Q1 2024 Mood: Naps
Flaming June Frederic Leighton 1895
Reclining Female Nude, Jean-Francois Millet c.1844-45
Woman Sleeping, Sándor Liezen-Mayer 1867
A Stolen Kiss, Marcus Stone 1900
Repose (Nonchaloire), John Singer Sargent 1911
A Siesta, John William Godward 1895
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The Angelus, 1857, Jean-Francois Millet
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The Knitting Lesson by Jean-Francois Millet, 1869.
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Jean-Francois Milllet
Çapalı Adam resminden ötürü sosyalistler Millet'in kendi yanlarında olduğunu, bu kadar eziyet çekmiş bir sanatçının, köylü hayatının acılarını ifade etmiş bir köylü dehanın düşünceleriyle mutabık kalması gerektiğini düşünmüşlerdir. Kesinlikle böyle değildi... O biraz fazla incil tarzıydı. Önder veya takip eden olsun, modern düşüncelerin ilerleyişinin bilincine varmadan, anlamaksızın hatta kendine rağmen bu düşünceyi savunan kör insanlardan biriydi!
Oğluna Mektubu, 2 Mayıs 1887- Camille Pissarro
Dünya Sanat Tarihî
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Vincent van Gogh - The Hospital at Saint-Remy - 1889
Vincent van Gogh - Women Picking Olives - 1889
At the end of 1889, Van Gogh painted three versions of this picture. This was the 3rd, for his sister.
Vincent van Gogh - First Steps, after Millet - 1890
In fall and winter 1889–90, Van Gogh painted twenty-one copies after Millet, an artist he greatly admired. He considered his copies "translations" akin to a musician's interpretation of a composer's work.
At the highest resolution you can really see the joy on the little girls face.
Vincent van Gogh - Burning Weeds - 1883
In July 1883, Van Gogh decided to try his hand at lithography for a second time. This is one of two prints he produced that summer on a scale he hoped would cater to illustration projects. The subject reveals his early interest in the work of the renowned French painter of peasant subjects, Jean-François Millet.
Vincent van Gogh - At Eternity's Gate - 1882
Lithography fascinated Van Gogh early in his career, but he made very few prints due to financial constraints. "At Eternity’s Gate" is one of the very rare survivals of his first printmaking campaign during which he produced six lithographs in November 1882. His ambition was to publish a series of thirty prints in order disseminate his work to a broad audience and to earn the attention of magazine editors in the hope of receiving commissions as an illustrator.
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Jean-François Millet, Sheep Grazing Along a Hedgerow, date unknown
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Man with a Hoe by Jean-Francois Millet
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The Canvas “Why Did the Elite Fear The Gleaners?” (2022)
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Jean-François Millet (1814-1875)
"Gust of Wind" (c. 1872)
Oil on canvas
Realism
Located in the National Museum Cardiff, Cardiff, Wales
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The Sower, 1865, Jean-Francois Millet
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Jean-François Millet Woman Sewing Beside her Sleeping Child ca. 1858-62
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