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#ITS A REALLY COOL WORD
tubbytarchia · 2 months
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@mcyt-yuri-week Day 5, Rose/Thorns I never stop thinking about SL episode 8 never ever
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ccassettetape · 7 months
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i am writing an accidental haiku to attract haiku bot
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ascendingconures · 4 months
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my Pre-distortion Michael Shelley model... i have put him in VR...
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Hanging with my bestie homophobic vase
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b4kuch1n · 1 year
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making of a feathered thing
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corpsentry · 2 years
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a love like burning
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goldiipond · 5 months
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BLAST IT TO THE BACK ROW!!
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sapphia · 1 year
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look, you cannot "headcannon" that the mona lisa was fake without destroying the literal text of the film. the mona lisa is epstein island, and miles is presented as untouchable because that's how billionaires literally are. nothing can be pinned on him, not with any real certainty, because his resources are unfathomably vast. he is just that powerful. it is not his murder that damns him, not his corporate crimes, not the recklessly negligent energy source, not the actual things that we know he has done to get to where he is. had only the glass onion blown up, it might have dealt him a blow financially and smeared his name and dragged him into court. but he's a billionaire. it wouldn't have ruined him. people wouldn't have cared enough to see that he actually goes down for what he does. we know that because it happens all the time in real life.
but the press coverage of destroying the mona lisa that he had in his possession only through corruption and backdoor dealings? that people will notice. it is the literal on-screen symbol of his power bought by wealth, and his sheer arrogance in thinking that he is above all rules because billionaires are above the rules that brings him down in the end.
as fun as it is to think that miles is so stupid that he was tricked into believing a fake mona lisa was real, it doesn't compete with the actual brilliance of film in taking the concept of epstein island and turning it into a light, family-friendly parable for child sex trafficking and somehow make it darker. because unlike epstein, it's not what miles does to people that matters. not the actual harm he does to them, the death he causes, the death he will cause if he's allowed to continue. only his destruction of a painting.
and it's supposed to remind you that in real life, epstein was murdered in his cell. miles gets justice in the film because it's a film and it needs a happy ending but it's not just. it's not for the crimes he deserves to punished for. in glass onion, the world is broken, and it's a reminder that ours is too.
because a this isn't a film, and we didn't get a happy ending. here in the real world, epstein’s co-offenders were never caught.
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skitskatdacat63 · 5 months
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2023 Abu Dhabi Grand Prix - Fernando Alonso
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oh-wow-im-still-here · 6 months
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Mxtx was so sexy for having shen qingqiu experience the shen jiu flashbacks and still deciding to dislike him. Don't get me wrong I eat up all those awesome fanfics and headcannons of them having some sort of positive relationship like it's breadsticks, but sy!shen qingqiu's canon perception of shen jiu is just so juicy!
Like, you die, you die cursing and screaming some trashfire novel but wake up in your least favorite character's body. But he's not a character anymore, you eventually find out and accept that you and everyone around you is real. This body is real and so was the person who had it before. This body was theirs but now its yours. This body has done real horrendous things to real people that you care about. Some omnipotent system inside you is encouraging and coercing you into doing similar horrendous acts this body would have done, what it used to do. This body is not yours but now it is and now you have to live with it knowing you have to act out this body's role. Hurt your loved ones, distance yourself from your comrades, die a painful death. That is what this body was meant for, this was the original owner's fate, live with it. You are now one of the only people in the whole world that intimately knows how that man was the way he was and why he did the things he did. But that does not make it better, you feel pity, some sort of regret for how things could have been, but you cant forgive and forget because you hate him. You hate the character who turned out to be a man. You hate the man that used to own this body. You hate this body that's yours but not really yours. You hate your role, this narrative, this world, your future circumstances. Your actions of self preservation that have caused great harm. And ultimately, you hate yourself.
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sparring-spirals · 30 days
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There is a universe in which i was caught up properly on CR whenever what the fuck went down and Imogen verbally and definitively declared that- after everything leading up to this and the back and forth and indecision- that she'd be willing to take down her mom if need be. and i would have been deeply insufferable and writing 20+ separate meta posts and liveblog yelling posts and shitposts. This is not that universe so instead we will put this post here where i can have wildly uninformed (aka 20 eps behind) Emotions about it until someday i actually catch up.
(I know. i accidentally wrote potentially wildly off base/deeply out of date meta again. what can i say. i like shaking the concept of An Imogen (even if it is Outdated Imogen) in a jar. sorry.)
Because i was watching long enough, I think, to see Imogen in the throes of the hope for something better, to understand that Imogen was viewing her mom was a figure and an idea and an answer, that would make things easier. Her mom was- gone, so early. And so her mom, in her mind, was not a person she was an idea, and there was so much hinged on that! Dogged determination and anger at her father and a deep seated dislike of the powers in her hands and head even as they gave her a guilty rush. There were promises there that maybe no one else had made, but Imogen believed. Things built up. Expectations made. Lore crafted, even unconsciously, around someone who was, yes, important to Imogen, but more importantly: Missing. Gone. A blank slate to be filled in. A promise of an answer guide to open questions.
And then she meets her mom, and Liliana Temult goes from a figure to a person- with all the bells and whistles and rough edges. She meets her mom and her mom turns her away. Tells her to run. Tells her she should go. Tells her to leave.
And Imogen doesn't. In the same way she kept visiting libraries, keps asking, kept pushing for answers when it was just about her magic and her headaches and the voices. Imogen always, always wants to know. She keeps digging, she keeps trying, she reaches out, over and over and keeps trying to touch this figure in mist until she's real under her hands, and. Evidence piles up- of deeds gone wrong, blood on her hands, a figure standing next to Otohan (her friends bodies scattered, lifeless, around Otohan). She keeps reaching out, keeps trying, and is rebuffed, over and over. Things get worse and the skies get redder and magic goes dead and she's still- unsure, because what if there's a better reason, what if there's a better way, there has to be a reason, why. There has to be, right- maybe if- maybe. Maybe-
Its just like- a person as an idea. As a symbol. As a promise. One you build yourself up around and towards. One you talk about, not talk to.
And then the fog clears, and they are a human.
(And she's your mom, and she's not what you imagined. She's done you wrong. She's done your loved ones wrong. She's hurt you. She's hurt others. She's going to keep hurting you. She is going to keep hurting everyone. She is too far gone to reason with. She is not listening to you. She is flawed. She is. dangerous. She looks so much like you. You look just like her. You are so similar. You have always known you were similar. You always hoped. You.
Are not her. You are not hers. She is not yours. She is not who you thought she was. She was always someone else. So are you.)
Imogen walks through the bases pretending to be her mother. Liliana is a known face- a powerful one, a figure people fear. A well known silhouette. Imogen slips into the shadows of it, sometimes, when it serves her, but we know- she knows- its all an act. All a lie.
Liliana, after all, is alive, and well, making choices that she believes in and fighting for things with a dogged determination maybe only matched by her daughter.
Imogen knows this. I think. There's a part of her that maybe wishes that wasn't the case.
"There is no loyalty with this blood." And after all- only living people bleed.
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ducktracy · 1 year
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what a fantastic transition
#as much as i absolutely adore LT with all my heart there are no cartoons out there that give me such a CONSISTENT sense of raw visceral joy#than the Fleischer Popeyes#they are the epitome of fun. that’s such a vague word i know but i think it perfectly encapsulates these cartoons#not too gaudy or self absorbed. despite the fantastical nature of some plots and the gags and visuals there’s a down to earth humility as#well. it owns its simplicity very well. hearing that ‘30s jazz reach a climax as the visuals and gags and tactility and emotions get#stronger and faster in the climax of these shorts literally#gives me goosebumps! it’s an adrenaline rush#i also adore Olive Oyl. i mean i love them all. Bluto is the greatest cartoon asshole of all time. i love the nobility of Popeye. but i#really love that Olive gets to be just as loud and mean and weird and ‘ugly’ as the rest of the guys. she can throw a punch too. she’s not#just there to look pretty or be coquettish. she has a really natural charm and doesn’t feel forced like ‘oooo look at the cool LADY#participating too!’ which i feel is an issue with cartoons of both the past and present#she’s just another facet to these cartoons without calling much attention to herself and i really like that and wish there were more#like her#popeye#seasin’s greetinks#kneitel#vid#the lack of regular woman characters outside of thin tropes in golden age cartoons doesn’t bug me as much as it really should#because as a kid i was so used to watching ‘boy’ cartoons and connecting with ‘boy’ characters (i thought liking girl characters would make#me ‘girly’) and so it’s something i’ve always been sort of used to#but with that said Olive is one character i feel very strongly about and am glad she exists for those reasons#i don’t know why i’m getting so deep on this 10 second post? but anyway you should watch Popeye if you haven’t
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dread-chronicles · 1 year
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Nico di Angelo's love languages are acts of service and quality time. you cannot disagree with me on this. that boy would move mountains to help someone he loves or cares about (this is literally so obvious). he could sit there in silence with the person he loves and appreciate it either way because to him, just being able to be around them after many many years of loneliness and being secluded it's what truly matters
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fenkko · 1 year
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cant believe i reached 30 tags in prev post rambling about homestuck i didnt even know there was a limit
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mantisgodsdomain · 4 months
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Finally, we get the opportunity to put our Spy Cards worldbuilding in a work. Though there are many questions about such things as "regulation" "how these cards are printed" "who approves a single spy card", and so on, we are here to present a bold new take: this game is based like 60% on obscure roach memory-reading tech that got turned into a card game with absolutely No card-game-related intentions included in the original tech and most of the card vetting is just from the fact that there aren't too many card printers out there and most of them make cards that need to be translated from Roach.
Strictly speaking, as a card game, it is not a terribly good or well-balanced one. It's popular primarily because of a mix of the difficulty involved in getting the data for high-level cards, the fun of seeing the variety of monsters that can be brought to the table, and the incredible amounts of ham and drama that goes into specifically the professional scene.
#we speak#bug fables#bold and new because we think that only maybe three people have even asked questions about the semantics ofc#notable points: professional spy cards is an entirely different thing from competitive spy cards#and the overlap between fanbases means that there is occasionally some REALLY incomprehensible beef about deck composition#also every time that carmina uses astotheles' card in one of her decks she has to pay him royalties#this is because he approached her personally about it. it was an Experience.#the roach tech thing also means that like a decent chunk of high level spy cards players know like. a handful of words in roach#competitive spy cards is generally smaller than professional and involves shit like actual deck composition and like#trying to get ahold of That One OP Card so that you can utterly crush people at the local tournament. actual card geek shit.#professional spy cards is basically wrestling in card game form and does NOT optimize the decks very well#because 99% of the draw of PROFESSIONAL spy cards is that youre gonna watch a whole bunch of people roleplay elaborate storylines#while also playing a game where most professional venues will invest in tech to read card crystals and summon appropriate effects#its a spectacle sport. specifically a spectacle sport where the actual game is mostly framework for Cool Monsters and Interpersonal Drama#carmina is a heel#this might be slightly incoherent but we'll clean it up later maybe. we are taking a break from sketching comms to write rn
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todayisafridaynight · 6 months
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heph · 2 months
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Hey, I remember you mentioning on your IG something about two types of popular artists and one being good at social media and the other being good at art or something like that (I can't really remember lol). But it got me thinking, any tips for how to be good at social media? Cuz I'm certainly not even after posting art for six years lol
Heya!
What I meant by that is that there are traits that allow you to grow on social media, and traits that determine what a highly skilled artist is, and those traits do not always necessarily overlap.
I've seen so many amazing artists that post artwork that blow my head off, and yet they don't have many likes. On the other hand, some artists at the same skill level who draw more popular things will get way more attention.
That is not to say that either is the correct way to create art, but there is definitely a formula to social media that is in play.
There are a lot of posts about how to grow a social media account, particularly on TikTok, YouTube and Instagram art spheres, and imo you really need to examine what you want from your art before jumping into social media mode
The stuff you create to pander to social media might not be art that you want to create at all - I'm lucky, because I am less artist more storyteller, and what I enjoy is telling jokes and silly stories to liven up people's moods :] this, of course, conveniently does well on social media. On a personal note, I have a history of being a recluse and not connecting well with people, and art is my way of trying to communicate my feelings, one way or another.
So of course, if you draw for any reason other than my own, my approach to art and it's relation to social media might be inappropriate for you.
All that being said, if u take a look at those "get big on social media" videos they always cite the same few points... And you can look into that, for sure, but this video sums up how I feel about all that.
I spent like 20 minutes drafting words after the above paragraph, but I really ended up regurgitating sentiments from the video... So really don't listen to me, listen to that video
EDIT:
I just realised I didnt actually answer the question with my anecdotal experience, so here's a list of things I did
1. Posted like 3 doodles a day on social media
I did this for 6 months on a side account on Twitter recently and got the account to 11k followers... And I did this for 3 months on Instagram a few years ago and I think got 3.5k followers. Of course, do not spam maliciously and make sure your art is still of good quality, but for those artworks I posted quickly, I did not colour, and mostly did clean sketches. This also trains you in the matter of line confidence haha. Again, this worked for me because of my set of circumstances (love for the media, want to tell stories, simple art style)
2. Focus on my favourite aspects of media
This helps with respect to burnout - kinda hard to burnout when you love what you're making! For me, it's character interactions and comics. I want to see my blorbos kiss and if I'm not the one drawing it who will?!
3. Interact with people
People eat up work that they can interact with. A choose your own story situation, one of those like/rt to strip a character 😭 those do numbers for a reason.
Additionally, if you post stuff people love, people will respond to it with comments, maybe their own headcanons, adding on to the work... I've gone into long looong Twitter thread conversations with people who added onto my ideas that I threw up onto the screen and I think it's also a nice thing to do to respond to positive comments haha... I'm not very good at this (read: bad at communication)
I think that's the key points... Hope this helps!
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