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#Jeremy Piven
myoldboyfriends · 22 days
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Corey Haim, Charlie Sheen, Tom Hodges, & Jeremy Piven
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texaschainsawmascara · 10 months
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Heat (1995)
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rainbowpopeworld · 3 months
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Giant thanks to @queermarzipan for showing me this video💖🌈😘 I had seen the gif of David Tennant holding a breast shaped “stress ball” but had no further context for it 😅😂
The tiny rainbow “willy warmer” makes me wonder if Georgia was trying to counteract the David “Ten-inch” rumors 🙃☺️😂
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deadthehype · 1 year
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smacksmash · 3 months
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With a prop sign nearby, Scott Caan and Adrian Grenier use a break between scenes to play chess.
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Adrian Grenier, left, Rob Morrow, Kevin Connolly, Scott Caan, Debi Mazar and Kevin Dillon joke after filming a courthouse scene.
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Extras are entertained by someone’s dog.
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Jeremy Piven, left, Scott Caan, Kevin Connolly, show creator Doug Ellin, actors Jerry Ferrara, Kevin Dillon and Adrian Grenier joke between shots.
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Scott Caan, who plays talent manager Scott Lavin, makes a call during down time
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Director and show creator Doug Ellin watches a competitive game of fusbol among Kevin Connolly, Kevin Dillon, Rhys Coiro and Scott Caan
Hollywood Backlot: ‘Entourage’ -(Jay L. Clendenin / Los Angeles Times) - May 7, 2014
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randomlittleimp · 3 months
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Watching Grosse Pointe Blank because it's funny
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camyfilms · 1 year
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GROSSE POINTE BLANK 1997
They all have husbands and wives and children and houses and dogs, and, you know, they've all made themselves a part of something and they can talk about what they do. What am I gonna say? "I killed the president of Paraguay with a fork. How've you been?"
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cultfaction · 27 days
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Luke Sparke’s PRIMITIVE WAR enlists Jeremy Piven, Tricia Helfer, Ryan Kwanten, and Nick Wechsler
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View On WordPress
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adamwatchesmovies · 4 months
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The Family Man (2000)
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Around the holidays, you’re probably sitting around the TV with your loved ones, exchanging gifts and creating warm memories. Your heart is probably a bit mushy - your head might be too from too many glasses of “egg nog”. This makes you the perfect target for The Family Man, which is essentially a retread of other, better Christmas films with a couple of knobs tweaked. It’s got appeal but it’s no classic.
Thirteen years ago, Jack Campbell (Nicolas Cage) said goodbye to Kate Reynolds (Téa Leoni) and swore he’d come back for her after his twelve-month internship with Barclays in London. They never saw each other again. Now a bachelor living as a Wall Street executive, Jack gets to see the life he never got to live when he wakes up one day, married to Kate with two children.
We’ve got a kind of body-switch movie meets a reverse “It’s a Wonderful Life” scenario. Jack was used to lighting his fancy cigars with dollar bills. Now, he’s sleeping next to the same woman every morning, trying in vain to bring his daughter, Annie (Makenzie Vega) to school while keeping an eye on his newborn son. He sells tires at his father-in-law’s business and has a pathetic wardrobe compared to the luxurious suits he used to wear. The scenario is played for comedy until (of course) Jack begins to warm up to his new family. This is where the film wobbles. There’s a reason why body-switch movies usually feature someone at the bottom thrust up. A kid becomes an exec at a toy company, a daughter gets her mother’s body, a woman whose marriage is falling apart goes back in time to when she and her future husband first met. When you have it the other way around, it creates a divide between you and the protagonist. Firstly, Jack is hard to relate to. He went from a luxury suite in New York, working at a job that meant setting up meetings on Christmas day to what most of us would call an ordinary life. No one watching would ever think "This is not an upgrade". Secondly, Jack is an idiot for a large chunk of this movie, unable to handle even simple household tasks. It’s comical for a bit but this film leans heavily on the emotional side and the two should mix… but they just don’t.
A hint of what this picture could’ve been is seen briefly whenever Jack and his daughter interact. She recognizes immediately that something’s amiss - it’s pretty easy to tell but she’s the only one who does - and volunteers to help her “father” get through the day. Those scenes bring a smile to your face. More of those, please!
That said, the film often hits the emotional notes well enough for you to forgive its predictable storyline. For one, Téa Leoni and Nicolas Cage have fantastic chemistry. From their interactions, you’re immediately sold on the new lifestyle that’s been thrust onto Jack’s lap even though most of the movie doesn’t have the two of them properly in love. Maybe its the Christmas sentiments making your heart soft but whenever Jack has a revelation about his new life, you agree with it. In the back of your mind, you know the ending will be big and dramatic, that this glimpse at an alternate reality isn’t going to last, which fills you with sadness. You like this family. You want to see more of them and you want Jack to figure out what you knew from the second you saw him wake up next to Kate.
How you ultimately feel about The Family Man depends on how carefully you scrutinize it. Compared to the films it most closely resembles, it doesn’t hold up. Even without the comparisons, its nature prevents the film from creating the kind of emotional swell that sweeps you away. If you’re watching it with the whole family - the kids are there, your cousin who only watches Steven Seagall movies is there and grandma too - and you don't overthink it, Nicolas Cage and Téa Leoni work together well enough for you to enjoy The Family Man. (On Blu-ray, November 30, 2019)
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oldschoolteenflicks · 2 years
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Serendipity (2001) dir. by Peter Chelsom
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Sean Astin has been filming “Vindicta” in Vancouver BC with costars Jeremy Piven, Elena Kampouris, and Jamie Callica, directed by Sean McNamara.
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oldshowbiz · 1 year
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Elvis Stories (1989)
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deadthehype · 5 months
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bostonchris22 · 2 years
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whatupwiththat · 2 years
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Two A-Holes at an Adoption Agency
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tallulahchanel · 1 year
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The Mutant Academy Episode 5: "'The Walk' Did Not Give"
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In this episode, the headmistress reviews "The Walk," a 2022 racial drama directed by Daniel Adams, co-written by George Powell, and starring Justin Chatwin, Jeremy Piven, and Terrance Howard.
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