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#LIKE HE COULD HAVE BEEN MAKING A MISTAKE
tapakah0 · 5 months
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@somerandomdudelmao OH COME ON
Song : Unfair [edit audio]
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turtleblogatlast · 12 hours
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[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
#rottmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#rise karai#rise leo#rottmnt karai#rottmnt leo#I think a lot about these two in particular#and how that dynamic could have flourished#the way it was depicted in the finale is so purposefully unique and painful like#that hug man#can you imagine how much more heartbreaking that would have been if we knew her longer#not that it wasn’t already sad but we just simply didn’t know her long enough to be completely attached#also imo having more episodes with her and in general would have presented something I’ve been thinking about since the finale#so like - I like to think each bro kinda immediately leans more toward certain family members#Mikey has Draxum#Donnie has April#Raph has Splinter because this is another one that would be SO GOOD and make the finale moment where Raph sees his memories hit harder#if they had an ep or two more of Splinter and Raph together bc I really do feel like Raph respects Splinter most of the four#and finally- Leo has Karai#and then he loses her#imo? this would align with the movie even more#because it was the act of heroism that kinda killed her in a way - makes sense that Leo would initially be leaning away from that#and yet he ends up exactly like her anyway#haha sorry for rambling I just really love the interesting dynamic these two tend to have#and it’s a shame we didn’t get to see it really explored in rise#but yeah make no mistake while I’m focusing on Leo here I wanted more for all the boys and karai#Mikey’s little moments with her were so sweet and we already know how much he yearns for more family#Karai being from an age long gone would mean she’d be super impressed by literally any invention Donnie has (adult validation!!)#and could you imagine her training with Raph - with this training being referenced in the finale?
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so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.
#jrwi fanart#jrwi show#jrwi prime defenders#jrwi prime defenders spoilers#jrwi pd spoilers#jrwi pd#william wisp#vyncent sol#THIS ONE IS FUUUUCKIN OOOOOLLDD RAAAHHHHH i made it like. a year ago. but didnt finish it for so so long bc i just wasnt happy w it.#BUT LIKE A CENTURY EGG the decades of being encased in salt n lime n ash have done WELL to bring out the flavores of this piece#i sorta recently cleaned it up and posted it onto twitty. didnt tag it bc it was SO OLD AND SCUFFED(i see so many MISTAKES NOW)#that i didnt want to expose it to the open air just like that#if i show smth to my small circles then it shall only be understood in those small circles.#open air and open interpretation from minds i cannot predict are NOT something i enjoy the thought of. usually. i am brave tho#BUT EVERYONE ON TWITTY WAS SO NICEEE i was like damn... i guess it IS good enough to be enjoyed by the masses...#lets work on being nicer to our art together. THAT BEING SAID. i really love my colors here HELL YEAHHHH#FIRST TIME IN A WHILE COLORIN THESE BOYS.... i dont use proper color enough..I ALSO RLY LIKE MY BACKGROUNDS HERE#i LOVE when the bg is hyperrealistic (i frankestiened stock photos) and when the subjects are all flat colored n cartoony#recently rewatched Making Fiends and they do that similar thing!! soft shading! lotsa details! almost painted? ill paint one day#ive already rambled so much abt the art im runnin out of ROOm to ramble about WWWIILLIAM GODDAMN WWIIIISP. its been a minute since i saw-#-this episode..but i DO remember the funny smoke trick that will did to his funny brother. EVERYTIME U GIVE AN ORDER. THAT BRINGS HARM-#-INDIRECTLY OR NOT. YOU WILL HEAR THOSE SCREAMS. YOU WILL FEEL THAT PAIN. OHHH WHAT A COOL PUNISHMENT THAT IS#its still an olive branch in a sense! a final chance for big bro bell to show that hes NOT an irrideemable piece o shit. and if not#well. to the wolves of psychosis with him!!! i really think william did the best he could here. if i was in his shoes i have no doubt i-#-woulda done the same. IM ALSO GLAD THAT VYN DECIDED TO STICK AROUND N SUPPORT HIM! thas character development baybe!!#i loooove prime defenders.. its been so long since i watched any eps of it but i KNOW it still has such a grip on my heart..GOTTA rewatch i
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doodleodds · 1 year
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Happy Valentines, Akira. Happy Valentines, Asshole.
If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.
I don’t want your shitty gift. Oh- haha! You’re so sweet.
I hope I choke. They’re lovely, thank you.
Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.
#p5#akeshu#akechi goro#kurusu akira#wow- me?? posting a valentines comic... actually on?? valentines????? wack. absolutely wack#it's a short one! I purposefully tried to keep it short. it was a challenge and it still ended up being 3 pages. but i blame my canvas size#also in case u can't see what akira is holding out to akechi: theyre chocolate covered strawberries on sticks!#i saw them irl and was like oh god i want those. i am going to project that feeling on my favorite characters so help me god#and now! here we are! but my shitty-ass coloring & line quality make it hard to discern them so. sorry about that lmaooooo#ANYWAY i don't do enough post-maruki stuff so. i made this one a little bittersweet. :)#why did i put akechi's scarf in a bow? honestly i dont know! i think i saw some art a while ago that did that too and i thought it was cute#well. plus i guess there's the symbolism of 'akechi being alive and reciprocating your feelings (however involuntarily) IS a gift' part#hence that hes wrapped up in a bow. like a present. :)#also god. the first panel is supposed to be akechi's reflection in a vending machine window. I could NOT get it to look right#so for reference!!! just so you guys understand!!!!!! thats what that panel is supposed to be!!! he is NOT in fact a ghost. (sigh)#hope you enjoyed and had a lovely valentines!! for my part i have eaten nothing but sweets today and hoo boy will that have been a mistake#ALSO in terms of the audience-participation comic...hopefully coming soon. if i can ever gain the will to draw it.#but at least tumblr has polls now so i can do the audience-choose-y bit without needing to use a separate website! so thats good i guess#anyway anyway anway thanks for listening to me ramble if you made it this far! have a lovely rest of your day and hopefully see u again soon
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hephaestuscrew · 6 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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idolomantises · 1 year
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there's something so comforting about artists you admire talking about their own struggles and insecurities
#txt#was watching supereyepatchwolf's video on chainsaw man again and listening to fujimoto express regret about things he didnt learn#and how he's clearly envious of his peers is so... comforting?#i think about my own strengths and flaws and often times i get so frustrated with my shortcomings#im not good at drawing feet; my backgrounds are purposefully simplistic and lack a lot of detail; sometimes my designs have a tendency to#overlap or feel very 'safe' in terms of what i really want to do#its why; despite my love for clowning on media and animated works. i never want to feel like its from a place of malice#the joy of art is always seeing those little mistakes and nuances. its also noticing the achievements other creators have made that you#still lack#even for a certain hell-based show i love to poke fun at for its many. many issues. its undeniable how incredibly passionate the work is.#and i do respect anyone who is willing to get their flawed media out there (myself included)#i see stuff about people calling me their inspo or how flattered they are when i compliment their work and its like. gee. i hold myself at#such a high bar and even still im always surprise when people tell me how much my work moved and changed them#i really love writing just little fun things that i just dont really see anyone else touching and its kind of fun how despite my own#personal grievances with my own flaws and mistakes#people really do find things that they love within them.#anyways I know this is getting long but I’ve just been getting sentimental abt the creation of art#sometimes people make fun of me for love of drawing women and lesbians and bugs and so on#and while I will never let me deter me from my process. sometimes it does get to me#but then I remember that I love doing this and could ever see myself holding back#and knowing despite how other people feel. I have so many followers who resonate with my weird ass shit#that it’s all worth it. ya know?
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utilitycaster · 10 months
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I know there have been many Takes about Laudna and Orym after latest episode. Yours saying that this is not a bad development for Orym is interesting to me because my knee-jerk reaction while watching was being horrified he went so cold about Bor’Dor’s death. But after some time, I guess him finally choosing to be pragmatic after days torn by his own idealism would be a much healthier route for him in the long run.
I want to know what you think about Ashton, though. Some people are saying, they “let” Laudna kill Bor’Dor because they thought it’s what she needed. That sits wrong with me because Laudna made that decision and she’s not a child, but Ashton is my favorite character and I can’t help think I am biased lol.
Please excuse my badly structured sentences, I’m not native speaker.
Hi anon! Your English is great!
I think this is a revealing question in that, in fandom, I think a lot of people lead with "well, obviously, my favorite character is clearly morally in the right, or, failing that, the character I don't like is morally in the wrong" rather than considering the situation, the context, the genre norms, what makes for the most interesting story, etc. So recognizing that Ashton's your favorite and that might be coloring your opinion puts you ahead of a lot of people.
Anyway: I think it can be true both that Laudna made her own decision and that Ashton could, had they wanted, chosen to make an effort to stop her and they didn't. I don't think that means Ashton is responsible for what Laudna did per se, but I also don't personally think he had a moral imperative to save Bor'Dor. I think someone who thinks he did have that moral imperative might disagree, but they should also be blaming Laudna just as much in that case.
Someone else remarked to me that based on the discourse you'd think Orym - the only person who did not attack or restrain Bor'Dor - executed him in cold blood. Just to recap the fight: we only really had one round during which Orym gave Prism a potion to heal her up and did bait and switch to protect her; Ashton hit, with non-lethal intent; Deni$e restrained Bor'Dor; Laudna cast Hunger of the Shadow, knocking Bor'Dor unconscious; and Prism punched him. The following round was technically not run as combat in initiative order, and had it been, Bor'Dor could theoretically have died of a failed death save before Laudna's turn, but Orym and Deni$e made no attacks and Ashton chose to lead away Prism. Probably any of the three martial class characters could, had they wanted to, stopped Laudna. None of them did.
Which I think goes back to the second paragraph: In the end? I think most people are making their judgments of whether or not they think Bor'Dor should die, and even further back to whether or not the Ruby Vanguard is a cultish, terrorist organization, deciding on whether his death was justified or not, and then, if they think it was not, pinning blame on the character they like least. You can argue for any, though frankly, I think Orym is the weakest argument: Laudna is the one who literally killed him, both knocking him unconscious and taking the final death save. Prism took the most death saves with her punch. Ashton dealt a significant amount of damage and did not intervene when Laudna had an unconscious Bor'Dor at her mercy. Deni$e is the one who initially brought up her suspicions, forcing Bor'Dor's hand, and similarly made no physical effort to stop anyone. Orym indicated his approval to Laudna and did not try to stop her.
I think that had Bor'Dor not attacked the party, and had instead simply run away, tracking him down and killing him would have been excessive, but on the other hand, he had a lot of information that could have been extremely dangerous to Bells Hells, so at the very least I think they needed to take him prisoner; but he's not wanted by any specific legal system, so I think he'd just be their hostage, dragged along, indefinitely, as they attacked his friends over and over again. There isn't a nice, neat solution where everyone is happy. Deradicalization is an admirable goal, but it requires a massive amount of effort and resources that I don't think Bells Hells have, and no one should be expected to deradicalize someone who is actively committing violence against them. Once Bor'Dor attacked, to me, this became self-defense and an admission that he was lost: that he'd spent several days with them during which they were kind to him, but because of their ideologies, he attempted to kill them anyway. At that point, I don't fault any of the characters present for killing him/letting him be killed in response.
I guess the last point I'll make is that while, in terms of empathy, there is obviously a huge difference between killing someone regretfully, and killing someone and relishing it, they are, in the end, dead either way. I don't interpret Orym's behavior as cold, but rather merely calm acceptance that he can no longer avoid the inevitable war - and I do think that acting as though Orym's subjectivity in this situation is problematic while ignoring that Prism and Laudna were in no way objective either is an incredibly poorly considered argument, and deeply unfair- but in the end, whether Orym is stoic or whether he breaks down crying, Bor'Dor is still dead. I am not going to fault a character for having an outward emotional reaction that doesn't match what I think it should be when I think their motivations were reasonable.
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aaapplepie · 10 months
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so I was going through Elowen's introduction again for research purposes and also bc I love her and I noticed
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she specifically says she's been looking for Sage for three years. assuming she wasn't just like, hanging out for two years before she decided to go hunt him down, that suggests either a) no one was sure who killed Lucan and it took them a while to figure it out or b) she didn't hear about Lucan's death until two years after it happened.
(I'm leaning towards b because it's angstier because she recognizes signs of corruption in Sage but gets completely blindsided by Lucan's transformation, so it's possible she wasn't around to notice what was happening to him.)
it's just a theory but can you fucking imagine. her baby brother was dead for two years and she just didn't know, and she finally tracks down his killer but instead of finally getting justice she learns he was corrupted the whole time and she didn't know about that either!! I'm going insane. someone get her a blanket or something.
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s0fter-sin · 5 months
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less a continuation and more of a thought bubble but ghost would hate price in this au
when he pulls him out of the gulag, so many of soap’s new behaviours click into place. things that never made sense to him as a natural progression of who soap was, that aren't just a product of walling himself off and turning his heart to stone
his soap never smoked. always complained when ghost lit up about the damage it did to the lungs, how it would slow him down in the long run
his john, always trying to be the best soldier
that's why seeing him suck on a cigar like it's second nature is so jarring. even more so when he'd only take a few puffs; enough for a taste and to make smoke coil through the air around him. always the same brand, always left to burn down in his fingers
then ghost sees him gift his cigar box to price, something that took pride of place on his desk practically before the man clears medical and seeing the way they both relax as he sets a match to one makes him realise
in an effort to run away from soap, john had tried to mould himself into price
god forbid ghost ever reads soap's journal. he's heard the "what the hell kind of name is soap” story from him, of the first time he'd ever met the captain and if he ever saw his words echoed in john's hand? saw just how far the man had wormed his way, so deep into him that he was speaking with his tongue?
price's monologues, making himself larger than life all in an effort to make this shitstorm feel more grand than just another war they're all trying to live through, acting like he’s being profound when he’s really just dodging anyone that questions him
letting price take roach out from under his wing like soap didn't identify with the kid the second he saw him, all of his self-deprecative habits hitting tenfold as he blames himself for every stray bullet; as if price could've plucked them from the very sky
the way soap steps back without a word of protest to let price command the team he handpicked and price just accepting? like his years of leadership mean nothing, like john means nothing after trying so hard to follow in his footsteps, just to be tossed aside
the rage ghost would feel at his indifference, as if soap’s behaviour is to be expected and not a series of red flags. add the nuke mission and his actions during and after shepherd’s betrayal? ghost would despise him
#this instalment brought to you by mactavishs journal bc holy shit#his obsessive hyper perfectionism is heartbreaking#he sees literally everything as his fault#every failure every mistake every accident he always looks for something he couldve done better#then increases his training to /make/ himsef better#the way he sees himself in roach and wants to help him become a better soldier like price did for him#only to immediately give him to price bc who better to turn him into a better soldier than price#there is so much characterisation in this thing and it blows my mind that it wasnt an ingame easter egg you could find and read#its an actual journal you could buy#it completely changes his dynamic with price from mentor and mentee to this godlike hero worship#and ghost finding out that soaps changed himself so much for this insane guy who almost nuked america?#that he cant see beyond his thirst for vengeance that soap would do literally anything for him#the shepherd betrayal and prices ‘you have to trust someone to be betrayed. i never did’ and you never thought to warn soap??#the rest of the 141 you can understand but hes so callous in that scene#and since ghost and roach live through it i just know ghost would go apeshit for treating soap like hes not worth the dirt under his boots#coming out of my cage and ive been doing just fine.txt#talk to me ghost#09 soapghost#09 soap#09 ghost#captain mactavish#ghoap#soapghost#ghostsoap#cod mw2#ghost cod#soap cod#captain price#we’re a team. ghost team#save post
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wadinginthevelvet · 6 months
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sorry but I love the Izzy “dangling my legs over the side of the ship” scene because like. he’s literally right. it DOES serve him right.
Ed was deeply heartbroken but coping healthily until Izzy got in his head & made him feel like all he deserved was destruction. Ed TRUSTED Izzy, and this person who he felt knew him & saw him & cared about him essentially confirming in his view that he doesn’t deserve good things and only has worth as a monster— that being soft was worse for him than being dead— made him feel that he truly was unloveable and shoved him over the edge into the Kraken persona. plus Izzy ASKED him to be violent! he grinned when he cut off his toe! the beginning of s2 is Izzy realizing that a. Ed is not actually happy as Blackbeard and is in fact destroying himself and b. Izzy himself has grown to care for this crew in a way he didn’t realize he had and maybe actually has some human empathy. and doesn’t want them to be brutalized. which I honestly don’t think he had a handle on before it was too late & he’d already set them up for this level of violence. and also clearly he did NOT know Ed in the way he thought he did! he didn’t realize he cared about the crew like that, but he also didn’t think Kraken-Ed would be that intense. he thought that horrible pep talk was what Ed needed to get back to being pre-Stede Blackbeard, not realizing that pre-Stede Blackbeard was a facade Ed was already deeply unhappy and insecure underneath, but also failing to comprehend (or even notice) the extent of Ed’s trauma and lack of self-worth and the fairly obvious (to anyone who actually knew or understood Ed) fact that telling him those things would shatter his very fragile belief that he deserved these tenuous but brave attempts at taking care of himself and trying to become who he wanted to be. Kraken-Ed was not who Izzy thought he would trigger when he gave him the talk, because he didn’t actually know or understand him like he thought he did. & that’s what he’s coming to terms with in s2 and it is a wonderful arc! lots of people have written fantastic metas about Izzy & his motivations and the complexity of his realization that he didn’t know Ed like he though he did & wasn’t close to him like he thought he was so I won’t bother to fully go into that here as interesting as it is. but like.. he asked for violence & he got it. he didn’t have a good handle on his own feelings about the crew/piracy and he evidently had zero handle on Ed’s (he is masterful at suppression but isn’t emotionally intelligent enough to be able to tell Ed is too), and while yeah it was Ed’s trauma and whole brutal career as a pirate and this glimpse at a different future and Stede’s betrayal all coming together to cause Ed’s eventual breakdown, Izzy’s talk is what made him give up and pushed him overboard into the Kraken era. he convinced him he was worthless if he wasn’t a monster, & in doing so unleashed that monster onto himself and the crew. he taunted the shark and lost a leg. I don’t think there’s anything unhealthy about him framing it like that— he isn’t suppressing his feelings about it or pretending it didn’t happen— he’s just processing & accepting the truth of the matter. when Lucius says Blackbeard cut off his leg and Izzy says “a shark did this”, he’s acknowledging it wasn’t really Ed who shot him, but a violent, hopeless, actively suicidal caricature of Blackbeard, a monster Izzy helped create. Izzy isn’t Ed’s victim— they’re an eye for an eye now. and I’m glad he acknowledged it like that
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feline-evil · 3 days
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Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.
#metalocalypse#jay talkin#I'm sorry they wrote that awful gross little man far too likeable and relatable to on a trans level#for me not to hoot and holler and cheer for the trans pickles agenda#changes nothing about his character arc or any of the show anyone is capable of being the kind of person he is#don't make the mistake of thinking thats exclusive to cis men#his transness wouldnt change that#only adds on an extra layer to him that i think works fantastically.#Listen that dude was rejected by his family driven to drink and drugs young to escape that ran away to be in a band#is called fucking Pickles of all things and refuses to tell anyone his real last name;#over the span of four seasons and two movies he slowly starts to learn to be for others what he never had#he becomes more caring more supportive#it's not a stretch to say he undoes some of the toxic masculinity he's been keeping himself shielded behind#and learns how to be a kinder man.#all of which have no contradictions with him being trans!#In fact it doesn't take much extra thought to find ways a lot of this can line up with some trans masculine experiences#i mean. Did no one else have a younger phase where they swung as far as they could into crass rude and uncaring ways#to try and assert their masculinity only to grow and realise that you can be a man and be more caring.#Did no one else have father issues. 1 800 come on now i know those are both shared experiences a lot of us have had LOL.#at the end of the day this show aired nearly 20 years ago and is finished. we're not getting more of it#so nothing is altered nor changed if pickles is canonically trans or not ok. its fine#i mean hell i dont even need canon confirmation hes trans to me and thats all i care abt#but i think if yr getting suuuuuper weird abt needing him not to be canonically trans you have some issues#and bio essentialist ideals of gender if you think only a cis man can act like he does#again. anyone can be like that. its not exclusive. him being trans would not change him in any way shape or form lol#AND ALSO GODDDUUUGH for once i love getting to see a guy pushing 50 whos depicted as trans#do you have any idea how dire and barren it is out here. we never get to see a trans guy older than 30 and whos not a pristine model#I WANT MORE OLD SHLUBBY SHITHEAD TRANS GUYS IN MEDIA
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uselessnbee · 1 year
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ok but like the fall from the quarry before El saved Mike was so high like he didn't barely jump and then was immediately saved he fell a long way
just watching it is terrifying imagine how terrified Mike must have felt imagine him regretting jumping but knowing there's no way back and he could only watch as the ground neared as he neared his death like yes he was saved but that moment could have lasted a second and still be traumatising holy shit he was 12 im gonna throw up
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tame-a-messenger · 17 days
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Oh no, man. I decided to watch the Damien episode of Perfect Person coz I only found out about it from the Angela appearance.
There's a part (around 2:45) where he says he booked the Starfield VA gig right when he first started at Smosh so with it coming out recently, it kinda bookended "this part of his internet life".
And I was like, WHAT DOES HE MEAN? IS HE LEAVING SMOSH??
<darthvader.gif> NOOOOOOOOOOOOOO!!
I find it interesting that he also says right before at (2:46) that he's trying to "Focus up, here soon" and since this Podcast was only 4months ago... Wonder what that means!
Ok ok joking aside I don't really think that's exactly what he meant by the things he said. I think he was mainly talking about doing more voice over work and "focus" on it more, not that he's going to fully leave Smosh.
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He also says that he spent 5-6 yrs recording for that game, so that's why I think him saying "bookended this whole part of my internet life" is ONLY referring to him voicing over that game.
I'm also pretty sure "this whole" is (although it does sound like it could mean what you thought) almost definitely his southerner coming out, and what he meant was "the game coming out has bookended 5-6yrs worth of work for the voice over I did" not that he's quitting anything (I'm becoming the truth speaker of Damien Haas)
Holy shit bro, I'm getting good at this 'decoding whatever people assume Damien meant' stuff! I felt my skin glowing while I was trying to decipher what he meant lmao
I am become Truth, the Breaker of Assumptions
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also I honestly hate Dazai's sudden bullshit theory about Hawthorne's blood bullets to explain how Fyodor killed the soldier at the end of the cannibalism arc, and the fact that this somehow never even occurred to him until now. Normally I do love seeing Dazai be wrong and be shocked/taken off guard for once, it's way too rare and needs to happen a lot more for how goddamn OP he is the rest of the time, but in this case instead of making him feel human from making a natural mistake (forgetting about Q, pinning the wrong person as Fyodor during the helicopter search in cannibalism), it just makes him look incredibly dumb to somehow not have foreseen this before now. Up till this point he's been 5D chess masterminding the shit out of everything, but somehow it didn't even occur to him that Fyodor might not actually be dead for real....... and all it took to make him think that was Sigma viewing his memories? Back when the cannibalism incident happened, the panels seem to indicate that he might know more about Fyodor's ability than he's letting on, but now it's confirmed that he never really knew anything at all, so that part was meaningless I guess...
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The Hawthorne theory is so ludicrously out there, but it's in-line with all the other insanely out there things Dazai has been right about before, so it's probably correct lmao; it's just, WHY did he not come up with it until now??? The answer is of course that he didn't realize it until the Plot needed him to, and it's so frustratingly evident. 🫠 As convoluted as this twist is, I honestly wouldn't mind it if it had come from Fyodor himself after he inevitably comes back to taunt Dazai and co — I actually think it doesn't contradict everything else we've seen, because imo there's a difference between the soldier grabbing Fyodor's arm (clear contact), and when Fyodor lightly held his finger over Karma's forehead and most likely used his real ability there, just like he said he did. I think it's neat to think that we were all misdirected by the "Fyodor's ability works through direct contact" thing just because Dazai is the one who first said it, since we're so used to Dazai being right. But I wish Dazai hadn't figured out the truth all on his own so suddenly, doing a complete 180 from like two chapters ago, cause it just makes him look stupid. It doesn't feel like a natural mistake, it just feels like the plot forcing him to be dumb until it needs him to be smart again, which is really noticeable for a character otherwise so insanely smart as Dazai.
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mossiestpiglet · 4 months
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[ID: Text box from a manga. Text reads “The kingdom of Granzreich became a republic as the result of a national referendum. King Leonhard was its last king.” End ID]
Absolute funniest possible way to end a series about a gaggle of princes competing to be king. You won but at what cost
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opens-up-4-nobody · 1 month
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...
#had an interesting conversation with my sister the other day. odd i guess bc my sister is pretty smart#on paper shes smarter than me. or at least less dyslexic than me#but she didnt seem to kno what cancer is. i mean like how it works. i mean. cancer is a mistake. a confluence of unfortunate accidents#leading to unrestrained cellular growth. when it metastasizes. when it moves to other parts of the body. those same cells continue growing#if u have smooth muscle cancer and it moves to your kidney. you body is trying to grow more smooth muscle on your kidney#at least as i understand it. and she asked why it wants to kill you. it doesnt want anything. it just is. its not a thing of malicious#intent. its neutral. it grows. it takes up resources. it takes up space. and it grows and grows until the organ it grows on stops#functioning properly. like a parasite she said. but no. not like a parasite. it grows like an empty space. a mass of flesh. a constant#obstructive pressure. it grows like only a tumor can. i dunno. it didnt seem to connect with her that this thing didnt want to kill our mom#but it did anyway. and she felt weird about how long she lived after they took her off any support. but thats how cancer kills#it stops an organ from functioning and most of those r important so it only takes one. so her heart kept beating for 12 more hrs bc it was#meant to beat for 40 more years. but not much it could do without working kidneys and without working blood#but that's life. that's death. that's nature. its all nutral even if it feels horrible to the individual.#i dunno. i thought it was interesting. shes 25 and her mother had cancer for 10 years so id think shed kno more#we're at a weird phase now bc its been a week since she died and everything feels normal. we'll see what happens at the wake this week#its been interesting for sure bc she was sick for 10 years but my parents didnt prepare at all for her to die#so my dad is scrambling to put together the pieces shr left behind to make sure that all the bills r paid and whatnot. he had to guess her#computer password. she didnt tell us what she wanted us to have. she didnt tell us the importance of her jewelry and who it belonged to#before her. i dunno. we're seeing the outline of my mothers Pathology in what she left behind. both in the physical objects and in the#feelings she imparted. i dunno. its been weird#unrelated
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