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#Idk. Hope this helped
scamoosh · 5 months
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hi guyz i made a quiz abt which horror trope/theme i enjoy you are!! cws are in the description so please mind them!
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corviiids · 1 month
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in the one (1) month since i watched death note for the first time i sure have been doing a fucking posting
bonus:
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pokeberry5 · 6 months
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girl experiences gender euphoria and is immediately slammed by grief
for @litttlittt <3. this was supposed to be a portrait of caroline hill, but litta mentioned tim looking like janet when dressed as caroline and identity issues and angst and things spiraled
something about tim not knowing if he's his mother's child or bruce's or neither's.
figuring out the looks:
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i wanted janet to have that poofy 70s hair
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wonryllis · 17 days
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✶ 𝟭𝟳𝟳𝟱 (𝓥 ) SATAN'S IMAGINATION, AGENT ENHYPEN.
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. . ──𝖺𝗅𝗍𝖾𝗋𝗇𝖺𝗍𝗂𝗏𝖾𝗅𝗒, 𝗐𝗁𝖾𝗋𝖾 𝗍𝗁𝖾𝗒 𝗀𝗈𝗍 𝗍𝗁𝖾 𝗁𝗈𝗍𝗌 𝖿𝗈𝗋 𝗍𝗁𝖾𝗂𝗋 𝗐𝗈𝗋𝗄 𝗉𝖺𝗋𝗍𝗇𝖾𝗋.
﹙ 𝒘𝐞𝐛 ⭑ 𝒅𝐞𝐭𝐚𝐢𝓁𝓈. ﹚ agent!enhypen hanging on that line between act and reality with AGENT!fem!r. fluff, suggestive. wordcount`1261. アーカイブ ARCHIVE?
PLS REBLOG!!!!
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𝐋𝐄𝐄 𝐇𝐄𝐄𝐒𝐄𝐔𝐍𝐆 he feels his breath caught in a dangerously thin line between staying professional and kissing the hell out of you, your body pressed against him between the narrow shelves. he's probably at fault for blowing your cover earlier but all he can think about right now is the way the light through the windows make your glossed lips glow and your messy hair look sensual. each inhale and exhale a battle against his self-control. "do you think they noticed?" your voice sounds more tempting than ever in the low whisper you let out against his chest and heeseung swears he's fighting demons right now. "i hope not," he sighs heavy, feeling himself leaning into you, getting carried away as his conscience slowly slips and cracks. lips almost brushing when you suddenly look up, wide eyes boring into his,"i think they just walked past," unaware and painfully oblivious of what your partner was about to do to you. of how he was ready to devour you.
𝐏𝐀𝐑𝐊 𝐉𝐎𝐍𝐆𝐒𝐄𝐎𝐍𝐆 with the biggest lovesick smile ever, jay watches you act coy in your character, gently excusing yourself to the washroom. "act like you want me, but more like you love me," your soft words tingle his ear as you discreetly whisper to him just before you leave the dinner table. are you dense or are you just too professional? there is no way you think the look on his face isn't already giving away his feelings to all these people around the table you're supposed to fool. he chuckles deep and smitten as he stands seconds after,"i apologize gentlemen, but my love needs my help," excusing himself as well. with each step he takes towards you, he realizes the wicked idea you have in your wicked little brain. his heart skipping beats and blood rushing everywhere when you throw yourself at him, dragging him to bathroom with your lips hovering over his making sure the targeted people get a glimpse of it and get the wrong idea.
𝐒𝐈𝐌 𝐉𝐀𝐄𝐘𝐔𝐍 jake grins wider as your palm presses flat against his chest first and then fingers curl to mimic a gun, your tips emulating a spark of electricity through his veins, feeling the blood pump harder in his heart. "you better not take advantage of our cover to steal kisses, sim," it is crazy how he feels disappointed yet amused at the same time, you doing this right now is the hottest thing ever but you refusing to let him kiss you later is a tad bit upsetting plus you knowing he loves to do that has him dazed. "can't promis—" his breath gets knocked out mid sentence as you grab him by his tie and smash your lips together in a sloppy and short kiss. "that's is all you can have for the night, focus on the mission agent three," now that was hotter than the hottest thing you could have ever done to him, and you decide to do it right before work. oh how he wishes he had kissed back harder and show you just what you'd be missing out on later.
𝐏𝐀𝐑𝐊 𝐒𝐔𝐍𝐆𝐇𝐎𝐎𝐍 his eyes scan across your rather overly feminine dressed figure amble over to him, stance seductive and alluring in the red cocktail gown he helped you pick hours ago. "that was disgusting," he says as soon as you stop beside him. he was glad the mission was successful and he was so glad he picked this dress for you. feeling a sense of pride that he has always been the first one to see you dolled up and that he has always been your date and that he has always been gotten to take you home at the end of night. the only thing he feels jealous about right now is that while he has always been all that, it has always been the targets who get to feel you all up and who get to see your siren side showing them how it would be if you were interested in them. "well it wasn't for you anyway, mr hotshot," you bite back and sunghoon almost breaks on the verge of exposing that he'd die for it to him, for you to seduce the heck out of him.
𝐊𝐈𝐌 𝐒𝐄𝐎𝐍𝐖𝐎𝐎 the hawk-like focus sunoo had on you seemed so normal to you both, you didn't even realize when it turned into something possesive and unfitting for agents just working together. perhaps it was for the reason that you two had been paired up together for couple missions, or perhaps it was because you both trained together everyday. there was this sense of belonging you had developed, unaware of how it was changing things in your work dynamics. "your gaze is so fake, come on baby i know you can give a more sultry one, remember our practice?" sunoo speaks through the in-ears, his eyes locked with yours across the other end of the vip club, watching you try to seduce the target. the sparkle of tension crackling in the air as you held the eye contact, sunoo's ego blasting at the back of his mind knowing he's the only one who's seen the real thing. "just imagine it's me, and finish it up so you can actually come back to me,"
𝐘𝐀𝐍𝐆 𝐉𝐔𝐍𝐆𝐖𝐎𝐍 his gaze is envious and bitter, feeling his blood boil over the revelation you just made. "so you know him well?" the tone being one of grudge and spite, he continues to watch you strap on the weapons around you body. places under your dress where one would probably not have the chance to touch, unless it's him. which amplifies his jealousy to a staggering height at the realization that the target you are chasing this time probably has touched you in those places before. maybe even more than he has. the dismissive nod you respond with, makes jungwon's impatience fly through the roof, walking closer to trap you against the table where the weapons laid. "better than me?" the air thickens with implication of his words, jungwon himself is unaware what the undertone of it means. if it's how well you know him or if it's something entirely different, something that makes him want to leave kisses down your neck like he did the last time.
𝐍𝐈𝐒𝐇𝐈𝐌𝐔𝐑𝐀 𝐑𝐈𝐊𝐈 his breath is laboured as he helps you rush out the pool, your fancy dress drenched and heavy weighing you down more than he'd anticipated. quickly you both find a spot in the showers to hide, squeezing into a single booth. he's brisk and sharp, giving you a hand in stepping out your wet dress into the latex suit underneath. letting you put your weight on him, your hands holding onto his body while you undo the strings and sleeves. the possibilities of getting caught are on high alert yet riki can't find it in him to focus on anything besides you. the way you look so hot in your agent attire, your hair wet and sticking to the sides of your face making you appear so cute in contrast to you getting ready to fight men a step outside the door. he has always found it so attractive, and the thought of admitting it openly just makes him more dazed. his fingers reach out to push away the strands around your eyes and lips, thumb brushing a second longer on your lips, "i really wanna kiss you right now," he whispers into your ears, lips grazing against it softly.
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taglist ( open. ) @kangseulgithegreat @s00buwu @lilyuwon @pockyyasii @nctislifue @ashtxrie @miniature-tragedy @jayujus @brachives @thoughtsmeander2tumblingblindly @eeunoia @nxzz-skz @shawnyle @potato0579 @enhastolemyheart @belowbun @ro-diaries
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cloveroak · 5 months
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sasha's house
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lilybug-02 · 5 months
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Bribed with Chocolate. The way it should be.
Part 22 || First || Previous || Next
--Full Series--
More to come as this is a two-parter. But you know how I am with schedules.
Bonus:
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I think this was an equally possible reaction from Chara.
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arcanewebs · 28 days
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amazing episode EASILY one of my most favorite battle episodes of all time. How Ever is it insane of me to wish it went Just a little bit worse than it did. for the plot
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theswedishpajas · 9 months
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Inspo from this random short I stumbled into on youtube today
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icarrymany · 1 month
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top ten most devastating yaoi breakups
EDIT: omg please click for better quality this app sucks
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eyrieofsynapses · 4 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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little-pondhead · 2 months
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The Curse Of Hope
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Danny is in another universe. He had a reason, but he doesn’t remember anymore. He can only stare, horrified and disgusted, at the sickest city spirit he’s ever seen. Shivering and swaying with every step, core exposed, and ectoplasm leaking from wounds that are decades old. A ratty blanket was thrown over their shoulders, barely hiding the spirit’s pale grey skin and protruding black bones.
The spirit didn’t even sense him until he reached out to touch its wispy shoulders. The spirit flinched, clutching at the dozens of trinkets hanging from their neck and tucking in on themselves like they were expecting a blow.
“Oh, shit,” He swore, floating back a few feet, hands in the air, to show he meant no harm. “I’m sorry. I promise, I’m not here to steal from you.” The spirit shivered again and rolled a pearl necklace in between their fingers. A nervous habit. “Uh, I like that pocket watch? It’s very nice.”
That got their attention. They peeked at Danny, and he saw that more tattered cloth was covering their eyes, blending in with the stringy hair that reached the ground. Their blanket fluttered weakly, revealing hundreds of thousands of tiny marks etched into their skin. Scars, really. Scars that wrote out curse after curse onto the spirit’s very being. They burned with evil intent, and even reached inside the spirit’s body and wrapped around their core.
Occasionally, blinding specks of color raced across their body, temporarily erasing the writing, but it always returned quickly. He watched, a little detached, as one particular line rewrote itself across their rough forearm, drawing fresh ectoplasm like someone was writing it with a thin knife.
“Are you…alright?” Danny stuttered. A stupid question.
The spirit cocked its head. He couldn’t see their eyes, but he felt their burning gaze as they pondered the question.
“The pain of others becomes mine own.” They rasped. “The lights of the city dim as rotten wealth clogs mine veins. Magicks long forgotten have eaten mine skins, pulled mine cloak, and darkened mine skies. Helios has refused to grace mine doorstep, and the seasons of the Earth have revoked their kindness.”
Danny held his breath. It felt like he was the one with the exposed core, not the spirit.
The spirit shivered once more. “Tell mine soul, little lamb. How could this Forsaken City know peace, when it was long since ripped from mine hands?”
Shit, he needed Frostbite. And maybe Clockwork. Now.
-Or-
Danny meets the spirit of Gotham City. The villains and rogues that have plagued the city for decades are literal curses that are taking quite the toll on Gotham, and honestly, Danny isn’t sure how much longer they can hold out. The heroes seem to be doing some help, and are probably the reason Gotham made it this far, but the poor city needs help from the Realms if they want to get better.
Luckily, Danny can provide that help.
But only if he could get Gotham to leave their city behind. Because recovery is going to take a very long time.
#dpxdc#pondhead blurbs#Gotham is very lanky and tall and had dozens of necklaces around their neck#the necklaces are just cords filled with lost things the citizens have lost over the years#like bits of glass or wedding rings or hag stones made from a destroyed gargoyle#actually I have a weird picture of Gotham in my head I might draw it#it’s giving Bloodborne to me but idgaf#basically Danny meets Gotham and is trying to convince them to go with him for medical help because what the fuck#those curses are the equivalent of leaving hundreds of leeches stuck to your body for ten years#Danny is BEGGING Gotham to come with him#there’s potential for angst but if you want crack then Danny probably replaces Gotham#I think there’s already a similar fic where he becomes the new spirit of Gotham but I haven’t read all of that#anyways the Batfam are like#invasive animals that are actually helping the ecosystem recover from an even WORSE invasive species#but they aren’t supernatural heroes and they don’t understand that the issue is deeper#I’m calling this the Curse of Hope because Danny is offering hope to Gotham#but Gotham is just so tired and sick and hurt that they don’t want to risk it#they think Danny is another curse come to plague them#should he just straight up adopt the city at this point?#idk it probably depends on how it’s written#sad course is to let Gotham die. happy ending is where they are treated and returned#crack ending probably has Danny adopting the city and introducing them to his own city spirit Amity Park#oh shit is that a new ship#guys please I can’t keep doing this#Gotham City x Amity Park#how the fuck do you come up with a name for that#Burger Joints?#Wet Pavement?#bro idk I’m putting this down before I make something I might regret#low key wanna write this but like. I have so much to do
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jake sully + breeding/pregnancy kink hcs~
a bit of fluffy smut, enjoy lovelies <3
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song rec while reading: i see who you are - instrumental (björk)
• lying in each other's arms, sat not too far from the communal bonfire; you could see friends and family all around you from the secluded spot you were in
• most of the children were asleep at this late hour, but some gently sleeping babies and their mothers sat around the hearth, sharing stories with their sisters and brothers, mothers and fathers
• the dark of night contrasted with the warmth and yellowish hues from the burning embers, smiles and sleeping faces, alongside quiet laughs and chatter echoed off of the inner cave walls
• you'd felt especially restless all day, the only thought tiding you through the chores and work being this moment; sat with your head to jake's chest, nuzzled up into his neck; your face was turned ever so slightly to the side, taking in the sight before you
• usually the urge to fly, jump and run was enough to keep you distracted from this, but today the still of the little hours of the night with the steady beat of jake's heart was enough to remind you: this was home, and so was he
• the seed of hope in making it permanent had been developing as you immersed and integrated yourself more and more into the na'vi culture; your shared bond with jake only strengthening, and the yearning to share your love in new and more meaningful ways grew in your mind and heart
• looking out to the circle of na'vi huddled close together, sharing songs and stories, your eyes naturally inclined to those expecting; some mothers were yet to have their children of course, younger in stature and skin tone, their bellies swollen and full, usually their mates by their side; the sight made your heart flutter, and a small smile grace your features
• jake noticed this, of course; you'd been much quieter than usual, although the way your body relaxed into him intimated that this quiet was of no alarm - he'a merely been glancing down every so often to your form, curled up in his arms as he traced patterns on your hips and upper thighs
• your expression of an almost warm-hearted wistfulness caught him off-guard, though; usually you were asleep by now, breaths deeper and body heavier in his arms. this time your eyes were cast to the group sat about the fire nearby, your lips briefly pursing in thought only to grow back into a small smile
• using his index and middle fingers, jake ever so gently lifted your face up to his by your chin, taking in your softened sleepy features, whispering a quiet "...what's on your mind, babygirl?"
• sitting up a little further, you wrapped your arms around either side of his neck, lightly stroking the soft braid, brushing any stray hairs away from his face, behind his ears; jake's arms snaked their way around your waist, his eyes flicking up and down your form in curiosity
• you'd then proceeded to express what filled your thoughts; being human and working at the base in pandora, the probability of having any children was low. but your life was so different now; even your body was made of completely different components - all that was you was your mind, and whatever you wanted it to be was now up to you; unconstrained by human rules and physical limits
• at your words, jake made sure to listen closely; his earnest little tail flicks and swivelled ears making sure to pay attention, as you continued to express how you felt the increasing urge to have a family; and how the prospect of being pregnant was especially appealing to you
• the idea of being so claimed by someone, in such an intimate way; enough to change your whole body once more, not only for your baby, but for your mate. giving him a family, and the mutual respect and love that such a shared act represents, it made your heart swell
• jake's gently widened eyes and small open-mouthed smile only affirmed your words, giving you the confidence to continue, almost whispering your confession, "..i just...i want to have that with you, if you wanted it too...i don't have it in me to fight something so instinctual...i'd have your babies, i want them...with you."
• as you subtly began to gyrate your hips into his now slowly hardening length, jake's expression only deepened as he nodded along to you; your words almost washing over him and sending him into a trance. you wanted children, and to mother, and best of all..with him. you wanted his children
• paired with your now growing arousal, and lightly rocking your form against his, he could tell that this captivated you in more ways than one. his mind shifting from a place of pride and sentimentality, to that of lust and an intimate kind of eroticism at your proposed prospect
• he'd have no quarrel with fucking you deep, watching as you swell full with his child; jake sighed out at the thought, "ah, i see..must mean you want a daddy too, huh. a daddy and his babygirl, mmhm?", your now more desperate grinds only increased the heat between you, the proximity beginning to rile the both of you up
• "..yes..but really..w'na be a mama.." you'd let out, eyes flickering back and forth between his emerald orbs and the ground; your flustered form couldn't be masked even by the enthusiasm you showed at the idea of starting a family
• letting out a feigned-innocent hum of approval, jake nuzzled his face closer to yours, understanding what you really meant - maybe the family was in the future, but your current state: pussy wet, pupils dilated, hips circling hard into his cock, was more interested in the prospect of making the babies, rather than rearing them
• "..ahh, ok..so my babygirl wants to be a mommy, and wants mommy and daddy to make babies, am i right?..protect their family..take care of each other?..well shit, sweetheart", he'd keen, already knowing the answer through your eager nods, the little high-pitched whine that escaped your lips, and your eyebrows contorting in weakly hidden arousal
• jake was fully on board with this idea of course, but took great satisfaction in watching your squirms of pleasure at the fantasy; sliding a hand down to your cloth-covered entrance, he moved the material to the side, sliding in his swollen cock; there'd usually be more foreplay, but feeling how much of your juices were already dripping from you, he took little more time in riling you up
• making sure to be out of direct sight from those at the fire, he gently scooted both of you deeper into the shadowed corner of the cave; once fully-sheathed inside your clenching, wet pussy, jake began to gently pump in and out of you;
• hips bucking rhythmically into you, your hips matching his speed as you rode him in equal fervor; in between desperate chesty groans, jake continued to gasp out, "..ffuck..you w-want a baby, sweetheart? i'll give it to you, i'll give it...ah-ah, fffuck..",
• "so t-tight for me..must've really wanted this, hm?..mommy wants daddy's seed, deep inside, right? m'gonna fuck it nice and deep for you babygirl, don't worry..sh-shit..", as his hips pushed deeper into you, his head leaned back on the cold stone wall, eyes clasped shut from the way your pussy constricted around his pulsing length
• all the while your hushed moans echoed in his ears, as you wantonly nodded to his lustful words; knowing just how much you wanted his babies, he was going to make damn sure you got them.
:,)
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larabar · 4 months
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finding parallels
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pyralart · 1 year
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All thanks to them...
Just an idea of what Belos could be doing next episode- you might also spot some suspicious drawings hidden in there- if not... it's your loss
ID in ALT and under read more:
[ID: Comic with the character Belos from the cartoon show The Owl House, in his monster form. It takes place after the episode "Thanks to Them". Belos is back to the demon realm in his monster form. He is seen going in his cave, overhead some tubes are full of a green glowing magical liquid. He says with a distorted voice: "I will finish this"
 
Belos is kneeling on the ground, looking down at it. A green tube is planted in the ground. Belos continues: "I just need..."
 
Belos is slowly melting into the ground in a horrific manner. In the background a goopy hand is reaching down as it shows all the goop disappearing in the ground as a green glow emanates from the earth.
 
A last drop of goop is seen on the ground before disappearing completely.
 
Next panel, a hand emerges straight from the ground.
 
A grimwalker, almost Hunter lookalike, is halfway out of the ground, looking at his hand. He show signs of possession by Belos, his eyes are icy blue and some green and brown patches appeared already. He finishes: "... A proper body to work with"
 
The background turned to black. On it is written: "Right, Caleb?".
 
The next panel shows the grimwalker, currently Belos, with horns sprouting from his head. He is taking up his (Caleb's) coat from a chair, continuing: "Thanks to them, we can finally-"
 
"Do this together" He ends in the next panel, tugging on his coat and smirking menacingly as his horns fully grew out of his head.]
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daeyumi · 5 months
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i tried out procreate dreams
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noxious-fennec · 6 months
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Hands are too shaky these days
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