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#Jack McCollough
disease · 2 months
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PROENZA SCHOULER FW24 RTW
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newestcool · 19 days
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Proenza Schouler f/w 2022 rtw Creative Directors Lazaro Hernandez & Jack McCollough Models Bella Hadid & Felice Nova Noordhoff Fashion Editor/Stylist Brian Molloy Makeup Artist Diane Kendal Hair Stylist Guido Palau Casting Director Ashley Brokaw
Newest Cool
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super-into-on-it · 3 months
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Pamela Anderson
for Proenza Schouler | SS 24
shot by Davit Giorgadze
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carzenriq · 2 months
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Proenza Schouler // Fall 2024 #NYFW - New York Fashion Week
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sunraysandrunway · 28 days
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Proenza Schouler Spring 2005 Ready-to-Wear
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la-situde · 2 months
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Proenza Schouler RTW Runway F/W '24
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simple-pretty · 7 months
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proenza schouler spring 2024, look 12
proenza schouler courtesy photo via voguerunway.com
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thebossishere · 1 year
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#JackMccollough #LazaroHernandez #METGala2023
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Proenza Schouler White Label FW19 - Social & WebJ
Jack McCollough + Lazaro Hernandez - Designer  Thistle Brown - Photographer Brian Molloy - Fashion Editor/Stylist Lina Zhang - Model
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springw6ter · 7 months
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Hi (nyfw thoughts)
Ok so first I just want to say that this fashion week was so boring and really sums up the kind of good idea drought we’re living in. BUT there was a fair share of discussion over some things so! instead of trying to fit my thoughts about everything on the app formerly known as twitter, I’m just gonna tell y’all here.
Shows talked about in this post; Proenza Schouler, Eckhaus Latta, AREA, Luar, Helmut Lang, Elena Velez and Tory Burch
Proenza Schouler
There’s no way Proenza was going to ruffle any feathers this season. They have a loyal following (which I’m sure has nothing to do with the celebrity affiliations of the brand) and a consistent history of people pleasing so they’ll always get their praise from Vogue. They dropped a new monogram which is the only “newness” they wanted to introduce. Jack McCollough said they wanted to continue last seasons narrative and they sure did! (Only thing different was no Sevigny). The clothes are obviously well made and evoke wealth in that special kind of iykyk way. Many people said this looked more like Helmut Lang than Helmut lang did (I’ll get to that later) and they’re not entirely wrong. Not gonna act like I wouldn’t wear this collection but definitely nothing groundbreaking.
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Eckhaus Latta
Eckhaus latta is a brand that has always had a special place in my heart (maybe because I’m from the city that the two designers met and started the brand together in)(maybe). My style has definitely evolved since I first became aware of the brand but I’m always interested in what they’re doing. This season they got experimental! They worked with a 3D printing company named “Unspun” where they came up with jeans made from all different materials like hardware store twine and ikea plastic bags. The way they combined tech innovation and sustainability is not just commendable, it’s very forward thinking, which is a staple in the brands identity. With that being said some of the collection felt directionless in comparison to all of the innovation. The sheer (which dawned their new EL monogram) was very MNZ store to me but not in a bad way. I like that they’re not trying to be trendy and come up with new things however a-lot of brands were doing that so it makes me wonder if that’s a good thing or not.
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AREA
I loved their modern Stone Age ladies. I think it was one of the only luxury focused shows where I was like wow! This is different. The fur printed coats were so gaudy and held its shape in the way good ol’ fur coats used to. I think this collection was really cohesive, adventurous, new. Everyone saw Saweetie wear it at the VMAs and even the unfashionable general public could see the yabba dabba reference. The prehistoric influence was chosen because as Piotrek Panscyzk said “pelts and bones were the first things humans had to build an identity around”. There’s definitely a case for a narrative about how much luxury (the hunger, the status) mirrors pre historic, pre civilized behaviors.
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Luar
Raul Lopez is a diamond. This collection kind of came of as a continuation of last season as well but I like this brand so much that it feels good to me. I feel like Raul is constantly playing with this really restrictive, God-fearing way of being and an inhibition-less eternality. Padded shoulders, the top draped from the eyewear, perfect collared shirts, jeans and leather, it had all the perfect Luar moments for me. No notes.
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Ok.. now on to the “controversial” shows
Helmut Lang
When Peter Do was announced as the new creative director of Helmut Lang, everyone rejoiced. Why? His strengths as a designer seemed like a natural fit for the brand. Expert tailoring, black and white as a main color palette, maybe a little overlap in philosophy.. but as the outfits came out people’s reactions… were… unfavorable to say the least. People saw the reference to key Lang moments like seat belt bondage, the use of Ocean Vuongs poetry (which I felt was terribly misunderstood), the classic button up and jeans as disappointing instead of nostalgic. For me, personally, I think everyone’s expectations were rooted in something that Peter Do could not have delivered. That expectation being Helmut Lang himself. People saw Do as the second-coming and that’s just the truth but where do we draw the line with our expectations on reliving the past and how do we honor the kind of openness necessary to evolution? I myself had to sit with the collection and came to the conclusion that maybe Peter is just defining a clear end to the Helmut era of yesterday and the start of his own journey now. After closely looking at the collection and it’s details you can see how wonderful the clothes really are. It is everyone’s responsibility to question and examine the things they “care” about and I think this fashion public is not patient enough for that. It wasn’t the greatest debut but it also wasn’t the worst. Anyway we’ll see what comes next.
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Elena Velez
Mud gate ss24! Since her NYT article last year, people have been really fed up with Elena (I learned only after the mud fight started to circulate) and she doesn’t really seem to mind, she seems to like it actually. She argues online, she argues IN lines, she doesn’t pay people adequately and the list apparently goes on and on. This collection is called “the longhouse” and in her press release she says a lot of things about the commercialization, sanitization, condemning and control of womanhood, she talks about anti-heroines and contemporary female evil (which she loves to embody I guess) and she says that this show was ritualistic catharsis from oversocialization. I think it’s pretentious when someone has to use so many complex, institutionalized words to convey their message. She’s speaking in code. To be honest I like her clothes but I don’t think her designs are that original. I really want to raise the question who does her message benefit? We should all be allowed our multiplicity in this life, that’s true, but being a bad person in practice is something I’m personally not attracted to. I’m a little confused but it is what it is.
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SPECIAL SHOUT OUT TO TORY BURCH!!!!
Who I think should be receiving a cease and desist from Miuccia Prada any moment now. This collection is such a departure from the Tory Burch we all grew up with. This must be that post divorce clarity. I like it! It’s 60s. It’s Prada. It’s miu miu. It’s Tory Burch now too!
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If you made it this far I really appreciate you ♡ this was just for ki’s sake. It’s not my most critical thinking to date but there was discussion and I loved that. I wanted to contribute and this was the best way I could think of. Lmk if I should do this again with lfw!!
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disease · 2 years
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PROENZA SCHOULER SPRING 2023 RTW
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newestcool · 6 months
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Proenza Schouler f/w 2013 rtw Creative Directors Jack McCollough & Lazaro Hernandez Model Sasha Pivovarova Fashion Editor/Stylist Marie Chaix Makeup Artist Diane Kendal Hair Stylist Paul Hanlon Casting Director Ashley Brokaw Newest Cool
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amphtaminedreams · 2 years
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The Best of the Runway with a Guilty Side of Pre-fall, from A-Z: RTW Fall/Winter 2022 (Part 4)
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-Ming Ma RTW, creative dir.”-
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-Missoni RTW, creative dir. Alberto Caliri -
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-Miu Miu RTW, creative dir. Miuccia Prada-
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-Molly Goddard RTW, creative dir.”-
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-2 Moncler 1952 RTW, creative dir(s). Veronica leoni and Sergio Zambon-
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-Monique Lhuillier RTW, creative dir.”-
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-Monse RTW, creative dir(s). Laura Kim and Fernando Garcia-
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-MSGM RTW, creative dir. Massimo Giorgetti-
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-Nanushka Pre-fall, creative dir. Sandra Sandor-
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-Nanushka RTW-
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-Nensi Dojaka RTW, creative dir.”-
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-No Sesso Pre-fall, creative dir. Pierre Davis-
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-No Sesso RTW-
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-Off-White RTW, creative dir. Virgil Abloh-
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-Olivier Theyskens RTW, creative dir.”-
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-Oscar De La Renta RTW, creative dir(s). Laura Kim and Fernando Garcia-
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-Ottolinger RTW, creative dir(s). Cosima Gadient and Christa Bösch-
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-Our Legacy RTW, creative dir. Christopher Nying-
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-Paco Rabanne RTW, creative dir. Julien Dossena-
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-Palmer Harding RTW, creative dir(s). Matthew Harding and Levi Palmer-
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-Peter Do RTW, creative dir.”-
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-Philosophy di Lorenzo Serafini Pre-fall, creative dir. Lorenzo Serafini-
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-Philosophy di Lorenzo Serafini RTW-
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-Ports 1961 RTW, creative dir. Karl Templer-
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-Prabal Gurung RTW, creative dir.”-
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-Prada RTW, creative dir(s). Raf Simons and Miuccia Prada-
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-Pratt Institute RTW, various designers-
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-Preen by Thornton Bregazzi RTW, creative dir(s). Justin Thornton and Thea Bregazzi-
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-PRISCAVera RTW, creative dir. Prisca Vera Franchetti-
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-Private Policy RTW, creative dir(s). Haoran Li and Siying Qu-
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-Proenza Schouler RTW, creative dir(s). Jack McCollough & Lazaro Hernandez-
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-Rave Review RTW, creative dir(s). Josephine Bergqvist and Livia Schück-
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-Renaissance Renaissance RTW, creative dir. Cynthia Merhej-
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-Reveligion RTW, creative dir. Maria Munro-
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carzenriq · 7 months
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Proenza Schouler // Spring 2024 #NYFW - New York Fashion Week
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sunraysandrunway · 1 year
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Proenza Schouler Fall 2004 Ready-to-Wear
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(Model: Amanda Moore)
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(Model: Amanda Moore)
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la-situde · 2 months
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Proenza Schouler RTW Runway F/W '24
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