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#Ingenious Media
darkmovies · 4 months
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No Way Up (2024) Date de sortie : 16/02/2024 Réalisateur : Claudio Fäh Scénario : Andy Mayson Avec : Phyllis Logan, Colm Meaney, Will Attenborough
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flashfuckingflesh · 10 months
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Breathtaking, Private, and Full of Blood-Hungry, EVIL Amphibians! "The Tank" reviewed! (Well Go USA Entertainment / Blu-ray)
“The Tank” on Blu-ray from Well Go USA Entertainment! A financially struggling San Franscisco family of three learn their recently deceased grandmother had a large, secluded property on the oceanic foothills of Oregan. The coastal property was kept a secret for 30 years from the mentally unstable woman’s youngest child, the father, for reasons unknown. Rundown and off the beaten path, the vast…
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badgaymovies · 2 years
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Gold (2022)
Gold by #AnthonyHayes starring #ZacEfron, "marred by a rather uncomplicated treatment of a painfully uncomplicated premise", Now reviewed on MyOldAddiction.com
ANTHONY HAYES Bil’s rating (out of 5): BBB Australia, 2022. Rogue Star Productions, Deeper Water, Ingenious Media, Pump Metal Films, SunJive Studios. Screenplay by Anthony Hayes, Polly Smyth. Cinematography by Ross Giardina. Produced by Anthony Hayes, John Schwarz, Michael Schwarz. Music by Antony Partos. Production Design by Sam Hobbs. Costume Design by Anna Borghesi. Film Editing by Sean…
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forcedhesitation · 3 months
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the end of wyll's quest is....interesting. it was VERY cool. I thought having the archetypal fairy tale prince go "slay the dragon" was a fitting ending, I just feel like it was....a little underwhelming in some ways.
more under cut
first and foremost- I wish that it was not possible for your tav/durge to converse with ansur. I wish that it automatically selected wyll, because I simply do not think that this entire scene has as much impact if it is not wyll at the forefront of everything. which is why I also have to complain about the emperor here.
the reveal that he is balduran is.... well. I knew about this already, through accidental spoilers. Initially, I thought it was a stupid reveal. but reframing the reveal in the context of a fairy tale...well it makes perfect sense. it just FEELS a bit underwhelming and strange, because your player character is not wyll. this entire area feels like it was written with an avatar wyll in mind. and I wish that there were changes made to the companion wyll version of the game that made up for this. wyll is a character who is hugely tied to the main plot by virtue of being the duke's son. he spends the game searching for his father, while trying to deal with both mizora and the absolute. mizora is the one he sold his soul to to save the city before, the reason he was cast out. the absolute wants to destroy and steal his city. and ansur, a legendary dragon, might be his way of saving the city and getting his father's approval back. ansur had wanted to kill balduran because balduran had been infected with a mindflayer parasite, but had embraced his illithid nature rather than rejected it. I feel like there's some parallel that can be made to wyll there. in that he was othered, like balduran was, because he accepted mizora's help. ansur condemned balduran because ansur is a bronze dragon and therefore lawful good. wyll's father exiles wyll because wyll was "at best a fool, at worst a traitor," in his father's eyes and his father tolerated neither. wyll & balduran are both victims of the inflexible nature those of lawful good alignments have. they are both seen as monsters for what happened to their bodies. I wish that was emphasised a little more. like autoselecting wyll for the ansur dialogue & giving him dialogue with the emperor would have made this ending feel a little more complete, in my opinion. and it would have better demonstrated the point of having the emperor even be balduran. because that's such a fairy tale thing, the stuff of real legend! for the hero's mysterious guide to actually be some great old hero thought to be long dead. and I do think it works. it just doesn't feel as impactful if wyll is not your avatar.
I also wish this area was overall bigger & more developed. I know they redid wyll's character from EA. I know they had less time. I just. I wish that this area was as detailed as the sharran temple in act 2. it feels like SUCH a big deal, it feels like it should be bigger. especially since at lvl 12, you're just. unkillable.
but the dialogue afterwards, where he says he's in the mood for celebration and wants to make a celebratory dinner? SO CUTE!!! that man's joy is contagious!!! I could practically feel him holding back how much he just wanted to jump around with joy. and the sweet little "let's hope gale won't be too upset that I'm cooking for once and not him." I love you. you are too fucking sweet wyll. this fucking city does not deserve you. this playerbase does not deserve you. you are a true gem and I wish people saw you are just as beautiful and interesting as astarion and gale.
a cool possible scene they could add, to given wyll's questline more material IS that dinner he talks about. or preparation for it! something where he asks tav/durge to taste the food beforehand? or where your avatar can ask him about where he learned to cook, prompting him to talk about his time as the blade of frontiers? out in the sword coast on his own? this scene could easily be platonic or romantic, but be given extra options for a romantic relationship. but something like this could truly be added at an earlier point in the game too, it doesn't have to be tied to this particular moment.
but overall really cool area of the game. very cool bossfight. and a rather clever ending to wyll's quest, contrary to what his haters say. I love the commitment to the fairy tale theme. it just needs a bit more. maybe it feels more satisfying if you've romanced him. although I've heard his act 3 romance scene is currently bugged? his unromanced questline is slightly bugged (doesn't rob you of any material, though, it just replayed some dialogue for me). either way, I hope that gets fixed asap. I so badly need to experience this romanced version in my other campaign.
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scottmclayforbes-blog · 7 months
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germiyahu · 1 month
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When you try to make the legacy of the Holocaust a political favor done to Jews, you are paving the road to Holocaust denial. You're even planting nice trees on the boulevard!
To the historically illiterate Westerner, the true sincere belief is that Israel was "gifted" to the Jews as an apology for the Holocaust. This is actually a quite ingenious mental strategy to handle the cognitive dissonance of both wholeheartedly believing the society you live in was the "hero" of the story, but also that Western society is morally bankrupt and worthless.
See the West saved the Jews from the Nazis, but they also severely blundered by rewarding Jewish suffering with the state of Israel. It's clever. You can feel good about being the hero but also curse your own society for turning around and doing something that you'll argue was even worse in the long run (and they have been saying it's worse).
But then, it gets better! Since Israel is seen as an extension of Europe, and arm of European ideology and interest, it can be argued that the West had good intentions when they magnanimously decided to give Jews someone else's homeland. But they could never have predicted how brutal, how violent, how racist, how genocidal, the Israelis would end up being. You can curse the West but acknowledge it's not really their fault, because then it's not really your fault either.
All this context of the Holocaust being a "lesson to learn" or a precursor to some political reward for the Jews, that Jews have always been crafty and Westerners gullible... it's already on the precipice for those with conspiracy oriented minds. And this is already true and we've all seen it on social media. To those who think the Israel was a reward for the Holocaust, they think that the Holocaust warranted a "reward" in the first place. They can switch those around, and start thinking the Holocaust was a pretext to Israel. They can think that the Holocaust was exaggerated to wring more sympathy from the Europeans. They can think that the Holocaust was staged to trick the West into enacting the Jews' grand plan.
All it takes when you're at this point thinking of the Holocaust as transactional, is a genuine Neo Nazi, or perhaps a Hamas simp, to come along and say "Isn't it suspicious though? Don't you think there are inconsistencies? You should really check out..." and due to the coincidences and incorrect narratives that you made up in your brain, that have no basis in reality, you just might consider hearing them out.
So no, the Holocaust is not being weaponized or hijacked, for any reason. It was a historical event that happened. There are no lessons for the victims of all people to learn. There was no divine intervention or grand conspiracy to make the Holocaust about anything, or use it to bring about some political goal. You want there to be one or all of these things, because it justifies your preconceived notions about Jews.
So if a person is at this point, thinking the Holocaust was transactional, thinking that Israel was a reward, they're already on the road to Holocaust denial. And at this time in the Zeitgeist, they are way more likely than normal to go down that road, readily and eagerly. So be careful, be more cognizant if you actually care about the legacy of this genocide, about honoring its victims and its survivors and their descendants.
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A bunch of vampires spending an entire episode freaking out over an old curse chain email was ingeniously simple and exactly what I'm looking for in vampire media and I think we don't talk about that episode enough
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Rebecca Roque’s “Till Human Voices Wake Us”
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I'm touring my new, nationally bestselling novel The Bezzle! Catch me in TOMORROW (Apr 17) in CHICAGO, then Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!
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"Till Human Voices Wake Us" is Rebecca Roque's debut novel: it's a superb teen thriller, intricately plotted and brilliantly executed, packed with imaginative technological turns that amp up the tension and suspense:
https://www.blackstonepublishing.com/till-human-voices-wake-us-gn3a.html#541=2790108
Modern technology presents a serious problem for a thriller writer. Once characters can call or text one another, a whole portfolio of suspense-building gimmicks – like the high-speed race across town – just stop working. For years, thriller writers contrived implausible – but narratively convenient – ways to go on using these tropes. Think of the shopworn "damn, my phone is out of battery/range just when I need it the most":
https://www.youtube.com/watch?v=XIZVcRccCx0
When that fails, often writers just lean into the "idiot plot" – a plot that only works because the characters are acting like idiots:
https://en.wikipedia.org/wiki/Idiot_plot
But even as technology was sawing a hole in the suspense writer's bag of tricks, shrewd suspense writers were cooking up a whole new menu of clever ways to build suspense in ways that turn on the limitations and capabilities of technology. One pioneer of this was Iain M Banks (RIP), whose 2003 novel Dead Air was jammed with wildly ingenious ways to use cellphones to raise the stakes and heighten the tension:
https://web.archive.org/web/20030302073539/http://www.wired.com/wired/archive/11.03/play.html?pg=8
This is "techno-realism" at its best. It's my favorite mode of storytelling, the thing I lean into with my Little Brother and Martin Hench books – stories that treat the things that technology can and can't do as features, not bugs. Rather than having the hacker "crack the mainframe's cryptography in 20 minutes when everyone swears it can't be done in less than 25," the techno-realist introduces something gnarlier, like a supply-chain attack that inserts a back-door, or a hardware keylogger, or a Remote Access Trojan.
Back to Roque's debut novel: it's a teen murder mystery told in the most technorealist way. Cia's best friend Alice has been trying to find her missing boyfriend for months, and in her investigation, she's discovered their small town's dark secret – a string of disappearances, deaths and fires that are the hidden backdrop to the town's out-of-control addiction problem.
Alice has something to tell Cia, something about the fire that orphaned her and cost her one leg when she was only five years old, but Cia refuses to hear it. Instead, they have a blazing fight, and part ways. It's the last time Cia and Alice ever see each other: that night, Alice kills herself.
Or does she? Cia is convinced that Alice has been murdered, and that her murder is connected to the drug- and death-epidemic that's ravaging their town. As Cia and her friends seek to discover the town's secret – and the identity of Alice's killer – we're dragged into an intense, gripping murder mystery/conspiracy story that is full of surprises and reversals, each more fiendishly clever than the last.
But as good as the storytelling, the characterization and the mystery are, Roque's clever technological gambits are even better. This book is a master-class in how a murder mystery can work in the age of social media and ubiquitous mobile devices. It's the first volume in a trilogy and it ends on a hell of a cliff-hanger, too.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/04/16/dead-air/#technorealism
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turbulentscrawl · 4 months
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I just read the luca with a modern reader and it was so nice! Could we get a modern reader with Andrew?
heck yeah you can!
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-Andrew is a tougher cookie to crack on this one because he acts like he super does not give a fuck. But, er, he acts like he doesn’t give a fuck about a lot of things. That’s kind of his go-to for new arrivals. He’ll do a bit of mocking maybe, but otherwise he just observes them, scowling, trying to judge their character from a distance.
-Your saving grace is how the other people in the manor will react to your arrival. Because, while there are some good eggs like Luca, there’s obviously going to be some extra distrust and apprehension around someone from a whole different era. You have very different educations, mindsets, opinions…things like that would get people labeled as a heretic or witch in most of these peoples’ times. If Andrew sees you being treated like you’ve already done something wrong just by existing, it endears him to you just a tiny bit. Just enough to give you an opening.
-Maybe someone says something to you at dinner—we all know Andrew’s sensitive to the word “monster”—or heaven forbid even breaks something that got brought along from home. Well, obviously you’d be upset. And Andrew can’t resist taking offense on your behalf. He’s not likely to do anything for you in the moment, but he makes a mental note. And the next time you see Andrew alone, even just passing each other in the hall, he’s…nice? Nice for Andrew’s standards, anyway.
-And after that he seems to curb with attitude with you more. It’s still a bit of a stretch to call him friendly, but it’s clear he’s making some effort towards correcting that. He stands by you more, sits near you at meals, close enough that he can hear you whenever you talk even if you’re quiet. He doesn’t say much himself, but the eye contact has to count for something! He’s listening, even if no one else is.
-After a bit, he takes some interest in your phone. It’s a really big leap in technology for him, so don’t expect much in the way of understanding from him. Teaching Andrew cellphone terminology is ten times worse than teaching your grandma how to send an email. But, uh, he thinks your magic rectangle is…nifty? Definitely not monster-ish at all.
-If you have media saved to your phone, 85% of the time he’s not a fan. He doesn’t understand modern humor at all, thinks animated shows look weird, and so much of our culture in general is overstimulating to him. Some of the music is alright, though. The calming stuff. Low-Fay? Is that it?? He thinks texting seems very handy, too, and would nose through old conversations with your friends and family if you gave him half a chance. Yes, it’s kind of an invasion of privacy, but it helps him feel a little more connected to you, to the life you had. If you ever express sadness at not being able to text anymore, he’ll take a page from Victor (baddumtss) and start slipping you written notes more often. That’s a little like texting, isn’t it? Wick is pretty fast on the delivery, too.
-He likes to use the flashlight on your phone and call Kreacher “obsolete” because fuck that guy.
-If you, for some reason, have light-up shoes…he’s lowkey enamored. Andrew is so used to getting around at night, digging those stupid tunnels despite being claustrophobic, and it’s such a hassle to have to carry a lantern and try to dig at the same time! …but your shoes have lights on them? Ingenious. Just, uh, maybe Luca can make them a little brighter?
-Yoga pants and skin-tight muscle shirts are the bane of his existence. It leaves nothing to the imagination. Are you doing this to him on purpose? Teasing him?? What do you mean that’s normal casual wear??? Put on a cloak!
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boywifesammy · 10 months
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me up at 3 am thinking about how spn writers coded sam winchester as a genderqueer SA survivor using ingenious metaphorical plotlines that evaded early 2000’s media guidelines and the only people who understand this are the crazies on tumblr that want to cannibalize the main characters
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aspoonofsugar · 8 months
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Oshi No Ko - A Family Of Stars
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I caught up with Oshi No Ko, so here are some opinions and meta thoughts.
AN INVERSION OF NAOKI URASAWA'S MONSTER
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Oshi No Ko and Monster are 2 very different stories, but some plot elements and conflicts are similar:
Monster is the story of a surgeon, who must track down a serial killer whose life he has saved. This monster is one of 2 twins and the story deals with the brother and sister uncovering their past
Oshi No Ko is the story of a doctor, who is murdered and reborn as his favourite idol's child. Together with him there is a twin sister and they must track down the killer of their mother. The series leads the twins to find closure with their previous selves, so they can embrace a new life
In short, in both series there is a pair of twins and a murderer. It is just that in Monster the twins have no memories nor sense of selves, while in Oshi No Ko they have too many memories and baggage.
Finally, in Monster the characters must uncover the truth behind Johan, while in Oshi No Ko they must find out who Ai really is. The former is about understanding a monster, whereas the latter is about empathizing with a goddess.
(A)IDOL
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The invincible smile that tears up the media Wanna know her secret, so mysterious Even the things she lacks end up in her area Such a perfect liar, you are: [Miss] ingenious, godly idol (You're my savior, you're my saving grace)
In religion an idol is:
An object which represents a deity, so it can become a manifestation of the god itself
A fake god, at least in monotheistic religions, like Judaism, Christianity and Islam
So, idols are gods. And yet, they are fake gods. In particular, monotheistic religions refuse idols because they are over-simplified representations of the divine.
Similarly, people worship celebrities, but only aknowledge their simplistic personas. Actors and idols are put on a pedestal, but also objectified:
So, what'd you eat today? What's your favorite book? And if you wanna go to play, where are you gonna go? I haven't eaten at all That's a secret No matter what you ask She's elusive, evasive Yet still shining bright; Her secret: out of sight, as if visible, has the taste of honey
They aren't seen as people with complex emotions, but as blank slates fans project their feelings onto.
This is why Ai Hoshino is the ultimate idol:
Drawing everyone's eyes You are the perfect, ultimate idol Never to appear again A reincarnation of Venus With that smile, with that "I love you" You captivate everyone Even if those eyes, those words, are false They make up a perfect love (Ai)
Ai's whole self is a lie. Not because she is malicious, but rather because she lacks a sense of self:
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She is not sure of her own emotions and can't tell truth from lies. Everything is mixed and unclear. What does it even mean to love? What does Ai even want?
Ai is supposed to embody love. After all, she is associated to the Morning Star, which is called Venus, also known as the Goddess of Love. And yet, Ai's true eyes are dark:
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Similarly, the word "ai" means love, but our idol's name is written with no kanji, which makes it the Japanese transcription of the English word for eye.
Ai's name is the sound of love, but with no kanjis (no meaning) attached. Ai is an empty love with empty eyes. This is the pun she is built on.
Still, why is that so? Well, Ai's parents don't put kanjis in her name, just like they don't love her:
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So, Ai's character is defined by these 2 ideas:
I have never been loved by anyone Nor have I loved anyone else
On the one hand she was never loved. On the other hand she has never loved. Because of this, she thinks of herself as a fake.
AI (PURPLE) = AQUA (BLUE) + RUBY (RED)
Ai has stars in both her purple eyes. Aqua and Ruby instead have only 1 star each. Moreover, Aqua has blue eyes, while Ruby has red eyes. The idea is very simple. They are Ai's 2 sides:
Aqua is blue, right, mind and an actor
Ruby is red, left, heart and an idol
Together they make Ai, down to her 2 parallel careers (as an actress and as an idol). That said, the twins' foiling with their mother gets deeper:
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As Miyako highlights, both Aqua and Ruby are liars. It is just that they lie about opposite things. On the one hand Aqua hides his most positive and vulnerable side. On the other hand Ruby hides her negative feelings. Aqua always sulks, while Ruby always smiles.
Aqua suppresses his wish to love others and to be happy with them
Ruby suppresses her fear to be unloved and abandoned by those around her
In short, each twin explores one of Ai's complexes (to love and to be loved). They really are the 2 faces of Ai (love).
AQUA - THE UNLOVING ACTOR
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Aqua's story starts with Gorou Amamiya:
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Gorou is a person strongly defined by guilt, which is at the root of his backstory. His mother was a young girl, who died by giving birth to him. As a result, Gorou feels he lives at her expenses and does all he can to rectify this mistake. For example, he becomes an obstetrician, even if he really wants to be a surgeon. Not only that, but he ends up developing a saviour complex. He feels it is his failure that Sarina dies, even if her illness can't be cured and has nothing to do with Gorou's area of expertise.
So, it is really no surprise that once Ai arrives, he projects on her the 2 people he could not save:
Ai is Sarina's favourite idol and a young girl like her
Ai is a teenage mother and is desperate to give birth in secret, just like Gorou's own mother
Ai represents Gorou's chance of redemption and catharsis. He could not save neither his mom nor Sarina, but he can help Ai. She needs the kind of doctor he is and this time he can make things right. However, Gorou is negated this closure and gets killed and reborn as Ai's own son. A son, who is destined to witness his mother's death. This time again, Aqua is powerless and can't save Ai. So, the story repeats and Aqua is left broken:
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Aqua's real wish is to save people, but he keeps failing, so he chooses the path of revenge. He becomes his own antithesis.
He feels he doesn't deserve to live happily with others, but his wish to connect is too strong and he ends up forging some of the deepest bonds in the series:
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He insists he is only focused on revenge, but ends up warming up to Kana and Akane to the point he goes out of his way to support them multiple times. Even when it doesn't help his avenge quest.
This is made clear in recent chapters, as well. Aqua has decided to give up on all his bonds. He cuts ties with Akane, decides to manipulate Kana and betrays Ruby's trust. He insists he is ready to go to hell alone. And yet, even after he takes such a dark turn, he can't help, but to save Ruby:
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As Crow Girl says, this is a bad move on Aqua's side. His revenge would be easier if Ruby hated him, but he lets his true feelings out. He tries to repress his love and care for others. And yet, it keeps manifesting through the cracks of his vengeful persona. Aqua decides not to love, but he still does.
RUBY - THE UNLOVED IDOL
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Ruby's story starts with Sarina Tendouji:
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Sarina's life is doomed by her illness, which results in her parents abandoning her. Not only does she suffer physically, but she feels unloved. Despite that, she refuses to give up and laces on 2 people, who become her personal lights (stars):
Ai is the girl Sarina wishes to be. A person who is showered with love, as she shines brightly and moves freely on a stage.
Gorou is a parental substitude, as he is the only adult, who supports Sarina throughout her illness. He is even the person who stays with her, while she dies.
So, Ai and Gorou are around when Sarina's parents aren't, which is why she ends up idolizing them. Ai becomes some kind of ideal self, while Gorou becomes her first crush. The truth, though, is that they are the 2 pillars of Sarina's life.
Ironically, Sarina's make believe family becomes Ruby's real one. In particular, Ai becomes a mother, who loves her children with all her heart. This is healing for Ruby, who projects her wish for love on Ai:
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It is Ai's strong emotions, which make it possible for Ruby to recover from the loss of her mother:
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Ruby pursues the career of idol earnestly to become a star who never lies. And yet, she keeps lying to herself, as she refuses to confront Sarina's past. This negation is why her reaction to Gorou's death is so strong. This discovery becomes a catalyst for all of Ruby's negative feelings:
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Ruby becomes her own antithesis and starts to climb up high through manipulation and lies. It is implied she weakens her relationships and later on she enters a violent fight with Aqua, which breaks their bond.
And yet, when Ruby hits rock bottom and confronts the painful truth that her parents have abandoned Sarina, it is Aqua who comes to her rescue:
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Even if Ruby breaks their relationship and is prepared to live without trusting anyone anymore, she is still loved. The girl who fears rejection and abandonement is loved even in her darkest moment.
IDOL + FANS = MOTHER + CHILDREN
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Aqua and Ruby are opposites. Aqua is scared to be loved and can't let go of Gorou. Ruby is scared to be unloved and can't face Sarina. And yet, they are also the same. Both project their deeper issues on both each other and Ai.
Gorou's feelings over his mother are projected on Sarina. Similarly, he projects his feelings for Sarina on Ai
Sarina's feelings over her mother are projected on Gorou. Later on, she decides to become like Ai because of her promise to Gorou
In short, Gorou wants to protect Ai because of Sarina and Sarina wants to become like Ai because of Gorou. As a result, Ai ends up as the object of their fantasies and wishes. A real godly idol.
Obviously, Gorou and Sarina's feelings towards Ai grow deeper and more complex as they are reborn as her twins. Slowly, their relationship goes from that of idol and fans to that of mother and children.
So, Aqua and Ruby's story is about overcoming the idealization of Ai. Both as fans towards their favourite idol and as children towards their mother. After all, isn't a mother their child's idol?
SUSANOO, AMATERASU AND MARIA
Among other things, the theme of idolisation is conveyed through the religious motif of the Hoshino Family.
Even the flowing sweats are beautiful Aqua These eyelids that hid the Ruby within
The lyrics reference the legend of Susanoo and Amaterasu:
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According to tradition, the 3 god siblings Susanoo, Tsukuyomi and Amterasu are born from the creator god Izanagi. as he washes his face in a river. Tsukuyomi (Moon Goddess) is born from Izanagi's right eye, Amaterasu (Sun Goddess) from his left eye and Susanoo (Sea God) from his nose. In short:
Aqua is a composite version of Tsukuyomi and Susanoo. He has inherited Ai's right eye, like Tsukuyomi. However, the opening associates him to his mother's sweat, like Susanoo is born from Izanagi blowing his nose. Finally, his name links him to the sea
Ruby alludes to Amaterasu. She has inherited Ai's left eye, the opening links her to her mother's eyes and she herself mentions the goddess
This reference loosely comments Aqua and especially Ruby's arcs.
Amaterasu and Susanoo enter a fight, which leaves the Goddess crying and depressed. She hides in a cave and without the light of the sun, the world is left in darkness. The other Gods come up with a plan to lure Amaterasu out of her prison. In particular, the God of Enterteinment Ame-no-Uzume organizes a celebration for a new bright Goddess. Amaterasu gets curious and eventually comes out from the cave, so the world gets sunlight back.
Does any of this sound familiar?
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Ame-no-Uzume is mentioned multiple times together with Amaterasu. Moreover, the characters visit the Goddess of Enterteinment's temple and they metaphorically enter Amaterasu's cave:
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What the story does is clear, right? Ruby's arc is loosely an inversion of Amaterasu's story.
The Sun Goddess enters a fight with her brother and hides in a cave, only to be rescued by the Goddess of Enterteinment. Ruby is guided by Crow Girl (who could be a composite character between Yagatarasu and Ame-no-Uzume herself) and enters a cave, where she finds Gorou's body. This leads to Ruby going through her eclipse phase, where her eyes go dark. Eventually, she is helped by her brother and she finds her inner light again.
It is possible that Aqua's story will mirror Susanoo's in a similar way. After all, the God of the Sea is famous for killing a monstrous serpent to protect a Princess and for finding a Magical Sword within the beast. This may reference Aqua's quest for revenge, who leads him to find a princess (Akane-Princess Saya) and a blade (Kana-Tsurugi). That said, it is too soon to say.
As a final note, Ruby and Aqua's fight ties into the mythological motif. After all, Amaterasu enters into conflicts with both Susanoo and Tsukuyomi. In Amaterasu and Susanoo's case, they go through a divination ritual, so that Susanoo can prove his good intentions. Susanoo passes the trial, but the aftermath leads to the siblings fighting. When it comes to Ruby and Aqua, Ruby gets angry at Aqua for betraying Ai. As a result, Aqua has to mend his bond with Ruby by revealing his past self. To do so, he proves his identity through the Ai-keychan (a divine sign). He passes the trial.
What's most interesting about these references is Ame-no-Uzume's role. The Goddess of Enterteinment is an ally of Amaterasu, but Crow Girl leads the characters towards darkness. Thematically, she may embody the darkest part of the enterteinment world, which finds fun in people suffering.
So, what about Ai? What is her religious symbolism? Let's turn to Christianity:
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Sing, dance, flutter, I am Maria — Right, lying is the most exquisite form of love
Mary is famous for having Jesus, while still a virgin. She is so perfect that God chooses her to bear his child. Similarly, Ai is an idol and is requested to be pure, so for her to have a sexual partner is out of question.
Still, Aqua and Ruby's reaction to the idea of a father is interesting. It speaks of their idealization of Ai both as her children and as her 2 biggest fans. At the same time, it betrays a wish to repress everything related to the final member of the Hoshino family.
MEPHISTO
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As @hamliet explains in her meta, Hikaru Kamiki's name means God of Light, which is a reference to Lucifer, the fallen angel turned king of hell. It is a fitting imagery for Ai's enemy. Ai is Aqua and Ruby's goddess, so her killer can only be the devil. Similarly, Lucifer betrays God and Hikaru betrays Ai.
So, what is known about Hikaru Kamiki? Only 2 things:
He was raped and forced to have a son when he was 11
He is a serial killer, who targets famous celebrities
In particular, it is probable Hikaru idolises Ai, just like his children do. As a child, he is raped by a woman, then he meets Ai and has a relationship with her. However, his unsolved trauma almost surely ends up compromising his story with the idol and he eventually kills her. Later on, he projects his feelings over Ai on women similar to her, whom he targets in a neverending cycle.
This psychological mechanism makes him the embodyment of the most twisted love possible:
He was loved wrong (he was raped)
He loves wrong (he kills women he is attracted to)
Given this premise, he is clearly going to be defeated and he will probably die in the end. Still, the way he goes down will be important for Aqua and Ruby, as it will decide their future, as well.
In general, Hikaru is probably meant to be a negative foil (a jungian shadow) to the twins, as he represents their darkest parts. In particular, it is gonna be interesting if he foils them not only on the main theme of love, but also on the theme of lies and truth.
Aqua explores the idea of lies. He hides things from others and manipulates them. At the same time, he also experiences how good beautiful lies can be (his happy life when he thinks his father died). Most of all, though, he embodies the idea that a lie can become truth and vice versa. For example, his most effective manipulation technique is to mix his true feelings with his lies. He tells Kana she is cute because he thinks so. He tells Akane he is interested in her as an actress because it is true. He manipulates both girls, but his feelings are genuine.
Ruby explores the idea of truth. She hates liars and doesn't want to lie even if it would help her become an idol faster. Still, she experiences how painful truth can be (her discovery of Gorou's body). This leads her to lie to both herself and others. In the end, though, an even more painful truth comes out (her parents do not love her). No matter how much Ruby tries to hide her feelings, truth will come out. And yet, despite how agonizing it is, truth also leads to happiness. She is devastated after seeing Sarina's mother again, but this lets Ruby and Aqua find each other as Sarina and Gorou. As a result, Ruby is now happier and stronger.
So, in which way may Hikaru foil his children here? There might already be hints:
Just like Aqua, Hikaru is a master at manipulating others with truth. After all, it is implied he manipulated his rapist's husband to kill her by revealing her infidelity. Similarly, he orchestrates Ai's death by telling an unstable fan about her pregnancy. Even when it comes to Yura Katayose, he openly tells the actress to watch her step. An open threath masked as advice.
Just like Ruby, it is possible Hikaru values truth and hates liars. This could easily tie in his backstory and explain why his relationship with Ai degenerates:
I shall lie today as well (Hey! Hey! Hey! Hey!) Hoping that one day, these words will become true (Hey! Hey! Hey! Hey!) And yet, still, (Hey! Hey!) I have been unable to tell you, and you, alone (Hey! Hey! Hey! Hey!)
Ai sees herself as a liar unable to love. This is obviously the real lie, as her heart is full of love. Still, it wouldn't be surprising if Ai's own issues exasperated Hikaru's fear to be used again. From what we know, it is probable Ai and Hikaru have feelings for each other, at a certain point. Then things go bad. What if Ai's inability to express her love and Hikaru's inability to understand lead to their breakout and eventual tragedy?
Obviously, this is all a theory, but one thing is sure. Ai and Hikaru's relationship is key for understanding their characters and their legacy to the twins. Still, Ai is already dead and Hikaru will die in the end. How can their story find a closure, then?
A WORK OF FICTION TO SHOW THE TRUTH
The climax of the series is building up towards the movie, which is gonna represent Hikaru and Ai's story.
Interestingly, Aqua is playing Hikaru, while Ruby is playing Ai. It is obvious a lot of emotional payoff rides on this. On the one hand it is gonna be a chance for Aqua and Ruby to sort out their feelings towards each other. On the other hand Kana and Akane will probably do the same, which will solve their love triangle with Aqua. (spoiler - KanaXAqua is probably endgame).
What is really interesting, though, is that the movie is set up to reveal who Ai really is. After all, the godly idol asks the director to film the real her and this request should be satisfied. Not only that, but Ai leaves her children 2 tapes whose contents are still to be shown. So, whatever Ai's legacy is, it will be made clear. This is true also for her bond with Hikaru:
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So, does Ai forgive Hikaru or not? Her children seem to believe in the latter. However, the former is probably true.
First of all, it is probable Ai realizes Hikaru is behind her murder. The stalker arrives with a bouquet of white roses, which are associated to Hikaru. Moreover, Hikaru is the only person, who knows both about the twins and the new address. Secondly, Ai shows no rage nor fear for the fan who murders her. The man is clearly a stand-in for Hikaru in the scene. Despite his actions, Ai does not lose time hating him, but spends her final moments affirming her love for her and Hikaru's children. In short, Ai possibly knows of Hikaru's involvement, but doesn't regret their kids.
Still, will Aqua and Ruby portray this in their movie? And does Aqua's revenge ride on Ai's forgiveness or hate towards Hikaru? Will the twins understand their mother?
Whatever the result, it is probable Aqua and Ruby will eventually run into their father. In particular, Hikaru is set up as a threath to the 3 main girls:
He sends Akane white roses and she is determined to stop Aqua's revenge, which may put her in harm's way
He is the thematically opposite of Kana. He embodies twisted love and twisted truth. She embodies healthy love and genuine feelings
Finally, there is several build up towards him trying to eventually kill Ruby:
He comments that Ruby is growing up beautiful
He kills Yura, who is the original first choice for Ai's role
Ruby ends up playing Ai in the movie
If this third scenario becomes true, it could give closure to all the character arcs. Ruby may empathize with Ai and forgive her father. Aqua may be given the chance to save Ruby (symbolically both Ai and Sarina) this time. Finally, the outcome may offer catharsis to Hikaru before he dies. In short, I think Hikaru is gonna die, but that the twins are not killing him. Rather, they are gonna understand their mother's feelings and survive their parents' tragedy.
A SECOND CHANCE
Hikaru and Ai's story is a sad one, but Aqua and Ruby's is gonna have a happy outcome. After all, the whole series is about overcoming death and getting second chances.
Gorou and Sarina both go past their deaths and are given brand new lives
The new B Komachi is a second chance for all its members. It is a second chance to live for Ruby, a second chance for Kana's career, a second chance to fulfill Mem-cho's idol dream. Finally, it is the second chance of Ichigo and Miyako's wish to come true
Miyako and Ichigo's love story will also be given a second chance
The movie is the director's second chance to realize Ai's wish to film her real self
In short, this theme is everywhere and it is possible the series ends with B Komachi performing in a dome, exactly as it starts. This time, though, things will go well.
Still, doesn't something feel odd? After all, if the series is about second chances, why isn't Ai given one?
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THE REAL AI (TRUE LOVE)
I think there are 2 reasons Ai isn't reborn:
1- Aqua and Ruby are Ai's second chance
The twins are Ai's legacies and will fulfill her dream for her:
Someday, surely, I will have it all in hand I am such a greedy idol Because I wish to love everybody properly in a life-sized way
Ai's wish is to reconcile her family with her idol career. She wants to love both her children and her fans. She wants it all. Well, Aqua and Ruby come to embody these 2 different forms of love:
Aqua is given a lot of focus when it comes to personal relationships. An important part of his arc is his feelings for Akane and Kana and he is not that much interested in the enterteinment business per se. In the end, he may also choose to fulfill his dream to become a surgeon
Ruby's dream is to become an idol, who shines even more brightly than Ai. Moreover, Ruby's wish is pure in how she doesn't want to lie nor to manipulate others to get there. She is right now also stepping into the role of actress, so by the end Ruby may catch up and surpass Ai in both her careers (idol and actress)
In other words, Aqua may live the love of a happy relationship and family, while Ruby may live the love of openly loving the world and people in general. Whatever the case, Aqua and Ruby will fulfill Ai's main wish which is for them to grow up healthy and happy.
2- Ai doesn't need reincarnation because she in fact does fulfill her dream
Ai wants to love both her family and her fans, which is what she does at the very end.
She remembers the stalker's name and his present. She proves to him she never took her fans for granted
She is able to tell her children she loves them and realizes she is not lying
Ah, I've said it now at last This is definitely not a lie; I love you
Ai's wish is to love and to be loved and she gets it through her twins. Aqua and Ruby feel they owe their mother something and that it is cruel they get to live a second life, while Ai doesn't. Still, they are wrong. If Gorou and Sarina were not reborn, Ai would have had a stillbirth, which would have broken her. Just by existing, they fulfill Ai's dream. They give Ai the love she so desperately craves.
By the end, Hoshino Ai becomes the embodyment of true love. True love isn't perfect. It is complicated, as people struggle and make mistakes. Still, if the wish is genuine enough, it shines incredibly bright. So does Ai, not as an idol, but as a real person (the true Ai).
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nalyra-dreaming · 26 days
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I was watching a YT video breaking down the trailer and the person mentioned that before the show, the online fandom was quite small. Is that true? And if so, what has it been like seeing it explode? The first fandom I ever got into was for a little Australian period detective show and it was so nice. It was very small and there was literally zero drama. I would imagine it would be annoying as hell to be in a nice little “coven” (if you will) enjoying all the many and varied canonical relationships within the series only for the show to open it up to people with zero media literacy screaming their fav ship is the only one true ship and this vampire character is a bad person while this other vampire is baby boi.
Well, to be frank, I wasn't "in" the VC fandom before the show, though I heard that while enduring it wasn't too big.
I had been, kinda, once upon a time. I had been around before Anne's wrath came down. (She literally had fanfictions removed, sites closed down, threatened to sue, etc etc). That was... back then. I used to be in forums, and mailing list before that. I still have fanfiction of 20 years back printed out.
Her coming down hard on the fandom threw me back, so to speak, and also reading the end of "Memnoch the Devil", which, at the time was meant to be the end to it all... broke my heart.
I stepped back from it then, for a while. You know, real life, playing WoW, studying, starting to work^^. Had a daughter :)
The love for it stayed though, I kept all my stuff.
When I heard about the show I wasn't overly impressed by the head shots (lol, I stand corrected, but I mean given Rolin's comments in the podcast at least I'm in good company^^), nor the shifts in the story that were published - because who could anticipated it being THIS?! :))))
And so I tuned in for Jacob Anderson, who I'd loved in GoT. And I was actually sold after the SDCC 2022 trailer. That trailer... hit it.
I cannot describe it.
And yes, from what I saw the fandom then exploded.
The changes to the narrative in the show however split what had already been there and what was coming in up a bit, let's put it that way. For ME this is an ingenious adaptation. They "get" it, imho. They focus on the important bits, and they dare. Just... brilliant.
For some the changes were reason to withdraw though.
It is a bit... annoying to see all the "ship wars" in this content, yes. But I get it, I've spoken about it the other day. I don't think "we" (as in most of the audience) are used to a show like this.
We are not used (anymore) to be challenged as much while watching, we are not used to a show daring to put its fingers into wounds like that. We are not used to a show going full mess wrt relationships.
We are not used to a show that dares, and does so on a level I have seldom seen.
I call this show the "show of the decade" and I stand by that. In quality and approach it is and will be.
But yeah... moralizing these characters... will fail *laughs*
They're all terrible. Killers, murderers.
I currently see none of the drama (if there is any?!), my timeline is utterly peaceful, and I do want it to stay that way. I've had my say on that. That subset can keep it.
I'm here for the brilliant mess that will be the upcoming seasons :)))
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legendofmorons · 7 months
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Beautiful day (Sky)
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Hey y'all this is the 3rd place prize from the 300 follower event. This is for @aluvslink .
Pairing : Sky x reader
Rating: G
Summary: How you get a boyfriend while on a picnic. (AKA You and Sky are adorable enough to give me cavities.)
Warnings: None
Other: If I missed anything please let me know
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You are more than happy to take the day off of questing. The others all split up into groups, leaving you and Sky to your own devices. So, of course, you ask him to hang out. (And of course, he says yes, just a little too enthusiastically.)
Which is how you two have ended up having an improper picnic in a clearing by the nearest town. With freshly bought food and a borrowed blanket, you are finding today to only get better.
Sky is laughing at the joke you just told when you feel a familiar twinge in your heart. It's the same twinge you've been trying to ignore for months. He's just a friend.
You're sure you would have seen hints if he wanted to be more than friends. So you firmly remind yourself that your feelings are not relevant here.
"You're so funny, (Y/n)." Sky says with another soft laugh.
"Thanks, Sky. That means a lot to me."
"I mean it."
"I know."
"So, tell me about your time. Ypu say you have p-hones?" He asks, thoroughly mangling the word phone.
"It's phone, and yeah, we do. They're pretty cool they let you send texts and call people."
"You can send ancient books?" He asks, brow scrunching a little in confusion.
He's adorable.
"No," You say, fighting back a laugh, "No it's more like letters. Bit they get to the other person almost immediately. "
"Oh! That's ingenious!" He says, "So if I had a phone I could send you letters and you'd get it instantly?"
"Yeah, you could. And calls are a way to talk to someone without being face to face."
"So you can hear them talk?"
"Yep! And they cam hear you!"
"What else?"
"Well, there's also social media."
"Social me-what?" He asks.
"Social media. It's a way to entertain yourself and if you don't like normal texts you an use that to text."
"Huh."
"I'll show you later."
"I'd like that."
"I do miss cars, busses, and bikes." Ypu admit, finally allowing yourself to acknowledge your sore feet.
You don't hate walking, but it's still exhausting and more than you're used to. Even if you take week long hiking trips, often three or more months of walking straight is a lot.
"What are those?"
"Forms of transportation. They came after horses and buggies."
"Oh. Are they fast?"
"They can be."
"They sound made up. I believe you! But still."
"I know. Technology keeps advancing beyond what I thought it would."
Sky just hums before he sips his drink.
"Is something on your mind?" You ask.
He looks to the clouds as if trying to decide how to answer. He sighs then.
He turns his gaze back to you.
"You know, (Y/n)... I wish we weren't so many thousands of years apart."
"Me too, Sky. What brought this on?"
He looks away again, but he does answer. "It just make things so much harder."
That's concerning. Like of course it's hard to keep friends if you live an unknown amount of centuries apart.... but still. No one else has shown this kind of worry about it.
Maybe he just think of you as a closer friend?
"Sky.... We can figure out a way to stay friends."
"That's- not what I meant."
"Sky?"
He looks back to you, his expression oddly unreadable. Of all the heroes he has one of the worse poker faces. It's endearing!
But right now, you only feel worried as his face stays unreadable.
"I had this all planned out better. I was supposed to take you somewhere nice. I was supposed to have your favorite flowers."
"Sky..." You manage, try not to get tout hopes up. "This sounds a lot like you're about to confess. "
"I am." Sky admits, reaching for your hand and settling his one on top. "(Y/n), I really like you. And I would like to ask you to date me."
"Sky!" You gasp, a giggle following his name.
"Is that a yes?" He asks, voice strained as he stares into your eyes.
"Yes!" You exclaim happily.
"You mean it? Oh, that's wonderful! But what about -"
"We've already met. That's the most impossible part of this all. We'll figure it out."
"Okay. You're right, it'll all work out. After all, I am friends with Hylia."
"If anyone else said that's I'd call them a liar."
"I know."
Sky just moves your hand and then laces your fingers together. He looks giddy as he smiles at you.
"You're so lovely." He says with a dopey smile.
"Thanks! You're not so bad yourself."
He laughs, shaking his head.
He brings your joined hands up and kisses the back of your hand.
"Let's stay here a while longer. It's a beautiful day."
And it is. It's a beautiful day, and somehow, you've gained a wonderful boyfriend in less than ten minutes.
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forcedhesitation · 2 months
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I also loved the whole 1984 theme threaded through rick's experience in the city. he struggles and struggles as winston did, but ultimately he cannot escape "big brother," because someone always catches him trying to leave. finally, after okafor refuses to shoot him, he gives up and "the long-hoped-for bullet [enters] his brain."
the imagery they use to represent this? so clever! rick holding the muzzle of okafor's gun, begging him to end his life...rick holding the bullet against his forehead...such beautifully thought out shots that are woven into rick's suffering.
I am SO eager to see how michonne's episode will play out, what they will work into her side of the story!
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achronalart · 3 months
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Was reminded (because I am kinda terrible at social media) that I ought to let people know I made an art history video about the cave art in Lascaux: How it was made; what pigments and what ingenious art tools were used (Paleolithic mouth-powered airbrushes!); and the historical development of ideas of the Paleolithic and how they were shaped by prejudices of the time.
And I bust some myths:
The cave paintings and engravings had nothing to do with hunting. The animals that people of the time hunted don't show up in the cave art.
It is very unlikely that men made that art. There has not yet been found any physical evidence of adult men in any of the decorated caves of France and Spain -- but there are numerous examples of footprints and finger-marks of smaller people, from woman-sized down to baby-sized, and groups of children alongide woman-sized footprints.
For some weird reason most of the scholarship on Lascaux identifies these smaller footprints as "adolescent boys" for no apparent reason apart from, well, sexism. The increasingly unlikely and awkward contortions made to rationalize how half-grown boy children made this magnificent art, rather than any acknowledgement that perhaps experienced adult women artists had a hand in it, feel kinda bizarre to me.
Anyway, here's my art history video. It's educational!
youtube
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joesalw · 4 months
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I have a personal theory about why Swifties are so obsessed with the TK relationship, if somebody else has already brought this up please feel free to ignore.
I’ve been a Swiftie almost since the beginning and fans have always been weirdly obsessed with her relationships. I’m a little embarrassed that I only realized this year how much her and her team feed into that parasocial speculation. A year ago, I probably would have sworn that she’s just the victim of intrusive and sexist media, but it’s been a long year. I’ve never seen anything like the obsession with the Tayvis relationship , not even with Harry Styles or Tom Hiddleston. “Regular” Swifties are making Kaylors look sane right now. Taylor’s team is definitely pushing this narrative on the public but I really believe that a lot of the intense fan stuff is happening organically and I think I know why.
I can’t count how many social media posts I’ve seen where someone has a picture of Travis at the KC eras tour in the VIP tent and then a picture in Brazil with some kind of caption about how now he gets to be in the family tent or whatever. Part of the Tayvis narrative they’ve both pushed is that TK wanted to give her a friendship bracelet and his number but she was too busy so he went on his podcast and said he wanted to meet her (I think that’s the order of events) and then she reached out to him.
Part of how Taylor has kept the parasocial relationship with her fans alive is by sparingly granting access to certain fans who are worthy enough. We saw that with secret sessions, liking and commenting on tumblr posts and then TikToks. She’s created a culture where if fans are loyal (fyi she’s used that word a lot lately), obsessed with her, and buy her merch then she might interact with them. This dynamic really feeds some people’s obsession. I remember when TS was on tumblr, people would go nuts when her little dot was green and all the drama about certain people re blogging posts for her to notice and who would get a “Taylor like.” I’m only now realizing how ingenious and cynical this is as a marketing strategy.
But anyway, the Tayvis narrative is every hardcore Swifties dream. He GOT NOTICED BY TAYLOR OMG! Essentially, he’s living their dream. It’s almost like self insert fan fiction for them.
Exactly, noticing fans who buy her stuff is a part of their marketing strategy, it encourages swifties to post about her more because everybody wants a notice from taylor swift to put it in their bio. But also, I think it’s not always her liking these stuff. Sometimes her team does that on her part too.
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