can't study STYLISED EXPRESSIONS too! It's actually a great idea to see how other people exaggerate certain anatomical aspects to their own work so you can also understand how to do it in yours. Here's a list with various videos of EXPRESSIONS IN MOTION for animation tests. Study them the same as the previous ones: paying close attention to how the face and muscles MOVE.
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Pause the videos you study as needed! While all of this might seem more useful for animation, it's also incredibly useful in illustration, and studying things in movement can help with understanding them better, thus putting them to paper (or tablet) becomes easier.
Finally, here's some videos in a sort of CLASS FORMAT that can help with walking you through drawing expressions more effectively than a text post could lol
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posletsvet · 8 months
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A Somewhat Messy Exploration of the Concepts of Purity and Impurity in Satosugu, and perhaps some more
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The yin and yang symbolism in Satosugu (here I'm using 'Satosugu' as a short way to refer to the relationship between these characters, not necessarily a ship dynamic) has been brought up and discussed a lot in fan analyses lately, and by those who have mental capacity to express it far better than I ever could. However, there is one more thing I would like to talk about in relation to Suguru Geto and Satoru Gojo's dichotomy, and perhaps some more.
As much influence as Chinese philosophical concepts (such as already mentioned yin-yang) have on Japanese cosmology, religious views of the people of Japan are actually an intricate and complex amalgamation of various teachings and beliefs, with Shinto being numerically the most prominent faith of the country. I was curious as to how the ideas found in Shinto could be applied to Gojo and Geto's relationship, and I guess I've stumbled upon some inkling of a thought in this regard -- so please bear with me while I rant.
Before this gets too long, I'm putting my rambling below the cut.
To begin with and give a little bit of context, the core teaching of Shinto is to have profound respect and reverence for nature. As a polytheistic and animistic religion, Shinto is defined by its belief in the kami, who are stated to inhabit all things, including objects of the surrounding landscape and various natural forces. Due to such elemental qualities of the faith, purification takes place as one of its central aspects and a widely followed practice, as well. There is a great emphasis laid on spiritual and physical purity and cleanliness. That being so, the moral categories of good and evil (or virtue and sin), so important in the western worldview, give way to a different outlook on things: the world is perceived in terms of 'clean' and 'dirty' rather than 'good' and 'bad'.
This concept finds a reflection in Gege's writing primarily through Tsumiki as someone who's essentially an embodiment of the virtue of being innocent and pure at heart. When she's brought up in the narrative, the image is frequently accompanied by flowers -- and more often than not, especially when it comes to Megumi's perspective, those flowers are white lilies. And those are one of the most common and prominent symbols of purity. When Tsumiki's innocence is symbolically destroyed with Yorozu taking over her body, white blossoms are depicted as thrashed and stained in the background. Her purity is further defiled by her death as everything related to death and decay is considered foul as it desecrates the world's natural state of cleanliness, fertility and life.
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I'm only bringing this up to show how Gege incorporates this religious framework into the body of symbolism in his story. And the further you search with these concepts in mind, the more you are able to uncover.
Satoru Gojo as purity and perfection
Satoru Gojo is a character whom you can't help but read as a perfection within the context of the world he exists in. He's the absolute strongest, wielding the power to bring all the knowledge of the universe and the forces which shape it under his control, he's repeatedly elevated by the narrative as someone unreachable and untouchable whereas nothing seems to be beyond his reach. He also has an extraordinary appearance, matching vibrant aquamarine eyes with fair hair, so rarely found among full-blooded Japanese people. He embodies an ideal for his society.
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Satoru is associated with white and sky blue -- the colours most widely believed to represent purity, innocence, perfection, serenity and safety. Those are lofty, noble, airy and spacious hues which also bring in mind vast open spaces and immeasurable and unreachable heights and depths, symbolizing Gojo's detachment from the mundane world where corruption and putrefaction take deep root. Not to mention Satoru's noble background as an heir of one of the Big Three Sorcerer Families.
Actually no, forget this, I do want to mention it and expand a little on my thoughts regarding Satoru's family and upbringing. It's highly likely he was overprotected and sheltered as a child, and along with a teenage-years rebellion on his part which such a childhhod brought about, it also thwarted his ability to make connections with people around him as he basically lacks common experiences and/or interests with them. He's somewhat sterile when it comes to displaying empathy and emotional intelligence, which results in a peculiar sense of innocence about him. For the lack of any better way to articulate this idea, I'd say he's pure in this regard: clean and untouchable and spotless, devoid of nearly everything that comprises a regular person's experience.
This shows even in the way Gojo chooses to cope with his trauma in the aftermath of the Star Plasma Vessel Incident. That traumatic experience seemingly barely leaves a mark on him because he opts for pushing it aside and moving forward, while going out of his way to make sure there's a safe distance between him and the source of his vulnerability by improving his technique. He fixates on bringing his Infinity technique to perfection, and as a result it leaves no opportunity for anything to touch him if he himself does not want it to. Yet again, it leaves him stainless.
Not only that: he becomes emotionally detached from the cruelty and filth of the jujutsu world, becomes numb to it, with little to no emotion ever reaching his core to shake it. He's neither angry nor vengeful on Amanai's behalf after her death. He does not allow for hatred and spite to poison his mind, neither does he feel any doubt. He stays clean from all the negativity at the cost of coming off as cynical and unsympathetic.
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He masks this by putting up a front of an emotionally immature individual with childlike mannerisms and an attitude resembling that of a teenager rather than a fully grown man. He also nurtures a somewhat naive belief that Suguru still can be trusted, that there's some hope for him turning away from the path he's chosen. In this regard, he still bears the innocence of a child.
Last but not least, shedding away the more humanly parts of himself, Gojo instead becomes more attuned to the natural world through his ascension -- the main source of purity, as Shinto has it. Moreover, he basically rejects death by coming back from the dead after finally grasping how Reversed Cursed Energy works. And I've already explained the importance of something like this when talking about Tsumiki's passing.
Gojo Satoru's mind is free from resentment and hate, his body unstained by death. He's a character who represents complete spiritual and physical purity.
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Suguru Geto as impurity and corruption
Where Gojo's character exhibits perfection, Geto shows abruptly stunted growth and degradation gnawing away at him bit by bit; where Gojo stands to symbolize cleanliness and purity, Geto presents desolation and decay and that filth which is left in their wake. Geto is a character whom the narrative treats as a symbolic foil to Gojo, starting from him being expelled from Jujutsu High and ending with his death being described in the light novel as a curse purged from existence. If Gojo serves as an example of a perfectly fit cog in jujutsu society and sets up a desirable ideal, Geto, named the worst of all known curse users, represents everything that the very same society fears and despises.
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Starting with colour symbolism again, such colours as black, dark brown, warm beige and mustard yellow are the most common colours to be associated with dirt and a filthy, dingy appearance. And while I'm not saying Suguru himself has such an appearance (although he does forsake taking care of himself at some point), those all are the colours found in his palette. Black is also considered to be the hardest colour to keep clean, even more so than white, as it shows all the stains and grime so well. Which is quite interesting if you consider that Suguru's downfall and defection ultimately bring out, both to the audience and to Satoru, everything not only malfunctioning, but straightforward cruel, vile and despicable in the existing system.
Geto's deeply empathetic personality is the basis for his own corruption, his inability to set boundaries between his own emotions and the suffering of others leaves him extremely vulnerable in a society which actively punishes people for being unable to extract emotion from their duty and caring too much. The thing is, Suguru is elbow-deep in emotion. For instance, if Satoru managed to shove his feelings aside in order to put together a plan of action when Kuroi got abducted, Suguru immeadiately plunged into self-blame. His own empathy is what's clouding his vision, his feelings pile up within him without any healthy outlet until they start rotting him from the inside.
Geto lets the rot in by caring too deeply, vile emotions that he feels on behalf of others festering in his mind. He can't stand the sight of atrocities commited by Jujutsu society and finds them nauseating, while the rest of the world he exists in treats those abominations as a norm. And even so, he dives deeper into all this by trying to make a difference and save ordinary people.
This is symbolically represented by Geto's Curse Manipulation, with him consuming curses which are basically a corporeal manifestation of all the negative emotions people vent into the world in their daily lives. The more curses he absorbs, the more doubt and resentment he lets inside and the more they consequently stain his once pure ideals and aspirations with bile building up inside of him. His very sense of self is twisted by the weight of the unsightly hideous reality, and while he stays true to his strict set of ideals he is forced to adapt by the trauma of his experience as a sorcerer and the 'realisation' which it brings. Because if one endures such severely traumatic events, one must sooner or later come to the conclusion that there's something inherently wrong and malfunctioning -- either with you or the world you live in. Geto chooses to stay true to himself by assuming it's the latter, and this choice results in his corruption in the eyes of those who run that very world.
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There's also something to be said about the intimacy of the act of consumpton: you let the thing you consume nurture you and become a part of you. Cursed spirits taste absolutely foul, and what that means to put this despicable thing in your mouth and swallow it is unimaginable. Geto's absorbtion of curses is supposed to represent how he basically desacrates himself by letting himself experience everything at such a deep emotional level, inevitably tying himself to putrefaction of the world.
And of course, the last thing that plays its role in the defilement of Geto's character is his death.
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Brief wrap-up thoughts
I could honestly ramble on and on about this for ages, but I guess it all just boils down to my admiration for Gege's ability to break the mold with his writing. He takes a trait which is largely associated with protagonists of their stories and shapes his villain's whole personality around it -- and vice versa, with Gojo and his seemingly egotistic tendencies.
Once again, Japanese religious beliefs organically encompass so many elements originating from so many cultures with no coherent systematization existing up untill late 19th centuary, and I find it absolutely fascinating how Gege's story reflects that. It leaves us with such an interesting controversy of an emotionally detached hero dwelling in a morally grey area alongside with a deeply empathetic antagonist whom both other characters and the audience find deserving of sympathy and pity.
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the-pobble-terrarium · 2 months
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CONFRONTATION
//Warning for injury & blood in some panels!
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elizaditton · 2 months
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Too Small To Be Afraid (Chapter 14)
Cover / Master Post / Previous Chapter / Next Chapter
- - - - - - - - - -
I stare at my deskmate's hand, dumbfounded. What is he expecting me to do, exactly?
"Well, come on!" Derrick says with a smile. "What are you waiting for?"
"Well, I, um..." I cock my head to the side, as if that would help me have a better understanding of the sight in front of me. "I'm not really sure what I'm supposed to do."
"What do you mean?" My deskmate chuckles. "Haven't you ever walked onto someone's hand before?"
I slowly lift my head to peek up at my deskmate, and rub my arm as I shift my gaze back to the balcony floor. He really expects me to have done this?
Derrick frowns. "You haven't, have you?"
I shake my head. "No, I haven't. In fact... you're the only perthean who's ever held me before."
Derrick slowly retracts his hand from the balcony, his brows shifting upward. He blinks.
"What?" I ask.
"I... I don't know, it's just..." my deskmate says, looking down as he twiddles his thumbs. "I'm honored that you'd let me be the first perthean to hold you."
"It's not like I really had a choice, being forced to come to this school and all," I sigh. "You just happened to be the first that I couldn't avoid."
"You were forced to come to this school?" Derrick asks, his eyes widening.
"Yeah," I say with a shrug as Dad's lies about the move come to mind. "It's a long story."
"Well, whether you were forced to interact with me or not," Derrick says, tucking his arms by his sides and clenching his fists excitedly, "I'll do my best to live up to the honor of being the first perthean to hold you!"
I let out a nervous laugh. I didn't realize he'd be so excited to find this out.
"But anyway, once again returning to the matter at hand—my hand, that is," Derrick says.
My heart rate picks up again as Derrick moves his hand back towards the balcony. I don't stumble backwards this time, but I'm surprised that my insides are still churning at the sight of his nearing hand—especially since I was expecting it to approach.
The enormous leathery surface settles down before me, with each of its attached digits curling inward ever so slightly. I approach my deskmate's hand cautiously, as if it were a venus flytrap ready to snatch me up at a moment's notice.
"Now, you said you weren't sure what you were supposed to do?" Derrick asks.
I raise my foot and dangle it over my deskmate's hand, only to nearly lose my balance and stumble back onto the balcony. Do I really not know how to do this?
"I haven't the slightest clue. And besides, isn't this..." I sigh, biting down on my lip and rubbing the back of my neck. "You know, a little too casual?"
"Too casual?" Derrick blinks a few times and raises an eyebrow. "Kaylin, we are friends, right?"
"Of course!" I blurt out, quickly waving my hands. "I didn't mean to say we weren't! It's just that we've only used a formal form of handling etiquette up until this point, and... well..."
"Yes? What is it?"
"I... well... I don't really know how you expect me to get onto your hand. I guess that makes me pretty stupid, huh?" I say, hanging my head.
"You're not stupid. You just need a little guidance, that's all," Derrick says with a smile. "Now, there's something I want you to know. Because we're friends, I don't care how it is you manage to get onto my hand. You can run, crawl, jump, or fall into my hand and I wouldn't mind it in the slightest."
I look up at my deskmate, astounded. I thought any perthean would be particular about how a human gets onto their hand. He really doesn't care how I approach this?
"Generally speaking, though," Derrick says, "when a perthean offers you their hand this way, you're expected to respond like this."
Derrick lifts his other hand and moves it towards me, causing my muscles to immediately tense up. What's he doing now?! Is he going to grab me?!
I quickly back away from his hands until I'm flat against the wall. My heart, beating faster and faster, sinks deep in my chest. As my knees buckle beneath me, I find myself slumping against the wall, it being the only thing left holding me up. Derrick's eyes widen, and he immediately retracts both of his hands.
"Hey," he whispers. "Kaylin, are you—"
I slide down the wall until I'm sitting on the balcony floor. I hide my head behind my knees and wrap my arms around my legs. I shut my eyes tightly as they begin to tingle and glaze over, but hot tears manage to leak from them anyway.
"I can't do this, Derrick!" I sniffle. "I can't keep myself from fearing for my life whenever you reach for me! All I think about is...! Is...!"
With my head buried into my knees, my vision is completely black. My mind's eye, however, is painting pictures of the man from my nightmares. A tall, slim figure with a bit of a tan. Slightly muscular. Clean shaven with a small scar on his left cheek. He has dark brown hair and narrowed brown eyes. He wears a white t-shirt with a few dirt stains, and wrapping around his dark blue jeans at the hips is a black belt with a silver chain. Beneath him is a pair of dirty, beaten up white sneakers.
He seemed so unassuming when I first peered at him from the corner of that alleyway. I was so naive! I had no idea what he—no, what pertheans were capable of until—
"Kaylin," Derrick whispers. "I can't imagine how hard this must be for you. I know you're not ready to tell me what started your fear, and I want you to know that's okay with me."
I sniffle again, and with shaking hands, I wipe the tears from my eyes before reluctantly looking up at my deskmate. His blue eyes are soft with compassion, and his brows are upturned in sympathy.
"Since you were forced to come to this school, you didn't get to choose whether or not you wanted to trust me. So now, I want to ask you..." his voice trails off, and he shifts his gaze to the ground. He takes a deep breath in and out before looking back at me. "Will you make the choice now?"
My lip trembles as I sit up in my spot against the wall. "Make... the choice?" I manage, my voice cracking.
Derrick keeps his eyes fixated on me and slowly lifts his left hand towards me. His index finger is bent to the side, as if to initiate balcony etiquette. His hand passes the balcony railing, but doesn't come any closer to me. I stare at it, confused. What's he getting at?
"Kaylin, will you make the choice to trust me?"
My heart rocks against my chest and my legs begin to go numb. "How can I do that when I'm filled with so much fear?" I ask.
"Trust is an action. It's not something you feel, but rather something you choose to do in spite of your feelings." Derrick smiles softly, tilting his head to the side. "Will you trust me?"
I blink, slowly rising to my feet with trembling legs. The breeze picks up, blowing through my hair and giving me goose bumps from the chill. I hug myself tightly, partly because of the cold and partly because of the burning anxiety deep in my core. My pulse quickens, warning me to stay away from this perthean lest I get hurt—yet I find myself, for whatever reason, approaching the hand in front of me.
Derrick remains silent. I look back up at him, his smile still stretched from ear to ear. All at once, his eyes narrow, turning brown, and a scar appears over his left cheek. I slam my eyes shut, quickly sucking in a breath and blowing it out, before opening one eye to peek up at my deskmate. His blue eyes have returned to normal, and there's no scar on his cheek. I look back at his hand, cautiously tiptoeing towards it as my insides convulse and the world around me begins to spin.
Once I'm close enough, I reach a hand out towards my deskmate's index finger, only to pull it back towards myself out of uncertainty. Can I really do this? Can I really trust a perthean?
I place one hand on my deskmate's finger, and then another. I stand in place, breathless and at a loss for words. It takes all the strength I have left to look Derrick in the eyes.
"I will," I manage to say at last.
My deskmate sighs joyfully, and his eyes soften as if smiling themselves.
"Okay," he whispers.
Seeing the glee on Derrick's face gives me the courage to smile back at him. Now that I've made the choice to trust him, I can't help but wonder what comes next.
"Do you want to try walking onto my hand again?" he asks.
I recall the moment Derrick's hand approached me without warning, shivers running down my spine.
"Don't worry," he says. "I'll alert you before I reach for you from now on."
I nod, and Derrick lays his hand down palm side up on the balcony. I bite the inside of my cheek as my legs squirm beneath me, begging me to run away. I made the choice to trust Derrick, I'm not running away!
"Now, I was going to show you how humans are generally expected to react in response to an open palm. May I see your hand?" Derrick asks.
My heart skips a beat. What does he want my hand for? Still shaking where I stand, I gulp, and reluctantly offer up my right hand. I become lightheaded when Derrick takes my hand in between his fingertips. Closing my eyes, I attempt to steady my breathing. I've made my decision. I'm going to trust my deskmate.
Derrick leads me toward his open palm with a gentle tug, and places my hand on his thumb.
"There," he says, letting go of me. "Use my thumb as a support to get onto my hand."
My eyes widen as I gaze at the intricacies of his thumbprint—each curve and crevice forming a uniquely detailed pattern. I spread out my fingers. My hand doesn't even cover a fraction of the print, it's so... little. I stand there in awe, completely mesmerized by the sight in front of me as my cheeks become warmer and warmer.
"Is something wrong?" Derrick asks.
"N-no! Nothing's wrong!" I sputter, embarrassed that I'd been staring at my deskmate's thumbprint for so long.
I press down on Derrick's thumb with nearly all of my strength. It doesn't move an inch. I look toward the palm of his hand, and, using his thumb for support, I manage to lift one leg and plant it on the fleshy surface in front of me. I push off from Derrick's thumb and leap forward into his hand, only to trip on the squishy surface beneath my feet and fall flat on my face!
Derrick gasps. "Are you okay?"
I push against the skin beneath me and manage to get up onto my knees. I nod, my face completely red.
"We'll work on this," my deskmate says, lifting his hand from the balcony and closer to his chest.
"So, um..." I start, my gaze fixed on the palm I'm in. I'm interrupted, however, by a large finger lifting my head until my eyes meet Derrick's.
"Lesson two," Derrick says, "you should always try to look a perthean in the eyes when you speak to them. This makes it easier for us to hear you and perceive your emotions."
"O-oh, okay," I murmur, shivering.
Derrick smiles. "Now, what were you going to say?"
"Oh, I was just about to ask what happens now."
Derrick gazes off into the distance, his brows furrowed in thought. Did he not think he'd get this far?
"I was thinking we could just sit and talk for a while," he says, looking back at me.
"Talk?" I ask. "About what?"
"Anything," Derrick says, moving beside the balcony.
I sway from side to side in my deskmate's hand as he walks. I've gotten more accustomed to this with each passing school day, so I don't have to steady myself as much anymore. But when Derrick lowers himself to sit on the ground, I let out a yelp as the quick motion catches me completely off guard! My insides flip upside down, and I try my hardest to keep from losing my lunch.
"Sorry! Was that too quick?" Derrick asks.
"A little," I squeak, wondering what I've really gotten myself into by agreeing to meet back here with this guy.
"Sorry. I'll try to be more gentle," he says. "So... what do you want to talk about?"
"You're the one who wanted to meet back here in the first place. Shouldn't you be coming up with the ideas?" I ask.
I pick at my nails, keeping my gaze away from Derrick's. Once again, a large finger lifts my head until my eyes are locked with my deskmate's. I can't help but shudder as we glance at each other. Will I ever get used to the weight of his stare?
Derrick smiles reassuringly. "Alright," he says. "Let's talk about you."
My heart skips a beat as blood rushes to my cheeks. "What?! Why me?!" I ask.
"Hey, you said I should be the one coming up with the ideas!" Derrick laughs. "And besides... ever since we became deskmates, I've been curious to learn more about you."
I cross my arms and hang my head low to hide that I'm now blushing even harder. I've always hated talking about myself, it's so embarrassing! I'm not even that interesting!
"Come on," Derrick says, lifting me up to be eye level with him. "Can't you at least tell me a little bit about yourself?"
"I-I—" I stutter, trying to come up with any way to get myself out of this, only to sigh in defeat. "Okay."
- - - - - - - - - - - - - - -
Once Derrick and I got to talking, the time flew by. I told him a bit about the move, and he was surprised to hear that Dad and I traveled nearly 900 roams from Maedri to Chancelor. That's about 15,000 miles, which would feel like around 18,000 roams for a perthean. He asked why we would move that far, and I filled him in on how Dad really wanted me to go to his old high school. Thinking through it all again, it really doesn't make much sense. But, then again, neither does my dad.
Derrick told me a little bit about himself, too. He told me he lives with both of his parents, and that he has an identical twin brother who is away for university on Erimathea. I asked why they weren't in the same stage for school if they were the same age, and he mentioned something about his brother being able to graduate early. He seemed a bit uncomfortable with the topic, though, so I didn't push it much.
Before we knew it, we'd been talking behind the school for well over an hour. The funny thing is, the longer I spent in Derrick's hands, the easier it became to talk to him. I found myself trembling less and less over time, and I was able to maintain eye contact for most of our conversation.
"With exposure and with time," I recall Dad saying, "things can get better."
I shake the memory away. Sure, this meet up with Derrick is helping, but it wasn't Dad's idea!
"Uh-oh," Derrick says, glancing at his phone. "It's nearly 5 o'clock."
I let out a gasp as my eyes widen with realization. Dad's going to be expecting me home any minute now! I don't want him wondering where I've been! How in the world would I explain Derrick trying to help me with my fear? I can already see the smile on Dad's face. I can already hear him telling me how he knew sending me to this school would be a good decision. I can't just let him win, can I?
"Do you have somewhere to be?" Derrick asks.
"I... well," I stammer, not sure how to explain my situation. "My dad's going to be expecting me any minute now, and it usually takes me over an hour to walk home from here!"
"Really? Do you live far from here?"
"I think it's a bit far from here," I say, trying to mentally calculate the distance based on how long my walk home usually is. "I live at the human apartment building on Seren Avenue."
Derrick blinks. "Are you serious?"
"W-what?" I ask, a shudder running down my spine.
"That's right around the corner from here! That's not far at all," Derrick chuckles.
"Well, for you it might not be, but—!"
"I know, I know," Derrick says. "It's twenty times the distance for you."
I rub my arm. "I just don't know how I'm going to explain this to my dad," I mutter. "If he finds out we met up because of my fear, or that we hung out at all... I feel like he's going to hold that over my head."
My deskmate hums, leaning back against the wall. "I might have an idea," he says with a smile, lifting me to his eyes.
"Y-you do?" I stutter, still not used to when he holds me close to his face like this.
"Are you ready for your next assignment?" he asks.
"That depends," I say, scooting back a little in his palm. "what is it?"
"Will you let me walk you home?" He asks. "In favor of taking another step towards overcoming your fear?"
"I-I don't know..."
"Come on! What do you have to lose?"
I look into my deskmate's round blue eyes. I can't tell if he's encouraging me or pleading with me at this point, but does my answer even matter? He already knows where I live, so he can take me home whether I want him to or not. I guess it's good that he's asking, but... is this really a good idea? What will people think of a boy walking a girl home? What if the perthean lobby receptionist at the apartment sees us and tries to strike up another conversation? What if she tells Dad a perthean boy walked his daughter home? What will Dad think of Derrick walking me home? Ugh, he'd probably be ecstatic to see me getting along with my deskmate...
I take a deep breath and let it out. "Okay," I say. What could really go wrong?
"Alright!" Derrick says cheerfully, leaning forward to stand up.
"P-please be careful!" I plead in fear of being knocked about.
"I will," he says, being surprisingly gentle as he rises to his feet. "Now, Seren... Seren... that would be this way."
I sway around in my deskmate's hand with each step he takes. I keep my head down to prevent myself from getting nauseous, but I can tell when Derrick rounds a few corners and ends up on the sidewalk beyond the school grounds.
"We're almost there," he says.
"What? We just left!"
"It's that white building, right? About three blocks down?" Derrick asks, pointing to a small building far off in the distance.
I remember seeing pictures of the outside of the apartment online, and I guess it sort of looks like the building my deskmate is pointing to, but I can't really tell from this distance.
"Even if that's the right place, it's still going to take you at least a half hour to get there from here," I assert.
"Watch me," Derrick says.
"You're not going to try running it, are you?!" I exclaim, a sudden panic taking over.
"What? No, of course not! I'm going to take it nice and steady. Just don't be surprised when we get there in about..." my deskmate says, squinting at the white building in the distance. "Five minutes."
"Ha! Right!" I roll my eyes at his ridiculous estimate. There's no way what would take me an hour and a half is going to take him any less than thirty minutes.
As Derrick begins to walk again, I peek up from his hand every once in a while to see how far we are from our destination. To my surprise, we're approaching it much faster than I first anticipated.
I keep to myself for the most part, until something strange lands in Derrick's palm. I blink a few times, uncertain of what it is I'm seeing. It's long, a bit rounded, and a lovely shade of light pink. I reach out and poke it first, to make sure it's not some kind of bug. When it doesn't fly away, I lean over and take it in my hands. It's soft to the touch, though a bit wrinkly. It almost feels like some kind of plant.
"Hey," I say, my focus shifting back to my deskmate. "Do you know what this is?"
Derrick stops for a moment and looks down at the pink object in my hands. He tilts his head to the side, inquisitively.
"I think it's a petal," he says.
"A petal? From what?" I ask, excitedly scanning the ground beneath me for any flowers. To my disappointment, I don't see any.
"From that tree," my deskmate answers, pointing above and behind me to a massive heap of pink blossoms swinging in the wind, connected together by dark, twisting branches to a thick trunk.
My eyes immediately widen when it comes into view. The big blossoms float about in the sky high above us, and little petals rain down all around like snowflakes. This is a sight I've only ever dreamt about or seen in movies before. I never thought I'd get to see something like this for myself! The sky lights in Maedri's undercity always depicted cherry blossoms around spring every year, and I thought that was a sight to behold! But now I'm seeing the real thing? Am I really awake right now?
As Derrick begins to walk again, I try peeking around him to continue looking at the tree. Given his size, however, this proves fruitless. I slump in his palm, saddened that I only got a few moments with such a beautiful part of nature.
Derrick stops again, looking down at my slouching figure. He backs up a bit, and, reaching up to the tree, tears off a tiny section of a branch covered in flowers. He examines it between his fingertips for a moment, and then hands it to me.
My cheeks redden, and I can't help but let a smile creep across my face. Although I quiver at the sight of Derrick's nearing hand, I take the branch.
"For me?" I ask, my voice trembling.
"Mhm," Derrick hums. "A souvenir."
My breathing picks up speed with my heart rate. "Th-thanks," I manage.
Now I really can't let Dad find out about all this. What would he think of a boy giving me flowers?! I'd throw them right out if not for how mesmerized I still am by the sight of that tree.
After a few more moments of walking, Derrick stops again.
"The Apartments at Seren," he says.
I look up from the flowers in my lap. "No way!" I exclaim, dumbfounded.
"Well," Derrick says, pointing, "that's what it says on the sign."
Sure enough, the sign reads the name of my apartment building. Derrick reaches for the door to enter the perthean lobby.
"Wait!" I shout, only to bite my lip at the realization that I was a little too loud. "Um... is it okay if you just drop me off outside? There's an undercity entrance on the side of the building."
"Wouldn't it be faster to just drop you off inside?" Derrick asks.
"Well, it's just that... my dad likes to talk to the receptionist in there, and I don't know how he'd react if he saw a guy walking me home. And giving me flowers."
"Oh! Don't worry, I understand," he says. "I'll just set you down right here, then."
Derrick gently lowers himself to the ground, and places the hand I'm in down on the sidewalk. I rise from my place in his palm, wobbling a little at first as I struggle to stand. Bookbag and blossoms secured, I carefully inch toward the edge of my deskmate's hand, one step at a time, and then leap off onto the sidewalk.
"I guess I'll see you tomorrow?" Derrick asks.
"On Firsday," I say.
"Oh, right," he says. "I'll see you on Firsday."
"Alright. Bye!" I say, sheepishly waving as I make my way toward the undercity entrance on the side of the apartment building.
As I'm walking, I have a sudden realization— I completely forgot to thank Derrick! I turn around, only to see him walking away from the apartment building.
"Hey!" I yell, but Derrick doesn't seem to hear me.
I huff. I don't want to seem rude! I run after Derrick, as fast as I can, until I'm right beside him on the ground.
"Hey! Derrick! Wait!" I shout, hoping he'll hear me.
"Huh?" Derrick looks down.
The glass that veiled my fear for only a moment shatters as I stand face to face with a tall, tall perthean. From the ground. My eyes widen. My insides contort into a knot, and the world begins to spin around me. My heart slams against my ribcage and my legs tremble beneath me, again begging me to run away. Just what do I think I'm doing?
"Kaylin? Is everything okay?" Derrick asks.
"I-I— I w... I wanted..." I stutter and stutter, fumbling over every word as I rack my brain for whatever it was I wanted to say.
Derrick must realize I'm struggling, so he kneels down closer to the ground. "Yes?" He asks.
"I-I... I wanted t-to... I wanted to thank you!" I say, crossing my arm over my chest and leaning forward. "For helping me, and walking me home."
"Oh!" Derrick smiles. "Don't mention it."
"O-okay! S-see you on Firsday," I stammer, all at once giving in to my quaking legs' pleas and running as fast as I can away from Derrick and toward the undercity entrance without looking back.
This fear just isn't going to quit, is it?
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tatakaeeren · 2 years
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TAG GAME
I was tagged by @gojosattoru, @tanchirou, and @myownangel to show 9 of my favorite characters! ❤❤❤ Thank you so much to all of you! this is so fun (it's hard to choose just 9, I have an endless list hahaha) btw I love all your characters! 😍
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✨✨Levi ackerman , Gojo Satoru, Hawks , Byakuya Kuchiki , Aizawa Shouta , Ginoza Nobuchika , Oikawa Tooru , Ren Jinguuji , Geto Suguru. ✨✨
I tag: @ackersoul , @hanae-ichihara , @rubydragon16 , @hokusu , @kyojuuros , @shinixgami , @sattosugu , @incepstla , @okkottsus , @smol-ackerman , @princesstooru , @crimsonrosee , @itadorii-yuuji , @tohmura , @theforgers , @jaegerists , @kilruas , @suknas , @fangrui , @misakarose , @gricefalco , and everyone else who wants to do it :) // This is not an obligation, if you don't want to do it , it's totally fine, Or do it whenever you want / can //
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luinhealthcare · 3 months
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Does Hyrule mind teaching how to assess a patient??👉👈
"You... want to learn how to assess patients?" Hyrule asked hesitantly.
Wild shrugged. "What if I want to be an EMT?"
"You also said you wanted to be a chef in the hospital."
"I can do both, you know."
Hyrule laughed. "I suppose so. Well... we'll need a patient for this to work."
Wild immediately snatched Sky, who yelped as his friend snaked a hand around his wrist. "Sky's the patient, heaven knows he needs to be looked over anyway."
"Look who's talking, Mr. I-Have-Seizures-and-Don't-Tell-Anybody," Sky grumbled as he was manhandled to sit between the other two.
"Well, everyone knows now."
Hyrule and Sky gave Wild a scalding look. Adequately apologetic, Wild shrugged sheepishly.
"Anyway," Hyrule sighed, shifting his focus to Sky. "Assessments come in different forms. You've got a primary and a secondary assessment. Primary is kind of a general overview and checking for life threatening stuff, secondary is in-depth on what the issue actually is. Make sense?"
Wild nodded.
"Great!" Hyrule continued with a smile. "Okay. Sky's our patient. Sky, you got shot once, right?"
Sky nodded, and Wild balked. "He what?!"
"It was a long time ago," Sky waved a dismissive hand.
"Okay, so that's our scenario," Hyrule said, standing. "We're dispatched for a 21-year-old male with a GSW--"
"That means gunshot wound, right?"
"Yeah. GSW, conscious patient. That's all we've got. So, you get on scene, and the very first thing you do is check for scene safety. If the scene isn't safe, we're not going in. First thing you're taught in EMS - your own safety comes first, because if you're shot you can't help the patient. It's you, your partner, then the patient."
"How often do you actually listen to that rule?" Sky asked, raising an eyebrow.
"That's not what we're learning today," Hyrule waved off easily. It was pretty common knowledge that while he would never put his partner's life at risk, he'd gotten himself into dicey situations before. But he knew how to get himself out of those situations too. "So, we determine the scene is safe. Next, is our primary assessment. The purpose of this assessment is to check for life threatening things, and an overview of major body systems. Neuro status, bleeding, and your ABCs: Airway, Breathing, Circulation.
"The situation is pretty dynamic, like sometimes you walk up and somebody's got an arterial bleed and spurting blood everywhere, your assessment stops right there and you go fix that bleed. But generally you'll have time to do the entire primary assessment."
"Okay, so neuro and ABCs?"
"Yeah. And the good thing is that most of it happens all at once, you know? You walk up to Sky and he looks at you, then boom, you've got a good neuro - he's awake, he's alert. He may not be oriented, but you can figure that out by just talking to him. And by this point you can tell if there's life threatening bleeding. Then it's ABCs - is his airway patent, or open? Is he breathing, and is he doing so normally? Is his skin warm, dry, and normal tone for him? You can literally do al these things by just walking into the room and looking at him for five seconds. The primary assessment is done really fast and, the more times you do it, basically automatically."
"What would be an example of something being wrong?" Wild askd.
Hyrule glanced at him. "When I got on scene for your crash, you were unconscious and unresponsive--in other words, you were not only unconscious, but nothing would wake you up--and your breathing was gurgling sounding because you had blood in your airway."
Glancing at Sky, Hyrule said, "Sky can give us an example of a not great primary assessment, I'm sure."
Helpfully, Sky immediately flopped off the chair he was sitting on, collapsing to the ground with a crash. Wild laughed, and footsteps rushed from upstairs into the living room.
Twilight immediately froze in the entranceway, eyes wide and fixed on Sky. "Sky, what the--guys what the hell is hap--"
Sky perked up immediately. "Oh, sorry! I'm just helping Hyrule teach Wild!"
Twilight froze a moment and then sighed heavily, pinching the bridge of his nose and grumbling under his breath.
Hyrule smiled, pointing at Twilight. "He just perfectly showed a good primary assessment looks like! He walked in and saw the patient down on the ground, tried to figure out a neuro by calling out to him, and when Sky woke up he immediately could tell he was fine. Neuro intact, not bleeding, had a patent airway because he's talking, breathing normally, and skin looks normal."
"I hate all of you," Twilight groaned, walking out of the room.
"Okay, but by skin looking normal... what does it mean when it doesn't?" Wild asked.
"Your skin can tell a story," Hyrule explained. "If you're diaphoretic, which means sweating, something is likely wrong. Though it depends on context - if your patient's sweaty but they were just exercising, it makes sense. If Sky's sweaty on the ground after being shot, he's in shock. If the skin is cool, the body isn't circulating well - that can sap the color right out of your skin - the lighter your skin tone the more notable it is, but darker skin tones can become paler too. A lot of times with darker skin tones you'll want to look at their palms or their lips, that'll help you determine it. Another color is grey - that usually means cardiac and it's bad. So skin can tell you a lot!"
"How did my skin look?" Wild questioned, curious.
"Pale," Hyrule immediately answered. "Anyway. Sky's your patient. Look him over."
"Okay," Wild blew out a breath, approaching Sky and kneeling beside him. "So he's unconscious, that's my neuro so far."
"Can you arouse him at all?"
Wild poked Sky in the neck. Sky flinched. Wild poked again and Sky giggled. Wild's eyes widened in realization, and a mischievous smile crossed his face.
"Wild, wait--"
Sky started laughing hysterically as his friend tickled him, wiggling and trying to shove him away.
"Get--off of m--Wild you jerk--"
Hyrule chuckled. "Well, we're not taught to tickle our patients, but that works."
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didderd · 25 days
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Today is Palestinian Land Day.
I saw the post linked above and wanted to make sure I posted something for the day.
There are important links in that post, so please check those out too, but I will link a few more here, since I wanted these on my blog for people anyway.
Links below:
https://docs.google.com/spreadsheets/d/1vtMLLOzuc6GpkFySyVtKQOY2j-Vvg0UsChMCFst_WLA/htmlview#
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crossbackpoke-check · 11 months
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Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman
part one | part two
#me when everybody is posting the maple leafs sad narratives and i am furiously generating this like HOLD ONNNN HOLD ONNNNNNN#honestly i could've been SOOOO MEAN about this because i saw this poem & alexandra got the preview on the poetry blog#where i just reblogged the first half of this poem point blank with the tags#kyle dubas#toronto maple leafs#& got yelled at aksdaksf & it literally only didn't go on this blog bc i usually write more & then it was percolating & i looked up the poe#& it was only the FIRST PART i'd reblogged i didn't know there was more & then brain immediately went brrrrr ok time for an edit.#this is a long one lol & i also have no idea if it makes sense to anybody but me but because y'all know me i will always overexplain so!!#my reasoning for the reasons obvi kyle. that's a given i hope he's doing well i hope he & his family r good but man is not coming in to wor#the second edit took me a stupid amount of time bc i am nitpicky but also i learned how to do the layers & transparency from the claude edi#that actually y'all don't know about lmao but i lost my mind when i saw how perfectly those pictures align i was scrolling getty & was like#ok december i'm gonna do a headline one (in my brain with the november/june quote about choosing to die again) w/ maple leafs playoff odds#how they say at winter break you know who's gonna be in the playoffs & who'll win & they thought they had a shot but it's mitchie overlaid#the 2003-04 team who'd last won a playoff round with the atlantic division stats from dec for 22-23 & how long it's been & dec headlines#i wanted breakup/recent/never loved to be a recent trade acquisition somebody who bounced around & somebody else so i almost had simmer#brodie & zar but then i wanted to make murray for breakup at any time &i forgot zar & him were on the pens together &it hit me like a truc#bc there's a photo of the two of them EXACTLY the same so close it's scary of this one but them as pens so they had to be it & i did always#know never loved again was mitchie. sorry. also mitchie in the penalty box the last game but i couldn't find footage of it & this one works#no i could not find a photo of tyler bertuzzi fighting a leaf for a dog looked at me yes i tried.#i almost made the bunting photo jt but instead it's 'bunting a rat etc' anyway the one i really feel unhinged about is dead pets bc at firs#i was gonna make it the handshake line & look to see if the leafs had drafted anybody on the panthers (dead pet former draft pick)#& they had & it was carter verhaeghe & i couldn't get a good pic of matthews & verhaeghe but it's fine bc i thought about the mo/luke schen#narrative (in which they are a perfect d pair long lost) & schenn was drafted by the leafs & that line fits jut trust me. also how i feel#about the kniesy luminous line that one possessed me it had to be kniesy idk why. i almost put gussy as girls are too pretty though ALSO#did u like my joke. daylight SAVINGS time on the goalie. thank u. also my photo magic on the jt (me very poorly editing in him as an isle)#OK ALSO HOLD ONNNNN there is a part two but i have to wait for the Content i want it will come out as soon as [redacted] or sooner#if i get bad at waiting &everyone will pretend like it is always the way it will be once i have the photos i want. speaking of did the leaf#simply not take a team photo this year?? it Does Not Exist for me i have tried very hard to look for it also i'm excited for part 2#one of them is named oh you're so unhinged for this one & the finished product is you're unhinged in ways you didn't even know u were sorry#liv in the replies
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spilledsinnamontea · 6 months
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Why do you think Levi only ever said Dedicate your heart to Hange?
What a surprise! Hello there anon!
Oh, I actually like this question very much >:D I’m sure there are many explanations out there by all the amazing people in the fandom regarding this topic. However, since you asked for my opinion, then I will gladly give my two cents regarding this topic.
Let's see if I can put my psychology degree to good use.
Disclaimer: since I'm a levihan slut, I'm sure you know what to expect from this. Also, English is not my first language, so please forgive me if you found any mistakes :D
First of all, we know that Levi had never said “Dedicate your heart” before (as suggested by Hange). 
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If that’s the case, then why did he never say that before? Well, I think it’s because he wasn’t your typical by-the-book soldier. Unlike most people in the corps, Levi joined under a special circumstance. We know that he didn’t voluntarily enlist himself as a trainee so he could join the Survey Corps and heroically save humanity from all the titans. Instead, he joined the corps because Erwin personally scouted him. Because of that, he didn't have any particular or specific reason to join it in the first place (unlike let’s say Eren or even Hange), he even planned on quitting the corps at one point. His reason for staying in the corps—other than his belief in Erwin—was just as simple as: “I like the fresh air of the outside world.”
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EDIT: Okay, I just want to make myself clear. I'm not saying that his motivation in joining the corps was so shallow or even implying that he does not care a bit for humanity. He cares obviously, if he didn't then we would not have Captain Levi in our SNK story. What I meant by my statement above was to highlight how simple he was as a soldier. Like, he didn't need a grand motivation to join in the first place, because he just knew that staying in the corps was the good thing to do. He risked his life everyday in battles just for a simple wish of breathing the fresh air. He wanted the people in the wall to be free from the stinky air, because for him freedom is in the mundane things in life. To quote my other post: "His simplicity is what makes him kind."
Also, I made a follow-up post regarding my interpretation of Levi's character here. You don't have to read it, but if you want to know how I see Levi as a character, I hope that post can help.
But anyway, since he was scouted under a special condition (as well as having enormous strength as a soldier), I think he somehow had a privilege in the corps to fuck around and be as “disrespectful” as he wanted to be. Not to mention Erwin became a commander around a year after Levi joined, so my man was probably living his best nepotism/VIP life. Therefore, I would think that Levi wasn’t as strict with the rules as other soldiers. He wasn’t the kind of soldier who kept preaching about "dedicate your life" to others. He just came to work, did his job, and went home (just like me fr). I’m not saying he doesn’t care about humanity (he cares obviously) it’s just he doesn’t express it in a traditional soldier way.
No wonder we all were so surprised when he did say THAT WORDS to Hange. It wasn't like him at all. Even Hange was caught off guard by him saying it, right?
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But then, this raises another question, why is it when he finally said it, he only said it to Hange? Why, for instance, he didn’t say it to Erwin? I mean, both Erwin and Hange went on a suicide mission. Moreover, out of all the people that we know in the story, we can see that Levi shares many significant moments in the narrative with these two. If that’s the case, then why did he say different things to each of them?
For me, the answer is quite simple, it’s because Levi is an empathetic person. Both “Give up on your dreams and die for us” and “Dedicate your heart” that he said to Erwin and Hange respectively were something that he believed they needed to hear at THAT moment. It was his last words for them right before they died, his last comfort.
He told Erwin to give up on his dreams and die because at that moment, when their troops were cornered by the beast titan, Erwin showed his vulnerable side to Levi. Erwin admitted that he actually had a plan (albeit a suicidal one for him and the rest of the soldiers) to defeat the beast titan but he withheld it at first because: 1) he didn’t want to die because he wanted to see the basement; and 2) he didn’t want to send any more soldiers into their death because he was being haunted by the ghost of the past soldiers who had dedicated their heart to his plan.
Therefore, Levi, out of his compassion for Erwin, took the burden of making that painful choice from Erwin’s hand. He even made a promise to kill the beast titan, as if to say that all of their death wouldn’t be in vain. He said it to make Erwin feel better, which is why Erwin smiled after Levi said that. 
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I think the same explanation can be said for Hange's situation. However, to understand why he only said “Dedicate your heart” to Hange, I think we need to talk about the nature of their relationship first. First of all, they were close friends, that is obvious. They had known each other for quite a long time and they had gone on many missions together (and survived), so their bond was strong. To quote Moblit from that one Smartpass AU he shares with Levi: “[Levi and Hange have] a special kind of bond from spending many years together. It’s something that Moblit didn't have with [Hange].”
Speaking of Levi, one of the things that I feel people tend to overlook from Levi is his caring nature. He cares for his squads, for humanity as a whole, and especially for his trusted comrades (e.g. Erwin and Hange). However, since he isn’t exactly a very eloquent person, he has a weird way of showing his affection, like when he told Erwin that he would break his legs so he didn't have to join the dangerous operation to retake Shiganshina. Fortunately, since Erwin knew Levi’s character, he understood the meaning behind his words. Although for most people, it was probably hard to tell. 
Other than Erwin, the other person who could see Levi’s kindness was of course Hange—who also received a lot of care from Levi. It might be because of the nature of her job (getting too close to titans for her experiments + her role as a commander later) and because of her tendency to be a little bit reckless as well as forgetful of taking care of herself when excited (which was why she had Moblit by her side) that made Levi feel the need to pay a lot of attention to her.
And by a lot, I mean A LOT. 
This is just my opinion, but in the canon, I noticed that Levi is actually the one who expresses or initiates a lot of actions toward Hange (believe me, my man is working overtime):
Asking about her new “hobby” in rocks (after Annie’s capture).
Noticing her distress after Pastor Nick’s death and trying to lift her spirit up.
Calming her down when she was upset at Keith Shadis when he finally told the truth about Grisha's past & his reason for leaving his commander position in Survey Corps.
Thinking about Hange’s safety during missions (after Bertholdt’s transformation in Shiganshina and when she was attacked by one of Kenny’s men in the Reiss Chapel).
Telling her to not touch some random things at the beach.
Telling Moblit to take care of Hange because he can't be always by her side (Smartpass AU)
Knocking Hange out to forcibly bathe her (Smartpass AU). Also, the way he worded it in a way that "yeah I don't like her filthiness when I'm off-duty, so I took it upon myself to clean her." I see you...
Levi saving Hange from being hit on the head by a bunch of books + telling her to change her wet clothes (Smartpass AU)
Well you get what I mean. Anyway—at least for me—he doesn’t seem to do this solely because of Hange’s lack of self-care. I think he shows a lot of care for Hange because she’s important to him, which is of course exacerbated when they became the last two veterans to survive after the operation to take back Shiganshina. After so much lost, he clearly saw her as the last person he’s close to. I mean, in one of the Smartpass AU, she was the first person that came to his mind when he was asked about his family.
Not only that, I think he generally likes Hange as a person because she saw him for who he truly was. Like, remember their first meeting, Hange was the only one who was willing to approach Levi (while everyone was sceptical of him) and she did it purely out of admiration. She genuinely was impressed by him and wanted to get to know him better. A gesture that might be alien to Levi, which explains why he was unsure at first about Hange, but it seemed after many missions together, Hange was eventually able to earn his trust. Hange became a person who could freely tease him (him being a clean freak + their poop jokes) as well as became a walking dictionary for him (the way she translates Levi's words to Eren).
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On the other hand, contrary to Levi, I noticed that Hange tend to be more neutral with Levi. I’m not saying that Hange did not care for him. I mean, when she found his injured body, she became so protective of him that she willingly risked her life by jumping into the lake so she could save him.
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There was also this one scene of her trying to comfort him when he learned that titans was actually a human. Moreover, she also considered him to be her closest friend in the Survey Corps.
I believe she rarely showed her caring side to him because she knew that he is a capable fellow, and so she didn’t think he needed her help in particular. I don't think she had ever think that this man, the strongest man in the world, would ever sustain a horrible injury or even die. Sadly, she thought wrong. When she found his injured and dying body (chapter 115), Hange had to face a horrible realisation that she could actually lose him.
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Then, in chapter 126, we finally saw Hange taking care of Levi. She killed two soldiers to protect them. She also tended and healed his injury with so much care. In my opinion, being confronted by the mortality of the only person that she had left in the world, Hange most likely learned—the hard way—about how important Levi had actually become to her. Thus she was willing to do anything for him.
When this realisation mixed with her exhaustion from the war, she finally reached her breaking point. With no one but an unconscious Levi by her side, the passionate-happy-go-lucky researcher and the ever-so-composed commander of the Survey Corps found herself gradually letting down her guard to show her weakness, her feelings. In her vulnerability, she weakly expressed how she would rather live with him in the woods, away from the chaos outside. Like, can you believe this Hange, who always fought for humanity’s sake said, “Humanity be damned, I would rather spend the time I have left with you.” 
I think this explains why her confession in chapter 126 caught us (the fandom) off guard, because not only it was out of character for her, but also for the first time, she showed her feelings to Levi.
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Later we know that Levi heard about her “confession” but since he also knew that Hange would never ever run away, he instead encouraged her to do the things that she believed in, and that was to stop Eren from committing genocide. However, I think her words had never left him, even after they left the woods. Because as you can see in chapter 132, he somehow made a seemingly random remark to her about how her feelings are not always unrequited. As if he knew which feelings of her that is requited. 
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Consequently, we finally came to the big question. We see in chapter 132 that before Hange embarked on her suicide mission, Levi did something that was so out of character for him. He touched her heart and said, “Dedicate your heart”.
Why did he do this?
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To repeat my answer above, it’s most likely because he knew that it was exactly the things that she needed to hear the most. So he said it out of empathy. But isn’t it too short or even too formal for a goodbye between two close friends? Well, we have to take into consideration that Hange could read Levi like a book (remember their iconic telepathy?). She could easily translate his roundabout words and expressions, thus he didn’t need to write an essay for her. Which is why “dedicate your heart” was more than enough for both of them.
Moreover, I also infer that the reason why he never said “Dedicate your heart” while he was a soldier before was because he probably thought that he didn't necessarily have to give his heart to the corps and humanity. Again, he didn't have a grand reason to fight in the first place, and so he just wanted to do what he thought was good: to lend all his strength to help humanity. Therefore, by saying it for the first time in front of her, he seemingly wanted to show her how important and special she was to him. As if he was saying that he wants to dedicate himself only to her.
Hence, his gesture and words to Hange combined with all the preceding events (especially events in chapters 126 and 132), I could say that behind those three words, he was actually telling her: “Hey, the things you said in the woods, it was not unrequited. I actually feel the same way as you. I want to live with you as well, which is why I don't want you to go. However, I know I can't stop you because you’ve dedicated your heart to the freedom of humanity. So, I’ll let you go, but before you go I want you to know that you’re the only person I’m dedicating my heart to. My heart is yours.”
I'm not Hange so I don't think my translation is accurate HAHA but that's how I see it.
In conclusion, Levi had only ever said Dedicate your heart to Hange because: 1) he knew it would make her feel better/happy and special; and 2) it was also his answer to her soliloquy in the woods (it was his way of telling her that they share mutual feelings).
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So yeah, that’s my opinion. I hope I was able to express myself clearly :D
Also, I can't believe you are asking me this, anon. No one ever asked me about my opinion before. Usually, people come for me for my silly fanfic(s) xD 
ANYWAY, your question is very much appreciated! Thank you for giving me the opportunity to share my thoughts regarding Levi, especially his relationship with Hange. This was fun to write (and research!), I really enjoyed the process!
Although it was a bit painful too tbh because I had to reopen my old wound by rereading chapters 126 and 132 :') You did it anon, you made me cry... at 12.30 AM T_T)b
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