How Do I Love Thee?
-Wilfred Owen (1893-1918)
I cannot woo thee as the lion his mate,
With proud parade and fierce prestige of presence;
Nor thy fleet fancy may I captivate
With pastoral attitudes in flowery pleasance;
Nor will I kneeling court thee with sedate
And comfortable plans of husbandhood;
Nor file before thee as a candidate….
I cannot woo thee as a lover would.
~
To wrest thy hand from rivals, iron-gloved,
Or cheat them by a craft, I am not clever.
But I do love thee even as Shakespeare loved,
Most gently wild, and desperately for ever,
Full-hearted, grave, and manfully in vain,
With thought, high pain, and ever vaster pain.
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this is a classic exploration of "an explanation for a villain's actions" as opposed to "an excuse," but
magnifico's trauma from the kingdom he lost long before ever building rosas is exactly what bleeds into his insanely severe and over-the-top reactions to insubordination of any kind. his previous kingdom fell because of an uprising: because the populace rioted, and the response turned into an outright civil war that burned the kingdom to the ground by the end of it
innocent lives lost. good people left homeless and in despair. he's never healthily recovered from the mark that left on him, and so he is prone to lashing out (and straight-up flying off the handle, jeezum crow) when anyone so much as questions him because his brain makes crazy leaps in logic: the moment anyone starts questioning their ruler, getting ideas that go against the ruler's ideas, a seed is planted that can grow into the worst possible outcome. this is precisely why (on top of sporting a massive ego) magnifico does not tolerate transgressions—even innocent ones that really shouldn't be considered a transgression
here comes the irony though: in all his efforts to prevent this from happening, he still gets a similar outcome. the people of rosas still rise up against him. a conflict breaks out because he's tried so desperately hard to stop it. self-fulfilling prophecy. ✭
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[FIC] i burn for you
fandom: extraordinary attorney woo
pairing: youngwoo/junho
tags: canon universe, fluff, post-ep 10 what if, aka what happened after the screen faded to black, romance, first kiss, jane austen would have loved junho, yes the title is this is reference to bridgerton you can’t tell me it doesn’t fit, they just !!! love each other so much you know??, love confessions, heart-to-heart, vulnerability
summary: “Junho-ssi,” Youngwoo breathed out, voice still raspy. It was almost as if just the effort of speaking itself was hard to do. Yet she barreled on before he even had a chance to reply. “Was I…did I…” a brief look of frustration crossed her features, making her eyebrows draw together in concentration as she searched for the right words to say. “…was that…okay?”
Junho shows Youngwoo just how 'okay' that kiss was. aka 2k+ words of pure tooth-rooting fluff
preview: He wanted to remember this moment—and every other moment he had with Youngwoo—for the rest of his life. He never wanted to forget the way she tasted, never forget the way she took one step forward when he took one step back, never forget the way she blinked up at him, so earnest and trusting, asking him for his pointers. And he would never forget, for as long as he lived, the way she opened her mouth and kissed him back so softly as if he was something precious and worthy of her love.
Read my fic here on ao3!
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questions that only your mind can answer:
1. suguru as a poet. y/n? if y, who do you think his favorite poet would be?
2. what siken poem is the most sugu coded?
3. if satoru was a type of poem what kind would he be and why?
thank you for your time my ari.
WAHHHHH MY IO……… 🥺🥺🥺 you have no idea how loud i squealed when i saw this LMAO thank you sm for giving me an excuse to gush over stsg and poetry at the same time i feel so privilieged 😭😭😭 UMMM UM LET ME THINK!!!!
1/ first off. BIG yes. huge yes. he’s so poetcoded it makes me ILL. io i’m convincedddd that this man would be a literature major and i’m not just saying that bc i’m biased ok…. i just feel like he would have a fondness for the arts yk :33 particularly writing. i can picture him as a poet so easily bc everything he does and says is flowery and soft…. poet!sugu would make us swoooooon
i’m a bit sleepy rn so at first i thought you meant y/n as in like .. The Reader 😭😭 BUT THEN I STARTED THINKING ABT POET!READER TOO AND. wow. theee power couple ever !!! aaa io he’d be so perfect :((( sugu would be such a supportive bf no matter what his s/o did for a living but w any kind of writer i just think he’d be so Good. proofreads for you all the time!! he’s your most loyal reader… your biggest fan…. reads alllll your little poems when you’re away and he misses you :((( and he writes you his own !!! they’re so mushy and pretty and sweet…… hhhh. he’s just. the best!!! T_T brags abt your writing to satoru alllll the time but doesn’t let him read any of it w/o your consent (maybe even with it LMAO)… i just think he’d feel so honoured if his shy little poet!s/o only let him read their works :’3
nooo i’m not projecting at alllll… wdym…..
OOOHH AND AND. his favorite poets!!! as much as i’d love to say siken i don’t think that’s really his style. suguru strikes me as the type to enjoy very flowery writing, a bit musical-leaning in the rhythm and structure and stuff!! also season-based…. i’m thinking verlaine and rimbaud and nakahara. french symbolist poets and anyone inspired by them!! as for a more modern example i think he lovesss mary oliver and louise glück :3 october is one of his favorites!!! these lines remind me a lot of him….
Summer after summer has ended,
balm after violence:
it does me no good
to be good to me now;
violence has changed me.
This is the present, an allegory of waste.
So much has changed. And still, you are fortunate:
the ideal burns in you like a fever.
Or not like a fever, like a second heart.
This is the light of autumn; it has turned on us.
Surely it is a privilege to approach the end
still believing in something.
hmmm….. a part of me wants to say he really enjoys frank bidart too. the war of vaslav nijinsky makes me think of him!!! :0 the themes of morality and guilt.. especially this line for some reason:
romola. diaghilev.
i have eaten the world.
maybe it’s bc of his ct but . i just feel like he’d enjoy poetry abt hunger and eating in a more abstract sense… devouring…. etcetc. it’s a big contrast to the usual nature-based flowery prose he reads but sugu loves having his contrasts so. i think it makes sense!!
all in all i think he has very good taste. he’s not afraid to dip his toes into other genres either!!
2/ IO . 🥺🥺 MY SWEETHEART….. i literally cried i can’t believe you’re indulging me like this i started shaking w excitement……… i just went through crush + war of the foxes and if i had to narrow it down to just a single poem (<- extremely difficult task!! pls be proud) it’d have to be…… little beast.
if i had to sum this poem up with two words they’d be violent and tender… which is the case for all of siken’s poems tbf 😭 but that yearning for tenderness in the midst of violence is just so, so evident here. it always guts me. there are softer poems that i’d compare suguru to, but if we’re talking about canon suguru, his connection to satoru, his fate and ideals and desperate yearning for love… then i think this one is the most fitting.
obv this is tied to my own interpretation but!! at the end of the day. i see suguru as someone who craves tenderness. he craves love and intimacy and what drove him to his breaking point was the realization that he wouldn’t get it without slaughter. i think that line between violence/gentleness drives him insane but he has no choice but to tiptoe around it. and that’s what this poem makes me think of. some lines remind me of stsg and that dichotomy in their relationship, others just of suguru and his mental state…. and also his charm. that dangerous edge to him. the contrasting softness. the poem gets more violent as it goes on but the love never fades and that’s what really gets me.
the radio aches a little tune that tells the story of what the night is thinking. it’s thinking of love.
it’s thinking of stabbing us to death
and leaving our bodies in a dumpster.
that’s a nice touch, stains in the night, whiskey and kisses for everyone.
someone once told me that explaining is an admission of failure.
i’m sure you remember, i was on the phone with you, sweetheart.
i know history.
there are many names in history
but none of them are ours.
you could drown in those eyes, i said. the fact of his pulse, the way he pulled his body in, out of shyness or shame or a desire
not to disturb the air around him.
you could drown in those eyes, i said,
so it’s summer, so it’s suicide,
so we’re helpless in sleep and struggling at the bottom of the pool.
more frequently i was finding myself sleepless, and he was running out of lullabies.
but damn if there isn’t anything sexier
than a slender boy with a handgun,
a fast car, a bottle of pills.
we pull our boots on with both hands but we can’t punch ourselves awake
and all i can do is stand on the curb and say sorry
about the blood in your mouth. i wish it was mine.
i couldn’t get the boy to kill me, but i wore his jacket for the longest time.
…… honourable mentions to landscape with fruit rot and millipede + birds hover the trampled field + snow and dirty rain
3/ aaaand finally !!! this question was kinda tough… but soooo much fun to think abt. <33
i think satoru is the kind of poem that stays with you forever. the kind that pulls you in with a really gripping opening line, forces you to read it all in one sitting, and then you’re left wondering what the hell it was even about. flowery but with no real substance until you dig really deep, and then it’s all you can see. the kind of poem you could pick apart for hours and hours……. a real gem. but it’s comforting, above all else. he’s like a collection of poetry that makes you smile just to hold it!!! :>
now !!! some questions for you !!!!! >:3
how do you think satoru would be w a poet!s/o?
any thoughts on poet!nanami..? 👀
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From “The Literary First-Aid Box” by Marina Boroditskaya
Cordelia, you fool! Would it have been
that hard to yield to the old man?
To say to him, ‘I too, O darling Daddy,
love you more than life.’ Piece of cake!
But you wanted him to work it out on his own —
who was the best of his daughters. Proud fool!
And now he’s dead, you too, everyone’s dead.
And Gloucester! Oh the bloody horror —
his eye-sockets — the scene of the blinding —
fingers leafing quickly through the pages
as if through plates of red-hot iron...
Here, read it now. I’ll turn away. You weren’t there
in that Act, were you? Go on, read it,
look what you’ve done, you stupid little fool!
Alright, alright, don’t cry, but next time
make sure to be more stubborn, and resist the author:
Viola, Rosalind, Catherine,
they managed — why wouldn’t you?
Like a puppy, pull him by the leg of his pants
with your teeth into a comedy! The laws
of that genre will lead us out into light... Here
wipe your nose and give me back the hanky.
I still have to wash and iron and return it
to a certain careless blonde Venetian
in the next volume. I’m sorry I told you off.
Best regards to your father. Remember: like a puppy!
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