Koichi Sato,
Dress of Japan “Seisei-an”,
1987
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Koichi Sato, Agamemnon, 1972
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Koichi Sato poster design (1976)
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ミュージック・マガジン 1993年3月号
表紙=「パブリック・エネミー」イラストレイション=茂本ヒデキチ、デザイン=佐藤晃一
パブリック・エネミーとゲトー・ボーイズの過剰なパワー
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Koichi Sato (Japanese, b. 1974)
Brush Sense of Values, 2021
Acrylic on canvas
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Rikyū, 1988, Kōichi Satō
In this poster for the 1989 film Rikyū (about the 16th-century tea master Sen no Rikyū), Satō creates an aura around the central motif of a bowl of tea with gradations of vibrant color. Rikyū was associated with wabi-cha, a style of tea ceremony characterized by simplicity, restraint and an austere beauty. Satō’s image of a single raku-ware tea bowl – a highly prized tea-ceremony vessel made from clay fired at a low temperature – is accompanied by a poetic text that translates as ‘beauty is unwavering’
Photograph: The Merrill C Berman Collection
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