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#JACK LOOKS LIKE A GODDAMN MUPPET
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i've never read the manga of an anime i've already watched before but i PROMISE that it's worthwhile, nay, mandatory for beastars
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365days365movies · 3 years
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March 16, 2021: Legend (1985) (Part One)
Hi, Tim Curry. How are you doing today?
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Yeah, that tracks. Been a while, always good to see you. Man, actually, when is the last time I saw you? Clone Wars? I think so, although I don’t know if that really counts. I think, in person, it was...oof, Criminal Minds in 2012?
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Yeah, dude, you were FUCKING TERRIFYING, HOLY SHIT. I feel like people don’t talk about that performance as much, but you were goddamn amazing, buddy. Sorry I didn’t open with this, but...you were my childhood, Ti. Like, from Clue to The Wild Thornberrys to Muppet Treasure Goddamn Island GOD I LOVE YOU IN THAT MOVIE TOO
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Amazing. And let’s not forget Ferngully, of course. Look...I love you, OK? You’re beautiful. And I know that recently, you’ve been through a lot of health struggles, and I wish you the absolute best, I sincerely do. You’re the best, man. Hang in there. 
Actually, while I have you...settle a bet for me, I’ve got it with myself. Have I...have I already seen this movie? Because I feel like I might have, but I don’t think so. It’s like the Mandela effect, y’know? I mean, if I’d seen it before...would I not remember you in this get-up?
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I mean...come ON, RIGHT? I know FOR A FACT that I’ve attempted to watch this movie with friends before, and that didn’t happen. Then, I tried to watch it on my own, and that didn’t pan out because I’m pretty sure I fell asleep after 15 minutes. It had been a long day, I’m sorry. But...I don’t get it, Tim Curry? What the hell happened?
Well...whatever. I guess we’re going to take care of this ONCE AND FOR ALL. Now, who directed this movie?
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Oh shit, REALLY? RIDLEY SCOTT! Kick-ass, he did Alien, and this - 
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And then this - 
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OOH, and this!
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Oh, and we can’t forget this!
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And also this!
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And...and this...
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...And this...
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Oh. Fuck, and this.
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...
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OH GOD STOP I FORGOT ABOUT 1492
...OK, this could either be a very good movie, or a very VERY bad one. I mean...it’s got Tim Curry in it, so it can’t be that bad? And hey, Scott was on a hotstreak at the time, right? What could go wrong? Let’s do this!
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SPOILERS AHEADOH FUCK IS THAT TOM CRUISE
Recap (1/2)
...Ahem. Um. OK. Maybe I imagined that image, or it’s from a different movie. Cool. Let’s keep going, nothing to see here.
The opening text scroll tells us that once, long ago, before time was even a concept, the world was shrouded in darkness. But Darkness hid from the light, which brought to the world laughter, love, and...unicorns. Yeah, really. Unicorns harbor the Light in their souls, as the most mytsical of all creatures. They’re safe from Darkness, and can only be found by a pure-hearted mortal, like Jack, a denizen of the forest. He is loved by Lily, and both believe only in goodness. But not for long, as a struggle for the balance between Darkness and Light is about to commence, and in that struggle will be born...Legend (1985), dir. Ridley Scott.
As the opening credits roll and confirm that Tom Cruise is in fact in this movie, I take a brief moment to vomit lightly.
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At night, walking through the forest, there is a creature with some...bad-ass makeup and costume design GODDAMN. Like, yeah, that category’s already looking good. Anyway, the creature goes through the forest, and finds a den of fire and torture, all lorded over by a horned man, who speaks Mother Night, asking for her protection.
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This is Darkness (Tim Curry), and...fuck me, holy shit, I GET it. Like, this dude began an entire movement and aethestic, and it makes a fuckton of sense. THis dude must have given birth to, like 10,000 goth children, goddamn. Anyway, he commands his goblin henchman Blix (Alice Playten) to find a unicorn and kill it, and to bring its horn back to him. Blix, the rhyming cretin, asks how to find them. And Darkness answers with the perfect lure: innocence.
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That innocence is symbolized by Princess Lily (Mia Sara), a maiden cavorting happily about the wood, without a care in the goddamn world. She visits her friend Nell (Tina Martin), and briefly has a vision of winter in the cottage. Nell notes that it’s time for her to grow up a bit, but Lily’s only concerned with finding her sweetheart, Jack.
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And Jack is...well, Jack o’ the Green (Tom Cruise) is a young man who lives in the forest, with his animal friends. An innocent himself, he’s basically Peter Pan, with Lily playing his Wendy. Except, well, they’re not THAT innocent, because they, like, IMMEDIATELY make out on the forest floor. Which has to be uncomfortable, real goddamn talk.
Jack teaches Lily to speak with the birds, then takes her to see something wonderful and rare. All the while, they’re being followed by Blix, who believes that their innocence will attract the mystical unicorns. And, uh, yeah, Blix is entirely correct about that, because here they come! And they’re making whale noises?
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Apparently, as long as unicorns roam the Earth, evil can never harm the pure of heart. They express only love and laughter, and dark thoughts are unknown to them. Which Lily takes as an opportunity to go hang out with them, despite Jack’s urgings.
But the unicorns seem receptive to her, to Jack’s...frustration? He just kinda leaves her behind for some reason. And Blix takes the opportunity to hit one of the unicorns with a poison dart, causing them to be startled and storm off. Lily flees into the forest, and is immediately scolded by Jack, saying that what she did is forbidden by magic forest law. OK. She’s as confused about that as I am, but she still apologizes to him.
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The two kiss, and Lily makes a promise to him and the universe, I guess, and says that whomever finds her ring will have the right to marry her. She throws it, and Jack IMMEDIATELY JUMPS OFF A CLIFF AFTER IT GODDAMN MY MAN! Lily screams hysterically after him for...some reason?
However, this isn’t great timing, because Blix and the goblins have caught up to the poisoned unicorn, and they cut off its horn, immediately plunging the forest into a fierce winter, similar to what Lily saw in her vision. Jack, in the river looking for the ring, is trapped underwater, beneath ice. By the time he breaks out, Lily’s already run away, to Nell’s place. Nell is frozen solid for some reason, and the goblins are also coming off after Lily for...some reason.
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Lily hides, as Blix and his two companions Pox (Peter O’Farrell) and Blunder (Kiran Shah) exposit the whole thing so that Lily’s caught up on her fault in all of this, and once they leave, she promises to make it right. No idea how she’s gonna do that, but sure.
Jack, meanwhile has collapsed in the woods and snow. He’s woken up by a spirit of the forest named Honeythorn Gump (David Bennent), who is...interesting. He asks Jack what in the FUCK happened, and Jack admits that Lily, a mortal, touched a unicorn, which is apparently the ultimate no-no. Gump’s pissed, but the ACTUAL SECOND that Jack says that it was for love, Gump’s just...totally cool with it? They have a drink with Brown Tom (Cork Hubbert), and agree to help him find Lily...like, immediately.
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They quickly find the dead unicorn, and yeah, the unicorn is FUCKING DEAD after losing its horn, and its mate shows up to mourn. Jack and Gump mourn with the magical creature, which looks REALLY BIG for a horse, Jesus. She stays with her fallen mate, and Jack goes back to the group, delivering the news that they’re cursed? No idea where that came from. 
To lift the curse and get the horn back, they must find a champion bold in heart and spirit. Gump IMMEDIATELY nominates Jack, and takes him to some cave where he can find weapons and armor. He’s guided by Oona (Annabelle Lanyon), a fairy who is LITERALLY NAVI FROM ZELDA, I CANNOT STRESS THAT ENOUGH
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Oona reveals her true form to him secretly, then notes that she could be anything he wants her to be, even his heart’s desire. COMIN’ ON A LITTLE STRONG THERE OONA. Anyway, in the vault of golden weapons and armor and...gold, Jack grabs a sword.
Meanwhile, Lily follows Blix and his group, where Blix uses the magic of the Unicorn Horn (or the Alicorn) to demonstrate his newly found prowess. But as he’s claiming to take over Darkness’ kingdom. Just then, Darkness shows up and claims the Horn for himself, and kills Blunder when he talks back. Darkness asks whether or not the Unicorns are both dead, and reveals that his power will not be complete until the female Unicorn is also dead.
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Lily runs off and makes her way back to the Unicorn and Brown Tom, and warns them of the Goblin’s approach to kill the Mare. Brown Tom, who I think is either a leprechaun or a brownie, fends the Goblins off, while Lily and the Mare...DON’T RUN? FUCKING RUN YOU ASSHOLES!
Tom gets shot by an arrow...in the hat. He immediately falls dead, despite being totally fine, the dick. And Lily and the mare are captured, BECAUSE THEY DIDN’T FUCKING RUN WHEN THEY SHOULD’VE. Jack, Gump, and the leprechaun/gnome/brownie/halfling Screwball (Billy Barty) come to “rescue” him. He tells them that Lily’s alive, and Gump takes Jack to the Great Tree for the next step, accompanied by Screwball and Tom. There, they find...
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WOW. THAT SHIT IS COOL. This is Meg Mucklebone *Robert Picardo), and this thing is absolutely my favorite thing in the movie so far...AND THEN JACK KILLS HER IMMEDIATELY. JAAAAAAACK, WHAT THE HELL, she was really cool. Goddamn it.
The group gets to the great tree, then falls into an underground prison, where Blunder is also held. The group is NOT where they want to be, right in Darkness’ lair. Nice job, Gump. In the prison, the guys, now joined by fellow brownie/dwarf/gnome thing Blunder, hide from one of Darkness’ men, as he takes Blunder away to the torture table.
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Stuck in the cell, Jack suggests that Oona go and get the keys. However, her ability to transform into a humanoid form was a secret between her and Jack, and she’s upset by him revealing it. Gump’s also upset by the secret in and of itself, but she defends that her secrets are hers to keep. You tell him, Oona!
She then says that she’ll only do what Jack wants if he kisses her, GODDAMN IT OONA. NOW IS NOT THE TIE TO GO ALL TINKERBELL IN HOOK! He gives her a little peck, but she transforms into Lily to make him give her a real kiss, dear lord that is CREEPY, OONA! Jack almost kisses her, but refuses at the last second. He notes that human hearts can’t be won over that way, which greatly upsets Oona. Still, she ends up getting the keys for them regardless, and sets them free.
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And at this point, we are halfway through, so FUCK IT. PART TWO! See you there.
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Owen headcanons?
Eyyy, Rae Does Headcanons
Me? Projecting onto Owen Harper? NO. Me? Throwing canon details out the window? NO. Me? Getting his character a little bitty wrong because I don’t know all the ins and outs of Torchwood and have only watched most of it once? MAYBE. Owen? Still a bastard? YES. Me? Still getting Owen on all of the Torchwood quizzes? YES. Hotel? TRIVAGO
Okay. I don’t know what the fuck is going on but every time I come back to this draft, whatever I’d written the night before is GONE. So this is a lot shorter than you probably expected because it took so goddamn long to even get this
He has about a million pens when he doesn’t need them, but the second he needs to write something down? What even is a pen? No such thing exists within 20 feet of Owen
No one uses whatever pens Owen does find because he chews them - That’s all you’re getting on that
Swears all the fucking time. Like yeah, he swore in the show, but not as much as he would have liked - Has his own personal swear jar
Pulls rank. And by pulls rank I mean yells at everyone that he’s a doctor - Cue Captain vs Doctor
He has a picture of Katie in his lab coat pocket I’m sorry I couldn’t not
Forgets to sleep - Doesn’t forget to eat, ever - You wouldn’t think he was a doctor to look at his diet
Still orders pizza under Torchwood
Has picked up a habit of scooting away from Gwen when he makes particularly lurid jokes because he knows that she will slap him
Has definitely blown up Ianto’s precious coffee things on purpose
Is probably the team member most capable of coming up with mostly-believable mumbo-jumbo to explain alien shit [except for Jack]
Bottle tops everywhere on his little desk/monitor station
Is secretly a Muppet in disguise - jk. i meant frog - KIDDING
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smokeybrandreviews · 4 years
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Jill Sandwich
So Resident Evil 3 Remake is out in the wild and i can finally talk about this thing in detail. I have an interesting relationship with the RE franchise. It’s kind of a love/hate situation. I love the first three titles and Veronica. I kind of hate everything that came after. IV through VI are just plain awful, particularly VI. Cats fight me about IV but i don’t care for it. Capcom stopped doing what they do best, desperate survival horror, and started emulating those action films starring Leeloo Dallas. That’s find but, i mean, watching Chris Redfield, jacked up on the super roids, punch out a whole ass boulder, while fighting a chimera virus infected Wesker, in the heart of a goddamn volcano, was way too much. And there was another entire game after that one with this campy, wacky, bullsh*t. I hated it. All of it. Then Resident Evil VII dropped and everything changed.
Revelations hinted at a return to form but it was REVII that showed the world what Resident Evil was really about. My goodness was that game good. I was on the edge of my seat playing through that coil of stress, atmosphere, and insidious violence. It was beautiful. That game was beautiful. I found my self longing for that engine, driving my favorite title of the entire franchise, Resident Evil II. To my surprise i got exactly what i wanted. Holy sh*t, when Resident Evils II Remake dropped, i sh*t myself. This was the Resident Evil game i always wanted. This is what survival horror should have been the entire time. Remake hit every note of nostalgia while building a brand new experience. Not only were the graphics updated, bu the entire story was streamline and, thanks to some excellent voice work, it was rather enthralling this go around. REII was already one of my favorite games but Remake found a spit right next to it on my all-time list. When i finished that motherf*cker for the first time, after experiencing that horror on two legs called Mr. X, i thought about how dope Nemesis would be in this engine. To my surprise, i wouldn’t have to wait long to find out.
First and foremost, R3make is goddamn gorgeous. It’s absolutely beautiful. Capcom’s RE Engine pulls all of it’s weight on this one. The lighting and particle effects are spectacular. I thought Remake II looked great but this game really stand out. There are a few little concessions made to push the hardware but that’s to be forgiven. I can deal with an exploding limb or disappearing body if it means i can get the detail and literally horde levels of zombies on my ass at all times. It’s insane just how many of theses things are packed on screen, in that level detail, while Nemesis is launching f*cking rockets at you.
I have to absolutely gush about the writing for a minute here. I remember the old REIII being kind of hokey, kind of campy. I chocked it up to the limitations of the OG PlayStation. Not this one. The PS4 gives the script writers a level of power to get really creative. The dialogue Jill has with everyone feels real, It feels organic. She acts like a person with training in the middle of a crisis and i adore every second of it. I mean, her banter with Carlos is more than enough for the price of admission.
Also, Jill is just a regular badass. It’s dope seeing her getting her proper due in this game. The last time we saw her, outside of one of those Revelation games, she was a muppet for Wesker. Bullsh*t, son! Not here. Here, she is in all her bad ass. Umbrella busting, glory and i love it. I also love her redesign. Function over fashion, ya dig?
The remix of levels caught me off guard at first. They took out a lot of set pieces i remember like the park and Jill’s run through the RPD. These aspects of her original playthrough make an appearance, just in completely different ways. Also worth mentioning, there are like, no puzzled in this game. I remember the original being very, frustratingly, puzzle heavy way back when. This game is not that. It is a narrative focused, action driven, murder fest. I am more than okay with that particular alteration.
The redesigned enemies in this game are spectacular. I kind of expected a few changed, mostly based on the Ivy from Remake II, but Capcom really found a way to be creative with these new enemies. There’s, like, Las Plagas zombies in this thing. You blow of their heads and a parasite pops out. It’s insane. I always though Nemesis was infected with a Plagas and this game kind of confirms that. I love the new take on the Hunters. The Alphas have kind of a predator face now but the Gammas? The Gammas have this massive parasite that pops out of their gaping maws. It looks just like the Gravedigger and since there isn’t really a park level to this game, imagine they serve the same purpose. Or, repurpose in this case. There’s even a couple of surprises in store for those who know their lore. Their horrifying Resident Evil lore.
F*cking Nemesis, man. Nemesis is nightmare fuel incarnate. Dude is outright horrifying, the entire time you play this game. He’s fast, agile, and f*cking terrifying. I had problems with Mr. X but this asshole? Dude literally sprints after you when you run away. I kind of hate it but, at the same time, i f*cking need it! Good ol’ Nemi’s redesign is amazing. I was a little iffy at first, but seeing it in action sold me. And then his second form happened. Bro. What? And then that third. Okay, Capcom, come on? Y’all were just showing off with that one.
The only thing holding this game back, in my opinion, is that it can get a little REVI at times. I mean that the action becomes just a hair too over-the-top. That entire end sequence with final form Nemesis was absolutely ridiculous. I mean, i loved it, don’t get me wrong, but, f*ck, coming off Remake II and several parts of this one, it just felt a little out of place. There’s a few times where this issue creeps up but, like i said, it’s more of a nitpick than anything. The grounded nature and character driven narrative distract from the more... zealous aspects of this game.
As far as gameplay, if you played Remake II or any of the RE titles after IV, you know what to expect. Over the shoulder, third person, all day! I hate shooters but i can play the f*ck out of these types. Tank controls have gone the way of the dodo it seems but i ‘m not bad with their replacement. This game feels right with this camera set up. Shooting feels right. Dodging feels rewarding. This game feels real good to play.
There aren’t anymore of those quick decision deals like in the original but that’s not a problem. They would have interfered with the narrative driven aspects of this game. You can still, you know, shoot Nemi in the face for dope sh*t but i wouldn’t. F*ck all of that. Maybe after a third of fourth playthrough. Maybe. There’s no Mercenaries mode or multiple endings but you can play a good portion as Carlos and there’s a brand new multiplayer component with it’s own narrative called Resident Evil Resistance so, i guess that’s dope? I dunno. I f*cks with that single player campaign all day, tho.
R3make is f*cking outstanding. I love this game. Absolutely adore the f*ck out of it. I still like Remake II better but that’s more because i just adore II overall. That said, R3make is the f*cking tits. This sh*t is fast paced, adrenaline pumping, stress inducing, action packed, zombie killing. It does justice to Jill, makes me care about Carlos, and even does some interesting things with Nemesis. I was thoroughly surprised by some narrative choices taken but they dded to the overall plot,giving life to a game that sorely needed it, while not compromising once on gameplay. While there are certain design aspects i would have liked seen skew closer to the earlier titles in the franchise rather than the later ones, that is a small gripe. Even in all of it’s Bayhem glory, and there is a lot of that toward th end, this game never loses the spirit of who it is. Resident Evil III Remake is a f*cking masterpiece and you should get into it the second this quarantine lifts if you haven’t already had an opportunity to grab a copy.
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spicelupin-blog · 7 years
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S.Black: Halloween Scare
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Prompt: “I accidentally scared the trick-or-treater you’re babysitting and now I’m the one scared because goddamn you’re intimidating when you’re angry”
Sirius Black. Marauder’s era.
Summary: In which you’re babysitting and Sirius the Asshole scares the kids.
Warnings: None. Swearing, I guess.
Genre: Slight angst, fluff
Words: 2235
Halloween was one of my favorite seasons. Not only did I love the decorations and aura of the spooky season, but I loved the trick-or-treaters and festivities.
I had moved into an apartment at the beginning of the year, now completely independent from my parents. My apartment was small and I could always hear the rock and roll music coming from the people next to me. Regardless, I felt much better there than in my parents’ home. But, now I had to worry about bills and money now, which I was personally struggling with. Whenever I wasn’t at class, I was working. Mostly at a coffee house down the street. In my opinion, they had some of the rudest customers whom rarely left tips. This frustrated me to no end as I wasn’t making the amount I needed, but then a miracle happened. I got a stable babysitting job.
It was a single mother who lived down the hall from me. She had two adorable kids, an eight-year-old boy named Jack and a five-year-old girl named June. Most of the time they were easy to manage. I’d help them with their homework, make their dinner and then we’d watch some television before bed. When their mother returned home from her shift at the hospital, she’d pay me a fair amount of cash and then I’d walk two doors down to my own apartment.
On Halloween, Mrs. Benson called me sounding frantic. The hospital called her into work the night shift as they were understaffed. She sounded very apologetic as she begged me to take Jack and June trick-or-treating. I was planning on going to a Halloween party with some friends that night, but the thought of the children looking all sad in their costumes made me say yes.
“You’re a blessing, Y/N.” Mrs. Benson swore. Her scrubs were decorated with pumpkins for the holiday.
“No problems, Mrs. Benson.” I replied with a smile. “I’ll have them in bed by ten.”
“Ten!” Jack exclaimed behind me, dramatically flopping back onto the couch. He was dressed as Superman and was very excited to get going. As soon as I walked in the door he jumped up, ready to start trick-or-treating.
“Keep complaining and I’ll make it nine.” I teased. That made Jack shut his mouth and turn his attention back to the television.
“My manager said I can go home at one, so I’ll relieve you then.” Mrs. Benson promised as she kissed the kids goodbye.
“Bye mummy.” June sulked. She had been looking forward to the night with her mum. She had been telling me about her costume and how they were getting milkshakes after at a local diner. June was only five, but I could already tell her mother’s too busy schedule was hurting her.
Once the door shut, I crouched down to June’s level. She had her pumpkin bucket in a limp hand and was wearing a fluffy black onesie on with cat ears and face painted whiskers and nose. She looked adorable, even with a pout on her face and tears in her eyes.
“June?” I said softly, touching her shoulder. “I knew you were looking forward to your mum is with you, but I’m afraid you’ll have to settle for me. We can still get milkshakes though if you want.”
June perked up at the mention of milkshakes. It wasn’t hard to pull of five-year-old out of a funk. She gave me a little grin and swung her bucket by her legs. “Let’s go, Y/N!”
I gave her a grin back before standing back up. Jack hopped off the couch, snatching her own spider bucket with him. “Yeah, Y/N! Can we go now?”
How could I say no to a puppy-eyed Superman? I nodded and they a few whoops before heading for the front door. I grabbed my purse and the sparkly witch hat that was basically my entire costume. I had to rush over here, so I threw on some light jeans, a red long sleeved top and a pair of comfortable boots. We were staying in the apartment building to trick-or-treat so I only brought a lightweight coat with me. I made sure to grab Jack and June’s coats on our way out.
“Don’t run off, or we’ll go straight home,” I warned. I doubt I’d actually ruin their night over one of them wandering off a bit, but it was good to put the warning out there.
We decided to start near the top of the building and work our way down. By the time we made it back to our floor their buckets were weighing down their arms. We stopped in front of the apartment down in between my apartments and their own. It was the apartment I knew for constantly having music blaring. Tonight seemed no different as I could hear the sound of Led Zeppelin seeping through the door.
I rolled my eyes at the music blasting but knocked on the door anyway. The music lowered significantly and footsteps headed for the door. There was a long pause and I started to think the people were even ruder than I imagined and were ignoring trick-or-treaters.
“What’s taking so long?” Jack asked around the candy in his mouth.
“I think-” I started to speak but was cut off by the door swinging open and a long haired guy with a bloody nub for a hand stood there hysterically screaming.
“My hand! AAAH!” He screamed, stumbling out of his apartment towards us. It looked so real, but I knew it couldn’t be.
June tripped while backing away and her candy scattered all over the hall. Jack screamed with the man and backed onto a wall. I, on the other hand, looked very pissed.
“What the fuck is wrong with you?” I yelled over his screaming.
He stopped the act and looked up at me with a wide grin. “It’s Halloween. Just some fun.” He shrugged like it was no big deal.
“What are you twelve?” I hissed. He was rather handsome and I’m sure in another scenario I’d find his grin was charming, but right now I wanted to slap it off him. “Scaring little kids isn’t exactly my idea of fun.”
“Told you she wouldn’t find it funny, Padfoot.” A light brown haired man in the doorway said. He looked as annoyed as me.
“Oh, she just needs to lighten up.” The man waved his nub in the air nonchalantly.
I huffed at him and clenched my fists. “Asshole.” I didn’t want to make a scene in front of Jack and June. I stepped forward and spoke soft enough for them not to hear. “Try it again, and I will actually kill you. I’m sure no one will miss an asshole who scares kids for fun anyway. Remember, I know where you live.”
That seemed to touch a nerve because he looked a bit worried. “Okay, dove.”
I turned back to the kids and saw Jack now nervously sucking of a gumdrop and June still sitting in her candy.
“June, are you okay?” I asked softly.
She looked up at me with big teary eyes before letting out a sob and exclaiming, “I hate Halloween!” She got up and ran into the Benson’s unlocked apartment, leaving behind her candy.
I turned back to the man who now only had a deep frown on his face.
“I’m-” He began.
I cut him off with a firm, “Asshole.” I grabbed Jack’s hand and tugged him with me to follow June’s trail of tears.
“June!” I called into the empty house. Jack went to watch the Muppet Show while I took care of a crying June.
June eventually fell asleep after an hour of tears. I felt so bad for her. We didn’t even get the milkshakes she was so excited for. I crept out of her bedroom, making sure not to wake her up.
“Is Juney okay?” Jack asked. He was organizing his candy into piles on the living room floor.
“She’s fine. Just don’t be too loud I just got her to sleep.” I sighed, flopping down onto the couch. “You should be going to bed too,” I told him.
Jack groaned. “Five more minutes?”
I shrugged. I didn’t want to make their night even worse. “Okay.’
Jack stayed up until 10:10 and I had to help him up from where he had curled up on the floor and guide him to bed. Once he was snoring in his bed and I had checked on June, I sat back down in the living room. I flicked through the few stations, yet nothing interested me.
A soft sudden knocking at the door stole my attention. I put down the remote and stood up, cautiously walking to the door. In the peephole, I could see the asshole from earlier, bouncing on his feet with anxiety and his hand behind his back.
I pulled the door open a crack. “What?” I asked in a dry voice.
“I- Listen. I didn’t mean to scare the kid so bad. I’m sorry I made her cry.” He held out June’s bucket which had, even more, candy than it did earlier. “Here. I added some. I’m sorry, dove.”
I opened up the door wide enough to take the bucket from him. His hands were fully intact this time. Now that I wasn’t steaming with anger, I actually looked at him. He was tall and lean and kind of reminded me of a dog. He was dressed like a typical rock fan, Led Zeppelin tee and all.
“Thanks,” I grumbled, about to shut the door.
The guy put his foot in the way and said, “Wait!”
I opened the door with visible confusion on my face.
He cleared his throat. “I’ve seen you around. In the lobby and stuff. We’re neighbours so I thought, I don’t know maybe we should get to know each other.”
I pondered on it for a minute. If he had appeared at my door without ever scaring the kids, I’d jump at the chance to make a new friend, especially one so attractive. But, now I was put off. I opened my mouth to say no but was cut off.
“Before you say no, please just try first.” He looked at me with the most convincing puppy eyes I’ve ever seen.
I opened the door a bit wider. “Fine. Come in, but only for a little and don’t be loud.”
He smiled and walked in. “I’m Sirius Black, by the way.”
“Y/N Y/L/N.”
I made some hot chocolate for us and we sat at the kitchen table. “So, what did you want to say?” I asked after swallowing a gulp of the liquid.
“Well, I’m Sirius.”
‘Got that already.”
“-And you are Y/N. What are your kids’ names?”
I snorted. “First off all, they aren’t my kids. I’m the babysitter. But their names are Jack and June.”
“Oh well, that’s a relief.” He mumbled. “So where do you live then? I mean, I always see you around.”
I had to think of if I’d ever seen him before. I hadn’t as far I could remember. “I live on the other side of you.”
Sirius faked looking shocked. The way his eyebrow shot up told me that he knew this already. “Oh really, interesting. I know who to borrow sugar from now.”
I raised my eyebrow at him. “Why do I feel like you knew I lived next to you already?”
Sirius spluttered, “What? No way! I had no idea.”
I rolled my eyes, but I found his nervousness somewhat cute and entertaining. “Sirius…” I said in a warning voice.
Sirius sighed, leaning back in his chair. He looked up at the ceiling to avoid my eyes. “I might have known.” He grumbled. “I see you in the lobby getting your mail or leaving your apartment in the morning. We leave our apartments at about the same time. I wanted to say hi or something but you always looked so busy. I probably sound like a stalker.” He chuckled.
“Kind of.” I giggled and he gave me a playful glare. “Maybe if you had I would have found your little ‘joke’ earlier funny.”
“Still very sorry about that.” He pointed out.
“Mhm…” I brushed it off with another sip of hot chocolate.
“I want to make it up to you.” He leaned forward to look me in the eye. “Let me buy you lunch tomorrow. Dinner, if you’re busy.”
That surprised me. It didn’t disappoint or disgust me though. Sirius seemed nice and had proven himself when he returned June’s bucket.
“Like a date?” I asked cocking my head innocently.
“If you want it to be, dove.” Sirius gave me that wide grin from earlier. “Only if you want it to be.”
I paused to think about this before nodding. “Okay.”
Sirius raised an eyebrow, smiling growing even bigger. “Okay?”
“Yeah, let’s go on a date, Sirius Black.” I nodded again like I didn’t have a stomach of butterflies.
Sirius gave a whoop of glee which I shushed and glance at the kids’ rooms to make sure they hadn’t woken up. When they didn’t stir I looked at Sirius while shaking my head and chuckling lightly.
“I promise I’ll have my whole hand this time, dove,” Sirius promised.
He better. Otherwise, my threat from earlier was going to be fulfilled
Masterlist
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coll2mitts · 4 years
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#93 Muppet Treasure Island (1996)
Muppet Treasure Island is a film that exhibits all of the Muppet tropes and... exists.
OK, look.  I’m burnt out.  I was a different person when I started Muppet-palooza: I was on furlough, and I naively thought I could stream all of these during the 7-day free trial of Disney+.  The Muppet Movie was so glorious that my expectations of the other 6 movies were... I’m not going to say high, but I was fairly optimistic in the direction this was heading.  After all, I watched 7 Fast and Furious movies in 7 days, and while I thought that would be torture, I came out the other side an indoctrinated member of the Toretta family.
It’s been several months and 2 Disney+ payments under my belt and I just want to be free of this project.  But, I made a commitment and goddamn it, I’m going to follow through.  
This movie is not bad by any stretch, and it has a lot of redeeming qualities, including this melodramatic death scene like 5 minutes into the movie:
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I’m not going to bore you with the plot of this, because I’m guessing most people know the basic touchstones of Treasure Island.  This is actually by design, because the team aimed to create another “classic” movie, riding on the coat tails of A Muppet Christmas Carol.  Orphan gets a treasure map, recruits a crew of pirates to go and find the treasure, and is swindled by the kindly cook to give up the map and lead the bad guys to the treasure.  A sword fight between the bad guys and the good guys ensues, and the good guys get the treasure in the end.
Let’s dive into what works about this movie:
My first thought during the opening credits scene was oh wow, this sounds like Pirates of the Caribbean.  I shortly discovered this is because Hans Zimmer composed this.  It is canon that Muppet Treasure Island walked so Pirates of the Caribbean could run.  There are few more iconic movie scores than Pirates.  Blah blah Star Wars Harry Potter Jaws Indiana Jones...  Pirates is better than anything John Williams ever did, don’t @ me.
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OK, I’m clearly kidding about John Williams, but you can’t tell me that 17 years after Pirates came out that this isn’t still a bop.
Sorry, I got distracted, what was I talking about?  Right.  Muppets.
The songs are fairly good, but this is the obvious standout:
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The costumes, the choreography, and the humor - it’s the perfect Muppet movie song.  This song is why The Muppets Take Manhattan makes me so mad, because it illustrates the kind of excellence the team is capable of.
The cast is pretty great.  Tim Curry is doing his best Tim Curry impression, and has enough makeup in his eyebrows that it’d make a drag queen blush.  NOT TO MENTION FUCKING EDINA MONSOON IS IN THIS FOR A HOT MINUTE KICKING ASS AND TAKING NAMES.  Also, the kid who plays Jim looks like he’s thrilled to be there, which showcases what happens when you cast someone who wants to be in a movie, as opposed to the sad children they forced in front of the camera emotionally dragging down Chitty Chitty Bang Bang.
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The sets are truly impressive, as always.  The scene where they burn down the tavern after shoving a bunch of bad guys through broken windows and walls was a joy to watch.
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The ship is also pretty cool, which they show in more detail in this behind-the-scenes clip.  There is also a fairly amusing story where the director admits to drugging Tim Curry with Dramamine so he wouldn’t get seasick, which had the side effect of making him almost comatose. 
The running gag with Rizzo and the cruise ship rats.  Stupid stuff like that is my aesthetic, but the line about the midnight margaritas sent me.
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Sam Eagle.  I feel like I haven’t adequately expressed my love for Sam Eagle in any of the other movie reviews.  He is perfect - the side eye, his curt and earnest statements, and his inability to get caught up in the silliness of the Muppets...  We should protect him at all costs.
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I am 100% certain when they cast Jack Davenport as Norrington in Pirates, it was because he did the best Sam Eagle impression.
...I had no idea that this review would just lead to me gushing about another, slightly unrelated movie.  Damn you, Hans Zimmer!
Miss Piggy’s costume on the island is fabulous.  I’m not joking when I affirm that Miss Piggy is a fashion icon and we should bow down to her.
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I also enjoyed she had relationships with almost all the men in this movie, leading her to utter, “I’m beginning to see a pattern in the men I date.”
Also, Kermit has an embroidered Miss Piggy tattoo, which made me giggle.
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Things that didn’t work for me:
The movie is extremely predictable, so there aren’t any stakes, which is probably why I found it hard to keep my attention.  Jim is a kid, so even if his house burns down, or he’s being threatened by pirates, no harm was ever going to come to him.  There was a 0% chance Kermit and the crew wouldn’t end up with the treasure, excited to embark on their next adventure.  I recognize this movie, more than any other Muppet movie, was targeted toward kids, so while this might not have been captivating for me, it very well could be exciting for a younger audience.
Green screen flipping Kermit.  Physical effects always play better with the Muppets, and the CGI just looked strange.
There was this terrible trend in the 90s where a pop rendition of the big emotional ballad would play during the ending credits of a movie.  The most famous ones are probably from Beauty and the Beast and Titanic (Thank you, Celine Dion), but we get “Love Led Us Here”, covered by two country stars I’ve never heard of.  It’s so of-its-time, and it has not aged well.  The song in the movie is passable, mostly because it’s cut between scenes of the pirates throwing treasure all over themselves. 
This movie is perfect if you know a kid who loves pirates.  If you’re looking for a Muppet movie filled with more adult-ish humor and touching emotional moments, maybe skip this one. 
Now, we jump forward 15 years to The Muppets.  Jason Segel, here I come...
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idthellyeah-blog · 4 years
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A totally timely and significant review of Rancid’s “...And Out Come The Wolves”
(I honestly don’t remember when I wrote this, maybe 2015. Definitely just got jacked up on something and decided that I needed to write a track by track review of an album I loved when I was a cool punk teen. It has just been sitting in my Google Drive patiently waiting to be posted.)
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 I remember the first time I ever heard/saw Rancid was when the video for “Salvation” off of their second album “Let’s Go” premiered on MTV. Such an 80’s/90’s kid thing to do, discovering a new band by seeing a music video on TV, ugh. I thought the leather clad mohawked bad boys were amazing and perfect and so cool...that I immediately tried to spike my hair using gelatin (tru punx only) and got a leather jacket (did not look that cool and was very sweaty).  When “...And Out Come The Wolves” came out the next year (1995, I’m old AF) I was totally enamored and had found my #1 favorite album of all time (that lasted for like a year until music got better).  I was supposed to go see Rancid at a big show in Omaha, I lived in a small town called Columbus that was roughly 90 minutes away from the big city...but the day of my mom didn’t let me go because I had bad math grades.  I reacted the way any entitled white teen did, by laying in the garage and crying and playing their album.  That show wound up being a huge to-do when fans tore up seats in the venue and threw cushions at the band leading to Rancid not playing Omaha for a long time.  I missed out on some cool bad-ass punk rock shit, first world problems. Fast forward to today when I decided that I, Ian Douglas Terry, needed to write out a song-by-song review of this quintessential punk album.  I’m a real music nut, and obviously very good at structured writing...so here we go!  (Rock on)
1. Maxwell Murder - Oh boy, this one starts with like a subway train sound and then the beginning of a killer/complicated Matt Freeman bass line.  That dude SHREDS the bass, and even has a wild solo in this song.  That’s tight.  Why did they stop letting him sing?  He sounded like a fun Muppet on their first album and I loved his songs.  Maybe he wanted to focus on just shredding the bass and using tons of pomade.
2. The 11th Hour - This song is great.  It is poppy and upbeat and about a woman having dreams and demanding answers.  Hell yeah.  I love good punk music that supports women and feminism and figuring out where the power lies (spoiler alert, it starts and ends with you).  Remember how Brody from The Distillers left Tim Armstrong for the dude from Queens of the Stone Age? And then he got all fat and got a beard?  I can completely relate to that, and have been there sans beard.
3. Roots Radicals - This song RULES.  I had to look up what “Moonstompers” were and who “Desmond Dekker” was.  I remember trying to relate to this like it could somehow compare to living in a town with 20,000 people and the nicest Wal-Mart in the tri-county area.  Remember how there was that Spanish language cover of this on one of those “Give Em The Boot” comps that Hellcat put out? That was real tight.
4. Time Bomb - Hit single baby!  This had a huge hand in getting punk kids into reggae/ska for sure.  Killer organ solo, lots of rude boy shit going, I loved it so much.  Tim Armstrong totally re-used lyrics from the song “Motorcycle Ride” from the previous album...which is hilarious.  Like c’mon dawg...you should know your own lyrics.  I learned how to do the solo from this and felt like a guitar god (it is a very easy solo, like almost too easy).
5. Olympia, WA - I love songs like this that are about cities that the band isn’t from...so you have to fire up your imagination (or just read the lyrics) and be like, “What went down in Olympia, Washington????”.  Turns out it was mostly hanging out on different streets in New York and playing pinball with Puerto Ricans while wishing you were with a person who you were sleeping with in Washington.  Hell yeah, just like Shakespeare.
6. Lock, Step & Gone - Songs about docks were HUGE in my youth.  Dropkick Murphy’s had like eight songs about boys on them, and this Rancid song alludes to them.  I loved all of the blue collar, working class ideology that had nothing to remotely do with my comfortable upper middle class (not sure if that’s accurate because my parents were teachers, and like is there even a middle class any more?) life. This song definitely sums itself up at then end when it says “There’s a whole lot of nothin”.
7. Junky Man - Another theme that I could definitely relate to in a town of 20,000 people with like ten people who did meth...Junkies!  This song is pretty great because the dude from the Basketball Diaries does some sick poetry in it...that movie was nuts.  I like that song that he later wrote/sang about all the people he knew who died. The only way poetry can be cool is if the person is an insane drug addict with cool/sad stories to tell. Otherwise it is just loud diary reading.
8. Listed MIA - At this point I wholeheartedly agree with this song, “I’m checking out”.  I don’t know if I ever really liked this song or if this was just part of the “I accidentally left it playing after the first four songs that I liked were over”.  Lars says the derogatory f-word for homosexuals in it, because people called him that word...that doesn’t seem cool man.  I get that it rhymes with “maggots”, but maybe give white dudes in the Midwest less reasons to sing that word out loud.
9. Ruby Soho - This is one of the best songs ever, hands down.  It is beautiful and you can barely understand what Tim Armstrong is saying but it is wonderful.  I feel like deciphering his lyrics led me to be able to understand most speech impediments, so hell yeah.  This song is about loving someone a lot but having to leave them because it isn’t working out. This song was the blueprint for every romantic relationship I’ve ever had in my entire life so it might be a gypsy curse.
10. Daly City Train - Oh hell yeah, fun Reggae drums!  Through punk and ska I grew to appreciate Reggae, but through being bummed out about that culture’s deep seated homophobia and the fact that most of it is super repetitive and boring and for dad’s on vacation.  I’m just glad that 311 taught me to love those smooth Caribbean sounds again (oh god am I joking or am I serious, I can’t tell any more please save me).
11. Journey to the End of the Easy Bay - I can still play this bass line and was very proud of myself the first time I half-way pulled it off.  It doesn’t sound as smooth and nuanced as the way Matt Freeman plays it, but goddamn it I think that was the height of my skill as a musician.  This song rules themes about needing to belong and finding a place with people who thought and felt the same as you...and then losing it as everyone grows out of it.  This was most of my early 20’s. I grew up in a scene with similarly minded people, it eventually ended and I still have contact with some of those people but that point in my life will never be replicated. I finally belonged somewhere and was part of something bigger than me.  Now I do comedy and it is bleak, entitled, and sad and mostly alcoholics talking about their dicks.  Please take me back.
12. She’s Automatic - This is not a bad song but a very confusing way to describe a woman.  I get that it means she is effortless in “the way that she moves” but maybe I’m not giving Lars any poetic license because he looks like a guy who punched books. This woman sounds great though, and I’m sure they dated for three months.  Revisiting this and that era reminds me that I almost had sex with a girl at the first X-men movie...man, being punk ruled.
13. Old Friend - Back to the Raggae!  This song is pretty great, but they really missed an opportunity of selling this to a heartburn medicine company.  “Good morning heartache, you’re like an old friend come and see me again”...that would be perfect for a commercial of a guy eating a giant plate of lasagna and making a “Oh boy, I did it again!” face.  The Transplants sold a song to that fruit shampoo, maybe this is something I can retroactively help negotiate.
14. Disorder and Disarray -  I love when punk bands have songs about “business men” being evil and the industry being bad.  Like when Against Me were part of an Anarchist collective and then on a major label putting out really bad music.  Rancid was at least on Epitaph, which while arguably not “cool” it was at least run by a kind of punk dude who is responsible for the biggest/shittiest corporate garbage of a festival, The Warped Tour.  This song has a part towards the end where they talk to each other like David Lee Roth would do in Van Halen songs, that rules.
15. The Wars End - I get that this is a song about little Sammy being a punk rocker but at this point I think they should have admitted this album was fine with 10-12 songs and maybe some of these were super repetitive and unnecessary.  It's like you’re forcing it. I can’t imagine the dude who recorded it had a lot of fun and he probably fell asleep and was startled awake and had to pretend like he’d been paying attention the whole time.
16. You Don’t Care Nothin - This starts out with the exact chord progression from Journey To The End Of The East Bay….c’mon guys. You Don’t Care Nothin about being succinct and making your songs individual expressions of art! The themes even seem like something they’ve already gone over.  I’m going to eat some soup, brb.
17. As Wicked - Is this a different song or a weird breakdown?  Oh, it’s a different song.  Well...this soup is pretty good.  Chicken Noodle, but the chunky kind.  It isn’t amazing but it is good. I should really cook more.  Maybe I’ll order Chinese later.
18. Avenues & Alleyways - I don’t really have a problem with this song because it has the “Oi oi oi” chant that the bands I was in during High School would do and we had no idea why other than popular bands doing it.  It is very catchy.  It sounds like the other two songs were just building up to finally getting your attention back. Plus it has a breakdown with people clapping, that is always fun.  This has to be the last song right? It is the perfect last song on an album!
19. The Way I Feel -  FUUUUUUUCK!  What? Really should have ended the album on that last song, it had a good “anthem” vibe and at least wrapped this up into a somewhat sensible endeavor.  This song could have been stuck in the middle somewhere, or maybe just not recorded with about seven others?  The Way I Feel about this album is that there are some parts that hold up and are still fun to listen to, but the rest of it just seems like I’m being forced to read my own teenage diary and it is boring and sad. Nostalgia is a bummer, I can’t imagine having Rancid still be my favorite band.  I’d probably still wear a chain wallet and spiky bracelet and be one of those obnoxious old drunk weirdos I see at shows that stick out like crazy sore thumbs. Bummer dude.
    Oh wow, what a journey (to the end of the east bay, am I right?)...I’m glad I was finally able to get this review out so people could finally know what this album means to me and my generation of lazy weirdos. This took me six months to write and I should be congratulated for being a journalist with tons of integrity and great taste.  True punks never die, they just eventually chill out and shop at Kohl’s.
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tantoknives · 7 years
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hey how about 1-30 from that one ask thing
if someone wanted to really understand you, what would they read, watch, and listen to?-first off i sent this to myself. second, i would link them to my soundcloud and spotify and shit like that. if i had to chose a single band i’d have to go with cherub, they’re my favorite band of all time and i get teary thinking about how jordan kelly gave me a hug. uh anyway also watch princess mononoke and kiki’s delivery service because theyre my fave and i heavily relate to kiki. i guess for reading read my childhood faves like redwall, warriors, guardians of ga’hoole, and everlost trilogy. i don’t do as much recreational reading these days. 
have you ever found a writer who thinks just like you? if so, who?-not?? really in particular. i modeled my early writing more after my childhood favorites (see above lmao) so my writing wasn’t terribly complex. i think i model my writing a bit closer to stephen king’s; he has a very good way of conveying situations/emotions in an extremely subtle way
list your fandoms and one character from each that you identify with.-wow this list has gotten small. the only fandom i actually really interact with is the transformers fandom nowadays. i relate to knockout because i love breakdown. other stuff i used to vibe with is steven universe, and i really related to rose quartz. 
do you like your name?  is there another name you think would fit you better?-now that i’ve figured out that i’m nonbinary, i’d prefer a more... gender neutral name. megan is such...... a generic name. i’m fine with meg, but i don’t even respond to megan anymore lmao. i’m fond of mac, like mac demarco. maybe to be unique™️ i should be called demarco.
do you think of yourself as a human being or a human doing? do you identify yourself by the things you do?-what the fuck kind of question is this it sounds like a question from a job application. and yeah i guess?? i mean i call myself a writer and an artist and a depressed fuck because that’s what i do
are you religious/spiritual?-no. i had some bad experiences in the church and it effectively drove me away from christianity in particular. i enjoy other houses of religion, tho. i find it very interesting to be an observer. 
do you care about your ethnicity?-kinda?? it’s something that i think about a lot because i could have had a lot more culture from my dad’s side except my family on his side was whitewashed as a side effect of rampant racism in the 50s and 60s. i’m ‘hispanic’ but i’m not even sure what that means nowadays?? like am i just white?? i don’t know and it bugs me. like, i’m not trying to reach to be a poc but i’m also not sure if i’m white or not. most of the time i just kind of ignore it. 
what musical artists have you most felt connected to over your lifetime?-florence and the machine was the first artist that i really, really connected with after i heard ‘dog days are over’ during a movie preview on the tv. her lungs album was the first i ever bought, and she was the first artist i ever followed religiously. a little while after her i got really into woodkid. now i’m deeply invested in the band cherub, theyve gotten me through a lot of hard times, all of them. for awhile i was very much into linkin park’s ‘a thousand suns’ album, so chester’s death has touched me in some small way. 
are you an artist?-yeah, i would definitely say so. it’s definitely been a hugely defining part of my identity for the entirety of my life, if that says anything. 
do you have a creed?-not?? particularly?? like for me my creed is to let people do their own thing and stay in my lane unless theyre hurting somebody. like i don’t really care what people do unless it becomes my business. 
describe your ideal day.-ohh getting up at 10am with good hair, doing my makeup and putting on a cute outfit. getting my nails done with a good friend, having a light but tasty lunch then going to get bubble tea after. going to the mall for a couple of hours, then going to a nice place for dinner and a movie. after that, going for a nice swim at night with some friends, good music, and a bit of booze. more movies after that if we’re awake enough. 
dog person or cat person?-i think i answered this already but fundamentally i’m a cat person because i’m too low energy to be a dog person
inside or outdoors?-i’m too delicate of a creature for these earthly elements, so indoors i shall stay. it’s too fucking hot outside. 
are you a musician?-actually, i used to be. i played the piano for nearly ten years and played the french horn/mellophone for another five. i wish that i still played an instrument but i barely have the will to get out of bed, much less the dedication to devote myself to an instrument
five most influential books over your lifetime.-the lovely bones by alice sebold-the green mile by stephen king-the redwall series by brian jacques-the everlost trilogy by neal shushterman-call of the wild by jack londongod......... i need to read more books
if you’d grown up in a different environment, do you think you’d have turned out the same?-i mean, yeah?? that’s basic psychology, tbh. 
would you say your tumblr is a fair representation of the “real you”?-mmaybe?? i don’t really talk that much on here (aside from these ridiculously long ask memes godd) but i’m fairly frank and i typically say what i would irl. i’m a pretty frank person. 
what’s your patronus?-already answered, but i’m changing my answer to Macho Man Randy Savage™️
which Harry Potter house would you be in? or are you a muggle?-i don’t care enough about this question to answer this
would you rather be in Middle Earth, Narnia, Hogwarts, or somewhere else?-all of the above listed universes sound like shit except magic is maybe cool. pokemon is the ultimate alternate reality
do you love easily?-i used to, but i’m a bit more anxious and wary of my relationships these days
list the top five things you spend the most time doing, in order.-sleeping (this summer i average like, 12 hours lmao)-browsing tunglr, sadly-this summer?? breath of the wild-staring at sketchbooks, pencil hovering over the page-eat
how often would you want to see your family every year?-my mom and dad?? once a month sounds good, if not twice. my sister?? fucking never
have you ever felt like you had a “mind-meld” with someone?-me and my SO are ridiculously close to the point where he knew i was starting my period before i even did
could you live as a hermit?-i already do
how would you describe your gender/sexuality?-i am nonbinary and pansexual. so yeah and yeah
do you feel like your outside appearance is a fair representation of the “real you”?-this is something i’ve been working on actually and it’s sorta difficult because i have some clothes that i feel do and a lot that don’t because i have a lot of ultra-femme clothes that i don’t feel as comfy in anymore. i mean, depending on my mood. also my hair is so fucking shaggy i look like a goddamn muppet. 
on a scale from 1 to 10, how hard is it for someone to get under your skin?-it takes a lot, because i mean people make mistakes and do/say shit that they didn’t think about. that’s for friends. other people can and will bug the fuck out of me with ease. 
three songs that you connect with right now.-monogamy by cherub-hallelujah money by gorillaz (iconic)-marijuana by chrome sparks
pick one of your favorite quotes.-uhh hmoh actually i do think i know- “i am become death, destroyer of worlds” from the bhagavad gita i know it’s generic but it’s very iconic, and i especially like hearing it in oppenheimer’s post-atomic bomb speech
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smokeybrand · 4 years
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Jill Sandwich
So Resident Evil 3 Remake is out in the wild and i can finally talk about this thing in detail. I have an interesting relationship with the RE franchise. It’s kind of a love/hate situation. I love the first three titles and Veronica. I kind of hate everything that came after. IV through VI are just plain awful, particularly VI. Cats fight me about IV but i don’t care for it. Capcom stopped doing what they do best, desperate survival horror, and started emulating those action films starring Leeloo Dallas. That’s find but, i mean, watching Chris Redfield, jacked up on the super roids, punch out a whole ass boulder, while fighting a chimera virus infected Wesker, in the heart of a goddamn volcano, was way too much. And there was another entire game after that one with this campy, wacky, bullsh*t. I hated it. All of it. Then Resident Evil VII dropped and everything changed.
Revelations hinted at a return to form but it was REVII that showed the world what Resident Evil was really about. My goodness was that game good. I was on the edge of my seat playing through that coil of stress, atmosphere, and insidious violence. It was beautiful. That game was beautiful. I found my self longing for that engine, driving my favorite title of the entire franchise, Resident Evil II. To my surprise i got exactly what i wanted. Holy sh*t, when Resident Evils II Remake dropped, i sh*t myself. This was the Resident Evil game i always wanted. This is what survival horror should have been the entire time. Remake hit every note of nostalgia while building a brand new experience. Not only were the graphics updated, bu the entire story was streamline and, thanks to some excellent voice work, it was rather enthralling this go around. REII was already one of my favorite games but Remake found a spit right next to it on my all-time list. When i finished that motherf*cker for the first time, after experiencing that horror on two legs called Mr. X, i thought about how dope Nemesis would be in this engine. To my surprise, i wouldn’t have to wait long to find out.
First and foremost, R3make is goddamn gorgeous. It’s absolutely beautiful. Capcom’s RE Engine pulls all of it’s weight on this one. The lighting and particle effects are spectacular. I thought Remake II looked great but this game really stand out. There are a few little concessions made to push the hardware but that’s to be forgiven. I can deal with an exploding limb or disappearing body if it means i can get the detail and literally horde levels of zombies on my ass at all times. It’s insane just how many of theses things are packed on screen, in that level detail, while Nemesis is launching f*cking rockets at you.
I have to absolutely gush about the writing for a minute here. I remember the old REIII being kind of hokey, kind of campy. I chocked it up to the limitations of the OG PlayStation. Not this one. The PS4 gives the script writers a level of power to get really creative. The dialogue Jill has with everyone feels real, It feels organic. She acts like a person with training in the middle of a crisis and i adore every second of it. I mean, her banter with Carlos is more than enough for the price of admission.
Also, Jill is just a regular badass. It’s dope seeing her getting her proper due in this game. The last time we saw her, outside of one of those Revelation games, she was a muppet for Wesker. Bullsh*t, son! Not here. Here, she is in all her bad ass. Umbrella busting, glory and i love it. I also love her redesign. Function over fashion, ya dig?
The remix of levels caught me off guard at first. They took out a lot of set pieces i remember like the park and Jill’s run through the RPD. These aspects of her original playthrough make an appearance, just in completely different ways. Also worth mentioning, there are like, no puzzled in this game. I remember the original being very, frustratingly, puzzle heavy way back when. This game is not that. It is a narrative focused, action driven, murder fest. I am more than okay with that particular alteration.
The redesigned enemies in this game are spectacular. I kind of expected a few changed, mostly based on the Ivy from Remake II, but Capcom really found a way to be creative with these new enemies. There’s, like, Las Plagas zombies in this thing. You blow of their heads and a parasite pops out. It’s insane. I always though Nemesis was infected with a Plagas and this game kind of confirms that. I love the new take on the Hunters. The Alphas have kind of a predator face now but the Gammas? The Gammas have this massive parasite that pops out of their gaping maws. It looks just like the Gravedigger and since there isn’t really a park level to this game, imagine they serve the same purpose. Or, repurpose in this case. There’s even a couple of surprises in store for those who know their lore. Their horrifying Resident Evil lore.
F*cking Nemesis, man. Nemesis is nightmare fuel incarnate. Dude is outright horrifying, the entire time you play this game. He’s fast, agile, and f*cking terrifying. I had problems with Mr. X but this asshole? Dude literally sprints after you when you run away. I kind of hate it but, at the same time, i f*cking need it! Good ol’ Nemi’s redesign is amazing. I was a little iffy at first, but seeing it in action sold me. And then his second form happened. Bro. What? And then that third. Okay, Capcom, come on? Y’all were just showing off with that one.
The only thing holding this game back, in my opinion, is that it can get a little REVI at times. I mean that the action becomes just a hair too over-the-top. That entire end sequence with final form Nemesis was absolutely ridiculous. I mean, i loved it, don’t get me wrong, but, f*ck, coming off Remake II and several parts of this one, it just felt a little out of place. There’s a few times where this issue creeps up but, like i said, it’s more of a nitpick than anything. The grounded nature and character driven narrative distract from the more... zealous aspects of this game.
As far as gameplay, if you played Remake II or any of the RE titles after IV, you know what to expect. Over the shoulder, third person, all day! I hate shooters but i can play the f*ck out of these types. Tank controls have gone the way of the dodo it seems but i ‘m not bad with their replacement. This game feels right with this camera set up. Shooting feels right. Dodging feels rewarding. This game feels real good to play.
There aren’t anymore of those quick decision deals like in the original but that’s not a problem. They would have interfered with the narrative driven aspects of this game. You can still, you know, shoot Nemi in the face for dope sh*t but i wouldn’t. F*ck all of that. Maybe after a third of fourth playthrough. Maybe. There’s no Mercenaries mode or multiple endings but you can play a good portion as Carlos and there’s a brand new multiplayer component with it’s own narrative called Resident Evil Resistance so, i guess that’s dope? I dunno. I f*cks with that single player campaign all day, tho.
R3make is f*cking outstanding. I love this game. Absolutely adore the f*ck out of it. I still like Remake II better but that’s more because i just adore II overall. That said, R3make is the f*cking tits. This sh*t is fast paced, adrenaline pumping, stress inducing, action packed, zombie killing. It does justice to Jill, makes me care about Carlos, and even does some interesting things with Nemesis. I was thoroughly surprised by some narrative choices taken but they dded to the overall plot,giving life to a game that sorely needed it, while not compromising once on gameplay. While there are certain design aspects i would have liked seen skew closer to the earlier titles in the franchise rather than the later ones, that is a small gripe. Even in all of it’s Bayhem glory, and there is a lot of that toward th end, this game never loses the spirit of who it is. Resident Evil III Remake is a f*cking masterpiece and you should get into it the second this quarantine lifts if you haven’t already had an opportunity to grab a copy.
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