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#Japanese drag queen
playitagin · 11 months
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1935 – Akihiro Miwa
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utoshi-san · 2 months
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"My name's yours, what's Alaska?"
Мемуары моего самого любимого дрег квина - Аляски Тандерфак 5000, которые пролежали у меня полтора года, перед тем, как я их наконец прочитала. Видимо время пришло ахахах. Могу сказать, что было довольно интересно, хотя многое из того, о чём он писал, я уже знала. Местами меня знатно бомбило, особенно от их отношений с Шерон, но зато я ещё раз удостоверилась в том, как я люблю его и его ебанутый характер (ес��и что я сейчас об Аароне говорила) 😈
Книга не большая, напечатана на качественной бумаге и там очень много фотографий (а точнее по несколько к каждой главе), что также не может не радовать. Вот парочка моих самых любимых.
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oneinchbarrier · 11 hours
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panvani · 10 months
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I'm gonna be real man I don't think Gary from Ib is transmasc
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zaziecurie · 1 year
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I find it hilarious that we have a character that has a spanish name that means “female dragon”, has dragon’s head and claws tattoos on their body and their sigil is literally a dragon-shaped D. 
And yet some fans actually went “Hah! Araki made a pun! DRAGona! Lolz!”.
...Did I say “hilarious”? I meant extremely annoying.
Anyway, Dragona is worthy being a Joestar and Araki better do justice to them in the future.
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So I'm here to declare my new founded love for Rina Sawayama cause holyfuck she's just everything. Like I had added Lucid from her to my playlist (ty Heartstopper) but after listening to Follow Me by Pabllo Vittar with Rina Sawayama I had to go and just listen to her. I haven't listened to all of her bangs yet, but as of now my favorite songs have to be Hold The Girl (cause fuck I cried watching the mv) and Comme Des Garços (Like The Boys) (cause it slaps). Thou, let'se real, they all slap. But yeah, check her out.
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Happy birthday Japanese LGBTQ icon and Funeral Parade of Roses star Shinnosuke Ikehata.
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niuniente · 2 years
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Princess Mononoke’s mother wolf Moro and Howl’s Moving Castle’s Witch of the Waste are both voiced by a famous singer and drag queen Akihiro Miwa.
Akihiro Miwa (born in 1935) is one of the most prominent queer icon in Japanese history, who survived the atomic bombing of Nagasaki (his hometown) during WW2.
This clip is from a document How Princess Mononoke Was Born (1998)
Here’s a video clip of the finishes scene in the movie between Moro and Ashitaka.
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scaryspears · 8 months
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Mortal Kombat x Bimbo Reader
Another test run, and these are just bullet points not full blown stories. I've already written another bimbo reader post so I suggest checking that out. Please do requests if this isn't enough.
This one is just Bi Han, Kuai Liang, Hanzo, Shang Tsung and Johnny.
"I need to die looking good."
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Bi Han Noob Saibot
He doesn't understand your constant need to dress up and put makeup on, but he won't say anything about it. A lot of women are just like that, so Bi Han just figured it's a female thing. Misogynistic of him, but he doesn't care.
While seeing him training you gladly set up a chair and watched him from afar whilst drinking a cocktail, and you've attached yourself to him ever since. He couldn't take you seriously at first, but he could only admit to himself that your dense personality was a little adorable.
When the blood got too much you would hide your face in his chest, which he didn't mind even though some makeup stains would go on his clothes.
When he returned as Noob Saibot he swore to make you drop dead gorgeous, even if you already were. But you would join him in death as his revenant lover. Quan Chi was sure to give you the best manicures so long as you were loyal to him.
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Kuai Liang
As a man that puts Lin Kuei traditions in high regard he could understand your need for the newest fashion and dressing well. He showed you his wardrobe and you decided to copy his style, which he found adorable.
He likes having tea with you, but you're certain he must try a frappe or at least a smoothie.
Kuai isn't one for public affection, Lin Kuei and all, but he lets you climb over him. If he's not disciplining Frost or the other Lin Kuei then he's snogging you in the snow. After you drag him into it at least. He only initiates things first if you guys are alone.
Although you didn't understand a lot of things he could appreciate you being there for him to give comfort on sensitive topics.
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Hanzo 'Scorpion' Hasashi
It was like talking to a different Johnny Cage in his opinion. It was a bit jarring to have you flirting with him and not get the slightest hint that he's not interested since revenge was on his mind. It was after he was brought back as Hanzo Hasashi that he appreciated your presence more.
The Shirai Ryu are ninjas, so that meant blending into society when on mission and you had a lot of things to say about clothing choices.
The Shirai Ryu shrine looked better than he remembered, you had given him ideas on the layout and studied a thing or two on Japanese culture to make it legit.
When he caught you teaching the new members cheerleading moves he knew he had to be more welcoming with you, because those were complicated moves. And it showed him you were no stranger to teamwork. Hanzo could see the beauty in that.
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Shang Tsung
This villainous man came across you giving Mileena style tips and fixing her hair. He had no clue how you snuck into the private parts of the palace, but he suspected you were partially from the Chaosrealm.
Mileena didn't react well to your absence, and after Kitana's rejection she seemed to have formed an attachment to you so Shang expected you around the palace. Shao Kahn was glad that Mileena had a nice person to look up to, so he was fine with you in the palace.
Shang had you participate in the tournament for a reason, but he underestimated your powers as well as your fighting abilities. Such beauty in combat is rare.
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Johnny Cage
Barbie and Ken in the eyes of many Earthrealmers, but you two are the 'it' couple when it comes to vanity, expensive taste, and being drama queens.
He is your husband, your best friend, and your mirror. Your super power was convenience and getting yourself out of serious situations, but how it acted up was at random times. Johnny could relate to that.
In the meantime, you could both bathe in the spotlight, and the cameras. And your friends from home can be jealous and gush about you marrying an actor.
It was a match made in pink and green.
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punkitt-is-here · 2 months
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The problem i have with the magi in mother 3 is their name is an ethnic slur
Deeply unfortunate that it is. It almost definitely wasn't made with any bad intentions, from my understanding most people in general were unaware it was an ethnic slur, and I imagine 2006 japanese creatives esp didn't know this, but the fact that its their name still remains. I like naturalkillercyborg's alternative of calling them Majesties, still has basically the same cadence and also I think ties in nicely with the visual element of them resembling drag queens in a lot of ways.
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whereserpentswalk · 3 months
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I keep seeing this same thing over and over again where people try to divide up the "good trans people" and the "bad trans people". Useally by trying to claim that the bad group is some combination of over represented or giving the group a bad name. And like, there's always something very racist about what's considered good and bad, specifically very Orientalist.
"Good" transmascs are defined by having facial hair and body hair, having traditionally masculine body types, have extremely western interests and ways of dressing, etc. And the "bad" transmascs are stereotyped as being too slender and hairless, and for wanting to look like anime boys or Kpop idols, and for being somehow both sexless and perverted, etc. Like, there's a very clear trend here with these truscumy posts.
Same goes for transfems. Where "bad transfems" are seen as being obsessed with looking like anime girls, being too into computers, being flat chested and childlike, and being horny in a submissive way.
There's a very clear trend where every trait members of the queer community consider negative in other queer people match up with negative stereotypes the west has about eastasian people. It's why you hear "you can't transition into an anine boy" coming from people who in the past we would call truscum, when fandoms like Dr. Who or Hazbin Hotel which also have a lot of transmasc fans and twinkish characters get ignored by them. It's why the standards for what they consider passing are always bodies that look white and dress very western. It's why femboys are seen as gross and perverted, while drag queens are seen as wholesome and marketable, they're both crossdressing performers, but one has Anglo-Australian origins while the other has Japanese origins, which is why you'll never see a library with femboy story hour.
Just like how people who enforce the gender binary may be bioessentialists, but will also claim being male or female is something one can fail at, the same goes for white supremacy; whiteness is seen as something white people can fail at. So even if the "bad trans people" in question are white, what they're being scolded for is ultimately that they're failing at whiteness, and because whiteness is tied to gender roles they're failing at masculinity or femininity.
Every trait trans people say makes other trans people "one of the bad ones" is just an orientalist stereotype. This truscumish behavior that's getting more and more popular isn't happening in a void.
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thewinchestah · 2 months
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@markster666 opened pandora's box. i need to tell all my silly alastor is an old man headcanons
since we don't know how much of contemporary history Alastor actually knows, i love to imagine him being completely stunned and flabbergasted, sometimes offended with modernity
he hates modern kitchen appliances. Like he has pure hatred for tvs, this man has nothing but wrath inside his undead heart for air fryers.
Angel showing him the music video for WAP and the spark on Alastor's eyes slowly dwindling as he understand the lyrics and is introduced to twerking
veganism. Vegan meat. Someone handed him an air fryerd cooked soy nugget and he just lost it
explaining the space race to alastor. "they sent a monkey to space" "mankind walked on the moon"
just praking alastor in general with history facts that he didn't witness like running to the hotel lobby and screaming "SOME SINNER JUST SHOWED UP AND SAID THEY KILLED THE FUCKING PRESIDENT asdhjh and it's JFK
I>Really< like the idea of alastor being scared of communism
i know i also would be murdered on the spot i just wanna go to him and say "the soviets are coming, that's right Alastor, the Red Army just joined forces with heaven, the united states is now part of the USSR and they are coming for hell next"
there's a group of teenangers staying in the hotel, all of them got a terminal case of "regina george syndrome" and they drag Al through filth. He doesn't understand a thing and stays there "i'm a what now 😀​😀​😀​
he has been called "bootleg Mr. Darcy" or "ginger voldermot" and "great gatsby" at least once by younger sinners
alastor trying to understand the concept of emojis
just singing "radio gaga by queen" to him
someone using therapy speak on Alastor and his eyes start twitching
Everyone buys into the collective joke that the musical hamilton is actually cannonically united states history to drive him to insanity. Specially everything related to Lin Manuel Miranda
Now the hotel is crowded i think he needs to host an in-house radio show where ppl need insane modern headlines to him and he needs to guess if they are true or not. like "A Japanese man spends 2 Million Yen to become a dog"
. ALL THE FLORIDA MAN HEADLINES "Florida man once arrested for fighting drag queen with tiki torch runs for mayor" "Florida man insists syringes pulled from rectum aren’t his"
someone makes a deal with him so he's now contractually obligated to react to every episode of "keeping up with the kardashians" live on his radio shpw
AJSDHASJDHJSDH I HAVE SO MAY MORE. HE'S SO PETTY. He's totally that uncle that goes "we used to be a proper country"
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isaksbestpillow · 6 months
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Probably all alone here with my unpopular opinion, but I'm actually excited about the Ossan's Love reboot.
I watched the original as it was airing on Japanese tv in 2018 (the tv movie aired in 2016 and was later extended into a drama) so I remember it fondly. Yes it was silly then and even sillier now (though some of the silliness is rooted in typical japanese romcom beats), but it was groundbreaking for its time. Japan didn't have Will and Grace, or Queer as folk, or Glee, or any of that. Queer representation on mainstream media was mostly limited to drag queens and cross-dressers. Gay people on TV were usually in the role of onee or okama (a negative term though reclaimed by some) rather than gay. Many japanese people did not know the difference between sexuality and gender identity. So at the time, a romcom with three men in a love triangle all wearing suits was something new. What's more, no one died. Japan has since produced queer entertainment with far more substance and nuance, but Ossan's Love was an important step along the way. It was an unexpected hit that indicated people's minds were changing.
I'm interested to see how Asahi will collaborate with GMMTV on this project to bring it to this day. They've been an important partner in promoting thai bl in Japan. Earthmix are Japan's favourite so their casting makes sense. They have really good comedic timing and chemistry with each other so I'm excited for them to build on that after their more moody shows.
If Ossan's Love Thailand has one excited fan, I guess it's me!
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ellisgirl · 8 months
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Jude Jazza & Ellis Twilight — Villains Want to Embarrass Little Robin Story Event
Premium End
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I do not own any contents of Ikemen Villains. This story being uploaded in this blog belongs solely to CYBIRD. Please support them by downloading their games and buying their stories. Both English and Japanese are not my mother tongue languages, please keep in mind that there will be mistakes and added words for my own preferences. I translate for my personal entertainment and for my own practice only.
After washing my body and changing into my night dress, I sank into the bed in my room and suddenly felt tired.
(Tomorrow, I'll have to pull myself together... I'll have to do my best...)
While I was sorting out tomorrow's schedule in my head, my eyelids got heavier and heavier—, and I fell asleep.
—I woke up in the middle of the night when I noticed the faint sound of the door opening.
(That...... What time is it now?—)
(—Wait a minute. This is Her Majesty's bedroom, who the hell is in here at this hour?)
My spine trembles. I'm shaking. Jude and Ellis should be resting in a separate room.
(No way, is it really Mr. Abel?)
(But "only people inside the palace have the key")
(Mr. Abel stole the key? Or maybe the mastermind behind the assassination plan is someone inside the palace—?)
Through the curtain of the canopy, the silhouette of a person approaches.
(It can't be helped if I just deduced here! What should I do... get out of the other side of the bed?)
(If I could get out of the room without being seen and call Mr. Jude and Ellis,)
(I should be able to complete the mission.)
(Honestly, I don't feel like I can do it, but— I have no choice but to do it)
Holding my pillow as a shield, I gently placed my hand on the canopy curtain on the other side, at that moment.
A figure raises an arm holding something sharp—,
Man’s voice: “—What the!?”
The figure crumpled to the floor after receiving a heavy blow to the side of the head.
(Hey, what..... What happened......)
I'm afraid to open the canopy curtain and look outside.
Mr. Jude was stomping on a man dressed as a guard.
Jude: "I can't believe you’re screaming in Her Majesty's room in the middle of the night."
Jude: "Isn't that disrespectful? I don't know.”
A man dressed as a guard: "Well.... You are one of Her Majesty's guards.”
Jude: "So you're the secretary of the Glasses Minister?"
Jude: "What are you trying to do with such a dangerous thing?"
A man dressed as a guard: “Damn it. ....I'm gonna kill you too...Nn”
The guard man crawled out from under Mr. Jude's feet and raised his knife again.
A man dressed as a guard: "This is a crime committed by the U.S. ambassador....... I'm in trouble if it doesn't happen like that."
Ellis: "Are you trying to frame it...?"
A man dressed as a guard: “Wha!?”
A hand stretched out from behind twisted the wrist that the man raised again.
Ellis: ".....No, that kind of thing. I don't think anyone will be happy."
A man dressed as a guard: “You, It— hurts.”
Mr. Jude's hand roughly grabbed his mouth and sealed it as he tried to complain of pain.
His nose and mouth are blocked and I can hear a painful voice.
Jude: "If you don't keep quiet, the “Queen” will wake up."
Ellis: "...The Queen's aide wants to ask you something."
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Ellis puts one arm around the man's neck and tightens it even more.
Jude: "You’re going to faint from lack of oxygen, or I'll let you sleep in peace, which one? I’ll let you choose."
A man dressed as a guard: "Hmm, hmm!!"
Ellis: "It's rare for Jude to let you choose. You'd better answer as soon as possible."
A man dressed as a guard: "Ngu... O..."
Jude: "Uh? What's that? I can't hear you.”
A man dressed as a guard: “Gu....Nn, ugh….., …….”
When the man's whole body fell apart, Mr. Jude let go of his hand as if throwing out the filth.
Ellis caught him in good timing, tied him up with a rope, dragged him to the corner of the room, and rolled him over.
(......Wow, that's great..... He knows what he’s doing.)
Once again, you are stuck in the dark world, and see that they are two terrifying people to make enemies with...
Jude: “….Hm?”
Kate: “Uwha!”
The curtains were unreservedly opened, and I almost fell off the bed while holding my pillow.
Jude: "It's a nasty queen who has a hobby of distributing."
Ellis: "...It was scary, isn't it? Miss Kate, it's okay now."
An agitated sneer and a gentle smile. I am again confronted with conflicting smiles, but this time my facial muscles are not confused, but relaxed.
Kate: "Both of you..... Thank you very much."
Kate: "But...how did you know?”
Ellis: "Your crown smelled sweet.”
Kate: “Eh…..?”
Jude: “The nectar that caused the bird to run amok was smeared on the crown.”
Kate: "On the crown...?"
Ellis: “So, Jude and I looked into who might have approached the crown before the audience.”
Jude: “The secretary of the minister with the glasses was the last one who approached it, so I kept an eye on the minister and sure enough, there it is."
Jude: “Originally, he was an extremist in the military and a warmonger and a sloppy politician, and he had the motive to say that he would make money by raising a jerk.”
(That kind of thing...)
Kate: "He rebelled against Her Majesty, and on top of that he tried to frame such a good-looking ambassador as a criminal...that's the worst."
When I muttered what I thought, Mr. Jude raised his eyebrow in amusement.
Jude: "Ha, that's surprising. ......As if saying “Don't do it like that” is easy enough.”
Kate: "......He’s alive, isn’t he?”
Ellis: "Yeah, of course. Victor told me not to kill him because he has something to ask."
Kate: "He was trying to take someone's life...”
Kate: “Both the secretary who attacked me and the minister behind it should be prepared for some pain.”
Kate: "......I don't sympathise."
Jude & Ellis : “………”
(At least, Mr. Jude and Ellis know that they will be retaliated in the same way...it looks like they are working with this in mind.)
I don't think it's a good thing, but I'm not going to assume it's a bad thing either.
That was my frank thought after working with them on several missions.
Jude: "Ha, how did you start saying that?"
Ellis: "Shall I go and hurt him more? How much do you want me to abuse him?"
Kate: "You don't have to do it any more...!”
Ellis: “Yeah…..?”
When I hurriedly stopped him, Ellis put away the knife with a small bow of his head.
(These two people are both quite troublesome.)
(But I can absolutely trust you... being by your side might be the strongest)
Jude: "Hah..... I'm really tired today because the princess is unreliable."
Mr. Jude sat down on the bed and sprawled himself up.
Jude: "It's almost morning. I gave almost a whole night to that weirdo assistant.”
He was about to close his eyes, so I opened my mouth in a hurry.
Kate: "Um, I'm sorry, here is my bed.”
Jude: “Ah? It's not yours, it's Her Majesty's."
Ellis: "Oh, Jude is not fair."
Ellis also turned to the other side and lay down with Mr. Jude sandwiching me.
Ellis: "I think I'll take a nap here too."
Kate: “Eh, Ellis…..?”
Ellis: “Miss Kate, can we sleep together?”
Kate: "Sleep, you mean......, eh...eh!?"
(Together, .......With these two people!?)
Jude: "It's so noisy."
Ellis: "Here, over here."
Kate: "Wha......!?"
I collapsed onto the bed with my arms pulled from both sides.
No matter how wide Her Majesty's bed is, when two adult men and I lie down, it's narrow.
(S-So close...)
There was no way Mr. Jude would open up space for me, and Ellis was close enough to say that he wanted to stick together with me.
I was sandwiched between the two bodies regardless, and my shoulders, arms, and legs were in close contact.
Jude: "You body temperature is high... Are you a child even here?”
Ellis: "It feels so warm and nice. .....Hey, can't I hug you?"
Kate: "It's no good...!"
No matter which way I look, I feel strange, so I answered while looking straight up.
Jude: “Fuha, what are you blushing for? You dirty girl."
Mr. Jude sits on his shoulders next to me and looks down at me with a smirk on his face.
Kate: "Isn't it disrespectful to sneak into someone's bed without permission?"
Jude: "Isn't it disgusting? I don't know who it is, the villain who does such a thing."
Ellis: “Do you want to do something naughty? It’s okay, if you want to.”
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Kate: “Huh….uh, …..?”
Ellis lays down next to me, looks straight at me, and suggests the most outrageous thing.
Ellis: “Oh, would you rather do with Jude? Or me, or both?"
Jude: "Hey, I'm getting involved without permission."
Jude: “If you want to do it, do it as you like. I'll just sit here and watch. You like that kind of thing, don't you?”
Ellis: "Really? Then will you?"
They whisper to me from both sides as they please, and my face starts to twitch more and more.
Kate: "Could you please get off the bed and sleep in your own room..."
Ellis: "......But I'm worried if you're alone, Miss Kate."
Kate: “Uh…..”
Jude: "This bed is so comfortable, I refuse."
Kate: “….Jesus, I’m done…..!”
With a tired head, a pure conscience and arrogant selfishness thrust at me—
—I stopped thinking.
Kate: "It's fine as it is...! Good night!"
I pulled the sheet up to my face and managed to keep them out of sight.
Jude: "Fuha, what's with that sleeping style?"
Ellis: “You’re hiding. I miss you.”
Both of them started to fall asleep after a few minutes without knowing what others thought....
While being wrapped in the gentle sound, warm body temperature, and the sweet scent of the two people, I also fell asleep before I knew it.
A few days later. Without making it public that there was an assassination, the U.S. ambassador left the palace with the same sunny smile he had on his face when he arrived.
To my horror, the minister with glasses disappeared from his seat without my knowledge. And then—
Ellis: "Ah, here we come. Miss Kate, this way."
Kate: "...Thank you for waiting."
Jude: "Are you more nervous than the mission?"
Today is the day we decided to grant each other's "requests" in celebration of completing our mission without our identities being revealed.
(The partners are Mr. Jude and Ellis. The promises we exchanged must be kept.)
It's reassuring to have these people as allies, but I've just learned that turning them into enemies can be troublesome.
I gulped and swallowed my spit, the two smiled their very best smiles.
Ellis: "I'm looking forward to it... Well then, Miss Kate."
Jude: "Do you want me to fulfil your “wish”?"
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…Fin…
Masterlist
Chapter 1 >> Chapter 2 >> Premium End >> Epilogue
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in-death-we-fall · 10 months
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Murderdolls
Love at First Sight
Metal Edge 48-11, March 2003
By Roger Lotring Photos By Eddie Malluk
(google drive link) Slipknot interview here – Stone Sour interview here
There are probably less than two hundred people at the Webster Theater. It’s Tuesday night in Hartford, CT, and the Murderdolls are in town to tutor a whole new generation on the fundamentalism of real rock ‘n’ roll. Without the vacant hype of Madison Avenue trendiness, their renascent timelessness is lost so far on the youth of a nation. But that’s about to change. They seize the stage with an adrenaline overdose that probably hasn’t happened since Mötley Crüe first molested Hollywood’s Sunset Strip over twenty years ago. The Murderdolls are glorious rock ‘n’ roll sluts in a manner desperately lost from contemporary music, and definitely lost on those two standoffish fuckers provoking the band with drunken taunting. Vocalist Wednesday 13 swings around to leap to the edge of the stage, leaning forward to dare them with confrontation. But they don’t respond—They can’t, even if they had the balls, because the kids are right in their faces. That pissed-off look in those kids’ eyes, their vehement willingness to defend their band, it’s a defining moment that marks this band as something special. For those couple hundred kids here in Hartford on a Tuesday night, they believe in the Murderdolls. Love at first fright, indeed, and it’s only a matter of time before the word spreads.
“There’s nothing better than that first time seeing a band,” enthuses guitarist Joey Jordison, recalling his own formative rock ‘n’ roll indulgences. “It’s so special, when no one else knew who the fuck they were, and they were your fucking band.” The impact of his influences–and those of the whole band, really—are just as prevalent today as they were back then. It’s obvious as the band prepares for the show with their battle cry of KISS Alive II shaking the dressing room walls. KISS, Alice Cooper, Hanoi Rocks, Twisted Sister—That is the essence of the Murderdolls. “We wanted him to come out and do ‘Twist My Sister’ with us,” guitarist Acey Slade says of Dee Snider, disappointed that he is no longer broadcast on Radio 104 WMRQ in Hartford.
Metal Edge sat down with Joey, Wednesday and Acey to discuss the Murderdolls. And while the conversation touched on numerous topics including their Beyond The Valley Of The Murderdolls debut, touring Europe, and drummer The Ghoul’s exhibitionism with two women in a crowded Japanese bar, at the heart of it were rock ‘n’ roll fans sharing their obsession with a sound that the Murderdolls are single-handedly determined to resurrect.
METAL EDGE: Where does a band like the Murderdolls fit within contemporary hard rock? Or is it more important to go against the grain of popularity? JOEY JORDISON: That was our point, exactly what you just said. The whole thing was–especially with me coming out of Slipknot—I did not want to do anything even remotely where music is right now. I wanted to come out completely different, and just create music that’s a little bit more fun, because everything right now is stagnant and stale. I think, really, the nu metal scene, where hard rock is right now, is almost like a dead scene. We wanted to be completely removed, as far as possible, from all that stuff. WEDNESDAY 13: It wasn’t that hard, either, because we really didn’t have to try. We just wrote the songs, recorded them, and didn’t think about anything outside the studio. JJ: What he was doing in the Frankenstein Drag Queens was pretty much a lot of what we’re doing now. Wednesday was one of the only people I saw in the underground scene that was doing what I was doing. That’s cool, because he doesn’t know about many bands that are out right now and really big—All that stuff that Slipknot gets lumped into.
ME: Joey, being the writer, producer, and principal musician on Beyond The Valley Of The Murderdolls, was it hard to be objective toward the songs? JJ: I was having a hard time, like is this even worth putting out or not? That’s why I wanted to get a songwriting partner. I really liked Wednesday’s voice, and the way he looked. His songs were very similar to what I was doing, but had a little darker feel to ‘em, and the sense of humor was a little bit more tongue-in-cheek. If I was not sure on something, he'd give me an opinion. If he wasn't sure on something, I'd give him my opinion. It made it a lot easier for the recording process, for sure.
ME: What's the most surprising reaction so far to the Murderdolls? What have you seen that you just kind of stepped back and said, "I don't believe I just saw that?" W13: We got a human heart given to us by a girl who had all our names carved into her arm—Even the band name. But, with me, she told me, "Well, I couldn't write your whole name, so I put a 'W' and a '13'." JJ: She's like, "I want to give you my heart, 'cause my heart belongs to the Murderdolls. Hold onto it safe, "cause I might need it back someday." And it had a picture of her and me with it in a fucking jar… W13: Floating around in the formaldehyde.
ME: To what degree has there been any moral backlash as a result of misinterpretation of your lyrics? ACEY SLADE: When we were in Germany, there was a Christian group that went around and put Show Cancelled (sic) over the top of our posters, so people won't (sic) show up for the show. I saw the shit [written] in German, and I was like, "Sold out! Right on, that means sold out!" They're like, "No, Show Cancelled (sic)." [Laughter] W13: But nothing really, really good has happened, though. We're still waiting… And hoping, keeping our fingers crossed. [Laughter]
ME: Do you think that will eventually happen? JJ: Most of that backlash stuff is an American thing. Over in Europe—actually, anywhere besides America—is way more open to the fun aspect. They see the humor in what we're doing, especially the U.K. Their type of humor kind of goes along hand-in-hand with our type of lyrics.
ME: It would seem that as far as any controversy, there's been more uproar over the "body snatching,” so to speak, of Acey from Dope. [Acey laughs] It's almost like one of those jokes: How many Dope guitarists does it take to screw in a Murderdolls lightbulb? [Laughter] JJ: Y'know, that's weird, 'cause I liked Dope. I was actually a fan of theirs. I really enjoyed them a lot, [and] thought they were great. And it was never a thing like, "Oh man, I want to get people from that band." I just hit it off well with them. Tripp was a great guy. It just came down to the time when we were going to tour, and he comes up with news that he had to go back to Static-X. Well, that's cool, but he wanted to stay in the band and play some [select] shows. I just didn't want to have a revolving door and confuse the fans. Acey was actually a choice to be in the [pre-Murderdolls] Rejects, as well, just Tripp came into the band first. Me and Acey kept in touch, so the only choice we even considered was Acey. Luckily enough, he came in and did an amazing job. He had like six days rehearsal just before we started our tour. AS: Not even. I came in on a Wednesday or Thursday. We left [the following] Monday. [Laughter] W13: Plus, me and Acey, we used to play in bands together in Philadelphia, before he was in Dope. We knew of each other, so we were into the same kind of music then. I met him back then, then when he was in Dope, I met him again and we started talking. AS: Back in ‘96 or ‘97, we were the only two guys on the East Coast with dreadlocks and eyeliner, so it wasn’t too hard for us to cross paths. So I’ve known him for years and years.
ME: From a musical standpoint, people don’t realize that what the Murderdolls are doing is very fundamental, but it’s a lot harder to learn because there’s a lot of intuitive stuff. AS: The thing is, we all have the same musical roots. For me it was like, “Alright, this part’s kind of like ‘Rock And Roll High School,’ this part’s kind of like Hanoi Rocks’ ‘Mental Beat.’” All three of us have the same point of reference. I think it would probably be a little harder from the nu metal school to come in and learn the stuff, ‘cause it would be so foreign to them.
ME: In a fatalistic kind of way, then, Murderdolls has actually been coming for a long time. JJ: Yeah, there’s been a bunch of links, but it’s not like this was just all of a sudden really formulated. It’s like, everyone knew each other in a weird, different way. We just didn’t all meet as a band until last year. But everyone knew each other through different people.
ME: But isn’t that how it’s theoretically supposed to happen if you’re going to do it right, so it’s not contrived? JJ: Exactly, man. People might think that, all of a sudden, it was just put together really quick, this little project that’s only going to be one album, and that’s it. It’s really not like that.
ME: Media comparisons have been to Mötley Crüe and the Misfits, but there’s so much more going on. Is there a predominant underlying influence behind the Murderdolls that might not be readily apparent? W13: I think we all have our different things. Me, it’s Alice Cooper, totally. And Acey, Hanoi Rocks, and Joey, KISS. I mean, it’s a lot of the same stuff, but I don’t think you can really pinpoint it al.
ME: Similarly, media focus is on Wednesday and Joey—and now Acey, coming from Dope. In all fairness, what do Ben [Graves] and Eric [Griffin] bring to the Murderdolls? AS: Well, first of all, Ben’s not Ben… He’s The Ghoul. [Laughter]
ME: Is that a capital “T” in the word “the”? AS: Yes, The Ghoul. JJ: I had the hardest time finding people that I actually wanted to bring into the band on bass and drums—Especially with drums. It took a really long time, and they just seemed to fit. I can’t really explain, but hey just brought that attitude—I guess the cockiness, in a way. Ben’s like the hardest hitting drummer that I’ve ever seen in my fucking life. He is so fucking loud. W13: I’ve played with some hard-hitting drummers, but he is so loud, and so hard. JJ: And that’s great! I mean, it drives our fucking music.
ME: But you’ve got to have that for this type of music to work. JJ: Exactly! He’s fucking great, man, as far as just slamming it home live. You can feel it. I mean, the energy is amazing that comes off that guy.
ME: Is it harder for him, in the sense that you’re a drummer, and going to be his worst critic? [Laughter] JJ: He’s cool about it. Actually, he doesn’t really even get that nervous. When I was working with him in rehearsal, I did kind of drill him, ya’ know? He did get it worse out of all the guys in the band, for sure. But he just worked his ass off, really, and he pulls it off amazing. W13: And [Eric] brings a lot of hairspray. [Laughter] AS: He brings a lot of hairspray, some good makeup products, and no less thunder. JJ: And tardiness. W13: This guy’s just really got the whole image of the rock ‘n’ roll thing down. AS: It’s kind of funny, how people ask us about the image of the band. To me, if you wake up and look the way you do, then it’s not an image. An image is something that’s formulated and calculated. We don’t have a consultant telling us, “Alright, track suits aren’t in as much as they used to be.” This is just who we are, ya’ know?
ME: But does your look empower you, as far as performing the music? If you think about it, you must feel differently than if you were going onstage wearing sneakers and levis. W13: It definitely turns something on for me when I go onstage. I mean, it definitely helps. It’s like, it turns it on. It’s just a switch.
ME: Being that Joey was responsible for pretty much all the performances on the album, how have the dynamics of these songs changed, now that you’ve got five individuals interpreting them? JJ: The album is really good, [and] I’m very, very proud of it. I think it turned out phenomenal—Actually, better than I expected. It is different, though, much more of a chemistry with the five guys, as opposed to me. Not necessarily completely different, but the vibe of the five different personalities playing some songs.
ME: Almost like the songs taking on a life of their own that they didn’t have before? JJ: Absolutely, yeah. AS: What Joey’s been really cool about is letting it become a chemistry, letting it become the Murderdolls. When I came into it late, I was looking at the CD, going, “Well, Joey played all these guitar parts.” When we sat down in the [rehearsal] room together, I was intimidated! But he was like, “Well, yeah, that’s cool, I like that accent… What do you think?”
ME: So you’ve been able to make your impact on the songs. AS: Yes, but keeping the original continuity. But it’s the same with The Ghoul, or with the other members.
ME: Are the songs continuing to evolve, even after being recorded? Watching you soundcheck “Love At First Fright,” that looked like you just stumbled across something brand new right there. W13: [Laughter] We did! That was the first time we did a different intro.
ME: How different has the reaction been in Europe than here in the United States? W13: We’ve really been touring there a lot, so we’ve built up a thing there—Especially in the U.K., man, it’s just insane. Hundreds and hundreds of kids, and they all look just like us. But we really haven’t worked it here, though, so this is like we’re just starting from the ground up. JJ: But that was kind of what we wanted to do, concentrate on everywhere else in the world first and establish the band. Those people [in Europe] really appreciate when you do that over there. Some bands, like American bands, nu metal bands, wait two years before they even go to Europe. We’re like, fuck that! And it’s already paid off. It’s only now that we are really going to start hitting America.
ME: Does it make it a little more difficult, though, having gotten such a reaction, then coming back to America? You must have known going into it that you are going to be playing to smaller audiences at first. W13: I prepared myself for it. I knew it was going to be hard. I know it’s a lot different, maybe for Joey, who’s in Slipknot. But before this, i was driving ten, twelve hours to play in front of ten people. That’s never going to leave me. I’m always used to that, so I can work an audience, whether it’s ten people, or ten thousand people, it doesn’t really matter. JJ: Doing what I do in the other band that I play in, it’s basically playing in arenas. But it doesn’t matter, man. As long as people appreciate your music, or want to come out and see you, i can still play in front of two people. AS: It’s weird, even though we’ve done dates, i still don’t feel like we’ve done a proper U.S. tour yet. And so, when we do that—probably February—I think all bets are going to be off. It’s gonna be off the hook.
ME: You’re going out with Papa Roach? Or are you going out on your own? JJ: We gotta get a (sic) on a support slot for a band, obviously bigger than us, to take the band out to a little bit wider of an audience. Papa Roach is an option, [and] there’s a couple other things that are in the works.
ME: Do you look forward to the fact that it’s going to be a challenge? If you’re out with a band that isn’t necessarily similar to what you do, you’ve got that challenge of winning over an audience. W13: We did. We did it with Papa Roach in Europe. We toured with them, five, six weeks, [and] every night…
ME: You’re getting the looks on faces, the “What the fuck is that?” look. W13: That’s exactly it. JJ: It was every night. And like, four songs in, they’d be smiling, singing the words, ‘cause our shit’s singalong. It’s so anthemic live, it’s so hard not to get into it. One of the big things about our band is that it’s a fun show. It’s fucking fun again. It’s something that’s been really missing [from music], probably like fifteen years.
ME: From that standpoint, I get it because I remember. But does the 14-year-old kid standing in front of you, wearing the Slipknot shirt get it? JJ: Good question. I think yes, by the end of the set, he does. You don’t have to be a fuckin’ brain surgeon to understand what the fuck we’re doing. But I think that’s what’s great about it. It’s simple, and it’s anthemetic (sic). The lyrics are fucking cool, and it’s not about fucking childhood trauma, or war, politics, or bullshit like that.
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