Henry Joseph Castaing
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2022
Ask Any Buddy (Elizabeth Purchell) @ Anthology Film Archives
Nope (Jordan Peele) in IMAX @ AMC Lincoln Square 13
De Humani Corporis Fabrica (Lucien Castaing-Taylor & Véréna Paravel) @ 60th NYFF
We Met In Virtual Reality (Joe Hunting) @ 2022 Virtual Sundance Film Festival
The Rehearsal, Season 1 (Nathan Fielder)
All the Beauty and the Bloodshed (Laura Poitras)
TÁR (Todd Field)
Crimes of the Future (David Cronenberg)
Skinamarink (Kyle Edward Ball)
Jackass Forever (Jeff Tremaine)
Aftersun (Charlotte Wells)
Avatar: The Way of Water (James Cameron) in IMAX 3D @ AMC Lincoln Square 13
Artists at the Center: Tiler Peck @ New York City Center (curated by Tiler Peck)
The Fabelmans (Steven Spielberg)
Pearl (Ti West)
Decision to Leave (Park Chan-wook)
Blonde (Andrew Dominik)
RRR (S. S. Rajamouli)
The Batman (Matt Reeves)
Liquor Store Dreams (So Yun Um) @ 2022 Tribeca Film Festival
Resurrection (Andrew Semans)
Will-o’-the-Wisp (João Pedro Rodrigues) @ 60th NYFF
Orphan: First Kill (William Brent Bell)
There There (Andrew Bujalski) @ 2022 Tribeca Film Festival
Sharp Stick (Lena Dunham) @ 2022 Virtual Sundance Film Festival
+++
The African Desperate (Martine Syms)
After Yang (Kogonada)
Ambulance (Michael Bay)
Apollo 10½: A Space Age Childhood (Richard Linklater)
Babylon (Damien Chazelle)
The Banshees of Inisherin (Martin McDonagh)
Deep Water (Adrian Lyne)
Disney Channel’s Theme: A History Mystery (Kevin Perjurer)
Halloween Ends (David Gordon Green)
Irma Vep (2022, Olivier Assayas)
Jacaranda Joe (1994, George A. Romero) @ Webinar w/ University of Pittsburgh
Jeen-yuhs: A Kanye Trilogy (Chike Ozah & Coodie Simmons)
Kate Berlant: Cinnamon in the Wind (Bo Burnham)
Kimi (Steven Soderbergh)
Marcel the Shell with Shoes On (Dean Fleischer-Camp)
The Munsters (Rob Zombie)
On the Count of Three (Jerrod Carmichael)
Terrifier 2 (Damien Leone)
Top Gun: Maverick (Joseph Kosinski)
Shin Ultraman (Shinji Higuchi)
Shit & Champagne (D’Arcy Drollinger)
Showing Up (Kelly Reichardt)
Starfuckers (Antonio Marziale)
Vortex (Gaspar Noé)
The White Lotus [Season 2] (Mike White)
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É com grande prazer que damos as boas vindas à JOSEPH SAWYER, de 40 ANOS. As fofocas dizem que ele se parece muito com CHRIS HEMSWORTH, mas ele é apenas um CHEFE DA GUARDA REAL vindo de COLUMBIA que pertence à CASTA DOIS. Seja muito bem vindo, JOE.
Joseph não nascera em berço de ouro, mas também estava longe de um dia entender o que é pobreza; filho de um professor de filosofia e uma professora de história, desde bastante cedo o menino aprendera a questionar tudo e todos. Liberdade, aquele era um assunto constantemente conversado em seu dia a dia e fora assim que ele crescera, amado, estimulado, com uma forte conexão com sua família e com o mundo. Por alguma razão que seu pai nunca parecera compreender, Joseph sempre foi bastante diferente dele, por mais que gostasse de ouvir as ideias mirabolantes de seu pai, Joe era muito mais voltado a esportes, caça e luta, mais parecido com seu tio do que seu próprio progenitor. Seu tio, Jeremy todavia aceitou tudo aquilo de bom grado, guarda real para o castelo, ele sempre contava ao pequeno Joe o quão importante era o que ele fazia, como ele protegia o rei e a monarquia, e Joe queria fazer exatamente o mesmo, com isso aos seus 19 anos o rapaz finalmente fora recrutado. Sendo bastante sincero Joe pensou que por seu tio servir tanto tempo ao exército ele teria alguma vantagem mas não podia estar mais errado, e durante os anos de seu treinamento aprendera a ter disciplina e comprometimento. Não demorara muito para que ele conquistasse um nome dentro dos corredores, soldado Sawyer. Aos seus 25 anos já havia subido de patente mais vezes do que qualquer um dos recrutas que havia chegado consigo, e também fora o mesmo ano em que se apaixonara e casara-se com uma servente, Rose.
Embora um soldado muito aplicado e fiel, em partes Joe cruzara algumas de suas morais ao casar-se com Rose, que previamente era noiva do cozinheiro real o que ferira um pouco seu nome e honra mas com o passar dos anos dentro do castelo e esforço do homem, conseguira limpar sua imagem e também a de sua esposa, que antes vivia num relacionamento extremamente tóxico e abusivo. Joe e Rose tiveram sua primeira e única filha, Eleanor, e Rose passara a criar a mesma as redondezas do castelo enquanto Joe aos seus 34 anos era nomeado o chefe da guarda real do castelo. Feliz e contente com sua vida Joseph jamais poderia imaginar que tudo mudaria por um motivo: os rebeldes. No meio de uma noite, a mais fria daquele inverno, os rebeldes atacaram e após neutralizar o ataque Joe recebera a pior notícia de sua vida: Rose havia sido assassinada, e sua filha estava coberta no sangue de sua amada, aquilo quase fora demais para Joseph que pelo primeiro ano da vida de sua filha se afastara do cargo até que seu ódio pelos rebeldes se tornara tão grande que ele precisava combate-los, embora sua dor o cegasse em partes ele sempre soube que seus motivos não eram puros mas iria contra qualquer uma de suas Morais em prol para proteger Eleanor. Agora com a seleção para começar o soldado não poderia estar mais estressado ou sobrecarregado, visto que terá muito mais responsabilidade e pessoas para manter seguras.
Embora seu caráter tenha levantado uma certa dúvida em determinado momento, a lealdade de Joe a coroa é completa e até mesmo cega, perdera muito a habilidade de questionar durante tantos anos em seu ofício, hoje é um homem que segue não tão somente regras mas também que as reforça, segue diretamente sem questionar qualquer pedido do rei ou da família real. Abaixo de sua filha, a família real está acima de todos ou tudo para Joseph, ele acredita que ser nomeado para seu cargo é uma grande honra tal que ele pretende viver ou morrer por.
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letti in un anno #8
PASSATO:
[giugno 2021 - febbraio 2023]
Nostromo : Relato de un litoral - Joseph Conrad
El largo viaje a un pequeño planeta iracundo - Becky Chambers
Vernon Subutex : Volumen 2 - Virginie Despentes
Mire al pajarito - Kurt Vonnegut
Vernon Subutex : Volumen 3 - Virginie Despentes
La conjura contra America - Philip Roth
Red Mars - Kim Stanley Robinson
El Doctor Fischer de Ginebra - Graham Greene
La cucaracha - Ian McEwan
Tifón - Joseph Conrad
Una semana de vacaciones - Christine Angot
Marte verde - Kim Stanley Robinson
La esfera luminosa - Liu Cixin
El héroe de las mujeres - Adolfo Bioy Casares (racc.)
Cuentos de H. Bustos Domecq - Adolfo Bioy Casares (racc.)
La casa en el confín de la tierra - William Hope Hodgson
L’ora desiata vola : Guida al mondo dei rebus per solutori (ancora) poco abili - Pietro Ichino
Pornotopía : Arquitectura y sexualidad en “Playboy” durante la guerra fría - Paul B. Preciado
El laberinto de las aceitunas - Eduardo Mendoza Garriga
El buque fantasma - Frederick Marryat
*La historia de tu vida - Ted Chiang (racc.)
*Destinos truncados - Arkadi y Borís Strugatski
Fantasmas - Henry James
*Mundo anillo - Larry Niven
*Los ingenieros del mundo anillo - Larry Niven
Un occhio - Stuart Gordon
Il segreto dell’ultrauomo - A. E. Van Vogt / La lupa di Thargha - ?
Las máquinas de Dios - Jack McDevitt
Artemisia - Andy Weir
Gli anni delle tenebre - Christopher Stork / Conquistatori spaziali - Luigi Naviglio
La fiebre del heno - Stanislaw Lem
El brazo marchito y otros relatos - Thomas Hardy (racc.)
El marciano - Andy Weir
Existiríamos el mar - Belén Gopegui
El balneario - Carmen Martín Gaite (racc.)
*Una princesa de Marte - Edgar Rice Burroughs
El lado frío de la almohada - Belén Gopegui
*El trono del mundo anillo - Larry Niven
El revés de la trama - Graham Greene
El invencible - Stanislaw Lem
Fluyan mis lágrimas, dijo el policía - Philip K. Dick
Astronautas - Stanislaw Lem
La casta de los Metabarones - Alejandro Jodorowsky / Juan Giménez (fum.)
La historia personal de David Copperfield - Charles Dickens
Contrapunto - Aldous Huxley
Il gigante annegato - J. G. Ballard (racc.)
La zona del disastro - J. G. Ballard (racc.)
Le sabbie di Marte - Arthur C. Clarke
*En busca del tiempo perdido : La prisonera - Marcel Proust
Luna : Luna nueva - Ian McDonald
PRESENTE:
La voz del amo - Stanislaw Lem
FUTURO:
Fiasco - Stanislaw Lem
*En busca del tiempo perdido : Albertine desaparecida - Marcel Proust
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a new article about palais garnier! :D
An Opera House Inspired by More Than Music
The architecture and location of the Palais Garnier are intertwined with the history of France and Paris (and a famous phantom).
By Sam Lubell
Jan. 24, 2023
Showcasing more than 400 performances of opera, dance and music each year, Charles Garnier’s Paris Opera, inaugurated in 1875, is a true cathedral of culture.
A promenade through its rooms is a theatrical experience itself, revealing ornate marble columns, bronze statues, crystal chandeliers, and paintings and frescoes. But the Palais Garnier, as the building is known, also holds secrets, from design quirks to haunting tales. Here are some facts about the building.
Charles Garnier, the architect, was the last one shortlisted for the project.
Emperor Napoleon III started a competition for an “Imperial Academy of Music and Dance” in December 1860. Five finalists were chosen from more than 170 proposals. They were ranked, and Garnier came in last. With little to lose, he changed his plans, creating a monumental structure layered with imposing arcades, colonnades and flanking pavilions, crowned with a dome and a pedimented tower. “He was using a classical language, but in an eclectic, much freer, and much more expressive way,” Christopher Mead, author of “Charles Garnier’s Paris Opera: Architectural Empathy and the Renaissance of French Classicism,” said in an interview. Garnier’s win shocked the establishment, Mr. Mead said, but worked with the emperor’s effort to cast himself as a reformer.
There is a “lake” under the opera house.
When digging the foundations, workers hit a hidden arm of the Seine, causing water to flood the site. It was impossible to remove all the water, so crews had to contain it with a massive concrete reservoir with a vaulted ceiling from which water is still pumped today. The so-called lake was dramatized by Gaston Leroux, author of “The Phantom of the Opera,” who made it the stomping grounds of the Phantom. Mr. Mead was mesmerized by a visit. “You can see why it inspired Leroux,” he said. “You could invent a whole world there.”
The falling chandelier in “The Phantom of the Opera” was based on a real event.
In 1896, during a performance of Étienne-Joseph Floquet’s opera “Hellé,” a short-circuit caused a counterweight from the chandelier to fall, killing a woman in the audience and injuring several more people. Reporting on the event was Leroux, then a journalist with a Paris newspaper. In “The Phantom of the Opera,” it is the Phantom who dislodges the chandelier from the ceiling.
So was the Phantom (sort of).
Leroux first published his novel as a serial in 1909 and 1910. In an interview, Isabelle Rachelle Casta, author of “The Work of ‘Obscure Clarity’ in ‘The Phantom of the Opera’ by Gaston Leroux,” said its characters and story were invented but drew from real-life elements in addition to the lake and the falling chandelier. The Phantom himself was inspired by a pianist who was disfigured after an 1873 fire at the Palais Garnier’s precursor, the Salle Le Peletier, and from an assistant to Garnier who disappeared during construction. “Leroux took all of these stories and he created one of the most important stories of the 20th century,” Ms. Casta said.
An attack partly inspired the construction.
In 1858, Napoleon III and his wife, Empress Eugènie, went to the Salle Le Peletier for a concert. As they arrived, three bomb blasts threw their carriage onto its side, hurled spectators into the street and blew out windows in the opera house and surrounding buildings. Eight people died, but the emperor and empress survived. The mastermind of the plot was Felice Orsini, an Italian revolutionary who had been critical of Napoleon III for not supporting his pro-republican cause. The emperor, already hoping to replace the Salle Le Peletier, decided to build a new opera house in a more open area with a secure entrance. But he never saw it completed: He died in 1873.
Garnier requested that no trees be planted on the main road to the building.
Baron Georges-Eugène Haussmann, who oversaw Napoleon III’s transformation of Paris, lined all his Grands Boulevards with trees, except for one: the Avenue de l’Opéra, a half-mile stretch from the Louvre to the opera house. Garnier asked for this to maximize his building’s sense of monumentality and to not block views of it. “He wanted a building that announced itself to the public,” Mr. Mead said. “This was a building for them.”
A version of this article appears in print on Jan. 25, 2023, Section A, Page 9 in The New York Times International Edition
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[PREVIEW 2023]
Nos albums et films les plus attendus de 2023 ! 💿🎬✨
- ALBUMS -
JANVIER
20/01 :
Mac DeMarco - Five Easy Hot Dogs
Agar Agar - Player Non Player
FÉVRIER
03/02 :
Forever Pavot - L'Idiophone
Orval Carlos Sibelius - Territoires de l’inquiétude
10/02 :
Tennis - Pollen
Andy Shauf - Norm
Kelela - Raven
14/02 :
Caroline Polachek - Desire, I Want to Turn Into You
17/02 :
Wesley Joseph - Glow
24/02 :
Voyou - Les Royaumes minuscules
Shame - Food for Worms
En Attendant Ana - Principia
MARS
03/03 :
Kate NV - WOW
10/03 :
Fever Ray - Radical Romantics
Maraschino - Hollywood Piano
Et ceux bientôt annoncés de : Anohni, Flavien Berger, boygenius, Kirin J. Callinan, Daughter, Fenster, Lenparrot, MGMT, Moodoïd, Neon Indian, Romy, Zaho de Sagazan, Saint DX, Unknown Mortal Orchestra, Westerman, Jimmy Whispers, Wild Nothing, Youth Lagoon…
- FILMS -
JANVIER
04/01 :
‘Radio Metronom’ d’Alexandru Belc
05/01 :
‘Copenhagen Cowboy’ (série) de Nicholas Winding Refn
11/01 :
‘De Humani Corporis Fabrica’ de Verena Paravel et Lucien Castaing-Taylor
‘L’Envol’ de Pietro Marcello
18/01 :
‘Babylon’ de Damien Chazelle
‘Earwig’ de Lucile Hadzihalilovic
23/01 :
‘La Nuit où Laurier Gaudreault s’est réveillé’ (série) de Xavier Dolan
25/01 :
‘Tár’ de Todd Field
‘Retour à Séoul’ de Davy Chou
‘Ashkal, l’enquête de Tunis’ de Youssef Chebbi
FÉVRIER
01/02 :
‘Aftersun’ de Charlotte Wells
15/02 :
‘La Femme de Tchaïkovski’ de Kirill Serebrennikov
‘La Romancière, le film et le heureux hasard’ de Hong Sang-soo
22/02 :
‘The Fabelmans’ de Steven Spielberg
MARS
01/03 :
‘Goutte d'or’ de Clément Cogitore
08/03 :
‘The Whale’ de Darren Aronofsky
‘Mon crime’ de François Ozon
15/03 :
‘Toute la beauté et le sang versé’ de Laura Poitras
‘Le Bleu du caftan’ de Maryam Touzani
‘Alma Viva’ de Cristèle Alves Meira
22/03 :
‘The Eternal Daughter’ de Joanna Hogg
‘Dalva’ d’Emmanuelle Nicot
‘L'Eden’ d’Andrés Ramirez Pulido
AVRIL
05/04 :
‘About Kim Sohee’ de July Jung
12/04 :
‘Sick of Myself’ de Kristoffer Borgli
26/04 :
‘Nos cérémonies’ de Simon Rieth
JUIN
07/06 :
‘Wahou !’ de Bruno Podalydès
21/06 :
‘Asteroid City’ de Wes Anderson
JUILLET
12/07 :
‘Master Gardener’ de Paul Schrader
19/07 :
‘Oppenheimer’ de Christopher Nolan
‘Barbie’ de Greta Gerwig
SEPTEMBRE
13/09 :
‘Un métier sérieux’ de Thomas Lilti
20/09 :
‘Acide’ de Just Philippot
OCTOBRE
04/10 :
‘Le Règne animal’ de Thomas Cailley
NOVEMBRE
01/11 :
‘Dune : part 2’ de Denis Villeneuve
Non datés :
‘Strange Way of Life’ de Pedro Almodóvar
‘The God Beside My Bed’ de Rick Alverson et Lisandro Alonso
‘Las chicas están bien’ d’Itsaso Arana
‘The Bastard’ de Nikolaj Arcel
‘Eureka’ de Lisandro Alonso
‘The Wonderful Story of Henri Sugar’ (Netflix) de Wes Anderson
‘Beau Is Afraid’ d’Ari Aster
‘Elilia Perez’ de Jacques Audiard
‘Butterfly Jam’ de Kantemir Balagov
‘Esterno Notte’ (série) et ‘La Conversione’ de Marco Bellocchio
‘Les Herbes sèches’ de Nuri Bilge Ceylan
‘Shanghai Youth’ (documentaire) de Wang Bing
‘La Bête’ de Bertrand Bonello
‘L’Eté dernier’ de Catherine Breillat
‘Les Blancs’ de Robin Campillo
‘The Sympathizer’ (série) de Park Chan-wook
‘Priscilla’ de Sofia Cappola
‘Infinity Pool’ de Brandon Cronenberg
‘Humane’ de Caitlin Cronenberg
‘Disclaimer’ (série) d’Alfonso Cuarón
‘Emmanuelle’ d’Audrey Diwan
‘L’Amour et les forêts’ de Valérie Donzelli
‘L’Empire’ de Bruno Dumont
‘Daaaaaali !’ de Quentin Dupieux
‘La Fille qu’on appelle’ de Charlène Favier
‘The Killer’ (Netflix) et ‘Strangers’ de David Fincher
‘Le Grand Chariot’ de Philippe Garrel et Jean-Claude Carrière
‘Io Capitano’ de Matteo Garrone
‘La Zone d’intérêt’ de Jonathan Glazer
‘Selvajaria’ et ‘Grand Tour’ de Miguel Gomes
‘Le Livre des solutions’ de Michel Gondry
‘I Am Pilgrim’ de James Gray
‘Challengers’ de Luca Guadagnino
‘Shining Sex’ de Lucile Hadzihalilovic, Sion Sono, Hélène Cattet, Bruno Forzani, Bertrand Mandico et Kleber Mendonça Filho
‘Our Apprenticeship’ de Ryūsuke Hamaguchi
‘Where to Land’ de Hal Hartley
‘Club Zero’ de Jessica Hausner
‘May December’ de Todd Haynes
‘Shulan River’ de Hou Hsiao-Hsien
‘Handling the Undead’ de Thea Hvistendahl
‘The Actor’ de Duke Johnson
‘Blossoms Shangai’ (série) de Wong Kar-Wai
‘Memory Police’ et ‘lQ83’ (série) de Charlie Kaufman
‘Dead Leaves’ d’Aki Kaurismaki
‘Mektoub My Love : Canto Due’ et ‘Mektoub My Love : Canto Tre’ d’Abdellatif Kechiche
‘Funny Pages’ d’Owen Kline
‘Kaibutsu’ de Hirokazu Kore-eda
‘Un silence’ de Joachim Lafosse
‘Poor Things’ et ‘And’ de Yorgos Lánthimos
‘El Conde’ de Pablo Larraín
‘Hitman’ de Richard Linklater
‘The Old Oak’ de Ken Loach
‘Les Indésirables’ de Ladj Ly
‘Unrecorded Night’ (série) de David Lynch
‘Jeanne du Bary’ de Maïwenn
‘The Way of the Wind’ de Terrence Malick
‘La Barbare’ de Bertrand Mandico
‘Ferrari’ de Michael Mann
‘Occupied City’ (documentaire) et ‘Blitz’ de Steve McQueen
‘Wizards!’ de David Michôd
‘Comment vivez-vous ?’ de Hayao Miyazaki
‘Il sol dell'avvenire’ de Nanni Moretti
‘The Orphan’ de László Nemes
‘The Bikeriders’ de Jeff Nichols
‘The End’ de Joshua Oppenheimer
‘The Island’ de Pawel Pawlikowski
‘The Red Sky’ de Christian Petzold
‘Eat the Night’ de Caroline Poggi et Jonathan Vinel
‘Le Temps d’aimer’ de Katell Quillévéré
‘Polaris’ et ‘Stone Mattress’ de Lynne Ramsay
‘Showing Up’ de Kelly Reichardt
‘La Chimère’ d’Alice Rohrwacher
’Passages’ d’Ira Sachs
‘The Curse’ (série) de Benny Safdie et Nathan Fielder
‘Musik’ d’Angela Schanelec
‘Killers of the Flower Moon’ de Martin Scorsese
‘Napoléon’ de Ridley Scott
‘Limonov: The Ballad of Eddie’ de Kirill Serebrennikov
‘Tardes de soledad’ (documentaire) d’Albert Serra
‘La Colline parfumée’ d’Aberrahmane Sissako
‘Full Circle’ (série) de Steven Soderbergh
‘Anatomie d’une chute’ de Justine Triet
‘Young Sinner’ de Paul Verhoeven
‘Families Like Ours’ (série) de Thomas Vinterbeg
‘The Kingdom Exodus’ (série) de Lars Von Trier
‘Mr Crane Is Back’ de Shujun Wei
‘MaXXXine’ de Ti West
‘Human Flowers of Flesh’ de Helena Whittmann
‘A Family Business’ de Frederick Wiseman
‘What Happens’ d’Andrey Zvyagintsev
A&B
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Credits: @estacaonetdecinema • • • • • • [EM CARTAZ] UM PEQUENO GRANDE PLANO Direção: Louis Garrel Com: Louis Garrel, Laetitia Casta, Lionel Dray “Um Pequeno Grande Plano tem a virtude de passar uma mensagem necessária e contemporânea de forma engraçada. Tudo começa com o menino Joseph, em boa atuação de Joseph Engel, explicando que vendeu algumas coisas de seus pais, sem que eles soubessem. As reações de Louis Garrell e Laetitia Casta são cômicas, mas o melhor é a forma como o menino explica os motivos, citando o aquecimento global e seus anseios e angústias com relação ao que vem acontecendo na Terra.” Viventeandante.com.br . . . Estação NET Rio 2 - 14h25, 15h50, 19h25 Estação NET Rio 5 - 13h25 - Sábado e Domingo Estação NET Gávea 3 14h30, 15h55, 19h35 (Exceto Sábado) Sábado: 13h55 15h20,19h . . . @vanessalagogo #VemProEstação #estacaonetdecinema #cinemafrancês #estreia #planeta #emcartaz (em Tijuca, Rio De Janeiro, Brazil) https://www.instagram.com/p/Chf0Fe4JEh5/?igshid=NGJjMDIxMWI=
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Henri Joseph Castaing, At the Piano
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The Crusade (La croisade), Louis Garrel (2021)
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Joseph Castaing
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A Faithful Man
A Faithful Man [trailer]
A couple's relationship becomes complicated when she leaves him for his best friend, and returns after he dies.
The story is a little ... unusual, even for a French relationship film. But it's fun to see how everyone is messing with Joseph's Abel's head, especially the kid.
Unfortunately, I don't know the "source material" well enough to know if all the biblical names of the characters want to tell us something.
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L'Homme fidèle (Louis Garrel, 2018)
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Woman Reading, Henri- Joseph Castaing, Brooklyn Museum: European Art
Size: 17 1/2 x 12 7/8 in. (44.5 x 32.7 cm)
Medium: Pastel
https://www.brooklynmuseum.org/opencollection/objects/73324
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