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#It's his primary education being movies
musubi-sama · 2 months
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“Classmates”
You are officially Shoko Ieri’s girlfriend, but why are you being followed and gently threatened by two tall, disgustingly handsome men?
CW: afab!reader x shoko ieri, modern au, mild stalking, the boys being intimidating, toys, cunnilingus, shower sex, lady love, mild plot
AN: This is baby’s first fan fic, my first piece of fiction and self-indulgent prose. The world needs more yuri/sapphic/lady stories and I hope I can do it a modicum of justice. I will probably write out the two flashback references as additional chapters once I figure out what I want to do with them.
WC: 4.9k
Next chapter —
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“Let’s continue that little thread from last night after classes today?” she responds before pulling away and heading off to the lecture hall. “I’ll make sure to take ‘extra meticulous’ notes for you!” Your girlfriend puts extra emphasis and holds up sassy airquotes (even gives a little sideways nudge with her hip) because she’s notoriously a poor lecture student and you pay attention almost too much and too well, taking notes furiously from your front and center seat.
You give her a cute giggle and wave as she walks away; you’re heading off to meet with your adviser to discuss a research opportunity. While you walk across the quad into the neighboring dining hall to grab your usual Starbucks order (iced caramel machiatto).
Meanwhile, a pair of tall, offensively handsome men doing what would otherwise be a scene from a spy movie, fold the top half of a newspaper down and watch you and Shoko embrace and go your separate ways.
“Suguru, who the hell was that talking to Sho?” the white-haired, ethereally blue eyed man says a bit too loudly to his dark-haired, enigmatically purple eyed friend. The pair sit on the bench gawking, although the dark haired man winces at the volume of his friend.
“You’re going to give us away, shush, Satoru! I don’t know who she is or what that was about but let’s follow her” Suguru gets up and beckons in your general direction “and see where she goes” Satoru gets up and they both follow you at a safe distance, catching up with you as you are waiting for your order at Starbucks. Satoru perks up and nudges Suguru in the side with a cheeky smile when he hears the barista announce your order. “She can’t be that bad, she’s got a sweet tooth!”
“Let’s see where she goes from here.” Suguru pinches his chin as he watches you from across the cafe. You navigate around a few tables to reach the exit and head off to your meeting. While waiting for the elevator to the fifth floor, you catch a flash of messy-but-styled white hair from around the corner, but chalk it up to sleep deprivation and stress.
You make it to your adviser and he walks you through a few research opportunities, but the drawback is that you will need to take a year between finishing your primary in-classroom education and your clinical rotations. And the one that you like the most is across the country. Great timing, just after you finally get a girlfriend and think you may have your little life settled into a comfortable routine. Maybe you wait a few weeks to discuss this with Shoko. But maybe she would want you to bring it up sooner, it’s not like you haven’t known her for four years already. The responsible partner would talk about it soon. But you’ve never been too keen on bringing up tough subjects in a reasonable or quick manner, opting to mull quietly, by yourself, not wanting to bother other people or respond to negative feedback.
As you’re arguing with yourself, you take the elevator back down the ground floor and head outside to hole up in the library until Shoko is out of the morning’s lectures.
Except you don’t notice the two tall handsome boys following you from the lobby across the quad. They take notice of your internal conflicts written across your face and lack of spatial awareness to surround you and you bump into a dense, immovable statue. Fortunately for you, it’s not an actual statue, but a person, so there is a softness in the knock and a pair of arms quickly wrap around you to make sure you don’t fall. Two sets of arms, actually.
“Ah, Iamsosorry” You attempt to stammer out as you are brought out of your internal arguments. You look up to see long, feathered jet-black hair, reaching past the shoulders, but pulled partially up into a bun. Face framed by bangs hanging on one side. Piercing, focused, concerned violet eyes, and a soft smile. Your first impression is that he is cat-like. He catches you off-guard but you feel safe. As you step back to give him space and continue to your destination, your back bumps into an equally statuesque figure. But he’s the polar opposite when you tilt your head back and look up at him. A shock of white hair, dark round sunglasses, giant smile bearing all his teeth, ocean blue eyes piercing you. It’s unsettling how it feels like he’s reading every thought you’re having right now, in the past, and the future. “Oh, excuse me…” you mumble but it just trails off.
“Oh hello there.” Suguru places his hands on your shoulders to steady you. It feels nice, reassuring, considering you just knocked around some coastal rocks. “My name is Suguru Geto and this is Satoru Gojo. We just happened to see you walking across campus and you seemed distracted. Wouldn’t want you walking into anyone and causing a disturbance. Present company excluded, of course.”
“Yeah, what’s a girl like you doing so distracted?” You’re caught off guard by the brazen question. And confused by the implications. What kind of girl do they think you are?
“Sorry, I really just want to go to the library. I’m meeting my girlfriend soon.” You try to side-step the pair and they move in tandem to block your path. Ah, you start to feel the familiar anxiety of being pestered by someone who can’t understand that ‘no’ is a full and complete statement. What you fail to notice, is the shock that zipped through the boys’ expressions.
“I am sorry for the brashness of my companion” Suguru tilts his head up to give Satoru a piercing stare before his gaze softens again and he looks back at you. You feel as if you’re the only person in the entire world as he looks down. Completely taken by his gaze, feeling his arms re-settle on your forearms for a moment before dropping to his sides, giving you space with the lack of physical touch. “But we saw you with a friend of ours and we were just concerned for her. She always introduces anyone beyond a mere acquaintance to us, and we are only looking out for her best interests.” Satoru uses this opportunity to step around to your front, hands in his pockets. Although he still has a mischievous grin on his face.
“Er, what? I am sure that any one I am friends with surely doesn’t require a white knight or dark stallion to protect her honor.” You attempt to cut the conversation short.
“You’re right. You’re absolutely correct, dear. How about we get to know you over dinner? Our treat for being so forward. Tomorrow, pick you up at 7:00? I know a place that does great bananas foster with homemade caramel” Satoru winks, and you realize you’re still holding your coffee. You’re clutching it now, hoping he didn’t see that you asked for extra caramel drizzle in your coffee today. You’re a people pleaser, so you just quickly agree to the plans. You ask for their LineID and as you’re walking away, you get two messages immediately:
Can’t wait to see you, sweets! Looking forward to dinner and getting to know you.
Finally making it to the library, feeling buzzed, and not from the sugar or caffeine. But you manage to find some shred of focus for the next two hours. Your phone buzzes and you start to pack up your books and laptop. You respond to Shoko’s message that she’s out of class and heading to the dining hall with a quick “Yay, save me a seat!” message even though you know you don’t have to ask.
“How was the Pharmacology lecture?” You ask, while attempting to unhinge your jaw around a particularly ambitious forkful of salad. Your girlfriend just smiles at you over her soup.
“Hm, well you know how engaging Dr. Smith is at his age. I made sure to get an audio recording of the lectures and of course the slide notes include the markups from in-class.”
“Aww, thank you! You’re the best.”
Shoko gives you a fond smile as you both settle back into eating lunch. You continue chatting about classes, you feel confident over your polite dodging of any real answer to how your adviser meeting went “Ah, well, I am waiting for him to email me with some details on a couple research opportunities.” Shoko seems satisfied, or at least doesn’t have any follow up questions to your response. You don’t feel comfortable about lying to your best friend, your girlfriend, but you didn’t really tell her lies. Just, not the whole truth. You’ll tell her, soon. You promised yourself. That was the decision you had settled on right as you bumped into-
“Hey, I wanted to talk to you about something. I have two friends I’ve known since forever and I want to introduce you to them. I have kept you from them until now because they can be somewhat, very, incredibly, protective of me and intrusive to anyone who gets close. But they are good people, even if I have to kick their asses when they pull their little “baby Shoko” stunts.” Shoko puts her hands on yours and looks straight at you, although struggles to keep eye contact when she mentions her friends’ not-so-kind traits.
You consider her question and do not want to respond too quickly or eagerly, but you have wanted to build some new relationships before your life gets too much more hectic with clerkships, graduation, and intern year on the horizon. And if these new friends are already friends with Shoko, then it’s even easier because you would want any new friends to be comfortable with both of you. You may only be newly dating, but you’ve already fallen for Shoko quite hard and want to settle down. Or something like that? You haven’t taken a breath to really figure your brain out.
“Oh, well, why don’t we get drinks and see how things go? I like the idea of making new friends, let’s give it a try!” You try to hold back your over-eagerness, but you let slip big excited eyes and slotting your fingers into Shoko’s hands and squeezing. A small squeal may have also escaped your lips, you’re bad a poker. And Shoko loves it. She gives you a soft smile, leans over to drop a peck on your cheek. The rest of lunch passes with easy conversation. You head off to your afternoon lectures and study sessions together.
After classes finished, you both headed back to Shoko’s apartment. Even before you started dating, you spent most of your free time at her place. It was closer, bigger, quieter, and nicer than your apartment. You grab a pair of beers from the fridge after you finished cleaning up from dinner and walk over to the couch. Shoko turned on Netflix and started the nightly ritual of scrolling new and recently updated shows to see what caught either of your interests before settling on one of the six shows you’re already in the middle of watching. You sit sideways and hand over one of the beers, laying your legs across your girlfriend’s lap. She settles on watching the next episode of your shared guilty pleasure, Doctor X. During the opening credits, your phone buzzes several times with messages on Line.
“Ugh, what is it now? I should’ve left it in the bedroom” you grumble as you lean over to the table and pick up your phone that has now buzzed four times. You see a newly familiar name pop up and scowl.
“What’s wrong, love?” Shoko perks up and looks over to you as you start to read the messages, more coming in while you’re reading.
“I literally ran into a pair of criminally attractive guys. Boys, really. They did that High School-Hollywood thing of boxing me in, making me look up, and then not taking no for an answer. I agreed to get dinner with them tomorrow just so they’d leave me alone and go away.” You flash her the phone with the messages. Her usually subtle expression shifted much more dramatically when she saw who you were talking about.
“Wait. You ran into, literally? Gojo and Geto? Tall, one with white hair sticking up in stupid directions and acting with way too much bravado, the other with big ear gauges and an air of incredible self-confidence? Today? Where? When?” She stops her idle massaging of your legs and turns towards you, taking your phone to read more carefully what they had sent:
Heyyyyyy. Wear something cute? Do you like Mediterranean? :)
“Yyyyeah that matches the pair. Why, do you know them? Have they bothered you on campus before?”
Shoko snickers softly. “You could say that. Remember the pair of friends I wanted you to meet? Looks like they found you first.”
“Oh.” You look down at your hands for a moment and then suddenly you remember what Suguru said to you “we saw you with a friend of ours and we were just concerned for her…” “Oh, wait a second. You’re the friend they were talking about!” And you relay the conversation you had with Suguru and Satoru to Shoko who just shakes her head and sucks her teeth.
“Yeah, those bastards. I told them to wait till this weekend, I had news for them and someone to meet. But they just HAD to get impatient.”
“I will call off dinner! Can I have my phone back, please?” you reach out your hand to begin composing a polite response to the nuisance pair.
“No, don’t. Just have them come over first. And then they can take BOTH of us to dinner.”
As soon as you send off your address, you put your phone down. Shoko’s ministrations on your legs intensifies subtly, but clearly with an agenda. You lean back against the arm of the couch as Shoko slowly massages her hands up your legs, focusing on the softer flesh on the insides of your thighs. You part your legs for her slightly as she gets closer to your clothed core.
The days have been long and you’ve hardly had time for yourself or your relationship since you’ve put official titles on it. You shift yourself so you’re now straddling Shoko. You reach your hands around her neck, threading your hands under her long, wheat-colored brown hair. When you met her, her hair was only touching her shoulders, but now it’s reaching far down her back. Her lips are so soft and inviting, a gentle sheen of spit covering them. Your eyes rake over her face, taking in every facial micromovement. You admire her lone freckle below her eye, something you’ve always found cute.
You lean in, lips parting slightly as her eyes glance up at you, pupils darkening in desire. As your tongues slipped past each other, they danced delicately but with increasing urgency as your lips press harder and Shoko takes a brief opening to nip at your lower lip, drawing out a soft moan from you. Your hands hold her neck tighter, one slipping up through her hair, giving it a light tug. Her hands start sliding back in between your legs, the side of her pinky finger lightly grazing your center which elicits a small grind from you. As your kiss slowly turns more frantic, trading breaks for air with trails of urgency on each others jawline, Shoko reaches under your shirt to gently wrap her hands under your voluminous tits. Still seated in a soft bralette, your nipples begin to harden as her hands slowly squeeze and make their way into the bralette and find your nipples with a soft squeeze.
You drop your hands to your sides and toss your head back at the sharp, but pleasurable sensations and start to roll your hips in Shoko’s lap, looking for some friction and relief for the growing tension. You whimper as the pinching and squeezing intensifies, tilting your head back up and you are met with eyes filled with pure lust. “I told you I wanted to continue from last night” Shoko growls. You just respond with a low moan. Shoko then uses her forearms to slide your shirt up and over your head, taking your bralette with it.
Now, your fully exposed chest and abdomen, your nipples clearly taut in response to the pleasure being shown to them. Shoko then leans down to one, taking it in her mouth with a light suck. Keeping her hand squeezing the other, she lightly bites down, rolling the puckered nipple in her teeth, sliding her slick tongue across. She releases it with a pop, letting it and your breast drop and give a little lewd jiggle. She repeats the process on your other nipple. You are still wantonly grinding your hips in her lap, keening against her touch.
As your body continues to relax, your brain slowly shutting off the noise and entering that cozy, listful, lustful subspace headspace, your hands claw at your girlfriends’ shirt and pull it off of her during a brief moment when her lips aren’t attached to your body. The moment her skin is exposed, you bring yourself vertical and then over, pressing your breasts into hers, enjoying the soft and supple squeezes from your body weight onto Shoko. You reach in to grasp the sides of your shared mass of tits, squeezing and pushing them together.
You are in a daze, skin on fire, as you are drunk from your beer and the lust spreading through your veins. You always knew you were bisexual, although you couldn’t put a fine point on it until you met Shoko while at your lab’s new grad student orientation 3 and a half years ago. You moved across the country for grad school, knowing you’d need to start over again and find new (local) friends. You were taking in the space when you turned around and saw Shoko Ieri walk in the room, immediately disorienting you and a sudden warmth spreading into your center. You couldn’t look her in the eye for the entire first month.
“What do you want to do tonight?” Shoko brings you out of your daze as she wraps her hand around the back of your neck. “Want to start with that new toy I picked up recently?”
“O-oh, yeah, I haven’t tried something like that before!” You start to untangle yourself from Shoko and roll off the couch. You’re chased by Shoko into the bedroom as she reaches out to pinch at your sweatpants-covered ass, you making sure she can still catch you. There’s fun in the chase, but so is there in getting caught. You leap at the bed, spin around and sit on your legs patiently while Shoko disappears into her closet. She returns quickly, now in nothing but a lace thong and brandishing a modest, slightly curved silicone dildo in her hands, twirling her hair with her other hand. You bounce a bit in anticipation, soft tits still jiggling as you stop moving. You move to remove your sweatpants, but are cut off.
“Ah ah ah, hands off. Why are you trying to deny me the fun? I said we are going to continue from yesterday. Which means it’s my turn to return the favor.”
“We don’t need to keep a running tally for equitability sake!” you whine, sticking your lip out in an over-exaggerated pout.
“You’re right, but since this is celebrating us putting some structure and a title to” she waves her hand between the two of you “this, I want to finish what you started. Now, lay back, please.” You settle on the duvet, heart racing, feeling giddy. Last night you off-handedly said ‘I love you’ over dinner at home. It came out of nowhere, but you were just chatting and catching up from the day over a bowl of spaghetti, and it just fell out of your mouth while Shoko nearly choked mid-slurp.
Shoko sets the toy down on the bed and climbs up the bed, caging you in. As she reaches your middle, she sits back on her heels and tugs at your pants. She loved how you always returned to your own apartment or hers and would immediately change into comfortable room wear, shedding the stuffy denim and wired bras for soft cottons and gentle elastics. Pulling your hair back to keep it out of your face, it certainly made easier to grab in the heat of sex and teasing. After she removed your pants and panties, reveling at your exposed frame, Shoko admired your neatly trimmed hair framing your glistening pussy. “Mine.”
Soft kisses with small nibbles sprinkled in begin to chase up the inside of your legs, feet planted on the bed. As the kisses intensify, your knees fall further apart. Your hands come up to your hair as you lace your fingers through to ground yourself. Gently, two fingers spread your folds open and you let out a small gasp. “Mmm I just love to tease your pussy.” One slender finger slides in, your soft walls pulling it in deeper until your girlfriend’s middle finger is sheathed up to the knuckle. She flips her palm upwards and curls the finger inside of you while bringing her thumb to rest on your hardening clitoris. Your hips begin to buck at the movements, moans increasing. Slowly sliding her finger out, pressure still on your clit, Shoko adds a second finger and begins to rub circles with her thumb and thrusting her fingers in and out. She looks up from her ministrations to watch your face go through a million small emotions in pleasure. “That’s it, love. Let me hear you, don’t hold back.” You unwind on her hand, fluttering around her fingers, riding out your high with loud moans and grinding hips.
As you come back down, Shoko reaches over to the toy, aligning the flat, angled tip with your hole, pulling out her fingers. “Ready?” she whispers, but with an edge of gravel on her voice. She also grabs a small remote that you didn’t initially see and reaches up to place it in your hands. “I also got a treat for you. Feel free to press the buttons as you want and see what happens”
Slowly, Shoko presses the toy into your soaked pussy, as the tip disappears in, she turns it on to the lowest vibration setting. You give a sharp inhale as you push your head back further into the pillows. You recollect yourself as the toy makes its way further into you, and bring your hand up to see what this remote is. Just two buttons, marked by a plus and minus sign. You touch the plus button and suddenly a sultry and surprised “Ahhh mmmmm” Shoko whines from between your legs. Her progress to slide in the toy momentarily halted as she adjusted to the vibrating inside of her. She regains composure as she seats the toy fully inside you and rotates it around until you slam your eyes shut and cry out in pure pleasure. “Ah ha, found it. So hot.” Shoko bought a g-spot vibrator and adjusted it till she found the right spot inside of you.
Squirming somewhat, Shoko slowly moves the vibrator around, placing her free hand on your abdomen with pressure against you. Your hips begin to gyrate and roll with increased intensity every time the head of the toy makes contact with the spongy sensitive bundle of nerves inside your walls. “Sho—Shooookoooo ple- FUCK please~” you preen and attempt to stammer out some words. You increase the intensity on the remote.
“Ye-s, l-ove? You’re doing so, so, hnf, well, better than the fantasies I had all day of this- of this mooooment.” Shoko showers you with praise, stuttered by her own building pleasure, knowing exactly what is to come next.
“Ahhh, Sho—Shoko, I’m-com-” You attempt to tell her what you’re feeling as the pressure in your abdomen has reached a fever pitch, ready to incinerate you at the lightest touch. Shoko steadies the vibrator right on the nerves and brings her thumb up to apply pressure to your clit and lowers her body to get closer to your core. “Give it all to me.” At that moment you scream obscenities as your body releases the built-up pressure and you squirt directly into Shoko’s waiting mouth. Helping you ride out your pleasure pushed Shoko over the edge, too, as she rolls her hips along with the waves of her own orgasm. As your body begins to slow it’s movements, she turns off the vibrator and removes it from you. She also reaches down to her own bullet vibrator and removes it, still shaking as you’re too high on your own pleasure to find the remote.
Shoko sits up and wipes your slick from her face, reaching a hand up to you to clean off. “Good girl.” You whimper at the affirmation, pulling on her wrist to bring her up to you, her body draped on yours. When you finish lapping up the wetness on her hand, you twist your head over and your mouths meet in lazy but passionate kissing. Tongues lazily exploring each other, gratitude shared between the two of you.
“Shower?” You nod, slowly rolling yourself over, legs finding the ground albeit a bit shakily. Shoko steps out ahead, sliding into the en suite ahead of you to warm up the shower and grab towels. You stand in front of the mirror admiring your body, re-adjusting your hair and pulling the strays that have fallen out back up. You step in to the shower, bottoms of your feet chilled on the hard tile floor, but skin warmed by the scaldingly hot shower.
“Ahhhh, perfect” You reach out to rest your hands on Shoko’s waist as you both take a moment to relax in the warmth of each other and the water.
“Yeah, you are, love.” You giggle at the admiration. Shoko’s hands come up to gently massage your breasts, lightly pinching your nipples. She closes the gap between you and nudges her leg in between yours, rubbing her thigh against your sensitive folds. You let out a soft moan, feeling sensitive and on-edge already, after just a moment. “I’m not done with you yet.”
You continue to grind on her thigh as she holds pressure against your heat. Your hands slide up to Shoko’s chin, cupping her face and you dive in for a kiss. Your lips are urgent and needy as you moan into her mouth, biting her lips with every wave of building pressure. After several minutes, Shoko breaks the kiss, pulling away and you whine as her leg also pulls back. She begins kissing down the column of your neck, down the center of your clevage, past your navel, sinking to her knees to worship at your altar.
Wordlessly, Shoko nudges your legs further apart, guiding you so you are now leaning against the cold wall of the shower. Placing her hands on the front of your thighs, she slides them up to your folds and with her thumbs, spreads your pussy open, exposing your wet core to the warm shower air. She leans in to take a soft lick, savoring the first taste. You lean back on the wall for support, hands threading through Shoko’s hair.
“God you taste amazing. I can’t get enough of you.” Shoko uses her nose to rub against your oversensitive clit, reaching her tongue inside your sensitive cunt, applying light suction as she goes. Drinking up every drop your body offers, you can feel her moans reaching deep within you. Moving between deep licks inside your pussy to abusing your clit with the tip and flat of her tongue, you can feel the coil again twisting inside of you. With your moans completely unrestrained, you use your grip on her head to keep her pinned against your center.
“Baby, love, god” Shoko praises you at each short breath she takes. You don’t even have a moment to tell her as suddenly the coil snaps and you silently scream as she eagerly accepts the orgasm she pulled from your body. Her hands wrapping around your hips, holding you close as you buck against her touch. Once you have stopped moving so harshly, she stands up and your lips crash together one more time, you licking your wetness off her face, her embracing and holding you.
“I’ve never felt so relaxed with someone, Sho. You’re my best friend, my love, I can’t see a future without you.” Your mouth is moving faster than your brain, letting your admissions tumble out. A common occurrence for you recently. Shoko just smiles and you wash each other clean, taking time to massage tender areas, and scrub the rough ones. After you step out of the shower, you both go through your nightly skin care and pre-bed routines. Passing products between each other, prepping and moving as one practiced unit.
Now laying in bed, you are in the crook of your girlfriends’ arm while you both scroll on your phones. Eventually putting them down and rolling into a more comfortable sleeping position (as cute as cuddling is, you both know that it’s not comfortable for sleeping all night. No one likes numb limbs!). You both drift off to sleep, feeling happy and content with each other.
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gojos-thot-patrol · 8 months
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Ok, LISTEN. I'm about half way through seven minuets in heaven pt.2, but because I'm working on it while watching season 2, I got SatoSugu on my mind. so...
Now Presenting...
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A little SatoSugu themed supplementary material.
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Ok, so let's start standard 
Suguru is a psychology major with a minor in musical performance 
Satoru is a theoretical physics major with no minor because "ew, minors."
Suguru joined the ABO frat because fraternity housing is wayyy fucking cheaper than living in the dorms. Plus, easy access to booze.
Gojo did it for the memes and cause his best friend was joining. 
Suguru is for sure an alcoholic and in denial about it
Gojo smoked weed once and won't shut up about it. He does take a weak ass edible every once in awhile to sleep though.
Gojos tolerance is absolutely shit. Two shots and three puffs in and he is gone!
Suguru on the other hand could drink an entire bottle of tequila and smoke 12 joints and only really be kinda buzzed. 
Suguru is definitely in denial about his bisexuality. Everything that he does with Gojo is just for female attention, ya know?
Especially when they're making out alone in their shared room. That's definitely for attention. Source:just trust me bro
Gojo is very comfortable in his pansexuality, and has been known to use "are you a frying pan? Cause you're so fucking hot" as a pickup line.
Ok, now for their background!
Suguru and Gojo actually grew up together, and are the closest anyone can get to childhood friends,
Which morphed into the well documented phenomenon of an all too intense friendship that blurs the line of friends and dating, where if one of them were the opposite gender they would totally be together, but because they’re both boys there using that as a shield to avoid confronting their identities beyond the default settings
They were each other's first kiss 💋 
Gojo actually had really kind and loving parents who were very supportive. 
Sugurus' mom died when he was young though, leaving him and his dad to struggle. His dad wasn't necessarily bad, but he did have to work constantly and therefore wasn't home often.
Gojo was naturally smart and school came very easy to him. Meanwhile, Suguru struggled a lot, specifically with anything math related. 
This led to Gojo, with his great grades and generational wealth, being able to go to basically any college he wanted to. 
He still decided to go to the local community College in the end, at least to get his gen-eds and the first few years of his major out of the way at a heavily discounted price.
Yea, Suguru had no such opportunity, his options were community College or to start working with his dad as a mechanic immediately. 
And while he's not opposed to the idea of working with his father, and will even work with him for some extra spending money in the summers, he really wanted to give the whole higher education thing a shot. 
He's very proud to be in his community College, as he's the first person in his family to even attempt to get a degree
Now, here's how they are in a relationship because you can't have just one.
These boys have historically shared everything: their hot wheels, their Xbox, their bed, and their women. You are no exception. Lucky you 💜💙
When it comes to the three of you together, you find the boys actually work extremely well as a unit.
Where one struggles, the other thrives. Gojo isn't great when it comes to emotional venting and stuff, always looking to "fix" it.
Suguru is better at actually listening and only offering advice when you ask. He’s always willing to just cuddle and listen.
Suguru is terrible to try and watch movies with, he gets bored so fast. Meanwhile Gojo is obsessed with movies. 
Gojos fixer attitude also comes in clutch whenever you need to get something done, but just do not have it in you to do it. Need to call a doctor but have phone anxiety? Gojos your man.
Suguru craves to be the primary partner for both you and Gojo. Yes he's aware this is irrational, no he's not sure what to do about it. All he knows is that he gets jealous when he sees you with Gojo, and has to find ways to cope.
To his credit, he's never made this a problem for anyone other than himself, and he is actively working on it. 
Gojo on the other hand fucking loves to see you and Suguru spending time together. Those are his two favorite people in the god damn world, aren't they cute?!
Sugurus love language is music. He'll make you playlists, old fashioned mix tapes, and has forced you to listen to vinyl with him. He's written songs about you too, though he's too shy to show them off.
Will play his guitar for you only when asked because he knows the optics of 'frat guy with a guitar' are not ideal.
Gojo shows his love by sharing his candy. Splitting a Kit Kat, giving you a handful of skittles, sharing a sleeve of oreos. If Gojo shares his sweets with you he wants to marry you.
They two of you bond by baking together. You buy new cute molds and cookware together and set up entire spreads based on one theme.
Suguru was probably the first one to be in your life: I.E. the one that you agreed to date before realizing (and agreeing to) the package deal.
But Gojo said I love you first. He feels everything at 100% and hides none of it.
He said it loudly and in front of the rest of the frat, showing you off to everyone. 
When Suguru said it for the first time though, it was quiet; whispered to you late at night while you were curled up in his arms.
Both of the boys are massive cuddle bugs!
You call them Sugubear and Satotoro. Gojo loves it and Suguru does too, but he pretends he doesn't. 
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blackswaneuroparedux · 11 months
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I never admitted to anybody during my entire military service that I had been an actor. I was terrified that I would be put in charge of Ensa [Entertainments' National Service Association]. Not even my closest friends knew I was an actor. I told them I was reading English at St Andrews University.
- Richard Todd
In his heyday in the 1950s and 1960s, Richard Todd was Britain’s leading matinee idol. If you love old movies, you’ll have seen Todd in one of his starring roles in “The Virgin Queen” opposite Bette Davis, “Stage Struck” with Marlene Dietrich, or “The Dam Busters” for which he won a Golden Globe Award. He was the tough little Scotsman in the wartime weepie “The Hasty Heart” and had audiences madly hunting for hankies.
Those were the days when Todd streaked across North American film screens as virtually every romantic hero from Rob Roy to Robin Hood. Ian Fleming chose him to play James Bond in “Dr. No” in 1962, but a schedule clash meant Sean Connery stepped into the role.
Little less known is the fact that he was also among the first British soldiers and the first Irishman to land in Normandy on D Day. More specifically, he participated in Operation Tonga during the D-Day landings in Normandy on 6 June 1944.
So it must have been surreal for Richard Todd the hearthrob actor to find himself playing Major John Howard in the epic movie ‘The Longest Day’ (1962) based on Cornelius Ryan’s book. Not least because he served with Howard and took part in the fighting at Pegasus Bridge that Major John Howard was tasked to secure on D Day.
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Richard Todd was born in Dublin, Ireland, in 1919. His father was a medic in the British Army and, as his posting required, the early years of his life were spent in India. The family settled in Devon upon their return to England, and Richard was educated at Shrewsbury Public School, in Shropshire. The theatre was his first love, and he furthered his dramatic skills at the Italia Conti school, thereafter moving to Scotland where he helped to form the Dundee Repertory Theatre. When War was declared, Todd went to St. Andrew's University on the following day to volunteer. He was not a member of the University, but he not only convinced the selection unit that he was, but also added that he had been reading English there for six months, and that he had obtained a Cert A in his school cadet corps; a key point to being accepted as an officer. Despite success in passing off this invented career, Todd was to be disappointed by a lack of interest in him thereafter.
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Becoming increasingly desperate to get into the War before it ended, he sent numerous letters to the War Office to press his case, which, in June 1940, was finally noticed.
Accepted by the King's Own Yorkshire Light Infantry, Todd went to Sandhurst to receive his officer training. He had a very lucky escape here when he was in a corridor on the second floor of a building when it was hit by a bomb, and he was blown into the garden outside by the blast. He got to his feet in the darkness and did not feel particularly affected by it, but an examination by torchlight revealed that his whole body was covered in blood from numerous small wounds.
A spell his hospital delayed his passing out from Sandhurst until early 1941. Celebrating in London, he narrowly avoided death again when he found his usual haunt, the Cafe de Paris, was too crowded to admit him and so he went elsewhere; it was hit by a bomb that same night and 84 people were killed.
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His Battalion, the 2nd/4th Battalion The King's Own Yorkshire Light Infantry, was posted to XII Corps in defence of Kent, where a German invasion if it came would almost certainly land. Todd was given command of the infantry in the Dymchurch Redoubt, a fort of the Napoleonic era mounting two six-inch guns.
In the event of an invasion, this would certainly have been a primary target for the enemy, and those manning it were told that, with the main defensive line far to their rear, they would be left to fight to the end. General Montgomery commanded XII Corps at this time, and his characteristic emphasis on training and preparedness led to the formation of the first Battle Schools. Richard Todd attended one of these, and the experience allowed him to run his own School when, in December 1941, he was sent to Iceland with the 1st/4th King's Own Light Infantry to be trained in arctic and mountain warfare. Returning to England in September 1942, he eventually ended up in the 7th (Light Infantry) Parachute Battalion of the 6th Airborne Division. He was among troops of the 7th (Light Infantry) Parachute Battalion who, at 00:40 hours on 6 June 1944, landed behind the Normandy beaches in a cornfield, perilously close to tracer fire.
Todd scrambled into a wood and with 150 other paratroopers reached Pegasus and Ranville bridges, vital crossings to allow Allied forces to break out from the beachheads into Normandy. They had been seized by a glider force from the Ox and Bucks Light Infantry under the command of Major John Howard, who needed reinforcements to fend off ferocious German attacks.
In his memoirs, Caught in the Act, Todd would write of the carnage, “There was no cessation in the Germans' probing with patrols and counter-attacks, some led by tanks, and the regimental aid post was overrun in the early hours. The wounded being tended there were all killed where they lay. There was sporadic enemy mortar and artillery fire we could do nothing about. One shell landed in a hedge near me, killing a couple of our men.”
Todd would go on and see action at the Battle of the Bulge and push into the Rhine into Germany. After VE day, his division returned to the UK for a few weeks, then was sent on counter-insurgency operations in Palestine. During this posting he was seriously injured when his Jeep overturned, breaking both shoulders and receiving a concussion. He returned to the UK to be demobilised in 1946. 
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In 1962, Todd was given the part of Major John Howard in the film adaptation of Cornelius Ryan's book about the D-Day landings, ‘The Longest Day’ (1962). Due to the nature of cinema, it was impossible for the film to give a thorough reflection of the role of the 6th Airborne Division during the Invasion, and as such their activities were solely represented by a reconstruction of the capture of Bénouville Bridge by Howard's coup-de-main force. Although briefly mentioned, the role of the 7th Battalion in the defence of the western bridgehead was largely ignored, and so it appeared as if the defence of the bridge rested only on Howard's men.
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Naturally, the omission of their fierce defence of Bénouville caused some resentment amongst veterans, not least because one of their own was championing this re-working of history. Todd, however, regarded ‘The Longest Day’ (1962) as a film rather than a documentary, and his part in it was simply that of an actor doing as he was told.
Richard Todd would never have guessed, that in 17 years since he was on Pegasus Bridge as a paratrooper that he would standing there again as an actor portraying Major John Howard who was given the order: 'Hold,… until relieved'. It had to be Richard Todd’s 'twilight-zone' moment.
The ‘relieve’ for Howard had to come from Lord Lovat and his troops, who had landed on SWORD Beach, and were legging it towards Pegasus Bridge.
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Before the shooting of the scenes were started at Pegasus Bridge, the film producer of The Longest Day, Darryl F. Zanuck, had the real life Lord Lovat and Major John Howard brought over to meet the men who were going to portray them (Peter Lawford portrayed Lord Lovat). The men had not seen each other since 6 June 1944.
Photo (above). From L-R: Peter Lawford, Lord Lovat, Richard Todd, Major John Howard.
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gyll-yee-haw · 4 months
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Can you write something with Jake being with a teacher? (I'm going to school for my teaching degree in primary education rn)
First of all, I have to congratulate you on your dedication to this profession, I have the BIGGEST admiration for it, all the most important things in my life were thanks to the teachers I had ❤
Warnings: idk, just pure fluff <3
Like 600 words.
I think that Jake would be OBSESSED with you
Maybe you would be a teacher at the school his nieces go to, and he would see you at an event there
Immediate heart eyes as he sees you
The way you seem to care so deeply about your students
The way the little ones all follow you, they clearly love you
Maggie would tease him for DAYS after it
Like, he didn't say anything, but she knew that face, he was in love
Him insisting to pick the girls up from school on the next days, just to take a look at you from distance
Took him weeks to be brave enough to actually talk to you, afraid he would look like a total creep
But after he did, you would speak every time he went to pick the girls up
Which happened quite frequently now...
He would casually mention how he is now a child's book author... like wow, you have so much in common, it's crazy!
After a few weeks, he would suggest that the two of you should hang out outside the school one day, to get to know each other better...
And it was the best decision he EVER made
It was BY FAR the easiest, calmest love he ever had
Away from the spotlight, you made him feel... normal
Your students would freak out, though... you're dating a movie star!
So many questions
It would be impossible to control that classroom the day the news came out
IF JAKE EVER TOOK YOU TO A RED CARPET, THE NEXT DAY THEY WOULD ALL HUG YOU AND TELL YOU HOW PRETTY YOU LOOKED!!! AND MAKE DRAWINGS OF YOU ON GLAMOROUS DRESSES!!!
You would convince Jake to give your class an acting workshop at the end of the year, if they behaved and did good on their essays...
Which wasn't hard at all, Jake would say yes to anything you asked
You, acting and children? His fave combo
And I don't even have to say that the class was on their BEST behavior, to make sure they would earn it
And it did happen... at the end of the year, Jake assumed the class for the day
He said he wanted to give you a break and he would take care of them...
The truth is that he had a whole plan
He organized a Christmas play with the children, as a present to you
At the end of the day, you came back, completely unaware of it all
You found them in position
Jake walked you to a chair, placed specially for you, and the show started
You just couldn't believe how he organized all that on a single day
Of COURSE they all made a million mistakes, laughed, fighted
But the look on your face... so proud of them... Jake didn't even watch the play, his eyes were on you the whole time
When it was over, you stood up to clap, as they all ran to hug you
Telling you that you were the best teacher in the whole word <3
You looked at Jake, who was holding back the tears, and murmured a little "thank you"
But he was even more grateful
Took him all his strength not to ask you to marry him right there
He thought he wanted to do that to every class you ever taught for the rest of your life, just to see that look on your face again and again.
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angelkitty54 · 5 months
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Yet another Sonic AU idea, coz I can never focus on a single one for very long! Also, was rewatching the Incredibles movies and had thoughts(tm)!
So! An AU set in a world kinda like the Incredibles wherein Sonic and the other hero characters were like proper Superheroes, but then were forced to retire and go into hiding when laws were passed that made superheroes illegal.
Sonic is in a committed relationship with Sally and Shadow, the three of them being former Supers now trying their best to live as a "normal" family with their four kids. All of which have powers, except for the baby.
Sally was one of the few Superheroes without any powers. A lot of people forget that about her, partly coz she later gained cybernetics after a terrible accident (ironically unrelated to her hero work) that took her limbs nearly took her life too. Still thinking abut her hero name but she spent many years struggling to balance her superhero career with her civilian life. She has a lot of complicated feelings about it all now that she's been forced to give up one side of her life. These days she reluctantly works at her father's company, trying very hard not to draw any attention to herself, or her family.
(Nicole is also here, integrated into Sally's cybernetics. She's quite literally in Sally's head, which kinda makes them a package deal. Her bond with Sally is incredibly strong, tho neither see it as romantic, same goes for Sonic and Shadow. They all consider her as part of the family, and the unofficial fourth parent.)
Sonic and Shadow didn't really have secret identities. Shadow had to invent an identity, going by Terios while dyeing the red parts of his fur and quills black to blend in better. He now works a boring desk job and also tends to wears grey sweaters or plain button down shirts. Shadow is very dissatisfied with his life. He's supposed to be the Ultimate Lifeform! He was meant to protect the world! He made a promise! And now he's just Terry, a boring guy working a mind-numbingly dull office job, barely able to protect his own family much less anybody else. (Yeah, Shadow be Mr Incredible here.)
Now Sonic, he pretty much lived as his superhero identity full time, so very few people actually knew he even had a secret identity. See Sonic used to be Nicky (like from the manga), a quiet, timid kid with freaky powers that always got picked on. One day he ran away from the orphanage he lived in, changed his hair, changed his whole look, changed his attitude, and started calling himself "Sonic". Becoming a superhero was never the intention, but after his first run in with Eggman, well, it all just snowballed from there.
Sonic had the hardest time adjusting to the new status quo in the beginning, having always thought he'd just be Sonic forever, even if he ever got the chance to retire from the hero life. He's had part time jobs, but was never able to hold one for very long. His lack of formal education makes things a little harder on that front too. These days he's settled down as a househusband, being the primary caretaker for their children. He loves his kids and wants to give them all the things he never got to have growing up, like loving parents and a stable home. It would be a lie to say he didn't miss his old life, but if was a choice between that and the life he has with his family, he'd pick his family every time.
I feel like Infinite would fit the role of Syndrome here. With Gadget (that's what the custom avatar is called right?) as Mirage.
Thinking maybe Knuckles and Julie-su would be Frozone and his wife?
Can't really decide who would be Edna. Maybe Rouge?? She kinda has the style for it... There's also Honey the Cat who is a designer I think? Dunno if she fits the Edna Mode vibe tho...
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bhaalitsm · 1 year
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intro post. . .
❛ 🥩。 七情 Lumenwood Kins
⊂ dikke⠀manto₂ . she/he
; 9teen⠀. genderfluid lesbian
⠀⠀⠀⠀ freq. ! 🛢
⠀⠀ →⠀⠀⠀[O1] [O2] [O3] ◞
⠀⠀ !🪳⠀⠀⠀[O4] [O5] [O6]◞
🥀 wasian jew manhater 🏚️
╰⭔ . rentry. carrd . . 🪓
⠀⠀⠀⠀⠀⠀🚬( ̄▽ ̄*)ゞ
𐚁̸⠀⠀⠀ girlfriend . . . < 3
front :: ꩜ꖛ⏤͟͟͞͞★⤵
⠀ -fiction is my primary coping outlet, I have lots introjects or alters who appear physically as characters
discord :: umayon (just lmk ur from tumblr)
instagram :: umayoning
:readmore:
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interests :: | red = special interest |
MOVIES spiderverse, Avatar, Avatar: The Way of Water, Us, Nope, Nightmare on elm street, Texas chainsaw massacre, the Saw franchise, Hellraiser, Killer Klowns from Outerspace, Bottoms, Get Out, Scream, basically all horror
SHOWS Skylanders, Game of Thrones, House of the dragon, ANY GORDON RAMSEY SHOW J LOVE GORDON RAMSEY I WATHC ALL HIS SHOWS, The Boys >>>>>
MUSIC The living tombstone, tryhardninja, jtmachinma, Reol, Walküre, Uma musume pretty derby, Dagames, Ado, most fnaf and vocaloid music, fish inside a birdcage, Atarashii Gakko,
ANIMES HxH, Chainsaw man, Uma musume pretty derby, Naruto, Macross Delta, School Live Club, Corpse Party, Ao Oni, Demon Slayer, JJBA
GAMES Uma Museum Pretty Derby, Skylanders, Puppet Combo, Bloodborne, Darkest Dungeon, Elden Ring, Dark Deception, The Quarry, Ark Survival Evolved, DBD, IDV, League of Legends, Call of Duty, Red Dead Redemption, Apex Legends, Borderlands, FNAF, Don't Starve, Pokemon, God of War, Resident Evil, Splatoon, tealerland, ao oni, My singing monsters, Attack on Time, Baldurs Gate 3, Fear and Hunger, Splatoon
YOUTUBERS CORYXKENSHIN IM HIS BIGGEST FAN IVE BEEN WITH HIM SINCE 4k SUBS!!! Manlybadasshero, astralspiff, superhorrorbro, fusionZgamer, Charborg, Bedbannanas, Lore Lodge
OTHERS Creepypasta, Missing 411, Dyatlov Pass, Korovina Group Incident, Horses, My job (haunted house,) Dinosaurs, Junji Ito, Keychains, Collecting, M&Ms, Шайлушай
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變 : not really interested in engaging with syscourse though I might occasionally, I am mostly anti-endo (pro conversation), though the majority of that is due to co-opting of terminology, cultural appropriation, spreading of misinformation, overall attitude towards systems, and general redirection of resources away from trauma victims : neutrals feel free to interact, pro-endos can as well if you aren’t obnoxious about it 💊
𖧧 : endos who do not do any of the following feel free to int:: you do not use any medical system terms, do not use the word “sysmed”, are not appropriating or in support of appropriating cultures (tulpas), do not spread misinformation about DID/OSDD research, are educated on the DID/OSDD diagnostic criteria, and do not actively take sources away from trauma victims 🥩 my stance is that you do not need trauma to be plural, but you do need trauma to be a system. Me being anti-endo isn’t saying I don’t think you exist, I’m saying your plurality is not systemhood and you need to stop forcing yourselves into our spaces.
♡ Don’t call me plural, do not use plural pronouns, don’t call my alters headmates⚡️ not listing triggers, mutuals tag aggressive yelling, dog fights, and “as long as it’s consensual” phrase thank you
- Did not think I’d need to say this but proshippers dnfi, if you comment on any of my posts you’re asking for an IP reveal
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opiatemasses · 4 months
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What would you do if you knew this sooner? Children's safety in sport
In a recent eye-opening lecture, the topic of children playing contact sports was brought to my attention. The lecturer, Jack Hardwicke, deserves commendation for his dedicated work in exploring the realm of safety in contact sports and the issues around CTE. Given my own experience in sports coaching for primary school children, the topic resonated, and this prompted a deeper reflection on the importance of ensuring the well-being of young athletes.
The societal norm surrounding contact sports, despite their impact on the brain, has long been overlooked. The prevalence of concussions in athletes, with 3.8 million concussions occurring annually in the U.S., raises serious concerns about the ethical and healthy practice of contact sports.
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Chronic Traumatic Encephalopathy (CTE), a disease resulting from repeated head impacts, is now affecting younger individuals. This irreversible form of dementia should be a cause for alarm, especially considering the lack of a cure. Recently, there has been a notable surge in research focused on CTE, particularly in relation to younger athletes, highlighting the urgent need for understanding and preventive measures.
Head impacts pose significant risks to health, as no level of impact can be considered safe. The age at which individuals first experience impacts and the exposure they endure amplify the likelihood of developing brain health issues and neurodegenerative diseases. Given these concerns, it prompts a critical question: Why do we permit contact sports in physical education programmes for individuals aged 10 and over.
The physical education curriculum plays a crucial role in exposing children to contact sports, but another question arises: are we allowing or encouraging them? Growing up, participation in physical education often felt obligatory, leaving little room for informed consent. Should sports like school rugby be compulsory?
Considering that the brain continues to develop into one's mid-to-late 20s, exposing children to the risks of serious concussions can have lasting adverse effects. This raises the question of why we permit children to engage in contact sports without proper informed consent, especially when we have age restrictions for various other activities. For example, to vote, to drive a car, to watch certain movies, etc. The inconsistency is striking; we insist on age-related guidelines for activities such as voting, driving a car, and even watching certain movies. So, I believe, it's time to critically examine the rationale behind this disparity and advocate for the safeguarding of our children's neurological well-being.
Safety equipment, while seemingly a solution, falls short in providing adequate protection. Even cushioned helmets cannot fully protect the brain from potential trauma. The argument that physical education teachers are trained to handle concussions does not address the fundamental issue of preventing brain injuries in the first place. An article that was insightful over this issue was arguing what schools need to know head injuries that are caused by contact sport.
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A possible solution lies in revaluating our priorities. We need to move away from prioritising contact sports over the well-being of children's developing brains. While sports undeniably offer numerous advantages such as socialisation, promoting physical activity, and encouraging healthy competition, it is crucial for adults to discern between enjoyable activities and those sports that inherently jeopardise the well-being of children.
Proposing a bold statement, children should not be allowed to play contact sports until the age of 18, when they can provide informed consent regarding the associated risks of issues like CTE and concussion. There is now compelling evidence to shift societal norms around contact sport within children and the upcoming movement towards protecting children from brain injuries.
Would you let a child run repeatedly into a wall? Knowing the implication covered in this blog, I’m intrigued to know what you think.
N0915145
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denimbex1986 · 9 months
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'Let's be fair, right off the bat: Christopher Nolan's "Oppenheimer," based on the Pulitzer Prize-winning book "American Prometheus" by Kai Bird and Martin J. Sherwin, is a remarkably accurate look into the life of American scientist J. Robert Oppenheimer (Cillian Murphy). It explores both his experiences working as the director of the Manhattan Project, fighting to build an atomic weapon before the Germans could manufacture their own, as well as the character assassination he endured at the hands of Lewis Strauss (Robert Downey Jr.) as a result of the left-wing ties he cultivated in his youth. Christopher Nolan brings his reliably detail-oriented vision to the project, endeavoring to get as close to the real version of history as possible.
But even with a three-hour runtime, it's inevitable that some historical facts are left by the wayside, whether timelines are consolidated to account for narrative flow, the roles of certain characters are shifted slightly, or elements of the overarching story are neglected. We expect this from most biopics because, at the end of the day, a movie is its own take on the story. But today, we're putting on our pedantic hats and taking a look at the spots where "Oppenheimer" and history diverge.
1. The J in J. Robert Oppenheimer
Early in the film, one of Oppenheimer's colleagues makes a comment about how the "J" in "J. Robert Oppenheimer" doesn't stand for anything. (This would not be particularly unusual for the time — famously, the "S" in "Harry S. Truman" doesn't stand for anything either.) But according to "American Prometheus," Oppenheimer's birth certificate confirms that the J stands for Julius, which was the name of his German Jewish immigrant father. It is perhaps likely that he never went by Julius or any derivative of that name because it's an uncommon practice in most Jewish communities to name babies after living relatives, at least in the Ashkenazi tradition, as it's considered to be bad luck.
That Oppenheimer's family didn't follow this particular superstition demonstrates their somewhat fractured relationship with Judaism. Raised by parents of a generation and class in which the primary goal was to assimilate to American culture, Robert Oppenheimer was Jewish by birth, but observed few religious practices. He was in fact educated primarily within the Ethical Cultural Society, a non-religious group founded by Jewish-born Felix Adler, who wanted to incorporate the elements of humanitarianism he considered cornerstones to Jewish culture without necessarily embracing Judaic faith.
2. The infamous apple incident
It's no secret to anyone familiar with Robert Oppenheimer's life that he had a hard time when he first left home for Cambridge to study physics in the prestigious Cavendish lab. He was considered by many contemporaries to be a little emotionally stunted and not quite mature enough for life on his own. Adding to these difficulties were the fact that he was training in a lab that focused on experimentation rather than theory, an environment in which the notoriously clumsy Oppenheimer did not thrive. Struggling to cope with stress and mental health issues, Oppenheimer impulsively poisoned an apple on the desk of his supervisor, Patrick Blackett. 
In the film, he manages to discard the apple and it appears that no one is any the wiser, but in real life (although no one was actually hurt by his stunt) the school found out about what could be interpreted as attempted murder, and it was only with the swift intervention of Oppenheimer's parents that he avoided being expelled or even arrested. He was allowed to stay at Cambridge only under the condition that he met with a London psychiatrist on a regular basis.
3. The ranch in New Mexico
Ever since his teen years, Oppenheimer had a special affinity for New Mexico, a place where he felt more at home than anywhere else in the world. In the film, he mentions to his European colleagues that he misses New Mexico, and that he and his brother have a ranch there. But actually, although Oppenheimer had visited New Mexico several times before attending university in Germany, he and his brother did not own property there until much later. 
Robert and Frank — with the financial support of their father — began leasing a ranch there in 1928, the year after Robert returned to the United States upon receiving his PhD, and Robert didn't actually purchase their small western estate, affectionately referred to as "Perro Caliente," until 1947. Still, the Oppenheimer brothers spent many happy months there, and it was Robert's knowledge of New Mexico that led him to suggest Los Alamos as the eventual site of the Manhattan Project.
4. Oppenheimer's teaching skills
Oppenheimer was by all accounts a unique personality in that social skills did not necessarily come easily to him, but like everything else in his life, he was a quick learner. After receiving his PhD and several offers to teach at various universities, he landed at Berkeley as an extremely green professor with little experience in teaching. "Oppenheimer" shows him connecting with students pretty much immediately, standing at the center of an engaged group of young physicists hanging on his every word. But that wasn't quite the experience that his very first advisees remember. 
In "American Prometheus," Kai Bird and Martin J. Sherwin describe his teaching style as "largely incomprehensible to most students" and "more like a liturgy than a physics lecture." Even Oppenheimer admitted how much he had yet to learn about the art of lecturing. After describing some kindly advice given to him from a fellow professor at the time, he wryly said, "So you can see how bad it must have been." 
Nevertheless, Oppenheimer eventually developed an ability to support and educate his students, which made the members of his physics department incredibly loyal to him, a skill that naturally complemented his role as director of the Manhattan Project. It was the strong relationships that he had cultivated as a faculty advisor that helped him recruit so many promising scientists to Los Alamos.
5. Running Los Alamos
Similarly, although Oppenheimer was a good choice to lead Los Alamos as a scientist — he intuitively understood how to assess problems in research and help his colleagues find new paths forward — he had little experience as an administrator. When Colonel Groves (Matt Damon) discusses the potential role with Oppenheimer, they mention the fact that none of his former associates considered him adept at the kind of logistical support such a massive project would require. (According to The Harvard Gazette, one commented that "he couldn't run a hamburger stand."). Still, in the movie Oppenheimer seems to have an innate grasp of how to compartmentalize the research in a way that would expedite the process and keep them ahead of the Germans, who had already embarked upon a similar project. 
In reality, Oppenheimer had no clue how to run Los Alamos. John Manley, who worked under Oppenheimer on the Manhattan Project, remembered that he "bugged Oppie for I don't know how many months about an organization chart — who was going to be responsible for this and who was going to be responsible for that," a request that was dodged seemingly until Oppenheimer could avoid it no longer (via Science Madness). But again, the physicist proved to be endlessly adaptable, acquiring the skills and temperament required to head one of the most ambitious scientific endeavors in American history.
6. Opinions on Kitty Oppenheimer
Robert Oppenheimer's wife Kitty (Emily Blunt) is represented as a complicated woman in "Oppenheimer." She drinks too much, has trouble connecting with her children, and has a turbulent yet committed relationship with her husband (no small wonder, considering his affairs). But the film doesn't really address how Kitty was viewed within the Oppenheimer circle, which is that ... well, she wasn't very well-liked.
Their romance came about suddenly, when most of Oppenheimer's friends were still quite attached to Jean Tatlock, with whom he had been in a long-term on-again, off-again relationship. Upon learning that Oppenheimer was engaged to be married, his long-time friend and colleague Bob Serber reportedly wasn't sure if he had proposed to Kitty, or to Jean.
Robert's sister-in-law Jackie did not mince words about her feelings towards his new wife. She allegedly called her "one of the few really evil people I've ever known in my life" (per The Decadent Review). While most of his other friends and family members likely wouldn't have gone that far, many in their circle found her difficult, and were open with their opinion that Robert likely wouldn't have married her if she hadn't become pregnant with their son, Peter.
7. Do you want to adopt him?
In "Oppenheimer," Kitty makes a joke to their family friends, asking if they want to adopt Peter to take him off her hands. (This is after already relying upon the Chevaliers to watch him for a month or two when he was just a toddler.) Kitty's lack of attachment to her two children was well-documented, and the throwaway quip depicted in this scene actually had a much more serious grounding in reality. The only difference is that it wasn't Peter who the Oppenheimers offered up to another family, but his younger sister Toni.
Toni was born in the midst of Robert's work on the Manhattan Project, when he barely had time to sleep, let alone be a father. When Kitty suffered from what was likely postpartum depression and left Los Alamos to spend some time away to recuperate, she had one of her friends, Pat Sherr, take care of her infant daughter. "American Prometheus" recounts a moment when, upon visiting Toni at the Sherrs' home, Robert was struck by the feeling that he could not provide the same amount of love and attention as they could, and Sherr remembers him asking, "Would you like to adopt her?" Although the Oppenheimers maintained custody of both of their children, their home was not particularly emotionally warm, although friends and acquaintances spoke of memories in which both Kitty and Robert expressed great affection for Peter and Toni.
8. Einstein and Oppenheimer's relationship
Although Albert Einstein and Robert Oppenheimer were two of the most important scientific minds of the early 20th century, they weren't necessarily the best of friends. Oppenheimer considered Einstein's contributions, though valuable, entirely of the past by the time he was making his name in physics, and Einstein went on the record as being extremely skeptical about the entire field of quantum physics. Despite this, when they worked together at the Institute for Advanced Study in Princeton, New Jersey, they developed a cordial rapport that was based largely on mutual admiration for each other as men and not as physicists.
The scenes in the film that depict Einstein and Oppenheimer conversing at the Institute largely reflect what their actual relationship probably looked like. However, there's little evidence to suggest that Oppenheimer would have approached Einstein during his work on the Manhattan Project to double-check his math on the probability of the atomic bomb accidentally exploding the world. This is partially because they hadn't gotten a chance to get to know each other as individuals at this point — still several years away from working together at the Institute — and also because they were fairly open with the fact that they considered themselves on very different pages when it came to physics.
9. Wire-tapping Oppenheimer A significant portion of "Oppenheimer" takes place during the closed-door hearing in which Robert Oppenheimer appeals the denial of his top-secret security clearance that would allow him to continue working as a government advisor. During this time, we learn that despite efforts to maintain high levels of security at Los Alamos, there was a German-born scientist employed on the Manhattan Project, Klaus Fuchs, who was reporting directly to the Soviets on their research. The film implies that Oppenheimer's inability to have identified espionage within his ranks was the precipitating factor in his being placed under increased scrutiny from the FBI, with surveillance that included wiretaps on all his phones.
But Oppenheimer ran in a very left-wing crowd before the war, and had been under strict surveillance since he was in his late 20s. The film makes reference to thousands of pages of documents on his past and various audio recordings of his conversations, which is why it seems odd that they choose to focus on this moment with Fuchs as a turning point in the government surveillance of Oppenheimer.
10. Oppenheimer's influence in Washington
The part of "Oppenheimer" that takes place after World War II emphasizes Robert Oppenheimer's inability to get the United States government to deal more openly with atomic energy, sharing their research with other countries and engaging in disarmament talks. It also casts him as a naive victim of Lewis Strauss' political machinations to discredit him, through confidential meetings that drag his name through the mud and prevented him from playing a more active role in the atomic conversation throughout the Cold War. And of course, it features the disastrous real-life interaction between Oppenheimer and Harry S. Truman, with the president of the United States calling the scientist a crybaby. None of this is necessarily untrue: In fact, that's pretty much what happened to Oppenheimer.
But by focusing on these elements of his post-WWII career, the film doesn't do credit to the influence that Oppenheimer actually wielded in Washington after the war. A greatly respected physicist, he had the ear of the most important men in government, even if he wasn't always able to convince them to act in ways counter to their fears about the Soviet Union's nuclear capabilities. He was an invaluable government advisor and was on a first-name basis with the U.S. Secretary of State — that's not nothing.
11. Strauss' nomination hearing
When we see Robert Downey Jr. as Lewis Strauss in the framing story of "Oppenheimer," he might look like he's on trial, but he's cool as a cucumber. The generally accepted wisdom during these scenes, in which Strauss is taking part in a nomination hearing to become the U.S. Secretary of Commerce, is that he's got the cabinet job in the bag. A Senate aide played by Alden Ehrenreich expresses no doubt that this is all just routine, that they have to go through the motions of a hearing, but that he'll eventually be granted the position is never in doubt. It's only when David Hill testifies against Strauss that the Senate reconsiders, narrowly preventing him from being awarded the prestigious role.
In fact, there was a contingent in the Senate that was determined to see him voted down. Strauss had an enemy in Senator Clint Anderson, and their relationship was so acrimonious that it was described in a 1959 Time article as a "blood feud." The result was a prolonged political battle that saw Eisenhower become just the fifth president to suffer the embarrassment of having a cabinet nomination rejected. And although Strauss' treatment of Oppenheimer was one reason why he wasn't confirmed, it was far from the lynchpin in the case.
12. David Hill's testimony
Towards the end of "Oppenheimer," it begins to feel like Lewis Strauss is a Scooby-Doo villain who's just gotten away with his dastardly deeds. His confirmation as U.S. Secretary of Commerce seems all but assured, granting him greater power and prestige in Washington. But then David Hill (Rami Malek) gives a damning character testimonial, accusing him of destroying Robert Oppenheimer's career for personal reasons and therefore lacking the temperament required for such a privileged role. The effect is immediate: Senators, including a young John F. Kennedy, switch their vote, delivering Strauss the comeuppance he desperately deserves.
David Hill did in fact speak out against Strauss during his cabinet hearing, saying that there was "a kind of madness and irrationality which went through the whole case" in Strauss' efforts to have Oppenheimer's security clearance revoked (per CQ Almanac). But Hill was not actually the only scientist who testified against Strauss at this hearing, railing dramatically against his treatment of Oppenheimer. There was another Los Alamos scientist, David R. Inglis, who was then the chairman of the Federation of American Scientists. Inglis spoke critically of Strauss a week earlier at the hearings, referring to his "substantial defects of character" and the "personal vindictiveness" with which he conducted his dealings with Oppenheimer. This stirred senators to doubt Strauss' fitness for the role long before Hill joined the hearing.'
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xxhellonursexx · 2 years
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My first shitty movie! And it's actually kind of a downer, it you think about it.
"The Vampire Armand" would have been a pretty slim book had it taken place in 2022. In contrast to the fun medieval sexy-times of the original, all Santino would have had to do to bring down Marius would be to make a simple phone call to the FBI.
Then, Marius would be charged with:
- Child Molestation - Improper Relationship Between Educator and Student - Abandoning or Endangering Child/Children - Failure to Stop or Report Aggravated Sexual Assault of Child - Sexual Assault and Battery of a Child - Statutory Rape of a Child
...which would come out to 45 years to life for “wise old Marius” here, who would be relegated to giving out painting lessons on Zoom from his cell in protective isolation. Not being able to wear red would be the LEAST of his problems.
But thankfully, (for Marius) this is an Anne Rice Renaissance novel, so while Marius WILL have his shit burned to the ground once, he'll eventually be appointed the Prime Minister and primary law-maker of all vampires everywhere by Lestat himself.
"It's all about who ya know."
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rotinfo · 20 days
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liway miranda — the babaylan.
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dossier.
FULL NAME.  liway miranda
NICKNAMES. liway, lee
DOB.  october 31, 1996
GENDER AND PRONOUNS. demi woman
ORIENTATION.  bisexual (fem-leaning)
SPECIES.  human, babaylan (filipino shaman)
BIRTHPLACE.  san isidro, siargao, philippines
CURRENT HOME. verse dependent
LANGUAGES.  tagalog, english, ilocano
ETHNICITY.  southeast asian (filipino)
NOTABLE FEATURE(S). always smells of rosemary and rubbing alcohol, wears an anting-anting around her neck in the form of a wooden cross
skills.
OCCUPATION. forensic analyst
EDUCATION LEVEL. master's degree in forensic science
SKILLS. psychometry (the ability to divine things by touching them), forensic analysis
LIMITATIONS. mortality, overexertion leads to physical manifestations such as dizziness, exhaustion and in some cases bleeding and dizziness
psyche.
POSITIVE TRAITS.  altruistic,  kind, hardworking
NEUTRAL TRAITS.  driven, meticulous, resourceful, intelligent
NEGATIVE TRAITS.  self-deprecating, guilt complex
LIKES. surfing, homemade food, deep cleaning her apartment, buying people presents, costume parties, comic books, really bad horror movies, surfing, making people cry over lea.gue of legends
DISLIKES. people coughing without covering their mouths, people who chew with their mouths open, unnecessary rudeness, la.ng leav, sore losers
MBTI.  infj-t
TEMPERAMENT.  phlegmatic
MENTAL DISORDERS.  n/a
FACE CLAIM.  kathryn bernardo
biography.
liway was born and raise in the philippines surrounded by women; both her mother and her grandmother were babaylan and were regularly approached by their neighbors and friends for advice both mystical and mundane. liway herself was taught in their ways, and it's as normal to her as breathing.
moving to the city for her college education, liway still carried her practices with her. most of her schoolmates simply dismissed this as her being weird, and liway was able to at least make a handful of friends who grew used to her "strangeness." much of this part of her life was uneventful, and liway found herself preparing to move outside of the philippines to work to support her family.
her work as a forensic analyst led her to working at a lab. desensitized to the dead as she was, it made her job a little more bearable. occasionally a body would pass through her hands whose fate even she couldn't explain, but liway's desire to keep her head down was stronger. it wasn't until after a few other cases, including one where she met and became neighbors with sibyll bennett and her family. there had been rumors of a ghost haunting said apartment and, after chatting with liway about her history, sibyll asked in no explicit terms for her to check it out. she obliged and after banishing the spirit of a girl who claimed her ex was a popular singer, they became fast friends.
another development from this incident was liway's introduction to a secret "task force" - one that investigates strange and unnatural phenomena that the local authorities can't handle. she's become their primary "consultant" due to her abilities.
eventually, she moved in with sibyll; she had been going through some trouble with her ex husband, and liway didn't think twice about offering her own space "until she got back on her feet." now, living together just feels right. they've been living in relative peace after liway "put sibyll's ex in his place" - a phrase that's really code for "she scared the shit out of him and he hasn't been back."
currently the two still live together, and after sibyll awakened some psychic abilities she's accompanied liway on some of her "unofficial" jobs.
verses.
main verse. compatible with most supernatural verses such as tvdu, teen wolf, etc. liway is a forensic analyst and a babaylan, often stepping in to solve cases on her own that escape the understanding of the regular authorities.
muse specific notes.
liway is housemates and best friends with sibyll bennett.
tldr version is that she's a forensic analyst and a babaylan, who also occasionally investigates cases that local authorities where she lives can't explain. part of these investigations include clean up and fabricating reports to leave local folks none the wiser. this is open for plots, if anyone is interested in developing this with me!
the ghost she exorcised from the bennett household was in fact, dean kwon's ex girlfriend who died. does she know who dean is? not at all.
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xtruss · 1 month
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“The Zone of Interest: The Banal Dreams of Nazi Settler Colonialism”
In Jonathan Glazer's Oscar-Winning Movie, You Do Not See Auschwitz the Camp; You See Auschwitz the Colony. Neither Exists Without the Other
— Hazem Fahmy | 11 March 2024 | Middle East Eye
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English Director Jonathan Glazer Poses with the Oscar for Best International Feature Film for "The Zone of Interest" during the 96th Annual Academy Awards on 10 March, 2024 (AFP)
In the 1965 Soviet Film Ordinary Fascism, Also Known as Triumph Over Violence, director Mikhail Romm’s voiceover implores the viewer to pay attention to the petit-bourgeois quality of fascism in general, and Nazism in particular.
Over archival footage of German small-business owners leaving their stores in uniform and hopping onto bicycles, he remarks, almost comically: "Here is a butcher, and there goes a baker." This brief scene succinctly captures Hannah Arendt’s (by now highly cliched) notion of the "banality of evil", a phrase she coined while covering the trial of Adolf Eichmann, known as the "architect of the Holocaust".
But Arendt’s own refusal to interrogate the inherently colonial nature of European fascism, a refusal inseparable from her own racism and western chauvinism, has blunted the sharpness of that term’s capacity for critical insight. Yes, the Holocaust was engineered by middle managers, but to what end? What did they get out of the horrific affair, besides satiating their sadism?
A simple answer is Jonathan Glazer’s Academy Award-winning film,The Zone of Interest: land - more specifically, enough land to replicate the expansionism of American manifest destiny, to recreate the German Aryan into the fascist ideal of the Ubermensch.
Over the weekend, the film won the Oscar's best international film award. In his acceptance speech, Glazer told the audience: "Right now we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people, whether the victims of October 7 in Israel or the ongoing attack in Gaza."
The story follows the mundane domestic lives of Rudolf Hoss (Christian Friedel), the longest-serving commandant of the Auschwitz concentration camp, and his wife and children, as they go about their days in their idyllic house adjoining the camp grounds.
As the primary subject is the Holocaust, the film has been widely noted for its refusal to visually depict any of the atrocities that occurred within the camp, though the audience frequently hears gunshots and screams from over the wall. This bold narrative and political choice has been consistently misread in mainstream film criticism as a simple affirmation of Arendt’s limited perspective on the "banality of evil".
It is far too simplistic to describe the film as a truncated biopic of its subject, nor is it accurate to reduce it to a formal experiment; a film about the Holocaust in which you do not see the Holocaust. In other words, The Zone of Interest is not simply a film about the Nazi official as a middle manager, but is much more importantly a film about the Nazi official as a settler.
Cartoon Villains
Since 1939, mainstream western education, media, and discourse about World War II and the Holocaust have strived to depict Nazism as a catatonic movement of unbridled hate, rather than a settler-colonial one in continuum with those of other western powers.
Nazis tend to be portrayed as larger-than-life cartoon villains, rather than quite ordinary monsters, easily comparable to their colonial brethren in the Belgian Congo, French Algeria or British India, among countless other places around the world that have had the misfortune of experiencing western occupation and colonialism.
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Writers and scholars from across the Third World have, of course, long questioned this narrative. One of the most notable and succinct critiques was levied by Aime Cesaire in his Discourse on Colonialism.
But such perspectives have been uncommon within the US. With the exception of Isabel Wilkerson’s Caste, which has frequently been criticised for oversimplifying the primary terms of its investigation, writing on the intimate connections between western, and very specifically American, colonialism and Nazism is often marginalised. Scholars such as Carroll P Kakel and Edward B Westermann are few and far between.
The beauty of these scenes begs the (rhetorical) question: what is the difference between Hoss's family and that of any other frontiersman?
This connection is laid bare in The Zone of Interest, both visually and politically.
The amount of screen time dedicated to the lush vistas of the Nazi-occupied Polish countryside, in which Hoss and his family hike, swim and play, evokes the frontier romanticism of classic western films such as The Naked Spur, Shane and Johnny Guitar.
Being Hollywood productions, these stories, of course, implore the viewer to identify with the settlers’ yearning for the vast landscapes they seek to conquer and rid of their indigenous inhabitants.
In The Zone of Interest, the gaze is identical, but it is now one of a Nazi as opposed to that of a noble American pioneer. The beauty of these scenes begs the (rhetorical) question: what is the difference between Hoss’s family and that of any other frontiersman?
Pivotal Scene
Glazer’s identification of Poland as a frontier for Nazi German expansion is one shared unambiguously by his characters. In a pivotal scene, Hoss and his wife Hedwig (Sandra Huller) argue as to whether they should leave Auschwitz. He has been reassigned elsewhere by his higher-ups and his instinct, as that of any family man, is to take his wife and children with him.
But Hedwig refuses: “Your work is in Oranienburg now. Mine is raising our children.” When he insists, she delivers the final blow: “This is our home. We’re living how we dreamed we would since we were 17 - beyond how we dreamed. Out of the city finally. Everything we want, on our doorstep. And our children strong and healthy and happy. Everything the Fuhrer said about how we should live is exactly how we do. Drive east, Lebensraum. Here it is.”
Hedwig’s impassioned plea emphasises what the vast majority of western media narratives seek to suppress: that genocidal fascist projects are always about reproduction as much as they are about destruction. This is why Lebensraum, German for "living space", is so seldomly discussed in mainstream depictions of the Holocaust.
The Nazis’ ideology of eastward settler expansion did not simply echo American manifest destiny, but considered it a blueprint. This is why the robotically repeated line that the film is about not depicting, or “looking away” from Auschwitz is patently false. You do not see Auschwitz the camp. You see Auschwitz the colony. Neither exists without the other.
Ironically, and despite being the only filmmaker at the 96th Academy Awards to explicitly acknowledge the situation, Glazer himself apparently failed to see the resonance of his own work to the ongoing Israeli genocide in Gaza. In multiple interviews, he has responded meekly when asked about Israel’s mass slaughter and starvation of Palestinians since 7 October, with a shallow lamentation for “both sides”. He repeated this liberal sentiment during his acceptance speech for Best Foreign Language Film, ignoring how the Hoss family has been reborn time and time again in Sderot and Ashkelon and all the other settlements of the so-called Gaza envelope.
Anyone uncomfortable with such comparisons needs only to listen to the words of Israeli leaders speaking of Auschwitz as their end goal for Gaza. I wish Glazer had done so, rather than fall into the tired old trap his own work so brilliantly escapes.
When it comes to colonialism, what most urgently demands our attention is not the banality of evil, but the evil of banality.
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scotianostra · 2 years
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Happy 75th Birthday Denis Lawson born September 27, 1947 in Glasgow. and Kinross Star Wars connections here, Lawson’s nephew is, of course, Ewan McGregor, who portrayed Obi-Wan Kenobi in the prequel trilogy.and he was also an early drama school classmate of Ian McDiarmid, aka Emperor Palpatine in movie franchise.
Lawson t grew up in Crieff, Perthshire, after his family moved there when he was three years old. He is the son of Phyllis Neno, a merchant, and Laurence Lawson, a watchmaker Denis was educated at Crieff Primary School (then called Crieff Public School). After the 11-plus examination, he attended Morrison's Academy as a day pupil before attending the Royal Scottish Academy of Music and Drama, having first unsuccessfully auditioned for the Royal Academy of Dramatic Art in London. He then sold carpets and did amateur theatre work for a year in Dundee before auditioning again at RADA in London and successfully at RSAMD in Glasgow.
Lawson began his acting career with a small role in a 1969 stage production of The Metamorphosis in London's West End. and has since starred in television dramas such as The Merchant of Venice  opposite Laurence Olivier as Shylock, Rock Follies and Dead Head.
Denis has been in too many other TV shows to mention, from the original Dr. Finlay’s Casebook and of course with almost every other Scottish actor he has starred in a Bill Forsyth film, his being Local Hero, but unusually he has never been in Taggart, his last film role of note was in the Glasgow Gangster film, The Wee Man, Denis was in 61 episodes of the long running hospital drama, Holby City as consultant cardiothoracic surgeon Tom Campbell-Gore and 37 episodes of the crime drama New Tricks. In 2017 he played The Duke of Atholl in the series Victoria.
In Star Wars: Episode IV A New Hope his voice was dubbed by David Ankrum. He reprised the role, in voice-over form, in the Nintendo GameCube game Star Wars: Rogue Squadron II: Rogue Leader. Lawson’s voice also provided the narration for the audio book of Heir to the Empire and Dark Force Rising in both novels, he reprised his role as Wedge Antilles as well as playing all characters.
Lawson turned down Lucas’s proposal to make a cameo as Raymus Antilles in Revenge of the Sith.
Lawson was approached to return for Star Wars: Episode VII The Force Awakens, but declined, stating that it “just would have bored [him].”he did however resurface in The Rise of Skywalker and voiced  Wedge Antilles  in the Video game Star Wars: Squadrons
Denis has been quiet for onscreen roles lately, but he has been treading the boards, his last show was  Anything Goes at the Festival Theatre in Edinburgh last spring. 
​No stranger to Edinburgh, it was here that Lawson spent some of the formative years of his career working at both the Royal Lyceum and old Traverse in the Grassmarket, where he trained with the legendary dancer, actor, teacher, mime artist, and choreographer, Lindsay Kemp.
His childhood heroes were silver screen stars like Danny Kaye, Gene Kelly and Fred Astaire.“American Vaudeville kind of people,” he clarifies, “That's what made me want to perform. I wanted to be like them and Anything Goes is that 'front-cloth' vaudevillian-style show and I just love it. It's fantastic - musical theatre has always been a strong part of my career."
So strong, if fact, he won an Olivier Award for his performance as Jim Lancaster in the musical, Mr Cinders.
On his nephew, Ewan, Denis has clarified the line that he tried to talk MacGregor out of the Star Wars role of Obi-Wan Kenobi, saying;
“Ewan likes to say that, but it wasn't like that at all. He was young at the time and it's easy in this profession to get pigeon-holed, so all I said to him was to just be careful. To make sure he really wanted to do it. It was great that he did it and ignored ‘my advice’ and he was fantastic in it. He is an amazing talent.”
It's Lawson we have to thank for encouraging that talent and he remembers, "My sister Carol came to me and said that Ewan, who was eight at the time, had something to tell me. He stood in front of me very seriously and said, 'I want to be an actor.' And I said, ‘Fine, well come back to me in a few years and we will discuss it’. As with me, it never went away and I am immensely proud of what he has done.”
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By: Gregory Brown
Published: Sep 1, 2023
About the Author
Dr. Greg Brown is a professor of Exercise Science at the University of Nebraska at Kearney where he also serves as the Director of the LOPERs General Studies program. His primary teaching responsibilities are undergraduate and graduate courses in Exercise Physiology, but he has also taught courses in Introductory Anatomy & Physiology, Sports Nutrition, Research Methods, and Professional Development in Exercise Science. His research has evaluated the effects of nutritional supplements on the physiological response to exercise, the physiological responses to various types of exercise, effective teaching in the exercise science program, and sex-based differences in sports performance. He has authored or co-authored over 50 peer reviewed publications and serves as a peer-reviewer for over two dozen academic journals. He is a member of the American College of Sports Medicine (ACSM), the National Strength and Conditioning Association (NSCA), and the Association of American Educators (AAE). 
He and his wife (Amber) have two adult sons and one daughter-in-law. Sadly, both their cat and dog passed away in the past year. His hobbies include running, hunting, fishing, studying history, and watching movies. 
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In the current battle over women’s and girls’ rights to female-only sports, a commonly heard mantra is that there are no sex-based differences in sports performance before puberty. Those who make this claim often contend that if a male is put on puberty blockers before age 12 (or Tanner development stage 2; whichever comes first), he can compete fairly in the female category. But is this really true?Are there really no differences in athletic performance between boys and girls before the onset of puberty? Do puberty blockers administered to children really erase male sex-based athletic advantages? Below, I’ll try to provide answers to these questions.
Like many things currently being put forth in public discourse as settled science, the presence or absence of sex-based athletic differences before puberty is not an open and shut case. There are few databases of records for children’s competitive sports performance and there has been limited scholarly research evaluating sex-based differences in competitive sports performance before puberty. Currently, there are no consensus statements from professional organizations such as the North American Society for Pediatric Exercise Medicine (NASPEM), the National Strength & Conditioning Association (NSCA), the American College of Sports Medicine (ACSM), or the National Athletic Trainers’ Association (NATA) stating that there are, or are not, sex-based differences in athletic performance before puberty.
Below, I will cover the main reasons our data on pre-pubertal sex differences in athletic performance is relatively poor, and draw some preliminary conclusions based on the data we do have that indicates such differences are actually quite significant.
Lack of Records
One challenge that arises when trying to determine whether there are sex-based differences in athletic performance before puberty is the limited availability of records documenting competitive athletic performance in children. For adults participating at the Olympic and collegiate levels, meticulous record-keeping is the norm, and these records are readily accessible online. A simple internet search yields numerous listings of Olympic and collegiate records spanning various sports such as swimming, track and field, cross country, bicycling, and more.
Similarly, records for sports in secondary schools are also carefully maintained. In the United States, it is fairly easy to obtain the results of the most recent state high school track championship from news sources and on the state scholastic athletic association websites. Most secondary schools additionally showcase records for track and field, cross country, and other sports. The abundant availability of records in the Olympic, college, and secondary school arena makes it very easy to compare male and female athletes competing in the same events at the same level of competition. Such comparisons vividly illustrate that once puberty sets in, males outperform females by 10-30 percent (depending on the sport and event).
However, most sports involving pre-pubertal children operate outside the jurisdiction of state scholastic athletic association or even the local primary school. Instead, these activities are typically organized by local clubs or community recreation departments. Children’s sports often prioritize recreation and skill development over competitiveness. As a result, records pertaining to race times, throwing distances, weightlifting achievements, or other athletic benchmarks for children are not as meticulously maintained or as readily accessible as records for high school, college, or Olympic sports. Some have interpreted the lack of records for children’s sport as an indication that any sex-based differences in athletic performance before puberty are negligible or insignificant.
Lack of Scholarly Attention
Adding to the challenge of limited records detailing competitive athletic performance before puberty is the constrained number of available scientific evaluations. For example, Handelsman [1] analyzed publicly accessible data on swimming, running, and jumping in children and adolescents. Although his data clearly illustrate that boys aged 10 and under run faster, swim faster, and jump farther than girls of comparable age, he published these findings in 2017 in a paper titled “Sex differences in athletic performance emerge coinciding with the onset of male puberty.”
In 2019 Senefeld et al. [2] drew upon data from USA Swimming and found that, before age 10, the top 5 girls swam faster than the top 5 boys. However, no disparities in swimming performance were observed between the 10th-50th ranked girls and boys. Additionally, in 2020, Huebner and Perperoglou [3] reported that there were no sex-based differences in competitive weightlifting performance before age 10. To my knowledge, these studies represent the only scholarly examinations of competitive performance in children before puberty.
Taken together, the scarcity of sports records for pre-pubertal children and the limited scholarly output on children’s competitive performance has led some to conclude that there are no differences in athletic performance between boys and girls before puberty. Some have even gone so far as to erroneously asserting that a broad consensus exists regarding the absence of sex-based differences in athletic performance before this developmental stage. However, this does not appear to be true, and in the sections below I will present information that demonstrates the existence of sex-based differences in athletic performance before puberty.
School Based Fitness Testing
In contrast to the limited records available for sports performance and the scarcity of scholarly evaluations regarding children’s competitive sports performance, there exists a plethora of scholarly evaluations focused on school-based physical fitness testing in children as young as six years old. Various tests, such as the Presidential Fitness Test, FitnessGram, Eurofit Fitness Test Battery, and other school-based physical fitness assessments, consistently show that boys tend to outperform girls of the same age in tests measuring muscular strength, muscular endurance, running speed, aerobic fitness, ball throwing, and kicking distance. On the other hand, girls tend to perform better than boys in tests assessing flexibility.
A small sampling of publications evaluating school-based physical fitness testing includes a longitudinal evaluation of 240 German boys and girls aged 9-12 years [4], an analysis of 85,347 fitness test results among Australian boys and girls aged 9-17 years [5], an evaluation of 424,328 Greek boys and girls aged 6-18 years [6], a study examining 1,142,026 performances in a 20-meter shuttle run among boys and girls aged 9-17 year from 50 countries [7], and an assessment of 2,779,165 Eurofit performances among boys and girls aged 9-17 year from 30 countries [8]. 
Collectively, these studies (along with many others not listed here) indicate a consistent pattern: before puberty, boys tend to outperform girls of the same age in tests measuring muscular strength, muscular endurance, running speed, aerobic fitness, ball throwing, and kicking distance. Conversely, girls typically exhibit better performance in tests focused on flexibility. While physical fitness tests do not always accurately predict success in competitive sports, physical fitness is often a prerequisite for success in sports.
Sports Records
USA Track and Field (USATF) sanctions youth track and field meets in most states, including regional and national championship events. The youngest age categories in USATF are the 8-and-under and the 9-10-year-old age groups, both of which can reasonably be assumed to represent pre-pubertal athletes. Upon evaluating the performances at the USATF state-level Junior Olympics, it becomes apparent that boys frequently jump and throw farther, and run faster than comparably aged girls.
For instance, if we examine the race times for the 100m, 200m, 400m, 800m, and 1500m races, along with the distances achieved in shot put, javelin, and long jump events in the 2023 USATF Nebraska Association Junior Olympics [9], for both boys and girls in the 8-and-under age group, we find that no girl would have outperformed a boy to secure the gold, silver, or bronze medals in any of these events. For the same events in the 9-10-year-old age group, only one girl would have secured a gold medal (out of a possible 8), while two girls would have clinched silver medals (out of 8), and another two girls would have won bronze medals (out of 8). Of course, one could reasonably argue that data from a single youth track meet in Nebraska may not be representative data for pre-pubertal athletic performance as a whole.
So, if we make the same comparison in the same events (100m, 200m, 400m, 800m and 1500m races, and the distances for shot put, javelin, and long jump) in the 2023 USATF Arizona Association Junior Olympics [10], we observe that girls in the 8-and-under age group would have secured zero gold medals, one silver medal, and two bronze medals. In the 9-10-year-old category, a girl would have tied with a boy for a single gold medal, and three girls would have taken home bronze medals. Yet, once again, one could reasonably argue that the combined data from track meets in Nebraska and Arizona may not accurately represent the broader spectrum of pre-pubertal athletic performance.
So, if we make the same comparison for the same events (100m, 200m, 400m, 800m and 1500m races, and the distances for shot put, javelin, and long jump) at the 2023 USATF National Youth Outdoor Championships [11]—an event that includes athletes from many different states—we discover that girls in the 8-and-under age group would have won two gold medals (out of 8), three silver medals (out of 8), and no bronze medals. Girls in the 9-10-year-old age group would have won a single gold medal, two silver medals, and two bronze medals. Collectively, looking at these three track meets, placing side by side the race times for the 100m, 200m, 400m, 800m, and 1500m races, as well as the distances for shot put, javelin, and long jump for boys and girls in the 8-and-under and 9-10-year-old age groups, it’s clear that if girls were to compete against boys, they would have secured only 23 out of 144 medals. Within this tally, girls would have received only five out of 48 gold medals.
Of course, one could reasonably argue that the examples above represent only a single year and only three specific track meets. However, if we evaluate the overall youth records for the best performances in running, throwing, and jumping from USATF [12], the USATF National Junior Olympics [13], and the School Sport Australia Track & Field Championships [14], they collectively indicate that boys aged 10 and under outperform girls of the same age across all recorded events. On average, boys outperform girls by 3 percent in running, 9 percent in jumping, and 16 percent in throwing events. Similarly, records for boys aged 10 and under in USA Swimming show faster times than girls' records in 18 out of 22 events [15].
While examining medal counts at specific track meets offers valuable, albeit somewhat anecdotal, insights into performance differences between boys and girls before puberty, these counts do not qualify as a rigorous scientific evaluation. Though scholars often use evaluations of overall records for best performances to showcase sex-based differences in adult athletic performance, disparities in pre-pubertal children’s performance are frequently dismissed as being too small to be meaningful. Moreover, the overall youth records from USATF have not been updated since 2018, the records from the USATF National Junior Olympics have not been updated since 2019, and the School Sport Australia Track & Field Championship records have not seen updates since 2016. It’s unclear why these records have not been updated, but it does raise some questions about the accuracy of these records.
Nonetheless, by considering scholarly assessments of school-based fitness test data, several youth track meets, track and field best performance records, and swimming best performance records, it certainly seems like there is an emerging pattern of pre-pubertal male sex-based athletic advantages.
Scholarly Evidence for Sex-Based Sports Differences Before Puberty
Some colleagues and I have recently presented an assessment of sex-based differences in athletic performance before puberty at the 2023 Annual Meeting of the American College of Sports Medicine [16]. Drawing upon a national database of track and field performance (athletic.net) and evaluating the top 10 performances for boys and girls in the 8-and-under and 9-10-year-old age groups over a 5-year period, we observed consistent trends. Boys consistently (and statistically) ran almost 5 percent faster, long jumped 6 percent farther, threw the shot put 20 percent farther, and threw the javelin 40 percent farther than girls of the same age. At the 2023 Annual Meeting of the American College of Sports Medicine, a separate team of researchers from a different university used the same database, albeit with slightly different evaluation methods, and came to similar conclusions regarding the pre-pubertal advantages of male athletes [17].
In light of these findings, it is reasonable to conclude that male athletes indeed possess advantages in sports performance before reaching puberty. This conclusion is founded on extensive scholarly evaluations of fitness tests in schools, data gleaned from youth track meets and records, as well as youth swimming records for best performances. My personal analysis of the top 10 national track and field performances for boys and girls within the 8-and-under and 9-10-year-old age groups across a 5-year period supports this, further corroborated by similar outcomes from another team of researchers. Admittedly, the sex-based disparities before puberty are less pronounced than after puberty, but they exhibit a consistent pattern that yields a statistically significant difference favoring male athletes.
What about Puberty Blockers?
Whether there are, or are not, sex-based differences in athletic performance before puberty still leaves questions about how puberty blockers affect athletic performance. The truth is, we don’t have enough information to answer questions about how puberty blockers affect athletic performance. There are no published studies evaluating the effects of puberty blockers on muscle strength, muscle endurance, running speed, aerobic fitness, as well as throwing or kicking distance in children, whether in school or laboratory settings. Similarly, there is no research on how puberty blockers might impact performance in competitive sports. Limited studies have touched upon the effects of puberty blockers on body composition and height.
Two long-term studies investigating the impact of puberty blockers on body composition and height indicate that the sex-based differences in lean body mass [18] and height [19] persist even after 2 years on puberty blockers followed by an additional 6 years of so-called “gender-affirming hormone therapy.” It is undeniable that male advantages in lean body mass and body height translate to athletic advantages as adults. It’s reasonable to assume that these advantages also extend to athletic performance among children and adolescents. The sex-based differences in performance in children may be smaller than in adults, but small differences can mean the difference between a gold medal and no medal in sports.
Conclusion
Readers of Reality’s Last Stand will be familiar with the important sex-based differences between males and females. These differences begin at conception and continue throughout one’s life. Sex-based anatomical and physiological differences confer inherent athletic advantages to males when compared to females of the same age, possessing similar talents and undergoing similar training, across all age groups, even before puberty. Having a transgender identity, with or without the use of cross-sex hormones, does not eliminate sex-based differences in anatomy and physiology, nor does it erase sex-based differences in athletic performance.
It is my opinion that, in order to maintain a level playing field for female athletic competition, transgender identified males (i.e., “transgirls” and “transwomen”) should not be allowed to participate in the female sports category before or after puberty even when puberty blockers are used.
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sarcasticdolphin · 3 months
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Which series/movie do u think has the best and worst portrayal of Rudolf’s relationship with his parents?
Thank you for the ask :)
I'm not sure that I'm qualified to answer this question - much to my chagrin I haven't seen all (or even most) of the movies and series about Sisi, FJ, and Rudolf. And even beyond that I'm not very familiar with the actual primary sources enough to give even so much as a 'historically accurate' rating.
All of that being said, my general take is:
FJ seems to have been a distant father, but we do have this image:
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So I think we can say FJ tried. Whether or not he succeeded is a different question. Personally I tend to characterize FJ's relationship with Rudolf as a very tragic one. One where he wanted very badly to be a good father, but had no way to both be a good father and the Emperor. (Note that is is based on exactly 0 primary sources and is mostly what I think makes a good story). (So any accuracy is coincidental). In that vein, the two things I try and emphasize when it comes to Rudolf and FJ are that FJ loves his son in a unconditional, parental way. He wants him to succeed, and he tries to help, even if his attempts tend not to go well. Rudolf, on the other hand, tends to see the Emperor and not his father. So even though FJ does love him Rudolf can't perceive it. And this tends to foster a certain amount of resentment, especially given that Rudolf has the hard military education (which is his father's fault) whereas Rudolf's sisters get what is more easily recognizable as unconditional love from their father.
As for Rudolf's relationship with Sisi, I tend to have Sisi very absent in Rudolf's life - more than she historically was - and have Rudolf almost worship the idea of her. Basically, he just puts her on a pedestal. Then when she arrives his dreams get brough crashing down because they were unrealistic even if he didn't realize it. I've varied how I write Sisi and Rudolf's dynamic quite a bit, but I quite like to characterize it as one where Sisi doesn't necessarily feel like a mother. She didn't raise her children, and she hasn't totally come to terms with it. This tends to lead to even more distance between them.
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skippyv20 · 1 year
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Definitions Don't Vary
Hi Skippy & Friends-Pilgrim here confirming real meanings starting with the definition for "documentary film." NON-FICTIONAL MOTION-PICTURE=Documentary film. (Whoops!)
Wikipedia says: A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a historical record ".
Webster says: “a movie or television program that tells the facts about actual people and events.” The conventional thinking about documentaries is that they document reality. Also, conventional thinking suggests they represent the objective truth and do not include fictional elements.
There are 6 primary types of documentaries according to Peter Biesterfeld-a seasoned script-to-screen writer and producer/trainer. 1. The Expository Mode-heavily researched essay films that air to educate and explain events, issues, ways of life and things we know little about. 2. The Observational Mode-called cinema verité, for fly-on-the-wall documentary; gritty realism produced in the 1960-70's using new, faster, lighter filming equipment. 3. The Participatory Mode-involves the meeting between filmmaker and subject recorded with the filmmaker engaging in the situation they are documenting. It presents the filmmaker's point of view. 4. The Reflexive Mode-These try to provoke audiences to question what is being presented! Reflexive documentaries challenge assumptions/expectations about the form itself. 5. The Poetic Mode-the definition of poetry in applied, creating an impression or a mood rather than show a point. It is an abstract or avant-garde production, emphasizing cinematic value over content to create visual poetry using shot design, composition and rhythm. 6. The Performative Mode-this is the opposite of the observational mode where the story is told in an unobtrusive way following the subject's narrative. Performative docs emphasize the filmmaker's own involvement with the subject, becoming the film's personal guide filled with raw emotion and what it is like being there-perhaps a culture of event in history. They may include found footage telling the tragic story of the subject matter.
Conclusion: the Archewell effort for producing a documentary has actually created a new catagory called REVERSING TRUTH MODE. By using all of the above techniques, the intention is to create such a mix up of information it becomes worthless visual pollution, causing severe raw reactions. Caution is advised with this form of documentary with its overly dramatic, scary music used to accentuate the non-existent danger while triggering stress!
Back to reality...I want to know, when do the movie regulators start to question this fake documentary legally? Netflix should be fined along with any other group that participated in this creation of FICTION. Advertising it as a documentary, defined by traditional dictionaries used worldwide, they have perpetuated FRAUD to an unsuspecting public.
"Big mistake! Big! Huge!" said the character from the scene in the movie Pretty Woman.  Over and out for now.
Excellent post! Thank you Pilgrim!❤️
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david-pavoncello · 1 year
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BASIC INFORMATION:
Name: David Michael Lorenzo Pavoncello
Nickname: Fuckboy
Birthday: April 15
Age: 32
Gender: Male
Place of Birth: Launceston,  Massachusetts
Places Lived Since: Launceston & London
Current Residence: Camden
Nationality: American
Parents: Corrado & Deji Pavoncello
Number of Siblings: Two brothers
Relationship With Family: Dead.
Happiest Memory: When the Audtiore’s and Vespucci’s allowed him to stay with him after what happened with his traitorous family. 
Childhood Trauma: Learning that his father was an FBI informant and turned on the only people he ever considered to be his real family. 
PHYSICAL:
Height: 6′2
Weight: 200lbs
Build: Tall and muscular
Hair Color: Black
Usual Hair Style: Most days whatever the fuck it wants to do.
Eye Color: Brown
Glasses? Contacts?: Neither
Style of Dress/Typical Outfit(s): Whatever looks good on him. He does tend to stay with more designer labels because he can afford it. 
Typical Style of Shoes: He likes a good sneaker, having more than he should. For loafers and dress shoes, he leans towards Valentino. 
Jewellery? Tattoos? Piercings?: He has a few chains and rings he wears. He has a right arm sleeve and plans to get more. No piercings. 
Scars: He has a few litters on his body, but nothing too visible. 
Unique Mannerisms/Physical Habits: He will tap his fingers on any surface when he is thinking. 
Athleticism: Very athletic. He likes to keep fit and in shape.  
Health Problems/Illnesses: None.
INTELLECT:
Level of Education: High School Diploma
Languages Spoken: English, Italian & Korean
Level of Self-Esteem: High
Gifts/Talents:  He can sing.
Mathematical?: Average, prefers not to touch anything math related. 
Makes Decisions Based Mostly On Emotions, or On Logic?: Logic most of the time, unless they bring up his family. 
Life Philosophy: Be careful who you trust. Even the devil was once an Angel. 
Religious Stance: Catholic
Cautious or Daring?: Daring
Most Sensitive About/Vulnerable To: His family thrown in his face
Optimist or Pessimist?: Optimist
Extrovert or Introvert?: Extrovert
RELATIONSHIPS:
Current Relationship Status: Single.
Sexual Orientation: Heterosexual.
Past Relationships: None
Primary Reason For Being Broken Up With: He doesn’t want anything too committed and is labelled as a fuckboy
Primary Reasons For Breaking Up With People: Losing interest and finding something better. 
Ever Cheated?: Once
Been Cheated On: Who knows, doesn’t really care.
Level of Sexual Experience: Always evolving.
A Social Person?: Hell Yes.
Most Comfortable Around: His Italian family.
Oldest Friend: Alessandro Elsayed.
How Does He Think Others Perceive Him: Loud and charming. 
How Do Others Actually Perceive Him?: He doesn’t care.
SECRETS:
Life Goals: Continue to kill Russians and finally prove that he is nothing like his father. 
Dreams: Find a hot girl that he actually wants to be with.
Greatest Fears: Being kicked out of the Sovrani
Most Ashamed Of: His father.
Secret Hobbies: Cooking.
Crimes Committed (Was he caught? Charged?): Too many to list, and no he hasn’t been caught.
DETAILS/QUIRKS:
Night Owl or Early Bird?: Night Owl
Light or Heavy Sleeper?: Light
Favorite Animal: Lynx
Favorite Foods: Food
Least Favorite Food: burnt food
Favorite Book: Magazines about cars and health.
Least Favorite Book: All books. 
Favorite Movie: The Godfather
Least Favorite Movie: Romcons
Favorite Song: Humble - Kendrick Lamar
Favorite Sport: Boxing, basketball, football
Coffee or Tea?: Coffee
Crunchy or Smooth Peanut Butter?: Smooth
Type of Car He Drives: Blue BMW i4 M50
Lefty or Righty?: Right
Favorite Color: Blue
Cusser?: Fuck yes.
Smoker? Drinker? Drug User?: Smoker, Yes. Drinker, Yes. Drug User, fuck no.
Pets: None
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