#Kornél Mundruczó

[davidhudson]

Happy 49th, Kornél Mundruczó.

#kornél mundruczó #kornel mundruczo #cinema #film #movies

[thackerycinx]

#the crowded room #savior #kornél mundruczó #tom holland #emmy rossum #zachary golinger #will chase #amanda seyfried #dope shit

[annoyingthemesong]

SUBLIME CINEMA #595 - WHITE GOD

One of Hungary’s best Cannes submissions - filled with images that stayed with me long after I saw it. Kornél Mundruczó‘s film is a gem, and Zsófia Psotta is special as Lili, her and Hagen - a stray dog - and their mutual protection of each other is the heart of the story. 

#cinema #film #hungary #hungarian film #filmmaking #films #movie #movies #hungarian cinema #budapest #white god #cannes #Kornél Mundruczó #Zsófia Psotta #animal rights #animal #dog #dogs #great film #filmmaker #cinematography #image #liszt #franz liszt #stray dog #wild #wild dog #hungarian movie #sundance film festival #film stills

[3amovies]

Pieces of a Woman (2020, Kornél Mundruczó)

#Kornél Mundruczó #pieces of a woman #film #cinema #film stills #film frames #cinema stills

[wesandrsns]

Pieces Of A Woman (2020) dir. Kornél Mundruczó

#Pieces of a Woman #vanessa kirby #Kornél Mundruczó #Kornel Mundruczo #smoking #cigarette #film #films #netflix #netflix films #movie #movies #cinema #cinematography #screencap #screencaps

[rrrauschen]

Kata Wéber & Kornél Mundruczó, {2021} Evolution

#film #gif #kata wéber #Kornél Mundruczó #evolution #goya rego #kata weber #kornel mundruczo #2021 #photos in films #people #skulls #2020s #feature length #male filmmakers #germany #hungary #colour #film poster

[adamwatchesmovies]

White God (2014)

If you’re wondering what the title of this movie means… ask someone else. I have no idea why White God but it doesn’t matter. What we have here is a unique story that's told in an equally distinct way. This is the kind of movie you absolutely must sit down and watch with others so that you can all discuss and decipher everything it has to say.

13-year old Lili (Zsófia Psotta) is staying with her estranged father, Dániel (Sándor Zsótér) for three months. When a neighbour spots Lili's mixed-breed dog Hagen and calls the authorities, Dániel is unwilling to pay the large “mongrel” fee and instead, abandons his daughter's pet. Alone, Hagen is mistreated and abused until a vengeful fire awakens within him.

White God is partially a dramatic tale of a girl’s four-legged friend trying to find its way home. That’s until the second half, when it becomes one of those animals running amok movies, the kind where normally harmless creatures spread terror as they rampage through our streets. I bet you didn't expect that mix. This is one of the choices that makes the film so unique. You see Hagen at his happiest and then subjected to all sorts of cruel punishments. Dog fighting, malnutrition, emotional and physical abuse. It makes you so sad and so angry. You desperately want him and Lili to find each other again. Instead (and you see this from the opening scene), it's as if everything Hagan has gone through - both good and bad - suddenly allows him to become self-aware so he can lead all of Hungary’s dogs into a full-blown rebellion. When it happens, you no longer know how to feel. If Lili’s pet finds its way back to her, who’s to say it won’t tear her throat out?

This is a hugely ambitious film. Most of the time, we are not following an actor who can deliver dialogue, it’s just Hagan or other dogs on-screen. We’re not used to seeing dogs this realistically. The scenes of violence may be too much for squeamish viewers, particularly those who love animals. Eventually, however, that discomfort goes away. This movie is simply too good for what is happening on-screen to be real. It HAD to be done using careful editing and expert animal training. There’s just no way anyone could’ve been lucky enough to capture what we see otherwise. This becomes most obvious when the tone turns from drama, to horror. The enormous pack of dogs running through the streets is the kind of sight that drains the blood from your face. An overpowering feeling of futility consumes you. More than the visuals, it’s the methodical, deliberate and malicious way the dogs get their revenge that makes you so uneasy.

Some aspects of the story are fairly easy to decipher. The relationship between Lili and her father, for example. Others, not so much. What is this movie really about? I’m not sure. For me, it generated the image of a beloved leader forced into exile by a coup. Away from the people who loved them, they suffer one tragedy after another. The abuse makes them grow bitter and resentful until they are consumed by hatred. When they inevitably return home, they've changed so drastically they're no longer the person the crowds wanted to welcome back. In fact, they've become worse than those who ousted them. There’s probably a message about racism somewhere too. The term White God, and the mixed-race dogs seems to point you towards this direction. Ultimately, you’ll have a great time figuring it out, if there is, indeed something to figure out.

White God drips with powerful emotions at both extremes of the spectrum. Superbly directed, it asks you to take a step back and examine what you’re seeing on-screen. This, combined with the subtitles means there are some who simply won’t have the patience for it. For everybody else, it’s an experience you won’t forget. (Original Hungarian with subtitles, August 16, 2019)

#White God #movies #films #movie reviews #film reviews #Kornél Mundruczó #Viktória Petrányi #Kata Wéber #Zsófia Psotta #Sándor Zsótér #2014 movies #2014 films

[rabbitt1]

Martha, if you had done it my way, you’d be holding your baby in your arms right now.

#pieces of a woman 2020 #kornél mundruczó

[yoymialterego]

Cine al menguar la pandemia: Evolution

El ecosistema moral en el que vive y se desarrolla este nuevo drama de Kornél Mundruczó es de una densidad intimidante (la narrativa de los hechos y las circunstancias del antisemitismo es fuente inagotable) pero el director húngaro se las arregla para atildar su cinta con imágenes llenas de extraño misterio, y sabe además trazar una especie de línea de desfogue, que es como bocanada de aire fresco hacia el final de la historia.

La verdad es que "Evolution", una obra dividida en tres piezas, inicia de una manera bastante insólita con el capítulo llamado "Ana", que narra cómo varios hombres buscan algo en un cuarto obscuro y sucio, que es como la cámara de exterminio en un campo de concentración. Hay una atmósfera de apremio, de terminación de plazo, y entre enormes y asquerosas madejas de cabellos que encuentran en los lugares mas inusitados, aparece también una niña, que sacan a toda prisa de ese ominoso lugar para salir directamente a una escena de la Segunda Guerra Mundial.

Luego en el capítulo "Lena", en una época más actual, dos mujeres judías discuten sobre ciertos documentos que la vieja no quiere entregar. Son madre e hija, y entre ellas se desarrolla un diálogo duro, doloroso, erizado y claridoso respecto a su relación y sus respectivos papeles en la vida, y las aclaraciones aciagas y los espeluznantes antecedentes salen a la luz en una escena casi teatral, que se resuelve con algo así como un diluvio en el interior de la casa, de naturaleza metafísica bastante sorprendente.

Finalmente cierra con el capítulo "Jonas", una historia juvenil donde el director acierta en sus decisiones formales, especialmente en la posición y el movimiento de la cámara. Aquí Mundruczó describe a la "tercera generación" de esta saga de judíos representada por el joven Jonas, que con su toma de conciencia, con su rebeldía apaciguada pero viva al fin, con su promesa de convivencia, de relación, de fraternidad, de encontrar la fuerza para superar problemas a pesar de todo, dibuja un acento esperanzador y lúcido sobre lo que significa la identidad, y lo que podría considerarse como la auténtica evolución.

#Evolution #Kornél Mundruczó

[keresztyandras]

Mundruczó Kornél születésnapja

BG >Senki sem lehet próféta a saját hazájában? Ha Mundruczó Kornélra gondolunk, akkor sajnos igaz lehet ez a mondás. Ma ünnepli születésnapját a világhírű filmrendező, és a világhír nem túlzás. Itthon is megvan persze az a réteg, amelyik ismeri, sőt nagyon is elismeri a munkáját, mégsem kap már lehetőséget arra, hogy hatalmas kaliberű tehetségét a hazájában is kamatoztassa, cserébe az…

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#Mundruczó Kornél 48 éves

[thollandnewsbra]

THE CROWDED ROOM - opening scene

S01E01 | dir. by kornél mundruczó cinematography by ksenia sereda

#tom holland #the crowded room #tcr #apple tv #emmy #amanda seyfried #kornel mundruczo #ksenia sereda #cinematography #tv show

[arcadiabay]

MOLLY PARKER as EVA WOODWARD PIECES OF A WOMAN (2020) dir. Kornél Mundruczó

#pieces of a woman #molly parker #mollyparkeredit #cinemapix #filmedit #filmgifs #cinema #movie #netflix #mygifs. #* #forgot i made these

[tomhollandnet]

Apple TV+ limited series “The Crowded Room,” starring and executive produced by Tom Holland, unveils first look and sets global premiere for Friday, June 9, 2023

Amanda Seyfried and Emmy Rossum also star in new 10-episode series hailing from Academy Award winner Akiva Goldsman

Apple TV+ today debuted a first look at “The Crowded Room,” the gripping, limited series starring and executive produced by Tom Holland, and created by Academy Award-winning writer and executive producer Akiva Goldsman (“A Beautiful Mind”). Starring an ensemble cast led by Holland, Amanda Seyfried and Emmy Rossum, “The Crowded Room” will make its global debut on Apple TV+ with the first three episodes of its 10-episode first season on Friday, June 9, 2023, followed by one new episode weekly every Friday through July 28, 2023.

“The Crowded Room” follows Danny Sullivan (Holland), a man who is arrested following his involvement in a shooting in New York City in 1979. A captivating thriller told through a series of interviews with curious interrogator Rya Goodwin (Amanda Seyfried), Danny’s life story unfolds, revealing elements of the mysterious past that shaped him, and the twists and turns that will lead him to a life-altering revelation.

In addition to Holland, Seyfried and Rossum, the series stars Sasha Lane, Will Chase and Lior Raz, along with guest stars Jason Isaacs, Christopher Abbott, Thomas Sadoski and Zachary Golinger.

“The Crowded Room” is a co-production between Apple Studios and New Regency. Goldsman serves as executive producer through his Weed Road Productions banner. The series is also executive produced by Alexandra Milchan for EMJAG Productions; and New Regency’s Arnon Milchan, Yariv Milchan and Michael Schaefer. Kornél Mundruczó directed several episodes, including the pilot, and executive produces.

Apple TV+ offers premium, compelling drama and comedy series, feature films, groundbreaking documentaries, and kids and family entertainment, and is available to watch across all your favorite screens. After its launch on November 1, 2019, Apple TV+ became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut. To date, Apple Original films, documentaries and series have been honored with 348 wins and 1,436 award nominations and counting, including multi-Emmy Award-winning comedy “Ted Lasso” and Oscar Best Picture winner “CODA.”

#the crowded room #articles #news

[wesandrsns]

“That's what I'm asking you to do now. Lift your head and fight for yourself”

Pieces Of A Woman (2020) dir. Kornél Mundruczó

#pieces of a woman #vanessa kirby #kornél mundruczó #kornel mundruczo #cinema #cinematography #film #films #movie #movies #netflix #netflix film #screencaps #screencap #shia labeouf

[amazingmotionpicture]

Pieces of a Woman (2020)

dir. Kornél Mundruczó

#movie #film #cinema #pieces of a woman #vanessa kirby #shia lebouf #netflix #acting #oscars #actress #woman #2020

[edsonlnoe]

P⬤21 Director Lee Isaac Chung Minari Kornél Mundruczó Pieces of a Woman Kelly Reichardt First Cow Alonso Ruizpalacios Una Película de Policías Chloé Zhao Nomadland Florian Zeller The Father Guión Original Josep Jean-Louis Milesi Luca Jesse Andrews, Mike Jones Malcolm & Marie Sam Levinson Minari Lee Isaac Chung Pieces of a Woman Kata Wéber Swan Song Benjamin Cleary Guión Adaptado The Father Christopher Hampton, Florian Zeller First Cow Jonathan Raymond, Kelly Reichardt The Green Knight David Lowery The Lost Daughter Maggie Gyllenhaal Nomadland Chloé Zhao No Time to Die Cary Joji Fukunaga, Neal Purvis, Robert Wade, Phoebe Waller-Bridge Escena Encanto Dos Oruguitas The Green Knight Now I’m Ready, I’m Ready Now Luca The Sea Monster No Time to Die Final Ascent Spider-Man: No Way Home With great power... È Stata la Mano di Dio Non ti disunire

#Film #Minari #Pieces of a Woman #First Cow #Una Película de Policías #The Father #Nomadland #Director #Original Screenplay #Adapted Screenplay #Screenplay #Scene #Awards #O21 #MG #⬤