#Jack doesn't know how to interact with people

[possessionisamyth]

People making Mia an abusive spouse fail to realize it would take three notch turns to make Ethan the abusive controlling husband who won't let his wife go even in death.

"But in RE7 Eveline wants him cause he's nice and her dips into Mia's mind hyped him up."

Make it where Eveline wants Ethan because he's the only one who can control Mia better than her.

"But her last message to Ethan-"

Never sent, but intended to do the job of getting her an actual funeral for other friends and family she might want to know of her passing.

"But her secret double life-"

An escape more intensive than her turbulent marriage with the hope the job might kill her before Ethan does.

"But at the beginning of RE8-"

That was fucking Mother Miranda in disguise for weeks. Stop using that as an example Mia is toxic. It doesn't fucking work.

"But in House Beneviento in RE8 she's keeping some big secret from him."

She knows her husband is now mold, but the patterns of abuse are the same. Her reactions could stem from fear for when the honeymoon phase ends now that there's a baby involved.

"But Ethan mentions they're arguing a lot."

Abusive men turning the narrative to frame the wife as hysterical in order to better control them and how others interact with them.

"But why else would he go through all that effort to save Rosemary?"

Same reason he went through all that effort to get Mia back. They're his property.

Attacking Ethan with a chainsaw and not killing him could be all her pent up complex emotions coming to the surface via Eveline and the mold. Imagine the sick and horrid relief she'd feel seeing Jack kill Ethan. Think of the bile rising in her throat seeing him walking around again desperately calling out for her with the promise he'd take her back home. A monster you can't kill. Literally and figuratively. Not being able to tell Chris because her double life puts her in the negatives for trust, and Ethan capitalizing on it. Her learning Ethan is getting military training and now there's more ways he can harm her without leaving visible physical evidence. Holding Rosemary over her as a threat and another tether she can't cut.

This took me five minutes to come up with btw.

#resident evil #mia winters #ethan winters #mithan #re7 #re8 #i could go on cause theres so much meat here actually

[clairenatural]

Dean doesn't like the word "boyfriend." He decides this the second time Cas says it–the first time it was new, shiny, exciting. The second time, he fights the urge to cringe.

It's not the "boy" part. It's not. It would have been, for a long time, but he's dug all that shit up and unpacked all the suitcases. They hold hands in public. They kiss goodbye in front of his coworkers at the garage.

It's just–not enough. Not nearly. Jack comes home from hanging out with his friends and fills Dean on the gossip and his boyfriend and her girlfriend and–that's not them. "Boyfriend" feels like a cheap mockery. Like how demons used to tease.

He's heard "partner." He's heard it from Sam, to Eileen, but he doesn't know how he can stomach it. He's said that word too many times. I'm Agent Tyler and this is my partner, Agent Perry. This is my partner, Agent Page. My partner, Agent Stills. All lies. Sam says he likes it, that he's making it mean something real. Besides, Eileen loves it.

Good for them, Dean thinks. It makes his skin crawl.

So he sticks with “boyfriend” and he shrugs off the funny urge to protest every time Cas says it. It makes him happy, and honestly, it’s not like he has an alternative.

It’s a Sunday when he realizes that somehow, Cas does. They’re at the farmer’s market, like Cas is every weekend, but Dean had picked up weekend shifts and missed the past few. Cas is excited the whole way there, telling Dean about how he’d manage to befriend the local honey vendor in his absence, how she’d invited him to a beginner’s apiarist group she helps run. They beeline (heh) to the honey booth as soon as they get there, and the woman--Judith? Janice?--smiles up at them both, hands Cas a jar of honey like she’d been expecting him, and says “Oh, this must be the husband! I’ve heard so much about you.”

Dean stares at Cas. Cas stares at the honey. Judith/Janice stares at both of them, smile fading as the silence goes on a beat too long. 

Dean clears his throat. “Uh, yeah. The husband, that’s me! Ha ha.” Beside him, Cas relaxes, just barely. In front of him, the woman breathes an audible sigh of relief. “Sorry,” Dean shifts. “Just didn’t, um. Realize I was such a hot topic.” 

The smile he gets is almost sympathetic. “Oh, only good things. Here,” she hands him a business card. “You should also come out to our meeting on Wednesday. Lots of people bring their partners.” She leans in, almost conspiratorial. “Beekeeping can be wonderful for couples.”

It’s at this point that Cas clears his throat and finally looks up from the honey in his hand, evidently giving up hope on escaping this conversation. “Thank you, Janet.” (oh. Janet.) “Dean works late on Wednesdays, but I’m very excited to see you all.” He’s pulling out money as he says this, apparently deciding to just go ahead and end the entire interaction. He hands her the bills, grabs Dean’s hand, and is already moving away from the booth by the time Janet calls “See you Wednesday!” after them.

Cas drags him all the way back to the car without stopping for tomatoes, or Sam's carrots, or the free-range eggs that are way too expensive but Cas buys anyway because you can taste when the hen is well cared-for, Dean (whatever that means). They slide into the car, still not talking, and sit in silence for several long seconds. Dean stares at Cas, who stares out the windshield at the parking lot.

"I can explain," Cas speaks, finally, right as Dean was about to open his mouth and say anything to break the silence.

Dean pauses. Can you? Cause I feel like I missed a few chapters, he thinks.

"I don't work late on Wednesdays," he says instead.

"Oh." Now it's Cas staring at Dean, and Dean staring out at the asphalt.

He turns the keys. He drives them home.

Later, making dinner, Dean rolls the word around in his head. Husband. He's making his husband pasta (It's missing the tomatoes. He's made more with less).

Husband doesn't feel like a costume, like an ill-fitting suit and scratchy tie. It doesn't feel like high school gossip, or a monster trying to hit him where it hurts. It settles in warm in his chest.

It's just the two of them that night, and they're eating in the comfortable silence of the bunker until Dean clears his throat and brings it up. "Why does Janet at the farmer's market think we're married?"

Cas pauses, fork of pasta halfway to his mouth. He puts the fork down and takes a deep breath. "I'm sorry."

"I'm not mad," Dean hurries to clarify. "It's just that there's usually, uh. Steps, you know. Like a whole....thing."

"I'm aware." Cas sighs. "She assumed, seeing us around - the first time I spoke to her without you, she asked where my husband was. And I..."

"You didn't correct her?"

"...No. I, um." Cas is looking down at his plate again. He picks up the fork, still half-full of pasta, then puts it back down again. "I didn't want to?" He says the end of the sentence like a question but looks back up at Dean and squints just a bit, and Dean knows he's watching for a reaction.

"Uh huh."

"It felt trivial."

"To tell her we're not married?"

"To call you my boyfriend." For the first time, he stumbles over the word.

Dean blinks. "You--" he stops, brain processing too much information to finish that sentence. "Okay." He leans back in his chair. Sighs. Rubs a hand across his eyes and lets it drag down his face. "Okay, listen. I don't like boyfriend either, but we gotta...talk about it."

"We are talking about it. You don't like it either?" Cas leans forward as Dean slumps back, following him across the table.

Dean snorts. "No, man." He shakes his head. "It's been a decade. I've seen you die." Six times. But who's counting.

"I agree." Cas pauses, and then, as if it's the most natural conclusion in the world, "Will you marry me?"

Dean actually laughs at this. "You're asking me that now?"

Cas quirks an eyebrow at him. "I've grown quite fond of calling you my husband at the farmer's market. I'd like to continue."

Dean stares at him in disbelief. It's not how he'd pictured it going, but he also can't think of it going any other way. Slowly, he nods. "Yeah, okay. Let's be husbands."

Across the table, Cas grins at him.

"But we're getting rings," Dean points a finger at him, because something about this is going to be normal.

"If you'd like. Although I already told Janet that you can't wear a ring because of your work at the garage, and I don't wear mine in solidarity."

"Rings," Dean insists, and decides to overlook the rest of that sentence. For now. He stabs his fork into a pile of the pasta. "And let me stop for the damn tomatoes next time."

They get rings and wear them on chains around their necks. Cas puts a beehive on the hill, and there's a small ceremony in the summer - a "vow renewal" to Cas' beekeeping group, who all receive invites attached to little jars of honey. Janet gets the nicest one.

#mae clairenatural writing fic in the year 2023...... #go easy on me im rusty #i started this a year ago and decided to finish it and that was PAINFUL #destiel #deancas #destiel fic #1.2k words #my words

[deancasbisexual]

things I wouldn't believe happened if I hadn't seen them with my own two eyes:

cain implying cas is dean's collette

dean breaking cas out of naomi's mind control

cas' entire confession

dean's s13 widower arc

"I left, but you didn't stop me."

"he was your boyfriend first."

"the stench of that impala is all over your overcoat" or whatever he said

"don't make me lose you too."

dean turning aaron down not because he "doesn't swing that way" but because he's on a "federal investigation."

in fact, dean's entire reaction to aaron hitting on him

dean's disappointment when he found out aaron wasn't actually into him.

dean's siren being a dude and sam not questioning it despite still being under the impression that sirens infect people through sex

destiel divorce arc

dean completely giving up on life whenever cas dies

dean staying in purgatory for an entire year even though he could have left at anytime simply because he didn't want to leave without cas

dean seeing cas everywhere after purgatory just like how sam saw jess everywhere after she died

dean rewriting his memories of purgatory because he couldn't handle the fact that cas willingly chose to leave him and it was easier to believe that he failed cas instead

dean telling cas he's not going to let him die a virgin

"he's in love...with humanity."

cas putting donatello into a coma because he hurt dean

the handprint parallel (and that being jensen's idea)

"you have me confused with the other angel. you know, the one in the dirty trench coat who's in love with you?"

"sorry but i'd rather have you, cursed or not."

destiel dressed up as cowboys

"are you going to look at more anime or are strictly into dick now?"

"and how is it that you lost dean? I thought you two were joined at the, you know...everything."

the look on dean's face when he realized jack broke cas out of the empty (and the look bobby gave him in return)

"you're hoping castiel will return to you."

dean canonically being cas' human weakness

dean dropping to his knees and praying to cas while sobbing because he was scared of losing him

dean and crowley having orgies together

the mixtape

dean flirting with a guy through charlie

just the general way dean and cas look at each other and interact with each other like idk what else to say lmao

#your honor they are in love #your honor they are gay #deancas #destiel #supernatural #dean winchester #cas novak #castiel #spn

[brujahinaskirt]

WAIT A SEC. I want to cut some credit to player drunkenness in rdr2 and how it works as a vehicle to reveal something about the main character of this story.

Usually drunkenness in games is played off for cheap laughs, and there are plenty of slapsticky drunken antics in rdr2 (LENNAY). But happy-drunk Arthur gives SO MUCH INSIGHT into his real personality, too -- even when he's being a giggling, property-damaging, cancan-dancing terror. When he's drunk, he forgets a little of his mean bastard enforcer mask, the primary role he must play in the gang, and his loving nature becomes laughably obvious.

[spoilers under the cut]

From his sudden determination to teach Jack mathematics to his declared affection for Hosea; from his worrying about Susan getting a break to his insistence that newer gang members are "one of us now"; from his innocuous little compliments tossed around thoughtlessly ("Mary-Beth! Sweetest outlaw in the West! Javier! Best-dressed outlaw in the West!") to his more genuine praise for Abigail's inherent goodness, drunk Arthur is a fuzzy but honest look at a truer Arthur, one who is not thinking about the part he must play in a criminal outfit. Strip that awareness of his station away, even if just for a while, and we wind up with an Arthur who is surprisingly fun-loving, sometimes downright silly, and who lives to fuss over and dote on the people around him.

My favorite moment, perhaps, is a tipsy interaction with Sadie in Horseshoe Overlook during Sean's welcome home party. Arthur meanders over to her, this woman who is not a gang member or a close friend at the time, but simply a grieving widow he doesn't know very well. And he and asks, loudly: "MISSUS ADLER. DO YOU NEED ANYTHING MISSUS ADLER. DO YOU WANNA DANCE WITH ME MISSUS ADLER."

And she just sounds so tickled when she says no thanks to this goofy-drunk gunslinger. And I think maybe, just maybe, watching big bad gang lieutenant Arthur slamming a couple bottles of whiskey and so transparently doting on everyone gave her some of the first laughter at the world she had in what must feel like a very long time.

In Chapter 6, Arthur can again approach Sadie while drunk, and he encourage her to smile. Sadie hisses you're drunk; no woman likes being told this, and on the surface, this seems like a proper Antagonize line. But then Arthur -- who knows he is dying -- says, blearily, to this friend he met at her lowest point of grief and who seems to be in danger of plunging even lower in rage, "I just want you to be happy."

Drunkenness is not a liquid clarifier. Often times, alcohol garbles and distorts a person's personality. But with a character like Arthur, whose heart is so poorly matched with his 20-year lot in life, drunk-writing becomes a powerful tool. It's a quick, non-transformative way to believably peel off the snarl he wears around for a while (without him knowing it), letting players access an easy, silly, soft interior that sober Arthur is much more guarded about showing the gang.

#rdr2 #arthur morgan #red dead redemption #meta essay #i lied i had one more ramble in me before i gallop away for a while #redmeta

[blackopals-world]

I liked your ´ I Found Home ´ Twisted Wonderland fic could I PLEASE request a part three where everyone else finds out about her son and her books! I have a feeling some of those boys would be a blushing mess. PLEASE I NEED MORE I CAN ´ T GET ENOUGH! PLEASE! PLEASE! PLEEEAAASEEE!

I Found Home

Part 3

(Part 1) (Part 2) (Part 4) (Part 5)(Part 6)(Part 7)(Part 8)

Implied relationship

Leona

"The Tracker"

It's usually very busy in the kingdom this time of year. Handling the harvest, taxes, keeping an eye out for droughts, and other things that pop up. These things are part of his responsibility as the official grand duke. His brother gave him a good chunk of territory after it was confiscated from a group of inept nobles. He stated that Leona more than deserved it after uncovering their faults.

Leona gained the freedom to rule how he desired with no input or control from his family or counsel. The people respected him and his knights swore loyalty to him.

Ruggie became an aid obviously and is still the only one to keep up with Leona. Despite Jack being strong enough to become a knight he became a botanist.

While Leona is not king, he still basically is one. The only time he's ever had to follow orders is when his brother begs him to attend functions in the capital, which Leona usually ignores.

Recently Cheka started staying at Leona's castle for the summer to learn how his uncle rules his region. Thus ends the lion's peaceful days.

Ruggie sometimes takes the cub to his old neighborhood to learn of its past. The slums no longer exist as Leona created a project to help those living there and created new jobs to support them. The idea wasn't his alone. It came about when Yuu proposed a plan to help Ruggie community. She knew a few examples from her own world to solve this problem and together they made a plan.

She was an incredible woman. Falena had insisted had she become his sister-in-law.

"Listen to me brother, you don't meet a girl like that every dynasty. You need to do something now or never."

Now did become never. Leona learned the hard way that lazing around doesn't stop the world around you from moving forward with or without you. Without Yuu.

Maybe she would have stayed if he asked. He doesn't know. He moved on.

Opportunity was a window and it was closed until someone opened a door. A gateway in this case. There was a way to see her again.

"I don't know how you do this. One moment you're a velcro baby and won't let me put you down the next you're gone." Yuu watched Grimm bolt for the sandbox.

Yuu had gotten the go ahead from Grmm's doctor and social worker to introduce him to the outside world. He was finally secure enough to interact with people his age.

He liked the sandbox which meant extra laundry to Yuu. She checked her bag for a change of clothes when she was stopped by someone.

"Excuse me? Miss I couldn't help but ask. Are you the author of the Lost Princess series?" The woman asked.

"Yes, actually I-" Yuu was cut off.

"It's so amazing to meet you! My children love your books and I love that new romance novel you put out. I heard you were working on a t.v show based on the kids books." She asked in excitement.

"Yes, a network reached out about it but I wanted it to suit my vision and a lot is going on with it. Besides that, I have a family and I can't be away from my son for long." Yuu explained.

"I see, I understand completely. My girls need to be watched like hawk. How old is yours?" The mother seemed to switch gears the moment kids were brought up. She was clearly an attentive mother as she occasionally looked over to where her daughters were on the swing.

"He's 4 now. Over there in the sandbox." Yuu said pointing towards the box except he wasn't there.

The other mother looked around questioning.

"I saw another kid other there a minute ago with a small boy. Do you know if he has a friend here?" She said with a thick edge to her voice.

"No, he doesn't know anyone but me. He hates strangers! Grimm?! Grimm?!" Yuu ran for the sandbox and yelled for her some.

The other mother called for her daughter's and told them to stay close as she called for Grimm as well.

In the back of her head Yuu knew what was going on. She had read stories about predators using kids to lure in other victims. Her son was kidnapped!

Leona stood at the door of a small house in a quaint neighborhood. The house had to be hers. The scent of desert roses and clove was everywhere. That was her favorite perfume.

He knocked a few times but there was no reply.

Cheka(who insisted on coming and Leona had no choice anyways) investigated everything around until a door slammed open in the neighbor's yard.

"Scram you little urchin! Stay out of my garden! She yelled at Cheka as he rooted around the flower bed.

"Who are you calling an urchin?" Leona growled as Cheka took cover behind his uncle.

"You let your son tear up people's yards? You are no better than that hussy that lives here. Are you dropping off another one of her noisy bastard kids? Keep him! I don't want another one running around here!" The old woman ranted.

Leona doesn't advocate punching old women's remaining teeth out but this woman was making him a believer. But he wasn't going to do that in front of Yuu's house in public.

"I don't know who you're calling a hussy but I'm looking for Yuu. Since you are already so nosy you must know right?" Leona asked as politely as he could muster.

"Like I'd tell a thug like you." The old woman said.

"That's fine. If you can't say anything useful you might as well not speak." He said casting a silence curse on the old bat.

The crone tried to flap her gums more but nothing came out as she tried to yell and rant some more.

"Cheka, it's time to practice tracking." Leona picked up a trail that did go too far. Yuu must be on a walk.

Cheka excitedly bounded off with Leona a few yards behind.

When they made it to a park Cheka sped off before Leona noticed.

The old woman said Yuu had a kid. Damn things did change. He should have expected it, kind of. He knew she liked kids and would volunteer to babysit Cheka all the time but knowing she started a family was unexpected.

Was he jealous...no. Why would he be? She didn't owe him loyalty especially when she believed they would never meet again. They weren't even together. So what if he never saw anyone after her and turned down every engagement? She owed him nothing. It was enough to spend what time they did have together.

"Look!" Leona snapped out of his revelry as Cheka brought a small boy over to him.

The boy was small, looked to be less then half the age of Cheka, and held a bright yellow plastic hand shovel.

"Oh no." Leona already had a bad feeling about this. "Cheka what do you think tracking means?"

Cheak puffed out his cheeks as he picked up his new friend from under under his arms like how a toddler picks up a cat.

"I followed the scent and I found him." The cub replied.

The boy had little awareness of what was happening thankfully. But Cheka had a point, the boy smelled like black clove, cinnamon and faintly of desert roses.

"Cheka you can't just take a kid from a playground, even if you are a kid yourself. Put him back before I get called a kidnapper." The instant 'kidnapper' left his mouth the latent survival instincts in the boy went off and he sprinted for the bush and disappeared.

"Shit." Leona muttered.

"Shit." Cheka echoed.

"Not you! Find him before his mom-"

"Grimm! Grimm! Where are you!" Yuu's voice echoed across the park.

He's going to die. He's going to die and I'll all be this brat's fault.

He wasn't overreacting, he is under-reacting. Leona has seen this woman do a hundred-meter dash just to hit her friends upside the head. She once tried to fight a referee after getting a red card and it took Jack and Sebek to pry her off.

Leona managed to find Grimm as he climbed up a tree.

"I swear if you fall from there," Leona growled under his breath.

Cheka tried to follow him up but Leona yanked him back down by the back of his shirt.

"You stay here, go distract Yuu." Leona ordered

"Aye!" The cub mock saluted before bounding off again.

Yuu began to feel lightheaded as she searched every corner of the playground. She asked every parent and child if they had seen her son.

She pulled out her phone and began dialing for emergency services. Just before she pressed the call button she was ambushed from behind.

Two arms circled her stomach and squeezed. Yuu yelped and grabbed one of the hands. Prickly claws dug in firmly.

"Nanna!" A familiar voice called for her.

It was Cheka! Little Cheka wasn't so little anymore. Well, he was taller at least and was still very much a cub.

If Yuu wasn't so frantic she would have squeezed him to death tighter than Floyd but a mother's mind isn't so easily swayed. Grimm first, reunion second.

"That's the boy from earlier!" The other mom said "He took your son!"

HE WHAT?!

Before Cheka could run he was grabbed by the ear.

"Cheka Kingscholar!" Yuu yelled. "Sorry about all this trouble Amaranth. I'll handle the rest from here."

Amaranth laughed a bit leaving Yuu to parent.

Cheka yelped as he struggled to escape.

"Sorry Nanna! I just thought it was funny and I wanted to play with cousin!" Cheka squirmed "He's with uncle I swear!"

Yuu dragged the cub by the ear back to where Grimm was still in the tree.

Currently, Leona was trying to grab the boy while Grimm reflexively hissed and spat like a feral cat. Grimm only did that when he was really scared. One of the side effects of being locked in a basement with only a cat for company for who knows how long.

"I said I was going to hurt you, now stop trying to bite me!" Leona tried to grab him by the collar.

"Mama!" Grimm called out as he dodged Leona again and climbed higher.

"I'm trying to take you to her! Do you want to be left up here?" Leona managed to snag the boy this time by the waist and hauled Grimm up in a position that would keep them stable but not in biting range.

"Grimm no bitting! It's safe! He won't hurt you!" Yuu called out.

Leona worked his way down and as he made it to the lowest branch dropped the squirming toddler in Yuu's waiting arms.

Immediately the boy wiggled around to wrap his arms around his mother like a koala.

"I'd really like an explanation for what's going on but I'm tired and Grimm is overdue for a nap." Yuu sighed.

Leona agreed wholeheartedly.

"So you missed me, my prince?" Yuu laughed as she pulled the leftover leaves and twigs out of his hair.

'My prince' he remembered when she used to call him that when she wanted to tease him. The boys couldn't hear at least, they exhausted themselves and were currently napping.

"No one has called me prince in years. Most just say, Grand Duke." Leona sighed in relief as Yuu combed out his locks.

"Fancy~" Yuu sang before her tone shifted "You've changed, Leo."

"That's your fault. You changed me."

Yuu couldn't pretend he was lying. She wouldn't leave Leona alone back then.

She recognized that Leona was in pain and asked-begged him to get help. She taught him to recognize his feelings so he could explain what was wrong. It was hard for him to accept that help but in time he improved.

Yuu forced him to eat healthier and made excuses everytime she wanted him to do something more then sleep.

"These guys keep harassing me. I can't go alone." She'd say poking him in the ribs until he caved.

When they had bad days. They'd sleep cuddled up beside each other.

"You don't need to fix me." He'd complain but he didn't mean it.

"I'm not. I just don't want to see someone else go through what I did." She said.

Leona wasn't an idiot. He knew she was more fragile than she let on but it never mattered to him. She was the strongest person he knew. So he believed in her words and got his life together.

"Change is good. I've changed too." Yuu responded.

"I've noticed. So where's the dad? Not in the picture?"

"Never was. I found Grimm and took him home. He has his quirks but he's a good kid."

"I've noticed, his bites were just full of kindness." Leona said holding out his nicked hand.

Yuu rolled her eyes, he could heal himself with magic but was being dramatic.

"He was just scared. Besides his teeth aren't nearly as sharp as Cheka's." Yuu scoffed as she intertwined their hands.

While the adults got cozy the kids were up to trouble.

"So this book is about the king of beasts?" Cheka asked puzzled.

"It is about the lost princess and how she met the king of beasts. He wanted a war with the enemy kingdom and worked hard to win. The princess taught him that the war was dumb and he should be a good king instead." Grimm said flipping the pages.

"And then they get married and live happily ever after?" Cheaka asked.

"No! The princess has to go home and goes to the underwater city to get help from the sea folk. The princess can't get married." Grimm argued.

"I dunno, I think the princess is going to marry the beast." Cheka smirked.

"What do you mean?" The boy asked tilting his head.

"Ask your mom. We are going to be cousins soon. Shihihi" Cheka cackled using Ruggie's laugh.

"Mom?" Grimm scrunched his nose in thought before realizing "MAMAAAA!"

Grimm cried as he stumbled down the stairs.

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#twisted wonderland #twisted wonderland x reader #twisted wonderland yuu #twst yuu #twisted wonderland leona #leona kingscholar #leona x reader #twst leona #leona x y/n #twst cheka #twisted wonderland cheka #cheka kingscholar

[thesoftboiledegg]

"Unmortricken" was a lot. In fact, it might have been a little too much.

To start, I loved the glimpse of what exists outside the Central Finite Curve. The visuals were stunning and reminded me of M.C. Escher's drawings. The Jetson-like family was a nice touch--if anything can happen, who says they can't have different animation styles? All those colorful portals make me wonder what's lurking just out of sight.

It's also funny that the space outside the Curve is full of Rick's favorite thing: crystals. If he took a trip there, he'd come back with his pockets stuffed with gemstones.

Evil Morty's reappearance gave us a decent character study. Since he wasn't the antagonist, we saw him interact with the C-137s as a regular person. Morty's a little impressed, and Rick has a grudging respect for him. Others have called Evil Morty the Rickest Morty, and I agree: similar intelligence, similar technology and similar bloodthirst.

I was glad that he left in the end because that's what his character arc is about anyway. He doesn't want to be part of anyone else's story, not even another Morty's.

However, that's also part of the issue that I had with this episode. Seeing Evil Morty was great, but it was also a little...pointless? You could've had the same story without him. He's not working with Prime, and he has no ties to C-137 after "Rickmurai Jack," so it felt like the writers just said "Hey, you know what would be cool?"

I'm not against writers having fun and giving the audience what they want. "Spider-Man: No Way Home" (yeah, groan at me, Marvel haters) is fan service in blockbuster form, and it was one of the best theater experiences I've ever had.

Still, if Evil Morty came back, I think he should've had a separate episode. The episode juggled C-137 Rick, Morty, Evil Morty and Prime Rick pretty well, giving them satisfying interactions with each other, but no Evil Morty would've meant more relationship development for the C-137s.

Evil Morty's backstory also didn't reveal much about him. I mean--yeah, we all figured that he had an abusive Rick and got fed up. The fact that he had a "regular" Rick instead of a deranged lunatic does make a point about the banality of abuse. Monsters aren't always raving maniacs who torture people in their basements. Ordinary people can wear you down with a slow drip of toxicity and neglect.

I enjoyed this episode, and Evil Morty's return was exciting, but cramming the series' two biggest antagonists and storylines into twenty minutes was a little overwhelming. New plot developments kept showing up, too: Rick found Prime! Prime's various lairs! Omega device! I would've preferred a two-parter.

I'll admit that if you told me that we'd see Evil Morty and Rick Prime in the same shot, I never would have believed you, but here we are.

On that note, Prime's characterization was perfect. No attempt at a cutesy, sad backstory; he's a laughing monster until the end. And is it really the end? He has regeneration abilities, but C-137 acts like he's dead and even gives up the search. This leaves us with a few options:

C-137 killed him.

Prime fooled C-137 into thinking that he's dead when he isn't.

C-137's keeping him alive for later use.

Hopefully, this is more complicated than it looks because I'll be disappointed if this is the end of Prime. He's a brilliant reflection of C-137: the Rick he'd be without his tiny shred of humanity.

And Prime's a maniac, but he tells C-137 the truth. Rick broke into Prime's house. He pretended he belonged with this group of strangers. He latched on to Prime's grandson because he never had his own. His brutal, violent streak never went away no matter how long he tried to play house.

Prime says "Admit it! You would have been me!" In season three and parts of season four, Rick was close. His love for his family--love that he pretended he didn't have--and desire for their approval just barely pulled him back. But what kept that spark alive? How close was he to becoming a cold, unfeeling shell?

In the end, C-137's not satisfied after he destroys Prime--and weirdly, I'm not satisfied, either. Beating Prime to an unrecognizable pulp doesn't bring Rick's original family back. It doesn't erase the atrocities that Rick's committed. It doesn't make his grief go away. It doesn't change the fact that Rick teetered on the edge of turning into the monster that he despised.

What's more satisfying is that Rick didn't turn out like Prime. His Morty doesn't give two shits about Prime, but he loves him. He hugs him in relief (come on, Rick, hug him back already!), cries out "Rick? Rick!" and shakes his body when he thinks he's dead, and talks excitedly as they return home.

Rick's going to therapy, which Prime would have mocked. He went from having nobody to living with FIVE kids if you count Morty and Summer. Even he and his Jerry are pretty tight.

Rick knows this, but he still feels empty all the time. Vengeance doesn't work, drinking doesn't work...wouldn't it be easier if he just switched off his humanity and laughed at everything, even his own death?

But now that he knows how it feels to be loved, especially by his hypothetical grandson, I think he'll always find himself at the Smiths' doorstep.

#rick and morty #rick sanchez #morty smith #prime rick #weird rick #rick prime #evil morty #boy that's quite the collection of tags #unmortricken #season seven #review

[m-musings]

HIII

im actually so excited omg i dont wanna sound mean actually the opposite but you write for a couple of pretty dead fandoms and im just so happy to see new writers for them.

can i request hcs for rotg (either jack frost, or bunnymund, or pitch, whoever you like. maybe the three of them??? idk go nuts show nuts) with a grim reaper reader? thanks! :D

Headcanons: Jack Frost, Pitch Black and E. Aster Bunnymund with Grim Reaper! Reader

A/N: anon I'm dying at go nuts show nuts, that's the funniest shit i've read in a while but anyways yeah, all 3 sounds good to me lmao. also, I wasn't sure if you wanted platonic or romantic so i just kept it on the friendly side, i hope that's okay!

Word Count: 450 Warnings: mentions of death/ dead people

Jack:

Jack is a bit wary around you at first simply due to the nature of your job.

But once he sees just how gentle and kind you are with the souls you reap, he's back on board with getting to know you.

As he gets more comfortable with you, he'll definitely make fun of you like he does with the other guardians but he does it with love!

Jack will occasionally accompany you when you're reaping a younger soul. His presence seems to calm them down if they begin to panic, even if they sometimes can't see him.

If you ever get a break from reaping, he will invite you to participate in one of his famous snow day snowball fights as a way to forget about the sadness that sometimes comes with the responsibility of being a being of death.

He's still the excitable and reckless Jack Frost but when you're around, he's more mellowed out and - forgive the pun- chill to hang out with.

Pitch:

Pitch is intrigued by you from the start.

While he may control people's fears, it is a rare occasion for him to actually interact with one, let alone one as important as the personification of death itself.

He knows just how powerful a reaper can be so he is always sure to treat you with the respect you deserve.

The one time Pitch tried to convince you to join him against the Guardians, it ended with a scythe pointed at his neck and a stern scolding from you, so he doesn't bring that subject up around you anymore.

Pitch actually enjoys spending time with you though, he feels that your presence is much more tranquil and calm than that of the other spirits he knows.

He can be maniacal and full of himself but deep down he has a strange admiration for you and the job you do.

Bunnymund:

Bunny has known you for a long time and has come to highly regard you as an ally.

You two mesh well together, because without the deaths you take watch of, he wouldn't be able to help bring new bouts of life into the world.

He refuses to see any of the souls you may bring around The Warren though, it makes him kind of squeamish.

He will occasionally help you wrangle up a lost soul or two but it's very uncommon for him to be around during the actual reaping.

Bunnymund and you do spend the most time together just because your roles are so interconnected with one another (Guardians of Life and Death and all that).

All in all, You and Bunny are very close knit and have a great respect for one another.

#rise of the guardians #rise of the guardians imagine #jack frost x reader #bunnymund x reader #pitch black x reader #headcanon

[lacrimosathedark]

THAT'S IT! This is a Janet Drake Defense Post

As may be obvious, I spend a lot of time reading fanfic. And there's this trend that drives me nuts, and it's villainizing Janet Drake.

I'm not gonna say she's an A+ mother. She's not. She chose her career and adventures over spending time with her child much of the time. But fandom portrays her as some rich pompous ice queen, which is never shown.

Janet Drake mostly appears in the story Tim's introduced, and in the story she dies.

So, let's start from the top: Haly's Circus.

This event is the only time we see her really interacting with Tim before her death, but it shows that at least when he was young, she was an active part of his life. She was worried about bringing Tim because it might scare him. And then rightfully scolds her husband for being sexist because Jack Drake actually IS a jerk.

...I don't like the art in this comic. Or that the writer doesn't know how kids speak.

But Janet is being supportive of Tim's clear interest in Dick's performance.

And then tragedy strikes and she acts like, y'know, a mother.

Her priority is getting her son and herself out of there.

Also worth noting that the Drakes sent a copy of that final photo of the Graysons TO Dick, which is how he has it at all. If both of them were stuck up pricks, would they even bother sending a photo to a grieving child performer they hardly know? I can't imagine Jack really bothering, but I don't see why Janet wouldn't.

And then, by the time she's dying, we know that Tim's parents have been away for a very long time, he never knows where they are, but they've communicated enough that he knows that they've been fighting.

They're passive aggressive to say the least. This marriage is clearly not working anymore.

EDIT CUZ I REMEMBERED A THING:

It's worth noting that this is a time before smartphones. This comic was released in 1990, which was when pre-paid mobile phones had just started existing. Coverage isn't universal NOW, so back then it was even less, and Jack and Janet are archeologists (or archeologist adjacent?) so they're going to be in less developed and populated areas most of the time. It's unlikely they'd have consistent access to a functional phone that could call the states to talk to Tim regularly.

This isn't to defend their absence, because fuck that, but it's to give it some context. I don't think they were trying to ignore or abandon Tim. Communication was just not readily available and Janet seems to get wrapped up in work...and Jack's an asshole.

Also for note, Janet is probably the one sending Tim postcards in the first place. It being signed "Mom and Dad" is what makes me think that. Jack would have put himself first if he wrote it, it woulda said "Dad and Mom". That's admittedly pure speculation, BUT IT FITS SOOOOOO

My thought is if this were made modern, Janet would be sending extremely scattered texts and Tim would get next to nothing from Jack unless Janet prompted him.

END EDIT

(Fair warning, this story is a few levels of Yikes, but I'm gonna stay on topic)

Bad guy Obeah Man does...something? to the pilot, and they crash, and he has a group of people kidnap the Drakes and their assistant Jeremy.

Danger really puts some things in perspective, for Janet, at least. And that continues for her. Jack is a bit delusional and in denial, thinking he has any control of the situation.

They are tied up and filmed for ransom, their assistant killed right in front of them.

Jack just keeps raging, but Janet is having regrets. Notice how she doesn't cry until Tim is brought up. Could be nothing, could be something.

And then she dies.

Her only other major appearance is when Tim is having a fever dream from the Clench and everything is kind of okay for a minute.

Tim very clearly loves his mom. And we may not get a lot of characterization for her, but she's not cold or callous like people write her constantly.

And now, we finally have a little more about her as of Batman 134.

I haven't really been keeping up since the Gotham War stuff because What The Fuck Was That My Guy, but I recently saw this specific comic.

The multiverse is fucked up again, some way some how, and Bruce is lost (again) and Tim has to get him back (again). This time, Tim is going in after him. But he doesn't end up going straight to Bruce.

He goes to see an alt of his mom.

Tim missed her so much that he ended up going to her before Bruce.

And her immediate reaction is to run up and hug him. Does that look like a mother who doesn't love her son?

"Do you have anyone to take care of you?"

"I don't know how this happened, this miracle...but I just know, in my heart of hearts, it was to show me...that every version of my son is a good one."

Tell me again that this woman is heartless and didn't want her son, I fucking dare you.

And we get more meaning to the name "Robin" and a little crumb about Tim's grandmother. As a treat.

This is all to say, please stop writing Janet Drake as a cold, heartless bitch.

Small final note though: Jack Drake is, in fact, a shitty person and a shitty father. He does still love Tim and Tim loves him AND THAT IS NOT UP FOR DEBATE, but the relationship is a mess. If either parent is actively abusive, it's 1000% Jack "smashed a TV because my son wasn't listening to me and threatened Bruce Wayne at gunpoint" Drake. Probably part of why the marriage was falling apart.

Anyway, yeah, let's retire the "Jack and Janet Drake are Bad Parents" tag and replace it with "Jack Drake is a Bad Parent" and "Janet Drake's C+ Parenting" or something.

#DC Comics #Detective Comics #Batman #Robin #Janet Drake #Tim Drake

[ddollfface]

𝐀 𝐇𝐚𝐫𝐝𝐞𝐧𝐞𝐝 𝐃𝐞𝐯𝐨𝐭𝐢𝐨𝐧

𝙅𝙖𝙘𝙠 𝙃𝙖𝙣𝙢𝙖 𝙔𝙖𝙣𝙙𝙚𝙧𝙚 𝙃𝙚𝙖𝙙𝙘𝙖𝙣𝙤𝙣𝙨 (Pt.1)

Warnings; bad writing, possessive behavior, really ooc (I'm 90% sure that I missed the mark on this one), this is pretty short, yandere if you really squint ig. If I missed anything, then please let me know ♡ Oml, tumblr's being a little bitch right now, I literally cannot right now. I'm going to repost Pt.1 and Pt.2. I'm so sorry, I have no clue as to why I have a word limit rn... Just know that this is super ooc :/

Okay, now that I've established Jack's background and overall interactions with reader, like how their initial meeting was, etc, we can now get into what it's actually like with Jack once you've known him.

Jack isn't obsessive necessarily, like how Katsumi or Ali Jr are, instead he's more so protective, possessive even. Since the two of you have gotten close, he's realized that he doesn't want you to leave him. You can't leave. This is the first time he's ever felt such an attachment for someone, felt such emotions for someone.

Throughout his life, he's always been determined on one goal: defeating his father. And he's never even given a second thought to some woman or to having a family. Nope, it's never even crossed his mind, but seeing you with another man just doesn't sit right with him, seeing you converse and smile with someone else. It just makes his hand itch, feeling the need to punch someone creep up his neck.

That smile belongs to him, him, him. You're only supposed to smile at him. He only smiles around you, so shouldn't it be the same for you? Why do you seem so close to this guy? He looks like a stick, Jack's sure that he could snap him in two, no doubt. He could take care of you far better than this shrimp ever could.

Much like an animal, Jack gets territorial over what he's deemed to be his, and you're his, don't you understand? Jack will begin to take up all your time, conveniently interrupting any dates that you have with another man. He'll show up to wherever the two of you are and loom over the man, silently telling the twig to buzz off. Of course, the other wouldn't stick around, too scared to face the beast of a man Jack is.

But you being you notice how you can't keep a single man, that isn't Jack, around no longer than a week. You'll begin to get skeptical. Not necessarily questioning Jack because it's too early to make assumptions, but you're keeping an ear out for any odd behavior.

Anyways, moving on to another headcanon.

I don't think Jack would be very touchy in public, clearly not too comfortable showing such vulnerability around others. Jack won't hug you, won't kiss you, and won't hold your hand. If anything, he acts like he's a stranger, someone you've never spoken a word to, but that's far from the truth. You know this.

And you don't need the PDA, you're fine. You can tell by how he looks at you, how his honey-brown eyes seem to soften ever so slightly, barely noticeable. It's as if he's speaking a thousand words with just one look, and this is the pillar of your relationship. The two of you are connected on a different level, though you both view this connection differently.

Like most Baki men, this is where the yandere tendencies come in. I feel that the majority of Baki men would be able to have a healthy relationship with someone, but it's when their feelings are reciprocated is when everything goes downhill. It's when they're devalued as a man and completely ignored, being pushed aside just to be chosen for someone else.

This is where Jack's possessive tendencies appear, seeing you with other people just sets him off, especially when he perceives you as undervaluing the connection you two have. I think that Jack would have to have a special type of relationship with you for him to become "yandere." He'd have to see you bonding with others, bonding the same way you did with him. This will surely make him feel as if you're using him (you're not), and that your relationship with him isn't special.

Once a sliver of doubt has seeped into his mind, all sane thoughts are out the window. Now, he's running on his instincts, and they're telling him to take you away to somewhere safe, somewhere where the two of you can be together, forever.

At first, when these thoughts pop up, he's in denial, his rational coming into play, and telling him to not do anything too crazy. Sometimes, it's hard to do so, especially when he sees you interact with others, laughing, and smiling with other fighters. How can you be so open with others? Treat other men so kindly when he can't even look at a woman without thinking of you?

What do they have that he doesn't? No, he has more. He knows when you look at him that he's your one and only, he can tell. The way your eyes glimmer and scrunch up when you smile, the smile lines becoming more apparent.

He can't let go of you now; he's in too deep; he's far too stubborn to give up now. The two of you are bonded, in his eyes. You understand him, and he understands you. You've just gone a little astray, don't worry he'll help you, just like you did with him.

#jack hammer #jack hanma #jack hanma x reader #x reader #obsessive love #lovesick #bad writing #yandere male #yandere x reader #yandere x you #baki the grappler #baki the grappler x reader #yandere baki the grappler #yandere baki #baki x reader #baki dou #baki hanma #baki son of ogre #yandere headcanons

[starleavess]

it's honestly kind of crazy how much of dave's behavior you can compare to a dog's. he's lonely -- he lost henry. he's been abandoned -- by henry dying; he's lost the only person who he considered family before jack. he's hurt -- because of henry and his past, even if he doesn't fully realize that. one of dave's first reactions to rejection and abandonment is sadness. when you decline his offer of murdering children in dsaf 1 is an exception, as it's simply an invitation for jack to 'hang out' with him. one of their first interactions in the trilogy is him suggesting they kill kids to get out of this place that jack got hired at like 5 minutes ago. and... that's quite literally all he knows. he was never taught normal things, he was never taught how to play with other kids or how to talk to people or how to do normal, fun activities. he was taught how to take lives instead. he was taught what to do so that things would go his way, even if he doesn't often use that ability to benefit himself. his number one priority seems to be jack, now that henry isn't around anymore. he focuses solely on him, and if he's going to make fazbenders go down, dave'll help him along the way. he considers jack his family, his partner, his second half. he is forced to love the people he considers close unconditionally on top of everything he does, because that's what he was taught to do. it became his instinct, much like a dog's. his instinct, which he couldn't ignore in the end, nor disobey. henry was the one who forcefully drilled that mindset into his brain through all of the abuse he made him go through and how he kept on treating him when he was younger. dave didn't know he was being manipulated nor used and therefore he thought that this was love. if he wants to be loved, he has to obey. if there isn't anything you can compare something to, how can you know it's right? how could he know what love was if he never truly experienced it?

in the bad ending of dsaf 3, he doesn't push jack away. he doesn't struggle against him as he breaks more than his heart. he simply begs him not to do this as all he does is helplessly "sit" still in one place. a dog which knows its doom is near and all it can do about it is accept it. and those still aren't his final words. his final words are "i love you" directed at jack. his family. a part of him does not want to obey. a part of him wants to lash out, be angry, be angry at the world which turned against him. no longer stay the victim. and we see just that in davetrap, which is a live (even if he's dead) manifestation of that part of dave. no matter how much he tries to get rid of his deeply rooted mindset which makes him hardwired to do what others want him to do, he can't. davetrap can't. he can't because he unreservedly loves people who hurt him. he loves henry and he loves jack. it's just like an instinct. when jack tells him to get out of his restaurant in the neutral ending of dsaf 3, he obeys. when henry asks him a question, he answers. they're his family -- how can he not listen to them and trust them with his life? that's what family's supposed to do, anyway. he learned that family members don't keep secrets from eachother. he didn't mention the box to jack until the bad ending in dsaf 3, which means that he did keep secrets from him in the past, long before he confessed he considered him his family. again, you can't keep secrets around people you love. he gave jack a key to the box and asked him to open it with him like it was a tradition. like it was something they've been doing together for 20 years, something dave can't let go of. dave likes simplicity. i can only think of three examples of simple things which bring him comfort, and the last two are not necessarily… uncomplicated. they wouldn't come across a normal person's mind if you had told them to think of something plain they enjoy doing. but those things are simple to Him and i think that that's very important for his character. even if complicated, it is easy to him. the first thing is vegas. in vegas, he has the chance to just have fun. like a normal person. a normal person with a fucked up and soulless friend, but a friend nonetheless. a person who doesn't kill innocent children. a person who wasn't abused in the past. a person just like all the other people currently at a club with him in las vegas. the second example is animatronics and just tampering with mechanics in general. that is something he is good at, most importantly. he's been working with henry long enough to just tamper with fazbender's animatronics for fun or to disable them to his advantage. he got used to this and it became simple to him with time. and the last thing on the list -- killing kids. that doesn't bring him joy, obviously, but it works as a last resort if things go south. an easy option like many other. he has murdered many in the past, so do just a few more children make that big of a difference? jack is simple to him because that's just someone who he is "friends" with, if you can even put it that way. he clings to him. he's simple, even if he is a very complex character. dave himself is, too, or atleast in henry's eyes. the doctor sees him as dimwitted, someone who's unable to comprehend his genius. like a dog, far below a human person. simplicity isn't something that dave was exposed to very often as a child. he had to constantly perform for food and sleep outside and whatnot just to survive. a kid shouldn't have to be on his own for years. simplicity just wasn't something that was available to him for free in those times.

that was, until he met henry. henry made it better for him, even if there were layers upon layers of abuse under how he was helping dave. he did make it better. he no longer had to fend for himself, alone. he was no longer abandoned, much like a terrified dog picked up from the damp streets. everything was better, so he didn't question anything. he was loved, he had someone close to him, he had shelter, a purpose, even if it was to be used and later discarded, no longer a man with hope for the future. but how could he know? and now, he is drawn to things which he lacked in his childhood. simple things. he loves them unconditionally. they remind him of henry.

#not art #writing #idk #analysis #character analysis #creative writing #writing stuff #dave miller #dsaf dave #dave dsaf #davesport #henry miller #jack kennedy #dsaf #dsaf jack #dsaf henry #dayshift at freddys #dayshift at freddy's #ermm #dsaf old sport #dsaf analysis #HELP!!!!!!!!!!!!!!!!!!!

[madcatlad]

Aaron Needs Friends

Having him be aloof and mysterious was cool for the first few adventures, but for the amount of time that Aaron was traveling with Aph he should have been making SOME sort of relationship with her squad. This man was present since BEFORE Garroth was lost to the Irene Dimension. Yet all anyone had to say about him was "I didn't know much about him" "he was a good man". The group didn't even need to know him all that well, or be super close. He didn't need to expose all his secrets or be particularly socialable. But you're telling me that during the span of time that Aaron was around the same people, all the time, risking their lives...and he didn't interact with them on a more personal level? He ONLY interacts with Aphmau. That just isn't human nature.

I vaguely remember multiple characters getting shamed or dismissed for being concerned about his intentions. But looking back that is completely valid! From Aph's perspective, Aaron is a good guy who had proved himself, and doesn't need to explain himself ever. From everyone else's perspective, he is a complete stranger, with vague intentions and questionable goals, who they have know for at least a year in close proximity but goes out of his way (quite literally every single time) to interact with NO ONE but Aphmau.

Suspicious Behavior. That or he seems rude. But their distrust of that kind of put out is not unbased. Especially when his past comes to light, yet he is still no more than a stranger, and shown to be purposefully secretive. Suspicious Behavior. But the cast is supposed to ignore all that because...? "He's a good guy" how would anyone else know that?

I mean he doesn't have to open up to them in great lengths and cry about his tragic life, but by time he died he should have had a surface level relationship with the main gang. More than never knowing jack about him as a person. Training/mentoring with Laurence, amicable acknowledgement with Garroth, maybe teasing flusterable Katelyn. A joke or two outside of Aphmau. Just any amount of relationship outside of Aphmau. Please.

Otherwise his mysteriousness becomes an archetype instead of characterization. And it became more of a hindrance to the story, especially later on.

Having Aaron never build relationships with anyone BUT Aphmau sets him aside in a way that is very odd. Aaron is essentially NOT a character, but a plot point. He only exists to advance the plot, add suspense, or subvert the plot. But he himself had no character- other than grief.

And it especially took away from the significance of his DEATH! When he died the only person really grieving HIM was Aphmau. Everyone was sad for HER. It made so Aph could be sad but - "oh nobody else understands my grief". While Aph was grieving nobody could really grieve with her. It isolated her in a way so jarring and disconnected from the story it felt more like a plot diversion than a plot point. And everyone just continued with their respective plots, yet the STORY had to come to a screeching HALT after Aaron's death because aph was mouring and she is quite literally OUR EYES.

There in lies the problem. NOBODY could mourn for Aaron, because he was a stranger. But HE DIED! He died without ever getting to grow or build new relationships as his story was clearly building up to do. HE DIED with no mourners! What kind of depressing precedent is that?!? "You don't need to grow past your grief, and build new relationships after great lost! You just need to be HOT and (somehow impregnate) the main character! Plot 😃".

What a Lackluster death for a character!! A main character!!! To be mourned by no one. It should have been Aaron's death that brought the story to a halt, the fact that they had lost HIM. Not that Aphmau had lost him.

Aaron's death should have affected the entire cast, or at least the main one who had traveled with him so long! Yet everyone else is allow to move on as they would because essentially they lost nothing.

Yeah, we were all sad when Aaron died as kids. Because Aphmau was sad (that scream was something else). And, yes, Aaron's death was sad. But imagine how devastating it would be if EVERYBODY knew him- to some capacity- if everyone mourned his passing. Imagine how much more significance it would bring to his SACRIFICE.

Aaron was a man with nothing to lose from DAY ONE. BUT HE STAYED THAT WAY! He never grew! What kind of sacrifice is it for a man with nothing to live for, no mortal ties, to sacrifice his life.

It dumbs down his death to in essence, achieve his ONLY goal in life: revenge, and make his girlfriend-not-girlfriend happy.

He A STRANGER. Not because HE necessarily wanted Garroth back, but because Aphmau wanted Garroth back. It doesn't work well. Aaron should have sacrificed himself for Garroth because HE wanted to, because HE cared for Garroth.

It objectified him in a sense. His decisions- his world revolves around Aphmau, and only her? (And Zane strangely enough). He has free will but his choices like agency, desire, depth. He's a means to and end, hardly a character. He experienced no growth, no change, no discomfort.

He only experienced pain and Aphmau. Tragic.

#minecraft diaries #mcd #aaron mcd #aaron lycan #aphblr #aphmau

[genderkoolaid]

“The experiences of transmen of color further show the hierarchical relationality between embodiments of maleness. Transmen of color can experience a loss of freedom as men. Jack, a Latino, and Trey, a black man, both realized they physically passed as men when women started clutching their purses tightly when they walked by. Trey notes, "On one hand, I was like, 'Oh, I am passing!' and then I was like, 'Oh, but you think I am dangerous.'" Keith, a black man, says, "It is interesting now to see it from both sides. I know why the black man is angry! I do. He doesn't start off that way.... It is just so weird to get that vibe from people. I just manifest... their fears, everything they fear. I am every black man who has been accused of something." He encountered frequent racist treatment, such as being pulled over by white police officers for driving in the "wrong" (that is, wealthy and white) neighborhoods and being followed in stores—all common experiences for black men in the United States (Bolton and Feagin 2004). Trey faced a similar experience in Texas. Walking a friend's dog in a predominantly white, affluent neighborhood at night, he was stopped by neighborhood patrols and police officers three times in a span of twenty minutes. Shocked at this treatment, he asked his older brother how he dealt with it. His brother was surprised that Trey didn't realize "how it was" and told him that soon he would become accustomed to such treatment. Socialized as black girls, Trey and Keith did not have the same embodied strategies as cisgender black men for navigating this treatment. While schools and families socialize black boys into accepting and adjusting to stereotypes of black, masculine criminality (Ferguson 2000; Oliver 2003), black girls' socialization often focuses on regulating their sexuality and maintaining their self-respect (Kaplan 1997; Orenstein 1994). Becoming a black man means finding interactional strategies that address the expectations of black male criminality.”

— Just One Of The Guys? Transgender Men and the Persistence of Gender Inequality by Kristen Schilt, pages 59

#m. #transandrophobia #just one of the guys?

[sourxcherri]

NSFW Alphabet (Satoru Gojo)

Minors Do Not Interact. Minors and Ageless Blogs will be blocked.

Sexual Content Below:

A = Aftercare (what they’re like after sex) Very much a "5 more minutes" kind of guy. Will bask in the afterglow with you for a few minutes before he gets up to clean you both up. Will run you a bath if you want one.

B = Body part (their favorite body part of theirs and also their partner’s) Gojo's very proud of his figure but more specifically his torso. His favorite part of you is your chest. He's very much a boob guy.

C = Cum (anything to do with cum, basically) He will come anywhere you let him. He loves seeing his essence drip off/out of you.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs) This man has absolutely no shame. He will tell you every dirty thought he has.

E = Experience (how experienced are they? do they know what they’re doing?) He's relatively experienced, but not as much as what people assume he is. He has a pretty good idea of what he's doing though.

F = Favorite position (this goes without saying) He loves watching you ride him. He gets to let you do all the work and gets to watch you from the perfect angle.

G = Goofy (are they more serious in the moment? are they humorous? etc.) Gojo can be pretty goofy during sex, as he finds your laugh incredibly sexy. He does know when humor would kill the mood though.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.) He keeps himself very trimmed or hairless altogether. If it's grown out he will shave a fun design like a heart/lightning bolt in it to catch you off guard and make you laugh.

I = Intimacy (how are they during the moment? the romantic aspect) He can be romantic when the moment calls for it, but prefers more light hearted sex more often.

J = Jack off (masturbation headcanon) He use to pretty frequently, like four or more times a week. However once in a relationship with you the frequency went down. If he's away on a mission for an extended amount of time he'd rather have phone sex with you than just rub one out on his own.

K = Kink (one or more of their kinks) Praise Kink (receiving,) Slight exhibitionism, Light bondage (both of you,) Over stimulation (both of you,) Food sex. This man is a switch and you can fight me on that.

L = Location (favorite places to do the do) If it's private enough he's fairly confident you won't get caught, he's down. He enjoys watching you try to keep quiet so you won't get caught. He likes the thrill. Gojo also likes going out with you while you have a vibrator inside you that he has the remote to.

M = Motivation (what turns them on, gets them going) Playfully teasing him throughout the day, things like bending over in front of him or letting your shirt ride up so he gets a glance of your skin, especially if you're wearing lingerie underneath your clothes and you give him a small peek. Also if you want to make him feral during the act praise him, he lives for it.

N = No (something they wouldn’t do, turn offs) Calling him "Sensei/Teacher" in bed. He's down for role play in the bedroom just not that one. Also not a huge fan of slapping you anywhere that's not your ass.

O = Oral (preference in giving or receiving, skill, etc.) He prefers receiving and loves seeing your lips wrapped around him. Will beg you to let him finish on your face. Doesn't mean he doesn't enjoy going down on you though.

P = Pace (are they fast and rough? slow and sensual? etc.) He tends to default to fast and rough unless you ask him to slow down.

Q = Quickie (their opinions on quickies, how often, etc.) Gojo loves quickies. He's pulled you into his office on several occasions and locked the door. Will also ask to shower with you sometimes with the express intent of quick shower sex in the morning.

R = Risk (are they game to experiment? do they take risks? etc.) He'll try just about anything once, unless its something that might seriously hurt you. Some harder kinks might take more convincing though.

S = Stamina (how many rounds can they go for? how long do they last?) Gojo will tire you out before you tire him out. He can/will keep you up all night if you let him.

T = Toys (do they own toys? do they use them? on a partner or themselves?) Love toys, and owns several of all types. Will gladly use them on you and let you use them on him.

U = Unfair (how much they like to tease) Gojo loves teasing you as much as you tease him. However he also gets impatient quickly so he won't leave you hanging for long.

V = Volume (how loud they are, what sounds they make, etc.) He's not overly loud, and tends to talk through it more than moan/groan/whimper. He will get louder the more overstimulated you make him.

W = Wild card (a random headcanon for the character) He wants let you peg him, and has almost asked for it.

X = X-ray (let’s see what’s going on under those clothes) Gojo's slightly above average girth but is longer.

Y = Yearning (how high is their sex drive?) Fairly high, and he's so needy about it.

Z = Zzz (how quickly they fall asleep afterwards) If you'd let him the second you're done he'd pass out. He can clean up in the morning/after a nap.

#jjk smut #jjk x reader #gojo x reader #gojo smut #cherri writes

[wekiaam]

2D NEWSIES: What I would change

I just realised I've been making fake concept art for a nonexistent animated Newsies adaptation for four years now. Over time, I've been getting so many ideas for this adaptation if it ever became real, I thought I would share them with you guys! This includes story changes, cut and additional songs and ideas for characters and style. I would love to know your thoughts on these!

When I started making concept art for "2dsies" as I came to be called, I intended for it to be based on the Broadway version and the Broadway version only. However, stories on stage differ a lot from stories told on screen, it just doesn't work the same way. I do still prefer the storyline of Broadway Newsies, but I think the best version would be a combination of the best parts of all different versions, plus some necessary changes. I would want Newsies to be a love letter to every production we've had, to everyone who made happen and every theatre kid who's been geeking out over it since 1992, while also being its own standalone movie that can be enjoyed by anybody. I am in no way an adequate screenwriter, these are just a few suggestions I have for a better story!

Story

Like I said, the story will be based mainly on the Broadway storyline, meaning we still have Artist Jack, Katherine, and most elements from the show that aren't in the movie. It will, however, be quite different from the show and the movie, and maybe add some more of the real events from the newsboy strike. There are still some details and scenes I would like to add and some I would remove completely.

- I like the history lesson opening from the movie, it gives people just enough background information on the real historical events the story is based on. I don't know if it should be Racetrack or Jack narrating, though.

- In Santa Fe (prologue), Crutchie mentions he's afraid the other boys will find out about his bad leg, even though they all literally know him as Crutchie, and it seems to be the first time Jack tells him about his dream of going to Santa Fe, even though they've clearly been best friends for a long time. It feels off, UNLESS they only just met, which is why I love @raggedy-albert 's theory so much. I would have the scene start off with them as kids, and have them grow up throughout the song.

- I want to add a scene in the beginning of Katherine at the New York Sun to establish her character and motivations, and possibly a little foreshadowing. Just an idea for a scene; she goes to the editor to let him read her story covering the trolley strike, but he reminds her of "her place" and that she's lucky enough to be in the position she's in and that she should go review a vaudeville or something. This would not only give her a similar motivation to the newsies, but also, if we're gonna bring the women's rights movement into the story let's do it right!

- Of course I'd also like to add more romantic interactions between Jack and Katherine, to make their relationship more believable. However, I don't think they should be a couple immediately after the finale, I was more thinking of an open ending to their relationship where Jack takes his first step to staying in New York by finally asking her out.

- Maybe add the actual scene where Jack and Davey visit Brooklyn instead of having them tell the other newsies what Spot said right before Seize the Day. Show don't tell, you know?

- A scene where Jack visits Crutchie at the refuge, similar to the one in the movie, but with the sadness Jack describes it with in the show. Again, show, don't tell. Show me how Jack visits the place of his nightmares again only to find his best friend in a worse state than ever and being unable to save him.

- Katherine punches Jack after the rally. Give it to me.

- Additional scene after Jack and Katherine's song after the rally where Jack formally apologizes to the newsies. Because in the show it just cuts from "omg he's a sellout *spits on the floor*" to "yay captain Jack is back" and it just doesn't sit right with me.

Songs

- There should be an entirely new Pulitzer song. The Bottom Line is good but by far the most skippable song on the cast recording, and The News Is Getting Better (the off broadway cut song) is a little Better but not quite the evil capitalist song we need.

- Swap Something to Believe In for When I See You Again. It's such a sweet song and I think it suits Jack and Katherine a lot better. It's much more "Neither of us know what tomorrow brings but when I'm with you I know we can change things for the better, even if it's scary but for now let's be here together and forget the world for a bit" instead of "I love you but I'm still gonna chase my cowboy dreams"

- Cut Letter From The Refuge, since my idea was to have this be a scene instead.

- Some lyric changes!

In Santa Fe: "Crutchie's callin' me, he's fine, just too damn slow"

In Once And For All: add this lyric from the movie, "Better to die than to crawl".

In Seize the Day: "Friends of the friendless seize the day, raise up the torch and light the way", not in the song but in the reprise where all the working children of the city gather before the finale.

Additional: "Still it seems like the dream of a boy, not a man", from The Truth About The Moon, a cut song from the movie that was supposed to be sung by Sarah. I don't know where I would put this lyric, but it could be said or sung by Jack as he realises what he's really looking for is not actually Santa Fe.

Characters:

- I want to add more girls to the background newsies, first of all.

- Sarah still won't do anything for the plot, but Davey and Les could mention that they have a sister. She's still canon to me.

- Speaking of Les, let's make him more likeable and also more helpful.

- Snyder has two scary dogs with him at all times.

- Just and idea, maybe Denton could still be a character if we replace Darcy with him, or maybe combine the two. Have him be Katherine's chaperone and friend formally, but also her reporter bestie. They could be a fun journalist duo!

Style

- The movie will still include the iconic choreography, which means it couldn't be fully 2D, but rather a mix between hand drawn and CGI.

-I would love for the backgrounds in the movie to be similar to impressionist and romantic art styles from the 19th century, to really sell how it's a story told from Jack's perspective. Especially his dream-like imaginations of Santa Fe would be brilliant in this style.

- I want to include a lot of weather foreshadowing. Rain right before Seize The Day and the sun breaking through when Davey starts singing. Mist surrounding Snyder and sudden darkness whenever he's near. A beautiful sunset when Jack and Katherine are alone on the rooftop. And of course, partly cloudy, clear by evening. It's such a cool way of visual storytelling when you have a plot that has no magic involved, like in most Disney movies.

- The real people characters' designs (Pulitzer, Hearst, Roosevelt) can be based on political cartoon caricature versions of themselves.

And lastly, quotes from the movie I liked that could be inspiring for the animated movie:

-"When I created the World..." "🙄" and "Where was I?" "You created the World, chief?"

- "No, we'll be just a bunch of angry kids with no money"

-"What, you couldn't stay away?" "Well I guess I can't be something I ain't." "A scab?" "No, smart."

Many of these ideas are still in development. Some might work, some may not, but I will be basing any future work I'll post on here on these ideas. I would love to see you guys  discuss and add on to these!

#newsies #newsies broadway #broadway #2dsies #jack kelly #livesies #92sies #1992 newsies #katherine newsies

[shockinglyangel]

HEADCANONS - LORENZO BERKSHIRE

MATURE, Warnings: Slight mention of sex

NOT PROOFREAD

MY OWN HEADCANONS!!!

Do not get mad at me if he doesn't fit your standards of how you believe he is. (Shoutout to the person that I saw do this lmao)

HIS PHYSIQUE

- 6'2

- Second tallest to Theodore

- Skinny but toned

- His muscles aren't that defined, but they are certainly there

- He hold himself with a lot of confidence, that's how he has so many bitches

- He's constantly doing neck workouts and stuff to make sure that his posture doesn't get messed up from constantly having to look down at people

APPEARANCE

- The first thing you notice about him is his smile

- He has very kind eyes, the type that you unintentionally melt into

- His hands are quite big in proportion (Think Adam Driver)

- He's really into Y2k muggle aesthetics, so he's constantly spiking his hair up to match the trends

- When he's not styling his hair, it's pretty long, but it's cut in a way that doesn't create a helmet on his head

- Again, really into muggle aesthetics so he enjoys wearing clothes that match whatever style they have at that time

- He owns a few leather jackets with spikes on them, he doesn't wear them often, but he really loves them

- When he's not "dressing up" he will just wear a baggy shirt and baggy jeans, he's not all too fussy about his outfits, but he does enjoy fashion

- Loves loves loves wearing shirts with the Union Jack on it lmao (a true Brit)

- Unknowingly gives people puppy eyes when talking to them, which is why he has so many girls attached to his hip

PERSONALITY

- Very funny, but genuine with his humour

- He's very attentive and intentional so when he notices someone's body language or demeanour shift when he's joking or talking about something, he's very quick to drop the conversation and move on

- He does have a tendency of taking some jokes too far, specifically when he's drunk when he doesn't notice that someone's uncomfortable

- First to apologise, but he beats himself up for it

- Very frisky with his jokes, doesn't really care who hears

- His looks give you this teddy bear vibe, but getting to know him opens a whole new can of worms

- He copes with his trauma and past wounds by joking about it

- He's not open about his own experiences

- Very loyal to those who he cares about

- Quick to seek revenge, but not the type to get blood on his clothes

- Very comfortable in his self expression

- His head is in the clouds, he's oblivious to a lot of things

- Cannot for the life of him pick up signals, if you like him, you need to tell him straight up, no subliminal messages

- Collects information on people to make sure that they only have good intentions

- Very intuitive, if he tells you he doesn't like someone, you better listen

- Enjoys his independence and freedom

- Hasn't many plans for his future

- Top student, but only when he's not sat with any of his friends

- Very honest, sees no point in lying

AS YOUR FRIEND

- He'd wait outside the bathroom for you, he wouldn't like it, but he'd do it

- He'd also use his foot to hold your stall door if it doesn't close, however he would continue to bully you about this interaction for a while

- Very observant, always knows what you need, whether it be some attention, or something physical like a gift, hug, etc

- He would take the risk of pretending to be your partner if you needed to warn other people off

- He's into the whole friends to lovers shtick, so be careful

- Complains about your gossiping to him, but truly loves it

- He would set you up with someone if you asked him to

- Would help you with homework

- Would make jokes about your trauma (only if you're ok with it)

AS YOUR BOYFRIEND

- LOVES when you talk to him about drama

- Always checks on you to make sure you've eaten, drank etc

- He makes very lewd jokes constantly, but he wouldn't make any about you as that's your own personal lives

- Often forgets that he can't make sexual jokes about other women when he's with you

- Little spoon. He isn't going to say it, perhaps you'll fall asleep as the little spoon, but you best bet that he will be the little spoon in the end

- He likes to feel safe with you, so sleeping around you is constant

- He's clingy, but only since he has a fear of abandonment

- Constantly checks to see if you are laughing at his jokes, his eyes will be on yours before he as much breathes near another person

- Considerate, but can come off as cold at times, mainly due to minor insecurities

- Beats himself up after an argument

- Will apologise first, but this man will pace his dorm, hands pulling on his hair while he aggressively chews on his gum, he doesn't like being wrong

- Really enjoys your company, so will come and be around you any chance he gets

- Always wants to hold your hand, or have his hand on your thigh at all times

- Will stare you down when you talk to another man, he doesn't see them as competition until he make it clear to him that they are

- His insecurities stem from his abandonment issues, so try not to make him jealous, it'll just make him feel like shit

- Buys you clothes and expects you to wear them, it will be the most god awful thing that he gives you, but with those little puppy eyes, he can totally convince you to wear it for him

- He loves taking pictures of you and has an album of them, one for nice pictures, and another for the other... activities that you two take part in

- When dating and going on dates, he needs something that is stimulating enough for him to feel comfortable with the circumstance. He won't show it, but dating someone romantically makes him really nervous, so you have to do something fun and engaging for him to not lose himself in thoughts

- Pottery painting/making dates, Swimming in the black lake, Horse riding, and study dates would suit him well

- He really cares about meanings, so when he finds out that you like something, he may slightly overdo it with how much he entertains your desires

- If you like a certain food, he's going to get you so much that you can barely even think to stomach another taste of it

- If you like reading, he'll annotate your favourite book and give it to you as a gift

- Loves locket necklaces, would definitely buy you so many of pictures with you and him, or sometimes just him

- Protective, would get his hands dirty in order to keep you safe

AS YOUR EX BOYFRIEND

- Rude, only if you broke off the relationship though

- Purposefully makes out with people in front of you to see how you would react

- Actively makes sure you’re aware of his sexual endeavours

- Tries to remain friends with you, but only to keep the peace

- Makes fun of your new partners “Did you see Y/n’s new bitch? They really are picking them off the street.”

- Rude to your new partners, will dish out the most snarky remarks, make jokes about your relationship, even bring up past sexual encounters the two of you had together just to make your partner jealous

- Toxic as fuck, sorry

- Dates and leads on so many other girls out of anger

- Literally doesn’t know what to do with himself

AS A HOOKUP

- Leaves after you're done with the sex

- Refuses to kiss you incase it's too intimate and either of you catch feelings

- Will make sexual jokes about you to his friends, he doesn't see the importance of keeping it private

- He has a reputation of being a munch

- Has a list of all the people he's been with

- Absolutely no shame, gets his hookup to stand up against a wall so he can take a headshot of them and add it to his pictorial list of hookups (The wall who came)

- He does rate them, but his class isn't so messed up that he makes it public, it's normally just kept in a note book with a name next to it and a scribbled score of 1-10

- If he's really feeling it, he'll go for multiple in one night, sometimes even together

- Doesn't take his time, he has stuff to do after (like tell the boys about it)

HIS HABITS

- Tends to get lost in the bit, sometimes does stupid things and gets injured or in trouble purely for the butt of a joke he was trying to make

- Zones out when a conversation doesn't entertain him

- Talks over people, he will randomly chime in like "oh I just remembered what happened to me this morning" when someone is talking about something important

- Oblivious to hints, so when people flirt with him, he doesn't really notice it, which can cause some drama

- Speaks before he thinks

- Jumps to conclusions

- Shuts people out when they try to dig too much into his past and childhood

- One day he can be super attentive and kind, but the next he turns completely opposite, normally after he shared too much about himself

#harry potter #slytherin boys react #slytherin #slytherin boys #lorenzo berkshire

[telvess]

Record of Ragnarok: What kind of pet do they have?

I'm like Tesla 🤣

Jack

I once read that people who are broken or haven’t experienced much love as children tent to choose animals that are less popular and sometimes seen as bad omens, such as black cats or ravens. So I see that Jack has a rat as a pet. They are intelligent and very clean animals, with an unfairly given bad reputation, and I think that suits Jack very well.

Nicola Tesla

Hear me out, Tesla is the proud owner of a turtle. There's a joke going around turtle owners that every time the turtle does something - such as yawns or falls asleep - you take a photo or video of it and happily show it to everyone. This is Tesla. The entire science crew has a mailbox full of this kind of spam, and their all sigh whenever Tesla sends them a new video of his pet doing absolutely nothing.

Poseidon

I think he likes animals in general. He despises humans and most gods for not behaving as they should, but animals are themselves. They do what is expected of them, they are excellent at being themselves, if that makes sense. So Poseidon probably has a dog that he has trained very well. The dog listens to all commends and generally behaves very well.

Hades

It’s canon that Hades has a pet - cockatoo. These animals require a lot of attention from their owner, which makes sense because we all know how lonely Hades is. He is literally playing chess with it! The parrot probably knows some fancy words like „magnificent” or „mellifluous”, and a whole bunch of wine names that it randomly says. Adamas, by the way, puts some effort into educating the bird too and incidently teaches it how to swear.

Beelzebub

Given how little he cares and how little he CAN care, the only option he has is fish. He gives it a good tank, he remembers to feed it and that’s it. They just exist. Damn… how depressing…

Loki

Two options. First: SAND ANT FARM. He watches it from time to time, mocking the ants for poor direction choices or just messing up with them for funnies. Second option is ferret. Loki finds them both annoying and interesting. There’s no boredom with them.

Ares

Ares thinks highly about himself, after all he is a part of the most powerful pantheon and the son of Zeus. He believes that he deserves only the best, which mean that whatever animal he gets, it will be a pure breed. If he chooses a cat or dog, it will receives a golden pillow to sleep on, a silver food bowl, the fanciest toys, the best caretakers, and… „the best owner”.

Thor

Thor has a cat. Most of the time they simply exist in their spaces and don’t interact. But every now and then a cat comes to Thor and demands a scratch, which Thor gives without hesitation. Loki once overheard Thor talking to his pet in those rare moments. Surprisingly, he speaks in a very gentle and caring tone, almost like mother to her child.

Hajun

He probably has a tank full of dead fish. Never cleaned, never fed, never bothered.

Lu Bu

Lu Bu has a pussy. He had no intention of having a pet, so the cat had to choose him, and Lu Bu obligated. He gives it lots of scratches and plays with it. Lu Bu is unfazed by the claws. Hearing her meow when he isn’t close puts him in a fighting stance. Nobody hurts his cat girl.

Hermes

Budgies! The guy has a lot of responsibilities, he's probably the last to fall asleep and the first to wake up, but he still finds time for his melodious pets. They always get the best snacks and for some unknown reason they become very excited when Zeus is around.

Göll

She has hamster, as small and cute as she is. Göll tries very hard to provide it a happy life, which probably means she’s trying too hard. She asks all his sisters for advice, and knowing how many siblings she has, she probably ends up with very conflicting opinions.

Zerofuku

Definitely rabbit. They are both full of energy, do not pose a threat and just enjoy themselves on a clearing somewhere.

Buddha

He doesn't have a pet, but he occasionally looks after Zerofuku’s and Göll's pets. He complains that he doesn't have time and that he doesn't care, but in the end he has a great time with the rabbit and hamster.

Noah

I think he ends up with a pigeon. He just feeds it from time to time in the same place and slowly tames it. Before he knows it, the bird becomes a new part of his life. He tells it about his problems, about Luna, Jack, Mother Goose and Shakespeare. This pigeon has therapeutic properties.

Qin

Definitely a husky. I see just two idiots keep talking to each other and arguing over nothing. The more the emperor demands something, the louder the husky's tantrum will be.

#record of ragnarok #shuumatsu no valkyrie #ror jack #ror poseidon #ror nikola tesla #ror hades #ror beelzebub #ror loki #ror ares #ror thor #ror hajun #ror lu bu #ror hermes #ror goll #ror zerofuku #ror buddha #ror noah #ror qin shi huang #snv jack x reader #snv nikola tesla #snv poseidon #snv hades #snv beelzebub #snv loki #snv ares #snv thor #snv hajun #snv lu bu #snv hermes #snv goll