Tumgik
#Léa pool
folditdouble · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Women in Film Challenge 2023: [104/52] Lost and Delirious, dir. Léa Pool (Canada, 2001)
Like the Lost Boys in Peter Pan, right? Except we’re the Lost Girls, right? Lost and delirious.
103 notes · View notes
Text
Tumblr media Tumblr media
me and who
23 notes · View notes
yourdailyqueer · 9 months
Photo
Tumblr media
Léa Pool
Gender: Female
Sexuality: Lesbian
DOB: 8 September 1950  
Ethnicity: Ashkenazi Jewish
Nationality: Swiss
Occupation: Director, screenwriter, professor
32 notes · View notes
celluloidrainbow · 11 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
ANNE TRISTER (1986) dir. Léa Pool Anne, a Swiss Jewish artist grieving her father, leaves her family and boyfriend and moves to Montreal and forms a friendship with Alix, a child psychiatrist. While creating an installation in an abandoned warehouse, she confronts her past and is increasingly drawn to her new friend. (link in title)
27 notes · View notes
valentinedussaut · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
“It’s good, to be inspired by what you like but... you must find your own words, develop your own ideas about life, about your life.”
Emporte-moi (1999) dir.Léa Pool
9 notes · View notes
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Lost and delirious ~ 2001
Léa Pool
45 notes · View notes
zonetrente-trois · 7 months
Text
Tumblr media
0 notes
Link
1 note · View note
filmap · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Les cinq diables / The Five Devils Léa Mysius. 2022
Swimming Pool 207 Av. Gallieni, 93140 Bondy, France See in map
See in imdb
76 notes · View notes
tarkovskijj · 9 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Lost and Delirious 2001, dir. Léa Pool
153 notes · View notes
lezzyneverland · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
"I'm going to say this once and never, ever again. I will never love anyone the way that I love you. Never. You know that, and I know that, and I will die knowing that, ok? But it just can never, ever, forever be. Do you understand? It just can never, ever, forever be"
Lost & Delirious
by Léa Pool.
150 notes · View notes
letterboxd-loggd · 2 years
Photo
Tumblr media Tumblr media Tumblr media
Lost and Delirious (2001) Léa Pool
September 17th 2022
21 notes · View notes
inapat16 · 10 months
Text
Similar stories of girls in uniform: 4. Overview of lesbian representation in boarding school movies
Tumblr media
In the previous articles, we saw multiple innovative movies about the representation of lesbians through boarding school films. This type of movies was one of the first tolerated ways to depict lesbianism on screens because the relationship between two women was not always explicit and the scriptwriters could play on the confusion with a strong admiration for a role model or even with a substitute mother. However, we saw that some of these films were still rather explicit about their subject, but it came with a problematic vision of romantic relationships: a teacher taking advantage of her position to seduce under-age girls.
Over time, it has become a little more common to present lesbian stories in cinema, even if it is still quite rare. While the types of stories have diversified, some rather recent releases continue to pay tribute to the boarding school film genre. The 2006 release Loving Annabelle, directed by Katherine Brooks, re-adapt the entire story of Olivia and Young girls in uniform, but make the story incredibly explicit as the teacher and the student end up sleeping together, and the teacher being condemned by the law for it. Another movie and surely a better one, Lost and Delirious, released in 2001 and directed by Léa Pool, finally presents a vision of love between two students. Answering to the codes of the teen movie genre, it is a bit surprising that it took so many years to have the story focusing on the relationship of two female boarders. But considering the difficulties of the time, like the code Hays that firstly made the Children’s Hour story heterosexual, these movies were still a first step towards the representation of lesbians in cinema.
Tumblr media Tumblr media
There was a time when one of the only ways to cross paths with Sapphic stories was through autobiographical inspired literature, written by female authors, and many movies came from their adaptations. We talked about Gestern und heute by Christa Winsloe in 1930, and about Olivia by Dorothy Bussy in 1949, but it is funny to observe that it is more common than what it first appears. Another example is French literary superstar Colette, who expresses all her feelings as a young teenager in Claudine in 1900, including her joy at spending time at her school with "Mademoiselle Aimée", whose name simply means "Miss loved".
If the boarding school movies were important to develop the representation of lesbians in cinema, we can now demand beautiful and ethical stories about Sapphic romances, and ones that don’t even solve with the death of one of the protagonists! We can however still be grateful for their existence at a time where they were essential: for example, Mädchen in uniform, released in 1931, became cult in the LGBT community. We can also feel the need to know and to preserve that history of queerness in cinema with the recent restorations of Olivia and Mädchen in uniforms. It is thanks to that work of preservation of the past that we can build the cinema of tomorrow.
Zoé Richard
4 notes · View notes
double-croche1 · 1 year
Photo
Tumblr media
[BERLIN 2023] SÉLECTION
La Berlinale débute ce jeudi et se déroulera jusqu’au dimanche 26 février. Rendez-vous à partir de jeudi sur notre page dédiée pour suivre en direct notre couverture de cette édition ! COMPÉTITION Films datés : 08/03 : ‘Music’ d’Angela Schanelec 12/04 : ‘Suzume’ de Makoto Shinkai 19/04 : ‘Sur l’Adamant’ de Nicolas Philibert 03/05 : ‘Disco Boy’ de Giacomo Abbruzzese 06/09 : ‘Le Ciel Rouge’ de Christian Petzold 06/09 : ‘Le Grand Chariot’ de Phillipe Garrel 11/10 : ‘Mal Viver’ de João Canijo 13/12 : ‘The Survival of Kindness’ de Rolf de Heer 13/12 : ‘Nos vies d’avant’ de Celine Song 14/02/24 : ‘20 000 espèces d’abeilles’ d’Estibaliz Urresola Solaguren Films non datés : ‘Someday We’ll Tell Each Other Everything’ d’Emily Atef ‘Manodrome’ de John Trengove ‘Ingeborg Bachmann – Journey into the Desert’ de Margarethe Von Trotta ‘BlackBerry’ de Matt Johnson ‘Till the End of the Night’ de Christoph Hochhäusler ‘The Shadowless Tower’ de Zhang Lu ‘Limbo’ d’Ivan Sen ‘Art College 1994’ de Liu Jian ‘Tótem’ de Lila Avilés ENCOUNTERS Films datés : 11/10 : ‘Viver Mal’ de João Canijo 17/04/24 : ‘White Plastic Sky’ de Tibor Bánóczki et Sarolta Szabó Films non datés : ‘In Water’ de Hong Sang-soo ‘Orlando, ma biographie politique’ de Paul B. Preciado ‘The Adults’ de Dustin Guy Defa ‘The Echo’ de Tatiana Huezo ‘The Klezmer Project’ de Leandro Koch et Paloma Schachmann ‘Here’ de Bas Devos ‘In the Blind Spot’ d’Ayse Polat ‘The Cage Is Looking for a Bird’ de Malinka Mustaeva ‘Mon pire ennemi’ de Mehran Tamadon ‘Family Time’ de Tia Kuovo ‘The Walls of Bergamo’ de Stefano Savona ‘Samsara’ de Lois Patiño ‘Eastern Front’ de Vitaly Mansky et Yevhen Titarenko ‘Absence’ de Wu Lang PANORAMA Films datés : 28/06 : ‘Passages’ d’Ira Sachs 28/06 : ‘La Sirène’ de Spidah Farsi 05/07 : ‘Au cimetière de la pellicule’ de Thierno Souleymane Diallo 16/08 : ‘La Bête dans la jungle’ de Patric Chiha 23/08 : ‘Reality’ de Tina Satter 20/09 : ‘Silver Haze’ de Sacha Polak (DVD) 18/10 : ‘A l’intérieur’ de Vasilis Katsoupis 25/10 : ‘Sisi & I’ de Frauke Finsterwalder 29/11 : ‘Kokomo City’ de D. Smith Films non datés : ‘Perpetrator’ de Jennifer Reeder ‘Adversaire’ de Milad Alami ‘After’ d’Anthony Lapia ‘All the Colours of the World Are Between Black and White’ de Babatunde Apalowo ‘Al Murhagoon’ d’Amr Gamal ‘Ambush’ de Chhatrapal Ninawe ‘And, Towards Happy Alleys’ de Sreemoyee Singh ‘El Castillo’ de Martin Benchimoi ‘Do You Love Me?’ de Tonia Noyabrova ‘Drifter’ de Hannes Hirsch ‘The Eternal Memory’ de Maite Alberdi ‘Femme’ de Sam H. Freeman et Ng Choon Pin ‘Green Night’ de Han Shuai ‘Hello Darkness’ de Soda Jerk ‘Heroic’ de David Zonana ‘Joan Baez I Am a Noise’ de Karen O’Connor, Miri Navasky et Maeve O’Boyle ‘Matria’ d’Álvaro Gago ‘Property’ de Daniel Bandeira ‘Sages-femmes’ de Léa Fehner ‘Sira’ d’Apolline Traoré ‘Stams’ de Bernhard Braunstein ‘Stille Liv’ de Malene Choi ‘Transfarina’ de Joris Lachaise ‘The Teachers’ de Loungeİlker Çatak ‘Under the Sky of Damascus’ de Heba Khaled, Talal Derki et Ali Wajeeh BERLIN SPECIALS Films datés : 31/03 : ‘Kill Bok-soon’ de Byun Sung-hyun (Netflix) 07/04 : ‘Du tennis à la prison : l’histoire de Boris Becker Pt. 1’ d’Alex Gibney (AppleTV+) 07/06 : ‘Dernière nuit à Milan’ d’Andrea Di Stefano 26/07 : ‘La Main’ de Danny Philippou et Michael Philippou Films non datés : ‘Infinity Pool’ de Brandon Cronenberg ‘Laggiù qualcuno mi ama’ de Mario Martone ‘She Came to Me’ de Rebecca Miller ‘Superpower’ de Sean Penn et Aaron Kaufman ‘Golda’ de Guy Nattiv ‘Kiss the Future’ de Nenad Cicin-Sain ‘Loriots große Trickfilmrevue’ de Peter Geyer et Loriot ‘#Manhole’ de Kazuyoshi Kumakiri ‘Ming On’ de Soi Cheang ‘Seneca’ de Robert Schwentke ‘Sonne und Beton’ de David Wnendt ‘Der vermessene Mensch’ de Lars Kraume A&B
6 notes · View notes
rithond · 1 year
Text
Movies 2023
JANUARY / ENERO 6: L'Extraordinaire Voyage de Marona - Anca Damian (9/10) 6: Le Voyage du prince - Jean-François Laguionie & Xavier Picard (7/10) 10: Une histoire d'amour et de désir - Leyla Bouzid (9/10) 11: Les amours d'Anaïs - Charline Bourgeois-Tacquet (10/10) 11: Un cuento de circo & a Love Song - Demián Bichir (2/10) 12: Finlandia - Horacio Alcalá (10/10) 14: Ruido - Natalia Beristáin (10/10) 16: La La Land - Damien Chazelle (9/10) 18: Decision to Leave - Park Chan-wook (6/10) 19: Whiplash - Damien Chazelle (10/10) 22: Nos hicieron noche - Antonio Hernández (8/10) 22: Amor rebelde - Alejandro Bernal (8/10) 23: Malvada - J.M. Craviotto (5/10) 30: La panthère des neiges - Marie Amiguet & Vincent Munier (10/10) 30: Babylon - Damien Chazelle (7/10) TOTAL: 15
FEBRUARY / FEBRERO 7: Aftersun - Charlotte Wells (10/10) 8: Knock at the Cabin - M. Night Shyamalan (7/10) 8: Alcarràs - Carla Simón (10/10) 8: Corsage - Marie Kreutzer (7/10) 11: El suplente - Diego Lerman (8/10) 11: Les Magnétiques - Vincent Maël Cardona (8/10) 13: Armageddon Time - James Gray (9/10) 15: The Whale - Darren Aronosfky (10/10) 15: Winnie the Pooh: Blood and Honey - Rhys Frake-Waterfield (6/10) 20: Rimini - Ulrich Seidl (8/10) 23: The Banshees of Inisherin - Martin McDonagh (10/10) 27: Missing - Nicholas D. Johnson & Will Merrick (10/10) 28: The Fabelmans - Steven Spielberg (9/10) 28: Till - Chinonye Chukwu (8/10) 28: Pearl - Ti West (9/10) TOTAL: 15
MARCH / MARZO 1: Huesera - Michelle Garza Cervera (8/10) 1: Women Talking - Sarah Polley (10/10) 4: Manto de gemas - Natalia López (7/10) 4: Close - Lukas Dhont (10/10) 11: Perfume de violetas - Maryse Sistach (10/10) 13: Puss in Boots: The Last Wish - Joel Crawford (10/10) 15: Living - Oliver Hermanus (10/10) 16: Tár - Todd Field (10/10) 16: 1976 - Manuela Martelli (9/10) 20: À plein temps - Eric Gravel (10/10) 20: Tár - Todd Field (10/10) 22: Everything Everywhere All at Once - Daniel Kwan & Daniel Scheinert (10/10) 22: Women Talking - Sarah Polley (10/10) 25: The Piano - Jane Campion (10/10) 29: ¡Que viva México! - Luis Estrada (4/10) TOTAL: 15
APRIL / ABRIL 3: Dos estaciones - Juan Pablo González (9/10) 3: Last Film Show - Pan Nalin (9/10) 7: Klondike - Maryna Er Gorbach (8/10) 7: Estación catorce - Diana Cardozo (9/10) 8: Sobre las nubes - María Aparicio (9/10) 8: Concerned Citizen - Idan Haguel (10/10) 9: Laila in Haifa - Amos Gitai (6/10) 11: EO - Jerzy Skolimowski (8/10) 11: Asia - Ruthy Pribar (9/10) 12: Last Film Show - Pan Nalin (10/10) 12: Holy Spider - Ali Abbasi (10/10) 13: Triangle of Sadness - Ruben Östlund (10/10) 13: Dalva - Emmanuelle Nicot (10/10) 14: Godland - Hlynur Pálmason (9/10) 15: Vicenta B. - Carlos Lechuga (10/10) 15: Sick of Myself - Kristoffer Borgli (10/10) 15: La double vie de Véronique - Krzysztof Kieślowski (8/10) 20: Sparta - Ulrich Seidl (10/10) 23: Feature Film About Life - Dovilė Šarutytė (10/10) 26: Infinity Pool - Brandon Cronenberg (5/10) 26: Dead Bride - Francesco Picone (3/10) TOTAL: 21
MAY / MAYO 1: Evil Dead Rise - Lee Cronin (6/10) 3: La Usurpadora: The Musical - Santiago Limón (5/10) 4: Jirón - Christian Cueva (10/10) 4: Trigal - Anabel Caso (8/10) 9: Les cinq diables - Léa Mysius (10/10) 13: Huesera - Michelle Garza Cervera (9/10) 16: Brujería - Christopher Murray (8/10) 16: Firebird - Peeter Rebane (10/10) 17: Beau Is Afraid - Ari Aster (4/10) 17: Eami - Paz Encina (7/10) 17: The Innocents - Eskil Vogt (10/10)
6 notes · View notes
unblogparaloschicos · 25 days
Text
Cine: Emporte-Moi (1999)
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Hanna (Karine Vanasse) proviene de una familia religiosamente mixta: su padre (Miki Manojlović) es un sobreviviente polaco del Holocausto que intenta generar orgullo por sus raíces judías y se dedica a escribir poesía mientras que su madre (Pascale Bussières), es una mujer católica que trabaja en un taller de costura. No es azaroso pensar por qué "Set Me Free" ("Libérame") es el título escogido para el mercado anglosajón: padre, madre e hija (también hay un hermano mayor, Paul, interpretado por Alexandre Mérineau) son prisioneros de una vida agobiante.
El contexto dirá que estamos en la Montreal (ciudad francocanadiense) de 1963. Hanna, que acaba de conocer la experiencia de la menstruación, busca desesperadamente una figura femenina con la que pueda sentirse identificada, sea su profesora (Nancy Huston) o Anna Karina, protagonista de la película "Vivre sa vie", de Jean-Luc Godard, que va a ver en numerosas ocasiones. En una fiesta conoce a Laura (Charlotte Christeler), una chica con la que congenia muy bien y que parece tener igual pasión por ella como por Paul. La endeble sensación de seguridad se verá resquebrajada cuando la depresión de su madre sirva como detonante de una serie de sucesos que conmueve la ya débil dinámica familiar.
La suiza Léa Pool (también directora de "Lost and Delirious", reseñada aquí) vuelca mucho de su experiencia personal como judía y lesbiana en una historia que sorprende por la mixtura entre ternura y brutalidad que, sin embargo, no desentona, concediéndonos un filme agridulce y bello.
youtube
0 notes