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#MAKE ONE DECISION
puirell · 7 months
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feels like a good time to bring this back
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tikklil · 3 months
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Red riding hood boys
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percki · 1 month
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‘why would zuko do that’ he is sixteen years old. ‘i don’t understand zuko’ are you or have you been sixteen years old. ‘zuko just makes bad decisions’ he is sixteen years old. ‘zuko burned down kyoshi island’ he’s literally sixteen years old. ‘zuko kidnapped a twelve year old and dragged him through the snow for hours’ yeah sure but he was sixteen years old. ‘zuko hired an assassin to capture aang, and said assassin went rogue and attempted to kill everyone’ yeah well he’s not good at critical thinking. he’s sixteen years old
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petricorah · 1 month
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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"horror movie characters make unrealistically bad choices" ok but what if it's a couple on the verge of a nasty, nasty divorce? they keep egging each other on to make the worst possible decisions in a time of crisis. there is a whole subplot where each character is trying to escape while ensuing their spouse still gets murdered bc it would save thousands in lawyer fees
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newttxt · 7 months
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i was talking extensively with a friend about reiju’s delicate balance of caring/emotionless and her relationship with sanji
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pucksandpower · 21 days
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… and so it continues.
The way that Williams Racing has nearly completely lost the lovable underdog reputation they have carefully cultivated over the last few seasons in record time needs to be studied.
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boxbot · 1 month
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PROTOTYPE,,,, SAVE ME PROTOTYPE,,,, PROTOTYPE SAVE ME,,,,,,,
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uncanny-tranny · 3 months
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You know, I'm not a cheerleader for cis people who get gender-affirming care (especially if it's "gender nonconforming," such as a cis guy who gets vaginoplasty) because I think cis people are superior or that they should be coddled, but rather, because I don't want people to respect my gender-related care simply because I'm trans. I want people to respect my bodily autonomy because... I'm a human person. It sometimes feels like people want you to prove that they should respect your bodily autonomy, and that's something I fundamentally despise.
I shouldn't need to be open about my transness in order to be respected because... that's not information you're inherently privileged to, nor are you entitled to somebody's transness/gender situation in general. I prefer that we start seeing gender care as something that isn't "for" one group of people when that's not how the world will work, y'know. There will always be people who seek specific care no matter what or who they are, because they're human people who can make decisions.
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ignitesthestxrs · 5 months
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
#tlt#the locked tomb#i don't really have an answer lmao this is more#an expression of frustration and discomfort#over the way posts about john gaius seem to have very little connection to the background muir actually gave him#like you cant describe him as an educated leftist bisexual man#without INCLUDING that he is māori#that has an impact! that has weight and importance!#that is a background to every decision he makes#from the meat wall to the nuke to his relationship with the earth#and it also has weight and importance in the decisions that muir makes in writing him#it is not a neutral decision that he's known as john gaius lmao#it's not a neutral decision that the empire is explicitly of roman/latin extraction#it's not even neutral that this is a book about necromancy#it's certainly not a neutral fucking decision that john was at one point a māori man living in the bush#when the nz govt decided to send cops in#like that is a thing that happens here! that is a reference to nz cultural and political events that informs john's character and actions#and with the nature of who john is in the story#informs the narrative as a whole#and i think the tiresome part of this experience is that#in general#americans are not well positioned to understand that something might be being written from outside their experience as a default#like obviously many many americans in online leftist & queer spaces are willing to learn and take on new information#but so much of the conversation starts from a place of having to explain that forests exist to fish
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courfee · 5 days
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“Regulus would be proud of us,” James whispered quietly to no one in particular, still gripping onto the painting like a life raft. 
— Tender Curiosities, Baby!  @otrtbs
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ironinkpen · 11 months
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The interpretation of Rise Raph as a 'perfect responsible soft boy uwu' is so BORING I'm sorry, Raph is a rowdy adrenaline junkie with anxiety and I won't take this slander any longer
Raph secretly kept an enemy soldier in their actual literal house as a sparring partner. Raph glued his brothers together and dragged them out to fight crime. Raph once asked Leo to punch him in the face to prove he 'takes damage like a boss.' Raph tried to lift a school bus, twice. Raph offered to help his favorite wrestler beat his little brother up. When Leo suggests evacuating Bullhop, Raph says no bc the best defense is a good offense babey. Raph's idea of a 'friendly chat' with April's upstairs neighbor is to put on a black ski mask and go stand menacingly at their door. It takes Raph 10 episodes to conclude that they should MAYBE start training. Raph's plan to get a potentially priceless (and potentially FRAGILE) museum artifact is to punch a car in the middle of a busy street and also cut it in half with his brother still inside.
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Raph's never met a problem he wouldn't try to punch in the face and does not know the meaning of the words 'excessive force.' He roughhouses with his bros and drags them out to fight villains and thinks any plan that doesn't involve an all-out brawl is boring and lame. He'll do anything to protect his family from harm and be a hero, but also he eats wet salami off the floor and once single-handedly destroyed a library.
I just adore how, at his core, Rise Raph is such a classic Raph—impulsive and stubborn and caring and passionate. He is a very sweet, strong, honorable guy who has a very powerful sense of personal responsibility... and he is also the exact kind of jock who throws you in the pool at a party without checking if you have your phone in your pocket first.
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zahri-melitor · 5 months
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Thinking about the decisions made by Tim and by Dick at the end of Battle for the Cowl again, and I just realised this is one of the few moments when Dick and Tim’s instinctual reaction to a situation flips and they take the route the other usually chooses.
Because Dick’s maxim since 1980 or so has been that, when situations get bad, you can walk away and leave. Your problems can be left behind. People will cope without you. When things get personally stressful, Dick generally leaves. (Leaving Bruce to become Nightwing after the you’re fired/I quit conversation, walking away from the Titans after his relationship and wedding fell apart with Kory, going to Bludhaven to establish his own separate identity after reuniting with Bruce, wandering in a daze after Blockbuster dies and then running off to join the mob, the manner in which the Dick/Babs breakup(s) are structured, needing the World Trip Cruise after Bludhaven is bombed, etc)
While Tim’s choice in bad situations has generally been to cling, to stay and hold things (hold people) together, because if he doesn’t take on the role, who will. Tim worries that without someone stepping up, things will fall apart. (‘Batman needs a Robin’, staying during Knightfall and Knightquest, coming to No Man’s Land to pull the city back together, returning to Bruce even after his 16th Birthday, returning to Robin during War Games, even going to Bludhaven after War Games is holding Bludhaven together for Dick while he’s not able to do so, to go on the World Trip Cruise to keep an eye on Bruce and Dick, to try and clone people/resurrect people because he’s clinging to their memories).
But then we hit the start of Batman Reborn. And Dick makes the decision to stay, to hold Gotham together, to hold Damian together, a decision that usually you would see Tim make.
And Tim chooses to leave, to believe that Dick and Gotham can cope without him, while he prioritises something else (the search for Bruce).
As characters, Dick and Tim have been arguing over this point for 34 years now, and it’s fascinating to see that on one of the big occasions when the decision flipped, they both ended up on the opposite side to usual.
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himehomu · 6 months
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With Walpurgisnacht Rising coming in 2024, I want to talk about something that has been bothering me since Rebellion. It was never the “plot twist” of Homura separating Madoka from her godhood nor her taking those godlike powers for herself thus becoming the devil. It was always people's reactions to Homura doing this and the way they based her entire character around this specific moment that really rubbed me the wrong way. Saying she's a selfish monster who's trapping Madoka in a fake world for her own personal gain or that she's taking Madoka's agency away from her and making decisions for her that directly rebel against what Madoka wants... And, to that, I just want to know.... do literally any of you know what Madoka actually wants or are you just basing her character around her sacrifice?
Yes, it was for the benefit of all Magical Girls and yes it freed them from their cycle of selling their souls in the name of hope just to die at the hands of their own grief and despair, but Madoka didn't plan to abruptly cease to exist at the cost of it?? She didn't want to be stuck between life and death only existing as a deity meant to eradicate Witches for all of time. Madoka wished to erase Witches before they are born from the past, present, and future. Going back years upon years in time, destroying Witches and mercy killing Magical Girls; fighting forever, past and future, for all time. Ceasing to exist as an individual, only able to materialize and interact with someone when they're dying of grief and sadness and pain; relieving them of that pain so that their last moments won't be in agony, so they can die in peace, but there's none of that for Madoka. There's no death, no closure, no release, no freedom from this hell of being a weapon and nothing more.
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But, Madoka would never voice these struggles and frustrations. Because Madoka isn't that kind of girl. She's the kind of girl who shoves all of her problems down and bases all of her self worth on how much she can do for others, how happy she can make others, and how useful she can be. She forces a smile and masks her pain because she doesn't want to burden anyone with her problems. She puts herself down constantly, risking her life trying to help others because she cares so little for herself. Without being useful, she believes her life has no value. And Homura knows this. Because Homura knows her. I feel like most people take Madoka's bright pink colors and smile at face value and don't realize she's chronically depressed. That's why in the first timeline, she and Homura naturally got along so well: they were both girls who hated themselves and based their self worth on how they made others around them feel, both self-loathing girls who deem themselves worthless if they're not useful in some way. Madoka was just better at hiding it than Homura was. And she still is by the 100th loop.
But, in Rebellion, when her memories of being a god are taken away from her, and she's given a hypothetical scenario of her fate, she says "wow that sounds awful and scary and lonely and I would never do something like that." The Flower Field scene is one of the most brilliant and misunderstood scenes in all of anime. Majority still to this day argue that, since Madoka doesn't have her memories, her words hold little to no weight, and Homura is simply hearing what she wants to hear. So, naturally, they disregard what Madoka is saying, assuming it's just Homura being selfish. And that's where they mess up. Because, the fact that Madoka doesn't have her memories here is the whole point! Homura is already well-aware that if Madoka had her memories, her self loathing would result in her caring so little for herself that she sacrifices herself every time which is why immediately after Madoka's words, she assures Madoka that she is indeed "strong enough to make that decision." Homura just wanted to confirm if Madoka would still miss her life pre-godhood in spite of that, which she outright says she does.
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There are also arguments that Homura was somehow influencing Madoka in the labyrinth aside from just not remembering becoming a god, but Shinbou already stated in an interview that this wasn't the case, and that these were Madoka's honest words. In fact, Madoka's true feelings regarding her godhood are revealed for the first time within the lyrics of Madoka's character song (sung by her VA Aoi Yuuki) that played as the ep 1-2 ED titled “Mata Ashita”. The song is about Madoka post-series which consists of Madoka wandering around aimlessly, quietly observing as humanity resumes without her, lamenting on the life she lost after becoming a god and wishing she could have been more honest about her feelings to Homura in ep 12, asking her to realize she's lonely.
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[I'm pretending that I'm used to being alone, but I'm not really that strong.
The scenery is the same as always, the city is the same as always.
Even though I think everything will stay unchanged.
I still feel like I'm the only one who's tiny. Instead of "See you later."
I should've said, "I'll stay for a little longer."
I wanted and hoped that you would realize it.
But with the words "See you later,"
I lie to myself again.
And hide my true feelings beneath my usual smile. Saying, "See you later," I wave my hand.
Cracking a smile, yet I'm feeling lonely.
The truth is, I still have more to talk about.
But even my voice saying, "See you later"
is so near yet far from you that it can't reach you.
So let me say this like I always do, just once more: "See you tomorrow"]
This is definitive proof that even BEFORE Rebellion, this was already confirmed to be Madoka's true feelings.
The second time Madoka's true feelings post-godhood are adressed is via Madoka and Homura's concept movie quotes explaining that the God (Madoka) is clearly suffering in her “heaven”, which is more like a prison of isolation. The lizard girl (Homura) takes pity on her and separates her humanity from her godhood, thus making her human once more. Here are also some direct quotes from Magia Record which provides even more context for what Madokami is experiencing:
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All of this, with the addition of Madoka's words in the Flower Field scene being confirmed to be her real and honest feelings, puts the whole “pulling madokami down from heaven” scene into a different perspective. Considering the entire reason why Madoka even became powerful enough to become God in the first place was because Homura's 100+ time loops linked multiple parallel universes together with Madoka at their center, and it's confirmed Madoka was suffering as a god, I would think people would be happy to see Homura reverting Madoka back to a human being and rewriting the entire universe to be a world where Madoka is happy and free, surrounded by her friends and family???
The fact that Homura's love for Madoka was so strong throughout 12 years of 100+ time loops, it turned Madoka into a goddess but when Homura was able to see just how isolating and lonely godhood was for her, she took her godlike powers for herself because she loved her and was willing to take on the exhaustion and isolation of immortality as the devil to spare her of anymore pain and sadness. Homura freed Madoka from a nonexistential purgatory prison and a decade later she's still demonized for it, how insane is that??
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nelkcats · 8 months
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Do not accept candy from strangers
Danny made a lot of stupid decisions in his life, several, so many that he couldn't even begin to count them, but according to him that was great when it came to learning from his mistakes.
So, it's no wonder that on his one day off he decided to do everything he was told not to do:
1. Leave Amity
2. Reveal himself to the world
3. Accept things from a stranger
The first 2 were reasonable, considering the situation with the GIW and how 80% of the population did not believe ghosts existed, the last was a warning Jazz made sure to instill in him.
But Danny was dead (more or less), and what harm could it do to eat a candy or two? It's not like he could poison himself.
The answer was a lot of harm; Technically no one offered him the fallen Kryptonite on the ground (he just thought it looked delicious), and both Lex Luthor and Superman weren't paying attention to him during their epic battle or whatever.
So Danny just picked it up and ate it, well, ate several (Lex was throwing them away like a candy trail, the halfa had fun thinking of Hansel and Gretel), Superman looked worried as he heard "Lex's evil plans to surround him with Kryptonite."
But instead of finding a perfect circle surrounding him, he found a teenager, a young white-haired boy who was rolling on the ground and complaining of a stomach ache.
Danny could almost hear Frostbite's voice scolding him for eating candy off the floor, damn it, and some of the candy wasn't even pure! They looked manufactured and stale. Danny glared at Luthor before deciding it wasn't worth it and going back to his task of complaining.
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puppetmaster13u · 5 months
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Prompt 115
“Seriously old man?” the rumbling voice nearly caused Tim to jump, his eyes darting away from where Ras was sitting, the Al Ghul almost seeming to perk. It was kind of hard to miss the man… teen… being? It was kind of hard to miss the owner of the voice what with how their hair looked like it was on fire. 
They motioned around at well, everything, crimson eyes looking exasperated. “Really?” They were definitely motioning towards him, interrupting Ras when he opened his mouth to talk. “No, I don’t want to hear it, I swear- Did he kidnap you?” That was definitely aimed at him. 
“N-no?” Tim was feeling slightly unbalanced and may be on hour sixty without sleep at this point, if the hour long nap was counted. “I need help finding my not-dad who's lost in time.” 
The being let out a strangled noise that Tim could nearly swear was almost another one, but couldn’t vocalize his slurred thoughts as the dude muttered something, motioning around as though he was tempted to strangle something or someone. 
Ras cleared his throat, looking almost awkward which was how Tim knew he had to be dreaming or drugged. Probably drugged. “Jordan, how good to see you, it’s been so long-”
“Can it Pops,” the being-named-Jordan scoffed, finger pointing towards the Demon’s Head. “Moms still pissed and isn’t coming back any time soon with you still pulling this shit.” 
Tim felt his brain stall, process for a moment, then process some more over what he just heard before his mouth ran before it could catch up. “Ras is married???” 
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