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leflambeur · 5 months
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Guy Bolongaro for Lampoon
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lolaveda · 1 year
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Photography Linus Morales for Lampoon, Digital Edition Styling and set design by Pernilla Lofberg
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diana-andraste · 4 months
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The Wood-Carvings of M’Bongo M’Bongo, J.L Carstairs
Featured in Punch, September 1934
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aunti-christ-ine · 1 year
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black-is-no-colour · 11 months
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Malin Groeneveld, photographed by Lois Cohen and styled by Indiana Roma Voss for Lampoon, April 2023
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neutron669 · 5 months
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Cumgirl8
Pic by Marie Tomanova for Lampoon
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millionsecretsofjazz · 2 months
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realgloryboy · 11 months
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lampoon magazine .
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coolthingsguyslike · 2 years
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beyondthespheres · 1 year
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‘technical elements are integrated into outfits that represent post-humanity’ 
i’d label it biomega goth
Esther @twomanagement, Fatima @PlaceModels, Marlene @TigersManagement, Dhyani @EliXScherer, Priya @Mirrs, and Clara @Modelwerk go all-Dior, photographed by Vitali Gelwich for Lampoon #26, The Muscles Issue, October 2022, Italia
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steamedtangerine · 1 year
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monenlainen · 1 year
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Pucka Pucka Pucka!
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@drkingcrow more like drkingCRINGE
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fashionbooksmilano · 2 years
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Lampoon  The Trasparency Issue
Editor in Chief Carlo Mazzoni, Creative Director Alessandro Fornaro
Lampoon, Milano 2022, 436 pages, 24,2 x 33,2 cm.,
euro 24,00
email if you want to buy [email protected]
Lampoon 25 – The Transparency issue: rebellion against cancel culture, against digital massification Cancel culture is the market force’s latest attempt to annihilate the masses: a battle that has been going on since the Middle Ages
Transparency — a word that almost strikes fear
Today, when transparency is called for, we seem to assume a lack of honesty. It should be taken for granted and we want to keep it that way; for as long as it refers to practices of common sense and fairness. What we are demanding is trans- parency in messaging, in stories and narratives, in intentions, in advantages and benefits. Everything can and should be revealed. There is nothing hidden that will remain so.
We should stop admiring the past. The Chateau de Versailles and the Duomo di Milano would never have been built; if rights — both human and labor — had always existed. Today, everyone produces in China because labor is cheaper there. Here, the question should be: why is it cheaper? No one should be buying a t-shirt for nine euros anymore. If we can buy something cheaply, it means that someone has been paid poorly for it.
28/04/22
orders to:     [email protected]
ordini a:        [email protected]
twitter:         @fashionbooksmi
instagram:   fashionbooksmilano, designbooksmilano tumblr:          fashionbooksmilano, designbooksmilano
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ukdamo · 10 days
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A Balliol Rhyme
anonymous
My name is George Nathaniel Curzon, I am a most superior person. My face is pink, my hair is sleek, I dine at Blenheim once a week.
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