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#JacK Marrowbone
annakarenina · 1 year
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Marrowbone — 2017, dir. Sergio G. Sánchez
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marrziy · 2 months
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Jack Marrowbone x Reader
"Decisão de não deixar partir"
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• Filme: O Segredo de Marrowbone (2017)
• Gênero: sad
• Sinopse: você está errado e carrega a culpa nas costas, mas o erro em questão convém a você e ao seu amor, então, com grande pesar, você se permite errar, aceitando um futuro miserável para evitar uma tragédia.
• Palavras: 428
1° pessoa - passado
Escrevi pensando em leitor masculino, mas o texto não deixa isso claro (só na sinopse mesmo), então tá aí pra todo mundo kkkk
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A receita estava na lixeira, junto aos frascos vazios. As pílulas eram levadas pela descarga, assim como a minha boa vontade de insistir na melhora.
Ele não podia melhorar… Não podia, porque se estivesse curado, iria morrer.
Respirei profundamente, não por necessidade, mas por querer que meu pulmão explodisse de tão cheio.
Tentei me convencer de que essa era a única opção. Afirmei a minha cabeça apegada na moral, que fiz o certo por vias tortas, me livrando um pouco do peso.
Bastava estagnar no passado, era só não seguir em frente que tudo ficaria bem.
Sem ponto final, apenas três pontos…
Encarando meu reflexo no espelho, senti um forte impulso, uma vontade absurda de me castigar. A mão tremia, ansiosa para estapear a face refletida. Mas me contive. Resolvi apaziguar com água, eliminando o caminho salgado das lágrimas secas que escorreram pelas bochechas.
Saí do banheiro em outra versão de mim.
Uma realidade que só era fato porque eu queria muito.
Os primeiros degraus foram fáceis de descer, era a madeira velha de sempre, anunciando os anos de pisoteio a cada rangido.
Mas a risada de Jack ecoou pela casa e chegou aos meus ouvidos. Isso me desestabilizou, arrancou com brutalidade a máscara que eu tentei manter.
A dor inchou na minha garganta, mas eu a engoli.
Insisti no sorriso, para permanecer apresentável, mas meus lábios continuavam curvando para baixo, as sobrancelhas queriam posar em sincronia com minha angústia e os olhos eram sinceros demais para segurar o pranto.
O remorso me roía, atormentava e alucinava.
Pouco antes de ficar visível na sala de jantar, me recompus, fingi estar bem para Jack, que ria docemente de algo contado por um dos irmãos.
Jack enxugou os olhos, marejados de alegria. — Oi amor! Finalmente você acordou. Vem cá! – a voz contagiante me chamou.
E eu corri até ele.
E ignorei tudo ao redor.
Sentei no colo de Jack, o abracei com força, respirando na curvatura de seu pescoço, sentindo-o com todo o meu ser e torcendo para que ele não me sentisse de volta, que não percebesse meus cacos.
— O Billy tava me contando que… – ele foi cortado pela própria doce risada. — que quando ele foi limpar a chaminé, um guaxinim o atacou! Olha pra ele, tá todo descabelado!
Eu olhei, mas não vi nada.
Nas demais cadeiras, não havia ninguém.
Os irmãos de Jack, com quem ele se divertia tanto... só ele os via.
Se eu quisesse vê-los, teria que ir até o coração da floresta, na carcaça de um carvalho, onde os corpos apodreciam a sete palmos da terra.
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bluecookiedisaster · 22 days
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Movies like Marrowbone are proof that you should never let rotten tomatoes influence what you want to watch. 49 fucking percent. My fucking god.
Looooooord this movie- what the hell do I even say? It is so much more fucked up than I expected. Watch it.
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whenthestonesrot · 9 months
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You've got smth on your face...
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radioheadmybeloved · 2 years
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George mackay was amazing in Marrowbone
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lakesorange · 2 years
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Just watched “Marrowbone”
10/10 would watch again.
oh my god i didn’t expect any of what happened in that movie to happen and i’m in denial about the siblings ESPECIALLY billy im in love with him <3
(and charlie heaton omg- if anyone knows good fics pls send them 🙏🙏)
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likielida · 2 years
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George Mackay in Ophelia (2018) So.... I might be gifing Hamlet George... Who knows lmao. Also these are rough uses for a role play I might patch them up take out the black bars and do some recoloring when I find the time.
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JACK MARROWBONE from MARROWBONE would steal your diamonds in Minecraft!
(requested by anonymous.)
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filmgoop · 1 year
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marrowbone icons 🚪🪞👻
like if you save
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I NEED SOMEONE TO TALK ABOUT MARROWBONE PLSS, ALSO ALLIE IS LIVING RENT FREE IN MY HEAD AND I DONT BLAME HER
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Yuurivoice boys watching a horror movie with their listeners. How would that go, and what movie are they watching?
Horror Movies HC's
Alphonse:
SNACKS ARE TOP PRIORITY!!
He is down to watch any movie but I feel like one he really likes is Jeepers Creepers.
His mom 10000% was a horror movie over and loved that movie.
Al will watch like cheesy ones too like the ones that are super dumb.
Also he's snuggled right up on your side watching the movie.
Seth:
I feel like psychological horror movies fuck with him more so he watches those.
Jessie loved Jason and Freddy Crouger, so when its a horror movie night Seth watched them when he was younger to feel like she was there.
But he would love Midsommar, like the cult shit freaked him tf out. That or Hereditary.
Also pillowfort is a must, bc you need max comfort to watch a good movie.
Has his arm wrapped around you in case you need to hold him!
Charlie:
I feel like Charlie isn't that big of a horror movie fan but he'll watch some with Cas when they want to.
He was deathly afraid of Chucky but now older, when watching it again he makes fun of the people who didn't lick the fuckin doll.
Also loves commenting on stuff, good if you like chatting but if needed shut him up with a kiss.
I feel like he likes watching documentary horror movies like the Blair witch project or As above so below.
Holding your hand and the other one is in a big popcorn bag.
Faust:
I feel like he doesn't like horror movies that much bc he can predict what's gonna happen.
But he also likes the movies that fuck with your head, like Marrowbone.
He likes eating crunchy snacks while watching movies.
He feels bad when he connects everything together and speaks out loud bc it ruins the movie sometimes but unless you ask what he thinks will happen he'll tell you.
Legs are lapped over yours as you share a blanket.
Finn:
LOVES HORROR MOVIES (personal hc) his grandma def made him watch old horror movies to show him classics.
Has old tapes and player so you can watch what he watched when younger.
Gets snacks and makes drinks so you both can enjoy the movie
A nightmare on Elm Street gives me his vibes or even The shining.
Sitting right next to you, he gets really into the movie so if you wanna hold hands or something you gotta do it first.
Auron:
Like Faust can't enjoy horror movies bc he predicts everything.
I feel like he's one of those crazy people that doesn't eat anything while watching a movie.
Prefers to watch movies at home then go to a theater since they just want money, but if you want too he will plan a date at one.
Children of the Corn, Pet Sematary, the Conjuring and RING are horror movies he likes watching.
Likes having your legs on him and you laying your body on him while holding your thigh too.
Lucien:
Will laugh at anyone who dies, also will critique the demon horror movies like Drag me to Hell.
I feel like he likes the horror movies that could happen in real life like the purge.
Makes his own snacks and your bc you both should feast like kings while watching someone die in a hella dumb way.
Since he's only been in the human realm for a while he'll watch anything.
Laying down in the couch slightly, like sitting up enough to eat comfortably, won't care if you lay or sit on him he can handle it.
Jack:
Like Finn he likes older horror movies but will watch new ones too!
I can feel that he might like psychological horror too like The Grass, Get out, The strangers and Rub Rabbit.
I feel like he only eats soft things while watching movies. Also drinks water rather than a flavored drink.
Since Jack is busy with side jobs he makes sure to have one day out of the week to watch moves with you!
Sitting next to you not touching bc he use to watch so many horror moves with Finn growing up. Just like Finn if you wanna hold hands either hold his or tell him!
•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•♡•
I RECOMMEND EVERY MOVIE I SAID HERE! Especially Midsommar bc it's so fuckin freaky. Also the Marrowbone is a good one too! I love horror movies but hate how I predict everything but when I tried printing this one it surprised me with the twist at the end!
Also if there's a movie you think the YV boys would watch comment!
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lonestarflight · 4 months
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"U.S. Bomber crew somwhere in England. Lt. J.M. Stewart, Marrowbone, Ky., Lt. W.W. Dickey, Beverly, Mass., S/Sgt. R.C. Schnoyer, East Greenville, Pa., S/Sgt. H.L. Langan, Los Angeles, Calif., T.E. McMillan, Boonville, Oh., T/Sgt. C.J. Merriwether, Sanford, Fla., T/Sgt. Jack M. Wheeler, Des Moines, Ia., Lt. J.A. Creamer, Louisville, Ky. 367 Bomber Squad. Thurleigh, England.'
This item was produced or created on December 5, 1942.
NARA: 292573
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corporaloretsev · 2 years
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I know we have discussed this before, but you are a healthy, young woman with a bright future ahead of you. I don't understand why you choose to live in a house that will always bear the memory of that terrible event. It will be sad. It will be lonely. He is a mentally ill man who can never take proper care of you. There's no reason why you should carry that burden for the rest of your life. Love cannot grow in a sick mind. And you will never have a real family if you choose to live with Jack.
George MacKay and Anya Taylor-Joy as Jack Marrowbone and Allie in Marrowbone (2017)
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marrziy · 2 months
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Esse cantinho é um atalho para todas as minhas obras. Encarem como uma prateleira de imagines e fanfics. Os links para as histórias serão adicionados sempre que eu postar. Está tudo separado por fandom, personagem e gênero. Tem até um padrão de cor para cada tipo de trama:
Romance
Hot
Terror/Dark
Drama/Sad
Soft/Fluffy
Bem vindos ao meu quartinho da bagunça! Caso esse post se perca no meio de muitos outros, basta passar no meu fixado, vou deixar o link da masterlist por lá. Aqui tudo é misturado – série com filme e filme com série – mas quando o conteúdo for mais vasto, vou criar listas separadas com diferentes categorias.
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OUTER BANKS (série)
• Rafe Cameron
"Entre tapas, ciúmes e fodas"
Parte 1 (drama/sad)
Parte 2 (drama/dark)
Parte 3 (hot)
"Assopre o pavio" (drama/dark)
SCREAM (franquia)
• Ethan Landry
"Eu tirei a virgindade de um assassino?" (hot/um dark de leve)
• Billy Loomis
"Pertença e obedeça" (dark)
• Stu Macher
"Pertença e obedeça" (dark)
• Wes Hicks
"O que acontece à meia-noite?" (hot)
STRANGER THINGS (série)
• Billy Hargrove
"Ebulição" (hot/romance)
• Jim Hopper
"Delinquente" (hot)
AHS (série)
• Kyle Spencer
"Ele aprendeu a sentir tesão" (hot com alguns poucos elementos sombrios)
• Tate Langdon
"Doente" (romance/terror/dark)
MARVEL (franquia)
• Peter Parker
"Vem relaxar de ladinho" - Tom Holland (hot)
• Tony Stark
"HotShort #1" (hot)
MARROWBONE (filme)
• Jack Marrowbone
"Decisão de não deixar partir" (sad)
BONECO DO MAL (filme)
• Brahms Heelshire
"Os bonequinhos de Brahms" (terror/dark)
HAZBIN HOTEL (série)
• Lucifer Morningstar
"Afago ao rei deprimido" (romance/sad)
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Outras listas:
HOT | masterlist
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docholligay · 6 months
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Marrowbone
Thank you so much to @iscahwynn for buying this from me for my mother's birthday trip! I am happy to say this is SOLD OUT FOR THE YEAR. (And I have no idea if it'll come back next year--I don't think I have a major trip to help with) In October, I'll be doing Hero, and in November, I'll be doing Parasite. Keep your eyes peeled if a book is of interest to you, and then after I get my schedule done, there may be some other ancillaries!
This is a Spanish horror film in English. That isn’t me saying that everything inspired by a different film is stealing it, this is me saying a Spanish writer and a Spanish director made a film in English, and it is very Spanish in feel and in the sort of “scare” we’re offering up. Me putting that in quotation marks makes it seem like I don’t appreciate Spanish horror but Spanish horror is in fact my very favorite if we have to pin down extremely large and broad swaths of movie by country. However, I understand why a movie like this would not necessarily be appreciated by a lot of fans of horr or casual horror watchers. It’s pensive, it’s slow, it doesn’t have a lot in the way of actual ‘scares’ because that’s just not, by and large, what Spanish horror films DO. If someone is looking for a film that involves a lot of the American style of extreme tension and release (Which I also enjoy. This is absolutely not me dogging on American horror.) then this film really isn’t for you. 
BUT, if you love the idea of pursuit in an emotional sense, of the walls closing in and reality coming for you as you attempt to hide from it, this might be right up your alley. Is it as good as The Orphanage? No, I’m not sure I think it is. It’s really missing some of those ‘pop’ moments, like “toca la pared’ in its driving force, and I think a couple of the characters feel a little half-formed, but it is a deeply enjoyable film if you are a fan of this style of horror film
Horror is always a difficult medium because what horror is and means to people is so different. It’s like comedy, only I would argue that people seem to realize more easily that comedy is extremely personal. Horror is the same. Not just ‘what scares you’ though that as well, but ‘what are looking for in a horror? What does that mean to you?’ 
So, Me: In horror I generally want a supernatural base for a story, and I prefer it to say something, though i am totally fine with “Isn’t this fucked up?” as long as the tension is well balanced and i don’t feel insulted. I tend to prefer ghost stories where there is some sort of explanation for the haunting, as is more common in European and American stories, and truly adore possession stories. When it comes to what i like horror movies to be about, many things, but I’m very fond of memory, and history, and guilt, and what the idea of a person is. 
All this to say that in many ways, this is tailored to me. 
Jack is this axis upon which the family spins, even long before his mother dies, the stable and straightforward one. Each of the siblings has their own role, but it matters that Jack is the one to survive because in truth he’s the only one that could survive. And with his mother dead, he has to keep this massive secret. I would argue with a great many parts of this whole “We have to hide that our mother is dead to the extent that we cannot fucking leave the house in rural Maine” and as someone who has lived in rural America most of my life, I am not sure that it holds up in narrative court, but ultimately it’s not so distracting that it pulls me out of the story. It’s part and parcel of how the story has to work, though it DID make me figure out they were dead. Jack is under immense strain, though, even before they die. It’s plucking at the fabric of his mental state long before his father comes and kills everyone. 
(For all being confused by the fact that he can’t do anything until he’s 21, the age of majority in the US was not 18 (I would argue it still is not, but that’s a different post entirely) in the US until 1971, in the wake of the Vietnam War and specifically the draft. Not that he would have been in much better shape in the UK--the age of majority became 18 there only in 1969.)
But when they ARE killed, they come back to save his life (according to Jack’s version of them*) and they are all aspects of Jack. It’s important to remember that Jack is actually doing everything for himself. So, Jane is the nurturing aspect of Jack’s self, the one who cooks and cares and soothes, Billy is his anger, his ability to destroy and to kill--at the end, it’s the voice of Billy that goes, “let me do this”--and of course Sam is his innocence, Jack’s need to be protected and cared for, the part of him that is afraid and young. On a rewatch, it’s actually pretty easy to see how their personalities change to fit these incredibly broad strokes after they die, because our memories of people are not those people. They are the coastal outlines of how we remember them. Jack is saved by the aspects of the people he loved. 
I want to DO something with the idea that the family escapes England, runs from it, to come to America, and the exact same trouble that they had in England follows them here. The same murder and abuse and pain comes for them anyway, a sea between them. And the mother is from Maine, or her family is. I’m not sure what to do with all of that, but it feels like that’s so much work to simply be a coincidence. But I’m not just not sure what to do with it. I could do a whole idea about the very formation of America, about this idea that is very much a part of the building of the American idea where your history is anew the second you step over the border, where you are far enough away from the ‘old world’ that you can escape its horrors. But you can’t. It comes for you, it comes down the chimney, it kills the things you love, and is this part and parcel of the inescapable horror of Where You Come From? I don’t know that I LOVE that as an answer, it feels imperfect to me, but I feel like that’s such a very specific choice, especially with taking the money from there, that there has to be something in it. 
And I mean, that doesn’t have to be specifically about the US and the UK, you could say the same thing about Spain and Mexico, to bring it back to the writer/director, where there are so many good things about the US/Mexico, but also horrors that have been inherited from the UK/Spain, and it is impossible to live in a house that was built for people across the shore and to keep out the horrors. 
On that note, let’s talk about Tom, who is a little mustache-twirling for my tastes in a movie that is essentially about escape and memory and how we choose to live with tragedy.  I’m not sure if this has anything to do with The UK, sure, but specifically England--and this family is specifically English--and the US have a really difficult history, we are family of a kind, but we can also resist each other and be pretty cruel to one another. This feels like a kind of anger, a kind of resentment that no matter how well you do, no matter how absolutely ruined Jack/the UK is, he’s preferred for what? Suffering in silence instead of wanting more? ALSO ALSO, and I don’t know that the writers even knew this, but it could be something about how the well-being of the UK has, for at least the last 70-odd years, been tied in a large way to the well-being of the US. The two worst recessions in the Uk before the pandemic were tied to US CRISES. The recession in the early 00s, the worst in the UK since WW2, was tied to OUR subprime mortgage crisis. In the 90s? Tied to our savings and loan crisis. We are inevitably fucking tied to each other, and also we hate each other. I was going to write something else, but I’m getting off-track, and I don’t know if I think this is totally supported by the narrative, but I want to do something with Tom that is more than ‘mean antagonist’ and so I’m standing here before you with a list of recessions in the Uk going “Is this anything?”
I actually think Anya Taylor-Joy is a bit wasted here, as her character requires very little, and is mainly an accessory and an idea to everything that is happening. Maybe I’m underselling it--it’s completely possible that without Taylor-Joy, the character would become so weak and one-dimensional as to be annoying, and she never really does that, she feels unexceptional and real, and that is enough. 
This is by design, of course. WE are Allie. We immediately fall in love with the family and are kept emotionally distant from the reality of their situation. We understand things only as they come to us through Jack. We have to rely on his version of events. Remember the ‘reveal’ is through his little book. We choose to believe him, because like Allie, we love him. 
So Iscah asked me what I think of the ending and specifically what I think of the idea, as put it “that it seems to be cast as positive” that he is still seeing his family. Do I think it’s being cast as positive? I don’t know if I do. I do think it is designed to put him in sharp contrast with his mother, who has everyone step over the line and forget everything that came before, and even when Jack himself does this, it’s to forget something instant and specific. I think part of what’s it’s saying is that what his mother attempts is impossible. That our pasts and our presents are impossibly tied up in one another, and to set it aside is going to end in tragedy. And, in fairness, maybe that makes it correct that Jack’s still living ‘with’ his siblings. 
 It’s certainly not being cast as fully negative, I’ll give you that all day long, but I don’t know if I fully agree that it’s being cast as positive. It’s sort of cast as neutral. If it were cast as positive I’d argue that he would be living a richer, fuller life. When we come upon him, we don’t even really interact with him, Allie comes upon him sleeping on the porch, and wakes him up. There’s no indication that he’s helped by the haunting of his siblings. There’s no indication he ever leaves the house.  Now, could he someday end up having a good life, with something he enjoys doing, and marrying Allie, fixing up the house, al the things he’d like to do? Sure, perhaps. But also could he end up essentially always sitting on that porch staring into the field. 
I do think that is the point, actually. That he could go either way, now. That he has decided, and Allie has decided, that living with the denial of what’s happened is better than living with the reality of what has, and whatever happens after there is still up to them. He was going into town and making cakes and selling things and all that when he was hallucinating his family as alive, so there’s really no reason why he can’t learn to repair plaster and lath while Billy holds the ladder or whatever. I realize I’m being a little flippant about it, but I think when you’re dealing with being, we’ll just call it odd for the sake of casting a wide net, you can learn to live with it, and learn to be a reasonably happy person with it, most of the time. You may not do everything the way other people do, but you can learn to make it work. 
In all, I really enjoyed this movie, but I don’t know that I would say it’s a slam dunk. The characterization really leaves something to be desired, and while I am absolutely making things out of it, I have no idea how much of that is based in intention and how much of it is simply me seeing what I’d like to see. The dialogue is sometimes very stilted, and while I think the idea is fantastic, I think the execution needs a little massaging. All that said, I love this kind of movie and so I would happily recommend it to anyone else who ALSO likes this kind of movie. 
*This brings me to a very very interesting point, which is: Do they come back, or are they only figments of Jack’s imagination? You might say, ‘Well, Doc, the doctor says that he’s nuts, and even you said that every single one of them is an aspect of Jack.” Listen just because I said something doesn’t mean I’m not going to argue with it literally five minutes later, and also, this could be something that almost BECOMES a possession narrative. Is there a chance that he 
On that note, I don’t actually think the narrative believes this or backs this, because we have Allie physically and literally see his father, but an interesting idea that his father is also an aspect of himself and he killed his siblings under the pressure of caring for them. Note that I don’t think the story bears that out and I don’t think that’s the intention of the film, but it’s an interesting thought experiment. But it’s at the bottom because I don’t think it’s ‘real’.
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ant1m0ny · 1 year
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It just dawned on me that in the start of the secret of marrowbone Jack says
Little did we know it was the last summer we would spend together
He wasn't talking about just his mum. He was talking about all of them.
Because like when I watched it he said that line and I was like hm I know he means the mum but it's a bit strange that they didn't show any scenes of them spending the summer with his mother if he was going to say a line like that, and the reason is because that's not who he was referring to.
This is probably not a surprise to anyone but it literally JUST hit me!
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