#MFA Budapest

[lionofchaeronea]

The Water Carrier, Francisco Goya, between 1808 and 1812

#art #art history #Goya #Francisco Goya #portrait #portrait painting #genre painting #genre art #Romanticism #Romantic art #Spanish Romanticism #Spain #Spanish art #19th century art #oil on canvas #Museum of Fine Arts Budapest #MFA Budapest

[longlistshort]

For Arts Annual 2022 at Creative Pinellas, Babs Reingold has five large drawings as well as "Hair Doodle"- drawings on strips of paper with the actual hair in zip lock bags under the drawings. They are all part of her 2005-6 series Fallout: Beauty Lost and Found.

From the Creative Pinellas website-

Venezuela-born American artist Babs Reingold creates sculptures, drawings, and installations focusing on the environment and poverty.

Ms. Reingold has an extensive showing history with 15 solo exhibitions and over 75 group exhibitions ranging from museums, universities, alternative spaces, and galleries. Solo exhibits include venues in New York City, Los Angeles CA, Atlanta GA, Savannah GA, St. Petersburg FL, Jersey City Museum, and Buffalo NY. Museum group exhibits include the Newark Museum NJ, Jersey City Museum NJ, Albright-Knox Buffalo NY, the Burchfield Penney Art Gallery Buffalo NY, the Tampa Museum FL, and the Museum of Fine Arts St. Petersburg FL. Additional group exhibits include New York City, Brooklyn, Long Island, Atlanta, Hartford, Birmingham, Savannah, Jersey City, Newark, St. Petersburg, Sarasota, Tampa, Philadelphia, Buffalo NY, and the exhibit “Your Documents Please” that traveled internationally to Japan, Bratislava, Berlin, Budapest, and Guadalajara, with a final showing in New York City.

Recent exhibits are: “Elements” at the Tampa International Airport Art Gallery, “Water Over the Bridge: Contemporary Seascapes” at the Morean Art Center, “Planet Ax4+1” at David & Schweitzer Gallery Brooklyn NY, “Skyway: A Contemporary Collaboration” at the St. Petersburg Museum of Fine Arts. Her installation, “The Last Tree” a solo exhibit had a six-month run at Burchfield Penney Art Center Buffalo NY. It had debuted earlier at the ISE Cultural Foundation in SOHO NY.

Other recent showings were St Petersburg’s Museum of Fine Arts “Measured Life” and “Marks Made: Prints by American Women Artists”, Tribeca NY solo, Drawing Rooms in Jersey City, and Rutgers’ Feminist Art Project 10-year anniversary.

Reingold has work in the permanent collections of the Newark Museum, Museum of Fine Arts St Petersburg, and countless private collections, including the Savannah College of Art and Design.

Awards include two fellowships grants from Creative Pinellas County, in 2019 and 2016 and an individual Florida state fellowship in 2010. Reingold also received a fully funded residency at the Atlantic Center for the Arts in 2002. Other awards include A New York Foundation for the Arts Fiscal Sponsorship for “The Last Tree; Guest Editor of New Observations in conjunction with the co-curated exhibition “Voyeur’s Delight” at Franklin Furnace NY and first and second place awards in juried exhibitions from Whitney’s Barbara Haskell. She also received several exhibition awards from Michael Auping and Doug Schultz both previously of the Albright-Knox, Buffalo NY.

Reingold has participated as a panelist in numerous museum and art group forums and served as a mentor to Creative Pinellas selected artists. Additionally, she has served as a juror on selection committees for state and local grants.

Reingold has an MFA from SUNY-Buffalo and a BFA from Cleveland Institute of Art. Her major studio is in St Petersburg FL with viewing space in New York City.

#creative pinellas #babs reingold #drawing #arts annual 2022 #florida art shows #hair drawing #pinellas county #florida artist #art #art shows

[kosullo2]

Kibaszottul ígéretes jövő előtt áll a magyar felnőtt hülyenév-válogatott

A magyar U16-os válogatott kerete

Kapusok: Radnóti Dániel (FTC), Molnár Mátyás (Honvéd-MFA)

Védők: Lengyel Noel (Főnix), Almomani Nathaniel (MTK Budapest), Ásványi Domonkos (Puskás Akadémia), Umathum Ádám (Győri ETO), Kaczvinszki Dominik (Honvéd-MFA), Lajcsik Vencel (Honvéd-MFA), Silimon Lóránt (DVTK)

Középpályások: Fenyő Noah (Eintracht Frankfurt), Harangi Aiden (Eintracht Frankfurt), Balabás Bence (Austria Wien), Kern Martin (Puskás Akadémia), Tóth Levente (Honvéd-MFA), Bagi Ádám (FTC), Galántai Tamás (Puskás Akadémia) Támadók: Somfalvi Bence (Puskás Akadémia), Mendi Ronaldo (Mainz). Simon Benedek (Honvéd MFA), Vidnyánszky Mátyás (Győri ETO), Schneider Nándor (Puskás Akadémia)

[popanalysis99]

Dominique Dipierro: Analysis

Dominique “Dom” Dipierro is a character from Mr. Robot. She is an FBI agent who is assigned to solve the 5/9 case. She is shown to be a determined young woman who has noble goals in her heart and wants to solve the case. But she later sees that all of this isn’t an easy task and her obsession with solving the 5/9 case might affect her career and sanity. (Spoilers)

Early Life

Unlike Elliot and Darlene, Dom had a very good family life. She was born and raised in New Jersey. Her mother lives somewhere in Philadelphia. She has two brothers, one young named Joseph who has a son named Jaime and other older named Jerry.

Days before she graduated from law school, a girl that she was dating proposed to her, it caused Dom to leave and change careers to become an FBI agent.

Dom’s characterization

Dom is introduced as a friendly FBI agent who is assigned the 5/9 case. But outside her work, she is shown to be extremely lonely as she suffers from social anxiety. She is even shown to be very smart and assertive as like Elliot, she also looks at the worst in people, (more on that later). During her meeting with Whiterose (disguised as Minister Zhang), she mentions how much she is “disgusted and fascinated” with the selfish brutality of the world. She is even shown to have clear survival and markmanship skills twice when she ends up in a midst of two Dark Army shootouts and shoots the attackers before they kill themselves. Dom later believes that the Dark Army might be behind all of this, but her boss Santiago, who is the Dark Army mole, constantly stonewalls her investigation and gives excuses to not let her continue. She then crosses paths with Darlene after Cisco is killed. She brings her in and tries to connect with her to get some information and believes Darlene is special. She then shows her the FBI wall which then complies Darlene to become an informant.

Dom continues to investigate the case where she digs into more about the Dark Army with Darlene as her mole. She continues her search for Tyrell Wellick and the Dark Army. When the 71 buildings attack happen and Trenton and Mobley are framed for the attack, her investigation gets shut down. 3 weeks later, she meets Darlene for a night out and then invites her back to her apartment, where they both start to make out (the birth of Domlene). Little did she know that Darlene was doing that just to get her badge to get the credentials, but Dom catches her and arrests her, which then causes Santiago to kidnap both of them.

A Fall from Grace

tw: blood

When Dom gets brought to an isolated barn along with Darlene and Elliot, she is taken outside by Irving where it’s first thought that he will axe her to death, but instead he axes Santiago instead. Irving informs her that she is the new mole to the Dark Army and threatens to have her family killed all the while axing Santiago’s body, which easily breaks Dom into a mess, causing her to comply. Despite all of this being the Dark Army’s fault, Dom blames Darlene for putting her in this position.

2 months later, we see Dom as a now weak willed, always paranoid and a fearful shell of her former self. She then meets her new handler Janice who threatens to kill her family in a graphic manner if she doesn’t follow orders. The Dom that we knew in the past 2 seasons is now gone. She spends almost the entire 4th season as nothing but a doormat for them. She even has a nightmare where she is drowned by a woman, just like what she told Angela back in Season 2.

Then she is asked to track down Darlene and told to kill her, which she is unable to do and causes her to cry again. When Darlene wakes up, she reminds her of that night and tells her that she genuinely loved it.

Then she tells Darlene to kill her instead as she has been feeling suicidal for months now and she has no other choice because she feels that her life puts everyone she loves in danger, before Janice enters and ties them up in restraints after Darlene wiped her phone to save herself from having her brains blown off (again!). After a bit of unnecessary black comedy from Janice, she then removes her tools to make it look like she will torture Darlene but instead stabs Dom in the chest, and then for no reason leaves her like this for a while. Janice then threatens to kill her family again and Dom cries and begs until Darlene gives in to give up Elliot’s location. When they are unable to find him, Janice decides to have Dom’s family executed which then leads to...

“Get a hold of yourself, dude.”

We see that Dom finally got a hold of herself when she made a deal with the Lucky Irish B****d she interrogated earlier. He had the Dark Army soldiers killed and freed her family, and while Janice is distracted by the call, Dom removes the knife from her lung to slash one of the guys, take away his gun and shoot Janice and the thugs dead. She then frees herself and Darlene and tells him to find Elliot and take down the Deus Group.

Trying to find peace

Episode 10 sees her trying to run away from the Dark Army with Darlene. She still has a lot of reservations about the world until Darlene convinces her. She then tells Darlene that she can’t go and she doesn’t need her to go with her or anyone for that matter. And Darlene tells her that she holds onto a lot of things which is her flaw. When they leave each other, both of them immediately change their mind and cross paths. Darlene gets a panic attack and decides to take care of herself and Dom decides to let go and leave for Budapest.

Becoming Elliot’s shadow archetype.

While we applaud Dom for how she took down Janice, we can’t help but deny the fact that throughout the 4th season, she became Elliot’s shadow archetype. Elliot had dealt with so much physical, mental and emotional trauma throughout his whole life, even more so than Dom did. But notice in “shutdown-r” how Elliot and Dom deal with being held hostage by the Dark Army. Elliot was calm and collected and tried to look for a solution to get out of the situation, while Dom was shaking and quivering out of fear. Irving’s axing of Santiago left Dom a broken mess while Elliot showed that he was not gonna take anymore crap from them anymore. This is explored more into Season 4 when their lives were threatened by the Dark Army.  Elliot is hardened and cold by the death of Angela and was more than determined to rain down doom upon Whiterose and the Dark Army while Dom was reduced to just being a fearful servant for them. Their gender roles are also flipped as Elliot takes on the role of a vengeful femme fatale who takes down mostly men, which we usually see in feminist revenge movies like Lady Snowblood, Promising Young Woman, Kill/Bill, MFA etc. He is basically the male version of the angry woman trope. It shows that despite all the pain and trauma he’s been through, Elliot is equipped to handle the Dark Army more so than Dom.

Conclusion

While Dom was a good and nuanced LGBTQ character, she should’ve been a little more braver and stronger and she should’ve used her position as a mole to help Elliot and Darlene take down the Dark Army. But overall, she was good.

#character analysis #mr. robot #mr robot #dominique dipierro #analysis #hero analysis

[mayitbemoviemonth]

Einen äußerst programmatischen Titel hat László Nemes für seinen Film gefunden. Denn nicht nur ist sein Schauplatz Budapest selbst am hellichten Tag in Gelb-, Orange- und Brauntöne getränkt, er passt auch zur steten Vorahnung des Untergangs einer kulturellen Metropole in den Vorwehen des ersten Weltkriegs. Die – wie wir – unwissende und unvorbereitete Protagonistin förmlich verfolgend dringen wir ein in die Mischung aus Dekadenz, moralischem Verfall und gewaltsamer Rebellion. Je länger sie durch das Labyrinth der Gassen irrt, je mehr zwielichtige Gestalten ihr auflauern und ihr undurchsichtige Botschaften zuraunen, desto mehr setzt sich das Mosaik aus Eindrücken zusammen. Das Mosaik eines Sonnenuntergangs. Titel: Sunset (Napszállta) Regie: László Nemes Jahr: 2018 Land: Ungarn, Frankreich gesehen auf: Amazon Prime Trailer Bildrechte: © MFA+ FilmDistribution

[laurentbis]

Theo van Doesburg, The Archer, 1919

MFA Budapest

[nyfacurrent]

Event | Doctor’s Hours for Visual and Multidisciplinary Artists

Monday, June 11 event will offer one-on-one sessions with arts professionals.

Are you a visual or multidisciplinary artist in need of some career advice? The New York Foundation for the Arts (NYFA) is pleased to announce an upcoming session of Doctor’s Hours for Visual and Multidisciplinary Artists, a program designed to provide artists with practical and professional advice from arts consultants.

Starting Wednesday, May 30 you can register for 20-minute, one-on-one appointments with up to three arts professionals to ask questions and receive actionable tips for advancing your arts career. 

Title: Doctor’s Hours for Visual and Multidisciplinary Artists Program Date and Time: Monday, June 11, 2018, 6:00 PM - 9:00 PM   Location: The New York Foundation for the Arts, 20 Jay Street, Suite 740, Brooklyn NY, 11201 Cost: $38 per 20-minute appointment; three appointment limit per artist RSVP: All sessions are currently booked. Please email [email protected] if you would like to be placed on our waiting list.

To make the most of your “Doctor’s Hours” appointment, read our Tips & FAQs here. For questions, email [email protected]. 

Consultants

Meyken Barreto, Curator and Art Writer Barreto is an art writer and curator. She has been Regional Director at Artist Pension Trust, Brooklyn; Gallery Manager at Y Gallery, New York; and Studio Manager at Los Carpinteros Studio in Madrid and Havana. Barreto has also been professor at Havana University and San Geronimo College, both in Havana, and has lectured at international institutions including Universidad Complutense, Madrid, and, Martin Luther University, Halle (Saale). She recently curated the exhibition Cabinet of Curiosities: The Whimsical World of Carlos de Medeiros at Guttenberg Arts, NJ; and co-curated the group exhibitions Divagation at Y Gallery, Pioneros: Building Cuba's Socialist Childhood at Aronson Galleries at Parsons, The New School for Design, and Flow: Economies of the Look and Creativity in Contemporary Art from the Caribbean at IDB Cultural Center, Washington, D.C. She contributes to various art publications such as ArteCubano, Art OnCuba, and Artnexus. Barreto won Cuba’s National Curatorship Award in 2009

Jan Garden Castro, Art Historian and Critic                 Castro’s writings, some at www.Sculpture.org and at www.jancastro.com, cover a range of topics, media, and world cultures. She writes for periodicals including Sculpture Magazine (17 cover stories), Woman’s Art Journal, American Book Review, American Poetry Review, and Black Renaissance Noire. Castro is author of The Art & Life of Georgia O’Keeffe (Three Rivers Press, 1995), Sonia Delaunay: La Moderne (Japan Association of Art Museums), and two poetry books; and is an essayist for monographs on artists including Ann Hamilton, Lika Mutal, Gam Klutier, Celilia Paredes, Eugenio Merino, Elizabeth Strong-Cuevas, and Jon Rappleye. Her writings have been widely anthologized, including one in The Next Thing: Art in the Twenty-First Century (Edited by Pablo Baler, Fairleigh Dickinson University Press, 2015). 

As a curator, Castro’s museum exhibitions include Sonia Delaunay: La Moderne (four museums in Japan and Jane V. Zimmerli Museum, Rutgers University) and Cecilia Paredes: The River Within (ICPNA, Miraflores, Peru). Before moving to New York, Castro spent over ten years as a humanities university lecturer and as the award-winning first Executive Director of River Styx, a St. Louis-based nonprofit arts corporation for multicultural, interdisciplinary performance, literature, music, and fine arts.

Juliana Cope, Director of Development and Programs Manager International Studio & Curatorial Program, ISCP Cope is the Director of Development and Programs Manager for the International Studio & Curatorial Program (ISCP) in Brooklyn, NY, where she oversees fundraising and curates public art commissions. Independent of her work at ISCP, she has curated events at Issue Project Room and Sunview Luncheonette. Cope has lectured at Pratt Institute and Parsons, is a current member of ArtTable, and is on the Times Square Arts Curatorial Committee. She holds a BA degree in Visual Arts from Oberlin College with a minor in African American studies and an MFA degree in Performance and Interactive Media Arts from Brooklyn College.

Eileen Jeng Lynch, Curator, Wave Hill Jeng Lynch curates the Sunroom Project Space for emerging artists and contributes to all aspects of visual arts programming at Wave Hill, including exhibitions in the spring, summer, and fall and the annual Winter Workspace studio program. Jeng Lynch has curated numerous exhibitions in galleries and nonprofit institutions over the past ten years. As an independent curator, she organized an ongoing, multi-state advocacy project titled “Give Voice,” featuring artist postcards and benefit exhibitions. In 2016, she curated a two-venue exhibition titled Splotch, which highlighted works by 29 emerging and established artists, at Sperone Westwater and Lesley Heller Workspace. Jeng Lynch also published and edited the accompanying catalogue with essays authored by herself and Robert C. Morgan. Previously, at RxArt, she worked with contemporary artists to commission works for coloring books, limited editions, and site-specific hospital projects. Prior to that, she was at Sperone Westwater and the Art Institute of Chicago in the Department of Contemporary Art, for which she authored essays in the Museum Studies publication on film, video, and new media.

Nora Lawrence, Senior Curator, Storm King Art Center Lawrence is Senior Curator at Storm King Art Center, where she founded a yearly exhibition program devoted to emerging and mid-career artists (Outlooks), and created a partnership between Storm King and The Shandaken Project that established Storm King’s first-ever artist residency. She has organized and co-organized exhibitions for Storm King, focused on artists including Dennis Oppenheim, Lynda Benglis, Josephine Halvorson, David Brooks, Virginia Overton, and Thomas Houseago, as well as the group exhibition Light and Landscape. She co-curated the Storm King exhibition Indicators: Artists on Climate Change, which opened this month. 

Prior to joining Storm King, Lawrence worked in the Department of Painting and Sculpture at The Museum of Modern Art (MoMA), New York, on several exhibitions including Ernesto Neto: Navedenga (2010), which she co-curated; Color Chart: Reinventing Color, 1950 to Today (2008); and Focus: Picasso Sculpture (2008). She has also worked at the National Gallery of Art, Washington, D.C., and at P.S.1 Contemporary Art Center, New York. Lawrence has authored and co-authored several publications including David Smith: The White Sculptures (2017), Dennis Oppenheim: Terrestrial Studio (2016), Lynda Benglis: Water Sources (2015), Mark di Suvero (2015), and Zhang Huan: Evoking Tradition (2014) for Storm King Art Center; and Monet’s Water Lilies (2009), Color Chart: Reinventing Color, 1950 to Today (2008), and Armando Reverón (2007) for The Museum of Modern Art. She has taught courses at MoMA, the School of Visual Arts, and the University of Southern California. A graduate of Pomona College, Lawrence received her MA degree in art history from the University of Southern California, and a MPhil degree from The Graduate Center, City University of New York.

William Stover, Independent Curator Stover has been a curator of contemporary art for over 16 years and has held positions at a number of notable and diverse institutions including the Carnegie Museum of Art, New Museum of Contemporary Art, Independent Curators International, and the Museum of Fine Arts, Boston. Stover is currently an independent curator and consultant to private collections in New York City.

Tamas Veszi, Founder, Curator, and Radical Mediator for the Arts, RadiatorArts Veszi was born in Budapest in 1972, and at an early age became familiar with contemporary art, painting, video art, performance, and conceptual thinking. He left Hungary at the age of 17, finished his high school education in Israel, and studied jewelry design Instituto Per L’Arte E IL Restauro in Florence. Veszi moved to New York in the fall of 1997, and in 1998 he and several other residents of 70 Commercial Street in Greenpoint, Brooklyn formed the group “Greenpoint Riverfront Artists.” They generated several performances, rooftop film screenings, and the annual “Open Studio Tour.” He went on to study Fine Arts at Pratt Institute, receiving his BFA degree in 2000. Veszi subsequently received his MFA degree from Brooklyn College in 2006, working under the guidance of Elisabeth Murray and Vito Acconci. Veszi currently lives and works in Greenpoint, Brooklyn. He had his first solo show at Allannederpelt Gallery in 2010 and has since participated in several exhibitions in New York and internationally. In 2016, Veszi participated in Shift Residency - EFA Project Space.

Sarah Walko, Director of Education and Community Outreach, the Visual Art Center of New Jersey Walko has a BA degree in studio art practices from the University of Maryland and an MFA degree from Savannah College of Art and Design. For the past 12 years, she has curated for institutions, non-profits, and independent projects. Recent curatorial projects include Everything Else is too Narrow at Baerum Kunstall in Oslo, Norway (2016) and public art video projections Advances and Retreats, Decomposing Hierarchies, and Crest and Trough at Manhattan Bridge Anchorage, NY (2015 & 2016). 

Walko is the Director of Education and Community Outreach at the Visual Art Center of New Jersey. Prior to this position, she was the Director of Arts Programming at Marble House Project, a new artists in residency program located in Dorset, VT, with a focus on multidisciplinary creative practices. She has also held the positions of executive director of Triangle Arts Association, a non-profit arts organization in Brooklyn, NY, and curator at Savannah College of Arts and Design, where she executed dozens of institutional exhibitions large and small. Walko is a contributing writer on contemporary art, literature, and film for numerous publications including Hyperallergic, Eyes Towards the Dove, and Drain Magazine of Arts and Culture. She is currently writing a book of essays on contemporary art practices and cultural theory.

Event Accessibility

The New York Foundation for the Arts is committed to making events held at the NYFA office at 20 Jay Street in Brooklyn accessible. If you are mobility-impaired and need help getting to NYFA's office for events held on premises, we are pleased to offer complimentary car service from the wheelchair-accessible Jay Street-MetroTech subway station courtesy of transportation sponsor Legends Limousine. Please email [email protected] or call 212.366.6900 ext. 219 between 9:30 AM - 5:30 PM at least three business days in advance of the event to coordinate. The elevator access point for pickup is at 370 Jay Street, on the NE corner of Jay and Willoughby Streets.

This program is presented by NYFA Learning. Sign up here to receive our bi-weekly newsletter for the latest updates and news about programs and opportunities for artists.

Image: Doctor’s Hours, September 2016, Photo Credit: Priscilla Son for NYFA

#doctor's hours #events #professional development #nyfa learning #nyfalearning #instagram

[02022020space]

[UTC-3] Maess - Abnormal results

Maess PL | Visual Artist

Abnormal Results - drawing

She is interested in the experience of negotiating the physical and emotional balance between sickness and health. Her drawings examine organisms attacked by cancer. Using scientific material that involves cancer related databases, microscopic views, histopathology images, Kaplan-Meier curves, 2D and 3D modeling, She combined these visual facts about cancer into expressive images in order to create something meaningful and emotionally insightful. The notion of  “time arrow” is traditional to philosophy and art. However, it is closely connected with our life span expectation.

// -- // -- // -- //

Maess Anand is a Polish artist based in Düsseldorf. After graduating from  Warsaw Elsner School of Music, she graduated with MFA at the Academy of Fine Arts in Warsaw and was recipient of a scholarship at the Escola Superior de Artes e Design in Porto, Portugal. In 2012, Maess was nominated to the Grand Prix at the FID Prize Paris, and in 2013 she was shortlisted to the Strabag International Art Award in Vienna, Austria. Amongst others, she exhibited at, Museo di Santa Cecilia in Rome (2010), CCA Ujazdowski Castle in Warsaw (2010), Program Gallery in Warsaw (2011), Wroclaw Contemporary Museum (2013), Galeria Miejska Arsenal in Poznan (2013), BWA Sokól in Nowy Sacz (2013), The Starak Family Foundation in Warsaw, The Drawing Center in New York (2014), Polish Institute in Budapest (2015), Kasia Michalski Gallery in Warsaw, (2015), Trestle Gallery in New York (2016) and at Biennale de la Biche on deserted island near Guadeloupe (2017).

Maess Anand was a recipient of numerous fellowships including : Leipzig International Art Programme in Leipzig (2014) Virginia Center for Creative Arts (2017) , Residency Unlimited in New York (2018) and The Corporation of Yaddo in Saratoga Springs (2018)

With Alex Urso, Maess curated Biennale de La Biche; the smallest biennale in the world held on deserted island near Guadeloupe. The was event reviewed by  The Guardian, Hyperallergic, Artnet,  Art Review, Observer (2017)

Her drawings were presented in Vice Magazine, FUKT Magazine for Contemporary Drawing and The Lancet Oncology.

#Visual Art #drawing #M

[virtucontemporaryart]

"Ecstacy of Knowing" work by Keith Lemley at Redux Contemporary Art Center ⁠ Keith Lemley is a studio artist and educator. His work has been featured in a number of group and solo exhibitions, including: Something and Nothing at the Urban Institute for Contemporary Art, Grand Rapids, MI, Between Wind and Water at the Lawrence Arts Center, Lawrence, KS, Snap to Grid at the Los Angeles Center for Digital Art, Los Angeles, CA, Suckers and Biters at the Chashama Gallery, New York, NY, and Triangle 065 at Sinepress Millesime, Budapest, Hungary. He received his BFA in 2005 from the Pennsylvania State University and his MFA in 2010 from the University of Wisconsin. He is currently an Adjunct Instructor of Sculpture at the University of Wisconsin-Madison.⁠ @k_lemley⁠ #keithlemley #contemporaryart #virtucontemporaryart #contemporaryartist #contemporarylights #modernart #lightart #neon #artinstallation #exhibition #artgallery #artcurator #goldlight #kunst #artist #artistoftheday⁠ ⁠ (at Redux Contemporary Art Center) https://www.instagram.com/p/B3w4EBolwBs/?igshid=m4roph9b7qd7

#keithlemley #contemporaryart #virtucontemporaryart #contemporaryartist #contemporarylights #modernart #lightart #neon #artinstallation #exhibition #artgallery #artcurator #goldlight #kunst #artist #artistoftheday

[nncosta]

Avançado Rajmund Molnár assina pelo Benfica

Avançado Rajmund Molnár assina pelo Benfica

Rajmund Molnár, avançado de 17 anos (28.08.2002), foi contratado pelo Sport Lisboa e Benfica.

Natural da Hungria, ainda júnior de primeiro ano, Rajmund Molnár representava o Budapest Honvéd-MFA antes de vestir o Manto Sagrado.

Internacional pelas seleções jovens húngaras, totaliza 20 internacionalizações e quatro golos (Sub-16: dez jogos; Sub-17: nove; Sub-18: um).

Participou no…

View On WordPress

[sfaioffical]

AMY BERK (MFA 1995) CITY STUDIOS

Amy Berk (MFA 1995) took over as Director of City Studio in March 2018. She has been growing the program that offers underserved youth high-quality arts education in their own neighborhoods.

She has also been embarking on several new initiatives directed towards professional development of the City Studio Professional Teaching Artists and Teaching Assistants, City Studio youth, and City Studio community partners, enhancing its successful multi-generational model for mentoring and arts education.

With this initiative, current SFAI students are employed in the program along with recent (and not so recent) SFAI alums. She also teaches SFAI's City as Studio Practicum course that offers real world experience as well as arts education pedagogies to SFAI students.

Last spring, she was interviewed for the podcast "Teaching in the Arts:"

If anyone would like to teach, volunteer or learn more about the program to contact Amy at [email protected].

Images courtesy of Amy Berk

IRENE CHAN (MFA 1997) CH’AN PRESS

Irene Chan is a multidisciplinary artist who works conceptually in print media, papermaking, installation, storytelling performance, and book arts. Her books and works on paper have been exhibited internationally and held in 70 public collections including the Walker Art Center, The Fine Arts Museums of San Francisco, Tate Modern, Victoria & Albert Museum, and British Library in London.

Chan established Ch’An (ch’ ahn) Press through which she has self-published prints and 34 limited-edition artist books to date. She is the recipient of grants and awards from the National Endowment for the Arts, New York Arts Council, Maryland State Arts Council, Washington D.C. Commission of the Arts and Humanities, of fellowships to 22 artist residencies, and has exhibited and performed in 62 venues in the last ten years.

Irene Chan holds an M.F.A. with honors from the San Francisco Art Institute and a degree in architecture (BArch) with a Minor in English from California Polytechnic State University, San Luis Obispo. Besides running her own press and studio, she is also an Associate Professor of Visual Arts (Founder and Head of Print Media) and Affiliate Faculty of Asian Studies at the University of Maryland, Baltimore County, U.S.A.

To learn more about the artist please click here.

Images courtesy of Irene Chan

JANNEKE VAN DER PUTTEN (BFA 2008)

“On 17 – 28 September 2019 I will give a workshop, open studio exhibition and performance at Salon of Colombian Artists (45SNA), Espacio de Interferencia, Espacio Odeón, CARRERA 5 #12C - 73, Bogotá (CO).”  Curated by Ana Ruiz Valencia. More info about the workshop here.

Janneke van der Putten (Amsterdam, 1985) is a visual artist and performer based in Rotterdam, The Netherlands. Her practice involves experiences of listening, performances, sound and video, documentations in image, text and textile, workshops, music projects, and creating platforms for cultural exchange. Her voice is her main tool, guiding her through physical and sonic explorations in different landscapes. Engaging with specific sites and local contexts, and through her personal experiences, she investigates (human) responses to her surroundings, and their relation to natural phenomena and transitions, such as the sunrise.

For more information about the artist please click here.

Image courtesy of JannekeVan Der putten

PATRICIA ARAUJO (BFA 2005)

Patricia Araujo was born in Miami, Fl, the daughter of Colombian parents. Her father was an architect at Walt Disney and during his last years he assisted with the development of Epcot Center. Patricia grew up in Bogota, Colombia and since childhood, she was enchanted by architecture and form. After completing high school in Bogota, Araujo moved to Northern California to pursue her college education. She studied architecture, painting, and photography. In 2005 she obtained her B.F.A in Painting, from the San Francisco Art Institute.

For over a decade, Patricia Araujo has painted the facades of both iconic city landmarks and downtown buildings. Her paintings depict praiseworthy examples of San Francisco architecture, some utilitarian and others grandly ornamental. She's been bewildered by the architecture of cities she's lived and traveled to and by imaginary places.

From 2008 to 2010, she dedicated a series of works relating to Tomorrowland and as of most recent she's devoted to painting the architectural wonders and forgotten treasures of "GGIE" (the Golden Gate International Exposition of 1939 at Treasure Island) - the last World's Fair of San Francisco Bay. Her interest in researching the urban landscape continues to grow, addressing the evolution and decay within a city.

Araujo continues to deepen her conceptual themes on architecture, place and change in the urban landscape. She has been exhibiting in San Francisco since 1998. Some of the venues exhibited include: Arc Gallery, Arttitud, Bayview Opera House, HANG ART, Roll Up Gallery, STUDIO Gallery, the Old Emporium, Pen Club Gallery in Budapest and most recent at the Old Mint with Treasure Island Museum.

In 2008, she published her first book, entitled ”SOMA SEEN”. Her work has been written about in the San Francisco Chronicle, ARTslant, 7x7 SF, Huffington Post, Examiner, Beyondchron, and the San Francisco Bay Guardian. She lives and works in the San Francisco Bay Area.

To view her complete portfolio and resume online please visit: Here.

Images courtesy of Patricia Araujo 

PHILIP PERKIS (BFA, 1962)

Philip Perkis (BFA, 1962) has published his fifth monograph, Mexico, Anmoc Press, Seoul, 2019, distributed by Photo-eye books, Santa Fe. Link: : Click Here

This Publication accompanied Mexico, Perkis's solo exhibition of gelatin silver prints, at Ryugaheon Gallery, Seoul, in 2019. Most of these works were also shown in a two-person exhibition, Philip Perkis and José Hernandez- Claire, at the Jalisco Government Palace, Guadalajara, Mexico, in 2017.

In 2019, Perkis's photographs were also shown in Watershed: Contemporary Landscape Photography, Westmont Ridley-Tree Museum of Art, Santa Barbara, CA, an exhibition that originated at the Telfair Museum of Art, Savannah, in 2017.

Preceding publications include: In a Box Upon the Sea, 2015; Twenty Days, Twenty Comments, 2014; The Sadness of Men, 2008; Teaching Photography, Notes Assembled, 2001—with additional editions in English, 2005, Korean, 2005, and Italian, 2017; and Warwick Mountain Series, 1978.

Image courtesy of Philip Perkis

SETH LOWER (MFA 2008)

Units contains photographs taken from 1994–2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience.

A sign swallowed by tree bark, a small collection of funnels, a stove for sale in the sunshine. Where does one unit end and the other begin? It is certainly possible to be part of the whole and at the same time separate, existing with a foot in both worlds, but does this say anything about the units themselves, or only the way we define them?

Graham Harman writes that such pieces are ‘terminal points, closed-off neighborhoods that retain their local identity despite the broader systems into which they are partly absorbed’. 

Click here to learn more about the artist.

Image courtesy of Seth Lower 

TOM LAUGHLIN (MFA 2013) OPENING RECEPTION FOR SIGNAL

You are welcome to join on September 21 for the opening for Signal,a public art piece by Tom Laughlin on Treasure Island.

The event begins with a champagne reception at 4 pm, followed by a dedication ceremony at 5 pm.

Please RSVP through Eventbrite page. Directions are available HERE or at SignalSF.com.

To learn more about the artist please click here.

Images courtesy of Tom Laughlin

MARK TOSCANO REMAINS TO BE SEEN

A mystery program of archival experimental film with Mark Toscano.

Thursday, September 26 | 8 PM Doors 7:30; $5 admission.

Mark Toscano is a filmmaker, curator, and film preservationist based in Los Angeles. Since 2003, he has worked at the Academy Film Archive, where he specializes in the curation, conservation, and preservation of artists' films. He works with the collections of over 100 filmmakers, and has overseen the conservation and preservation of hundreds of films, including work by Stan Brakhage, Barbara Hammer, Chick Strand, Tacita Dean, Penelope Spheeris, the Whitney brothers, Gus Van Sant, Pat O'Neill, Suzan Pitt, and many others.

He has curated and presented programs at numerous venues, including MoMA, Arsenal, Eye Filmmuseum, Tate Modern, and festivals in Rotterdam, London, Oberhausen, Zagreb, Bangalore, and elsewhere.

He is a programmer with Los Angeles Filmforum, and has lectured at various universities on experimental film and archiving, as well as teaching the History of Experimental Animation at CalArts.

Please click here for more information about the artist.

Image courtesy of Marc Toscano 

NINA ELDER (MFA 2009) WHAT ENDURES

Closing September 15. There is one week left to see this exhibit!

It has been a stellar experience to work with the crew at SITE and make this dream a reality! The show is a retrospective of my drawings from the last decade.

Nina Elder is an artist, adventurer, and arts administrator. Her work focuses on changing cultures and ecologies. Through extensive travel and research, resulting in meticulous drawings and interdisciplinary creative projects, Nina promotes curiosity, exploration, and a collective sense of stewardship.

Nina advocates for collaboration, often fostering relationships between institutions, artists, scientists and diverse communities. She is the co-founder of the Wheelhouse Institute, a women's climate leadership initiative. Nina lectures as a visiting artist/scholar at universities, develops publicly engaged programs, and consults with organizations that seek to grow through interdisciplinary programing.

Nina's art work is widely exhibited and collected and has been featured in Art in America, VICE Magazine, and on PBS. Her research has been supported by the Andy Warhol Foundation, the Rauschenburg Foundation award for Arts & Activism, the Pollock Krasner Foundation, and the Mellon Foundation.

She is currently an Art + Environment Research Fellow at the Nevada Museum of Art, a Polar Lab Research Fellow at the Anchorage Museum, and a Researcher in Residence in the Art and Ecology Program at the University of New Mexico.

Please click here for more information about the artist.

Images courtesy of Nina Elder

DICKY BAHTO (BFA 2004)

Dicky Bahto lives in Los Angeles. He has exhibited work utilizing still and motion picture photography, sound, and performance at a variety of museums, galleries, microcinemas, film festivals, conferences, alternative spaces, and scenic locations spanning the Northern Hemisphere, including commissions from Monday Evening Concerts and The Huntington.

As a member of the EPFC Co-op, he is a corecipient of an inaugural Artist Project Grant from the Mike Kelley Foundation for the Arts. His interest in music has led him to both collaborate with and perform works by various composers, including Casey Anderson, Ashley Bellouin, Luciano Chessa, Carmina Escobar, Corey Fogel, Julia Holter, Sepand Shahab, Mark So, Laura Steenberge, and Tashi Wada. In addition to creating album art for some of the above musicians, he has made several music videos for Julia Holter, and his portraits of artists including Ashley Bellouin, Sarah Davachi, Julia Holter, Laida Lertxundi, and Tashi Wada have been printed in The New York Times, Bomb, Vanity Fair España, The Wire, and MOJO, among other publications.

He has curated programs of experimental film and video, performance, and music, including regular programming at the Echo Park Film Center, as well as programs at REDCAT and the wulf. in Los Angeles, Artist’s Television Access and San Francisco Art Institute in San Francisco, Exploded View in Tuscon, and Yale University in New Haven.

He received a BFA from the San Francisco Art Institute in 2004 and an MFA from the University of California, Riverside in 2017, and has himself taught at the Echo Park Film Center, Museum of

Contemporary Art Los Angeles, Otis College of Art and Design, and the University of California,

Riverside.

Please click here to learn more about the artist.

Images courtesy of Dicky Bahto

#sfai #sfaialumni

[lionofchaeronea]

Scythians at the Tomb of Ovid, Johann Heinrich Schönfeld, ca. 1640

#art #art history #Johann Heinrich Schonfeld #historical painting #ancient history #Ancient Rome #Roman Empire #Roman history #Ovid #genre painting #Baroque #Baroque art #German Baroque #German art #17th century art #oil on canvas #Museum of Fine Arts Budapest #MFA Budapest

[hirzilla]

U17: betéglázták a kaput – Belgium ellen is nullázna Hegyi http://hirzilla.hu/hirek/online-hirek/nemzetisport/2019/03/31/u17-beteglaztak-a-kaput-belgium-ellen-is-nullazna-hegyi/?feed_id=3348&_unique_id=5ca07dd63d495 Mint ismert, az U17-es magyar labdarúgó-válogatott a belgák elleni csoportzáró előtt biztosították helyüket a korosztályos kontinensbajnokságon. Az Eb-részvétel a remek védekezésnek is köszönhető – a selejtezősorozatban és az elitkörben sem kapott gólt korosztályos válogatottunk. A magyar csapat már két forduló alatt bebiztosította helyét az Európa-bajnokságon (Fotó: Dömötör Csaba) Hirdetés A magyar együttes ott van Európa legjobb tizenhat U17-es válogatottja között. Nagy szó ez, igazi bravúr! Ami nem sikerült az előző évben a Szélesi Zoltán vezette fiataloknak (az elitkör utolsó meccsén Izrael ellen elegendő lett volna a döntetlen, ám egy öngóllal 1–0-ra veszítettek), az összejött Preisinger Sándor csapatának. A tizenhét évesek válogatottja 1–0-ra legyőzte Norvégiát, majd ugyancsak Zuigéber Ákos góljával – ugyancsak 1–0-ra – felülmúlta Bosznia-Hercegovinát is, így az élen álló belgák elleni utolsó meccs eredményétől függetlenül kijutott az Írországban rendezendő Európa-bajnokságra. A meccs (egyik) hőse a kapus Hegyi Krisztián volt, aki végig magabiztosságot sugárzott, és sorozatban az ötödik tétmérkőzését tudta le kapott gól nélkül. „Jól kezdtük a találkozót, rögtön az elején volt egy nagy helyzetünk, a kapuból úgy éreztem, jobbak vagyunk ellenfelünknél – mondta az Illés Akadémia-Haladás 16 esztendős kapusa. – Később kiegyenlítődött a játék, a bosnyákok sok szögletet végezhettek el, ígéretesebb helyzetet azonban nem tudtak kialakítani. A fordulás után is inkább nekünk voltak lehetőségeink, ám sajnos kimaradtak, és valahol ott volt bennünk, hogy az egygólos előny nem életbiztosítás. Amikor a játékvezető lefújta a meccset, hatalmas örömöt éreztem, de még kell egy kis idő, hogy felfogjam, valójában mit értünk el.” Hétfőn a csoport esélyese, az Európa-bajnokságra már ugyancsak kijutó Belgium lesz az ellenfél – téved, aki azt gondolja, hogy Hegyi Krisztiánnak mindegy, mi lesz az eredmény. „Még szép, hogy szeretnénk megverni a belgákat, hasonló szervezettséggel ellenük is sikeresek lehetünk – folytatta kapus. – A selejtezősorozatban és az elitkörben sem kaptunk gólt, ötmeccses a sorozatunk, ez egy kapusnak sokat jelent. Ha Belgium ellen is nullára hozzuk le hátul a találkozót, az már félsiker, elöl ugyanis vannak olyan játékosaink, akik bármikor képesek betalálni.”A csapat hétfőn – az elitkör utolsó mérkőzésén – a már ugyancsak Eb-résztvevő belgákkal csap össze, ám érdemes már egy lépéssel előbbre járni, és megnézni, az írországi tornán milyen esélyeink lehetnek, a sorsolásnál kik mellé kerülhetünk. Hollandia, Olaszország, Portugália, Izland és Franciaország biztosan az első kalapba kerül, míg Oroszország, Csehország, Németország és Ausztria a másodikba. Magyarország mellett Belgiumról és Angliáról egyelőre nem lehet tudni, hogy melyik kalapba kerül, ez csak a végső sorrend kialakulását követően derül ki. Az Európa-bajnokság csoportbeosztását április 4-én 19.30 órától készítik el. AZ U17-ES MAGYAR VÁLOGATOTT JELENLEGI KERETEKapusok: Hegyi Krisztián (Illés Akadémia), Vaits Marcell (Puskás Akadémia), Megyeri Gábor (Honvéd-MFA)Védők: Buna Gábor (Honvéd-MFA), Posztobányi Patrik (Puskás Akadémia), Balogh Botond (MTK Budapest), Orosz Donát (DVTK), Hosszú Zétény (Puskás Akadémia), Horváth Milán (Honvéd-MFA), Dávid Zoltán (Békéscsaba)Középpályások: Kata Mihály (MTK Budapest), Major Sámuel (Salzburg), Tóth Borisz (DVTK), Kosznovszky Márk (MTK Budapest), Szalay Szabolcs (Illés Akadémia)Támadók: Zuigéber Ákos (MTK Budapest), Komáromi György (Puskás Akadémia), Molnár Rajmund (Honvéd-MFA), László Dávid (Honvéd-MFA), Németh András (Genk), Kalmár Benedek (Puskás Akadémia) A magyar válogatott mérkőzései az elitkörbenMagyarország–Norvégia 1–0 (Zuigéber 90.)Magyarország–Bosznia-Hercegovina 1–0 (Zuigéber 37.)Április 1. (hétfő), 16.30: Magyarország–Belgium – élőben az NSO-n! A CSOPORT ÁLLÁSA 1. Belgium 2 2 – – 4–0 +4 6 2. MAGYARORSZÁG 2 2 – – 2–0 +2 6 3. Bosznia-Hercegovina 2 – – 2 0–2 –2 0 4. Norvégia 2 – – 2 0–4 –4 0

[annieinpoland]

Hi all! My name is Annie Diamond, and I’m a member of the BU MFA Poetry cohort for 2016-2017. I’ll be using my Robert Pinsky Global Fellowship to travel to Poland for about three months. Tumblr has been my preferred method of blogging for almost ten years, so I figured why stray from that. This blog will probably mostly comprise writing - my prose ramblings about what I’m getting up to in Krakow. (The poetry will stay with me for now.)

Maybe some photos too, but my Instagram will be more reliable for those. Check me out.

I’m not leaving for two months (I’m flying to Krakow on September 24th, precisely) but I wanted to get this blog up and running. One of my best friends will be on a journalism Fulbright in Berlin this year, so I definitely plan to visit her there, and since I’ve never been to eastern Europe I am hoping to spend some weekends in Prague, Budapest, and Vienna.

Stay tuned for more! Thanks for reading!

#travel #Europe #Poland #poet #writer #blog #travel blog

[geoffwhaley]

Book 525: Origin (Robert Langdon #5) - Dan Brown

Book 525: Origin - Dan Brown #RobertLangdon #España #Spain #Madrid #Bilbao #religion

I’m not sure if this has pulled me out of my reading slump, but I did read it. When I got the notification from the library for this I was surprised. I had completely forgotten that I’d requested this. I wasn’t exactly chomping at the bit to read this, but I figured why not? Brown might not be the most high brow of authors, but the man knows how to write a page turner (mostly). I still remember…

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#American #Art #Bilbao Guggenheim #Biology #Budapest #Catalonia #Catholicism #Christianity #English #España #Fiction #Harvard #Historical Fiction #History #Hungary #Judaism #LGBT #Madrid #MFA #Montserrat #Murder #Museo Reina Sofía #Mystery #Religion #Science #Spain #Technology #Thriller

[patakyt]

Egy U16-os rangadóval kezdtük a foci délutánt. ⚽️ #kispest #honved #mfa #illes #akademia #haladás #budapest #szombathely #u16 #youthfootball #cmg #foci (helyszín: Bozsik Stadion)

#honved #foci #akademia #kispest #budapest #mfa #illes #youthfootball #szombathely #haladás #u16 #cmg