#Joseph Blatchley | Explore Tumblr Posts and Blogs

alexlacquemanne · 9 months

Text

Juillet MMXXIII

Films

Indiana Jones et le Cadran de la destinée (Indiana Jones and the Dial of Destiny) (2023) de James Mangold avec Harrison Ford, Phoebe Waller-Bridge, Mads Mikkelsen, John Rhys-Davies, Thomas Kretschmann et Boyd Holbrook

Un mariage de rêve (Easy Virtue) (2008) de Stephan Elliott avec Jessica Biel, Ben Barnes, Kristin Scott Thomas, Colin Firth, Kimberley Nixon, Katherine Parkinson et Kris Marshall

Douze Heures d'horloge (1959) de Géza von Radványi avec Lino Ventura, Laurent Terzieff, Hannes Messemer, Eva Bartok, Lucien Raimbourg, Suzy Prim, Gert Fröbe et Guy Tréjan

Dies iræ (2003) d'Alexandre Astier avec Tony Saba, Thomas Cousseau, Lionnel Astier, Alexis Hénon, Nicolas Gabion, Franck Pitiot, Jean-Christophe Hembert, Alexandre Astier, Jean-Robert Lombard et Jacques Chambon

La Vérité sur Bébé Donge (1952) d'Henri Decoin avec Jean Gabin, Danielle Darrieux, Gabrielle Dorziat, Claude Génia, Marcel André, Jacques Castelot et Daniel Lecourtois

Sorcerer (1977) de William Friedkin avec Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou, Ramon Bieri, Peter Capell, Karl John et Friedrich von Ledebur

La moutarde me monte au nez (1974) de Claude Zidi avec Pierre Richard, Jane Birkin, Claude Piéplu, Jean Martin, Danielle Minazzoli, Vittorio Caprioli, Julien Guiomar et Henri Guybet

Mission impossible : Dead Reckoning, partie 1 (Mission: Impossible – Dead Reckoning Part One) (2023) de Christopher McQuarrie avec Tom Cruise, Simon Pegg, Rebecca Ferguson, Ving Rhames, Vanessa Kirby, Hayley Atwell et Pom Klementieff

Demain ne meurt jamais (Tomorrow Never Dies) (1997) de Roger Spottiswoode avec Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Ricky Jay, Götz Otto et Joe Don Baker

Plus dure sera la chute (The Harder They Fall) (1956) de Mark Robson avec Humphrey Bogart, Rod Steiger, Nehemiah Persoff, Mike Lane, Jan Sterling et Max Baer

La Guerre des polices (1979) de Robin Davis avec Claude Brasseur, Claude Rich, Marlène Jobert, Georges Staquet, Jean-François Stévenin, Étienne Chicot, David Jalil, Gérard Desarthe, Jean Rougerie et Jean-Pierre Kalfon

Oppenheimer (2023) de Christopher Nolan avec Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek et Kenneth Branagh

L'Odyssée de Pi (Life of Pi) (2012) d'Ang Lee avec Suraj Sharma, Irrfan Khan, Ayush Tandon, Tabu, Adil Hussain, Ayan Khan, Vibish Sivakumar et Rafe Spall

L'Histoire d'Adèle H. (1975) de François Truffaut avec Isabelle Adjani, Bruce Robinson, Sylvia Marriott, Joseph Blatchley, Ivry Gitlis et Ruben Dorey

Meurs un autre jour (Die Another Day) (2002) de Lee Tamahori avec Pierce Brosnan, Halle Berry, Toby Stephens, Rosamund Pike et Rick Yune

La Tulipe noire (1964) de Christian-Jaque avec Alain Delon, Virna Lisi, Dawn Addams, Akim Tamiroff, Adolfo Marsillach, Robert Manuel et Francis Blanche

Séries

Friends Saison 10

Celui qui n'arrivait pas à se confier - Celui qui allait très bien - Celui qui avait décidé de bronzer - Celui qui transformait le gâteau d'anniversaire - Celui qui écrivait une lettre de recommandation - Celui qui a failli avoir la subvention - Celui qui bluffait l'assistante sociale - Celui qui ratait Thanksgiving - Ceux qui rencontraient la mère biologique - Celui qui se faisait coincer - Celui qui trahissait le pacte - Celui qui jouait le rôle du père - Celui qui baragouinait - Celui qui n'aimait pas la maison - Celui qui faisait tout pour retenir Rachel - Celui qui n'aimait pas les adieux - Ceux qui s'en allaient

Inspecteur Barnaby Saison 10

Danse avec la mort - L'Oncle d'Amérique - La Chasse au trésor - Le Blues de l'assassin - Le Flash de la mort - Le Télescope de la mort

Coffre à Catch

#122 : Finlay prend la trique et Ichtou jette l'éponge ! - #123 : Finlay à domicile pour le titre ECW ! - #124 : Les Survivor Series : Des bangers en veux-tu en voilà! - #125 : Beliaroth INFILTRE l'Univers d'Agius! - #126 : MVP et Matt Hardy: de partenaires à adversaires !

Kaamelott Livre I

Le Duel - L'Invasion viking - La Bataille rangée - La Romance de Perceval - Les Funérailles d'Ulfin - Le Chevalier femme - La Carte - Le Repas de famille - Le Répurgateur - Le Labyrinthe - Heat - Les Tartes aux myrtilles - La Table de Breccan - Le Chevalier mystère - Le Fléau de Dieu - Le Garde du corps - Des nouvelles du monde - Codes et Stratégies - Le Maître d’armes - Le Négociateur - Dîner dansant - Le Sixième Sens - Arthur et la Question - Monogame - Les Défis de Merlin - Le Banquet des chefs - Le Signe - En forme de Graal - Le Repos du guerrier - La Dent de requin - La Taxe militaire - La Queue du scorpion - La Potion de fécondité - L’Interprète - Le Sacrifice - À la volette - De retour de Judée - La Botte secrète - L’Assassin de Kaamelott - Le Trois de cœur - Basidiomycètes - L’Imposteur - Compagnons de chambrée - La Grotte de Padraig - Ambidextrie - Raison d’argent - La Romance de Lancelot - Merlin et les Loups - Le Cas Yvain - L’Adoubement - Arthur et les Ténèbres - Le Zoomorphe - La Coccinelle de Madenn - Patience dans la plaine - Le Oud - Le Code de chevalerie - Létal - Azénor - Le Sort de rage - Les Nouveaux Frères - Enluminures - Haunted - Le Secret de Lancelot - Le Serpent géant - Guenièvre et les Oiseaux - Le Dernier Empereur - Perceval relance de quinze - Le Coup d’épée - La Jupe de Calogrenant - Le Prodige du fakir - Un bruit dans la nuit - Feu l’âne de Guethenoc - Goustan le Cruel - Le Chaudron rutilant - La Visite d’Ygerne - Les Clandestins - La Kleptomane - Le Pain - La Mort le Roy Artu - Le Problème du chou - Un roi à la taverne - Les Fesses de Guenièvre - Le Billet doux - Guenièvre et l’Orage - Eunuques et Chauds Lapins - Choc frontal - Le Forage - Le Discobole - L’Expurgation de Merlin - Les Volontaires - Polymorphie - Décibels nocturnes - La Fête de l’hiver - Gladiator - La Blessure mortelle - Le Dragon des tunnels - Retour de campagne - L’Escorte - Tel un chevalier - La Pâte d’amande - La Fureur du dragon - Vox populi - Unagi - L’Éclaireur - Lacrimosa - La Quête des deux renards - Agnus Dei - Le Tourment - La Retraite - La Vraie Nature du Graal

Affaires Sensibles

Le Tour de France fantôme - Tom Simpson : une funeste passion - Lance Armstrong, le héros déchu - 21 juillet 1969 : objectif Lune

Castle Saison 2

Une rose pour l’éternité - Le Contrat - Le Troisième Homme - Le Batteur battu - Journal d'une dominatrice - Messages par balles - La Mort de Nikki - La Malédiction de la momie

Orgueil et Préjugés

Episode 1 - Episode 2 - Episode 3 - Episode 4 - Episode 5 - Episode 6

Raison et Sentiments

Episode 1 - Episode 2 - Episode 3

Spectacles

John Fogerty : Premonition (1997)

Eddy Mitchell au Casino de Paris (1990)

Livres

Pourquoi vous faisez ça ? de Pablo Mira

Gaston , Tome 2 de André Franquin et Jidékeur

Le péplum, un mauvais genre de Claude Aziza

Hero Corp, Tome 2 : Chroniques de Simon Astier, Louis et Stéphane Créty

#mediatheque #juillet23

1 note · View note

letterboxd-loggd · 3 years

Photo

The Story of Adele H. (L'Histoire d'Adèle H.) (1975) François Truffaut

May 3rd 2021

#the story of adele h.#l'histoire d'adèle h.#1975 #francois truffaut #isabelle adjani #bruce robinson #sylvia marriott #joseph blatchley

14 notes · View notes

theoscarsproject · 3 years

Photo

The Story of Adele H. (1975). Adèle Hugo's unrequited love for a lieutenant.

This is an interesting story in a lot of ways about obsession and infatuation, and it’s really grounded in a pretty excellent performance by Isabelle Adjani. The movie ebbs and flows in ways that gives her the opportunity to really chew the scenery, albeit sometimes in ways that are frustrating or perhaps go on for too long. Still, it’s a compelling adaptation of a story I actually didn’t know about, so that was fun! 7/10.

26 notes · View notes

mariocki · 5 years

Text

Storyboard: Making News (4.1, Thames, 1989)

"I didn't like that piece!"

"Roger - you're the producer, I'm the editor. We're equals, but I decide what's news; you decide what you want to do with it, OK?"

#Storyboard #Making news #1989 #Classic TV #Single play #Tom cotcher #Nichola mcauliffe #bill nighy #Jack klaff #Charlotte Attenborough #Peter settelen #paul darrow #Susan kyd #Jeremy Nicholas #celia imrie #david baron #Deborah grant #Joseph blatchley #Michael aitkens #Ian bleasdale #Tony osoba #Andrew Hawkins #Dieter bratsch #Terence Alexander #Peter sands #Geoffrey sax #After the solo outing in 86 Storyboard returned for a final run of four episodes three years later. This first ep is a very late 80s bit of #Dreary backbiting newsroom yuppie horror. It's interesting enough and must have impressed someone because this got a series the following #Year. By my count that makes it the sixth Storyboard to get past the pilot stage which is a pretty impressive success rate when you think #About it. Most notable for turns by very young Imrie and Nighy but of course its the impeccable Darrow who steals his every scene

4 notes · View notes

lifejustgotawkward · 7 years

Photo

365 Day Movie Challenge (2017) - #63: The Story of Adèle H. (1975) - dir. François Truffaut

It is never any surprise when directors hire actress Isabelle Adjani, who has an incredible ability to mine a character for the most intense depths of emotion. This was probably never more evident than in her tortured work in Andrzej Zulawski’s grotesquely creative horror film Possession (1981), but Truffaut’s The Story of Adèle H. gives Zulawski a run for his money as far as depicting a woman’s slowly fracturing psyche and body.

Set in 1863-1864, Story has Adjani playing Adèle Hugo, second daughter of world-famous author and political figure Victor Hugo, a woman whose schizophrenia and erotomania begin to manifest when she fanatically falls in love with a handsome British army lieutenant, Albert Pinson (Bruce Robinson, later of Withnail and I directing fame) and follows him from England to his regiment’s new station in Halifax, Nova Scotia. Pinson is indifferent to Adèle, with whom he had had a brief affair when he lived near their family on the isle of Guernsey (the Hugos lived in exile, having been forced out of France for dissidence), but Adèle’s certainty that Pinson intends – present tense – to marry her gradually erodes her sense of reason, exacerbates the mental illness she didn’t understand that she had and drives her out of her mind. Twenty-year-old Isabelle Adjani received an Academy Award nomination for this performance, an absolutely deserved recognition that solidified her reputation as one of French cinema’s most exciting stars and got her work with such varied filmmakers as Roman Polanski, André Téchiné, Walter Hill, Werner Herzog, James Ivory, the aforementioned Zulawski, Claude Miller, Luc Besson, Elaine May and Bruno Nuytten (with whom Adjani received her second Best Actress Oscar nomination for Camille Claudel).

I have noticed recently that I have been gravitating towards stories of obsession, passion and violence: The Crying Game (1992), The Naked Kiss (1964), Angel (1982), Felicia’s Journey (1999), Asphalt (1929), Unfaithful (2002), Mona Lisa (1986), Exotica (1994). Of course, the ultimate icons of this mixed genre are numerous Hitchcock thrillers including Spellbound (1945), Vertigo (1958) and Marnie (1964), as well as Brian De Palma’s many Hitchcockian films, like Sisters (1973), Dressed to Kill (1980) and Body Double (1984). The Story of Adèle H. does not contain the same level of excitement as those other, more suspenseful films, though, since Story is a biopic and a period-piece drama rather than a thriller.

The film is consistently watchable since Néstor Almendros supplies good cinematography (especially in close-ups of the two leads) and, as mentioned, Adjani is brilliant (thankfully since she is the center of the film), but it is unfortunate that Truffaut could not elicit better performances from most of the supporting actors. There are a few sympathetic portrayals by Sylvia Marriott (Adèle’s landlady at a Halifax boarding house), Joseph Blatchley (a bookshop proprietor who is clearly sweet on Adèle) and Ivry Gitlis (best known to the world as a stellar violinist; here, he plays a hypnotist sought by Adèle in hopes of literally casting a spell on Lt. Pinson), but Truffaut’s film does not quite reach the heights of mastery.

5 notes · View notes

thomashenryhuxley · 4 years

Photo

Joseph Blatchley as Thomas Henry Huxley and Paul Chapman as Joseph Dalton Hooker in episode 7 of The Voyage of Charles Darwin (1978).

Huxley and Hooker fiercely defend Charles Darwin and his new scientific theories.

#Thomas Henry Huxley #Sir Joseph Dalton Hooker #the voyage of charles darwin

7 notes · View notes

dani240276 · 4 years

Photo

'Expect nothing and hope for the best' is my mantra. A drama teacher called Joseph Blatchley told me that, and it's the best advice I've had. If you keep an open mind and don't expect too much, then you won't be disappointed😉 https://www.instagram.com/p/CCWolhQJIpD/?igshid=dzubyq3q0dhq

0 notes

southwarkcofe · 5 years

Text

Refugee: A Christmas Story

Revd Betsy Blatchley, Pioneer Minister in the Arts in Nine Elms, writes...

In February 2018 I was licensed to the brand new role of Pioneer Minister in the Arts in Nine Elms, based in the Parish of Battersea Fields. That began the process of networking and praying and building links towards the development of a new worshipping community in the Nine Elms/Battersea Power Station development area. Almost exactly nine months later, on 18th December, on a wet and chilly afternoon in the Battersea Power Station Development, in a packed out theatre, Refugee: A Christmas Story felt like the ‘birth’ of this new community

To rewind a few months, in the summer, sitting outside the Southwark Cathedral Café, I had one of many meetings I was having with faith-based arts organisations and artists. On this occasion I was meeting Ruth Hughes, Artistic Director of Springs Dance (a faith-based contemporary dance company) and Emily Yong one of their lead dancers. Over coffee, unknowingly, the germ of this Christmas event was born. That short meeting led to a residency at our Church of England Primary School, St George’s on the Patmore Estate, one of the most challenging estates in the area. The second part of that residency saw two dancers, Emily Yong and Sarah Hitch, working with nearly sixty children aged 7-9, once a week to develop a dance piece inspired by the delightful illustrated book Refuge by Anne Booth and Sam Usher. This simple retelling of the Nativity, which never mentions Mary, Joseph or Jesus by name, is told from the perspective of the Donkey, and focuses on the theme of the family as refugees seeking the kindness of strangers.

Most of the children at St George’s had no previous dance experience and working with two Christian dancers, who are high level professionals, was a wonderful opportunity to access a dance form they might otherwise not have. It was also a great way to help them think more deeply about the Christmas story and its implications in today’s world. Being present at most of the workshop sessions, it was amazing to see the children grow in skill, focus and understanding. Alongside the work with St George’s, our Pioneer Curate, Vanessa Elston, and artists Jo and Anna Colwill worked with our local Brownie pack exploring the book and the wider themes of the refugee experience through drama and art workshops.

I was keen that our first public event in the Power Station development should be something that helped bring different parts of our very diverse community together, as well as celebrating the threefold nature of the new community – arts, spirituality and social justice. Refugee: A Christmas Story was perfect for this. The dance piece, performed by nearly fifty children, was the centre of the event and was originally due to be performed in the open air by the ‘Pop-Ups’ in the Circus West, Power Station development. However, just a few weeks before the performance, we were thrilled to be offered The Village Hall, a brand new performance space in the railway arches of Circus West, yards from the iconic power station. This enabled us to develop a larger event than originally planned.

I made contact with the publishers of ‘Refuge’, Nosy Crow, and was delighted to be put in touch with the author Anne Booth who came and kicked off the afternoon by talking about what motivated her to write the book – hearing a politician suggest that welcoming refugees into the UK threatened ‘Christian values’ - and about the development of the book which was eventually published to raise funds for the charity War Child. She then read the short book to an entranced audience of nearly 200 adults and children. Anne also signed dozens of copies of the book at the end of the event. We also invited Battersea Welcomes Refugees, to be part of the event, and Area Dean, Rev Richard Taylor, talked about their work in hosing Syrian refugee families in Battersea. The afternoon was rounded off by Sam Evans, Music Director of Battersea Power Station Community Choir, leading the whole audience in carol singing. There was also a display of the work done by the Brownies in the foyer for the audience to look at whilst they supped mulled wine provided by local pizza restaurant Mother.

But it was the children who were centre stage – the dance piece, which told the Christmas story whilst exploring themes of welcome, danger and journey, was stunning and so moving. Dressed in their red ‘Follow the Star’ T Shirts, they looked as if they had been working together as a dance company for years and responded amazingly to having to perform in a space they had only rehearsed in for an hour! And they also entertained the audience with a fabulous medley of Christmas songs.

In my new role, I was really thrilled that Refugee: A Christmas Story, brought together so many different groups of people to make the event happen – people who I had been getting to know in the area over these past months (over lots of cups of coffees). The cultural teams within the new developments, faith-based artists, school and community groups, deanery colleagues and local businesses. People of all faiths and none. But the audience also gave me such encouragement as I began to see what this new community might look like. Parents of the children, from a wide variety of faith backgrounds, mingled with senior American Embassy staff, developers, councillors and council arts staff, representatives from premier arts organisations based in the area, such as the Royal Academy of Dance, diocesan visitors and many faith-based professional artists who have caught the vision for this new community. A community that I hope will draw local people from all walks of life and congregate around a love of the arts, a passion for social justice and a desire to go spiritually deeper and explore the relevance of Christian faith in our contemporary society. What better way to give birth to and launch this new community, than around an event which, through the power of the arts, remembers and celebrates the birth of the Christ child – a refugee

Enjoyed this blog? Sign up for regular email updates at http://eepurl.com/bDYJfL

0 notes