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#Look I don't like the Hamilton musical. But the fandom gets shit on for things that are just common within historical media
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Fandom song animatic tournament: Side A Round 1
You'll be back - Hamilton Musical
"You'll be back like before I will fight the fight and win the war For your love, for your praise And I'll love you 'til my dying days When you're gone, I'll go mad So don't throw away this thing we had 'Cause when push comes to shove I will kill your friends and family to remind you of my love"
Wolf in Sheep's Clothing - Set it Off
"So could you Tell me how you're sleeping easy How you're only thinking of yourself Show me how you justify Telling all your lies like second nature Listen, mark my words, one day (one day) You will pay, you will pay Karma's gonna come collect your debt"
Remember that we're voting on how Iconic they are for ANIMATICS, not for the song itself. In order to make things fair, the tone and mood of the song should not affect how iconic it is (for example, a serious song should not be considered more iconic than a joke song just because it's serious)
Propaganda and animatic links of the songs under the cut:
You'll be back - Hamilton Musical
Propaganda:
the amount of animatics I had to sort through to find the one I was actually looking for was astronomical
Animatics with the song:
Karmaland Animatic
Steven Universe
Hazbin Hotel
Villainous
The Lion King
Wolf in Sheep's Clothing - Set it Off
Propaganda:
I was appalled when I found out this song had a chance if not appearing on the polls. This song is my everything. It was there for me in my darkest moments and for my brightest days. This song and all it's animatics got me through life both metaphorically and literally. This song is my everything
wolf in sheeps clothing turned me evil as a young child /pos
This had SUCH an effect on me in middle school
The anthem for edgy middle schoolers with tragic OCs everywhere Not to mention that "Burn. In. HELLLLLLLLLL YEAAHHHHH!" Is just downright iconic
Admittedly I still want to make an animatic for this myself, but it's a fun song that just OOZES villainous or anti-hero charm and popping up unexpectedly and the bridge???? Shifting from darker to hopeful only to drop back down?? "Start all over, start all over-- who am I kidding, let's not get overzealous here! You've always been a huge piece of shit" is just. mwah. incredible. And there's an official acoustic version of it too which I don't know if it's used as often but it has an entirely different vibe. Instead of the cocky or confident singer who has their target EXACTLY where they want them, it's someone who's given up and is tired of all of it. There's Options. it's fantastic.
Animatics with the song:
DSMP Technoblade animatic
Yandere Highschool
Your Turn To Die
Miraculous Ladybug
Scum Villain Self Serving System
Please keep in mind that I don't know all the media and fandoms of the animatics provided as examples and I don't have the time (nor the will) to research them all. Don't come into my notes or my ask box complaining about them being included, I will simply block you.
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burr-did-nothing-wrong · 10 months
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what's your theory on why there's so much fucking drama in a fandom of plus minus 50 people? mine is that several of these accounts are just hamilton sockpuppet-blogging from hell and forgetting that he's actually the account he's arguing against
Honestly I came from the LOTR fandom, which back in the day, it was an incredible cesspool of moral superiority and pseudo intellectualism. Like, "oh, you don't know that gothmog was born in the year of the third age 6969? Well you're not a *real* fan!" We get that some here between musical fans and rpf fans, but the level of shit-slinging is really not comparable at all. We're a relatively peaceful fandom. Yes there's drama, but very rarely do I see people directly @ing blogs they don't like and fighting on main.
Where AmRev is concerned there's that ego element of "I'm doing serious historical work by playing with my barbie dolls" that other fandoms don't have. I understand fandom spaces are denigrated by society, so it's sort of a defense against shame to say "I'm not doing gross fandom stuff like those gross fandom people! I'm a real historian!" And I get why people are like that, cause it's really painful when your fandom interests are treated as inherently invaluable or not important. But by trying to differentiate in that way you're just reinforcing the very thing you're trying to escape and shitting on everyone in the process.
Then I see people who just...are personally offended when you have a different interpretation of a historical character than they do, as if it's not okay to prioritize different things or look at evidence differently. And of course there's an element of hero worship that a lot of people here have for those figures, instead of recognizing that they're just as much clown as the rest of us, and it certainly doesn't help that America tries it's hardest to make these regular dudes into God-like mythical figures.
This blog here memes a lot about Aaron Burr, but he was p shitty to his wife when she was sick, in period typical fashion (basically "you're sick because you have a bad mindset!" Aaron bby stfu you're not a doctor.) People are always going to be deeply flawed. And these figures don't need you to defend them when it comes to shit they *actually* did wrong. You aren't going to meet them one day to get their gold star of approval for defending them enough times on the internet. When they did something fucked up, you can acknowledge it and just move on, if you want. But acting like everybody has to come play Barbie doll with you in exactly the way you want...that's schoolyard bully behavior.
And I want to be clear, it's totally fine to just play with these guys like barbie dolls! If you want to write cinnamon roll Washington fic, there's nothing wrong with that at all! I go back and forth between writing cinnamon roll stuff and history compliant stuff (and egrigous porn). And I don't think one is inherently more valuable than the other. The issue is when you try to tell others that they need to play with a specific barbie doll in *your* way, or that what they're doing is inherently invaluable.
Everyone can just...play in their sandbox. And if someone doesn't like a character you like? That's okay! They're allowed to not like them, just like you're allowed to ignore them.
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sparkedblaze · 11 months
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Hi!!!! Welcome to the shit show
⚡️Hey! I'm Blaze or Sparky or any number of nicknames you wanna give me, I'm not really particular
🏳️‍⚧️My pronouns are he/they, but idrc as long as you don't call me she/her ♋18+ 👍🏼Writing, math, escape rooms, logic puzzles, movies, youtube, Dr. Pepper (I have an addiction to the stuff) 👎🏼Rootbeer, bugs, slimy things, loud noises, crowds, going out in public, getting wet 💔Triggers: S/A, S/H, bugs, clowns, SPIDERS (anything with more than 6 legs shouldn't exist, and 6 is already pushing it)
🤬I curse so please use caution
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✍🏼What/where I write: Newsies on AO3 Harry Potter Mauraders on Instagram
🎨More arty things: LinkTree Omg Newsies as Vines
🚫DNI: TERFs, -phobes, racists, anti-, yk this list could go on forever just don't be an asshole
🪭Fandoms: Newsies (1992, Live, and West Endsies), Harry Potter, Percy Jackson, My Hero Academia, Haikyu!!, Sk8 the Infinity, Hamilton, In the Heights, Heathers, Be More Chill, Six, 21 Chump Street, Legally Blonde the Musical, Mean Girls the Musical, 9-1-1, West Side Story, Cats the Musical There are probably more
🎶Favorite music: Age of Madness, Newsies, In the Heights, Alec Benjamin, DCOM soundtracks
🗣️Characters I can and will talk about for hours: Any newsie (but especially Albert, Elmer, Jack, Davey, Les, Mush, the Delanceys), Peter Pettigrew, Severus Snape, Sturgis Podmore, Pandora Lovegood, Leo Valdez, Luke Castellan, Frank Zhang, Dabi, Shoto Todoroki, Iwaizumi Hajime, Nishinoya Yuu, Kojiro Nanjo (Joe), John Laurens, Pip Hamilton, Usnavi, Benny, JD, Heather Chandler, Michael Mell, Katherine Howard, Anne of Cleves, Justin Laboy, Emmett Forrest, Janis, Christopher Diaz, Athena Grant, Mouthpiece, Balkan, Baby John, Pouncival, Tumblebrutus, Mungojerrie and Rumpleteazer
🎙️Relationships you couldn't get me to stop talking about if you tried: Spralbert, Javey, Blush, Pink Flowerpatch, Xenora, Percabeth, Frazel, Hot Wings, MatchaBlossom, Lams, Boyf Riends, Buddie
🫶🏻Mutuals:
@caw-salem Fuck u roomie 🥰
@the-lavender-lapin My babyyyyyy🩵
@emmedoesntdomath even tho you make fun of me for liking math😤
@noxexistant my Delancey bestie 😭
@stocksonromance RARARARARARARRR🐈
@raggedy-albert My fellow Albert enthusiast 🧑🏻‍🦰
@lilshocker8 CAPTAIN OF THE TOMMY BOY PROTECTION SQUAD 🫡
@kellyscowboy UR HCS ARE SO GOOOOOD
@hexmari LOML MY PFP ARTIST IM GROVELING AT YOUR FEET
🧐Special interests: Newsies, dinosaurs, DND
🎉Fun facts:
I play DND
I like math because I understand it almost all the time (and if I don't I can usually look it up and figure it out), words are hard
I live in the Bible Belt of America (please save me)
I'm in CST
I have a dog that only has 3 legs, his name is Porch
I have anxiety, depression, bipolar II
I have a lot of the symptoms of autism, but am not formally diagnosed bc I can't currently afford a therapist
🕳️Current hyperfixation: Diamond paintings, cross stitch
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yr-obedt-cicero · 2 years
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Not every historical piece of media needs to be completely accurate to be enjoyed.
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goomymegpoid · 4 years
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So I've been seeing a whole lot of people talking about Hamilton's revisions of how we view history, and for everyone who refuses to listen to black people and the problems this has caused them, maybe you will listen to the facts, which are of course that black people are right! And I have a simple solution for you to rid yourself of the bullshit revisions of history that came out after the musical!
Search Filtering!
sadly this only works for the desktop site, but you can get that on mobile
1.) Click the tools
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2.) Theres a drop down for times, this means when the article came out. Click that.
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3.) For this particular search we need custom times, so click that.
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4.) So apparently Hamilton came out in 2015, so would say make the filter til 2014 just to be safe. You don't need a beginning filter I don't think for this.
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5.) Bam. Look at that. Its like we were transported to a time before the musical, a happier time, were there wasn't racist historical revisions being presented as fandom. Isn't it great?
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This is the easiest way to get the musical-induced bullshit out, but I'm sure there's still some shit in there. Use your brain, on the off chance you have one.
So if you can't listen to black people like a normal person, allow past google to tell you the exact same thing they've been telling you!
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drowninginblox · 4 years
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Thrown into it(3)
Part 3- I don’t think I am
Hamilton- the musical- enforced in me many lessons. Many of which I took to heart. One of them being that every action comes with an equal, opposite reaction. I guess that's why once Nighteye was done evaluating my life, he ordered the police to escort me to the nearest government facility. Bastard must’ve seen all the shit I’ve done to his not so biological son- Mirio- and his friend. Lowkey don’t regret it though. Tumblr fanfics are the shit.
The ride there was awkward to say the least. Not because of the quiet, I did my best to stir up some conversation and light up the bleak situation. I mean yeah, there were only two officers and a pro hero in this van with me, not much to do anyways. I The pro was more interested in what was going on outside than me while the officers where stone cold. I was expecting that from Rock Lock but c'mon not all the side characters had to be dead inside like Tokoyami. 
“Hey um.. You guys like Jazz?”  I asked. I couldn't tell if the cops even glanced at me because of their visors but I kept going. “Back home a lot of people would laugh at that.. or just cringe now that I think about it.” I glance out the tinted windows. Apparently where I was being held was in the dense city. Which one I didn't know. Now we were somewhere into the country since there were more trees than people. “I don't think you guys are allowed to tell me where I'm going, but can I ask you if there is good food there?” I glance back to see one of the men smirk for a moment. At least where I'm going isn’t all deprived of humanity. “Hopefully they have KFC there.” I added while glancing back at them. No response.
My thoughts washed over me after that. First thinking about the little things like how the car was just warm enough, then to outside, but then all plummeted when I saw the sun. It's so bright, kind of like Mirio’s smile. Wait- Mirio- what would happen to him? Is he’s gonna lose his quirk still? No. No that can't happen! I refuse to let that happen! I mean Eri is cute but no way in hell is he gonna be a glorified babysitter, waiting in the wings until the plot calls him forward. I gotta do something! I can't just sit and watch his life be torn apart! “Hey, kid? You alright?” one of the officers asks from the front of the vehicle. I blink in surprise. Huh, why are my eyes watering? “You were crying. I just wanted to know if you were still with us.” I hesitate before feeling my cheek. Damn these handcuffs. They were right, it was damp and my cheeks felt a little hot. “Mfine, I just need to talk to Sir Nighteye.” From the corner of my eye Rock Lock glances at me. “Why?” he inquired at my request. My hands shook a little out of intimidation. Man this guy had one hell of a stare. I gulped before catching myself. I couldn’t just outright say what was gonna happen but at the same time i cant just let too many people get hurt! “L-look- it’s complicated. And even so, I don't think you’d believe me.” From his seat he scoffed out “Try me kid. I heard a lot and saw more.” I glanced ahead at the guys in the front seat. The one driving seemed to have his eyes glued to the route we were taking while the other was looking through the rear view mirror. A sigh escaped me. Fine lets see how much crazy this guy has seen. “You wont believe me but, this is all a manga- where I’m from that is.” The guy looking back at us cracked a smirk and shook his head slightly. From the corner of my eye, Rock Lock held his forehead in his right hand in an exasperated fashion. “Why do I get the crazy ones?” He mumbled under his breath. I don't even try to argue. My head slowly fell, my hair getting into my face while my vision grew cloudy. “I told you so. Noone will believe me.” While time passed tears fell. I still couldn’t grasp it. I didn't bother to scream or cry out for help since it would only hurt me in the long run. Thoughts of my family ran through my head. Smiles, tears, laughs, hugs, smells, and plenty more things I will never experience again hit me. Each time I would scrunch into myself more and more. “I’ll never see my family again..” I mumbled. 
“What do you mean?” I hear the pro ask. “What is there to explain? I will never see my family again. They don't live in the 22nd century it they somehow existed. Was it the 22nd? There is so much to know about this universe. It kinda gets jumbled together after a while..” I looked down at the floor of the car for a bit when it suddenly stopped. “We’re here.” One of the guys stated, a moment later the door on my side opens. I look to see Nighteye and Mirio accompanied by many swattmen. “Come with us.” The older of the two ordered. I look back at Rock Lock before I turned back to the pair. Mirio held his hand out for me to take. As scared as I was for what was coming, I took it. 
Automatically a warmth overcame me kind of like entering a cabin after trekking through a snowstorm. “Will you guys hurt me?” I asked while Mirio helped me down. “Not unless we’re forced to.” Night eye confessed. “But seeing as you don't know fully what's going on, I don't think that will be necessary.” I nod. Looking back on it i should’ve been offended but that wouldn’t have helped my situation. Through his response my gaze couldn't be removed from Mirio. The same could be said for him on me too. I can't explain why but I had the sudden urge to look him over to make sure he was okay. And once that was done I was glued to his eyes. They’re so simplistic why was I staring at them? Can't for the life of me tell you why he was staring at me though. This thick chick cant get the attention of no guy unless they wanted to judge me. “Excuse me?” A short, bald, man in a lab coat breaks the..moment? Is that the word? Whatever was going on between Mirio and I. “You must be one L/n Y/n if I'm not mistaken?” He asks with a smile. His bushy mustache raises a little. “Thats me..” He reminded me of the doctor in Izuku’s flashback. Was this the guy that was stirring up all that drama in the fandom a few months ago? Something to do with his name right? “Well if you’d follow me, we can perform a physical and psych  evaluation on you before the pro’s ask you a few questions. If you’d follow me?” Glancing back at the crowd of people I nodded and followed, unaware of what will result from this.
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hotniatheron · 4 years
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thots on. hm. name your least favorite trends on Tumblr edu and why theyre your least favorite (like the Elias fetishist thing. btw im coming out as an evil old man fetishist)
1) absolutely cannot stand when people find out someone doesn't like something they like and have to go bother that person about it. Like just bitch about it on your own blog like the rest of us. Don't complain to me either idc.
2) people who run and tattle to creators or showrunners or big name blogs about others doing mundane shit....like talking about spoilers in a spoilers tag...annoying
3) whoever jumped up my ass because I said disney was making a hamilton movie and spent 10 minutes trying to tell me off for not clicking thru on an article...please find some other musical to be that aware of 🙏 I don't care. You theater gays are all so annoying god bles, glad you're having a good time.
4) tumblr having the same discourse every 3 months like clockwork...will y'all please get your Queerly Bugle news somewhere that isn't 35 year old anti-antis on here.
5) If your celeb crush is an ugly man, just own up to it. I have like 5 of them. Get a grip. You can be sexy and ugly. That being said, you Timotea Chatroulette fuckers are out of your minds.
6) I block people that I think are annoying ans I don't think that should hurt people's feelings because I know I'm annoying and some people on here are just in people's business and notes like they know me and it's like? Do I look like the RQ team to you? You need references for me to tell you anything. But also this website does not matter and if you get a hobby of any sort outside of fandom that's good because then you you won't take shit so personally.
That's all 😌
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itsclydebitches · 5 years
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You mentioned piracy in a recent post and I'm curious. How do you feel about pirating things you simply don't have access to? For a very long time the anime Evangelion was not available anywhere new. Your options as a American were to either buy expensive used DVD's or pirate it. Even Crunchyroll didn't have it. Eventually a Japanese (no subtitles) blu0ray release was made, but it was costly. Finally Netflix got the rights to host it. Before that though could you fault anyone for pirating it?
Overall I’m solidly pro-pirating media because every interaction with a text comes down to the same question: Can I buy it or not? If you can buy it then you give money to the artists who rightfully deserve it and that’s fantastic. However, if you can’t buy it and abstain from engaging with the media at all you’re potentially losing more than just your own enjoyment. What does that mean? It means that: 
Maybe I wasn’t able to pay to see the first film, but pirating the first got me interested in the series so now, two years later, I’m paying to see the second when I have more funds. 
Maybe I wasn’t able to pay for the monthly streaming service hosting this TV show, but now that I’ve pirated it I’m buying related merch. 
Maybe I wasn’t able to buy this book, but I downloaded it, told all my friends about it, wrote a positive review, and potentially set the stage for other copies to be sold. 
You are, in short, functioning like a fandom: you created a thing, I love the thing, I’m going to ‘pay’ you for that thing in ways other than cash and credit. 
Pirating isn’t quite the same thing as walking into a store and snatching a book off the shelf. In that scenario you’re harming the author’s potential (or expected) revenue as well as the very real costs that the store put into buying that book in the first place. When you pirate you’re only cutting into those potential profits--profits that still wouldn’t exist if you’d said, “Well I can’t pay for it so I won’t watch/read it at all.” Now, I want to emphasize that none of the above examples are a justifiable replacement for funds. There’s a reason artists on tumblr rightfully say, “No. You’re paying me for my commission. ‘Exposure’ isn’t a valid form of payment.” What I am saying is that there’s a massive difference among a) not being able to pay for a show created by a major corporation so you gain nothing and give nothing back, b) pirating that major show and giving back in the ways that you can, and c) trying to “pirate” art off of a 21yo college student who’s just looking to buy groceries. Yes, every artist deserves to be paid for their work regardless of whether they’ve sold two copies or two million, but---while a lovely and worthwhile sentiment--that doesn’t acknowledge that a lot of people just can’t. That money isn’t going to end up in the artist’s pocket regardless. 
Ignoring for a moment the fact that a good chunk of us are Millennials/Gen Z and can’t pay for shit anyway, other reasons you might be inclined to pirate include: 
You literally do not have access to this. At all. I’m a grad student out in Ohio. There is no way I can pay/take the time to go to NYC and see Hamilton play. I can, however, download a recording of the show and then buy the soundtrack. 
Similarly, costs are not always just the cost of the media itself. My closest movie theater is a small, non-profit place that doesn’t always play the latest blockbusters. The closest AMC where I could see those blockbusters? That’s an Uber drive away. I can’t afford that on top of a $10+ ticket. 
As we’re seeing now, most people can’t afford to pay a monthly fee for multiple different streaming services. The content isn’t all in one place? We’re only going to pay for a portion of the content then. Just buy cable? Distributors need to acknowledge that we’re moving away from that format too. Most people don’t want media laden with commercials anymore, or media that requires equally expensive, specialized tech to play it on. “Specialized” here meaning it only exists for entertainment. I need my laptop to do my job. Being able to watch stuff on it is a bonus, but I’d need to pay for a laptop whether it could play films and TV or not. Actual televisions though? They only exist as a form of recreation. They’re a pure luxury. 
A common rebuttal here is, “Just buy the DVD.” Except, as said, I don’t own a TV. And Mac took out their DVD player in order to produce another expense by forcing people to buy it separately. Which I haven’t done yet. So not only are DVDs functionally useless to me at the moment, but it’s the same issue as above: the overall price is far more than the cost of the media alone. 
Sometimes---as you point out, anon---the material is simply not available in your country. It might never be available. Maybe it will be, but that’s years from now...and telling someone to wait years to see the thing all their friends are currently invested in is not the most compelling argument. 
Also yes, sometimes media stops being produced and the price skyrockets. I’ve had books I desperately wanted but they were well over $100 used for an otherwise cheap paperback. (Funds that, notably, also wouldn’t be going to that original author, editor, cover designer, etc.) 
People have always had a complex and murky definition of what amount of profit is “enough” for an author. And we need to acknowledge that. Because if we all collectively believed that every individual really had to pay for their own access than we would never lend books to friends. We wouldn’t sell used. Or allow music on Youtube. Or have libraries. No one would ever share their Netflix login. We would be far more concerned with eliminating ALL forms of “free” access if we were truly that concerned with a 1:1 transaction. Whether people want to admit it or not, there’s a middle ground between “making sure an author is fairly compensated for their work” and “making sure that people have access to the media at all.” 
It all comes down to how you’re defining that fair compensation and yes, I do think it makes a difference who the author is and what sort of compensation you’re offering. I buy all my books because pirating those tends to do more damage than pirating TV. Complicating that, I have a Netflix account and watch One Day At a Time there because they need ratings a whole lot more than Breaking Bad does. However, I pirate John Oliver because I can’t afford an HBO account on top of a Netflix account. 
Which brings us to, “Then you shouldn’t watch John Oliver at all. That’s a privilege, not a right, and if you can’t pay for it then you don’t get it.” But here’s the thing: media is important. We do need it. We need stories, almost as much as we need food, water, and shelter. It’s easy to say, “You can’t pay for the Popular New Thing so you don’t get to engage with it” and a lot harder to convince people that they should accept that situation when they’ve found access to it another way. 
You know all that research proving that when given a basic income most people still choose to work? Same principles apply. When people have access to money they will spend it on entertainment. Always. I buy books. I go out to the movies. I buy music on iTunes. I go see plays when I can. But the “when I can” portion is a complex and, for many people, rather rare scenario. I guarantee you, it’s not a dystopian future of, “If we accept piracy then no one will ever buy anything ever!” because most people want to pay artists. They want to support films like Captain Marvel. They want to buy a hardcopy book to put on their shelf. They want another copy of that film to gift to a friend. But there are times when they simply can’t do that... so what are we left with? The issue is much less a moral one than a practical one. It comes down to that original question: Can I pay for it? Most people don’t go, “I can pay for it but am choosing not to because I’m a horrible, greedy person.” They go, “I can’t pay for it so you’re not getting my money regardless. The only question now is whether I’ll lose the enjoyment of your art and you’ll lose anything that I might have given back---even if what I have to offer doesn’t mean as much to you as money.” 
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