#Interview: Acey Slade

[in-death-we-fall]

Murderdolls

Love at First Sight

Metal Edge 48-11, March 2003

By Roger Lotring Photos By Eddie Malluk

(google drive link) Slipknot interview here – Stone Sour interview here

There are probably less than two hundred people at the Webster Theater. It’s Tuesday night in Hartford, CT, and the Murderdolls are in town to tutor a whole new generation on the fundamentalism of real rock ‘n’ roll. Without the vacant hype of Madison Avenue trendiness, their renascent timelessness is lost so far on the youth of a nation. But that’s about to change. They seize the stage with an adrenaline overdose that probably hasn’t happened since Mötley Crüe first molested Hollywood’s Sunset Strip over twenty years ago. The Murderdolls are glorious rock ‘n’ roll sluts in a manner desperately lost from contemporary music, and definitely lost on those two standoffish fuckers provoking the band with drunken taunting. Vocalist Wednesday 13 swings around to leap to the edge of the stage, leaning forward to dare them with confrontation. But they don’t respond—They can’t, even if they had the balls, because the kids are right in their faces. That pissed-off look in those kids’ eyes, their vehement willingness to defend their band, it’s a defining moment that marks this band as something special. For those couple hundred kids here in Hartford on a Tuesday night, they believe in the Murderdolls. Love at first fright, indeed, and it’s only a matter of time before the word spreads.

“There’s nothing better than that first time seeing a band,” enthuses guitarist Joey Jordison, recalling his own formative rock ‘n’ roll indulgences. “It’s so special, when no one else knew who the fuck they were, and they were your fucking band.” The impact of his influences–and those of the whole band, really—are just as prevalent today as they were back then. It’s obvious as the band prepares for the show with their battle cry of KISS Alive II shaking the dressing room walls. KISS, Alice Cooper, Hanoi Rocks, Twisted Sister—That is the essence of the Murderdolls. “We wanted him to come out and do ‘Twist My Sister’ with us,” guitarist Acey Slade says of Dee Snider, disappointed that he is no longer broadcast on Radio 104 WMRQ in Hartford.

Metal Edge sat down with Joey, Wednesday and Acey to discuss the Murderdolls. And while the conversation touched on numerous topics including their Beyond The Valley Of The Murderdolls debut, touring Europe, and drummer The Ghoul’s exhibitionism with two women in a crowded Japanese bar, at the heart of it were rock ‘n’ roll fans sharing their obsession with a sound that the Murderdolls are single-handedly determined to resurrect.

METAL EDGE: Where does a band like the Murderdolls fit within contemporary hard rock? Or is it more important to go against the grain of popularity? JOEY JORDISON: That was our point, exactly what you just said. The whole thing was–especially with me coming out of Slipknot—I did not want to do anything even remotely where music is right now. I wanted to come out completely different, and just create music that’s a little bit more fun, because everything right now is stagnant and stale. I think, really, the nu metal scene, where hard rock is right now, is almost like a dead scene. We wanted to be completely removed, as far as possible, from all that stuff. WEDNESDAY 13: It wasn’t that hard, either, because we really didn’t have to try. We just wrote the songs, recorded them, and didn’t think about anything outside the studio. JJ: What he was doing in the Frankenstein Drag Queens was pretty much a lot of what we’re doing now. Wednesday was one of the only people I saw in the underground scene that was doing what I was doing. That’s cool, because he doesn’t know about many bands that are out right now and really big—All that stuff that Slipknot gets lumped into.

ME: Joey, being the writer, producer, and principal musician on Beyond The Valley Of The Murderdolls, was it hard to be objective toward the songs? JJ: I was having a hard time, like is this even worth putting out or not? That’s why I wanted to get a songwriting partner. I really liked Wednesday’s voice, and the way he looked. His songs were very similar to what I was doing, but had a little darker feel to ‘em, and the sense of humor was a little bit more tongue-in-cheek. If I was not sure on something, he'd give me an opinion. If he wasn't sure on something, I'd give him my opinion. It made it a lot easier for the recording process, for sure.

ME: What's the most surprising reaction so far to the Murderdolls? What have you seen that you just kind of stepped back and said, "I don't believe I just saw that?" W13: We got a human heart given to us by a girl who had all our names carved into her arm—Even the band name. But, with me, she told me, "Well, I couldn't write your whole name, so I put a 'W' and a '13'." JJ: She's like, "I want to give you my heart, 'cause my heart belongs to the Murderdolls. Hold onto it safe, "cause I might need it back someday." And it had a picture of her and me with it in a fucking jar… W13: Floating around in the formaldehyde.

ME: To what degree has there been any moral backlash as a result of misinterpretation of your lyrics? ACEY SLADE: When we were in Germany, there was a Christian group that went around and put Show Cancelled (sic) over the top of our posters, so people won't (sic) show up for the show. I saw the shit [written] in German, and I was like, "Sold out! Right on, that means sold out!" They're like, "No, Show Cancelled (sic)." [Laughter] W13: But nothing really, really good has happened, though. We're still waiting… And hoping, keeping our fingers crossed. [Laughter]

ME: Do you think that will eventually happen? JJ: Most of that backlash stuff is an American thing. Over in Europe—actually, anywhere besides America—is way more open to the fun aspect. They see the humor in what we're doing, especially the U.K. Their type of humor kind of goes along hand-in-hand with our type of lyrics.

ME: It would seem that as far as any controversy, there's been more uproar over the "body snatching,” so to speak, of Acey from Dope. [Acey laughs] It's almost like one of those jokes: How many Dope guitarists does it take to screw in a Murderdolls lightbulb? [Laughter] JJ: Y'know, that's weird, 'cause I liked Dope. I was actually a fan of theirs. I really enjoyed them a lot, [and] thought they were great. And it was never a thing like, "Oh man, I want to get people from that band." I just hit it off well with them. Tripp was a great guy. It just came down to the time when we were going to tour, and he comes up with news that he had to go back to Static-X. Well, that's cool, but he wanted to stay in the band and play some [select] shows. I just didn't want to have a revolving door and confuse the fans. Acey was actually a choice to be in the [pre-Murderdolls] Rejects, as well, just Tripp came into the band first. Me and Acey kept in touch, so the only choice we even considered was Acey. Luckily enough, he came in and did an amazing job. He had like six days rehearsal just before we started our tour. AS: Not even. I came in on a Wednesday or Thursday. We left [the following] Monday. [Laughter] W13: Plus, me and Acey, we used to play in bands together in Philadelphia, before he was in Dope. We knew of each other, so we were into the same kind of music then. I met him back then, then when he was in Dope, I met him again and we started talking. AS: Back in ‘96 or ‘97, we were the only two guys on the East Coast with dreadlocks and eyeliner, so it wasn’t too hard for us to cross paths. So I’ve known him for years and years.

ME: From a musical standpoint, people don’t realize that what the Murderdolls are doing is very fundamental, but it’s a lot harder to learn because there’s a lot of intuitive stuff. AS: The thing is, we all have the same musical roots. For me it was like, “Alright, this part’s kind of like ‘Rock And Roll High School,’ this part’s kind of like Hanoi Rocks’ ‘Mental Beat.’” All three of us have the same point of reference. I think it would probably be a little harder from the nu metal school to come in and learn the stuff, ‘cause it would be so foreign to them.

ME: In a fatalistic kind of way, then, Murderdolls has actually been coming for a long time. JJ: Yeah, there’s been a bunch of links, but it’s not like this was just all of a sudden really formulated. It’s like, everyone knew each other in a weird, different way. We just didn’t all meet as a band until last year. But everyone knew each other through different people.

ME: But isn’t that how it’s theoretically supposed to happen if you’re going to do it right, so it’s not contrived? JJ: Exactly, man. People might think that, all of a sudden, it was just put together really quick, this little project that’s only going to be one album, and that’s it. It’s really not like that.

ME: Media comparisons have been to Mötley Crüe and the Misfits, but there’s so much more going on. Is there a predominant underlying influence behind the Murderdolls that might not be readily apparent? W13: I think we all have our different things. Me, it’s Alice Cooper, totally. And Acey, Hanoi Rocks, and Joey, KISS. I mean, it’s a lot of the same stuff, but I don’t think you can really pinpoint it al.

ME: Similarly, media focus is on Wednesday and Joey—and now Acey, coming from Dope. In all fairness, what do Ben [Graves] and Eric [Griffin] bring to the Murderdolls? AS: Well, first of all, Ben’s not Ben… He’s The Ghoul. [Laughter]

ME: Is that a capital “T” in the word “the”? AS: Yes, The Ghoul. JJ: I had the hardest time finding people that I actually wanted to bring into the band on bass and drums—Especially with drums. It took a really long time, and they just seemed to fit. I can’t really explain, but hey just brought that attitude—I guess the cockiness, in a way. Ben’s like the hardest hitting drummer that I’ve ever seen in my fucking life. He is so fucking loud. W13: I’ve played with some hard-hitting drummers, but he is so loud, and so hard. JJ: And that’s great! I mean, it drives our fucking music.

ME: But you’ve got to have that for this type of music to work. JJ: Exactly! He’s fucking great, man, as far as just slamming it home live. You can feel it. I mean, the energy is amazing that comes off that guy.

ME: Is it harder for him, in the sense that you’re a drummer, and going to be his worst critic? [Laughter] JJ: He’s cool about it. Actually, he doesn’t really even get that nervous. When I was working with him in rehearsal, I did kind of drill him, ya’ know? He did get it worse out of all the guys in the band, for sure. But he just worked his ass off, really, and he pulls it off amazing. W13: And [Eric] brings a lot of hairspray. [Laughter] AS: He brings a lot of hairspray, some good makeup products, and no less thunder. JJ: And tardiness. W13: This guy’s just really got the whole image of the rock ‘n’ roll thing down. AS: It’s kind of funny, how people ask us about the image of the band. To me, if you wake up and look the way you do, then it’s not an image. An image is something that’s formulated and calculated. We don’t have a consultant telling us, “Alright, track suits aren’t in as much as they used to be.” This is just who we are, ya’ know?

ME: But does your look empower you, as far as performing the music? If you think about it, you must feel differently than if you were going onstage wearing sneakers and levis. W13: It definitely turns something on for me when I go onstage. I mean, it definitely helps. It’s like, it turns it on. It’s just a switch.

ME: Being that Joey was responsible for pretty much all the performances on the album, how have the dynamics of these songs changed, now that you’ve got five individuals interpreting them? JJ: The album is really good, [and] I’m very, very proud of it. I think it turned out phenomenal—Actually, better than I expected. It is different, though, much more of a chemistry with the five guys, as opposed to me. Not necessarily completely different, but the vibe of the five different personalities playing some songs.

ME: Almost like the songs taking on a life of their own that they didn’t have before? JJ: Absolutely, yeah. AS: What Joey’s been really cool about is letting it become a chemistry, letting it become the Murderdolls. When I came into it late, I was looking at the CD, going, “Well, Joey played all these guitar parts.” When we sat down in the [rehearsal] room together, I was intimidated! But he was like, “Well, yeah, that’s cool, I like that accent… What do you think?”

ME: So you’ve been able to make your impact on the songs. AS: Yes, but keeping the original continuity. But it’s the same with The Ghoul, or with the other members.

ME: Are the songs continuing to evolve, even after being recorded? Watching you soundcheck “Love At First Fright,” that looked like you just stumbled across something brand new right there. W13: [Laughter] We did! That was the first time we did a different intro.

ME: How different has the reaction been in Europe than here in the United States? W13: We’ve really been touring there a lot, so we’ve built up a thing there—Especially in the U.K., man, it’s just insane. Hundreds and hundreds of kids, and they all look just like us. But we really haven’t worked it here, though, so this is like we’re just starting from the ground up. JJ: But that was kind of what we wanted to do, concentrate on everywhere else in the world first and establish the band. Those people [in Europe] really appreciate when you do that over there. Some bands, like American bands, nu metal bands, wait two years before they even go to Europe. We’re like, fuck that! And it’s already paid off. It’s only now that we are really going to start hitting America.

ME: Does it make it a little more difficult, though, having gotten such a reaction, then coming back to America? You must have known going into it that you are going to be playing to smaller audiences at first. W13: I prepared myself for it. I knew it was going to be hard. I know it’s a lot different, maybe for Joey, who’s in Slipknot. But before this, i was driving ten, twelve hours to play in front of ten people. That’s never going to leave me. I’m always used to that, so I can work an audience, whether it’s ten people, or ten thousand people, it doesn’t really matter. JJ: Doing what I do in the other band that I play in, it’s basically playing in arenas. But it doesn’t matter, man. As long as people appreciate your music, or want to come out and see you, i can still play in front of two people. AS: It’s weird, even though we’ve done dates, i still don’t feel like we’ve done a proper U.S. tour yet. And so, when we do that—probably February—I think all bets are going to be off. It’s gonna be off the hook.

ME: You’re going out with Papa Roach? Or are you going out on your own? JJ: We gotta get a (sic) on a support slot for a band, obviously bigger than us, to take the band out to a little bit wider of an audience. Papa Roach is an option, [and] there’s a couple other things that are in the works.

ME: Do you look forward to the fact that it’s going to be a challenge? If you’re out with a band that isn’t necessarily similar to what you do, you’ve got that challenge of winning over an audience. W13: We did. We did it with Papa Roach in Europe. We toured with them, five, six weeks, [and] every night…

ME: You’re getting the looks on faces, the “What the fuck is that?” look. W13: That’s exactly it. JJ: It was every night. And like, four songs in, they’d be smiling, singing the words, ‘cause our shit’s singalong. It’s so anthemic live, it’s so hard not to get into it. One of the big things about our band is that it’s a fun show. It’s fucking fun again. It’s something that’s been really missing [from music], probably like fifteen years.

ME: From that standpoint, I get it because I remember. But does the 14-year-old kid standing in front of you, wearing the Slipknot shirt get it? JJ: Good question. I think yes, by the end of the set, he does. You don’t have to be a fuckin’ brain surgeon to understand what the fuck we’re doing. But I think that’s what’s great about it. It’s simple, and it’s anthemetic (sic). The lyrics are fucking cool, and it’s not about fucking childhood trauma, or war, politics, or bullshit like that.

#if you want anything else from this scanned lemme know! #murderdolls #joey jordison #wednesday 13 #acey slade #eric griffin #ben graves #interview #metal edge 48-11 mar 2003

[lazerlustt]

#can we say fuck fuck fuckity fuck fuck? #upload #my gifs #interview #murderdolls #acey slade #joey jordison #wednesday 13 #2000s #00s #mall goth #horror punk #glam #glam rock #rock #acey lacey #joeyjord #edgelord

[lonelyvomit]

#I'm literally not even rare hunting rn I'm trying to find The Interview and keep coming across shit I don't remember seeing before #acey slade #trashlight vision #slade

[joeyslady]

October 2002.

°Backstage - Razzmatazz in Barcelona, Spain.

°Interview with Joey Jordison and Acey slade.

#joey jordison #murderdolls #wednesday 13 #acey slade #ben graves #eric griffin #wednesday13

[xx0acidicorchid0xx]

RoXXXy:  Dope Word Association:  Describe each of the following people.

Edsel Dope

Racci:  Textbook Asshole

RoXXXy:  The Virus

Racci:  Girly Drinks

RoXXXy:  Brix Milner

Racci:  Long lost twin 

RoXXXy:  Acey Slade

Racci:  Friend?

RoXXXy:  Adrian Ost

Racci:  Pee Wee Morris (do the research-hint PORKY’S)

RoXXXy:  Sloane “Mosey” Jentry

Racci:  Estranged (lazy guy who has a habit of acting really stupid so others will do it for him)

RoXXXy:  Simon Dope

Racci:  Drinking Buddy

RoXXXy: (acid_0rchid edit: the guy edsel tried to get the juggalos to assassinate)

Racci:  Wannabe textbook asshole

RoXXXy:  Preston Nash

Racci:  Straight up guy.

x , word association part of an interview with Racci Shay

#interviews #racci shay #dope #the edit with my user isnt in the actual interview but i really wanted to include it without having the fucker's name

[t4tt3r3d-t0rn]

ok so about it's paul's death. his wife said that before his death she asked for help to the other members and they didn't do anything. she said “One was playing golf two minutes away from our house but couldn’t come. Nobody else cared, nobody was involved. They told me it was my problem" what do you think about this? i obviously love slipknot and all but honestly they do seem to be those kind of people. i love them but it wouldn't surprise me if they were assholes tbh

This ones long so TL;DR at the bottom

Honestly? I think most of the band are probably dicks. I don’t know a ton about Jay, Alex, or Mike so I’m not gonna comment on them but I for sure think the rest of the band all have the potential to be assholes.

Especially Shawn, he has really thinly veiled pretentious-ness and acts like anything he creates it the best thing known to man. Joey seems like he would have a Napoleon complex. Chris and Corey seem like they would just be general womanizers and douchey guys (in the past at least, I’m not 100% sure but I think Coreys a feminist now? I haven’t looked into it). Not sure about Sid, Mick, or Jim. I don’t know a ton about Jim but he seems pretty nice.

Personally, based on my knowledge, I think Paul might’ve been the only genuinely kind og band member. He just seems like a really sweet and humble guy.

It feels like it’s pretty rare to find humble and kind musicians currently, that’s why I hold guys like Paul and Acey Slade to such a high standing. There’s a lot I tend to ignore when it comes to “idols” or “heros” but I think those two at least are really, genuinely nice and it’s not just an act to sell records or keep fans around.

It also has to do with when they’re around each other, Joey’s a good example of this. When he was doing interviews with Slipknot he would lower his voice and act super serious. But if he was doing an interview with Murderdolls he’d usually just talk normally and be giggly and just seemed more comfortable.

So, there’s a couple factors to it but over all yeah, most of Slipknot are probably assholes, like most bands

#the ‘’im getting in trouble’’ tag #ask tag

[jdrespling]

Interview with Acey Slade

Interview with Acey Slade

Empire Extreme got sit down and talk to Acey Slade Of Dope, while he was in Reading PA for the Static X Tour.

EE: How’s it going so far?

Acey: The turn out has been amazing and insane. It’s crazy that tours like this we did 20 years ago. Usually with us being 3rd on a 5 band bill, is most fans would just be coming in, but on this tour people have been coming early and seeing Dope, and…

View On WordPress

#Acey Slade #Dope #Empire Extreme #featured #Joan Jett #Misfits

[earpeeler]

Hughes & Kettner – Acey Slade Talks Gear, Misfits Reunion and Touring Misfits touring guitarist Acey Slade talks gear and life on the road in this short interview we got back at the NAMM Show in January.

#Acey Slade #Misfits

[in-death-we-fall]

Sex, Drugs and One Armed Groupies

...is gonna be the title of this since there kinda isn't one. Scans were posted by @fuckyeswednesday13 a long time ago. I really liked this article and now it's nice and easy to read (especially the columns. Ask me how much I hated the columns.) Enjoy! (drive link)

UPDATED FULL VERSION HERE

The Big Day Out. The Australian travelling musical circus that steamrolls its way around Australia and New Zealand every winter with the hottest bands on the planet flying from all over the globe to join down under’s best bands in a mayhem filled fortnight. This year’s line-up, features among others, The Foo Fighters, Queens of the Stone Age, Jane’s Addiction, Jimmy Eat World, The Hard Ons and deathglam monstrosities, the Murderdolls. So far, the Mid West (sic) based five-piece outfit have been the cream of the festival, appropriately headlining the ‘Essentials’ stage. This is the band’s first time in the Antipodes and quizzical music fans have crowded to see the much-talked about live set. With Sydney copping the biggest crowds of all the legs on the tour, the band are preparing something special. But at 3pm in the afternoon you wouldn’t know it. Most of the band are still in bed from the night before, well, actually… the week before.

The ‘Dolls have been in Sydney for five days before their Big Day Out show and not finding much to do early on in the week they’ve just been getting down to the (sic) rock’n’roll’s most popular pastime: hard drinking. Drummer ‘Big’ Ben ‘The Ghoul’ Graves and bass player Eric Griffin are recovering from last night’s binge. While singer Wednesday and guitarist Joey Jordison are recovering from the night before the night before. Acey Slade, who maintains his sobriety, but still stays out ‘til dawn, has been up since 11am and is the only one ready for the show. With the band on stage at 7:15pm, things need doing. Staggering through their beer can and ‘paraphernalia’-strewn rooms to the showers, they’re down in their van and on the way out to the Big Day Out site just after 4pm.

Situated at the same place that hosted the Sydney 2000 olympics, the festival facilities are first rate and the sell-out crowd of 52,000 festival-goers are making the most of it. The temperature’s pushing a blistering 35°C and being the middle of a drought-ridden summer in Australia, everything’s dry, dusty and cracked. It’s a good 40-minute drive from the city to the festival and the sun’s stinging in through the van windows. Not big fans of the sunlight, the Murderdolls have got their leather jackets up over their heads to avoid even the slightest hint of a tan.

In the cool, air-conditioned shade of backstage I get to sit down with Joey Jordison and singer Wednesday 13 to gind out how the band are doing after their meteoric rise over the past eight months. Joey is straight down the line, measured and professional. “This si the first Big Day Out for all of us. Slipknot have only been down here once but not that (sic) this festival. This is something I’ve really wanted to play – something I’ve wanted to do for a really long time.”

For Wednesday, this is another notch on his rise as an international rock’n’roller. “It’s awesome,” he says. “I’ve always wanted to be out on the front of a rock’n’roll band at a festival like this. After struggling doing my own band for six years I actually quit my job back in April and I’ve been touring every since. I’ve done all the things I ever dreamed about. I’ve been to Europe three times, Japan twice and here we are now in Australia and that has all been pretty much in the last six months! Holy shit we’re doing some things that some bands have never done!”

“We just checked out the videotape from the Auckland show the other day and fuck man, it was awesome!” enthuses Joey. “People are saying we are pulling the most people to that stage out of everyone. Our band has been doing really well especially since we’ve only been going for a short time. We hope that after the BDO we’ll be able to come back and do some real headlining shows down here. We are having fun though, thinking about it, we’ve never had so many days off between shows before, it’s more like the Big Day Off!”

The band wasn’t supposed to be so idle. Most overseas bands on the BDO bill play a bunch of satellite shows in various cities around the country and for a month prior, the Murderdolls had been slated to perform a Sydney show with fellow US rockers The Deftones. But with very little warning, the Murderdolls were dumped from the bill just before the show. What really pissed off Joey and the lads was a lot of the Murderdolls fans had bought tickets on the basis that the band would be playing but in the end had to watch the Deftones supported by ex-At The Drive-In chancers, Sparta.

Without much choice in the matter the Murderdolls issued a statement on their website apologising to their fans and kept trying to fly their flag with some instore appearances at local record stores. One in particular at Utopia Records, was insane. There was such a roar when the band turned up, they looked truly surprised at the number of kids who had showed up, most dressed in black and red outfits.

“Someone told us there was only going to be about 150 kids, which was supposed to be a good turn-out for Utopia records for a new band,” retells Joey. “But when we turned up there (sic) almost 500! We talked to fans and signed everything that they had. We were there for a good three and a half hours. And at the Channel V interview it was pretty much the same story. Hordes of kids that wouldn’t let us get away.”

“That’s the cool thing with our fans,” explains Wednesday. “We’re not a radio band or an MTV band with this created army of little kids which I think is more pure than being the Number One radio band or liking it because someone tells you to like it. I know that our fans are real. It is really cool to see these hordes of kids show up, they are dressed like us, they know everything about us, it is just awesome.”

Thinking further ahead fans will be please to know the band are not going to let up on the groundswell already created by the Murderdolls. “I have to go back and finish recording some Slipknot stuff,” reveals Joey. “Then we (the Murderdolls) are going to do some more touring. There’s usually a three to four month sort of break between recording and when an album comes out so we are going to tour pretty much all the way from the end of May all the way to maybe the beginning of October. Which will be good because there’ll be less sunlight at that time of year,” jokes Wednesday raising his non-existent eyebrows and throwing his arms, heavily tattooed with b-grade horror heroes, into the air.

As the hot afternoon drifts into an only slightly less simmering evening, there’s a small problem with guitarist Acey. He’s got indigestion. This amounts to a small crisis because first aid officials must follow procedure and administer the medicine. This takes two St. John’s Ambulance men on pushbikes in a five minute ride from their base at the side of the main stadium. Very un-rock’n’roll indeed.

With the gig just 45 minutes away, the boys are pacing around their trailer, having their pics taken for Hammer. Acey inside in front of the mirror still applying the last of his make-up, Ghoul is getting powdered up, Wednesday’s still with the photographer, while Joey’s nervously pacing around, in the trailer, out the trailer, back in… Eric meanwhile is ready for the stage and cracks open the obligatory bottle of Jack Daniel’s. As a Murderdolls ritual, they’re applying the slap, the band have to listen to Kiss. “Must. Have. Kiss.” stipulates Joey. “‘All American Man’! We sometimes change that to ‘All American Ghoul’,” chimes in the Ghoul.

Just 10 minutes before showtime and the long lanky frame of Ben Graves is stretched spider-like up against the dressing room wall. “I’ll be in pain afterwards,” he explains. Wednesday has by now finished his solo shots with Hamer’s photographer. The day is hot enough anyway, and under the photographers lights the heat is even more stifling. ‘Jesus, it’s fucking hot!” exclaims the frontman. “But I don’t mind… I’m a naturally dead person in front of a camera” he laughs.

More Kiss blares out from the dressing room, this time ‘Dr Love’! Then the moment comes: ground fucking zero at the Big Day Out! The band clamber into the van and head around the back way to the Essentials stage. The bottle of Jack’s being passed around as they approach the stage the band take a quick peak (sic) to see how the crow’s building up. It’s the biggest yet, taking up most of the grassy area out the back of the main stadium. Joey – who regularly suffers from pre-gig nerves as his pre-stage vomiting on Slipknot’s ‘Disasterpiece (sic)’ DVD proves in all its technicolour glory – is bricking it.

Five minutes before the band are due to hit the powerchords and the guys are milling around in the wings. Ghoul is banging on some warm-up pads and everyone is getting psyched. They’ve left the Kiss CD backstage so they have to hum ‘All American Man’ together. Then they make their way to the stage.

A couple of huge Murderdolls logos adorn the stage and in an eruption of noise and energy, the Dolls take the stage and instantly kick off with ‘Dawn of The Dead’. Jordison in black leather Gestapo hat is jumping around stage left, Acey is wailing away stage right while Eric bangs away on the bass doing his best Nikki Sixx impression, while the Ghoul wrecks the trap kit. Wednesday is the last to take the stage and screaming, “We are the dead, coming for you!” And the crowd goes fucking wild.

The kids down the front, dressed up in full glam-goth regalia, know every word and sing along fervently with the band while among the throng watching from the side of stage are some of the biggest names in the Australian music industry. Members of bands like 28 days, Machine Gun Fellatio, Cog, Jimmy Eat World, Pre-Shrunk, and Sparta all stand wide eyed and mouths agape at the outrageous rock revisionism being unleashed onstage.

By the time the band have launched into ‘I (sic) Was a Teenage Zombie’, ‘Let’s Go To War’ and ‘Slit My Wrists (sic)’, the crows know what they’re in for. Most who have showed up for curiosity (sic) sake are still hanging around, but if anything the crowd is building and everyone looks like they are right into it having fun. The intro to ‘Twist My Sister’ is a kid’s nursery rhyme ‘Old McDonald’ which gets the whole crowd singing along.

Unbelievably, some lunatic in the crowd starts throwing bangers at the stage, but the fireworks only make it as far as the front row of fans before blowing up in their faces. Wednesday tries to get the guy to quit while geeing up the rest of the crowd. “All the people down the front tell the people at the back to ‘Die Die Die… my bride!’ he yells as the band grind into the song…

Today’s set includes two new songs, and we can report that both are killer kitsch rock rippers. The first, set for legendary status is called ‘The Devil Made Me Do It… And I’ll Do It Again’ while the second is the set closer, a crowd sing along gem ‘I Love to Say Fuck’. Wednesday grabs his big black umbrella, emblazoned with the word FUCK, Eric, Acey, and Joey are going crazy, jumping up and down in unison, Ghoul is all arms and legs behind the kit while Wednesday is right down in the crowd’s face urging them to stick their fingers in the air and yell ‘Fuck!’. It looks great to watch. “It isn’t choreographed,” says Wednesday later. “Everything’s pretty much spontaneous. There are some things like we all jump on an ascent in the music or whatever but everything else is stuff that just happens on stage.”

They (sic) crowd are almost passing out from the combination of frenzied activity and the extreme heat, but still manage to scream out for more as the band leave the stage. “A lot of people don’t know that’s what drives a show,” explains Wednesday about his relationship with the audience. “You have to make fans feel part of the event and I think we do it better than anyone else.”

The band then jump back into the van for the two minute trip back to their dressing room behind the main stage. When they get back there the guys are all super hyped up. Excitedly buzzing around their dressing room, drinking beers, telling jokes. Joey is busy analysing the gig, and the BDO circus in general. He and Wednesday have got an interview to do with Australian TV scheduled for 8:45pm. It’s almost 9pm and Joey has another issue: “I want to eat! I must eat before I talk!” he exclaims. The interview is postponed for 20 minutes.

Bass player Eric is hanging around, so I grab him for a quick chat. Of all the Murderdolls, Eric seems the shyest but is probably the one most up for anything, especially if it is party related. He may only be small, (even in his Ace Frehley six-inch platforms he’s still barely average height!) but he’s a true rock’n’roller with a party attitude to match. “‘Machine Gun Fellatio’ that’s a cool fuckin’ name,” he squeaks discussing some of the other bands on the BDO bill. And he does squeak, kinda, like annoying Brit ‘comedian’ Joe Pasquale.

I bring up the fact that esteemed record producer, Nick Launey (Silverchair, INXS) was side of stage watching the show and had an interesting story to tell me about Eric. “I think I know where this is going,” smiles Eric slyly. “I met him about two years ago in LA at a party and we were all fucked up. I got dragged down three flights of stairs by my hair and he reckoned it was the biggest rock’n’roll moment of ‘00 for him. First impressions count, man.”

“It was so rock’n’roll!” Launey informs me later. “It was the launch of Orgy’s album and they had these models dressed as prostitutes lying on a bed and Eric jumps up on the bed with them, which of course you weren’t allowed to do. So the bouncers are dragging him out by his hair, kicking and screaming, down the stairs. His head was literally bouncing down each stair like a cartoon character and all the while he’s just got his middle fingers up on each hand and is yelling out ‘Fuck You!’, ‘Get Fucked!’, ‘Fuck you, mind the hair!’ Somehow he got back into the party and I asked him ‘how’s your head?’ and he just said “Whaddya mean?” - it was just so rock’n’roll!”

Eric has pre-arranged with their tour driver to take him over to the Boiler Room, where the BDO’s electronica acts are playing. He wants to see German electronic innovators Kraftwerk. “One of the bands I was in before the Murderdolls was very digital and computer based,” he reveals. “Kraftwerk don’t do a lot of live shows and I don’t think I’ll ever get the opportunity to see them again. They’re pretty important to the genre and even if I catch just 10 minutes of their set I think it will be worth coming over. A short ride through the back entrance, we arrive at the Boiler Room and manage to get in, via a bit of a labyrinth, through the backdoor and into the main arena just at the side of the stage. The Kraftwerk guys are standing robot-like in front of their computers while the huge dome-like venue is dripping with sweat from the 10.000+ strong punters who have basically been locked in the room all day listening (sic) the dance bands. We get a good vantage point but after about five minutes we’re leaving. “Jeez! That was the most boring piece of crap I’ve seen!” exclaims Eric when he gets back to the dressing room. “But it was worth going because I scored some drugs!”

Acey’s just hanging around backstage with his camera and a little doll from The Nightmare Before Christmas. He has a ritual where he takes a photograph of the doll in front of landmarks all around the world. “I have him in front of the Eiffel Tower for instance,” he says. “The other day I took a pic of him in front of the Sydney Opera House.” And with that he takes a photo of the doll sitting in front of a sign that says ‘Sleazy’. Hmmm. Odd man.

Acey and Eric are loving every minute of the Murderdolls ride. They’re both on their first trip to Australia and according to both of them it is (sic) has been “Cool as hell!” “The Gold Coast was really on,” says Eric. “It’s been kinda mellow since we got to Sydney because we’ve had four or five days off before this show so we’ve just been trying to find out what’s been going on. It’s been building gradually… and we’ve been partying a lot – maybe too much,” he adds sheepishly. Rick the tour manager – who’s passing by – agrees: “Yep, they’ve been very naughty boys – they’ve got to go to bed early tonight with no supper,” he jokes.

“He knows we’re the most dangerous band on the tour,” counters Eric. It’s a fact that seems to deter any other bands partying with the Murderdolls too. “The only band that has even reached out to us are the guys in Jane’s Addiction, in particular, Dava Navarro,” offers Acey. “He actually came out of his way to come over and introduce himself. And pretty much comes up and talks to us everyday he sees us along with the drummer, Steven [Perkins]. Everyone else is just kinda like, ‘What’s Up?’ Maybe it’s because we don’t look like we’re the most approachable band. Then again no-one has done anything to piss us off at all.”

No one may be talking to the Murderdolls but there is talk of the Murderdolls all over BDO. Most centres around their appearance with most Australian musical luminaries agreeing the band are the best dressed at the festival. One member of Aussie band the Resin Dogs even goes as far as to say, “The Murderdolls rock the wardrobe”. Acey is kinda flattered but non-plussed by the comments. “What image?” he exclaims. “This is how we are all day! Obviously we knock it up a notch for the show but this is the real thing. We don’t care if people like us as sexual deviants or not, but one thing’s for sure – they’ll fucking remember us.”

Big Ben Graves strides over to join us at the table. “Did I hear the words sexual deviant?” he announces in his deeply rounded US accent. “I’ve always been like that! Some people have a devil on one shoulder and an angel on the other – I just two devils. There is NO voice of reason!”

We ask him if he has had any interesting adventures since he’s been in Australia and then instantly regret it…

“Dude, it has been nothing but interesting adventures. For instance last night, he (indicating Eric) he almost screwed a one-armed girl!”

“She had three tits and one arm,” giggles the dimunitive (sic) bassist.

“Yeah. It was weird,” continues the Ghoul, “one of her arms was like a stump and it looked like it had a nipple on it. I must admit I almost fucked her just for the freakiness of it.”

And with that starter for 10, the Ghoul is off. He starts ranting on with these sick freak jokes that crack everyone up and inside a minute you get a window to his personality. “Our drummer is one bona fide sick fuck,” jokes Wednesday of him later. “He stills (sic) freaks us out. I’ll just look at him sometimes and say to myself, ‘holy shit, dude, what planet are you from?’”

“It was weird on the Gold Coast,” says Eric, picking up on the tour adventure thread. “The girls there were the hottest chicks I had ever seen in my life but by the same token I had never got as much shit for the way I look than I have there as well. It was like two opposite poles. At first it was, ‘hey freak, where’s the funeral?’ and the next was, ‘sit down have a drink with us.”

“As far as people looking at you weird, I found Sydney is where I got the stares,” admits the Ghoul. “Sydney sucks! Although we did have some girls staking out our hotel which was pretty funny and I did have an over-zealous fan thrown out of the bar. The guy was just touching me a little more than he should and I didn’t like it,” he says animatedly. “I was like, ‘man, don’t make me waste this perfectly good bottle of Heineken by breaking it over your head. I’ve done it before’. Eric looks at him and says, “yeah he has!” But he was on something. I remember thinking ‘I want whatever he’s on… times ten!”

“I gotta say though, the Sydney crowd today was one of the best crowds we’ve had so far,” offers Acey as he joins the throng. “It was insane. It is good for us this tour, because the kids don’t know what we are all about yet so we have to prove ourselves. By the end of the set they all had their hands in the air.”

By this time Joey and Wednesday have finished their feed and their hastily re-scheduled interview and are looking for some more mischievous fun for themselves. “First of all, I’m going to go back over to the stage we played because there are a lot of kids hanging around over there still wanting to see us,” explains Joey. “Then after that, I’m gonna go directly where ever (sic) the free drinks are at…” Suddenly, Eric’s doubled over in the doorway of the dressing room. It’s been 45 minutes since he visited Kraftwerk in the Boiler Room and the pharmaceuticals are beginning to take effect. We ask if he’s OK. “Yeah man, I just think I’m gonna spew!” he grins. The rest of the band are baiting him ceaselessly.

“C’mon chuck it up man!” they urge and all crack up laughing together.

In the middle of all the commotion Wednesday is taking a piss in the corner of the dressing room. The place is a wreck: there are empty bottles of booze, food scrapes (sic), squashed fruit, hairdryers, make-up, boots, clothes (black and red if (sic) course) and of course a giant mirror. Wednesday is actually pissing into a bottle of Corona. At the same time I am just about to pick up my freshly opened bottle of Corona from the table which is besides (sic) a now suspicious looking bottle. “Yeah I always piss in the empty bottles,” giggles Wednesday. And then I leave ‘em on the table just to piss off anyone who might want to grab some of our rider or whatever. Just be careful just to get bottles from down there in the ice box, he laughs mischievously. Suddenly the oddly warm bottle in my hand seems less than appealing…

As the clock turns 1am the only people left at the stadium are the cleaners, the roadies and the still-partying Murderdolls. Last to leave, the van is parked just outside the dressing room and all I can see through the opened door is the Ghoul chucking around a baguette, now baked hard as a rock over the course of the stifling hot day. “Look at this - it could be used as a weapon to seriously maim you!” he screams bouncing the French loaf off the wall. A post vomit Eric cracks up, as the two hold a mock baguette joust oblivious to the outside world. They eventually make off back to their hotel room in the city, but don’t hang there for too long. The weekend lights of Sydney beckon and they cruise down William street in King’s Cross, to an underground rock venue called Club 77. It’s glam night, just their crowd and they spend the wee hours of the morning hanging out with fans and getting stuck into the sauce with a vengeance. Australia has officially been Murderdolled!

Blood and Glitter

Gavin Braddeley charts the rise of shock rock

Glam is hard evidence that what goes around comes around. Long dismissed as the definitive climax of 70s bad taste, in recent years glam rock has arisen from the grave, albeit with a veil of cobwebs draped over its original dusting of glitter. Originally a violent reaction to the 60s happy fad for all things natural, worthy, meaningful and drab, glam was all about being deliberately artificial, selfish, throwaway and garish.

In the States Alice Cooper was impaling baby dolls and throwing blood bottles around the stage from ‘70 onwards culminating in the vaudeville theatrics of the ‘Welcome To My Nightmare’ album/tour of ‘76.

Back in the UK, the Glam pioneer was lame pop pixie Marc Bolan (sic), photogenic frontman with T-Rex, who caused a sensation when he took to the stage on Top of the Pops in ‘71 with glitter under his eyes, clad in what looked suspiciously like drag. Never one to miss a trick, the lizard-like David Bowie soon jumped from the hippy ship to take on his otherworldly Ziggy Stardust persona.

The older generation may have thought that smearing make-up on your face and covering your clothes in sequins made you look like a ‘pooftah’. Alice Cooper got around this by replacing Glam’s overt ‘fagginess’ with ghoulish melodrama, prompting one critic to observe that Americans were more comfortable with necrophilia than homosexuality. And then came Kiss. Gene Simmons’ monstrous blood vomiting, fire breathing ‘Demon’ persona enslaved an entire generation of US children crossing Glam’s theatricality with heavy metal machismo to create one of the most influential bands in rock music history.

W.A.S.P. and Mötley Crüe supercharged Kiss’s sleaze and violence quotient to spectacular effect in the 80s, and provide the missing link between Glam and the Murderdolls, who happily cite the back-combed bad boys as a large part of their creative DNA. The chief inheritor of the Glam tradition in the last decade, however, is cross-dressing controversialist Marilyn Manson. Bowie may have metaphorically murdered his creation Ziggy Stardust in the summer of ‘74, while Bolan (sic) died more literally in a car accident three years later, but quarter-of-a-century on, Manson used his own dark arts to conjure their spirit on ‘Mechanical Animals’, his own tribute to pop’s most decadent decade.

Dead… and loving it!

The Murderdolls’ five favourite movie death scenes of all time…

The Murderdolls are proof positive that nothing gets some folks’ creative juices flowing quite so freely as a truly delicious cinematic death scene. Joey and Wednesday have a few favourites – both carnage connoisseurs identifying the ‘74 classic power toolfest The Texas Chainsaw Massacre as the gory cream of the crop – a movie currently being remade with a certain Mr. Manson in the soundtrack composer’s chair. (As a curious aside, you never actually see the girl hung on the hook – just a shadow – but such is the film’s sordid impact that most viewers swear you do!)

Joey 1. Texas Chainsaw Massacre “The girl on the hook.”

2. Friday The 13th Part IV “When the knife comes through the bed and impales the chick.”

3. The Exorcist “When the priest is hucked out through the plate glass window.”

4. A Nightmare on Elm Street “Where the girl is getting dragged across the rooftop.”

5. Necromancy “Where a group of devils and monsters take a girl apart.”

Wednesday 1. The Texas Chainsaw Massacre “The girl on the hook.”

2. Dawn of the Dead “When the spiked ball comes down and rips the guy’s head apart.”

3. Phantasm “A silver ball hits the guy in the head and sucks out all his brains.”

4. Hellraiser “Where (sic) the end sequence where the guy is being chased by all these hooks. They attach themselves to him and rip him apart.”

5. Nightmare On Elm Street “Where Freddy rips out the guy’s veins and uses them like strings controlling a puppet.”

Schlock n’ Roll

B-movie classics that have influenced shock rockers of now and then…

Some horror movies are best watched not so much with your tongue in your cheek, as thrust firmly through it, films that by accident or design are more about fun than fear. The same could be said of numerous horror loving bands, including the Murderdolls, where an ‘everyday is Halloween’ ethos prevails. Here are a few examples of B movie blood fests which may not have won any Oscars, have been paid tribute to by schlock loving bands over the years…

Plan 9 From Outer Space (1957) It is no surprise that the mother-of-all cult movies inspired the mother-of-all cult bands, and when Glenn Danzig created a label to release early Misfits material he dubbed it ‘Plan 9’. Frequently voted the worst movie of all time with its ludicrous script, mind bogglingly bad special effects, cardboard sets, and even more cardboard artistry, Plan 9 From Outer Space is irresistibly entertaining. Directed by the cross-dressing caliph of crap Ed Wood Junior, featuring proto-goth babe Vampira and Bela Lugosi (dying of drug addiction, he was replaced mid production by a stand-in who looks nothing like him).

The Abominable Dr Phibes (1971) Featuring horror cinema’s kind of camp Vincent Price as the fiendish Phibes, avenging the death of his wife using maniacal methods borrowed from the biblical plagues, all against wonderful, strangely psychedelic sets. Also possessed of a strange psychedelic sensibility are punk pioneers the Damned, though in the 80s, lead singer Dave Vanian’s horror sensibilities took centre stage, attracting a goth following. The 80 track ‘13th Floor Vendetta’ is a classic example of the band’s game-topping which, if you listen carefully, is all about ol’ Doc Phibes.

Mars Attacks! (1996) Director Tim Burton’s tribute to the drive-in shockers of the 50s and 60s, Mars Attacks! was actually based upon a ‘62 series of bubblegum cards, discontinued because of their gruesomely graphic pictures of earthlings being exterminated by alien invaders. As such this inspiration might suggest Mars Attacks! has little by way of plot, but for anyone with a weakness for vintage schlock sci-fi it’s a true Technicolor treat. This must certainly include the Misfits and when they reformed, they did so without the blessing of founder Glenn Danzig, but with their monster movie obsessions intact – among a multitude of horror movie tributes on their ‘97 comeback album ‘American Psycho’ was ‘Mars Attacks’ (and even an instrumental coincidentally titled ‘Abominable Dr Phibes’!)

I Was A Teenage Werewolf (1957) The drive-in movies of the 50s and 60s typically featured juvenile delinquents or monsters, and this bargain-basement effort delivered both in one lurid package. Before becoming ‘Pa’ on TV’s Little House on the Prairie Michael Landon stars as a troubled teen – though when he starts growing hair in strange places, it’s more than just hormones to blame. A howl from beginning to end, Teenage inspired a number on ‘Songs the Lord Taught Us’, the ‘80 debut from drive-in movie loving ghoulish rockers The Cramps.

Murder, mayhem and a right old mess

Minging Murderdoll tales from the Big Day Out

Who is the messiest Murderdoll of them all? Wednesday: “That would be Eric and The Ghoul. They are just messy as fuck. But you know you’ve just got to get used to living with these people. We’ve been on the road since July. You live on a bus for six weeks which means you’ve got (sic) live in everyone else’s shit.”

Who is the tidy anal doll? Joey: “No-one. We’re all pretty fuckin’ messy.” Wednesday: “I just took two garbage bags of mess out of my room. And just put it in the hallway. Just full of chicken bones and beer bottles and all sorts of shit like that, it was just smelling really bad so I had to get rid of it.”

So you do that yourself? Wednesday: “I don’t let the cleaning staff come into my room and tidy up. I put the ‘Do Not Disturb’ sign for the whole week I am there.” Joey: “The housekeepers are scared shitless to come into our rooms anyway so we keep it easy for them and put the ‘Do Not Disturb” signs up the whole time. They are going to be so scared to come into our rooms and clean up after we’ve been there for a fuckin’ week!”

#metal hammer april 03 #interview #murderdolls #wednesday 13 #joey jordison #ben graves #eric griffin #acey slade #this thing is fucking 5500 words jesus christ

[in-death-we-fall]

Parallel Lives

Kerrang 923, September 28 2002

In Slipknot, Joey Jordison gets to rage. In the Murderdolls, he gets to rock. In both bands, he shits in public…

Words: Ian Winwood Photos: Roxy Erickson

Never let it be said that the Murderdolls lack the capacity to surprise. It’s Thursday night, the penultimate date of their sold-out tour of British clubs, and the band were due onstage 10 minutes ago. Getting a band like this to do anything on time is like turning an oil tanker around, so they’re running late. Which means that the 500 people packed inside Bristol’s Fleece club are just going to have to wait.

Joey Jordison, on the other hand, cannot wait. Opting to change from ugly-men-without-make-up to ugly-men-with-make-up not in the venue’s intimate and inaccessible dressing room, but in their tour bus, the Murderdolls have, for the past 45 minutes, been saying “Excuse me” and “Could you pass the hairspray/lipstick” and getting dressed into stage clothes that have seen less washing powder than the Turin Shroud. It’s like playing Twister with Max Factor.

And it could be worse. Joey Jordison – five feet not very many inches tall, even in ridiculous stage boots – needs to ‘go to the toilet’, and he needs to do this in the ‘I’d leave that for 10 minutes if I were you’ sense of the term. Which is unfortunate, considering that ‘No solids shall be deposited in the tour bus toilet’ is appropriately Rule Number Two in the rock ‘n’ roll code of the road, second only to ‘Do not blow the bus driver’s brains out with a .45 Magnum as he’s hurtling down the motorway at 120 miles per hour’. For Jordison, looking quietly concerned, this is a problem. Think, think, think: what to do?

Joey Jordison decides to resolve his predicament by performing a bowel movement on the pavement, in the street.

You did read that correctly.

“Man, I just took a shit in the street,” he says, almost skipping with joy and pride.

Perhaps to celebrate such a commendable achievement, one of the Murderdolls – and, let’s be honest, aside from Joey Jordison, they all look the same – decides to smash a pint glass. The jar arcs through the air, hitting the cobbled floor with a smash that is, strangely, as satisfying as it is entirely redundant. Then another glass takes flight. Then another, then another. There isn’t much whooping and there isn’t much hollering, but there is plenty of debris.

We’re standing outside a pub, next door to the Fleece. The landlady leans out of the doorway.

“Could you stop that please?” she asks.

“Go back inside lady,” says vocalist Wednesday 13, winner of this week’s stupid name competition. “Go back inside and no-one will get hurt.”

Five minutes ago Wednesday was giving serious consideration to urinating on a Puddle Of Mudd fly poster. He decided not to because the band, as people, are “cool”.

The Murderdolls are now walking toward the stage door.

“Hey, you know about American football right?” asks Eric Griffin, the bass player. Eric has missed a part of the tour after his father died, but now he’s back. “Well in American football this is called a drop-kick.”

Eric throws a pint glass from his hand and tries to kick it. The glass spins from his boot and smashes six inches away.

He adds: “Although it’s not a very good drop-kick.”

Inside the venue, the crowd have heard the intro tape and are starting to cheer. Outside, the band are going inside.

Please welcome, from the United States of Stupidity, The Murderdolls.

The Murderdolls have a song called ‘I Like (sic) To Say Fuck’, which is just as well, because they say fuck all the time; they also have a song called ‘Let’s Fuck’ which is not just as well, if you’re the one in line, because they’re all as ugly as fuck.

Onstage at the Fleece, the band say the word so many times that if they were to keep a swearbox they could, at the end of the tour, purchase a country. So it’s, “Here’s a fucking song for you, Bristol,” and “Are you tired of hearing all the fucking shit on the radio, Bristol?”.

In case, heaven forbid, you get bored of the word “fuck”, The Murderdolls do spice it up and throw it around with the odd “motherfucker” as well. They’re inventive like that.

They’re also, on a night like this, at the very core of their element. When the album, ‘Beyond The Valley Of The Murderdolls’, is boiled down and fried up in a hateful hall before 500 loving people, you’re seeing this band as they were intended to be seen. It’s here that you can view the parts of the Murderdolls that are A Good Thing, such as the schlock-punk shtick that recalls bands such as the Misfits and the Necros. This is also the place to see the parts of the Murderdolls that are A Bad Thing, such as them revisiting the era of hairspray and shiny guitars that epitomised the glam-metal years.

The Murderdolls will try to guess a woman’s cup size by feeling her breasts. It’s worth asking: what is the point of the Murderdolls?

“Just to have some fun,” says Joey Jordison. The guitarist – for this group at least – sits in the upstairs lounge of his band’s tour bus. Adjacent to him is Wednesday. Before the tape recorder is switched on, a request is made that the whole band are questioned, but Joey, quietly, won’t allow it. Make of this what you will.

“I get all my angry shit out with Slipknot, so this is something else that I can do. And I have fun doing it. We may not be the most serious band in the world, but that doesn’t really matter. That doesn’t mean that this can’t mean something to me just the same.”

For a band that aren’t serious, by the way, Joey Jordison chose to meet this question in serious tones, and with some immediacy – ready with an answer, almost leaping in with his response.

Would you like your audience to be serious about liking you?

“Yeah, I suppose I would.”

Joey Jordison didn’t actually make an appearance today until 8pm, fearing that he’d contracted a fever after standing in the cole – straight after his band’s set – in Manchester for three hours signing CDs and body parts for his fans. Later in Bristol it would seem that this is no more than a chill, but his earlier absence means that his bandmates have to endure the mind-shrivelling tedium that is the afternoon before a show without him.

Wednesday and guitarist Acey Slade are upstairs in the Fleece’s dressing room, talking small and killing time. Wednesday is attempting to fit brown plastic holsters to his trousers, in which he can hold the blue plastic pistols that will spurt water into the crowd later tonight. Slade – the funniest and most impressive member of the band – is looking through photographs taken in Germany. He says the word “cool” a lot. Wednesday has a bastardised image of Colonel Sanders on the back of his jacket. Kentucky Fried Chicken is his favourite food, he says, with the humorous delivery of a serious sentiment. Although if he lived in England he would open a chain of fast food franchises called Kentucky Fried Fish And Chips.

Wednesday is from Louisiana (sic). Acey is from Pennsylvania.

But you’re based in Los Angeles, right?

“Fuck no,” says Wednesday.

I thought that’s where you all lived.

“We don’t really have a base,” says Slade.

Is that because you’re not a proper band?

“Fuck you,” says Wednesday.

The Murderdolls take this well. The Murderdolls, fittingly, know how to smile.

This is Joey Jordison’s band. He laughs and jokes along throughout the evening – and his humour and tolerance of a piss-taking journalist is more impressive than many – but, in subtle moments, his demeanour betrays a seriousness and focus that is hardly disguised. He is acutely aware of how he wishes to be portrayed although, strangely, he appears more concerned with visuals than words. He applies his make-up on three separate occasions for the photographs that partner this piece. The last time he has to do this, at 1am, he doesn’t appear overly thrilled. He has a quiet word with Roxy Erickson about what she can and can’t shoot (admirably, she opts not to fall in with the conspiracy).

In conversation, conversely, Jordison is almost slanderously unguarded. He wants to make it clear than our own Josh Sindell, in his review of the Murderdolls’ set at the Whisky A Go-Go, was wrong to say that Kerry King left early out of disdain, but rather had to leave for LAX airport. Then he says that while the other eight members of Slipknot were furious with K! Dep Ed Jason Arnopp for the things he wrote in his Slipknot book, this was only because they knew that what he wrote was “true”. He’ll also tell you about how he fucked-up his voice by mixing two different batches of cocaine together earlier in the tour. And how, on the road with Slipknot in America, he walked in to the Clown’s dressing room and emptied his bowels right into the rubbish bin. Right there in the room.

Why on Earth did you do that?

“Because he was fucking with me.”

Is there tension in Slipknot?

“No.”

But then he’ll say this. And he’ll say it with some joy and no disguise.

“We had more people at our gig (in Los Angeles) than Stone Sour did.”

Yeah, but Stone Sour are selling more records in America than you are.

Joey Jordison nods his head and curls his mouth into the thinnest, and cruellest, of smiles. Quietly he says, “At the moment”.

Are you sure there’s no tension in Slipknot?

“Yes.”

In the pub next door to the Fleece, there is something approaching mutiny. It’s 11:50pm, and the Murderdolls left the stage a quarter of an hour ago. Four men in their 40s are arguing about the merits – or otherwise – of the band. They all went to the show, but only half of them enjoyed it. You’ve got to move with the times, say the defenders. They weren’t even playing their instruments, say the detractors.

Listening to this is the landlord. He manages to be friendly despite glowing incandescent with fury. It was his glasses that were smashed by the band, and it was his wife who Wednesday instructed to go back inside so that “nobody would get hurt”.

The landlord also thinks the Murderdolls are the worst band ever to have performed next door. So furious he was with the incident, he confronted the Murderdolls’ tour manager and, threatening to summon the law, elicited an apology and £50 in compensation without hesitation or complaint.

Rock ‘n’ roll.

Just round the corner, the Murderdolls are milling in the street, signing autographs for the 200 people who have braved the chill and missed the last bus to talk to them. They will stay there for two hours. Then they will board the bus and, knowing nothing of the furore left behind them, sleep in their bunks and wake in another town. And there the Murderdolls will emerge to laugh and bullshit their way through another day.

#problems. all of them. #murderdolls #joey jordison #wednesday 13 #eric griffin #acey slade #ben graves #ben is only in a photo #interview #kerrang 923 sep 28 02 #if you want anything else scanned lemme know #the staples in this one were not aligned so just pay the edges of the two page photo no mind please thanks

[in-death-we-fall]

Fell In Love With A ghoul

Some people spend their whole lives searching for their soulmate. But as Murderdolls prepare to gatecrash the charts with their cover of ‘White Wedding’, Joey Jordison and Wednesday 13 explain why they’re made for one another…

Words: Dave Everley Photos: Roxy Erickson

(docs link) (Clown article x x)

Wednesday 13, frontman with the Murderdolls, is an avowed Mötley Crüe fan. He owns all 11 of their albums; he'll even defend their traditionally indefensible later, minor works with all the passion of a man who has divested large chunks of his earnings into the band's output at one time or another. He has, he estimates, read their infamous biography 'The Dirt' eight times.

    Now Mötley Crüe were undoubtedly dunderheaded arse-clowns of the highest order — and you can't help feeling that Wednesday 13, despite his unshakeable affection for the band, knows this. But they were also absolutely fantastic, if only for one particular reason: in the midst of the soulless, self-obsessed circle jerk that was the '80s rock scene, they were utterly, gloriously unique. Yes, they were as dumb as fence posts; yes, their behaviour veered between the mischievous and the truly cretinous; yes, they spawned a whole shower of shit that took years to mop up. But they were out there on their own.

It wouldn’t be inaccurate to call Murderdolls a Mötley Crüe for the ‘90s, if only for the reason that, in the midst of the soulless, self-obsessed circle jerk that is today’s rock scene, they too are utterly, gloriously unique. Whether you’re of the opinion that they’re a knowing tribute to the days when bands’ agendas extended no further than having as much fun as possible as often as possible, or simply the latest in a long line of shit-kicking party bands that began with the New York Dolls, there’s no debating the fact that they’re out there on their own as much as Mötley Crüe ever were.

And for that reason alone, the Murderdolls deserve your attention.

On paper, Murderdolls shouldn’t really exist. Or at least, they shouldn’t exist on the scale that they do. A modern day cock rock outfit put together by the drummer from Slipknot, a band who, love them or loathe them, at least managed to sneak a form of extreme metal to the top of the charts? Riiight.

Except the Murderdolls do exist, and they are successful. Their sole album to date, last year’s glam-Goth opus ‘Beyond The Valley Of The Murderdolls’, has sold 50,000 copies in the UK – half of what Slipknot sell, admittedly, but done with only a fraction of the hype the latter band has been fuelled with over the past few years. Their new single, a snarling version of Billy Idol’s ‘80s hit ‘White Wedding’ looks set to bust their B-movie indebted noise out to the masses.

In a sparse but stylishly furnished room deep in the warren of corridors that make up the West London headquarters of Sanctuary Management – handlers of Murderdolls, as well as Iron Maiden, Guns N’Roses and dozens of others – Wednesday 13 sinks into an expensive leather sofa and proceeds to empty the contents of his less expensive leather trousers onto the glass-topped table in front of him.

“Man, too many pounds in my pocket,” he says good-naturedly, his attempt at an English accent as successful as that of most visiting American musicians (that is, not at all).

Two days ago, Murderdolls played the main stage of the Download festival. They hung around the site for another 24 hours, soaking up the atmosphere and generally drinking themselves senseless. Wednesday started “partying” at three o’clock yesterday afternoon. He didn’t stop until the small hours of the morning. He woke up at eight o’clock. It’s now two in the afternoon. There’s not even a whiff of a hangover. Bastard.

“I don’t get them,” is his cheery response. “Never have.”

The Wednesday 13 sitting here, laid-back and grinning, couldn’t be further removed from the sneering, spiky, B-movie anti-hero that appears on Murderdolls records. That Wednesday 13 is a sneering, spiky B-movie anti-hero with arsenic and embalming fluid running through his veins. This Wednesday 13 is Joseph Poole, a 26-year-old Mid-Westerner who still lives in the same “tiny as fuck” North Carolina town where he’s spent most of his life and who hadn’t so much as set foot on an aeroplane until Joey Jordison paid for him to fly to Des Moines to join the Murderdolls.

He looks nothing like you’d imagine him to. He’s fleshier for a start – not fat in the slightest, but not the sunken-faced cadaver that leers out from photos. He looks younger too, though that could well be on account of the fact that he’s not made up to resemble death warmed over. Only the array of tattoos that adorn his arms – “horror movie shit” like Bela Ludosi, Linda Blair, the Bride Of Frankenstein, Herman and Lily Munster, ‘Hellraiser’ – equate the man sipping Diet Coke and beaming effusively with the dreadlocked ghoul who fronts the Murderdolls.

Actually, Wednesday 13 isn’t really anything like you’d expect him to be, full-stop. Back home in Landis, he lives in a suburban home with his longtime girlfriend and his five-year-old daughter, Zoe (“We’re like ‘The Addams Family’,” he smirks). He admits that he’s shy, that “when I talk to people, I don’t really look them in the eye” (this is true). He’s not embarrassed to admit that his relationship with his parents is “awesome – my parents were always super-cool”.

What was your childhood like? “Dude, I lived in a trailer until I was 13 years old. I didn’t even have my own room until I was 10 or 11.”

And how were you supporting your family before that call came from Joey? “Delivering magazines. I had to drive an hour to my job, so I’d get up at 4:30 in the morning, leave at five and be there at six. I drove a big delivery truck. I had to go to grocery stores and put ‘National Enquirer’ and ‘TV Guide’ and all that shit in there. That sucked.”

Ever think of jacking it in and moving to New York or LA to get closer to the action? “I always thought it’d be cool to live in New York, but I never had the money, and I never had a band that was willing to pack up and move. I really lucked out when I got a call from Joey. The last fucking dude on earth I thought would call me would be the drummer from Slipknot.”

Before Joey Jordison entered his life, Wednesday 13 fronted the Frankenstein Drag Queens From Planet 13. Formed when he was 19 years old, the Drag Queens combined the twin influences of Alice Cooper and Ed Wood. Between 1996 and 2001, they released four albums of schlocky, snotty punk rock (several songs from these records would be reworked and re-recorded for ‘Beyond The Valley Of The Murderdolls’). Their schtik – wigs, dresses and zombie make-up – was as becoming as it was dumb. Still, in North Carolina – a pig’s squeal away from Bible Belt country – that’s one hell of a statement to make.

“When we started out, it was complete war,” is his memory of the Drag Queens’ early days. “We didn’t want to be friends with anybody. Every show was a fucking battle. I’d just say shit to the audience to get a rise – if they were drinking beer, I’d shout, ‘Beer is for fags!’. Then they’d start throwing shit at us, and I’d take my guitar off and jump into the crowd.”

Did it ever get physical? “All the time. At one gig, a guy in the audience threw a beer at me. I dived in the audience and tackled him, and started beating the shit out of him. I was wearing a pink dress and platforms at the time. This was in a new town and there were 100 or so people there. I thought they’d beat the shit out of me, but they ended up cheering me on.”

Remarkably, Wednesday managed to survive those early shows relatively unscathed. Even more remarkably, local club owners seemed to like the band’s mixture of outrage and antagonism. The buzz around the Drag Queens began to spread across the state.

“Everybody in town hated us, because we actually got gigs. The club owners kinda dug us. They were like, ‘We’re sick of all that other shit – this is fucking entertaining, let’s book them’. All the other bands hated us for that – ‘They’re fags, they’re wearing dresses, they don’t know how to play music’.”

What did your parents think of what you were doing? “My mom always sewed my clothes for me. She sewed all my dresses up.”

And your dad? “I dunno. I’m sure any man doesn’t want to walk around a corner and see his son standing there going, ‘Hey Dad, I got this new dress. Like it?’. But now I think he’s proud – he’s seen that I’ve stuck to my guns with it all.”

What was the best thing about being in the Frankenstein Drag Queens? “The very beginning was awesome because it was so fresh – I was working in a furniture store, making five bucks an hour, so I took out a loan to pay for the recording of the first record. The record came out, and we felt like we were above everybody else. Then two months later, the drummer quit. But by the end, nobody gave a shit – where I lived, it had really died. That’s why when Joey called I thought, ‘Fuck it, I’m going to do this Murderdolls thing’.”

There’s a track on the ‘White Wedding’ single called ‘I Take Drugs’. In reality, Wednesday 13’s recreational pursuits extend no further than an impressive capacity for alcohol.

“I’ve never done drugs in my life,” he says with a shrug that says ‘Why should I have done?’. “I guess I’m chickenshit. I’ve taken aspirin, but that’s all. I’ve never taken coke or E. I’ve probably smoked six cigarettes in my whole life. I don’t need it.”

It’s a strange admission from a man who shamelessly admits to a lifelong obsession with the most debauched of genres, cock rock. In fact, Wednesday 13 is so obsessed with cock rock that he’s possibly the only person on the planet right now who could not only namecheck long-forgotten Welsh glam tarts Tigertailz, but also take the time to describe their logo (he does both today). He might not be Mötley Crüe material, but he might just have sneaked into fell Sunset Strip darlings Faster Pussycat.

Have you ever dated a stripper, Wednesday? “Yeah, and it was one of the worst things I’ve ever done too. She tried to kill herself in front of me. I broke up with her, so she ran into my kitchen, pulled out a butcher’s knife and cut her arm open in front of me. I grabbed the knife and grabbed her arm – my fingers went into the cut, and I actually touched her bone. I threw her into the car and drove her to hospital. When we got there, there happened to be a cop in the waiting room. There was some very quick explaining done.”

Ever filmed yourself having sex? “Never. But mirrors are cool.”

Ever been arrested? “No. And I don’t want to. I’m not the kind of guy who walked around going, ‘Fuck the police’. I’m totally pro-cop. I’m so pro-cop, it’s actually ridiculous.”

That’s not a very rock ‘n’ roll thing to say. “Fuck that. I think that being a cop is one of the bravest jobs ever. I couldn’t imagine pulling over some car at three o’clock in the morning, knocking on the window, not knowing who’s in there – you’re fucking with death. I’d never have the balls to do that job. I’m pro-cop all the way. And I don’t care what anyone says.”

What do your neighbours in North Carolina think of you? “Well, the guy on the left is a priest. He’s a nice guy. He helped me take my garbage out the other day, then tried to persuade me to come to church. I had to tell him no, in the politest possible way. The guy on the other side, I just know to say hi to.”

What’s it like being a father? “It changes you. I never planned to have a kid that young, but I would never take it back. My kid is my life. I’d do anything to protect her. I never forget who I am and that I’ve got responsibilities back home. When you go on the road, you turn into a monster, then you come back home and you’re back to normal, Mr Nice Guy.”

What does your girlfriend think of what you do? “She’s known me since I was 15. She’s got bright red hair and more tattoos than I do. She loves it. But when I get home it’s different. I’m just the family guy.”

Unlike Wednesday 13, Nathan Jonas Jordison – Joey to the rest of the world – is everything you expect him to be. Thanks to the phenomenal rise of Slipknot, and the volumes of press that have been written in its wake, it’s difficult to shake the feeling that you already know him inside out.

You don’t so much interview Joey Jordison as try to keep up with him.Sitting in the same position on the same sofa that was, until 20 minutes ago, occupied by Wednesday 13, the drummer and guitarist (he played both on ‘Beyond The Valley Of The Murderdolls’) will spend the next half hour machine-gunning out answers to a barrage of questions as quickly as they come in. He’s loud, assured, articulate and passionate. In fact, the only thing that’s surprising is that he still lives with his mother, in the same house in Iowa that he’s been in since he was two years old.

“It’s a real humble place out in the country,” he says. “I like the quiet. I like getting away from the busy streets and the noise and the chaos. It’s nice to go home to some peace and quiet, cos there’s none of that on the road.”

As we speak, Jordison has at least three projects on the go (there’s Slipknot and Murderdolls, plus an unnamed extreme metal project he’s working on with Necrophagia frontman Killjoy). His explanation is that he gets bored “very fucking easily”. Back home, he has three guitars placed strategically around the house (“one in my room, one in the bathroom and one downstairs”). Ask him what his greatest obsession is, and he replies, “music”. Ask him how he switches off from music, and he looks puzzled.

“What do you mean?”

Do you ever stop thinking about music? “No. It’s the only thing I know how to do well. I can spin upside down on a drum riser in front of 20,000 people with Slipknot, but I can’t go to the mailbox and figure out my mail. I have no sense of normal reality at all. Today I went out shopping. I walked to the fucking store, then I couldn’t figure how to get back. I have to be pointed in the right direction. That’s why I have to have an assistant with me all the time.”

As much as the Murderdolls are an equal partnership – and both Joey Jordison and Wednesday 13 are adamant that it is – there’s no doubt that it’s Jordison who provided the initial impetus. He’s the one who took the raw materials – specifically The Rejects, the glam-punk band he played guitar with intermittently during the ‘90s – and shaped it into something new. He’s the one who marshalled the personnel, calling Wednesday out of the blue and flying him to Des Moines to see if his dream could work. He’s also the one who, by dint of his status as a member of one of the biggest metal bands on the planet, gave the Murderdolls an instant profile.

Are you a control freak, Joey? “Yeah. Well, maybe not a control freak, but I definitely like to have my opinions. People respect me because I have strong opinions. But it’s not about ego – it’s about the end result. That’s all I'm concerned with.”

Are you friends with the people in your bands? “Every one of them. The Slipknot dudes are like my brothers. We’ve been through everything together – we started with jack shit and we became one of the biggest metal bands around. With this band, I don’t know everybody like I know the guys in Slipknot, but I love them all to fucking pieces.”

Does it bother you that the Murderdolls are still seen by some as ‘Joey from Slipknot’s band’? “I don’t think people see it that way anymore. When we first toured, all you’d see is Slipknot shirts. You don’t see that now. Now it’s kids all in red and black. Murderdolls is a fun band.”

What about a party band? As in a band who like to party? “Oh yeah.”

How much alcohol do you get through a week? “Wednesday got through a bottle-and-a-half of Jägermeister last night.”

What about the other trappings of rock ‘n’ roll? The sex, the drugs… “Certain guys in the band like the groupie thing. I don’t necessarily. Wednesday certainly doesn’t.”

Why don’t you like it? “I’ve kind of gone through it already. It’s not even really that good. It doesn’t… (pause) I mean, I’m into making girls do weird shit.”

Such as? “If a girl’s got a cool trick, she can come on the bus for entertainment purposes rather than sexual purposes.”

Give me an example of the sort of entertainment you’re talking about here. “A girl came on the bus once and fucking smoked a cigarette through her pussy, then blew it out of her mouth. I was, like, ‘I wanna see that’.”

You’re friends with Marilyn Manson. What does a night out with the two of you involve? “Actually it’s not as crazy as you might imagine. We might be round his house, watching TV, having a couple of drinks, talking about music. It’s not like you think – chicks and drugs and shit.”

The most common misconception about the Murderdolls, usually held by people who either don’t like the Murderdolls or have never heard them, is that they’re stupid. Murderdolls aren’t stupid. They’re stoopid, like Kiss were stoopid, like Mötley Crüe were stoopid. Yes, that might occasionally involve what Wednesday 13 calls “our idiot tendencies”, whether that means getting cross-eyed drunk on red wine and falling asleep in the lavatory of an airplane (as Wednesday recently did on a flight back from Japan) or starting a bar brawl in Germany (as Joey did when the band were last in Europe).

But ultimately, the Murderdolls are a rock ‘n’ roll band, and that’s precisely what rock ‘n’ roll bands are supposed to do. And now, more than ever before, we need rock ‘n’ roll bands who are willing to do rock ‘n’ roll things.

And that, once again, is why the Murderdolls deserve your attention.

Murderdolls are currently touring the UK with Stone Sour. Check Out There for details. Their new single, ‘White Wedding’, is released on July 14 via Roadrunner.

Gig Of The Week

Murderdolls/Stone Sour

Dates: Birmingham Academy July 9, Glasgow Barrowland 10, Manchester Apollo 11, London Brixton Academy 12. Admission: £16, London £18. Support: Elviss.

Some and see us because… Corey Taylor (vocals, Stone Sour): “Where else can you see five idiots kicking ass and getting naked? It’s going to be great playing with the Murderdolls, they’re a great live band. We can’t wait to get back because Donington was awesome. I got some comments about looking like Joe Elliot backstage, and it was weird playing with Metallica in the background. But that was crazy shit, and I got very drunk.” Wednesday 13 (vocals, Murderdolls): “You will see a rock show, not a nu-metal show with baggy pants, and you will see a group of pretty guys – us. It’ll be cool to play with Stone Sour. I sat down with Corey for the first time at Donington and we talked about movies and shit.”

Look out for… Corey: “A couple of songs that aren’t on the album, and Jim doing his weird goose-step walk. I’ll say no more about that.” Wednesday: “Toothpaste and toothbrushes. Fire and blood. That’s all just part of our show.”

Don’t go to the toilet when… Corey: “We’re playing. Hold your fucking piss. If you go while we’re onstage, I’ll fucking kill you.” Wednesday: “We’re playing. You could miss anything. There’s no telling what we’ll do. You could miss my big, giant gun. Which, incidentally, I don’t think we’ll have any trouble getting through customs. I know people.”

If you see me in the bar afterwards… Corey: “Buy me a Jack and Coke. Everyone knows that. We love hanging out and goofing off, when we’re not getting drunk and stripping.” Wednesday: “Buy me a shot of Jägermeister. Absolutely definitely come and say hello. I always hang out with the kids.”

Brett Callwood

#if you want anything else from this scanned lemme know #interview #murderdolls #wednesday 13 #joey jordison #ben graves #eric griffin #acey slade #kerrang 963 july 12 03 #corey taylor

[in-death-we-fall]

Six Feet Down Under

Metal Hammer 112, April 2003

Touring and whoring on the other side of the world, Hammer kept a diary of death with the Murderdolls through their residency at Australia’s Big Day Out festival. Shock horror: Mark Hughes. B-movie hero: Tony Mott.

(drive link)

The Big Day Out. The Australian travelling musical circus that steamrolls its way around Australia and New Zealand every winter with the hottest bands on the planet flying from all over the globe to join down under’s best bands in a mayhem filled fortnight. This year’s line-up, features among others, The Foo Fighters, Queens of the Stone Age, Jane’s Addiction, Jimmy Eat World, The Hard Ons and deathglam monstrosities, the Murderdolls. So far, the Mid West (sic) based five-piece outfit have been the cream of the festival, appropriately headlining the ‘Essentials’ stage. This is the band’s first time in the Antipodes and quizzical music fans have crowded to see the much-talked about live set. With Sydney copping the biggest crowds of all the legs on the tour, the band are preparing something special. But at 3pm in the afternoon you wouldn’t know it. Most of the band are still in bed from the night before, well, actually… the week before.

The ‘Dolls have been in Sydney for five days before their Big Day Out show and not finding much to do early on in the week they’ve just been getting down to the (sic) rock’n’roll’s most popular pastime: hard drinking. Drummer ‘Big’ Ben ‘The Ghoul’ Graves and bass player Eric Griffin are recovering from last night’s binge. While singer Wednesday and guitarist Joey Jordison are recovering from the night before the night before. Acey Slade, who maintains his sobriety, but still stays out ‘til dawn, has been up since !!am and is the only one ready for the show. With the band on stage at 7:15pm, things need doing. Staggering through their beer can and ‘paraphernalia’-strewn rooms to the showers, they’re down in their van and on the way out to the Big Day Out site just after 4pm.

Situated at the same place that hosted the Sydney 2000 olympics, the festival facilities are first rate and the sell-out crowd of 52,000 festival-goers are making the most of it. The temperature’s pushing a blistering 35°C and being the middle of a drought-ridden summer in Australia, everything’s dry, dusty and cracked. It’s a good 40-minute drive from the city to the festival and the sun’s stinging in through the van windows. Not big fans of the sunlight, the Murderdolls have got their leather jackets up over their heads to avoid even the slightest hint of a tan.

In the cool, air-conditioned shade of backstage I get to sit down with Joey Jordison and singer Wednesday 13 to gind out how the band are doing after their meteoric rise over the past eight months. Joey is straight down the line, measured and professional. “This si the first Big Day Out for all of us. Slipknot have only been down here once but not that (sic) this festival. This is something I’ve really wanted to play – something I’ve wanted to do for a really long time.”

For Wednesday, this is another notch on his rise as an international rock’n’roller. “It’s awesome,” he says. “I’ve always wanted to be out on the front of a rock’n’roll band at a festival like this. After struggling doing my own band for six years I actually quit my job back in April and I’ve been touring every since. I’ve done all the things I ever dreamed about. I’ve been to Europe three times, Japan twice and here we are now in Australia and that has all been pretty much in the last six months! Holy shit we’re doing some things that some bands have never done!”

“We just checked out the videotape from the Auckland show the other day and fuck man, it was awesome!” enthuses Joey. “People are saying we are pulling the most people to that stage out of everyone. Our band has been doing really well especially since we’ve only been going for a short time. We hope that after the BDO we’ll be able to come back and do some real headlining shows down here. We are having fun though, thinking about it, we’ve never had so many days off between shows before, it’s more like the Big Day Off!”

The band wasn’t supposed to be so idle. Most overseas bands on the BDO bill play a bunch of satellite shows in various cities around the country and for a month prior, the Murderdolls had been slated to perform a Sydney show with fellow US rockers The Deftones. But with very little warning, the Murderdolls were dumped from the bill just before the show. What really pissed off Joey and the lads was a lot of the Murderdolls fans had bought tickets on the basis that the band would be playing but in the end had to watch the Deftones supported by ex-At The Drive-In chancers, Sparta.

Without much choice in the matter the Murderdolls issued a statement on their website apologising to their fans and kept trying to fly their flag with some instore appearances at local record stores. One in particular at Utopia Records, was insane. There was such a roar when the band turned up, they looked truly surprised at the number of kids who had showed up, most dressed in black and red outfits.

“Someone told us there was only going to be about 150 kids, which was supposed to be a good turn-out for Utopia records for a new band,” retells Joey. “But when we turned up there (sic) almost 500! We talked to fans and signed everything that they had. We were there for a good three and a half hours. And at the Channel V interview it was pretty much the same story. Hordes of kids that wouldn’t let us get away.”

“That’s the cool thing with our fans,” explains Wednesday. “We’re not a radio band or an MTV band with this created army of little kids which I think is more pure than being the Number One radio band or liking it because someone tells you to like it. I know that our fans are real. It is really cool to see these hordes of kids show up, they are dressed like us, they know everything about us, it is just awesome.”

Thinking further ahead fans will be please to know the band are not going to let up on the groundswell already created by the Murderdolls. “I have to go back and finish recording some Slipknot stuff,” reveals Joey. “Then we (the Murderdolls) are going to do some more touring. There’s usually a three to four month sort of break between recording and when an album comes out so we are going to tour pretty much all the way from the end of May all the way to maybe the beginning of October. Which will be good because there’ll be less sunlight at that time of year,” jokes Wednesday raising his non-existent eyebrows and throwing his arms, heavily tattooed with b-grade horror heroes, into the air.

As the hot afternoon drifts into an only slightly less simmering evening, there’s a small problem with guitarist Acey. He’s got indigestion. This amounts to a small crisis because first aid officials must follow procedure and administer the medicine. This takes two St. John’s Ambulance men on pushbikes in a five minute ride from their base at the side of the main stadium. Very un-rock’n’roll indeed.

With the gig just 45 minutes away, the boys are pacing around their trailer, having their pics taken for Hammer. Acey inside in front of the mirror still applying the last of his make-up, Ghoul is getting powdered up, Wednesday’s still with the photographer, while Joey’s nervously pacing around, in the trailer, out the trailer, back in… Eric meanwhile is ready for the stage and cracks open the obligatory bottle of Jack Daniel’s. As a Murderdolls ritual, they’re applying the slap, the band have to listen to Kiss. “Must. Have. Kiss.” stipulates Joey. “‘All American Man’! We sometimes change that to ‘All American Ghoul’,” chimes in the Ghoul.

Just 10 minutes before showtime and the long lanky frame of Ben Graves is stretched spider-like up against the dressing room wall. “I’ll be in pain afterwards,” he explains. Wednesday has by now finished his solo shots with Hamer’s photographer. The day is hot enough anyway, and under the photographers lights the heat is even more stifling. ‘Jesus, it’s fucking hot!” exclaims the frontman. “But I don’t mind… I’m a naturally dead person in front of a camera” he laughs.

More Kiss blares out from the dressing room, this time ‘Dr Love’! Then the moment comes: ground fucking zero at the Big Day Out! The band clamber into the van and head around the back way to the Essentials stage. The bottle of Jack’s being passed around as they approach the stage the band take a quick peak (sic) to see how the crow’s building up. It’s the biggest yet, taking up most of the grassy area out the back of the main stadium. Joey – who regularly suffers from pre-gig nerves as his pre-stage vomiting on Slipknot’s ‘Disasterpiece (sic)’ DVD proves in all its technicolour glory – is bricking it.

Five minutes before the band are due to hit the powerchords and the guys are milling around in the wings. Ghoul is banging on some warm-up pads and everyone is getting psyched. They’ve left the Kiss CD backstage so they have to hum ‘All American Man’ together. Then they make their way to the stage.

A couple of huge Murderdolls logos adorn the stage and in an eruption of noise and energy, the Dolls take the stage and instantly kick off with ‘Dawn of The Dead’. Jordison in black leather Gestapo hat is jumping around stage left, Acey is wailing away stage right while Eric bangs away on the bass doing his best Nikki Sixx impression, while the Ghoul wrecks the trap kit. Wednesday is the last to take the stage and screaming, “We are the dead, coming for you!” And the crowd goes fucking wild.

The kids down the front, dressed up in full glam-goth regalia, know every word and sing along fervently with the band while among the throng watching from the side of stage are some of the biggest names in the Australian music industry. Members of bands like 28 days, Machine Gun Fellatio, Cog, Jimmy Eat World, Pre-Shrunk, and Sparta all stand wide eyed and mouths agape at the outrageous rock revisionism being unleashed onstage.

By the time the band have launched into ‘I (sic) Was a Teenage Zombie’, ‘Let’s Go To War’ and ‘Slit My Wrists (sic)’, the crows know what they’re in for. Most who have showed up for curiosity (sic) sake are still hanging around, but if anything the crowd is building and everyone looks like they are right into it having fun. The intro to ‘Twist My Sister’ is a kid’s nursery rhyme ‘Old McDonald’ which gets the whole crowd singing along.

Unbelievably, some lunatic in the crowd starts throwing bangers at the stage, but the fireworks only make it as far as the front row of fans before blowing up in their faces. Wednesday tries to get the guy to quit while geeing up the rest of the crowd. “All the people down the front tell the people at the back to ‘Die Die Die… my bride!’ he yells as the band grind into the song…

Today’s set includes two new songs, and we can report that both are killer kitsch rock rippers. The first, set for legendary status is called ‘The Devil Made Me Do It… And I’ll Do It Again’ while the second is the set closer, a crowd sing along gem ‘I Love to Say Fuck’. Wednesday grabs his big black umbrella, emblazoned with the word FUCK, Eric, Acey, and Joey are going crazy, jumping up and down in unison, Ghoul is all arms and legs behind the kit while Wednesday is right down in the crowd’s face urging them to stick their fingers in the air and yell ‘Fuck!’. It looks great to watch. “It isn’t choreographed,” says Wednesday later. “Everything’s pretty much spontaneous. There are some things like we all jump on an ascent in the music or whatever but everything else is stuff that just happens on stage.”

They (sic) crowd are almost passing out from the combination of frenzied activity and the extreme heat, but still manage to scream out for more as the band leave the stage. “A lot of people don’t know that’s what drives a show,” explains Wednesday about his relationship with the audience. “You have to make fans feel part of the event and I think we do it better than anyone else.”

The band then jump back into the van for the two minute trip back to their dressing room behind the main stage. When they get back there the guys are all super hyped up. Excitedly buzzing around their dressing room, drinking beers, telling jokes. Joey is busy analysing the gig, and the BDO circus in general. He and Wednesday have got an interview to do with Australian TV scheduled for 8:45pm. It’s almost 9pm and Joey has another issue: “I want to eat! I must eat before I talk!” he exclaims. The interview is postponed for 20 minutes.

Bass player Eric is hanging around, so I grab him for a quick chat. Of all the Murderdolls, Eric seems the shyest but is probably the one most up for anything, especially if it is party related. He may only be small, (even in his Ace Frehley six-inch platforms he’s still barely average height!) but he’s a true rock’n’roller with a party attitude to match. “‘Machine Gun Fellatio’ that’s a cool fuckin’ name,” he squeaks discussing some of the other bands on the BDO bill. And he does squeak, kinda, like annoying Brit ‘comedian’ Joe Pasquale.

I bring up the fact that esteemed record producer, Nick Launey (Silverchair, INXS) was side of stage watching the show and had an interesting story to tell me about Eric. “I think I know where this is going,” smiles Eric slyly. “I met him about two years ago in LA at a party and we were all fucked up. I got dragged down three flights of stairs by my hair and he reckoned it was the biggest rock’n’roll moment of ‘00 for him. First impressions count, man.”

“It was so rock’n’roll!” Launey informs me later. “It was the launch of Orgy’s album and they had these models dressed as prostitutes lying on a bed and Eric jumps up on the bed with them, which of course you weren’t allowed to do. So the bouncers are dragging him out by his hair, kicking and screaming, down the stairs. His head was literally bouncing down each stair like a cartoon character and all the while he’s just got his middle fingers up on each hand and is yelling out ‘Fuck You!’, ‘Get Fucked!’, ‘Fuck you, mind the hair!’ Somehow he got back into the party and I asked him ‘how’s your head?’ and he just said “Whaddya mean?” - it was just so rock’n’roll!”

Eric has pre-arranged with their tour driver to take him over to the Boiler Room, where the BDO’s electronica acts are playing. He wants to see German electronic innovators Kraftwerk. “One of the bands I was in before the Murderdolls was very digital and computer based,” he reveals. “Kraftwerk don’t do a lot of live shows and I don’t think I’ll ever get the opportunity to see them again. They’re pretty important to the genre and even if I catch just 10 minutes of their set I think it will be worth coming over. A short ride through the back entrance, we arrive at the Boiler Room and manage to get in, via a bit of a labyrinth, through the backdoor and into the main arena just at the side of the stage. The Kraftwerk guys are standing robot-like in front of their computers while the huge dome-like venue is dripping with sweat from the 10.000+ strong punters who have basically been locked in the room all day listening (sic) the dance bands. We get a good vantage point but after about five minutes we’re leaving. “Jeez! That was the most boring piece of crap I’ve seen!” exclaims Eric when he gets back to the dressing room. “But it was worth going because I scored some drugs!”

Acey’s just hanging around backstage with his camera and a little doll from The Nightmare Before Christmas. He has a ritual where he takes a photograph of the doll in front of landmarks all around the world. “I have him in front of the Eiffel Tower for instance,” he says. “The other day I took a pic of him in front of the Sydney Opera House.” And with that he takes a photo of the doll sitting in front of a sign that says ‘Sleazy’. Hmmm. Odd man.

Acey and Eric are loving every minute of the Murderdolls ride. They’re both on their first trip to Australia and according to both of them it is (sic) has been “Cool as hell!” “The Gold Coast was really on,” says Eric. “It’s been kinda mellow since we got to Sydney because we’ve had four or five days off before this show so we’ve just been trying to find out what’s been going on. It’s been building gradually… and we’ve been partying a lot – maybe too much,” he adds sheepishly. Rick the tour manager – who’s passing by – agrees: “Yep, they’ve been very naughty boys – they’ve got to go to bed early tonight with no supper,” he jokes.

“He knows we’re the most dangerous band on the tour,” counters Eric. It’s a fact that seems to deter any other bands partying with the Murderdolls too. “The only band that has even reached out to us are the guys in Jane’s Addiction, in particular, Dava Navarro,” offers Acey. “He actually came out of his way to come over and introduce himself. And pretty much comes up and talks to us everyday he sees us along with the drummer, Steven [Perkins]. Everyone else is just kinda like, ‘What’s Up?’ Maybe it’s because we don’t look like we’re the most approachable band. Then again no-one has done anything to piss us off at all.”

No one may be talking to the Murderdolls but there is talk of the Murderdolls all over BDO. Most centres around their appearance with most Australian musical luminaries agreeing the band are the best dressed at the festival. One member of Aussie band the Resin Dogs even goes as far as to say, “The Murderdolls rock the wardrobe”. Acey is kinda flattered but non-plussed by the comments. “What image?” he exclaims. “This is how we are all day! Obviously we knock it up a notch for the show but this is the real thing. We don’t care if people like us as sexual deviants or not, but one thing’s for sure – they’ll fucking remember us.”

Big Ben Graves strides over to join us at the table. “Did I hear the words sexual deviant?” he announces in his deeply rounded US accent. “I’ve always been like that! Some people have a devil on one shoulder and an angel on the other – I just two devils. There is NO voice of reason!”

We ask him if he has had any interesting adventures since he’s been in Australia and then instantly regret it…

“Dude, it has been nothing but interesting adventures. For instance last night, he (indicating Eric) he almost screwed a one-armed girl!”

“She had three tits and one arm,” giggles the dimunitive (sic) bassist.

“Yeah. It was weird,” continues the Ghoul, “one of her arms was like a stump and it looked like it had a nipple on it. I must admit I almost fucked her just for the freakiness of it.”

And with that starter for 10, the Ghoul is off. He starts ranting on with these sick freak jokes that crack everyone up and inside a minute you get a window to his personality. “Our drummer is one bona fide sick fuck,” jokes Wednesday of him later. “He stills (sic) freaks us out. I’ll just look at him sometimes and say to myself, ‘holy shit, dude, what planet are you from?’”

“It was weird on the Gold Coast,” says Eric, picking up on the tour adventure thread. “The girls there were the hottest chicks I had ever seen in my life but by the same token I had never got as much shit for the way I look than I have there as well. It was like two opposite poles. At first it was, ‘hey freak, where’s the funeral?’ and the next was, ‘sit down have a drink with us.”

“As far as people looking at you weird, I found Sydney is where I got the stares,” admits the Ghoul. “Sydney sucks! Although we did have some girls staking out our hotel which was pretty funny and I did have an over-zealous fan thrown out of the bar. The guy was just touching me a little more than he should and I didn’t like it,” he says animatedly. “I was like, ‘man, don’t make me waste this perfectly good bottle of Heineken by breaking it over your head. I’ve done it before’. Eric looks at him and says, “yeah he has!” But he was on something. I remember thinking ‘I want whatever he’s on… times ten!”

“I gotta say though, the Sydney crowd today was one of the best crowds we’ve had so far,” offers Acey as he joins the throng. “It was insane. It is good for us this tour, because the kids don’t know what we are all about yet so we have to prove ourselves. By the end of the set they all had their hands in the air.”

By this time Joey and Wednesday have finished their feed and their hastily re-scheduled interview and are looking for some more mischievous fun for themselves. “First of all, I’m going to go back over to the stage we played because there are a lot of kids hanging around over there still wanting to see us,” explains Joey. “Then after that, I’m gonna go directly where ever (sic) the free drinks are at…” Suddenly, Eric’s doubled over in the doorway of the dressing room. It’s been 45 minutes since he visited Kraftwerk in the Boiler Room and the pharmaceuticals are beginning to take effect. We ask if he’s OK. “Yeah man, I just think I’m gonna spew!” he grins. The rest of the band are baiting him ceaselessly.

“C’mon chuck it up man!” they urge and all crack up laughing together.

In the middle of all the commotion Wednesday is taking a piss in the corner of the dressing room. The place is a wreck: there are empty bottles of booze, food scrapes (sic), squashed fruit, hairdryers, make-up, boots, clothes (black and red if (sic) course) and of course a giant mirror. Wednesday is actually pissing into a bottle of Corona. At the same time I am just about to pick up my freshly opened bottle of Corona from the table which is besides (sic) a now suspicious looking bottle. “Yeah I always piss in the empty bottles,” giggles Wednesday. And then I leave ‘em on the table just to piss off anyone who might want to grab some of our rider or whatever. Just be careful just to get bottles from down there in the ice box, he laughs mischievously. Suddenly the oddly warm bottle in my hand seems less than appealing…

As the clock turns 1am the only people left at the stadium are the cleaners, the roadies and the still-partying Murderdolls. Last to leave, the van is parked just outside the dressing room and all I can see through the opened door is the Ghoul chucking around a baguette, now baked hard as a rock over the course of the stifling hot day. “Look at this - it could be used as a weapon to seriously maim you!” he screams bouncing the French loaf off the wall. A post vomit Eric cracks up, as the two hold a mock baguette joust oblivious to the outside world. They eventually make off back to their hotel room in the city, but don’t hang there for too long. The weekend lights of Sydney beckon and they cruise down William street in King’s Cross, to an underground rock venue called Club 77. It’s glam night, just their crowd and they spend the wee hours of the morning hanging out with fans and getting stuck into the sauce with a vengeance. Australia has officially been Murderdolled!

Blood and Glitter

Gavin Braddeley charts the rise of shock rock

Glam is hard evidence that what goes around comes around. Long dismissed as the definitive climax of 70s bad taste, in recent years glam rock has arisen from the grave, albeit with a veil of cobwebs draped over its original dusting of glitter. Originally a violent reaction to the 60s happy fad for all things natural, worthy, meaningful and drab, glam was all about being deliberately artificial, selfish, throwaway and garish.

In the States Alice Cooper was impaling baby dolls and throwing blood bottles around the stage from ‘70 onwards culminating in the vaudeville theatrics of the ‘Welcome To My Nightmare’ album/tour of ‘76.

Back in the UK, the Glam pioneer was lame pop pixie Marc Bolan (sic), photogenic frontman with T-Rex, who caused a sensation when he took to the stage on Top of the Pops in ‘71 with glitter under his eyes, clad in what looked suspiciously like drag. Never one to miss a trick, the lizard-like David Bowie soon jumped from the hippy ship to take on his otherworldly Ziggy Stardust persona.

The older generation may have thought that smearing make-up on your face and covering your clothes in sequins made you look like a ‘pooftah’. Alice Cooper got around this by replacing Glam’s overt ‘fagginess’ with ghoulish melodrama, prompting one critic to observe that Americans were more comfortable with necrophilia than homosexuality. And then came Kiss. Gene Simmons’ monstrous blood vomiting, fire breathing ‘Demon’ persona enslaved an entire generation of US children crossing Glam’s theatricality with heavy metal machismo to create one of the most influential bands in rock music history.

W.A.S.P. and Mötley Crüe supercharged Kiss’s sleaze and violence quotient to spectacular effect in the 80s, and provide the missing link between Glam and the Murderdolls, who happily cite the back-combed bad boys as a large part of their creative DNA. The chief inheritor of the Glam tradition in the last decade, however, is cross-dressing controversialist Marilyn Manson. Bowie may have metaphorically murdered his creation Ziggy Stardust in the summer of ‘74, while Bolan (sic) died more literally in a car accident three years later, but quarter-of-a-century on, Manson used his own dark arts to conjure their spirit on ‘Mechanical Animals’, his own tribute to pop’s most decadent decade.

Dead… and loving it!

The Murderdolls’ five favourite movie death scenes of all time…

The Murderdolls are proof positive that nothing gets some folks’ creative juices flowing quite so freely as a truly delicious cinematic death scene. Joey and Wednesday have a few favourites – both carnage connoisseurs identifying the ‘74 classic power toolfest The Texas Chainsaw Massacre as the gory cream of the crop – a movie currently being remade with a certain Mr. Manson in the soundtrack composer’s chair. (As a curious aside, you never actually see the girl hung on the hook – just a shadow – but such is the film’s sordid impact that most viewers swear you do!)

Joey 1. Texas Chainsaw Massacre “The girl on the hook.”

2. Friday The 13th Part IV “When the knife comes through the bed and impales the chick.”

3. The Exorcist “When the priest is hucked out through the plate glass window.”

4. A Nightmare on Elm Street “Where the girl is getting dragged across the rooftop.”

5. Necromancy “Where a group of devils and monsters take a girl apart.”

Wednesday 1. The Texas Chainsaw Massacre “The girl on the hook.”

2. Dawn of the Dead “When the spiked ball comes down and rips the guy’s head apart.”

3. Phantasm “A silver ball hits the guy in the head and sucks out all his brains.”

4. Hellraiser “Where (sic) the end sequence where the guy is being chased by all these hooks. They attach themselves to him and rip him apart.”

5. Nightmare On Elm Street “Where Freddy rips out the guy’s veins and uses them like strings controlling a puppet.”

Schlock n’ Roll

B-movie classics that have influenced shock rockers of now and then…

Some horror movies are best watched not so much with your tongue in your cheek, as thrust firmly through it, films that by accident or design are more about fun than fear. The same could be said of numerous horror loving bands, including the Murderdolls, where an ‘everyday is Halloween’ ethos prevails. Here are a few examples of B movie blood fests which may not have won any Oscars, have been paid tribute to by schlock loving bands over the years…

Plan 9 From Outer Space (1957) It is no surprise that the mother-of-all cult movies inspired the mother-of-all cult bands, and when Glenn Danzig created a label to release early Misfits material he dubbed it ‘Plan 9’. Frequently voted the worst movie of all time with its ludicrous script, mind bogglingly bad special effects, cardboard sets, and even more cardboard artistry, Plan 9 From Outer Space is irresistibly entertaining. Directed by the cross-dressing caliph of crap Ed Wood Junior, featuring proto-goth babe Vampira and Bela Lugosi (dying of drug addiction, he was replaced mid production by a stand-in who looks nothing like him).

The Abominable Dr Phibes (1971) Featuring horror cinema’s kind of camp Vincent Price as the fiendish Phibes, avenging the death of his wife using maniacal methods borrowed from the biblical plagues, all against wonderful, strangely psychedelic sets. Also possessed of a strange psychedelic sensibility are punk pioneers the Damned, though in the 80s, lead singer Dave Vanian’s horror sensibilities took centre stage, attracting a goth following. The 80 track ‘13th Floor Vendetta’ is a classic example of the band’s game-topping which, if you listen carefully, is all about ol’ Doc Phibes.

Mars Attacks! (1996) Director Tim Burton’s tribute to the drive-in shockers of the 50s and 60s, Mars Attacks! was actually based upon a ‘62 series of bubblegum cards, discontinued because of their gruesomely graphic pictures of earthlings being exterminated by alien invaders. As such this inspiration might suggest Mars Attacks! has little by way of plot, but for anyone with a weakness for vintage schlock sci-fi it’s a true Technicolor treat. This must certainly include the Misfits and when they reformed, they did so without the blessing of founder Glenn Danzig, but with their monster movie obsessions intact – among a multitude of horror movie tributes on their ‘97 comeback album ‘American Psycho’ was ‘Mars Attacks’ (and even an instrumental coincidentally titled ‘Abominable Dr Phibes’!)

I Was A Teenage Werewolf (1957) The drive-in movies of the 50s and 60s typically featured juvenile delinquents or monsters, and this bargain-basement effort delivered both in one lurid package. Before becoming ‘Pa’ on TV’s Little House on the Prairie Michael Landon stars as a troubled teen – though when he starts growing hair in strange places, it’s more than just hormones to blame. A howl from beginning to end, Teenage inspired a number on ‘Songs the Lord Taught Us’, the ‘80 debut from drive-in movie loving ghoulish rockers The Cramps.

Murder, mayhem and a right old mess

Minging Murderdoll tales from the Big Day Out

Who is the messiest Murderdoll of them all? Wednesday: “That would be Eric and The Ghoul. They are just messy as fuck. But you know you’ve just got to get used to living with these people. We’ve been on the road since July. You live on a bus for six weeks which means you’ve got (sic) live in everyone else’s shit.”

Who is the tidy anal doll? Joey: “No-one. We’re all pretty fuckin’ messy.” Wednesday: “I just took two garbage bags of mess out of my room. And just put it in the hallway. Just full of chicken bones and beer bottles and all sorts of shit like that, it was just smelling really bad so I had to get rid of it.”

So you do that yourself? Wednesday: “I don’t let the cleaning staff come into my room and tidy up. I put the ‘Do Not Disturb’ sign for the whole week I am there.” Joey: “The housekeepers are scared shitless to come into our rooms anyway so we keep it easy for them and put the ‘Do Not Disturb” signs up the whole time. They are going to be so scared to come into our rooms and clean up after we’ve been there for a fuckin’ week!”

#if you want anything else scanned lemme know (there's already a couple other things in the drive folder) #murderdolls #joey jordison #wednesday 13 #ben graves #eric griffin #acey slade #interview #metal hammer 112 apr 03 #i have beef with metal hammer for both continually calling joey a nazi and making the worst goddamn magazine to scan #truly the devil's publication #(​don't worry for my hands. if you'll remember i typed this up from old pixel challenged scans months ago)

[in-death-we-fall]

Face To Face

Murderdolls

Fred Durst isn’t on their Christmas card list. But Angelina Jolie is…

Words: Daniel Lukes Photos: Scarlet Page

(google docs) Thanks @incredizort for sharing your collection!

Joey Jordison’s presence in glam-metal side-project Murderdolls was always bound to garner more than just a passing glance; not least because the exuberant drummer shocked everyone by deciding to make his post-Slipknot debut in stack heels and a whole lotta make-up. But since releasing their debut album, ‘Beyond the Valley Of The Murderdolls’, this summer, the horror-punk quintet have (sic) the past few months creating merry mayhem out on the road, rapidly building a colourful cult following in the process.

Today, the Murderdolls Roadshow has hit London – the Forum in Kentish Town, to be precise – and a group of diehard fans have gathered outside the venue to catch a glimpse of their heroes. For six diehard ‘Dolls fans, however, Christmas has come early. Louise Condren and her brother Michael, Michelle Peppiatt, Rebecca Brazil, Matthew Murray and Richard Williams are currently sitting in the venue’s upstairs bar, where they’re about to begin interrogating the glam-goth six-piece (sic) about subjects as diverse as drugs, Anjelina (sic) Jolie and, of course, a fat man with a white beard and red coat.

After hands are shaken and pleasanteries (sic) exchanged, there’s just one thing to do: get this party started…

Michelle: How do you feel about having so much success so quickly? Ben ‘Ghoul’ Graves: “We’re the hottest thing since sunburn, the greatest fucking band on planet Earth, so it wasn’t really a big surprise to us.” Acey Slade: “We’re doing something different. A lot of people are turning their noses up, but at the same time a lot of people are buying it. It’s like heroin.” Wednesday: “Joey’s had a lot of success with Slipknot, but it’s really weird for me, it’s kind of a new thing. To come to another country and there’s kids dressed like you, and imitating your whole thing, and they know every word to a song that you wrote in your bedroom when you lived with your parents, it’s such a great feeling.”

Matthew: Who would you most like to fuck on a cold Christmas morning Wednesday: “To fuck? On a cold Christmas morning? These are good questions.” Acey: “It’s a very generic answer, but I’d probably have to say Angelina Jolie.” Wednesday: “I’d say Santa Claus.” Ben: “Have you heard of a girl over here called Lindsey Dawn? She’s from the UK, she’s very hot.” Acey: “That’s not what you said earlier, Ghoul. You said for Christmas you wanted to find a midget in your stocking. That’s what you said.”

Richard: Whose roast turkey would you most like to carve this Christmas morning? Wednesday: “Whose what?” Acey: “Is that a variation of the same question? If it’d get me laid, I’d say Angelina Jolie again.” Wednesday: “I don’t know. I don’t know how to carve a turkey anyway.” Acey: “He only carves chickens. One time he carved a squirrel, for class.” Wednesday: “I don’t know. That’s probably the most difficult question I’ve ever been asked in my life.” Ben: “Hugh Hefner. I’d love to spend Christmas at the ‘Playboy’ Mansion.” Wednesday: “Of course you would.”

Michael: If you were the five wise men, what would you give to baby Jesus? Eric Griffin: “Drugs!” Wednesday: “Drugs and a couple of shots of Jägermeister. I’d like to breastfeed baby Jesus.” Acey: “I’d give him a butterscotch enema.”

Matthew: Which rock star looks most like Santa Claus? Wednesday: “Jerry Garcia. Michael MacDonald. You guys probably have no clue who that is.” Ben: “Who’s the one they said Wednesday looks like?” Wednesday: “Mortiis! Like a dead Santa Claus. Or maybe one of his elves. Rob Zombie looks kinda like Santa Claus a little bit.” Joey: “Cancel that. We won’t get that tour.” Wednesday: “He’s got his beard. I’d love him to bring me presents. That’d be the coolest Santa Claus in the world, bringing you shrunken heads and all that. Jellied brains.” Acey: “Or go-go girls, or a leather face mask.”

Richard: If you had Fred Durst hanging by his bollocks what would you do to him? Eric: “Nothing, I’d just leave him there.” Wednesday: “That’s pretty harsh torture in itself. I think we’d all swing on it to make it a little bit worse.” Joey: “We’d throw sliced ham at him.” Acey: “I’d pour honey on his nutsack, and then let ants eat it off.”

Louise: What do you guys think of the UK music scene? Wednesday: “Well, we’re a local band here now, since we’re always over here. It seems to be pretty cool.” Acey: “I like the music scene here better, truthfully. It just seems that people are a little bit more open-minded, you’ve got bands that a little bit older like The Wildhearts and we’ve always had good support bands like AntiProduct and The 80s Matchbox B-Line Disaster, who are really cool.”

Rebecca: How have your families taken to your career paths? Joey: “My parents have always supported me from day one. I’m still the same person, my mom still makes me take out the trash and mow the lawn. She lives in her Murderdolls and Slipknot gear. She wears it every day. She’ll go to the grocery store and these kids’ll come along and go, “You like Slipknot?’. And she’ll go, ‘Oh yeah’. Now she gets free groceries.” Ben: “My parents have always been very supportive of whatever I’ve done. I’m not going to sit here and say that my childhood was traumatic and I hated my parents and all the crap that other bands come out with, because that’s just not true.” Acey: “My mom’s very proud, very very proud of me. My dad, on the other hand, disowned me. So fuck him.” Eric: “My mom came to see us and she wore Devil horns.”

Matthew: What are the three most important things you take on tour with you? Ben: “Our make-up. Our clothes. And rubbers.” Eric: “Spoken like a true ghoul!”

Michael: Your songs are quite sarcastic, but are any of them based on real-life experiences? Wednesday: “No, not at all. I think the only song on the album that had any personal theme, was ‘Dressed To Depress’. The bands that I’ve always grown up on, I didn’t want to go to a concert and be reminded of the bullshit in my life, if I hated school or was angry with my parents. I’ve always compared our band to a TV or a movie or something, you get lost in it. Bands that keep singing about bad childhoods or trauma or politics, it gets old after a while.” Ben: “I think it’s more about escapism than real life.” Wednesday: “So no real grave-robbing stories yet? (listens to music playing in the background) Oh God, is that Nickelback?” Ben: “How would you know that? That’s bad that you know that.” Wednesday: “I know, I’m sorry.” Eric: “I think that there’s a lot of kids that really relate to us, and feel like they have a lot more in common with us than with their parents or their friends at school.” Ben: “Or Nickelback.”

Richard: If you weren’t making music, what would you be doing now? Joey: “I would just try to get as close to anything musical as possible, by being a tech or working in the studio. Music is the only thing I’ve ever wanted to do since I was really young – I’m just lucky I get to actually do it now.” Eric: “I think I’d probably open a strip club. A brothel or something.” Ben: “If I wasn’t doing music, I’d probably be doing something art-oriented.” Acey: “What do ghouls do? What is a ghoul?” Ben: “What’s a ghoul? That’s a good one.” Wednesday: “Don’t you rob graves and beat on poor people?” Acey: “I would maybe be a manager. I mean, I can barely manage my own life, so that would be kind of a tough one.” Eric: “In all seriousness it’s an impossible question to answer because music is more of a life than a job. Our whole lives just revolve around music. It’s part of who we are, so I can’t even imagine not being able to play music.”

Louise: What object will be on the top of your Christmas tree? Wednesday: “I have a Jack Skellington doll on the top of my Christmas tree at home. I always do that every year. I don’t want Santa Claus, or an angel, or a star or anything stupid like that.” Acey: “I got a fake tree that I’m going to spraypaint black. It’s one of the little ones. I’ll spray it in my apartment and get a buzz painting it.” Ben: “I didn’t have a Christmas tree last year, so I’m not sure.” Acey: “That’s because you’re a ghoul.” Wednesday: “What about getting the ghoul and painting him green and standing him on our bus. His hair is like pipe-cleaners…” Acey: “And he’s already got balls hanging…”

Richard: If you could be on an ideal tour, who would be supporting you? Wednesday: “I would love to have AFI support us. That’s probably the only band out right now that I can listen to all the time.” Acey: “Andrew W.K. would be pretty cool. He likes to party.” Wednesday: “We played a gig with Andrew in Japan and he’s a really cool guy and has a lot of fun and I really respect what he’s done and that would be a cool tour.” Ben: “The Donnas, but I think they’re afraid to talk to us.”

Matthew: If you could choose one person, who would you like most to resurrect from the dead? Wednesday: “Vincent Price. I’d just love to have dinner with that guy and just talk to him.” Acey: “Joey Ramone.” Ben: “Brigitte Bardot.” Wednesday: “(correcting his bandmate). Bardoo.” Acey: “Bardow!” Kerrang!: Brigitte Bardot is alive. Eric: “You fucking ghoul. I told you we were stupid.” Ben: “The one Anton LaVey had an affair with then – what was her name? Jane Mansfield.” Wednesday: “Next question!” Ben: “Yeah, let’s move on.”

Michelle: What would your ideal Christmas presents to each other be? Acey: “I’d buy Joey and Wednesday Les Pauls. The Ghoul? What do you buy a ghoul? Wednesday: “A box of magnums. I’d buy Joey a 12-pack of Corona with the lemons… All: “The limes!” Wednesday: “The limes already in ‘em. I’d buy Acey shares in Starbucks franchise. I’d get him a coffee-smelling kimono, or a fucking scarf, so if he couldn’t find coffee it (sic), he’d just inhale it.” Ben: “I’d buy Wednesday a big bucket of KFC.” Acey: “I’d buy him a chicken ranch.” Ben: “Actually, I lost my mind back in the summertime, I’d like to open up a present and get that back.”

Michelle: Acey, was it a strain for you joining after Tripp Eisen left? Acey: “You know you were asking what I would like on Christmas morning? Well truthfully, and for the first time in my life I really have everything that I want. And I’m not just talking shit – I’m in a band that’s gone around the world, that I love, I got a computer – so what more do I need? Some more ‘Nightmare Before Christmas’ toys! They hate me, by the way.” Wednesday: “I’ve known Acey for a long time, before he was ever in Dope or I met Joey. So, it was kinda weird how everything worked out. Us starting a band together was a long time in the coming.”

Rebecca: What is the most rock ‘n’ roll Christmas you’ve ever had? Joey: “I think this one will probably be the most, since with Slipknot, the band’s not heavily indulging in everything, and it’s not like the more free-spirited atmosphere I have with these guys. We’re playing a New Year’s Eve show in my hometown, so we’re just going to probably get drunk and get ready for the show. What do you think about that answer Wednesday?” Wednesday: “It was great.” Joey: “Thank you.”

#murderdolls #joey jordison #wednesday 13 #ben graves #eric griffin #acey slade #interview #facepalm-through-face.jpg #really making fun of ben for being a ghoul XD #if anyone knows which issue of kerrang this was lemme know

[in-death-we-fall]

Fishnets and Formaldehyde

Hammer went backstage on the Murderdolls sell-out pre-Xmas UK tour last month to die alright. Terry Bezer advised on lippy and eyeliner. Compact shots: Awais

(google docs) Thanks @incredizort for sharing your collection

The last 12 months have been one helluva year for one Mr Joey Jordison. Slipknot have gone strength to strength – the Iowan nontet (sic) embarked on arguably the biggest stage spectacle ever seen with their debut British arena tour and the subsequent ‘Disasterpiece’ (sic) DVD release. Before that of course were the triumphant stints at this year’s Reading and Leeds festivals. And, oh yeah, he’s also managed to get a whole other band to a similar status of credibility.

The switch from drummer to guitar god for the Murderdolls was all too easy for Joey – reflected by their glorious position in the Metal Hammer reader’s Poll (p.58) for their outstanding ‘Beyond The Valley Of The Murderdolls’ album. Not to mention those awesome live shows that helped build that solid fanbase at monumental speed through relentless touring in the band’s self-titled ‘Mobile Morgue’.

“Whenever you start a band you want people to go apeshit,” explains vocalist Wednesday 13 backstage just before the band hit the stage the night of their crowning glory at the London Forum in December. “But in the UK I can’t believe we’re already headlining a place this huge, so it was kind of shocking, but at the same time it was something I was hoping would happen.”

To say it has simply ‘happened’ for the Murderdolls in the UK would be selling the band’s achievements something short. An incredibly successful UK debut at the Garage, a stint supporting Papa Roach across Europe where they consistently blew the headliners clean off of the stage, and now with a sell-out British tour to their name, the Murderdolls bandwagon quickly turned into far more than just a side project featuring one of metal’s biggest stars.

“Maybe when we first started out people were perhaps just turning up to see me,” admits Joey somewhat coyly, “And there was a hell of a lot of Slipknot shirts in the audience at first, but as time’s gone on, it’s become more and more about the Murderdolls as a whole.

“I think we’re providing a fun outlet and a lot of kids aren’t used to that, hearing depressing lyrics all about war, politics, childhood trauma and bad parenting all the time. It’s a different circumstance to hear a band singing about grave robbing, killing your wife on your wedding day and killing Miss America. I mean if you’re relating to a song that’s called ‘Grave Robbing USA’, you’ve got a fucking problem, because our songs are written with a dark humour attitude and it’s just about having fun. Kids’ll leave our shows with smiles all over their faces and be saying ‘Man, I had so much fun at that show’ and maybe they’re not used to that because of a trend that’s going on right now.”

Agreed. That fun atmosphere of the band’s shows remains unrivalled in the world of rock music right now. Witness vocalist Wednesday 13 whipping the crowd into a frenzy on top of the monitors thrusting a red and black umbrella adorned with the word ‘Fuck’, throughout new song ‘I Love To Say Fuck’. Hear the squeals of excitement that greet the opening to typically twisted Murderdolls romance story, ‘Love At First Fright’. Or witness Joey’s camp homage to Marilyn Manson as he comes on for the encore in a pseudo SS Grüppenfuhrer’s get-up. (Whether the little guy knows the irony of the situation as the Forum infamously played host to Moseley’s 1930’s fascist rallies – and that giant eagles adorn each side of the stage tonight — is anyone’s guess). Just a few examples of how the ‘Dolls expertly plaster shit-eating grins across 1,000 baying audience members’ faces with style and ease.

“We’re definitely a touring band,” states Wednesday defiantly. “That’s the whole thing about us: we never grew up in the same town and we hadn’t been practicing in our mum’s garage for years and years – it was just a thing where we met and just learned to be a better band by playing onstage every night.

“If you’ve seen the show before you’ll know that everyone is running around, giving their all. We just try to get better and better and I think we’ve definitely progressed into a live band. Right now, I’d say we’re one of the best live bands currently on the scene.”

Consolidated by the band’s three minute anthems of aggravating slabs of punk rock fury, the shows are doubtless an excuse for everyone to let loose and have a good time. Something that must clearly be out of the ordinary for Joey when you consider his day job…

“Fuck yeah,” laughs the drummer-come guitar god Jordison. “I didn’t ever want to come out playing drums with fast double bass drums and being real heavy wearing my mask and shit. I thought it was really important that the kids could see that I do play guitar and that I write a lot of Slipknot’s material.

“It’s just been fucking fun. I’m having a blast. With this band, I don’t care how many fans we get. Slipknot was definitely geared towards getting as many people to listen to us as possible while still maintaining that ‘fuck everyone’ attitude but here I just get to go wild and have a good time.”

The doubt that will be hanging inside many a ghoul’s head will be concerning the future of the Murderdolls and how long the good times will continue to roll. With the Slipknot engine ready to fire up any week now, to begin work on their much-anticipated fourth album, is there any chance that the Murderdolls will be a brief flash in the pan, or are the band in it for the long haul?

“This is absolutely a long-term project,” Joey says reassuringly. “I wouldn’t have it any other way, man. I’ve got to do some Slipknot stuff next year with the recording of the album but then we’re going to go out again after that. There’ll probably be three or four months of leeway time and then we’ll go back out on tour again. Me and Wednesday have already begun writing for the next album already and I can’t wait to get back out again even though we haven’t finished touring this album yet!”

Photo captions:

Because you’re worth it

“Spare any change for some Loreal guv?”

“Hmm. Too much emulsion?”

“Oh. My. God. I think I see a blackhead. Oh, hi Eric!”

Wednesday: dressed to kill

“Bah! These raspberry ripple stains will never come out!”

Acey: most dreaded

Is it raining men yet?

School’s out for ever!

Wednesday falls for the old mascara-swapped-for-road-tar gag

Eric Griffin: Nikki Sixx’s very own Mini Me

#murderdolls #joey jordison #wednesday 13 #ben graves #eric griffin #acey slade #interview #if anyone knows which issue of metal hammer this was lemme know #if you saw it the first time i posted no you didn't #(when there's too many words tumblr freaks out and every edit further borks everything because we inhabit a very functional webbed site)

[in-death-we-fall]

24 Hour Party People

Things are getting messy on the Stone Sour/Murderdolls UK tour. Welcome inside their world of drunken orgies, comedy pissing and pickled cow’s hearts…

(google docs link)

Photos: Tina Korhonen

If you ever find yourself in the same building as Corey Taylor, the frontman with the most Tourettes-like speech patterns in rock (no mean feat in an arena where swearing is both big and clever), the chances are you’ll hear him long before you see him. A couple of hours after his band Stone Sour’s first UK show with fellow Slipknot-affiliates the Murderdolls, the singer is drunkenly ping-ponging off the walls of a corridor backstage at Nottingham’s Rock City, beaming and gleefully bellowing Electric Six’s ‘Gay Bar’ at top volume before tumbling into his dressing room for the umpteenth shot of Jack Daniel’s this evening.

The backstage area is teeming with young women who have miraculously acquired passes along the way. More incongruously and to Taylor’s obvious confusion, there are also random semi-naked men flitting about. In the next room, Murderdolls’ Nikki Sixx-coiffed bass player Eric Griffin is entertaining two ladies — one of them, dressed as a sexy nurse, currently occupied with snapping on a pair of surgical gloves. Tonight is clearly going to get messy. If everyone involved in this tour comes out of this thing unscathed, it’ll be a miracle.

“I like the fact that we’re just five fucking guys who stink and love music. I love it, that’s real, fuck that dumb shit.”

    Rewind a few hours, and an infinitely more coherent, if chronically hungover Corey Taylor is fumbling his way into a minibus to join his bandmates on their way to an in-store signing. While, along with guitarist Jim Root, he spends his time worrying America’s parents and poncing around in a mask in Slipknot, it’s quickly obvious that Stone Sour offers the chance to show his often-gurning, surprisingly clumsy human side. The side that has dumped all attempts at being enigmatic for the person whose big ambition in life is to appear in a cartoon (“I can picture Bart Simpson going to a Slipknot concert,” says Jim. “It’d be great, you’d hear, like, a note between bleeps.”), who has been terrified of sharks since his mother took him to see ‘Jaws’ when he was three, who has an obsessive love of British comedy, and revels in tasteless, decidedly un-PC jokes. A random example: “What do you call the worthless skin around a pussy? The rest of the woman.” Classy.

    All of which is good news for the scores of fans who have turned up to meet the band today.

    “There are guys out there who would pick their eyes out with a fucking coathanger and go, ‘Aaargh! They’re for you!’,” grins the singer as one fan thrusts a giant dildo at him to be signed. “But they’re all great. Anyone that listens to us is pretty fucking cool. And little kids are really into it too. You take the time and you fucking talk to them and shit, that’s a fan or (sic) life. Get them young, like the tobacco companies say!”

    Over at the venue, the Murderdolls — all similarly hungover, bar iron-livered frontman Wednesday 13 — emerge from their bus in a flurry of red and black hair and leather to be met by fans bearing gifts of Boris Karloff action figures and teddy bears dressed in bondage gear.

    Perhaps inevitably, because of the way they look, their unashamedly cock-rock outlook, their gang mentality and the way that there’s genuinely no-one like them at the moment, the band have inspired a tribe of similarly-attired devout followers who you can spot a mile off. Many of them are female, which is curious given the off-the-scale testosterone levels that shape the band.

    “We had a group of four girls here bawling their eyes out, really shaking,” says Joey Jordison, struggling to wake up. “I don’t really think it’s too weird. We give them something to believe in, some escapism from maybe some of the hard things in their lives.”

    “It’s insane,” grins Wednesday. “You hang around us for a day you’ll be crying to get away from us.”

    It’s a strange kind of devotion the two bands create. While both are surprisingly approachable some people still go to unnecessary extremes to get their attention.

    “A girl came to an in-store signing with her arms completely slashed up, with every guy in the Murderdolls’ name cut into her arm,” says Joey. “She brought me a cow heart in a formaldehyde jar with my picture in it, and said that that was her heart and it belongs to me. And she gave me a book of a hundred poems that are all about me.’

    Is that not a little disturbing?

    “No, I just think that some of these kids need a little bit more attention. We’re a fun band, we want the kids to have fun, and I don’t want anyone taking their aggressions out on themselves. Life is really not as bad as they think it is. That’s why we come over here, because I know we’re important to these kids. I could easily be at home right now sitting out on my porch drinking a beer and not giving a shit. But I’d rather come over here and tell kids thank you for giving me a reason to live as well.”

    By the time showtime comes around, Stone Sour can be found in their dressing room “spanking the bottle of Jack”, a strange pre-show ritual that seems to achieve little more than earning Corey a new blood blister on his finger.

    One set of anthemic rock and one set of fantastically ludicrous glam-rock stomping later, and it’s time to get the alcohol flowing, bring the prettiest girls backstage, and for certain members of this touring circus to behave very badly indeed…

“Oh Jesus.”

    Corey Taylor is suffering. The last anyone saw of him last night was when he was taken to support band Elviss’ bus for a little drink. Today, he’s paying the price, big time.

    I remember getting onstage,” he says, trying to piece the previous evening together. “I remember doing a great show, coming offstage, drinking about 12 Jack and Cokes being pulled onto Elviss’ bus and them pumping fucking absinthe down my goddamn throat trying to kill me. Fuckers. After that it’s a blur. I remember eating an ignorant amount of fucking lamb steak, just shoving it in my face. It was fucking gross.”

“We go apeshit every night.” -Joey Jordison

    This, apparently, has nothing on what went on in the Murderdolls’ tour bus last night, where one stunned witness hazily recalls someone attempting to use the on-board toilet, only to be met with the sight of a certain lanky member of the Murderdolls inserting “objects” into two girls.

    “We are a fun rock ‘n’ roll party band in every sense of the word,” says a wary Joey Jordison the next day as the band roll in to the Birmingham Academy. “You can draw about every conclusion you ever heard about the traditional rock ‘n’ roll lifestyle from the ‘80s, that’s pretty much us. But I don’t want to make it sound like that’s cool. I don’t endorse it in any way.”

    Joey, Corey, and Jim Root have, of course, seen and done it all before with Slipknot, so it’s fair to say that, bar the heroic alcohol consumption, they may have a certain amount of detachment from the mayhem surrounding them these days.

    “But all that crazy shit happened a long time ago,” Corey insists, grimacing through his hangover. “I don’t really recall! I’d be coming offstage, having a glass of milk and eating cookies.”

    Because the two bands are about such vastly different things — with Stone Sour it’s about bringing things down to the simple elements of their songs and connecting with the audience, while Murderdolls are on a mission to bring the biggest, trashiest, glammiest, most X-rated party to every town they hit — there’s little in the way of rivalry between the camps. The only competition seems to be with putting on the biggest, loudest live show.

    “If anything I think it’s healthy if there is,” Corey concurs. “It just makes you want to give that bit fucking more and go for it. At the end of the day it’s all about the kids, fuck us. It’s all about whether they’re having a good time or not.”

    “There’s always that little competition,” Joey says. “This is our last run before we go back to Slipknot, so I’m not worried about it too much. But we put on the same show pretty much every night anyway. We go that apeshit every night.”

The first thing you’d notice on entering the Murderdolls’ dressing room is the detritus: clothes, make-up scattered everywhere, not to mention drummer Ben ‘The Ghoul’ Graves — the cause of most of last night’s very worst behaviour — stretched out on a sofa and spilling, somewhat unpleasantly, out of his stage costume of a PVC thong while loudly “making room” in his nose. The second thing you notice, half a second later, is that it stinks in here.

    “My clothes smell like a cat litter box,” Wednesday says, wrinkling his nose. “I got my pants out of our wardrobe case, and they’re still soaked from the show because I was sweating, but I swear they smell like piss. I think someone could have pissed on my pants. Our stuff was packed up, so I’m not sure what happened, unless someone is trying to play a trick on me.”

    This, of course, is what happens when you stick a load of men on a bus together for months on end and deny them the rights to proper laundry services.

    “Most bands rely on special lights and effects,” Wednesday continues, as Joey and Corey work on new Slipknot material down the corridor. “But we come to the people in Smellovision. We bring all the senses out. Whenever you come to our show and we haven’t come onstage yet, you can go (sniffs), ‘Oh, something smells like shit! They’re getting ready to go on!’. We’ve got an intro smell instead of an intro tape.”

    Tonight’s show makes Nottingham’s insanity look like a warm-up. It’s so hot in the venue you have to wade through the air, and after Stone Sour incite a mass singalong of ‘Bother’, the Murderdolls trip down the stairs, making last minute checks on their hair, before they explode onto the stage. By the time the encore comes around, Acey has rather gruesomely lost all his clothing from his lower regions, the rest of them are running around the stage as if they’re being chased by killer mosquitoes, and Stone Sour are bellowing their approval from the wings. Nothing here is about angst. It’s all about living larger than most of our lives.

    “Rock stars should look like they’re from outer space or something,” Joey says afterwards, as they pack up their make-up kits. “When I was growing up seeing Alice Cooper and Kiss and shit, when I went to a show I could be like, ‘Okay, that’s the fucking dude in the band’. That’s the way it should be. Even with Slipknot, our image and the show goes with the music. Music and imagery go together, and it just makes it that much more fun for the live show.”

    And while Stone Sour head off to deal loudly with the latest booze-related crisis (their bus driver, who is supposed to be driving them to Scotland in an hour, is passed out drunk, so it’s time to fire him), Joey prepares himself for the long, but no doubt eventful journey ahead.

    “I intend on having a hangover tomorrow,” he says. “The plan for tonight is the same for every night. The reason bands get so fucked up and drink a lot is because all we do is the same thing every day, and it’s the best fucking lifestyle. We have no responsibilities. You’re on this bus, nothing can fucking touch you. You’re meeting cool fucking people all the time. It’s much more fun-orientated and more of a free-spirited vibe with this band than any other band I’ve been in.”

“I liked the ‘Fuck’ song!” The fans’ verdict on the Stone Sour/Murderdolls face-off…

Name: Riannan Davis Age: 19 From: Mid-Wales Well, what did you think?: “Excellent. I love Stone Sour and Murderdolls.” Which band comes out top?: “Stone Sour. I just prefer them and I get bored of Murderdolls after a while. Stone Sour are good over and over again.” Highlight? “Getting promised to go backstage in five minutes!”

Name: Andrew Gordan Age: 14 From: Oxford Well, what did you think?: “It was amazing, really good.” Which band comes out top?: “Murderdolls, definitely. I just prefer that type of music, it’s really good.” Highlight?: “‘White Wedding’ by the Murderdolls. I love the Billy Idol version, and I love the Murderdolls version.”

Name: Natalie Reynolds Age: 15 From: Bristol Well, what did you think?: “I’ve had a fucking amazing time!” Which band comes out top?: “Murderdolls! They rock, because Ghoul’s in the band. He’s so fit! He’s just the drag queen of my dreams.” Highlight?: “Seeing Ghoul in a thong!”

Name: Chaz Boswell Age: 18 From: Wales Well, what did you think?: “It was fantastic tonight.” Which band comes out top?: “Murderdolls, definitely. They’re more fun than Stone Sour, and I prefer their music. My friend lost his shoe.” Highlight?: “Finding the shoe.”

Name: Hayley Lamb Age: 14 From: Lemington What did you think?: “I had a great time.” Which band comes out top?: “Murderdolls. I just love the way they dress and I think their music’s great.” Highlight?: “I liked the ‘Fuck’ song with the umbrella, that was great.”

#if there's anything else you want scanned from this let me know #murderdolls #stone sour #joey jordison #corey taylor #jim root #wednesday 13 #ben graves #eric griffin #acey slade #interview #acey that's so fucking illegal #kerrang july 26 03

[in-death-we-fall]

Glam Metal's Thomas S. Orwat, Jr. Interviews Wednesday 13 October 2, 2002

Aka: the one the Eric Nair thing is from

[I didn't type this up, just putting it here (and on google docs in case I delete my blog and the readmore breaks) so it's easier to read, errors are not mine, etc. Did remove a question.]

If all the evil forces in the universe joined together to form a band it would most likely sound and look like the Murderdolls. Formed by SLIPKNOT’s Joey Jordison, the Murderdolls have quickly become one of the biggest buzz bands in the world. Their debut CD “Beyond The Valley Of The Murderdolls,” reached the #102 position on the Billboard Charts during it’s first week of release. The band was also on the cover of Metal Edge Magazine before they even had a CD on record store shelves. Jordison obtained massive success with his other controversial band and it looks like he’s about to strike gold again. The Murderdolls currently consist of Jordison-guitar, Wednesday 13-vocals, Ben Graves-drums, Eric Griffin-bass and new guitarist (ex-Dope member) Acey Slade. Slade replaces Tripp Eisen, who left the band prior to the release of the cd.

The band recently embarked on a five week European tour supporting Papa Roach. When the tour concludes, they plan on doing their first major North American tour.

What follows is an exclusive Glam-metal.com interview with Murderdolls vocalist Wednesday 13. This interview was conducted on Wednesday Oct, 2, 2002.

The Murderdolls have just recently completed a tour of Japan and Europe. What was the reaction like and did you guys headline or support someone else? 

It was great! Japan was unreal, you can’t really even explain how cool the fans over there are. It was a totally different experience for me and Europe as well. There is definitely a big difference from the States to there. I think they appreciate bands coming out over there a little bit more. The response to the band was great, so it was really, really cool. We were headlining over there. Tonight we head out over to Europe to begin our five week tour opening for Papa Roach.

How well did your CD sell overseas?

Great, especially in the UK. A lot of stores over there were sold out, I mean people over there are really getting into it. They realize that this is a true band and not just some little side project of Joey’s. They are accepting the band and really getting into the music.

Why did you decide to go over and tour Japan and Europe first when the CD came out?

It was what we got offered first. In Japan we played a festival in front of 30,000 people. So this was opposed to playing in America in clubs. It just seemed like a better idea. In Europe there were just more opportunities for touring than the summer in the USA, with all the competition like the WARP tour and Ozzfest and so many tours not doing so well.

[question removed for racism]

What’s the strangest thing that you have in your tour rider?

We really don’t have anything that crazy. Our bass player Eric wanted Nair, but we never actually put that into our rider. No, we’re pretty cool about it. We don’t have anything really ridiculous at the moment.

You were overseas on September 11, 2002. Being an American, were you at all intimidated by being in an unfamiliar foreign country?

Yes, a little. I definitely wanted to be home. It was really hard for us to get US TV and find out what was going on and that really sucked. We definitely thought about it, that’s for sure.

Your CD debuted at #102 on the Billboard charts, was the band satisfied with that? 

Yeah, we really aren’t on the radio, on MTV our video is only being shown late at night once a day at three in the morning or something like that. It’s like we are building up this small underground force that keeps building up, so we thought the amount of success that we’re had so far is really cool. It’s better that what we expected.

You were also on the cover of Metal Edge before you even had a CD out. I don’t remember ever seeing anything like that before.

Yeah, that was pretty weird. It was very cool, I’ve read that magazine ever since I was a little kid. The guy who did the interview just heard of the band and came out to see us perform live and loved what we were doing as opposed to everything else that was coming out. He just really wanted to help in promoting the band and he supported what we did. He was tired of putting bands on the cover that looked the same, so he wanted to put us on it. It was very cool to see it on the newsstands.

Now that you’re an insider in the music industry, what are some of the most eye opening aspects of being a rockstar?

I don’t know, it’s definitely work. It’s better than a regular job, but there are days when it’s not so great. But, it’s cool and it does have it’s ups and downs. It beats working a day job.

Yeah, try working retail for 14 years.

(Laughs)

Well, now the questions that everyone has been asking. Why did one of your original guitarists, Tripp Eisen, leave the band before the CD even came out?

It was a really weird thing that he kind of sprang on us at the last minute. Warner Brothers had told Static X that they wanted them to start working on their new album immediately. In order for Tripp to be part of the writing process, he couldn’t tour with us. He couldn’t give us a time when he could and we had to promote the record and go out on tour. We asked if he could do it or not and he said that he couldn’t do it. So that was pretty much it. He had to get back to Static-X , he didn’t write or play on their last CD. So it was important for him to be involved on this one. But, he has to understand that it was also important to us to have a member of the band who was able to play every show with us and not confuse our fans. So we went with Acey, whom I’ve known for a few years. He was our first and only choice.

Will Tripp be involved at all on the next record?

No, he didn’t even write on our record at all. Joey and I did the whole album, Tripp basically just played a few guitar solos. He was never actually a part of writing. He’s no longer a part of the camp.

How does Acey compare stylistically and musically to Tripp?

Acey should of been with us in the first place. He’s on the same page with us completely. Having him come in was great. I’m glad that everything worked out the way that it did.

Did you hear what Edsel Dope had to say about Acey and Tripp?

Yes, I did. (Laughs) It’s a real long story about how that whole thing developed. Not to get too deep into it, but the drummer of DOPE was originally involved in the project with Joey before he joined DOPE. Edsel wrote about how we steal all of his band members. He attacked us and is bitter. I don’t know much about this guy, but I’ve known Acey for several years now. Acey told Edsel that he was looking for other projects and that if something else came up, he was going to do it. Yes, Tripp was with DOPE at one point too, but we never set out to dissect his band at all, but if he’s pissed off, oh well.

Were you in the band when it was called THE REJECTS? 

Yeah, when it was called the Rejects, I came in as the bass player. I meet Joey in November of last year, we wrote some songs. After a couple months working with Joey, he was really into what we were writing and he really wanted me to be the singer. He then fired the singer and I moved up to vocals. That’s were I wanted to be in the first place because I really suck at playing bass.

Was it a difficult transition moving from bass to lead vocals?

No, not at all. I was a lead singer in the band I was with before I teamed up with Joey. I just came in playing the bass because Joey needed one and I wanted to be in his band. I was never really a bass player, because I suck.

How long did it take to record the CD?

We started working on sessions in November 2001, and we used a couple songs from prior sessions. Basically from November to May. It wasn’t all that long. Some of those months Joey was out touring with Slipknot.

Was recording and writing a pleasant or stressful experience for you?

It wasn’t stressful at all. It was so cool working with someone like Joey, we were like two of the same people. We had a lot of the same ideas, we would finish off each other’s sentences.

Have you had a chance to write any new material yet?

Yes, we are playing a few new songs on tour right now which will be on our new album. The next album will be a million times better. We’ll have over a year to work on new material, I just think that it’ll be so much better. We plan on doing more albums, this just isn’t a one time thing.

Do you play any cover tunes in your live set?

No, but we want to. If we did it would most likely be something from the 70’s like Alice Cooper or the New York Dolls or something like that. We will definitely do some covers in the future. We been so busy recording and touring that we really haven’t had anytime to work on playing covers.

How many records are you contracted to do with Roadrunner?

You know, I really don’t know. There are several things in the contract, but I’m not really sure how many. But, it’s not just a one CD deal, we will definitely have more.

What’s the next single and will you do a video for it?

Yeah, “Love art First Fright,” is our next single. I hope we get to do a video for it because we have a really cool idea for it.

Who were some of your influences growing up?

My biggest influence was Alice Cooper, the 70’s version when he did “Billion Dollar Babies,” and stuff like that. The Sex Pistols and Ramones, early Motley and Twisted Sister, lots of things like that.

Did you hear about Nikki Sixx’ new band COCKSTAR?

Yeah, I did. It sounds like it’s going to be very cool.

What do you think about Guns N’ Roses going out on a major tour with only Axl Rose?

It’s going to be quite different now. I was a fan back in the day just like everyone else.

Where do you think rock music is headed right now?

That’s difficult. I wish I knew because I would be a really rich man. Hopefully, we are headed in the right direction. I think that this whole nu-metal, rap-rock thing is wearing thin on people. I don’t personally think what we’re doing is the next big thing, but I honestly don’t care. We just play what we want to play. We didn’t put this band together to try to revive the rock n’ roll theme. The style of music we do has always been inside of me. Joey and I are both into bands like Kiss and Alice Cooper, we definitely have a heart for that type of music. If people catch on to what we do, that’s cool. We get some flak where people try to compare us to a lot of the 80’s proofed hair bands, we are definitely not like that. We have a punk edge to us and we’re not singing about girls. Unless we’re singing about picking up dead girls.

Have you heard the STONE SOUR CD?

No, I haven’t. I ‘ve heard only two songs from it. It sounds cool. I actually saw them live at their first show in L. A. I think Corey has a great voice and it’s a lot more commercial than SLIPKNOT or what we’re doing. But it’s really not my type of music. It’s not something that I would go out and pick up. I’m into more image conscious harder bands.

What do you think is the greatest misconception of the MURDERDOLLS?

I think some people think we’re like those 80’s bands where we all spin around on stage at the same time like a POISON or WARRANT. We are way more aggressive and harder.

Does the band have any pre-show rituals? 

Before we go on stage, we make our drink which is called the Murderdoll. It’s Jagermeister and Red Bull. We have several of those and that’s pretty much are ritual. That gets us pretty wired up.

Last Question, What are you going to be for Halloween this year?

Well, we will be over in Europe and they don’t celebrate Halloween over there like we do. So I’m pretty bummed about that. I told my manager that he better send me over a pumpkin. But, Acey and I will properly still dress up, maybe like something from the Night of the Living Dead.

#murderdolls #wednesday 13 #interview #discussion of tripp (as a musician)