#Japanese Mythology

[cantheykillmacbeth]

Momo-Taro from Japanese mythology. He was not born, but rather emerged from within a giant peach

Yes, Momotarō from Japanese Folklore could kill Macbeth!

He was found when an elderly couple spotted a giant peach floating down the river by their home. When the couple split the peach open to eat it, the baby Momotarō was there in place of the pit, and explained that he had been bestowed by the gods to be their son. This applies him for the Unconventional Birth Clause and (somewhat arguably) Birth Parent Clause!

Thank you for your submission!

#asks #unconventional birth clause #birth parent clause #momotaro #japanese folklore #japanese mythology

[redsamuraiii]

Fun Trivia : Did you know Catfish exist in Japanese mythology called Namazu?

Legend has it that there was a giant underground catfish which causes earthquakes and lives under the islands of Japan.

It was believe to be have been spotted at Lake Biwa and there is an Otsu-e painting depicting the creature in Otsu, Shiga Prefecture.

So the producers of Shogun knew what they were doing when they created this scene of Yabu and Ishido about the supersition.

It happened when an eel fisherman reportedly spotted unusual active catfish in a river, followed by an earthquake.

Namazu was considered by the people to be "Yanaoshi Daimyojin" (God of World Rectification), an avenger of social injustice.

They believed the rich hoarded their wealth but were disgorged due to earthquake and redistribute to the people in rebuilding efforts.

Although Ishido repeatedly tries to deny it but you can tell that he is actually terrified knowing that his recent actions were "immoral".

Being born a peasant, he would believe the Namazu but pretend not to care to show his followers that he is not a peasant but a Samurai.

And the fact that Toranaga survived the earthquakes thrice implies that the Gods or Namazu have favored him over Ishido.

Toranaga probably believe in it to, thinking that Anjin is sent by the Gods to protect him. One reason he decides to keep him by his side.

Toranaga, being an opportunist and strategist, takes the earthquake as an omen that those who follow Ishida would be doomed.

Not only is he now a "rebel", being abandoned by the Taiko's heir and consort, Ochiba but also abandoned by the Gods.

Japanese religion and folklore brim with an astounding variety of deities and creatures, products of a polytheistic belief.

Richly varied in appearance and behaviour, this pantheon laid the groundwork for the Kaiju culture of modern era like Godzilla.

Some believe Godzilla to be simply a demonic but some believe it to be a wrath of the Gods sent to punish humans, like the Namazu.

A reason that I've always loved watching Japanese films is that there's always a mix of legends which adds to the mystery.

#shogun #shogun fx #shogun 2024 #catfish #namazu #japanese folklore #japanese mythology #japan #japanese culture #kaiju #lake biwa #otsu #shiga prefecture #godzilla #period drama #jidaigeki

[yeehawpim]

a comic about friends

in preschool someone read us the story of the red oni and the blue oni and it still gets to me a little

#original comic #artists on tumblr #mythology #folklore #japanese mythology #my comic #my art

[jareckiworld]

Tomiyuki Kaneko — Akayama Earth Dragon (mineral pigments, ink, transparent watercolor, acrylic, pen, shell powder, foil, 2018)

#Tomiyuki Kaneko #japanese art #japanese mythology #yōkai #japanese dragon #Kaneko Tomiyuki

[darksilvania]

Kroelian RALTS, KIRLIA, GARDEVOIR, Mega GARDEVOIR, GALLADE & Mega GALLADE RALTS, KIRLIA, GARDEVOIR & Mega GARDEVOIR are Ghost/Psychic type GALLADE & Mega GALLADE are Ghost/Fighting type

RALTS is based on a Yurei, a traditional japanese ghost, they can be found wandering during the nights and when they found a person they like, they will start following them from afar, they can do this for hours, and even follow them home

KIRLIA is based on 2 Yokai, a mix of the Rokurokubi, the long necked female yokai and Taka-Onna, a yokai that could stretch her body to spy through windows, this pokemon likes to spy people it likes through their windows, stretching their necks to reach them if they are too high, some people say their necks cant stretch several stories high.

GARDEVOIR is based on the modern urban legend of Hachishakusama, the 8ft tall woman, it likes to follow people around, specially children which she protects and play with Mega GARDEVOIR is inspired in the RE8 character of Alcina Dimitrescu who is also partially inspired in the Hachishakusama legend, so it felt right, like gardevoir it also likes to follow and protect children, but it is more aggresive when it comes to protecting them, being able to stretch its fingers into long sharp claws

GALLADE is based on a mix of the Noppera-bō, a faceless yokai that likes to scare people, and the urban legend of slenderman, to mirror GARDEVOIR being based also in a modern urban legend Mega GALLADE is based on the Gashadokuro, a giant skeleton yokai, mostly to keep the theme of being really tall, it is even taller than Mega GARDEVOIR

#pokemon #fakemon #fake pokemon #yokai #japanese mythology #urban legend #cryptid #ghost pokemon #ghost fakemon #ghost type #psychic type #psychic pokemon #psychic fakemon #fighting type #fighting pokemon #fighting fakemon #slenderman #lady dimistrecu #alcina dimitrescu #regional form #regional variant

[evermore-grimoire]

The Evermore Grimoire: Japanese Mythology

Amaterasu Omikami (天照 meaning ‘Shines from Heaven’) was the goddess of the sun, daughter of creator deities Izanagi and Izanami (god and goddess of creation), and central to the Shinto religion in Japanese mythology. Her primary role was that of the sun goddess. In this position, she not only served as the literal rising sun that illuminates all things, but also provided nourishment to all living creatures and marked the orderly movement of day into night. Amaterasu Omikami was also the ‘Queen of Heaven,’ the kami, and creation itself. Though she did not create the universe, she was the goddess of creation, a role she inherited from her father, Izanagi, who defended the world from the land of the dead. The Japanese Imperial Dynasty claims to have descended from her, and this is what gives them the divine right to rule Japan. She is the center of Shinto, and Japanese spiritual life.

artwork by Yliade

#MythEdit #MythologyEdit #FYeahMyths #FantasyEdit #Japanese Mythology #Goddesses #Sun Goddess #My Edit

[vcreatures]

Something a bit different than what I normally do, but I hope you all still like it. 

I was inspired by the ornate tapestries of the Medieval period, one of favorites being “The caged unicorn” So this is my very subtle homage to it. 

#the caged unicorn #unicorn #qilin #kirin #concept art #creature design #bestiary #magic the gathering #dungeons and dragons #digital art #dragon #fantasy #fantasy art #drakes #mythological creatures #medieval #medievalart #asia #japanese mythology #chinese mythology

[illustratus]

A flying Sea Dragon swooping down above the waves by Utagawa Kuniyoshi

#dragon #sea dragon #waves #flying #art #utagawa kuniyoshi #japanese mythology #japan #japanese #mythological #mythology #dragons #sea serpent #serpents #serpent #sea beasts #nippon #nihon #beasts #folklore #sea

[allmythologies]

japanese mythology: amanozako

amanozako is a monstrous goddess. she originated when susanoo let his own ferocious spirit build up inside him until he vomited her out. she is described as having a furious temper, a beastly head with a long nose, long ears, and great fangs so strong they can chew metal blades ragged, and to be capable of flying for a thousand li. amanozako has been known to be a goddess that goes against conformity and does the opposite of what is expected by society and social norms. also, it is said that amanozako is picky, and will go into an atrocious rage if she does not get what she wants, or if things do not go according to her way. her wrath cannot be stopped

#japanese mythology #amanozako #japanese myth #mythologyedit #mythedit #*mine* #gods and goddesses

[thewinedarksea]

myth moodboards: ningyo

in japanese folklore, fantastic beings that were half-fish and half-human.

#ningyo #japanese mythology #mythedit #mermaids #mine #* #mythmoodboard

[chernobog13]

Detail showing a hihi (the Japanese yokai version of Bigfoot) and foxes from the ukiyo-e print Sakakibara Kenkichi Wandering the Mountains by Kawanabe Kyosai.

#Sakakibara Kenkichi Wanders the Mountains #Kawanabe Kyosai #yokai #hihi #foxes #ukiyo-e #Japanese folklore #Japanese mythology

[shyblacksheep]

[ X ] ⛩️

#digital art #artists on tumblr #fantasy #supernatural #oc #ocs #original character #original characters #origianl art #original comic #yokai #japanese yokai #yokai oc #yokai art #youkai #kitsune #tenko kitsune #tenko #fox #celestial creature #moon beast #dragonkin #wolf #werewolf #lycan #lycanthrope #tanuki #raccoon dog #japanese mythology

[yoga-onion]

Legends of the humanoids

Reptilian humanoids (12)

Toyotama-hime – Wani (Dragon) Goddess disguised as a human

Wani was a dragon or sea monster in Japanese mythology. Wani is discribed as "crocodile", or sometimes "shark".

Toyotamahime (See) is a goddess in Japanese mythology. Daughter of the sea god Watatsumi, she was said to reside in a dragon palace. Their palace was as if made from fish scales and supposedly lies undersea. Her true form was “Yahiro no Owani (meaning giant crocodile, approx. 24 m long)”, and she was the wife of Hoori (See2), is known as the epitome of human–animal marriage tales. She was the mother of Ugayafukiaezu-no-Mikoto (See3), father of Emperor Jinmu (the first Emperor: See4), and sister of Tamayori-hime (See5), the Emperor's mother.

Toyotamahime makes a fateful meeting with the demigod prince, Yamasachi, also known as Hoori ("Fire-Subside"). They married and lived happily in the dragon palace. 3 years later, she and her husband Hoori, who missed home, went ashore to give birth.

She then warned her husband, "All people from other parts of the world give birth in the form of their native country when giving birth. So I will give birth to a child in my true form”, and requested Hoori not watch how she gives birth. Hoori, however, was pazzled and peered in on his wife as she was giving birth, and saw her crawling around as a giant crocodile of about 24 metres (79 ft) long. He then startled in shock and retreated. Toyatama-hime learnt that being witnessed her true form by her husband, "I have always intended to pass through the path of the sea," she said, "but I am ashamed that you should have observed my true form.” She blocked the sea path, leaving the child behind and left.

伝説のヒューマノイドたち

ヒト型爬虫類 (12)

トヨタマヒメ 〜人間に変身する和邇 (龍) の女神

和邇は、日本神話に登場する龍または海の怪物のことである。和邇は「ワニ」、ときには「サメ」と表現されることもある。 

トヨタマヒメ（参照）は、日本神話の女神である。海神ワタツミの娘で、竜宮城に住んでいると言われている。その宮殿は魚の鱗でできたようなもので、海中にあるとされる。その正体は「八尋の大和邇（やひろのおおわに: 体長約24mの巨大な鰐の意）」で、ホオリ（参照2）の妻であったことから、異類婚姻譚の典型として知られる。神武天皇（初代天皇: 参照4）の父である鵜葺草葺不合尊（うがやふきあえずのみこと: 参照3）の母であり、天皇の母である玉依姫（たまよりひめ: 参照5）の姉である。

トヨタマヒメは、半神の王子ヤマサチ、通称ホオリと運命的な出会いを果たす。二人は結婚し、竜宮城で幸せに暮らしたが、3年後、故郷が恋しくなった夫のホオリとともに出���のために陸に上がった。

その時、トヨタマヒメは夫に「すべて他国の者は子を産む時になれば、その本国の形になつて産むのです。それでわたくしももとの身になつて産もうと思いますが、わたくしを御覽遊ばしますな」と忠告した。ところが夫のホオリはその言葉を不思議に思い、妻が今盛んに出産している最中に覗いてみると、八丈 (約24m) もある長い鰐になって這いずり回っていた。そしてホオリは畏れ驚き退いた。しかるにトヨタマヒメは夫が窺見した事を知り、御子を産み置いて去った。「わたくしは常に海の道を通つて通おうと思っておりましたが、わたくしの形を覗いて御覽になつたのは恥かしいことです」と言い、海の道をふさいで帰ってしまった。

#toyotama-hime #Japanese mythology #dragon #humanoids #legendary creatures #hybrids #hybrid beasts #cryptids #therianthropy #legend #mythology #folklore #nature #art #sea monster

[jareckiworld]

Maya Fuji — Hyakkiyakō IV (acrylic airbrush on cradled wood panel, 2022)

#Maya Fuji #japanese art #feminist art #japanese mythology #Hyakki Yakō

[thoughtspresso]

Oshi No Ko was about Arima Kana all along.

And I think there’s a real possibility she may die at the end.

Or be placed in the way of grave danger.

I was reading some AquKane shippers say something about how they don’t understand AquaKana, and why the writers and directors keep clearly pushing Kana towards Aqua when they barely share any chemistry. Whereas, in their belief, his relationship with Akane is more honest, deeper, whatever. I’m not here to argue about that. But I get where they’re coming from. And the simple explanation is this:

It’s because this whole story was written for Arima Kana.

I’ve seen some Youtubers talk about how this whole story was meant to be fulfillment for Ruby/Sarina’s dream to become the next great Idol, something about Amaterasu favoring her.

And that’s near what I thought of it. But I really think if the God of Entertainment wanted to bless a child with cancer a second life as the world’s great idol, they’d also give her a great singing voice, y’know?

Spoilers for the manga, of course as we go along on this explanation. So anime onlies, get caught up before you start reading me ramble.

Here we go:

1. Arima Kana is the embodiment of Amaterasu, not Ruby.

Or at least, Amaterasu’s appointed representative, or her favorite daughter.

To give you a run-down of some of the core Shinto/Japanese Mythology that is important for the story, the Creator God Izanaki had three children:

Amaterasu, Goddess of the Sun.

Tsukuyomi, the Moon.

Susanoo, the Storm.

The story goes that Amaterasu and Susanoo had a competition about who could create better gods. So Amaterasu took Susanoo’s Totsuka-no-Tsurugi* (longsword) and split it into three, from which she birthed the three Munakata goddesses.

And woncha knowit, there are three great actresses born in that year?

*A reminder that Kana plays the character Tsurugi, which literally just means Sword. And Akane’s character Saya-hime just literally means Sheath or Scabbard Princess.

In this bet, Amaterasu got clever with the rules and won on a technicality. Susanoo went on a rampage, destroyed Amaterasu’s ricefield, and flayed Amaterasu’s favorite divine horse*, and then threw its body at her loom.

*The name Arima is spelled with the Kanji of Horse & Exist/Live. 

Amaterasu, in her grief, flees into a cave, believed to be Amano Iwato cave, right in the town of Takachiho, Amamiya Gorou’s hometown, and the death place of  Tendouji Sarina.

The being that draws Amaterasu out of there was the Goddess of the Dawn, known also as the Goddess of the Revelry & Arts, a being that Aqua says he knows well, and believes there’s a grain of truth to:

And how does Ame-no-Uzume draw Amaterasu out of her grief?

By throwing an absolute rager, and dancing really wildly that it catches her attention and makes all the gods around them laugh so hard. Just like:

Ame-no-Uzume will later on marry a diety who tried to block her passage before, Sarutohiko, who in Ise is worshipped as the god who illuminates the world.

That’s some divinity-level AquaKana shipping right there.

Just like how Aka Akasaka wrote the story of Kaguya-sama: Love Is War about two lovers who couldn’t be together just like in the myth of Kaguya, but having his characters overcome all odds to defy divine fate, I do believe that apart from the parallels to the mythology like he did in Kaguya-sama, there is very literal divine intervention this time in Oshi No Ko.

I think what’s happening is that the gods, particularly Amaterasu and Susanoo are quarelling again about who could create better gods, just like before, but now more of whose favored child will shine the brightest and be worshipped by the most humans. But just like last time, Susanoo may have been enraged, especially at the sexual assault of his chosen Hikaru Kamiki, that he possessed him with a corrupting force that urges him to destroy shining stars before they reach their peak, hence the murders of Himekawa Airi, Hoshino Ai**, and Katayose Yura.

Which by the way, the name Hikaru means Radiant Light!

And Hoshino means Field of Stars!

Whether it’s because Amaterasu is angry that every daughter she sends to earth is slaughtered by Susanoo’s chosen, or just because she wants to win their competition, she appoints Ame-no-Uzume to assist in safeguarding her new favored one from Kamiki’s clutches. Her new favored one being Arima Kana.

And therefore, Ame-no-Uzume takes the souls of two motherless humans who had passed before they could shine and sent them to become Hoshino Ai’s twin children. It was all anyway happening in her territory of Takachiho at the most opportune time.

Ame-no-Uzume is also known as The Goddess of Dance, as well as The Great Pursuader. And wouldn’t you know, that’s exactly the gifts that the Hoshino Twins received.

An energetic performer who takes the stage with dance:

And a deceptive, persuasive, extremely believable actor, who:

fooled his own sister into believing she had been rejected from an audition

pretended to scout an idol from a competing agency to research them

get Director Gotanda to raise him and train him

make Akane not just date him, but follow him down a destructive path

convince Kana and Mem to join IchigoPro

impersonate Pieyon for several days straight

Anyway, I truly, truly believe that unbeknownst to Aqua, his true mission is just to keep drawing Kana out of her darkness until she shines the brightest. Which is what he keeps doing anyway:

2. The Timing of the whole Oshi No Ko plot is aligned with Arima Kana’s rise to unprecedented stardom.

The story of Ai Hoshino’s pregnancy and meeting of Gorou Amamiya in a quaint hospital occurs at the beginning of Arima Kana’s life, just after she is born.

She meets Aqua Hoshino around age 4, already talented, and already extremely arrogant which could have easily been the demise of her career. But meeting Aqua and seeing his acting was a necessary wake-up call for her, that it brings her to tears. She never forgets this experience that she brought that lesson with her to her adulthood: that she can’t be satisfied and keep working harder, and to be a better communicator with her colleagues. At their first point of contact, Aqua already becomes the reason why Arima Kana’s acting career survives the slump.

They meet again in high school, when Arima Kana has one acting job in a lackluster production of Sweet Today. The ratings had plummeted, if not for the fact that Aqua came onto the set to draw out the best acting Arima Kana could deliver. After this, Arima receives much more respect and recognition from her colleagues in the industry beyond just being cast to bring some legitimacy to their production.

It’s because of Aqua and Ruby that Kana joins IchigoPro’s Idol Division, and her career is reborn anew. Such that, even after quitting B-Komachi, Arima states she never regretted the decision to join, because otherwise the career of Arima Kana would have been already over. 

It’s because of Aqua’s presence that Arima trains to become better and better as an idol. Aqua kept drawing out the light from Kana’s eyes, to the point that it catches the attention of the crowd who previously had no interest in her.

It’s because of her experience as an idol that she regains the confidence and sense of greed necessary to grab the attention of the audience when on stage, such that even Akane recognizes this change in her when Arima takes the stage as Tsurugi for the 2.5 Adadptation of Tokyo Blade.

And it’s because of all of these that she captures the attention of award-winning Director Masanori Shima, who lines up some roles for her when her acting schedule had dried up. It’s once again because of Kana’s dedication towards Aqua that Shima D finds her so interesting that he was most willing to promise her the best role possible.

It was as if Ame-no-Uzume-no-Mikoto appointed Aqua and Ruby to come draw Arima Kana out of her Cave, and bring the Sun out again, just like how the deity drew out Amaterasu.

If you think about the title of the show, Oshi No Ko, it literally means The Favorite Child. God’s favored child. Arima Kana had been born chosen by Amaterasu from the very beginning. And Ame-no-Uzume is sending Aqua and Ruby to aid on this quest.

Which explains why it seems like there had been a mission communicated to Aqua from the very beginning. And why Ai was never going to be reincarnated at all.

You would think that if The Crow Girl, which we assume is the divine guide Yatagarasu, was communicating with Aqua about his revenge plan or helping him find Kamiki, that Aqua would hold a more favorable relationship with The Crow whenever it appears to give advice, no?

But it’s exactly the opposite. Because The Crow is guiding him into something that is different from his personal goal that Aqua doesn’t understand.

And this is where I think Arima Kana could be put in danger.

3. Arima Kana is Hikaru Kamiki’s next target.

There were earlier theories that thought Kurokawa Akane was the one to die next, because of what people have now learned of Kamiki’s serial murderer profile targeting big celebrities before their peak, and because Akane had received a bouquet of white roses from him when she won an award.

The chapter when it was expected to happen was a fake-out from Aka Akasaka, and some people think it’s still possible that she’s the target. In fact, I keep seeing recent theory videos who discount Kana and say she’s “the safest”. Hah! If only!

The scenes with Shima D weren’t just a mere plot point to bring scandal to Arima’s name, and threaten her career and life enough that it pushes Aqua to reveal his mother’s secret in exchange. But it’s there because this is the upward path for Arima Kana. So far, the only people who have witnessed her dazzling star power have been fans of the Sweet Today manga, idol otakus, and people who attended Tokyo Blade. That’s not really masterpiece-of-the-century, performing-at-the-dome level. None of these gigs have placed her center stage in what could be Film of the Year, and a Best Actress spot. Now, the chance is here, and it’s real:

I think, The 15-Year-Lie will attempt to draw out Hikaru Kamiki, or that Aqua intends to reveal himself in the movie looking like him, and reveal the identity of his father.

But I also think what would happen is that they would be unsuccessful at taking him down completely. Instead, from the movie, he would be interested in Arima Kana, and target her through the course of her Shima D movie, and plan to kill her before an important awards night.

Alternatively, now that Kana is changing her focus to film, she may consider moving agencies, and ask Frill Shiranui about her agent. And if we’re right, she is likely represented by Kamiki Productions.

Either way, Kamiki will pay attention to her and try to kill her just before she reaches her highest.

But I don’t think Arima Kana will die. I think instead of being saved by Aqua, it’ll be Kana who takes Kamiki down. Echoing back to her getting mad at Aqua for thinking that avoiding her was protecting her, and Aqua believing that Kana doesn’t need help since she’s strong enough to take care of herself.

And then maybe, it’s Arima Kana who draws Aqua out of the darkness too.

And, just like with Kaguya and Shirogane Miyuki, Aka Akasaka is once again writing a story about two people who will defy a fate of divine tragedy, and come out of it being more truthful with each other than they’ve been with themselves all along.

#oshi no ko #oshi no ko spoilers #arima kana #aqua hoshino #japanese mythology #shinto #shintoism #aqua x kana #hoshino aquamarine #onk spoilers #aquakana

[cantheykillmacbeth]

Could Princess Kaguya from Japanese mythology kill Macbeth?

Yes, Princess Kaguya from the Tale of the Bamboo Cutter could kill Macbeth!

A celestial princess born from a glowing stalk of bamboo upon it being cut open by a man named Taketori no Okina, she applies for the Gender Clause, Unconventional Birth Clause, and Birth Parent Clause!

Thank you for your submission!

#asks #unconventional birth clause #gender clause #birth parent clause #princess kaguya #japanese mythology #tale of the bamboo cutter