I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
god i'm so tired of everybody's bad faith interpretations of everything. where's the trust. where's the forgiveness. where's the understanding that most things are complex and most people have many layers. and like the black eyed peas once said. where is the love
stop. stop. it is not just the women and children of gaza. it is not just the mothers. it is also the men. the fathers, the uncles, the vendor, the neighbor, the barber. stop dehumanising them. they are also being killed. they are also being bombed. they are also losing loved ones. palestinians are also losing their fathers and brothers. stop it. stop erasing the pain and suffering of palestinian men. they deserve our love, care and voice just as much as the women and children do.
Please, for the love of god, please don’t be this person. No matter how long it’s been since an update, no matter how many unfinished stories are sitting on their account, no matter what - do not be this person.
Not only is it insanely rude, but you also do more damage than you think be being such a self-entitled ass about something someone created for free and for fun. “This author” can see what you say.
I have had it with this likescolding. “Tumblr doesn’t have an algorithm so likes don’t actually do anything” motherfucker I am not clicking that heart to give some post better ~algorithmic visibility~ I am clicking that heart to help my internet friend microdose on serotonin as god fucking intended
unfortunately if you are an old friend of mine i will always care about you no matter what even if we haven't seen each other in forever because i still remember what you were like 7 years ago and i still remember how it felt to be young with you and i still have a lot of love for you in the back of my mind
I just wanna say bc I KNOW you're somewhere on tumblr, to the teenage girl who attended Take Your Kid To Work Day at an office building in Ontario, Canada circa 2013 and had a conversation with a middle aged woman in which you showed her your Black Veil Brides fanart and fanfics and ship content and told her about different fanfic tropes including a/b/o verse bc she happened to know who Panic! at The Disco and Fallout Boy were and thus you felt the need to show her your bandblr ship art, that was my fucking mother and I had to clarify all that to her including looking my mother in the eye and trying to explain a/b/o verse without sounding like a lunatic.
It's been 10 years and I still regularly sent evil energies in your direction. Since you'd be probably two years younger than me and thus legally an adult now, please know if this post reaches you it's on sight.
This is the paramedic who found his family among the dead victims. I thought it was only his mother who got killed, but I was mistaken. But his sister seems to have survived only.
They're telling him to calm down but he fell to the ground saying: My family. My family.
The man consoles him saying: We're all one family here. Each one of us has lost their family. Look, my sisters are in there. We have to get back up. You're strong.
"free palestine," he shouted until his last breath.
aaron bushnell, we will never forget you.
as much as bushnell's actions has moved us all, please seek other ways to take actionable measures against the injustices we face in the world. none of us wanted him gone, and the least we can do is prevent another such tragedy by supporting each other in our efforts to enact lasting change.
its funny to me when a cartoon or something has a vague Evil Organization because a lot of fans will instantly decide that there's a whole workplace comedy happening there. those guys can't just be vaguely standing around acting evil all day they've gotta have like an evil break room or something