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#Jason Shinder
firstfullmoon · 6 months
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Jason Shinder, from “The Birthday”
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fadedlovemp3 · 9 months
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Birthday Party by Dalton Day / The Party by Jason Shinder / At the Bottom of Everything - Bright Eyes
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poem-today · 1 year
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A poem by Jason Shinder
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Eternity
A poem written three thousand years ago
about a man who walks among horses grazing on a hill under the small stars
comes to life on a page in a book
and the woman reading the poem in her kitchen filled with a gold, metallic light
finds the experience of living in that moment
so vividly described as to make her feel known to another; until the woman and the poet share
not only their souls but the exact silence
between each word. And every time the poem is read, no matter her situation or her age,
this is more or less what happens.
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Jason Shinder (1955-2008)
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kitchen-light · 2 years
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So many poems obfuscate meaning for so many immensely generous reasons — for pleasure or joy or critique or more. But this poem [Jason Shinder's "At Sunset"] knows exactly what it is trying to say — that you must love your death — and knows, too, that what it is trying to say is immensely hard. Is so hard, in fact, that it proves one purpose of poetry: to act as an offering, to place something upon and within us that is not hard to carry, that maybe makes the act of carrying that so many of us experience in life just a little bit lighter.
Devin Kelly, from “Jason Shinder's "At Sunset" | Thoughts on life, death, and attention.”, published March 6, 2022
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nathalywrivera · 2 years
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If you love someone, the water moves up from the well.
— Jason Shinder
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pendraegon · 2 years
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[ID of the poem "At Sunset" by Jason Shinder:
Your death must be loved this much.
You have to know the grief—now. / Standing by the water’s edge,
looking down at the wave
touching you. You have to lie, / stiff, arms folded, on a heap of earth
and see how far the darkness
will take you. I mean it, this, now— / before the ghost the cold leaves
in your breath, rises;
before the toes are put together / inside the shoes. There it is—the goddamn
orange-going-into-rose descending
circle of beauty and time. / You have nothing to be sad about.
END ID.]
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calyptapis · 2 years
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Jason Shinder, "Company" from The American Poetry Review, Vol. 37, No. 6 (NOVEMBER/DECEMBER 2008)
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dk-thrive · 3 years
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There is no magic for bringing the past back except to burn down your house and find the music box from the summer so long ago.
Jason Shinder, from “Sweet Desolation,” The American Poetry Review (vol. 37, no. 6, November/December 2008) (via Alive on All Channels)
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lunchboxpoems · 4 years
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THE PARTY
And that’s how it is; everyone standing up from the big silence of the table with their glasses of certainty and plates of forgiveness and walking into the purple kitchen; everyone leaning away from the gas stove Marie blows on at the very edge of the breaking blue-orange-lunging- forward flames to warm another pot of coffee, while the dishes pile up in the sink, perfect as a pyramid. Aaah, says Donna, closing her eyes, and leaning on Nick’s shoulders as he drives the soft blade of the knife through the glittering dark of the leftover chocolate birthday cake. That’s it; that’s how it is; everyone standing around as if just out of the pool, drying off, standing around, that’s it, standing, talking, shuffling back and forth on the deck of the present before the boat slowly pulls away into the future. Because it hurts to say goodbye, to pull your body out of the warm water; to step out of the pocket of safety, clinging to what you knew, or what you thought you knew about yourself and others. That’s how it is, that’s it, throwing your jacket over your shoulders like a towel and saying goodbye Victoria goodbye Sophie goodbye Lili goodbye sweetie take care be well hang in there see you soon.
JASON SHINDER
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firstfullmoon · 7 months
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Jason Shinder, “The Party”
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girlwithlandscape · 4 years
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“The Party” - Jason Shinder
And that’s how it is; everyone standing up from the big silence of the table with their glasses of certainty and plates of forgiveness and walking into the purple kitchen; everyone leaning away from the gas stove Marie blows on at the very edge of the breaking blue-orange-lunging- forward flames to warm another pot of coffee, while the dishes pile up in the sink, perfect as a pyramid. Aaah, says Donna, closing her eyes, and leaning on Nick’s shoulders as he drives the soft blade of the knife through the glittering dark of the leftover chocolate birthday cake. That’s it; that’s how it is; everyone standing around as if just out of the pool, drying off, standing around, that’s it, standing, talking, shuffling back and forth on the deck of the present before the boat slowly pulls away into the future. Because it hurts to say goodbye, to pull your body out of the warm water; to step out of the pocket of safety, clinging to what you knew, or what you thought you knew about yourself and others. That’s how it is, that’s it, throwing your jacket over your shoulders like a towel and saying goodbye Victoria goodbye Sophie goodbye Lili goodbye sweetie take care be well hang in there see you soon.
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poem-today · 3 years
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A poem by Jason Shinder
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Living
Just when it seemed my mother couldn’t bear one more needle, one more insane orange pill, my sister, in silence, stood at the end of the bed and slowly rubbed her feet, which were scratchy with hard, yellow skin, and dirt cramped beneath the broken nails, which changed nothing in time except the way my mother was lost in it for a while as if with a kind of relief that doesn’t relieve. And then, with her eyes closed, my mother said the one or two words the living have for gratefulness, which is a kind of forgetting, with a sense of what it means to be alive long enough to love someone. Thank you, she said. As for me, I didn’t care how her voice suddenly seemed low and kind, or what failures and triumphs of the body and spirit brought her to that point— just that it sounded like hope, stupid hope.
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Jason Shinder
(1955-2008)
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ashtrayfloors · 3 years
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2020 Book List
An incomplete list of books I read in 2020 (not counting books I started but haven’t finished yet, or books I reread only sections of, or zines), divided into fiction, non-fiction, and poetry categories. Some of these books are hybrid works, in which case I put them into the category I felt they best fit into. An asterisk means it was a reread. I’ve bolded the ones I particularly loved. I’ve also included links to quotations/excerpts from some of them.
Fiction
Shine of the Ever, by Claire Rudy Foster
A Cathedral of Myth and Bone, by Kat Howard
On Earth We’re Briefly Gorgeous, by Ocean Vuong
The Mythic Dream, edited by Dominik Parisien and Navah Wolfe
We Had No Rules, by Corinne Manning
The Faery Reel: Tales from the Twilight Realm, edited by Ellen Datlow and Terri Windling
The Haunting of Hill House, by Shirley Jackson
In a Lonely Place, by Dorothy B. Hughes
And I Do Not Forgive You: Stories & Other Revenges, by Amber Sparks
The Necrophiliac, by Gabrielle Wittkop
Before and Afterlives, by Christopher Barzak
Finding Baba Yaga: A Short Novel in Verse, by Jane Yolen
Wild Milk, by Sabrina Orah Mark
Nonfiction
Aim and Wish, by A.L. Staveley
Make It Scream, Make It Burn, by Leslie Jamison
After Confession: Poetry as Autobiography, edited by Kate Sontag and David Graham
The Poem That Changed America: “Howl” Fifty Years Later, edited by Jason Shinder
Boss Broad, by Megan Volpert
Go Ahead in the Rain: Notes to a Tribe Called Quest, by Hanif Abdurraqib
A Field Guide to Getting Lost, by Rebecca Solnit*
100 Times: A Memoir of Sexism, by Chavisa Woods
Recollections of My Nonexistence, by Rebecca Solnit
In the Dream House, by Carmen Maria Machado
Erosion: Essays of Undoing, by Terry Tempest Williams
The Thorn Necklace: Healing Through Writing and the Creative Process, by Francesca Lia Block
Tracing the Desire Line: A Memoir in Essays, by Melissa Mathewson
What is the Grass: Walt Whitman in My Life, by Mark Doty
Dancing at the Devil’s Party: Essays on Poetry, Politics, and the Erotic, by Alicia Ostriker
Censorship Now!!, by Ian F. Svenonius
Funny Weather: Art in an Emergency, by Olivia Laing
Madness, Rack, and Honey: Collected Lectures, by Mary Ruefle
The Wet Collection, by Joni Tevis
Black and Blue: The Bruising Passion of Camera Lucida, La Jetee, Sans soleil, and Hiroshima mon amour, by Carol Mavor
In the Blue Pharmacy: Essays on Poetry and Other Transformations, by Marianne Boruch
Jane: A Murder, by Maggie Nelson
Mean, by Myriam Gurba
I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer, by Michelle McNamara
Dime-Store Alchemy: The Art of Joseph Cornell, by Charles Simic
Waking the Witch: Reflections on Women, Magic, and Power, by Pam Grossman
The Art of Recklessness, by Dean Young
Poetry
An American Sunrise, by Joy Harjo
Stay, by Tanya Olson
Be Recorder, by Carmen Giménez Smith
Soft Targets, by Deborah Landau
No Matter, by Jana Prikryl
The Obliterations, by Matt Hart
Made in Detroit, by Marge Piercy 
Walking Distance, by Debra Allbery
Exploding Chippewas, by Mark Turcotte
Neon Vernacular, by Yusef Komunyakaa
The Jazz Poetry Anthology, edited by Sascha Feinstein and Yusef Komunyakaa
Black Milk, by Tory Dent
A Fortune for Your Disaster, by Hanif Abdurraqib
Witch, by Rebecca Tamás
The Carrying, by Ada Limón
Homie, by Danez Smith
The Wendys, by Allison Benis White
Babel, by Patti Smith*
Alive Together, by Lisel Mueller
Night Sky with Exit Wounds, by Ocean Vuong
Advice from the Lights, by Stephanie Burt
This Is Not a Frank Ocean Cover Album, by Alan Chazaro
Blood on Blood, by Devin Kelly
American Sonnets for My Past and Future Assassin, by Terrance Hayes
Teahouse of the Almighty, by Patricia Smith
Fantasia for the Man in Blue, by Tommye Blount
Louise in Love, by Mary Jo Bang
Come the Slumberless to the Land of Nod, by Traci Brimhall
The Queer Body Anthology, edited by Yes, Poetry
Wolf Face, by Matt Hart
Living Room, by June Jordan
Trickster Feminism, by Anne Waldman
Here is the Sweet Hand, by Francine J. Harris
Dead Girls, by Francesca Lia Block
Inside the Wolf, by Niamh Boyce
I live in the country & other dirty poems, by Arielle Greenberg
The Death Metal Pastorals, by Ryan Patrick Smith
Bestiary of Gall, by Emilia Phillips
Toxicon and Arachne, by Joyelle McSweeney
Blood Box, by Zefyr Lisowski
Indictus, by Natalie Eilbert
This Is Still Life, by Tracy Mishkin
The Time Unraveller’s Travel Journal, by Upfromsumdirt
Love Poems, by Pablo Neruda
Excerpts from a Secret Prophecy, by Joanna Klink
Sorry for Your Troubles, by Pádraig Ó Tuama
Saranac Lake Ghost Poems, by Maurice Kenny
Light-Headed, by Matt Hart
The Tiny Jukebox, by Nate Slawson
Sham City, by Evan Harrison
Modern and Normal, by Karen Solie
My Tall Handsome, by Emily Corwin
When My Brother Was an Aztec, by Natalie Diaz
Guidebooks for the Dead, by Cynthia Cruz
Dandarians, by Lee Ann Roripaugh
Her book, by Éireann Lorsung
44 Poems for You, by Sarah Ruhl
Imaginary Menagerie, by Ailbhe Darcy
The Girl Aquarium, by Jen Campbell
Still Life with Two Dead Peacocks and a Girl, by Diane Seuss*
War of the Foxes, by Richard Siken
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sophi-aubrey · 4 years
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I walk the coast of my life again.
And still I don’t know where I am.
Or who is beside me.
© Jason Shinder, Finally, It Comes, Laurel Review
Merci @memoryslandscape for this words
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