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#Jonathan Entwistle
asoftepiloguemylove · 9 months
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Could I request a web about falling out with a toxic friend? And feeling more anger than anything - someone who treats everyone badly and will end up alone from their behaviour
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i hope you're doing well <33
Agust D (ft. 김종완 Kim Jong-wan)어땠을까 Dear my friend (via @alleygaze) / Adonis Rage; Selected Poems / The End of the F***ing World (2017-2019) cr. Jonathan Entwistle / Phoebe Bridgers Motion Sickness / Salma Deera Letters from Medea
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vintagewarhol · 3 months
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moondenss · 7 days
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rocknrollinbitchforu · 10 months
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OKAY SO I HAVE SO MANY FEELINGS TO UNPACK ABOUT THE END OF THE F***ING WORLD HONESTLY (I just finished it) BUT AS OF RIGHT NOW!!! 8.5/10
(I have no qualms with the cast, scenery, or music! a couple of plot points confused me but if I'm being honest I'm about to restart episode one and just cool my jets for a moment)
16 episodes later and this has easily worked it's way into one of my favorite shows of all time, but it is out of the genre of movies and shows I typically watch (I don't really like sitting down and watching entire shows that don't involve world building / are set in the real world with nothing supernatural but! the suspense of this show kept me interested)! That being said, I give it an 8.5 because I don't really have anything of a similar genre to compare it to besides Jonathan Entwistle's other work, I Am Not Okay With This, which I enjoyed a good bit more (it's the supernatural aspect and world building, I'm telling you!)
Don't expect my teotfw posting tag to go away, I pinky promise this has worked it's way into my brain forever and ever
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The End of the F***ing World, Jonathan Entwistle, Lucy Tcherniak, 2017
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The Search For The Next Karate Kid Is Over
Sony has found the new Karate Kid. Ben Wang, star of American Born Chinese, is the latest actor to take on the mantle of The Karate Kid. Wang was picked after a worldwide search that saw 10,000 submission on the first day, with insiders saying he demonstrated his deep connection to the character. The studio wanted a Chinese lead and Wang is fluent in Mandarin and highly skilled across many…
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filmjunky-99 · 2 years
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i a m n o t o k a y w i t h t h i s, 2020 📺 dir. jonathan entwistle wyatt oleff
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kazer-time · 1 year
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Have I just had subpar stuffing in my life or...
Source: Blackhawks TikTok
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idknhlstuff · 1 year
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Hawks admin trying to make sense out of this:
What's actually going on in their heads doing this:
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nebulein · 1 year
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Hawks win (2022-10-23)
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pensfan4lfe2 · 2 years
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Chicago Blackhawks || 2022-23 NHL Season
(Opening Night Roster vs COL)
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mikimeiko · 9 months
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I Am Not Okay With This | Season 1 (2020). Jonathan Entwistle
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invisiblemuseums · 1 year
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 bones and all (2022) dir. luca guadagnino / the end of the f***ing world (2017) dir. jonathan entwistle
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schnoobums · 1 year
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NICHOLAS PODANY‎ as‎ ‎JOEY SHORTER in HELLO TOMORROW! (2023-) dir. Jonathan Entwistle
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kanohimineka · 7 months
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The Murder of the Power Rangers: A Conspiracy
This post requires brief context of this one: https://www.tumblr.com/kanohimineka/729314732989874176/i-would-like-to-add-i-also-posted-this-to-my?source=share
I didn't want to reblog it, since this is more of its own thing, but whatever, read it anyways.
So, Cosmic Fury is now out, and it seems that our friend Simon has completely let loose. In a brief Twitter Space thingy, he took in questions from fans, where he would eventually answer them. Most of it was pretty innocuous, basic production stuff. However, there were a few moments of Hasbro heavily limiting what could be done with Cosmic Fury. The two biggest examples of this are the first two posts, with Hasbro being the ones to limit Cosmic Fury to a measly 10 episodes, despite Netflix being interested in more, the seeming circular production hell of Once and Always, and the fact that, for some reason, they only had 2 weeks to film the action footage. Of course, there is still some issues on the production's end, but they seem to have interest in continuing Power Rangers, that's just being stopped by Hasbro's Reboot plans, plans that have been in talks since 2019, Both Cosmic Fury and Dino Fury 2 being stopgaps. This fills into a continual issue that I briefly touched upon before. So, let's talk about the economics of the Power Rangers.
Power Rangers started as a massive success, a series designed on the cheap, basically only filming half a show's worth of generic sit com footage, licensing out some weird Japanese show, and ADRing your new actors over it is an extremely inexpensive production for the kind of action show it is, all things considered. Then, the series got massively popular, selling reprints of pre existing Japanese toys with some new branding, ensuring extreme profits for everyone involved, Toei, Bandai, and Saban. However, after some time, the series starts to slump in popularity, it happens to the best of us. However, Power Rangers, being, again, relatively inexpensive, and still having some cultural relevance, allowed it to stay in some form of existence for the past 30 years. It is a series that has been able to coast, staying financially viable, while still not being a gangbuster success. It persisted, giving a decent living to those around it, and allowing artists to create something fun.
It has been hot potatoed between multiple rights holders, who all eventually saw value in the way it was made. However, we jump to today. Now, Hasbro is cancelling that, as mentioned, moderate success to form a reboot of it, helmed by Jonathan Entwistle, a creator who seems like a decent fit, his two big breaks being focused on teens in small towns doing stuff, a decent fit for at least half of the Power Rangers Pipeline. It is yet to be seen how he will do in the more action heavy elements of Rangers, as again, most of his projects are smaller, but he at least seems interested, also working on some sort of Karate Kid reboot. However, it seems they want it to be bigger in scale. They want it to fit that Netflix Limited Series High Budget, Short Length structure, targeting a slightly more mature audience. However, a lot of this seems to come from one main desire. They want the Power Rangers that was there in the 90's
I don't just mean, "They Want MMPR!" though that is a symptom of this issue. What they really want is the size and growth that MMPR had back in the day. Therefore, they're going to pump their whole ass into this project, shifting it to be whatever would be seen as following the popular Hollywood trends. This, to me, is a secret side reason to hire Johnny E. He fits into that MCU Formula of hiring a relative unknown known for a few smaller, personal projects and getting them to make some big action blockbuster. And part of this is to reboot to MMPR. It is the recognizable iconography. It's the version of the Rangers my Grandma would know.
Now, it seems neat that Hasbro would want to invest into Rangers. However, they aren't really investing into what Rangers is. That has been going already, and it is only a moderate success. That's not enough. It needs to be a massive success. It needs to be the next big billion dollar hit. Which means, while they are risking the money, since they are a business, they will be trying to mitigate risk. Which, again, means they will be trying to make the safest choices possible. This means taking the old iconography, taking out the weird unique ideas and grafting on more conventional ideas. You know, making it like the MCU 5 years too late. This is an infinitely deep hole caused by the visualization of art as capital
Now, of course, most art, when made in capitalism, needs to be somewhat financially viable. This is more extreme in things like Power Rangers as they are toy vehicles, ways to sell other products, a practice heavily strengthened by the deregulation of children's television under the Reagan administration. A lot of what is going on with Rangers right now reads as the hyper extreme of this concept. At least before, Rangers was able to fit in that weird little corner of the toy shelf that had its own campy vibe, flowing with new ideas every year, staying viable through the Power Rangers brand. It is this perfect creative balance where new ideas can be forged while also staying to a single IP. Yes, Sentai footage limits this, but sticking to whatever weird ideas Toei makes forced the writers to push Power Rangers further. However, now, Hasbro is bucking away from the Sentai footage, not to be able to be more creative with the brand, but to be less creative. Bringing it to be the old Power Rangers, rather than anything new. That's why I am sceptical. And a lot of what has been discussed has only cemented that in my mind.
If anything, thanks to Simon Bennet for keeping with Rangers for so long, for making one last ride, even through Hasbro can suck. And thank you for liking my silly, pessimistic tweets. And godspeed to Johnny E, I hope you can make something good.
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destinyc1020 · 8 months
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Ohhhh I've been manifesting Tom and Saoirse working together again for a while now. Hear me out: I think she would be a great choice to play Fred Astaire's sister in the biopic Tom will film. They have the right age difference, Saoirse has worked with Amy Pascal before and I would looooove to watch them playing brother and sister.
That would be pretty cool. Can Saoirse dance? Just curious. The two were a dancing sibling pair.
BTW..... Speaking about projects coming out right after each other like "Elvis" and "Priscilla", there are two Fred Astaire biopics coming out as well lol 😆
The other biopic seems to be smaller, and seems to focus more on Fred and Ginger though.... Whereas I think (don't quote me on this) Tom's biopic will be bigger and will focus more on Astaire's whole life, like the "Elvis" biopic focused on the whole life of Elvis.
Should be interesting to see both of these biopics and how they differ from each other! 😃😆
It's so CRAZY the similarities too, because Jamie played Billy Elliot in the film version, and Tom played Billy Elliot in the West End play version!
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