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#Izzy goes by both
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I think what everyone’s forgetting about Stede and Izzy’s relationship, especially going into the second season is that they share mutual hate. Stede hates Izzy as much as Izzy hates him, and seeing that relationship evolving in the second season is going to be wild
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Can we remember that this was stede’s last interaction with Izzy
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chibi-scone · 4 months
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So that new Rhys Darby interview about s3 ….💀
#SO FUNNY#straight up saying that stede would be unhappy with the inn and leave Ed’s ass to go back to the crew ….y’all were so back#that the inn is a fantasy not meant to last and the British would be after their ass#like Ik djenks already said that the inn wouldn’t last but#put next to him also saying. that the inn is meant to be a happy ending + taika saying Ed and stedes ending is good#and he wants to leave it there#girl …..#just genuinely so funny#that s3 could go full historically accurate and kill both of them at the end#like I don’t even care anymore dude just do it#after how shitty their fans made us feel for being upset about Izzy#I would feel so fucking vindicated#no guys don’t you get it it’s a good ending for them :)) and it’s not bad gay rep to kill your main gay couple#because there’s other queer couples in the show!! stop crying you media illiterate babies they’re pirates pirates die :)))#I can taste it already#this is gonna be tbd cause wtv I just wanted to shoot the shit a little about it uh yeah#ofmd critical#honestly if they kill Ed and stede at the end of s3 that might just be what gets me back into the show a little#like I don’t really want to rewatch the show at this point but if it all goes down the gutter in the end ?#that’s different#it’s like ordering food and being served mouldy garbage vs willingly jumping into a dumpster#everytime a new interview or smtg comes out I’m like 🫣#it’s reaching spn levels of ‘what now’
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theleanbean · 6 months
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izzy isn't going to die
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arsenicflame · 1 year
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i just think hes neat :)
thank u @laceratedlamiaceae for unintentionally fuelling this
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troublemakingrebel · 8 months
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Baldur's Gate 3 experience if you're playing as a bard:
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when you won a tough boss fight on the first try without save scamming:
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when you did jack shit but you're a good boy™ anyway:
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when you disarmed every trap, lockpicked every chest and pickpocketed every pocket without rolling a single critical failure in 5 minutes:
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100/10, def recommend if you love to cry, sweat, bleed and 3D chess
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I get hating Jack but if you think Izzy is better than Jack or that Jack is less likeable than Izzy your taste is literally unbearable. Sorry you hate fun. Yes I am vague posting no I will not be unfollowing over it but I just need it to be known that your vibes are fucked if you hate Izzy less than Jack. Name one redeeming quality on Hands, I'll wait you can't, I can name at least three on Jack, ready: He likes to party. He's very charismatic (don't argue with that one it's canon based on the way the other characters interact with him), He has nice hair (once again if you argue with this one you are questioning Stede's taste)
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laceratedlamiaceae · 1 year
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Izzy should get a cool hat like Jim and Oluwande
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winepresswrath · 7 months
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ofmd season 2 is already a victory for me because ed's subconscious still brings up jack. my commitment to a one off joke character is paying dividends.
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izzystizzys · 16 days
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baby said by måneskin is such a cjizzy song
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casie-mod · 2 years
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Izzy and Jean showing up to their first meeting of Toxic Partners Anonymous like this.
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blackhannetandco · 2 years
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My one controversial take is that Izzy and housewifery is like Stede and piracy. It's a fantasy of his where he has a very specific vision so he ends up being pretty bad at it, with some exceptions for brilliance, but if he puts in enough work and actual commitment he could become decent and even competent.
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fist-amidst-the-hands · 11 months
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tagged by @blackberrywars to do wip wednesday! does anyone else remember when I said I was aiming for posting a wip weekly? yeah me neither
since I haven’t been writing lately this one is from maybe a month ago, just a tiny snippet that’s (as usual) much bigger in my mind. may or may not write up the whole thing, so I put some additional context / plans in the tags!
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A simple request. No... not a request. An order. Two words. Quiet at the onset but growing steadily in Izzy's mind, blooming and spilling over to cover every corner.
The whisper of a smile at the corner of Ed's eyes meeting the desperation swimming within them. The soft pair of footsteps padding from above deck to below contrasting the heavy pounding of Izzy's heart echoing in his head, the intensity threatening to shake apart the blossoms that had so recently taken residency.
All of it sharp yet muted, loud yet far away.
#ofmd wip#blackhands#izzy hands#edward teach#wip wednesday#thanks for the tag!#okay time to provide some context. in preparation for that: i have NO idea why this phrase kicked off a whole Thing but at the time I was#very much feeling that intense !! need to write this down feeling#in my mind this is post s1e10 when babygirl is in his kraken era. peak destructive blackhands with basically izzy giving ed whatever he#needs to get through this (for them to both get through this) which has been translating to violence pain rage etc.#they're no longer conversational and haven't been for weeks. ed is a shell of himself who is somehow both hollow and filled with raw power#untamed emotional turmoil letting itself out in unhealthy ways (we love to see it)#izzy knows to make himself available when needed but only when needed. nothing between them is light anymore#the vibe is very much ed commanding and izzy obliging. but it's draining. it's so draining on both of them#one day ed just doesn't have the energy for it anymore (and it's about fucking time because izzy has learned to make himself flexible when#it comes to ed who's rigid and unyielding but even izzy can only take so much bending before he breaks)#I think he just wakes up one morning and is done with the whole thing. he's miserable and he's over it and he wants (needs) a change#so then this piece of the wip is the start of the change. ed goes up on deck one morning - early which is unusual for him these days - and#goes up to izzy. holds his gaze (yes this is the bit of a smile and also the swimming desperation part) and gives his next order: 'shave me'#it's long overdue at this point tbh. anyway the shaving scene itself would be absolutely intimate just so so emotionally charged#strangely close and gentle and *tender* even after all those months of nothing but sharp teeth and searing pain#also izzy is for sure straddling ed's hips and leaning over him to shave (ed's order) and being so focused and careful about it in that#izzy-acts-of-service-hands way. i don't know yet if they have some kind of soft spoken conversation#if tears are involved or if they just remain in silence but comfortable silence#i don't think it's a huge turnaround of everything is okay now but I do think it's the beginning of change#okay sorry lots of tags as usual but that's probably enough#who knows if the rest of it will be officially written but that's where this was headed#how's this for a writing tag#+ tags!
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solsticeds · 2 years
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open starter: @nostrumstart​​​ location: bittersweet bar
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“ah, ah— what are you doing?” callista protests, words running into each other, as she pried the alcohol away from her companion’s mouth. “you promised you’re the sober friend tonight, and i get to be drunk and carried to my room!” in reality, she was neither certain there was really any pact, nor if this is the same companion she’s been with for the past few hours. it’s just that callista would very much like to be wasted tonight, and she knew she needed someone to temper her inebriated turbulence. “what was your name again?”
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dean-winchesters-clit · 6 months
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I need y'all to understand how fucking important it is that their lovemaking song was La Vie En Rose.
Those translated covers you hear on TikTok take their lyrics from a Louis Armstrong cover of the original French version sung by Edith Piaf. The English lyrics are beautiful but there are some things lost in translation, which is why I love that they had Izzy sing the original French version while Stede and Ed are making love.
Edith Piaf's version of the song is all about the intensity of love and finding love after a trying time. Her vocals are incredible and bleed all the different emotions she feels while singing. Izzy starts with the English translation of the song, which goes:
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But a closer translation to the original French would be:
"Quand il me prend dans ses bras; When he takes me into his arms/ Il me parle l'a tout bas; He speaks to me softly/ Je vois la vie en rose; And I see life through rose-colored glasses."
Obviously this is fine and dandy, but it's the translation of the original French lyrics used later in the episode that really get me. Izzy sings this:
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Which translates to this:
"He speaks words of love to me/ They are every day words/ And they do something to me.
"He has entered into my heart/ A bit of happiness/ That I know the cause of.
"It's only him for me/ And me for him, for life/ He told me, he swore to me, for life."
It's that last verse that the English version just wouldn't be able to capture. The translated version of that verse is about angels and love songs and mentions nothing of a vow to love one another for life.
That's what's so special to me about the French version of the song being used in that moment. Edith Piaf sings as a person who has lived through so much pain and suffering (which she definitely did as a French woman living through World War II) and finally finds comfort and peace in the arms of her beloved.
That is ultimately what Ed and Stede are for one another. Safe harbors, calm waters, peaceful days and nights in each other's presence. They bicker and argue and hurt one another, but they always come back together so easily. Stede was hurt and needed reassurance, needed to prove to himself that he wasn't a whim, needed to feel the security of Ed in his arms. And perhaps they shouldn't have gone all the way that night, but they're both impulsive and obsessed with each other and they needed something.
It's that song that lets me know they're gonna be okay. They're intense and impulsive but they compliment each other. They fit together perfectly, and they find comfort in one another no matter what's happened to them in the past. They need their harbors, their anchors, each other. They'd never leave each other behind. They make each other's lives la vie en rose.
(Edit: fixed a translation error)
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mxmollusca · 6 months
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 A critique I've heard of season two is that we’ve lost a lot of our symbolic objects, archetypes, and motifs. Season one gave us the lighthouse, the kraken, the red silk and the unicorn, the seagull, the auxiliary closet, Gnossienne no. 5, Pinocchio…
And then I think back to Samba sharing a quote from writer Alex Sherman during the ECCC panel:
“Season one is Stede going from a puppet to a real boy, and season two is Stede becomes a man.”
And that’s it, isn’t it? The transformation from object to subject, from something that has things done to it versus someone with agency. We see that transformation throughout season two. Almost every significant object is discarded, every symbol realized in flesh. 
The process starts at the end of season one with the throwing away of all of Stede’s things. So much has been written about Stede’s potential response to that act, and so many folks (myself included) held on to the idea that perhaps Ed kept a little bit, maybe the auxiliary closet. Stede literally no longer cares about those things. He originally brought all the things he loved with him to sea because he didn’t have significant personal relationships. That’s why we hear Gnossienne no. 5 as he goes through the empty cabin pulling out all of the knives. The discordant love motif shows how his priorities have changed, how his love has transformed.
The red silk is gone as well, but instead we have Stede, real and in the flesh wearing the exact same color, clutched in Ed’s hand in the moonlight.
The kraken, a giant monster capable of rending a ship in two? Ed becomes that, literally, disassembling the Revenge to sail her into a storm and destroy her. 
The lighthouse? A warning, Ned Low in his silver suit, a beacon in the dark warning Stede of what he will become if he continues on his course.
The unicorn, the destroyed masthead, literally becomes Izzy, a man taken apart and rebuilt piece by piece out of the parts of Stede Bonnet to become a beloved and respected member of the crew, and perhaps one of the strongest examples of self-actualization so far.
The attempts at reversing the process are demonstrated to be ineffective. The catalyst is when Buttons becomes a seagull, which shows Ed that the process of change is possible—that someone can become something or someone else. And he tries, he throws away his leathers, dons Button’s old jacket, tries to become an archetype. Stede tries to become a “real pirate”, despite the warning from Low. Even in Ed’s vision of Stede as a merman, Stede is being reduced to the role of symbol—a mythical being rather than a very real, very flawed man. They are both still trying to be the object when they need to be the subject. They need to take action, to realize themselves. And it’s a gruesome process. Jim’s version of Pinocchio is about the horrific transmogrification from wood into flesh and the horrors that need to be faced in order to make that transition.
We, the audience, are experiencing discomfort in this process. We are being held right up against the lighthouse lamp, and it burns. This is the emotional equivalent of body horror. It feels like all of our beloved belongings are being thrown overboard, but I promise they aren’t.
They are becoming.
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