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#Live blog
gunsatthaphan · 6 months
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mix teasing his cameo in OF for the past 3 months only to make an appearance in the last 90 seconds of the show, saying 2 lines and giving flirty looks,,,,,, pretty iconic if u ask me.
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zahlibeth · 7 months
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ohhhh his hospital name tag just says Daddy 🥰
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marenwithanm · 1 month
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Aksnskdkdk I've never seen this expression before
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asklotarasarrin · 1 month
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The man, the myth, the legend! ANGRON HAS ARRIVED.
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borderlinebelle · 6 months
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let’s stream LIVE tonight? 🖤 you wanna? 5pm EST
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divineerdrick · 5 days
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Homestuck: Beyond Canon Upd8 for 413
Happy 413 everyone! We knew we were getting something today, as James announced that earlier. This time, it's an extensive news posts with notes from the whole team. Looks like we've got a few comic pages as well. Let's see what we got!
James: I can definitely relate to what James is saying. Homestuck and its community helped me keep going when it seemed like there genuinely wasn't a path forward. Obviously it hasn't always been sunshine and rainbows, but I do still feel there is a lot of genuine goodness and greatness in our little corner of the internet.
And yay! James is an Aradia fan!
Kim:
Kim is one of the people who grew up with this comic. I honestly can't imagine what that must be like. Although I had a lot of media I enjoyed at 13, I don't feel like any of it had the kind of impact on me then that Homestuck had now. It's not like there wasn't anything good on, either! It was 1993 when I was 13, and WB and Disney were at their apex. But Homestuck hit different. I honestly can't imagine what it was like being able to relate to those kids like they could be your friends in another life, growing up along side them.
Miles:
A beautiful mindfuck is a great way to describe it. Honestly the somewhat over the top, trollish, insincere seeming way that Miles is writing shows a great love for Homestuck and the project in and of itself. The love honestly does come through.
Chumi:
Chumi appears to be even younger than Kim, though I could be wrong there. And she also grew up with it, if maybe starting a couple of years into its run. But it goes a step further for her. Homestuck is her formative fandom. And again, I can't imagine what that must be like, let alone now creating art for it.
Andi:
Andi is another member of the team to have grown up alongside Homestuck. It makes sense that this would create the most talented and passionate people to work on the project. Like many fans, though, they also had Homestuck influence their identity and help them feel safe in discovering who they were. It will always be important we have people like them keeping this fandom alive.
floralmarsupial:
While the way Homestuck inspired me was different, she too was drawn in and influenced by the very artistic questions Homestuck posed. Looks like James has managed to put together a team that has all been impacted by Homestuck in subtly different ways. And I'm totally here for it!
Haven:
Oh wow! Coming in on Murderstuck! Ouch! Still, the effect Homestuck has had on them is very obvious!
It's nice to hear more from each voice behind the project. I'm glad they took the time to make this celebration a bit more personal. But with all that said and done, it's time to read an Upd8!
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There is so much to talk about just from this image.
First off, this is the most like Bro that Dirk has ever looked. And it's not just the fact that we've just got a plain white silhouette with shades. There is a lot of chaos in this panel reminiscent of Bro's apartment. That outfit has absolutely never looked wackier. The anime ninja aesthetics combined with the pooffiness of those shorts is already crazy. But the Kamina cape in this looks more cliché villain than anime hero.
While we can't currently see one of the monitors, we absolutely can see that Dirk has been keeping track of our Meat crew. My guess is that the other monitor is Deltritus.
Also we get a throwback with some orange drinks floating about.
Dirk is, of course, being suitably condescending here. After all, in his mind this is the only way to make the narrative matter, to make anything that we'll give a shit about. He probably knows we still enjoy the "narrative kiddy pool" but he's counting on us truly getting invested in what he has planned.
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Wow! Nice frame break! Also this art slaps!
Apparently Rose and Terezi are still a thing. Dirk only seems to partially approve of this. From his perspective, the relationship is a very Rose thing to do. And Rose doing Rose things is important to him and his plans. He also appreciates that Rose doesn't have infinite patience for the finetuning that Dirk could spend a literal eternity on. It keeps him on something resembling a schedule.
So are we going to see these "scions" of theirs?
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I like that there's an obvious sea horse in that test tube. Also, outside of Hero mode Dirk is still sporting his character features at least. He hasn't slipped into being a full guardian yet.
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Well fuck. That might just be the hardest anyone has ever "spoken too soon."
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Hell yes! Adult Terezi is awesome! Also, she's not getting rid of her facial features any time soon!
I hope I didn't jinx that . . .
I'd forgotten Terezi can hear Dirk's narrative. She's also very much on the "Get on with it!" train. Dirk was planning to skip ahead anyway, but of course he wants to unveil his creation first.
So Terezi will be the one that actually makes sure the new session happens. I'm surprised Dirk is allowing that. I can definitely get why he doesn't want it automated.
I can honestly believe that Dirk really does care about his creation.
And I can honestly see Terezi playing the long game. I'm honestly curious why she wouldn't, beside Dirk's fuckery.
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Ouch.
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Also, damn this art is so fucking good!
We've seen the way Terezi can let what she sees as a mistake eat at her. We've seen how far she'll go to fix it. Is John's death doing that to her? Is even this older, seemingly more jaded Terezi unable to let something like that go even with what's at stake?
Or could she possibly be letting Dirk think that's what's going on? I really kinda hope that's it.
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Now that's just being mean pretending you don't know what she meant by being in her "CH4MB3RS", Dirk.
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Apparently Dirk still has a mouth when he needs to.
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FUCKING!!!
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DAMN!!!
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That's an interesting way of showing them speaking at the same time. Kinda like it.
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Okay. That is some legitimate Bullshit. I like that even Dirk calls it out as such. That is a ton of power to just flex like that. His reasoning is sound, but even he knows he's partly doing it because he can.
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Wow.
There is so much to potentially read into this moment. On the one had, this might be a genuine Rose moment. Even if Dirk has been manipulating her a lot, this version of Rose might genuinely be appreciative of what they're trying to do.
The other possibility is that Rose is manipulating Dirk this time. There've been hints, and I find it hard to believe otherwise, the Rose is aware Dirk has been manipulating her somehow. She may not have figured out how he's doing it, but I feel she knows. As an ascended Seer of Light, her ability to read the most fortuitous path is literally godlike. I can't imagine that definition of fortune including one where she keeps losing more and more agency. So this might be a moment where she's telling Dirk what he needs to hear to stop him from stealing more from her.
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The worst part is he genuine believes that.
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thalliumvt · 6 months
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Tubbo finding out that Fred is 18-25 is just so adorable
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give-grian-rights · 13 days
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NERF GUNS?? I NEED IT I NEED IT I NEED IT PLEASE PEOPLE
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loveabledirtbag · 2 months
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2.02 - pasta
there’s something about opening on a black screen with a catchy, familiar song that just makes me into what i’m watching. i don’t know what it is about that particular edit, i fully recognize it about myself, and i don’t even strongly like the song “she drives me crazy” by fine young cannibals. BUT black screen, song comes on, quick cut to an arial shot of chicago in winter and it’s just got me going, “hell ya. let’s go.”
i liked the quick cut of a printed sign on the bear’s wall as they’re making plans, crossing off things they’re accomplishing and working on renovating the space for their grand opening, but there’s just a little printed sign that says “bear part two”, which is funny. because this is the bear, season two. but it’s also the first iteration of the bear, which makes the “in world” meaning of “the bear part two” kinda odd.
i love the familiarity between carmy and syd. it’s only on this, my 90th rewatch that i realize this is really the first time we see them sort of acting like friends and partners, more than work colleagues, and especially boss and employee. all last season they had friendly moments, but there was always an edge of: carmy is the boss, and syd is the employee. and no matter how friendly they were, and they were pretty nice and friendly, the two did an excellent job of having an element of feeling like they worked together. like if one of them were to introduce the other to a friend or family they would say: “oh, we work together”. even in the first episode of season two, they’re still friendly, and the power dynamic has shifted nicely since season one because they’re partners now, but they still have this air of “work friends”. but right away in episode two carmy and syd are walking through the shop talking about how syd’s dad is sem-supportive but doesn’t understand syd, and i’m only just realizing that it’s the first time they’ve really talked about personal things with each other non-chalantly. this is the first time in the show we’ve ever seen them be “friend friends” not work-friends…and yet, it’s so natural and easy i didn’t even realize the shift had happened until just now.
in one second we received; the first mention of syd’s mom. that she and her dad are going to her mom’s birthday dinner. AND, the fridge guy is on the phone, but because marcus threw the phone without anyone ready, it shattered on the ground. carmy will call the fridge guy back….right….?
i hate that the moment nat comes into the scene casually eating food while walking, my brain (which is so accustomed to stereotypes in media) said “oh! she’s pregnant!” and not “oh! she’s working hard and doing most of the detail work for the restaurant, so she’s eating on the go!” but, media tropes being what they are, my mind went to: PREGNANT
“you feeling okay, nat? you look a little pale”, “yeah. it’s just that sometimes i look like february.”, “….sure…” 1) amazing line. truly fantastic. 2) come on. nat’s pregnant.
fak and natalie’s “mom & son” relationship is so weird and i love it. “yes, my honey?” who actually says thay to another adult in a non-actually being someone’s mom, or a “non-bdsm” capacity? apparently nat.
“you alright? you want a sprite? you look kinda green.” 1) this line that richie says to nat will come back to be important in a few episodes. 2) this is the second time in like a minute that someone’s commented on nat’s appearance and her not looking great. so, she’s definitely pregnant. like, they’re not even trying to hide it, as they hide it.
ebra’s hesitation about going to culinary school BREAKS MY HEART. ugh. i love ebra. sad ebra makes me sad. “i don’t want to wear a uniform” and tina’s immediate “it’s not that kind of uniform.” implying he was thinking of his time in the army in samalia….UGH, EBRA!
however, excited tina, giddy at the thought of culinary school, is such a vibe.
fridge guy debacle continues: carmy calling the fridge guy, but getting interrupted as richie, fak, and marcus are trying (and failing) to move the lockers out of the space right outside his door.
also, (because of stereotypes in media) when carmy gives his number to the fridge guy, my first thought was “…so that’s gonna come up later.” because it’s easy to have written this scene without the phone number. sometimes a scene requires a number to be given and that’s that. but in this scene, it easily could have been different. so when carmy gives it, i knew we’d hear his number again. especially with how easy the number is to remember. (the classic 5-5-5 in the number. that happens in tv shows so often. someone has 5-5-5 in their phone number)
ok….so….again, i’ve watched this season like 100 times, and i think, I THINK, i understand why they have to open mikey’s locker to move it out? because it’s always confused me. the guys are struggling to open the locker, and they realize they have to open mikey’s locker which has been locked since his death. it’s a nice scene, and shows everyone’s acceptance and growth in the time since mikey has died. especially as richie puts a hand on carmy’s shoulder as carmy takes a moment right before he opens the locker. the tenderness and love between these two since season one is just incredible. but my thought was the stuff in the locker was too heavy making it harder to move? but the only thing in the locker is a hat from an event they worked in 2010. so, i’ve always been confused. the hat couldn’t weigh enough to make them not able to handle the lockers. i thought it was a clumsy way to get us to the emotional moment of finding the hat. BUT now i’m realizing that i think fak needed the locker open so he could get a better grip on his side of the locker and maneuver it easier? is that right? does anyone else actually know?
so syd and carmy go to carmy’s apartment. and in repeated viewings i’ve realized that it IS the same apartment from season one. we’re just getting better shots of it. and now i realize that his apartment is A DREAM! i mean, his kitchen is great, but the rest of his apartment is really nice. i’m legitimately jealous. they did a really nice job in season one (whether intentionally or not) making it look kinda like a shitty apartment. but there’s enough things i recognize in shots of his apartment in season two, that it’s definitely the same apartment.
the way carmy and syd avoid saying “michelin” in conversation, so that the show doesn’t have to pay for the copyright, is just fun. but i also love the two sides of the michelin chef spectrum. carmy who has experienced the shit you have to deal with of having them, and syd who is fresh and wants the recognition that comes with having one. in the light of how many restaurants and chefs are abandoning the michelin system, or are returning their stars, i think it’s a fascinating subtle storyline woven in this season. i’d love to see if it carries on into season three. knowing that it costs so much money to have a michelin star and that only one star has to do with the food.
“i will grant you [mold] has gained some traction in recent media cycles. it’s a buzzword, yeah, for sure.” what an iconic line from richie. as someone who has always been scared of mold….how is mold a recent buzzword? richie is unhinged and i love it.
once again, fak and richie getting their faces closer as richie dares fak to call mom (nat), and fak says he will, and they go back and forth just getting closer…..it has a weird sexual energy with it. i didn’t start this show shipping fak and richie, but i think they’d be cute together…
the scenes of ebra struggling at culinary school honestly break my heart. and tina encouraging ebra in his skills and him shakily saying “yes chef”….😭😭😭
i think it’s interesting that there’s a season long arch where just about everything syd cooks and makes tastes terrible. i think watching the show all at once makes the problem seem bigger than it was meant to be (at least to me), because we’ve been told how good of a chef she is, but we see her cook HER OWN creations and they all suck. it made me wonder how good she really was. which is maybe some of the point, but i think it’s showing that syd is still a chef that’s up and coming and learning. like carmy said last season, she’s very green. carmy is a chef with no end of awards and recognition, but we see him struggle with details and management. syd is inventive and quick on her feet, but we see that when she’s coming up with a recipe she fails a lot first. i think it’s meant to humanize her, or it’s a season arch to show her growth as the season continues.
the weird….dynamic of carmy thinking syd’s mom is alive (because she said “it’s my moms birthday dinner” and has never said “she died” or anything, so it’s an earnest and easy mistake). but when carmy asks her about her mom she just kinda….lies…?
i love the detail of signing “sorry” when something happens to just say “hey, let’s move on. this isn’t a big deal, and i’m sorry” is amazing. i’ve had little codes like that in service industry in the past.
nat’s lil’ monologue while sitting next to the messed up toilet while she’s on the phone with the plumber is great. and i love that she reveals that she’s pregnant (which again, easy to guess), but mostly i love that we’re not fulllllly sure if the plumber is a family friend, or a complete stranger. there’s SOME familiarity here obviously, but we’re not told if it’s enough familiarity for nat’s emotional word vomit or not. and that’s beautiful to me.
the pure comedic GOLD of “these ceilings are practically styrofoam, were we to have mold they would collapse when i go like this-“ hits ceiling. ceiling immediately collapses and proceeds to dump a pound of dirt, dust, and mold onto richie’s face. and then a kickball. and then richie looks up and goes “that’s it?” and a firefighter hat falls and hits his head. ugh. i can’t help but burst out laughing.
the reveal that syd’s mom is dead is so well done. the happy story, the smiles, and then lighting a candle on cake and them blowing it out while holding hands. the realization that what we, the audience, assumed was going to be a tense, awkward meal between two parents who had divorced but still got together to celebrate the moms birthday (for some reason), or maybe even the amicable celebration of a couple that divorced because they realized they weren’t good for each other and are “friendly” with each other. but instead it’s two people very much in love with a woman who has clearly died. ugh. it’s beautiful, it’s funny, and it’s heartbreaking, and it’s SUCH a simple and quick scene.
AND THEN, we move onto this scene at the grocery store. ok. here’s the thing. claire gets a LOT OF SHIT from people. a lot. and some of its fair and some of its not. SO. i’m gonna put my thoughts in their entirety HERE about her, and then when those instances come up in later episodes i might talk about them more in depth.
so, firstly, for the people who loved that the bear was a “sexless” show in season one, or that carmy seemed to be ace, or are carmy and syd shippers, or even those who claimed he was queer coded, there’s not much i can say to make you feel better. other than to say that the balance of work life and personal life is a super important one, especially in a show about a guy who has no personal life so that excel at his work life and has become burnt out by that process. so a romance or a deep relationship of some kind was a good choice for the show, because it brought about a storyline that i think is needed on carmy’s mental, and emotional health journey.
BUT the show trying to deepen that relationship with claire does so by simply “saying” it, and not showing it. which is the eternal issue with writers, especially when you have time, money, budget, and length of movie/tv series to deal with. but in a ten episode season, and this is already the end of the first episode when you introduce her, so you really only get to know her in episode three. that really only gives 8 episodes to know claire. and she’s not in like…3 or 4 of the episodes moving forward. meaning you have to: set up their history, set up how important she is, AND deepen their relationship to a place where we, the audience, are emotionally invested in them, AND when it hurts when they ultimately break up. but with only 4 or 5 episodes to do that, we can’t SEE it happen, we have to be TOLD it happens.
so we are told that carmy had a crush on her, to the point that he would draw her in his notebooks and his whole family knew he liked her, because mikey, richie and…john mulaney…tease him for it in the flashback episode. we are told how much claire likes carmy. we’re mostly told how good their relationship is, instead of seeing how good it is (carmy shows up to the restaurant a few times and says “i was talking with claire when….). we’re also told how close claire was to the fak’s and to richie (claire calls fak to get carmy’s number. she calls richie cousin (the only other person to do that other than mikey and carmy). there’s a lot of their relationship we don’t get to see, and it makes some sense because those scenes would be slower, deeper, and take time. and you only have 30 minutes and 4 or 5 episodes to accomplish this.
which makes the sort of hypocrisies in their relationship just not believable. carmy was obsessed with claire growing up, but when they meet he gives her a fake number so she can’t call him, because he knows she’s looking to date him after they run into each other. and he’s a little slow to open up to her, but finally does and she helps him a lot in his mental health and panic attacks. and on claire’s side, she gets labeled a manic pixie dream girl, which isn’t necessarily unfair, but her less than realized character (her main defining character trait is: i like carmy) is only because we don’t get to see much of her, and she was brought in to be a love interest to carmy. so she’s not fully realized, and her only real trait is liking carmy. plus, carmy is so aloof, and closed off that from a writing standpoint we needed claire to have this manic pixie love and attraction in pursuing carmy, because that was the only way they were going to get together. carmy would never have pursued claire, because he sacrifices his own enjoyment and personal life for cooking. but it doesn’t make sense then, that claire has kind of an obsessive love for carmy from the moment she sees him at the grocery store, and she admits that she liked him in high school, but she never made a move and he didn’t even really know she knew who he was.
these sort of conflicting narratives: carmy is in love with claire, but gives her a fake number when they run into each other as adults (he even forgets her name when we’re introduced); claire is in love with carmy from the beginning of them running into each other as adults (which would hint that she was in love with him when they were young) but never paid him any attention when they were young, BUT was so close to them that she remembered the name of their planned restaurant all these years later…they all could have been made possible and been written in a way that was believable. but not with the time constraints the show had and the other storylines the show focused on. so we are simply told a lot of this, not shown a lot of this. it maybe could have worked if they built claire and carmy’s relationship up this season; a sort of will-they-won’t-they, and then once carmy is sold on the relationship, build that up in season three, for the big collapse at the end of season three. but that would have ruined the season long arch and left carmy without a deep, traumatic emotional arch and more of a rom-com, fluffy arch this season and that’s not really the show’s style.
so, i don’t hate claire. i think she, as a character, wasn’t given the time to breathe and grow and show the audience why we should care about her. i would love if they brought her back for season three, to see her grow and get fleshed out as her own character, especially as a character outside of her love for carmy. but since she broke up with carmy, i don’t see much of a road into the show moving on and it would also make a lot of sense if we never really see her again. even despite her “close” relationship to the fak’s and to richie.
as someone who has had to have the conversation with my parents about my weird working situations, like being paid for a month, but then not being paid for six months even though i’m going to work and working 12 or more hours because i’m starting something…uff, i feel syd’s frustration as she tries to explain it to her dad. and the fact that the budget is paying everyone in the shop except carm, nat, and syd (the bosses) is so fucking good. because that’s how it fucking should be. you pay the people who need it, because you need them to be there when you get back. it’s how you keep workers, especially good ones. bosses and leaders of businesses need to actually sacrifice for the shop and for their workers if they want it to work. plain and simple.
but, we see some of that writing magic i was talking about earlier when carmy gives her a fake number. he told the fridge guy his number earlier, and then he gives claire a different number. we know that he wouldn’t give fridge guy a fake number. so we realize he’s giving claire the fake. that’s why we saw him give the fridge guy his number.
AND that’s the episode! episode two down! it’s a great episode. and it sets up a LOT for the rest of season two. looking forward to episode three!
SEASON ONE: Episode One | Episode Two | Episode Three | Episode Four | Episode Five | Episode Six | Episode Seven | Episode Eight
SEASON TWO: Episode One | Episode Two | Episode Three | Episode Four | Episode Five | Episode Six | Episode Seven | Episode Eight | Episode Nine | Episode Ten
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leaisterrified · 19 days
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just putting this here since its easier. WHAT THE FUCK
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cirque-dhomosexual · 1 year
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shut UP SHUT UP NO DONT TALK TO ME ITS THE WAY ENID FUCKING RUNS TO WEDNESDAY THE WAY SHE HOLDS ONTO HER FOR DEAR LIFE ITS THE WAY SHES GRIPPING ONTO HER BACK THE WAY WEDNESDAY ACCEPTS IT AND MELTS INTO HER SHOULDER NO WAIT BC NO- WAIT LISTEN LISTEN THE THE THE MUSIC AND THE LONGING STARES INTO EACHOTHERS EYES AND THE WAY IT LASTS SO GODDAMN LONG WHY IS A HUG MAKING ME FEEL SO MUCH??!!!! IM ON THE FLOOR WEEPING
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gunsatthaphan · 7 months
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"I get you."
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zahlibeth · 8 months
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🤏👨‍🚒
Chimney Han: pint-sized firefighter
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marenwithanm · 1 month
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I'm watching my brother start playing Wind Waker, and I forgot how often Link gets slammed into walls?? I remembered the forsaken fortress, but then when the tower of gods rises he just gets flung into the stratosphere?? Not to mention him getting punched in the face by ganondorf like 5 times. The poor boy is lucky he doesn't have a concussion, or at the very least a broken nose!
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onomonopetabread · 3 months
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IVE BEEN WAITING FOR THIS ONE
TURN IT UP 🗣️🗣️🗣️🗣️🗣️
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asklotarasarrin · 1 month
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A glimpse at Angron’s chambers once had been.
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