The Vestal, Antonio Canova, ca. 1819-23
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Fanciulla Che Scrive (detail), c. 1874. Giovanni Spertini (Italian, 1821-1895)
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Francesco Hayez (Italian, 1791–1882) • Ballerina Carlotta Chabert as Venus • 1830 • Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento Provicence, Italy
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Gabriel Durán (Spanish, 1749-1806)
Giulio Romano, after (Italian, 1499-1546)
Justice, 1774
Real Academia de Bellas Artes de San Fernando
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Assassination of Julius Caesar by Vincenzo Camuccini
Italian, 1793-1796
pen and brown ink with brush and gray wash over graphite
Metropolitan Museum of Art
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Domenico Corvi (1721-1803)
"Allegory of Painting" (1764)
Oil on canvas
Neoclassical
Located in the Walters Art Museum, Baltimore, Maryland, United States
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Theseus and the Minotaur, Antonio Canova, 1782
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Three cupids being led by tortoises, swans & butterflies
Michelangelo Maestri, Italian
c. 1802-1812, Napoleonic era
Maestri’s finest compositions are based on motifs from antique frescos discovered in Pompeii and Herculaneum and from designs by Raphael or his pupil Giulio Romano. His work became very popular among European travelers during their Grand Tour during the early 19th century.
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Antonio Canova
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Giovanni Battista Piranesi (Italian, 1720–1778), "Gallo Dying"
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Theseus and the Minotaur by Giuseppe Cammarano (1824)
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The Round Tower, Giovanni Battista Piranesi, between 1750 and 1758
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Fanciulla Che Scrive, c. 1874. Giovanni Spertini (Italian, 1821-1895)
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Venus of Urbino by Titian, 1534 & The Grande Odalisque by Jean Auguste Dominique Ingres, 1814 / "Nothing New" by Taylor Swift feat. Phoebe Bridgers
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Bracelet, necklace, cruciform brooch, and oval brooch from a ruby parure with cameos of mythological and Biblical scenes
Italian, 16th to 17th century (cameos) and early to mid-19th century (settings)
onyx, gold, and foiled Burmese rubies
Royal Collection Trust (acquired by Queen Mary in 1932)
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