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isjasz · 3 months

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The Promised Neverland manga spoilers!

[Day 201]

Everyone blame cherrysherin2 (go check out this art that made me absolutely lose it) I take no responsibility

#dddaily4sherin #The Promised Hermitopia #desert duo #grian #goodtimeswithscar #ft cub cameo #trafficblr #my art #comic #tw blood #tw impalement #tw scopophobia #dialogue taken from chapter 93 of the tpn manga ofc!! as well as some panel redraws but i changed a lot around #this got out of hand sO INCREDIBLY QUICK HELP ITS NOT SUPPOSED OT BE FULLY COLORED #so sorry to the people that have absolutely no context I swear im planning to do a premise comic thingy soon (probably)#im just struggling to design xisuma bc how the HELL DO U MAKE HIM XISUMA WITHOUT THE HELMET ASJKDHAHUD O7 #this au is not only living in my brain rent free. its brainworms are eating up the fucking walls

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the-nysh · 2 years

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Now with the vol25 omake, Murata adds Saitama (with hair) to his collection of most shameless mancakes. 🍑

#opm #zombieman #garou #saitama #flash #manga panels #murata pls #murata has no chill and he cannot be stopped #honestly the state of his manga rn even without context :P #THIS ALWAYS HAPPENS TO THE MEN #also had way too many to choose from for garou but this one takes the cake

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blossomfestival · 1 year

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I hope this is someone's first exposure to coroika (or just splatoon in general).

#coroika #splatoon manga #splatoon #So many panels are so confusing without context #You'd be surprised that the funny cephalopod comic is full of nudity #(also swearing sometimes)

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masterful-blitz · 3 months

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if I unfollow you, don't take it personal. I'm just unfollowing people putting untagged dunmeshi spoilers on my dash. I'm keeping a list and I'll refollow once I finish the manga 👍

#I get very pissy when I open twitter or tumblr and I get blasted with spoiler panels or fanart #like I guess it's faster to read a manga with near 100 chapters than tag spoilers to you people #'ohh but it's without context' gargle my balls you know that if you reach a certain point in the story that doesn't matter anymore #I have eyes and a brain and I can easily pick up on plot beats and foreshadowing #never get into manga when it's getting an anime adaptation #people will speedrun posting spoilers for that shit

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beldaroot · 1 year

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crying over how the manga implied that kento was some rando guy to their classmates but the anime instead was like, actually we know him and he's a douche lol

#kimi ni todoke #this manga panel was already my fave bc even without context kento really gives Just Some Guy energy #truly has no reason to be there but he's causing a lil mayhem for fun nonetheless!#he's honestly king for getting these two idiots talking and confessing for once loooool #also the fact he's voiced by miyano mamoru.... just obsessed with the fact that all his characters are always insane in some way!#knt

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every-enji · 5 months

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🔥 // Ch 57

#posting the full panel and without removing the lettering #bc i love the context of him looking angy in the newspaper article #bnha #mha #enji todoroki #todoroki enji #endeavor #boku no hero academia #my hero academia #my hero academy #heroaca #manga #every enji

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uldelico · 9 months

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トランプ　『TRUMP』　Manga Chapter #05 “Baptism”

Author: Kenichi Suemitsu

Artist: Hamaguri

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forgedsplendor · 9 months

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Gojo Satoru: or, how the eyes are the windows into the soul.

everyone and their mothers have talked about the kfc breakup scene to hell and back, we've gotten a dozen and more think pieces about the episode on twitter and tumblr and wherever else, but I really needed to add my two cents because it's been on my mind ever since I watched the episode.

something fun I've noticed about mappa's adaption of jjk is the way they animate gojo's technique—specifically in relation to his eyes.

in season one, gojo's eyes were always animated very... otherworldly.

they're always glowing and sparkling in this weird, uncanny way, which is kind of the point: gojo is the six eyes, after all, and considering the anime's animated and colored medium compared to the original manga's black and white, paneled format, it's a good way to adapt and demonstrate gojo's powers in the way the manga cannot. it also serves to visually separate gojo from the rest of the characters; as the strongest, he is different from the rest.

however, when season two's teasers were first released, there's a particularly interesting detail...

... his actually normal looking eyes.

and, yeah! that makes sense. as much as gojo and geto's high school selves love to tout around the title of "the strongest", it's undeniable that compared to his twenty-eight year old self, this gojo is much weaker, incapable of holding up his technique indefinitely, and incapable of using red, hollow purple, his domain expansion, and reverse curse technique: all of which his adult self are using passively.

so, i had personally figured that these were the eyes of an unawakened gojo. that once he mastered reverse curse technique, his eyes would start to glow like his adult self. however... that was not the case! as we can see...

... they still glow! but only when he was using his technique. once he puts it down...

... the glowing fades as well.

especially in these last few screenshots, mappa establishes the difference between "invulnerable" ( untouchable, literally, with his infinity technique up ) gojo and "vulnerable" ( infinity down, so things can now touch him ) gojo, both literally and mentally. ( let's put a pin in that. ) after geto's reassurance gojo physically lets down his defences of his technique, and thinks that that they're safe... leading to toji taking advantage of that naïveté, and the rest is history.

it's important to note both, as it puts his adult self into a new context: we know that after coming back from the dead, gojo's mastery of reverse curse technique allows him to use his infinity indefinitely without frying his brain.

it's funny, because this parallels his way of coping, as we see here:

curse technique reversal: red. the opposite to blue's attract, it instead repels.

after going through the traumatic events of hidden inventory, gojo... feels nothing. he pushes away these feelings, numbing himself to them instead.

he activates his infinity...

... and becomes untouchable. or, in other words...

... invulnerable. ( physically and emotionally. )

at the beginning of episode five, we don't get very many close shots of gojo's eyes, but he is in the middle of demonstrating his new grasp of infinity; in contrast to geto's spiral, the main focus of the episode and premature death as a whole, we get shots of gojo's back, his gaze obstructed by his spectacles, his face obscured entirely...

... or simply just far away.

to be fair, this all is in geto's point of view, and is used specifically to higlight the canyon that's opened up between the two, but the visual language is the same. gojo is untouchable.

well. up until...

though it's hard to see the state of his eyes with his spectacles in the way. but this is very quickly remedied just a few minutes later.

... his eyes are not glowing.

infinity is not activiated. his technique is down. gojo satoru is vulnerable. literally, in the sense that his technique is not in use, because he is dealing with a friend and not an enemy user, and mentally, because he is angry and upset and horrified and in shock in a way he was not with amanai's death.

as we know, gojo is not one to react emotionally. when kuroi was kidnapped, he did not worry: simply thought of another solution. when toji ambushed them, he did not panic: simply asked geto to complete the mission as he stayed behind to fight him off.

however, with geto's defection...

he yells, makes himself bleed.

when amanai died, he'd said he felt nothing. he'd floated in the air, weightless, marveling at the beauty of the world above and around him.

with geto's defection...

while nakamura's voice acting and the incredible animated character acting was more than enough to get his anguish across, using the tells of gojo's technique as well was the icing on the cake.

the eyes are the windows to the soul, after all, and in this moment, intentionally or not, his were blown wide open as his world crumpled apart.

#jujutsu kaisen #gojo satoru #gojou satoru #satoru gojo #satoru gojou #meta #satosugu #stsg #erm. first time im doing this. LOL #jjk meta #jjk #arte rambles

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manga-and-stuff · 6 months

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Ladies, Gentleman and others, I present to you, without any context, one of the funniest manga panels I have ever seen:

#the and stuff part of manga and stuff

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codenamesazanka · 5 months

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assorted 408 thoughts

When I first saw this sequence of panes, I thought, wildly and hopefully, that’s Shigaraki Tomura. That could be Shigaraki Tomura, someone who holds the quirk All For One and who, despite everything, is kind.

＊

It reminds to be seen if Shigaraki Tomura can be stopped. As Deku says himself in Chapter 406, he still haven't come up an answer yet.

Since his first appearances, Shigaraki Tomura is infamous for being childish, talking about fights and battles as if he was playing video games. He's matured since then and his game metaphors have lessen in quantity, but his enjoyment of video games is still significant to his character.

But Shigaraki Tomura is also the one who created the League of Villains, a haven for outcasts and misfits. Twice considers the League the only place he belongs. Toga found life easier to live while with Shigaraki and others. The League is home to it's members, because Shigaraki made it that way.

Part of that is because Shigaraki Tomura is considerate of his teammates feelings and desire. This is core to Shigaraki - even as a child, he went out of his way to befriend those left behind, to include the children no one else wanted to play with. Underneath the layers of bitterness and rage caused by society's rejection, Shigaraki is still someone who cares a lot:

＊

One thing I really like about the new chapter is that All For One kept Yoichi's severed hand.

Why? Who knows. All For One isn't allowed any real human emotions by the story. But still - All For One kept a severed hand, a memento of a lost one and whatever significance is embedded in that; it's evidence of what he's done - killed his brother - and a symbol of his new purpose - to hunt down the other remnant of Yoichi.

Years later, he would do the same for Shimura Tenko, when he gives the boy the hands of the slaughtered Shimura family. And he intends for them to have the same meanings and purposes - for Shimura Tenko to remember the massacre, and for that memory to spur him onward.

That AFO repeats this gruesome gesture with Tenko, essentially reproducing the same horror he experienced onto the boy who he intends to be his heir. This recontextualizes The Hands a bit - instead of just what seemed to be a sort of unique psychological torment imposed out of revenge against Shimura Nana's descendant, it's also AFO just raising Tomura after himself. It's still a incredibly fucked up cruelty, don't get me wrong, but now it feels less because specifically Shimura, and more because AFO wanted an successor that mirrors himself, down to the same traumatic trappings.

＊

But of course, Shigaraki Tomura still greatly resembles Yoichi.

Overall, this panel of Yoichi does closely resembles the panel of Shigaraki from Chapter 221. Just— everything from the angle of the face and the direction of their gaze, to the position of the hand.

But based on Yoichi’s expression - the eyes, the slight smile, the whole demeanor - my first thought went to Shigaraki in Chapter 148, when he was telling Toga and Twice that he believes in them.

This is Shigaraki, revealing his face to Toga and Twice, when in the previous panels, it had seemed like he was insensitively ordering them around, without consideration for their feelings, telling them to work with Overhaul who had just murdered their friend Magne. But once the hand comes off - voluntarily, for the first time, facing them straightforwardly - we see a look that convey a lot of things - Shigaraki's resolve in taking down Overhaul, his trust in Twice and Toga, his sincerity in what he's saying. It's Shigaraki with probably his kindest expression in the entire manga.

It parallels the context somewhat too - in Yoichi panels, it had look at first like he was despondent, sad and weak, lamenting that he dependent and was unable to do anything against the evil that was his brother. But instead, with the face reveal, we're seeing Yoichi's own indomitable will and kindness, so much that he still sees the hopeful possibilities of All For One's power.

Both are victims of All For One, but both have always kept their strong sense of self and core sense and desire for kindness and justice.

＊

If you ask me what AFO and OFA combined would look like, I have to say: Shigaraki Tomura.

#Shigaraki Tomura #Shigaraki Yoichi #Yoichi #All For One #One For All #bnha #mha #heroaca #nalslastworkingbraincell #don't mind me #i'm just back on my 'Shigaraki Tomura as best character ever' bullshit

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mari-lair · 5 months

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Akane is a popular kid, arguably the most popular student outside Aoi and Teru, at least in his own class, so let's talk about it!

In his introduction, we are told the basics: how Akane is a childhood friend of Aoi, dutiful, obsessed with her, and so on. During this exposition, we get this small panel of two guys looking at him with a positive opinion of him:

It's important that the stripped shirt guy is the one who says "Akane is so nice" cause it is implied he has a crush on Aoi, or at the very least, that he considers her really cute, blushing when she is just living her life.

So even people who should consider him one hell of a romantic rival don't think badly of him. I would go as far as to say that they are invested in his obvious crush on Aoi because of the amount of attention he gets after being enchanted by the confession tree.

In an arc where everyone starts to get together, is hard to notice or even care about new couples.

But the whole class stops when Akane and Lemon claim to be dating. They surround the boys and talk about it, openly staring at them. (shout out to @bpzau-d-r-a-w-s for pointing out this crowd)

Which I would have assumed is homophobia if it wasn't for how many guys confess to Teru on the daily without being spared a single thought, or the way no one is trying to comfort Aoi.

If he was only known as 'that dude that follows Aoi' the class reaction should be "Great! Her bodyguard is not in the picture anymore! That's my chance!" but they don't spare Aoi a glance. No one cares that "our calm and composed popular queen is crying in the middle of class." right now. They are just... focused on Akane, too shocked by his change of heart to care about much else.

I know is Akane getting this attention instead of Lemon because the class reacted the same way once Akane started studying like crazy to win 'Teru's challenge' in chapter 59.

People don't dismiss his behavior as "hum, weird, well whatever" like when Nene talks to 'herself '(talk to Hanako) in class, they keep crowding and talking about Akane, they are invested, aware of the context of the situation (so they asked him) and familiar enough to take a guess that his behavior is related to Aoi.

So they care about what this weirdo is doing, he is a soap opera to the class! Just look at how invested people get when he says no to Aoi, even the background crew are open-mouthed or confused.

This idea Akane is a boy people pay attention to is everywhere in the manga.

Even for a class representative/council guy, it is ridiculous the number of people who want his help. He is always surrounded by people wanting his help.

I personally can't see that many people approach someone just to take advantage of them, he makes others go "Oh it's Aoi! I can trust Aoi to be of help :D" but I acknowledge that can be seen as a sign of how incompetent his class is or just people wanting to take advantage of him, so I'll talk about the cases people run to him that are nonrelated to his duties, is just his vibes:

Tiara gets super attached to Akane in no time, literally clinging to him out of everyone in the room, running to his side whenever there is an opportunity for it.

Hanako, who is apathetic towards most humans and supernaturals alike, loves his guts. Even if the admiration is not mutual.

Teru and Aoi are prideful people who have the whole school paying attention to them. They look at Akane the most.

Girls especially seem to like him.

We don't see him interact with many girls considering Aoi's jealous nature, but enough to tell the boys in his class call him 'Aoi', and the girls call him 'Akane-kun.' (shout out to @iamhereinthebg for pointing that out)

I am convinced the reason he doesn't get many confessions is because he brutally shuts down anyone who tries.

He isn't like Teru and Aoi, he does not believe in "I'll let them down gently, give them a cute smile to soothe the pain of rejection" he just crushes their hopes without hesitation and makes it clear they have no chance.

The one girl we explicitly see confess to him only ever hoped Akane would accept her chocolate, having no hopes her feelings would be returned but caring enough to let him know anyway.

And Akane still rejected her chocolates.

He seems to be relatively used to confessions, to the point he panicked when Nene said "I've meant to talk to you for ages" and immediately assumed she wanted to confess to him.

His answer is so quick, almost scripted "My heart belongs to another. I'm sorry." it makes no sense if he isn't at least somewhat used to getting love confessions.

Considering how... Unpleasant confessing to a guy who everyone knows has been madly in love with someone else for more than a decade must be, I am not surprised almost no one is brave enough to even try to pursue him. His blunt, borderline rude, way of expressing that his suitors are not welcome probably doesn't help either.

Bonus:

He is no idol, people do not trip over themselves when they see him like with Aoi and teru, but I do think he is considered a 'pretty boy' in canon.

Maybe I am reaching cause I am biased af, but I do find it wild that he is drawn super pretty in other's people pov when he is being playful or flirty, and the person always blushes about it.

#tbhk #toilet bound hanako kun #aoi akane #akane aoi #jshk #jibaku shounen hanako kun #character analysis #awful trio is also the popular kids trio and I find that beautiful #when i tell you this have been on my draft for MONTHS #only elise know how long i wanted to talk about this

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villainsandvictimsalliance · 2 months

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Okay a bit of a sob time:

I think that Kurogiri's first words in the manga are " Have you seen this? He's become a teacher ".

Now, I could be wrong. Just saying that here.

The panel shows Tomura's hand in a newspaper, next to a drink at a bar. I know it's Kurogiri talking because Tomura has his own typography when he speaks to represent his shaky voice. The bubble in the panel is written normally and there's no one else at the bar, except a nomu. If it is Kurogiri, then he is talking about All Might. We know that from the context of the conversation.

His next appearance is when he shows up at UA along with Shigaraki Tomura and all those minor villains. The first to notice the weird mist is (as it could be anyone else) Aizawa. Then something even more curious happens. Of all the people in the room, Kurogiri addresses Aizawa first, calling him by his hero name (Eraser Head).

Here are the panels:

It just hit me that Kurogiri was written right from the beginning as having this weird sort of subtext connection with Aizawa.

When you know the story of Shirakumo Oboro, when you know what it all means, it's painful to look back at those moments.

" Have you seen this? He's becomes a teacher... " now sounds like he is talking about two different people at the same time. The way Aizawa and Kurogiri acknowledge each other first, without knowing. Look at the panel where the mist starts to form at the USJ:

Aizawa looks so young. So like the Shouta that Oboro was used to. The panel is almost nostalgic.

To be honest, it's only a sob time 'cause it makes me sad to think that after so many years, they are still drawn to each other like that. Unconsciously. I wonder if a part of them knew, back then. A tiny, hidden part. To die and come back, to see the one that gave you so much and made you who you are die and come back, to find each other in a sort of another lifetime yet the same one.

To be the first to turn to him. For his name to be the first thing you call when you arrive...

#bnha #mha #my hero academia #boku no hero academia #league of villains #bnha spoilers #mha spoilers #lov #aizawa shouta #aizawa shota #Kurogiri #shirakumo oboro #eraser head

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batbeato · 1 month

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A 'skill' I've ended up honing is a sense of the various art styles of the Umineko manga artists. Generally when I see a panel I can tell what episode it's from based on either context, it being an often-posted panel, or even just... how it's drawn.

Episode 1, 3, and 8 are drawn by Natsumi Kei! Natsumi Kei doesn't draw Battler with his vest. She has a specific way of drawing eyes (for example, drawing Beato's with no/little shading) and Battler's hair is super spiky. She draws Beatrice's dress as entirely black besides the pattern, with some white parts for shading/lighting - a trait which most of the Umineko artists share She also has a tendency towards some fanservice angles/poses (such as that oft-memed panel that shows off Eva's ass while she's raging at her misogynistic brother/family).

She likes to do these 'close-up' shots to show off detailed expressions.

She also draws Beato's eyes with blonde eyelashes! So pretty... A lot of the Umineko manga artists draw Beatrice with blond eyelashes, which always seem so delicate when they do the detailed close ups.

The EP2 mangaka, Jiro Suzuki, contrasts Natsumi Kei a lot. They use heavier shading at times, and their anatomy is also different - I often get the impression that their Beato is more broad-shouldered, while their Battler is more skinny. Like a twig.

From this panel, you can really get the impression of 'glowing' in a way that you can't get from Natsumi Kei's work.

In general, their style has a lot more detail for things like face and hair. Just like Natsumi Kei, they draw Beato with blonde eyelashes, though they interpret Battler's hair differently.

Battler's clothes feel very flowy, which adds to the sense of him being very skinny. Just like Natsumi Kei, Battler is drawn without his vest. I feel as though there's a sharpness to the joints.

EP4 is drawn by Soichiro! A return to spikier Battler hair. I feel like they tend towards narrower, sharper eyes.

Soichiro has a certain way of paneling... It relies a lot on very similar-looking boxes. They're generally all the same shape, and often the same size. Some examples:

As you may have noticed, Battler is still bereft of his vest. It's probably a choice all of these mangakas made in order to simplify his design.

...I would also like to submit for your consideration the travesty that is the paneling in this page. It's... a bit confusing to follow. This is a tendency in their style - sometimes the emphasis, paneling, etc. isn't quite right. They're a great artist, but I get the feeling that they weren't quite accustomed to this medium at the time of drawing.

EP5 is drawn by Akitaka.

Akitaka is one of my favorite Umineko manga artists by the sheer virtue of the fact that Akitaka restores Battler's vest to its proper place: on his body. Battler's hair is still spiky, but it's a different, sometime toned-down interpretation. The way they shade his hair feels really unique to me - a mix of the usual screentones with some black sections (depending on the angle and level of detail). In general I feel like Akitaka works a lot with screentones to add a lot of shading to their panels.

Rather than using pure black for Beatrice' dress, it's a mix of black and screentones. Part of this is for lighting, but it also allows Akitaka to show a lot more details for the dress, which the artists who use primarily black for the dress can't do.

Akitaka also has some really detailed expressions. They manage to bring a lot of character to even the 'dead' Beato.

EP6 is drawn by Hinase Momoyama. Battler's vest, the most important character in Umineko, triumphantly remains. However, Battler's hair is less spiky and more slicked-down. Like Akitaka, there are often black sections of it, but these are more often at the front, rather than the back, of the head.

Beatrice's dress varies from "mostly black" to "mostly screentones" in EP6. Elder Beatrice, however, has these very detailed and eye-catching ruffles to her skirt. She is also drawn with sharper eyes and expressions than Chick Beatrice, who is wide-eyed and has very flowy princess sleeves on her dress.

Battler comes off as super cute when he's angry, rather than something more menacing or serious, as he does in Natsumi Kei's art. For comparison: (EP6, then EP8)

This is probably a result of how Natsumi Kei draws 'sharper', while Momoyama uses rounder shapes.

EP7 is drawn by Eita Mizuno, who is a saint for managing to draw beautifully for all NINE volumes. NINE. A saint.

They draw Beatrice's dress primarily with screentones, and have very bright, wide eyes.

They use a lot of texture with their screentones, which gives their art a unique feel amongst the artists for the manga.

I'd also like to have a special shout out to this page. The way the art style shifts in the final panel to reflect Lion's shock and horror is an incredible use of the medium. This artist really seems to like these horizontal spreads, but they use the space well.

More masculine characters like Will have narrower eyes, though the pupils/light isn't that different. While characters with light hair like Lion have no screentones for their hair, Will receives a healthy mix: primarily black, with some screentone highlights. Of course, light-haired characters will have screentoned hair depending on the lighting, but in bright lighting, Lion has entirely white hair.

...Also, Battler has once more lost his vest. At least his hair is spiky again...?

That covers all the main mangaka, but there's also the mangaka for the side manga, Tsubasa: Fumi Ito. Their art is really cute and suits the often-comedic stories well. The small highlights they put in hair feels characteristic of their style. They often draw characters with wide, round, bright eyes.

Battler's hair spikiness is toned down (so fluffy...) and his vest returns for the final time. A true blessing.

This is just a super brief overview of it all - there's a lot of characters whose varying depictions I didn't mention, I didn't really talk about how they do backgrounds, and plenty of other things. But Umineko has a lot of talented artists who worked on it, and many of them still sometimes post fanart (or new official art) for the series!

I feel like we should appreciate the amazing range of artists who have done their best to interpret Umineko's story. They all did a great job!

#umineko #umineko no naku koro ni #manga #umineko spoilers #just in case since I grabbed panels from everywhere

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beaulesbian · 2 months

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i'm caught up with end of wano, so here's some parallels from one piece that could be or don't have to be connected, but are still pretty cool.

long post ahead & wano spoilers

protecting new era:

rayleigh protecting zoro at sabaody from an attack by kizaru, ch 511

luffy protecting law from an attack by doflamingo, with same move as rayleigh above, dressrosa ch 782

at the end of wano, ch 1055, shanks telling ryokugyu a similar thing as rayleigh above ("don't pick the buds before they sprout. their era is only just the beginning"),

shanks "when the new shoots that just changed pirating history are exhausted, (..) are you that afraid of the new era?!"

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zoro king of hell

same page as luffy protecting law - with haki clashing against doflamingo, the panels after that talking about supreme king haki - qualities of a king,. in this context for doflamingo, ch 782

at amazon lily ppl reacting to luffy using supreme king haki, while he doesn't know he just did, ch. 519. "that's the haki of the chosen ones' only one in millions has that spirit!"

vs, zoro unknowingly unleashing haki of supreme king for (possibly) the first time, ch 997

and later during his rooftop fight against kaido, (and still denies/ doesn't know what they're talking about, which is very interesting). ch 1010

then during his fight with King, unleashing haki, which makes others around fall unconscious (as mentioned above to doflamingo is a sign of supreme king haki), ch 1033

and some more chapters later, claiming the title of King of Hell (funny in this context it was told to doflamingo he was chosen by the heavens, and for zoro he became the king of hell. smth smth about the character work there).,

and as always - connected to luffy and his dreams!. ch 1036

then there's the asura figure surrounding zoro's powers,

and i find it so interesting that on wikipedia about asura (which zoro's sword and fighting styles are also based on with hindu and buddhist religions) is mentioned they're "considered enemy of the gods"

i like how it's the same phrase as we also heard in the manga before form law's flashbacks about corazon, ch 764

this is in the context of the people with the D. name, and then mostly used for law himself, and luffy and how far he's come to truly wreck the world government, as well as them being a threat to the celestial dragons.

luffy and nika:

from point above, i like how the "enemy of gods" being applied to people with the name D. is also interesting in the context of luffy awakening his devil fruit powers, which are named sun god nika. (i know that in the phrase "enemy of gods" mean gods as the celestial dragons, but it's still interesting)

which doesn't take away from luffy's character as i was a bit worried at first.

he's testing the new skills and powers, and he sees how he can reach the new limits he couldn't before. it might have been the devil fruit that chose who would eat it, but it's luffy and his dream that make the decisons., ch 1045

and ch 1049

luffy in ch 507 & 1053, his core ideals are still the same

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not fighting someone

shanks not fighting the mountain bandits, and luffy not understanding it, ch 1

jaya arc, luffy and zoro not fighting against bellamy, and nami not understanding at first, ch 225

and ch 1054, momonosuke telling yamato not to fight the navy guy because he wants to be able to protect wano, and let yamato go to the seas as he wants to - it's just that similar energy that luffy has when he tells someone not to fight (or when to fight), without almost any explanations.

also loved this usopp moment!, - could be paralelled to his whole character arc. ch 1036.

he's so real for saying this to kin and kiku (and samurai in general). he's always scared and sometimes can be acting like a coward, but he always, always, stands up for his crew and fights to live through whatever hell luffy puts in front of them.

-- wano was so good and there are so many thoughts about one piece in my head now, about each of the characters and their development/meanings/themes! OTL

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twomiddlefingersforthehaters · 4 months

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Just wanted to say, Sasuke winking at Sakura was never happened in the manga, it was a translation error.

The translators at VIZ are fine, but they miss things, or by censoring or translate things differently, or change the context of certain words and scenes. In some places they mistranslated things, in other places they changed things, and in other places they were really inconsistent on whether or not they were going to mistranslate something. Another is that they miss nuances. VIZ translation and online scanlations are good and although both are sometimes equally inaccurate. I don't blame them or complain because a lot of people translating online put a lot of effort into it and try to portray it in the best quality possible.

But I hate VIZ for cutting out all the author text descriptions that are added at the beginning and end of each chapter. For eg:-

This is from VIZ. And now I'll show you how it looked on the official one and in the scanlation.

See the difference, do they really have to do this?

Ok now let's go see if Sasuke winks at Sakura or not.

The first one is from official VIZ translation and the bottom one is from the raw. The sound effect used in here is ニッ (ni) which means "smile; grin; smirk; heh". Thus it shows that he never winked at Sakura.

If you claim that the word bubble covered his left eye...let me show you something

Here Luffy was using second gear. Look at the orange bubble, it looks familiar, doesn't it? It's the same sfx 「ニッ」 used in the Sasuke panel. We can only see his back, but how do we know he is grinning, yes, it is because of the sfx used there. Without showing his face, we could tell he was actually grinning.

The same sfx is used here in this panel as well. Here both her eyes are shown closed.

If they're still claiming that Sasuke was winking, then I can only say that Luffy was winking at Blueno and that girl was winking while both her eyes were closed.

And I also wanna talk about Sasuke's leg shaking when he heard sakura's confession.

The sfx used in here is ピタ Pita = stops; freeze; pause. This same sfx used in VOTE 1

Sfx used in here ピタッ Pita . ッ added to make an onomatopoeia "stronger"

Sasuke was walking away while Sakura was confessing and he suddenly stopped and turned around to say, "You're really annoying." Sasuke was walking away in vote 1, and when he heard Naruto, he suddenly stopped, and turned around and called out his nickname, "yo, usuratonkachi"

If you want to know when Sasuke's legs start shaking/trembling, 1) it's during the UMC 2) when he's stuck against the wall and can't escape, and Itachi comes at him like he's going to pluck his eyes out. Sfx used in here is ガクガク (gaku gaku) - tremble tremble; shake shake

As for the sfx ガクッ (gaku) which means- Collapsing; losing strength; losing balance; slumping; bend with a jerk. In the first panel, he lose his balance and collapsing because what he's facing is not a dream, it's reality. The reality is that he lost his family and everyone. And he became alone. In the second panel he collapses due to the sudden pain in his shoulder.

#Naruto manga #onomatopoeia #my stuff

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sasukexplicit · 3 months

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What do you think are Naruto and Sasuke’s greatest personality strengths and weaknesses? Why? What do you love about their dynamic? Sorry if you've answered these questions before.....

from the manga, naruto's greatest strength is his persistence to achieve his goal. since we're talking about sasuke and naruto, i'll focus more on both of them. naruto's persistence to bring sasuke back to konoha ignoring gaara and jiraiya's ideas is a great act of love. given the context in which sasuke found himself being a member of akatsuki and being one of the most dangerous ninjas in the world, naruto carried great responsibility when dealing with the uchiha at that time, because it was about entering a minefield, as literally all the villages, especially the cloud village (due to the “capture” of killer bee) wanted to see him dead, as he represented an obvious threat.

during this text i wrote, i included some panels from the manga to remember these moments…

1. jiraiya asks naruto to forget about sasuke

2. naruto and his iconic phrase

3. gaara telling naruto that he will have no mercy on sasuke because he is a threat to the ninja world

in addition, naruto's greatest weakness is sasuke (see how much he put his life at risk in the lines i wrote above because of uchiha). naruto took a risk by personally asking the raikage not to kill sasuke, he was violently beaten by karui to protect sasuke, he lost control of the kyubi's chakra in the fight against orochimaru because of sasuke and he had a panic attack with the overload of emotions that he was having everything happening at the same time. anyway, a lot happened during the manga that clearly shows the risk that Naruto took to protect sasuke, this is a sign of weakness but also a sign of the unbreakable bond between the two.

4. naruto out of control after orochimaru talks about sasuke

5. naruto begging the raikage not to go after sasuke

6. naruto after being beaten (without fighting back) against karui in order to protect sasuke

7. iconic naruto panel thinking about sasuke

8. naruto hyperventilating after the amount of events that are happening at the same time without him having control over it

about sasuke, his biggest strength is his determination. again, i’m making this synthesis only with the relationship between naruto and sasuke: from the first interaction between them, in the fight against haku we saw his determination to abandon his revenge against Itachi (which was his biggest goal in life) to sacrifice himself for naruto (remembering that he already lost his family once and didn't want it to happen twice).

9. sasuke saying he doesn't want to see his comrades killed in front of him again

10. sasuke sacrificing himself for naruto in the fight against haku

sasuke's biggest weakness is naruto. remember that his main objective was to defeat his older brother itachi, to obtain revenge for what happened to his clan, but one of the requirements to achieve this according to itachi was to obtain the mangekyou sharingan, that is, killing naruto. he managed to obtain victory against naruto in the valley of the end but he was unable to end his life.

11. sasuke being unable to end naruto's life (even with the perfect opportunity to do so)

12. sasuke saying that naruto is his closest friend

13. itachi saying that to awaken the mangekyou sharingan it is necessary for sasuke to kill his closest friend

when i talked about the determination to be the greatest strong point of sasuke we also have to remember that this quality almost brought the death of naruto because thus, the only weakness of the uchiha would go before his eyes.

14. sasuke saying the iconic phrase of my one and only

15. sasuke saying that naruto knows his heart and vice versa

what i like most about the dynamics between them, in a few words, is: "naruto and sasuke progress as a pair. so when i write about naruto, i always have to think about sasuke. they are on opposite sides of the spectrum, like yin and yang.”

masashi kishimoto

#sasunaru #narusasu #sasuke #naruto #naruto manga #karui akimichi #gaara #jiraiya #itachi

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