#Kozue

[transmascutena]

ohtori dashboard simulator

🐄 calf-kin Follow

WHO KEEPS LETTING ANIMALS LOOSE IN THE HALLWAYS

🎹 sunlitgarden Follow

Has anyone else noticed that time is really weird?

🧅 onion-princess123 Follow

making lunch for my beautiful boyfriend <33

snail-lover-deactivated011998

just made dinner for my roommate ^_^

girlprince-deactivated121997

i never ever wanna walk up another flight of stairs again in my life once this school year is over

6524771891-deactivated Follow

what the fuck does our student council even do like actually

🌹 touga-kiryuu Follow

If it cannot break its egg's shell, a chick will die without being born. We are the chick. The world is our egg. If we don't crack the world's shell, we will die without being born. Smash the world's shell!

#deep #inspirational #poetry #poetic #quotes #literature #dark academia

🌹 ohtori-official

If you or a friend/loved one is currently attending Ohtori Academy, please remember that you can get a free counselling session in the abandonded building at the edge of campus.

- Souji Mikage

🪺 lonchura-oruzivora Follow

if someone i hate just so happens to fall down the stairs while i'm walking by how is that my fault 🙄🙄

⚔️ kendocaptain Follow

just got my ass kicked by a middle school girl for the third time in a row dhmu..

#sad #vent #delete later

🐄 calf-kin Follow

🐄 calf-kin Follow

Anyone who voted no DNI !!!!!!!

🎭 abc-ko Follow

reblog if you think the chairman should fund the drama club more instead of spending all the board money on sports cars

snail-lover-deactivated011998

Akio Ohtori Call-Out Post

Keep Reading

#in other news i'm dropping out of school #goodbye forever i will not miss any of you

#this was unreasonably fun to make hope you all enjoy #juri is not included because she would not have a tumblr account #shiori would but i couldn't think of a post for her #revolutionary girl utena #sillyposts #nanami #miki #wakaba #anthy #utena #touga #mikage #kozue #saionji #m

[idolsgeneration]

#kozue #cyberjapan #cyberjapan dancers #jpop

[saionjeans]

yet another moment where saionji says something incredibly trenchant and insightful only to be completely dismissed due to the ridiculous framing and the general cringiness that pervades everything he says and does (eg, pointing out that the castle is a trick of the light, announcing that they must shed the coffins end of the world has prepared for them, etc etc). obviously in this instance, he is both saying something that is proven correct throughout the show via a myriad of dynamics, but is also shown to be a precept that is teleologically challenged and rejected by anthy’s final choice.

upon a first viewing, one might assume saionji himself is talking about anthy here, whether by presumptuously assuming that she loves him despite his abuse, or claiming that her rejection of him does not lessen his love for her. either way, he seems totally delusional and moronic. i can only assume that utena, who has even less information than we do regarding saionji’s true feelings, assumes that he is talking about anthy, and thus dismisses him out of hand for being a violent idiot. and rightfully so. but also, he’s clearly not talking about anthy, even if he may think he is (or at least would claim that he was if questioned). and this statement is truly definitional to his relationship to touga, whom he resents, envies, and maybe even loathes, but whom he cannot seem to ever actually abandon.

even when he’s given the chance to start fresh, he returns to ohtori (and in this case you can say that it’s because he has nowhere to go, no family, the outside world is scary, ohtori is all he knows, he felt he had no other choice… but this was also true of anthy, and she eventually found the courage to leave! it’s very very hard, but it’s not impossible, which is the point). even as he vocally condemns akio’s system, he nonetheless participates in it, albeit reluctantly, for touga. he is freer, healthier, and kinder in wakaba’s dorm, but he is also deeply unhappy. which isn’t to say that he ever seems happy (at least, not after losing the rose bride), but his unhappiness in “wakaba flourishing” is that of depression, whereas his unhappiness around touga is that of resentment. he’s rightfully angry over constantly being mistreated, but at least he’s not lost. he has a purpose. even if it’s just the purpose of receiving abuse and putting up a futile fight, it’s a role he can play with the only person who has ever truly mattered to him. it’s all he knows; it’s the closest thing he has to real love. and so he stays.

nanami is in a very similar situation as saionji is. they both idealize a version of touga who never really existed, and cling to him despite his blatant mistreatment of them because he is the only person who has ever shown them true affection in their entire lives. he manipulates them, makes a laughingstock of them, facilitates and participates in sexually abusing them, but also makes sure that they are too dependent on him to leave them. nanami is even more blatant in illustrating this idea than saionji is, as for most of the show, she does not even resist against touga like saionji does, rather she purely venerates and worships him, to the point of parody. he is a terrible brother to her, but in such a way that makes it seem like he’s actually a good brother to an obnoxious, ridiculous sister. he is actively grooming her, and she has nowhere to run, because he has fashioned himself her entire world. she cannot fathom a world beyond his limits, her very own personal end of the world.

it’s somewhat unclear whether touga thinks that controlling saionji and nanami is necessary to keeping them around, or whether he only wants them around because he enjoys assuming control over others. it’s probably a mix of both. he probably does hold some affection for them, but cannot conceive of a way to keep them as close to him as he would like without exploiting them, because he believes that true friendship is for fools and true love is impossible. to touga, if every relationship must be imbalanced in some way, then he at least wants to be the one with the power in his deepest relationships, unaware (or at least, willfully ignorant) of the fact that by corrupting and perverting their dynamics, he is slowly tainting their naive childhood love and affection that drew them to him in the first place. so in touga’s case, he inverts saionji’s logic to refigure it as “love can only be facilitated through abuse, no one will truly show you love unless they have to (through exploitation).” it’s the logic of someone who sees the world through an almost 2D framework of abuse, exploitation, transaction, and control. it’s the logic of someone desperately sad and desperately cynical. nanami is very wise (and brave) to ultimately reject him/it, even though it, too, is all she knows.

tsuwabuki complicates the nanami/touga dynamic by aspiring to inhabit both their roles simultaneously, and so he allows himself to be subjected to nanami’s exploitation while simultaneously subjecting her to violence. he is happy to be abused by nanami not because he loves her per se, but because their abuse is mutual. shiori and juri have a similar dynamic, wherein they are both at fault in different ways, both attempt to avoid the other (physically and psychologically) and yet constantly collide like magnets. however, the i would argue that the abuse they face is largely systemic, and their behaviors are primarily a symptom of their internalized homophobia rather than overt malice (even though shiori may pretend otherwise). miki and kozue’s tension is also mutual. they both harm the other despite loving them deeply. because love is not a bandaid that revolves all pain, misunderstanding, and miscommunication. see: the utena and anthy ledge scene.

finally, i think this quote is actually most powerful when figuring it through the lens of utena, anthy, and akio. of course, akio has fostered a dependency in anthy much like touga has with nanami, and so she does not know how to leave him despite being in incredible pain at his hand. but she is not “happy,” as saionji puts it. she is the most miserable girl in the world. she doesn’t love akio as much as she loves the memory of him, the idea of dios (which is of course also true for nanami and saionji re: touga, arguably also true for juri re: shiori, miki re: kozue, etc etc) — but anthy needs akio. or at least, akio has convinced her that she does. he is end of the world, she cannot envision a life beyond his imposed limits.

but i actually find it more interesting with regards to utena and akio. i don’t think at any point in the show, utena ever actually has real, romantic feelings for akio. i think that she is terrified of him, and in her desperate feelings of trapped helplessness as he ensnares her, she convinces herself that those heart palpitations, startled movements, shocks and thrills she feels in her presence is the emotional response not of fear, but of affection. but we know that in anthy’s presence, she doesn’t feel afraid, she feels calm, relaxed, happy. being with anthy isn’t wildly exciting, constantly requiring rationalizations to explain away the dread and internal rejection she feels towards akio’s advances. being with anthy feels like coming home. and it’s why she is initially so happy to be accepted into anthy’s family, to have a big brother like akio, to live under their roof. in utena’s naive, hopeful mind, she is joining anthy’s family in the most innocent possible sense. and she endures it, the grooming, the abuse, the rape, the end of the world; she fights til her very last breath, because she is in love. no matter how [utena] may be abused (by akio), she’s always happy to be near the one she loves (anthy).

#remind me to write an analysis on the moniker ‘end of the world’ next #bc i only rly allude to that here #id in alt text #u #analysis #manalysis #saionji #utena #touga #anthy #akio #nanami #miki #kozue #juri #shiori #tsuwabuki #dios #utenanthy

[koyoriin]

last dance

http://twitter.com/koyoriin http://patreon.com/koyorin http://instagram.com/koyori_n http://www.pixiv.net/member.php?id=12576068

#cyberpunk #illustration #concept art #character design #cyborg #cyborgs #kozue #kozue OC #scifi #science fiction

[miki-my-love]

#kozue #美尻 #female hips #lovely hips #透けパン

[koch-snowflake-blog]

#KOZUE #100 #200

[beckenbauer1052]

KOZUE

#KOZUE

[revacholian-girl-utena]

We’re all just evil apes.

Alt text: Screencaps from Revolutionary Girl Utena with overlaid text. 1: A flashback of Kozue as a child, portrayed as a faceless shadow, standing next to a birdcage. Text: YOU — "I lost."

2: A mirror of the previous shot, with Miki instead of Kozue. Text: YOU — "And it was *you* who I lost to."

3: A wide shot of young Miki's silhouette standing in a doorway. An empty chair sits against the wall. Text: "It wasn't a fight."

4: Miki's idealized memory of himself and Kozue sitting at the piano together, sepia toned and framed in white. Text: "I was never fighting you."

5: Anthy and Miki sitting at the piano together, the shot mirroring the memory of Miki and Kozue with Anthy sitting in Kozue's place. Text: YOU — "It's always a fight with these tiny apes."

6: Kozue stands alone outside the music room, looking in. Text: YOU — "Someone always loses."

#revolutionary girl utena #disco elysium #shoujo kakumei utena #kozue #miki #not to say that these two really map onto harry and dora #but this quote is so. ugh. #tfw you’re the failure child who has to fight tooth and nail for any kind of love or attention #and your brother who is the golden child doesn’t understand your resentment because he never felt that he was competing with you #because he never had to try

[transmascutena]

thinking about the vaguely implied kaoru family trauma. kozue's hypersexuality and protectiveness over her brother and the way she projects onto the helpless baby birds and how mad she gets at the suggestion that they should be reunited with their parents and how she feels like her and miki are the only people in the world who matter. and miki's distrust of adults, specifically in the context of them saying they know what's best for you. what the fuck went on in that house because it sure as hell was more than just a divorce.

#revolutionary girl utena #kozue #miki #kaoru siblings #m

[idolsgeneration]

#kozue #cyberjapan #cyberjapan dancers #jpop

[saionjeans]

i love miki and kozue so much because they are like a perfect distillation of the show’s themes in its purest form. miki is literally the one to coin the term “sunlit garden” as a central motif/narrative device/mechanic illustrative of theme throughout the show. the piece plays during utena’s memories of the prince. the sunlit garden has since gone to seed. kozue likens herself to a wild animal, dehumanizing herself through the logic of animalism while simultaneously refusing to be classified as livestock (nanami and anthy both get barn sequences; kozue fancies herself liberated). she still refers to miki as her big brother even though they are literally twins. their desires are not literally incestuous, but rather figuratively incestuous; incestuous only insofar as it is a tool used to the reify the sanctity of the nuclear family. their parents are divorced. they used to play piano together, but kozue was merely flitting her hands over the keys while miki assumed she was not only a genuine participant, but the true virtuoso between them. kozue sees sex in general as a vehicle of control, and that in participating in her own exploitation willingly, she can in fact liberate herself, and even gain the power to exploit others. miki views sex as something to be feared, a phenomenon relegated to the world of adults, and that if he simply ignores it, its consequences cannot hurt him. kozue is constantly impressing the frequency and depravity of her sex life to miki, while simultaneously protecting him from the consequences of this adult weapon being used against him. akio gets to her, and suddenly she no longer protects him, but rather encourages it. he is a prince, and she is a witch, a rose bride. they both play their roles. they are twins. yin and yang, light and dark, two sides of a mirror, a window that frames a false mythos. their commitment to their seemingly opposed yet shared delusion exposes its inherent fallacy through illustrating it so plainly. miki wants her to regress, kozue wants him to grow up. they both want to go back to that sunlit garden, but stasis is impossible. eternity is an illusion. their garden has gone to seed.

#I love these little freaks why does no one seem to care abt them as much as i do :( #kozue #miki #manalysis #u #analysis #fun fact. i first learned the phrase ‘gone to seed’ from reading hamlet #somehow i still remember that

[problematichikari]

what i really don't get about utena fandom is so much hate for kozue from some people like BITCHES SHE SAVED A BIRD HOW CAN YOU GUYS NOT LOVE HER AT LEAST FOR THAT 😭

#revolutionary girl utena #rgu #rgu utena #shoujo kakumei utena #utena #kozue #kozue kaoru

[baki-tiene-un-simp]

Hello, I hope you are well ((:

I don't know if it's already been done but can I ask for headcanons for Hanayama, Jack, Gaia Yujiro and maybe Kozue with a s/o ( fem or Gn ) who likes to draw a lot and boys ( and Kozue ) discover that their s/o has several notebooks with drawings of themselves, for example drawings of them when they fight or when they do everyday things

Thanks in advance :)

In fact, I already wrote a request exactly the same as this one where Gaia, Kozue or Yujiro are not included, so I will do it with those characters. / De hecho, ya escribí un pedido exactamente igual a este en donde no se incluyen a Gaia, Kozue o Yujiro, así que lo hare con dichos personajes.

Situation: A S/O that draws them. / Un S/O que le dibuja.

Character: Gaia, Kozue Matsumoto and Yujiro Hanma.

Gaia.

He thinks it's cute, he will compliment his S/O's talent with a quiet smile. If his partner allows him to keep a drawing, he will keep it in a special place.

He could look at the drawing when he is alone, he thinks that his partner has a great talent.

If he discovers it by accident, he will hide it and it will be impossible for his partner to find out unless he mentions it himself. His S/O will notice that he looks at them in a "special" way, but they don't know why.

If he found out because his S/O showed him, he'll let out an impressed whistle and acknowledge his mate's talent with a smirk.

He will be motivating his S/O to draw as much as they wants, he will lend himself to pose for them if that's what he S/O wants.

Kozue Matsumoto.

She's so embarrassed and flattered at the same time. She thinks that it is the cutest thing in the world, she feels very special when she sees various drawings of her face on the pages of her S/O sketchbook.

She thinks it's very romantic, and she likes romantic things.

If she discovered it by accident, she will want to pretend that she doesn't know anything because she doesn't want to invade her S/O's privacy, but she can't help wanting to compliment her partner's talent.

If she found out because her S/O showed it to her, she'll let out a surprised gasp when she sees her couple's notebook and squeal happily at the cute detail.

Her S/O will most likely get several kisses after that.

Yujiro Hanma.

It's better that he doesn't find out about his S/O's hobby, though that's unavoidable. He cannot respect the privacy of others and is NOT willing to stay out of other people's lives.

He is making fun of his S/O, he is pleased that he is the center of attention of his partner, because he LOVES to be the center of attention of his partner. Cocky jerk.

If he finds out by accident, he was really just rummaging through his S/O stuff, he would be able to flip through the sketchbook out of sheer boredom, but seeing his face on various pages is when he would interested in it.

He'll sneer in his S/O's face, brag about how important he is, and say some nonsense about how his S/O does well only noticing him. It is unbearable.

If he finds out because his S/O showed it to him, he will disinterestedly flip through the drawings until he sees his face and the teasing begins.

Versión en español.

Gaia.

Cree que es lindo, felicitara el talento de su S/O con una sonrisa tranquila. Si su pareja le permite quedarse con un dibujo, lo guardara en un lugar especial.

Podría mirar el dibujo cuando se encuentra a solas, piensa que su pareja tiene un talento muy grande.

Si lo descubre por accidente, lo disimulara y será imposible que su pareja se dé cuenta a menos que él mismo lo mencione. Su S/O notará que le mira de una forma "especial", pero no sabe por qué.

Si lo descubrió porque su S/O se lo mostró, soltara un silbido impresionado y reconocerá el talento de su pareja con una sonrisita.

Estará motivando a su S/O para que dibuje cuanto quiera, se prestara para posar para ellos si eso es lo que su S/O quiere.

Kozue Matsumoto.

Está tan avergonzada y alagada al mismo tiempo. Piensa que es la cosa más linda del mundo, se siente muy especial cuando ve varios dibujos de su rostro en las páginas del cuaderno de dibujo de su S/O.

Cree que es muy romántico, y a ella le gustan las cosas románticas.

Si lo descubrió por accidente, querrá fingir que no sabe nada por qué no quiere invadir la privacidad de su S/O, pero no puede evitar el deseo de alagar el talento de su pareja.

Si lo descubrió porque su S/O se lo mostró, dejara escapar un jadeo de sorpresa cuando vea el cuaderno de su pareja y chillara feliz por el detalle tan lindo.

Es muy probable que su S/O reciba varios besos después de eso.

Yujiro Hanma.

Es mejor que él no se entere sobre el pasatiempo de su S/O, aunque eso es inevitable. No puede respetar la privacidad de los demás y NO está dispuesta a no meterse en la vida de los demás.

Se está burlando de su S/O, le place que él sea el centro de atención de su pareja, porque AMA ser el centro de atención de su pareja. Imbécil engreído.

Si lo descubre por accidente, realmente solo estaba hurgando entre las cosas de su S/O, sería capaz de ojear el cuaderno de dibujo por mero aburrimiento, pero al ver su rostro en varias páginas es cuando se interesa en ello.

Se burlará en el rostro de su S/O, presumirá lo importante que es y dirá alguna tontearía sobre como su S/O hace bien en fijarse solo en él. Es insoportable.

Si lo descubre porque su S/O se lo mostró, ojeara con desinterés los dibujos hasta que ve su rostro y las burlas inician. Es sencillo, él será implacable cuando se burle de su pareja.

#gaia baki #gaia #kozue baki #kozue matsumoto #yujiro hanma #yujiro #yujiro baki #kozue #baki son of ogre #baki hanma #baki the grappler #baki dou #baki headcanons

[koch-snowflake-blog]

1993年10月19日生まれ。

東京都出身

身長160cm

趣味:温泉、ドライブ、写真集集め、漫画

特技:クラシックバレエ

　　

　　

#KOZUE

[braindeadbugs]

Wip. :/

#baki #baki hanma #original art #baki son of ogre #baki the grappler #kozue matsumoto #kozue #wip #art

[antediluvianapocalypse]

kozue in episode 26:

touga in episode 31:

kozue stands up and announces her exit when anthy brings up returning the baby birds to their mother (kozue seeing the birds as representative of herself + miki; touga stands up and announces his exit when nanami brings up the rest of their family. in my opinion, this indicates that Touga feels abandoned by his birth family.

(crossposted from my thread on something eternal)

#rgu #speaking #touga #kozue #meta