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randomrichards · 4 years

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MOVIES (THAT MIGHT BE) WORTH CHECKING OUT IN JANUARY 2020:

January 3:

THE GRUDGE

We begin with an attempted reboot of the hit horror flick based on another hit horror film.

Based on the Japanese import Ju-On, the film centres around a curse born from a fit of anger that attacks anyone who dares to enter a house. The pale boy ghost and the contorted woman became instantly iconic, especially when they made that crackling sound. Of course, people in North America are more likely to recognize its remake The Grudge. While not on the same level as its predecessor, the American was still a hit. It has become so iconic that there was a crossover movie where it faces off against the ghost from Ringu.

This time, the target is Peter Spencer (John Cho), a real estate agent who intended to sell a house not realizing it contained the title curse. Believing a homicide occurred, Spencer calls on Detective Muldoon (Andrea Risborough) to investigate. But they fail to realize the curse inside dooms all who enter it with a violent and it’s coming for them.

Here’s another of a long list of Horror remakes Hollywood has been peddling in the last decade. For every good one (It, Child’s Play), there are three times as many failures (the recent ones being Pet Semetary and Black Christmas). I’m not having much hope for this one. It can still be good, but it needs a director with as creative a vision as Takashi Shimizu’s.

THREE CHRISTS

Based on The Three Christs of Ypsilanti by Milton Rokeach, Three Christs tells the real-life experiment involving three men who claim to be a certain savior.

In Michigan’s Ypsilanti State Hospital in 1959, Dr. Alan Stone (Richard Gere) conducts a revolutionary experiment where he brings together three men (Peter Dinklage, Walton Goggins and Bradley Whitford) who each claim to be Jesus Christ. He hopes to use this experiment to force them to confront their delusions. It would certainly be preferable to electroshock therapy.

A real-life story like this comes with a lot of potential. But with the director of Fried Green Tomatoes helming this project, it looks like this will be a typical biopic. This is a shame with 4 great actors working together.

January 10:

1917

Sam Mendes, the director of American Beauty and Skyfall, takes us back to World War One and hopes to enter the Oscar Race with his latest war movie 1917.

Generla Erinmore (Colin Firth) tasks young British soldiers Blake (Dean-Charles Chapman) and Schofield (George MacKay) with a difficult mission. 1,600 of their fellow soldiers are heading into a fatal trap and the two soldiers must deliver a message calling off the raid before tomorrow morning. And one of them is Blake’s brother. Racing against time, Blake and Schofield are forced to rush through enemy territory to deliver the message on time. Benedict Cumberbatch also

The film is already garnering high praise for its gripping suspense and graceful camera. It’s already garnering nominations at the Golden Globe Awards for Best Dramatic Motion Picture, Best Director and Best Original Score. It’s especially getting praise is how it makes the film look like one long camera shot following the two leads through their mission.

CHHAPAAK

All the way from India is a film inspired by real life acid attack survivor Laxmi Agarwal.

This film looks at Malti (Deepika Padukone), a woman horribly scared after an acid attack. The film follows her through her physical treatment and eventual trial. It looks like the core of the film will be her journey of emotional healing, regaining her self-worth with the help of loved ones.

Unless you know films that show Bollywood movies, I suspect this film will be hard to find for many people. Kind of a shame

JUST MERCY

Writer/Director Destin Daniel Cretton (Short Term 12) brings ups the real-life story of a lawyer who battled systemic racism to free an innocent man.

Harvard graduate Bryan Stevenson (Michael B. Jordan) heads to 1980s Alabama to assist advocate Eva Ansley (Brie Larson) to defend those wrongfully convicted. His first and most important case is Walter McMillian (Jamie Foxx), who was sentenced to death for the notorious murder of an 18-year-old girl despite evidence proving his innocence including a group of people who could vouch for him.

As Stevenson works prove McMillian’s innocence and those of other death row inmates, he faces up against an uncaring political maneuvers and systemic racism. But neither he nor Ansley will let this stop them.

Audiences love and underdog story and this one is sure to satisfy, especially with Jordan, Larson and Foxx starring in the film. It’s also sure to offer some catharsis for those frustrated with current systemic racism. But this could by a typical biopic forgotten by the end of the year.

January 17:

BAD BOYS FOR LIFE

I’m going to be brief because I don’t think we’re going to get anything special from this movie. This film is pretty much a checkmark of every plot element you see in every Buddy Cop movie. Cop considering retiring. Check. One last job? Check. Training arrogant young upstarts? Check. A forever disapproving superior throwing a tantrum of our heroes. Check. It doesn’t matter how flashy the trailer is, a cliché is a cliché.

But then again, the original two film were also piling of buddy cop clichés. The only thing they had going for them was Will Smith’s charisma and Martin Lawrence’s over the top delivery. Only the second movie was memorable thanks to some well shot, over the top action scenes. But I highly doubt this one will be memorable when Michael Bay has backed out of the film.

We don’t really need another Bad Boys movie, especially when we have the Fast and Furious series and the John Wick movies.

DOLITTLE

The famous physician who can talk to animals returns in a new reboot. This time the Doc is played by Robert Downey Jr, fresh from retiring his iconic role of Tony Stark after 10 years. It also looks like it will be going back to its roots as a fantasy story set in the Victorian era. There’s not much plot summary to go on, but judging by the trailer, it will have him setting sail on an adventure alongside his animal friends. At the core of the film seems to be his friendship with two kills. Also, among the cast are Jessie Buckley as Queen Victoria and Antonio Banderas as a pirate.

There is an all-star cast voicing the animals, including Tom Holland, Emma Thompson, Ralph Fiennes and Rami Malek just to name a few.

This film seems to rest its shoulders on Robert Downey Jr, hoping his charm will do for Dr. Doolittle what he did for the Marvel Cinematic Universe. But the film lives and dies on writer/director Stephen Gaghan, who is an unusual choice for a family fantasy considering that his resume consists of gritty war movies like Syriana, Traffic and Rules Engagement and crime drama tv shows like The Practice and NYPD Blue. He’s even written for the video game Call of Duty: Ghosts. It’s strange that someone with this resume would be chosen to reboot this franchise. It’s especially risky considering the original attempts to adapt Hugh Lofting books for the big screen. But if Martin Scorsese can make Hugo, there’s a chance Gaghan can make Dolittle work

The first one was a musical that tried to bank on the Sound of Music’s success but was an epic flop. It didn’t help that lead actor Rex Harrison was a notoriously difficult drunk who couldn’t sing. In fact, his behind the scenes shenanigans were way more interesting than the actual movie as proved by Mark Harris’ non-fiction book Pictures at a Revolution. Decades later, 20th Century Fox reboots the franchise was a hit thanks to Eddie Murphy as the title character and a variety of comedic voice actors (especially Albert Brooks, Chris Rock and Norm McDonald) voices the animals. No matter the quality, there’s a weight of nostalgia for both movies with many people growing up with these movies. This film will face the challenge of pushing past the nostalgia.

WEATHERING WITH YOU

From beloved anime writer/director Makoto Shinkai comes another romantic fantasy about two teens.

Teenage boy Hodoka (voiced by Kotaro Daigo) runs away from his isolated island home for Tokyo. Homeless and desperate, Hodoka takes a job as an assistant for journalist Keisuke Suga (Sun Oguri). His job involves finding “The Sunshine Girl”, a local teen girl who can control the weather. He soon finds her in Hina Amano (Nana Mori), a cheerful teen girl living with her brother. He is in awe with her power when she freezes the rain and love soon sparks. But messing with nature comes with a price and soon Hodoka and Hina are fighting to stay together.

Of all the movies on this list, this is the one I’m most excited to see. Once I saw his recent his Your Name, I was in pure awe. Never has a sunset looked more beautiful than in Shinkai’s anime. Every environment in Shinkai’s films enchant you with their vibrant colours and stunning details. Just as beautiful are his fantastical stories of young people growing up. At the core of each story is teens in love kept apart by unusual circumstances, whether it’s distance or time or even being in each other ‘s bodies.

This film’s already a major hit in Japan, which is very encouraging for anime fans.

January 24:

COLOR OUT OF SPACE

And now for something a little weird.

Nathan Gardner (Nicholas Cage) has moved his family to a remote farm to escape city life and live a life of peace and quiet. Then God was like “LOL No!” and sends an asteroid down their way. Then weird shit starts happening, most with colours mutating everything.

With a crew like this, you know you’re getting into some crazy shit. First, the film is based on a short story by H.P. Lovecraft, the inventor of cosmic horror and the man who gave us Cthulhu. Then there’s co-writer/director Richard Stanley, known for his odd genre flicks including Hardware and Dust Devil.[i] And then there’s Nicholas Cage, whose as well known for his scenery chewing Kabuki acting as his acclaimed Oscar-nominated roles. Last year, writer/director Panos Cosmatos found perfect use of Cage’s Kabuki acting in the ultra-stylized revenge masterpiece Mandy. Let’s be honest, the only types of films Cage’s Kabuki acting can work are either stylized, unintentionally hilarious or tongue-in-cheek. With the producers of Mandy working on this film, there’s high hopes it will be deliver on the stylized goods.

THE GENTLEMEN

After remaking Aladdin (and making lots of money in the process), director/writer Guy Ritchie returns to his roots with his latest English crime comedy The Gentlemen.

From what I can gather, the films about an American Pot Dealer (Matthew McConaughey) who plans to sell off his Empire in London when a young gang led by Dry Eye (Henry Golding) starts a drug war. There’s not much plot to go on, but with a Guy Ritchie movie, the plot will be way too complicated to explain. What is guaranteed is that there will be lots of oddball gangsters with weird names, hilarious and gruesome deaths and shit blowing up.

The film features an all-star cast including Charlie Hunnam, Colin Farrell and Hugh Grant continuing his streak of getting his groove back by playing against type.

So far, Ritchie hasn’t made a film that’s reached the same level as Lock, Stock and Two Smoking Barrels or Snatch. For the most part, he has been unsuccessful stepping out of his comfort zone. Here’s hoping The Gentleman will bring his back on his A Game.

THE TURNING

This day concludes with a modern take of Henry James’ classic novella The Turn of the Screw.

Kate (Mackenzie Davis) is hired as a governess for care for her boss’s orphaned niece Flora (Brooklyn Prince) and nephew Miles (Finn Wolfhard). But as she cares for them in a secluded mansion, she comes to realize they are being haunted by hostile spirits. Can she protect them for what lies in the mansion?

The film has been remade multiple times, with the most acclaimed one being the 1961 classic The Innocents. This once changes it up by setting it in current times, with a notable scene of Miles creeping Kate out with drums. The film also gives some Conjuring vibes, especially with its cinematography. But it should be noted that similarity doesn’t equal copying and there could be some unique elements in this film.

There certainly is a good chance with director Floria Sigismondi will offer a unique vision. She has already directed episodes of stylized shows like The Handmaid’s Tale, Daredevil and American Gods, but she’s already well known for her stylized directing from her work in music videos. Since Marilyn Manson’s “The Beautiful People”, dilating, jittery camera work has become her trademark, working alongside artists including David Bowie, Bjork, Christina Aguilera, Katy Perry and Justin Timberlake (just to name a few).

January 27:

BEANPOLE

Here’s the film Russia hopes will be nominated for Best Foreign Language film.

Set in Leningrad in 1945, Beanpole centres on Masha (Vasilisa Perelygina) and Iya (Viktoria Miroshnichenko) struggling to trying to rebuild their lives in the ruins of a city demolished by war. At the core of film is the infertile Masha hiring Iya as a surrogate mother.

There’s not much go on, but with the film winning Best Director at the Cannes Film Festival, there’s good prospects for this film. It seems to be a character drama like Roma. Here’s hoping this film’s as quietly engaging as Alfonso Cuaron’s masterpiece.

January 31

THE TRAITOR

We conclude this with an Italian biopic about Tommaso Buscetta, the first Mafia Informant in 1980’s Sicily.

Tommaso (Pierfrancesco Favino) was a member of the Cosa Nostra. Then in 1983, half of his family is killed in a gang war. Now he intends to make them pay using the arm of the law. He knows the mob will do whatever it takes to stop him, but he’s more determined than ever. But as the trials continue, Tommaso will show the rabbit hole goes deeper than the law expected with political figures in the mafia’s pockets.

This is another film that may fall by the wayside, which is a shame because this film seems like a great biopic. It could certainly give overdue attention for director/co-writer Marco Bellocchio, who has remained a criminally overlooked director despite making acclaimed movies since the 1960s.

[i] And being fired from the Brando version of Island of Dr. Monroe.

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