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#Mark Stubbs
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BBC Sherlock + certainly not a  tumblr bot description generator | insp.
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gomielka · 5 months
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Since Wednesday, my 17 year old daughter and I decided to rewatch all 4 seasons of Sherlock … and I’m in heaven again ! It’s been so long since I watch it … we are at s03e01 right now … still love that show ! Still hope we will have a season 5 one day … or a film … the fans deserve a proper ending of this serie …
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elennemigo · 2 years
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BBC SHERLOCK TURNS 12 YEARS!!!
Next Monday July 25th, it's gonna be 12 years since "A Study in Pink" premiered!
This is not a formal event or anything, just a reminder in case you all want to do something, anything, for the occasion. We can use all use the tag #BBC Sherlock, make it trending and make everyone who's unaware go nuts! 🤣😈
I can't promise to reblog everything bc this is Sherlock and we all have our nopes , right?😅
But the idea is to celebrate this show that brought us all together once and like in my case, introduced us to this wonderful actor and man that is Benedict Cumberbatch.
So that's it! Hope you like the idea ... 🕵️‍♂️
:))
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love-yellow-door · 1 year
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Every 'Sherlock' Episode Ranked Worst To Best | The Mary Sue
Who agrees with this ranking? Who doesn't?
(I would put ASIB higher every time)
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bonniehooper · 2 years
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Endless List of My Favorite TV Shows
Sherlock (2010 - 2017)
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cultfaction · 6 months
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Preview- Worzel Gummidge: The Combined Harvest Edition (Bluray)
WORZELESE: Every word of three letters or less ends with “dip” and words of four letters or more end in “zel”. Throw in a “wor” after every letter and you can speak the language like a native. Thanks to Fabulous Films you can revisit Jon Pertwee in his favourite role as Worzel Gummidge, alongside Una Stubbs, Geoffrey Bayldon, Jeremy Austin, Charlotte Coleman, Mike Berry, Norman Bird, Megs Jenkins…
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arthistoryanimalia · 5 months
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#TextileTuesday: look closely, it’s a “needlepainting!” A favorite piece from the “Making Her Mark: A History of #WomenArtists in Europe, 1400-1800” exhibition at Baltimore Museum of Art:
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Mary Linwood (British, 1755-1845) after George Stubbs (British, 1724-1806) Tygress, c. 1798 Worsted wool needlework
“The vibrant copper, red, and green passages in this copy after George Stubb's painting Tygress are rendered not in paint but stitched in dyed wool thread. By the 1780s, Mary Linwood had become famous for her ‘needlepaintings,’ which she exhibited at the Society of Artists in London.
Later, she opened her own public exhibition of her works that debuted in London and then toured to cities in Scotland and Ireland; in 1806, she opened her own gallery in Leicester Square in London, where this work was shown. Her gallery remained a major attraction for nearly forty years.”
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bluebellofbakerstreet · 4 months
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Number 50 in a series
Others in this series: Basil Rathbone (Fox), Martin Freeman,  Jude Law,  Benedict Cumberbatch, Rachel McAdams,  Jonny Lee Miller, Vinette Robinson, Jeremy Brett, David Burke, Andrew Scott, Nigel Bruce (Fox), Robert Downey, Jr., Jon Michael Hill, Two Violets, Mark Gatiss, Basil Rathbone (Universal), Nigel Bruce (Universal), Rupert Graves, Evelyn Ankers, Louise Brealey, Lucy Liu, Edward Hardwicke, Christopher Plummer, James Mason, Una Stubbs, Gayle Hunnicut, Hugh Laurie. Robert Sean Leonard, Yasmine Akram, Ronald Howard, Martin Freeman (TAB), Benedict Cumberbatch (TAB), Howard Marion-Crawford, Archie Duncan/Richard Larke, Peter Cushing, Nigel Stock, William Gillette, Edward Fielding/Burford Hampden, Kay Fielding, Rosalie Williams, Andrei Panin, Ingeborga Dapkunayte, Igor Petrenko, Rosalyn Landor, Gareth David-Lloyd, Ben Syder, Millie Bobby Brown, Henry Cavill, Jared Harris, George Zucco/Ida Lupino
@randomnessoffiction
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jawbonejoe · 6 months
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Ishmael: Here’s all the hands according to rank. Now, the mark of a real whaleman is not to look at rank so much as bangability. So, looking at it like that, Queequeg is at the top, then Starbuck, then Stubb, then ten other guys in a mishmash depending one what kind of dick I want that day. Honestly Ahad can also get it but I worry about his leg. He seems to only come out in nice weather so I bet he’s a booty shorts appreciator.
Me: Girl PREACH
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Kristin Hersh. Photographed by Tom Sheenan with Miki Berenyi (Lush) and Mark Kozelek (Red House Painters) for Melody Maker’s special feature on 4AD’s 13th anniversary, July 24th 1993 issue. Interview by David Stubbs, article about the label’s highlight by Chris Roberts.
via nothingelseon 
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happyllamaglama · 9 months
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Perhaps you can explain to me, a simple layperson, why lamas and alpacas derive so much joy from piles of dirt
First off I'm super sorry about how long this took to answer, I was watching my brothers kids for several days so I'd stacked the queue higher than usual so I wouldn't need to worry about it for a bit.
So sorry, I'll try to do better.
I'm not any expert, I know a little more than the average person but the average person, in my experience, still gets llamas and alpacas confused so still not much. So I will defer to the people that know these things.
Short version I think is it feels nice and it helps with skin oils and such, probably does some good for bugs/parasites, likely some kind of scent marking going on too.
Looking my thing was right, but they word it better.
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Chinchilla tiktok account I visit on occasion does rolling for dust baths occasionally, girl that runs the channel has done a pretty good job of explaining why and also getting the info out there about responsible ownership, which wow I didn't know how much went into those orb shaped giant mouse's.
And now for the cute portion of the ask, we will head over to one of my top accounts I love to visit and get content from stubbs farm alpacas. Top notch operation from what I can tell, and the woman who runs the place loves her herd to absolute bits and it shows.
not any dust baths here, but that's ok it's still super adorable.
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tomorrowusa · 3 months
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Two notable defeats handed to the far right in European elections over the weekend. 🇩🇪🇫🇮
In the German state of Thuringia, the candidate of the extremist AfD unexpectedly was upset by the candidate for the moderate center-right CDU in a runoff for district administrator of Saale-Orla. The position of district administrator (Landrat) is roughly equivalent to a county board chair/president in the US.
AfD loses run-off in first vote since mass-deportation story
Christian Herrgott of the conservative CDU beat out far-right Alternative for Germany (AfD) candidate Uwe Thrum in a regional run-off election in the eastern German state of Thuringia on Sunday. The vote was viewed by political observers as a barometer for the AfD's popularity at a time when damaging headlines may have dented its alarming nationwide momentum. The vote was the first since Correctiv, an investigative journalism outfit, published a report outlining a November meeting in which AfD politicians and far-right extremists — including Austrian neo-Nazi Martin Sellner of the Identitarian Movement — discussed plans for the mass deportation of foreigners and unassimilated German citizens should they come to power. The story sparked outrage and led to numerous rallies across the country in which more than one million people turned out to demonstrate against right-wing extremism and for democracy. AfD candidate Thrum had led the race safely before the Correctiv report was released — he dominated the general election two weeks ago with 45.7% of the vote compared to Herrgott's 33.3% — but only gained 47.6% of the vote to Herrgott's 52.4% on Sunday. Herrgott, the 39-year-old leader of the CDU state party in Thuringia, has been a state parliamentarian since 2014 and will take up his post as district administrator on February 9.
So Herrgott ran 12.4% behind Thrum in the first round but ended up beating Thrum by 4.8% in the runoff. Presumably voters from other pro-democracy parties united Herrgott to lift him to victory.
In any country, unity among pro-democracy forces is necessary to defeat fascism.
—··—— —··—— —··—— —··——
Meanwhile, Finland held the first round of its presidential election on Sunday to replace retiring President Sauli Niinistö.
Former Prime Minister Alexander Stubb of the pro-EU center-right National Coalition Party (NCP) (Kokoomus) came in first place with 27.2% of the vote. Former Foreign Minister Pekka Haavisto, a member of the Green League (Vihreät) but running as an independent, came in second place with 25.8%. Stubb and Haavisto move forward to the runoff on February 11th.
Edged out of the runoff was Speaker of Parliament Jussi Halla-aho of the far right Finns Party (Perussuomalaiset) who received 19.0% of the vote and finished third.
Finland’s Stubb and Haavisto head for runoff in presidential election
As neither Stubb nor Haavisto secured the 50 percent needed to win outright in the first round, the two will now go head to head in a second round on February 11.  [ ... ] “Of course it’s nice to come first in the first round, but everything starts again tomorrow morning; the election starts again,” Stubb told reporters as the vote count drew to a close.  The result marked the latest step in an unlikely comeback for Stubb, an ebullient and at times divisive politician, who walked away from Finnish politics in 2017 after a brief stint as prime minister ended in a parliamentary election defeat.  [ ... ] Stubb has said Russia’s attack on Ukraine in 2022 drew him back into the political fray; like his rival Haavisto he has said he will take a hard line against Finland’s giant eastern neighbor.  Presidents in Finland take a leading role in foreign policy and serve as the country’s commander-in-chief, meaning the looming shift from widely respected incumbent Sauli Niinistö, who has reached Finland’s limit of two six-year terms, to Stubb or Haavisto is on the radar of international leaders.  [ ... ] Haavisto also has a long foreign policy track record. He is often less forceful in debates than Stubb, but is seen as a quietly effective operator.  Both candidates represent mainstream political parties in Finland: Stubb as a longtime lawmaker with the center-right National Coalition Party and Haavisto with the center-left Green Party. 
Stubb and Haavisto are staunchly pro-Ukraine. Finland fought a war with Stalin's Soviet Union and has few illusions about its eastern neighbor. Even Halla-aho, unlike the leaders of some other far right parties, is not a fan of Putin's Russia.
On a personal note, Haavisto would become Finland's first LGBTQ president if he wins on February 11th.
Finland’s ‘DJ’ candidate hopes to become the country’s first Green and gay president
Finland recently joined NATO. If it also elects a gay president then homophobe Vladimir Putin might get conniptions. 🤯
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denimbex1986 · 4 months
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'...23. Sherlock – Series 2, “The Reichenbach Fall” (2012)
The triumphant conclusion (which, as it turned out, wasn’t really a conclusion) to Steven Moffat’s initial Sherlock run was a tour de force in TV suspense, pitting Benedict Cumberbatch’s eponymous super-detective against his greatest frenemy, genius villain Moriarty (Andrew Scott). All anyone could talk about for the next two years — until the third season finally arrived in 2014 — was that devilish cliffhanger when, right at the end of “The Reichenbach Fall”, Sherlock and Moriarty meet for the final time atop St. Bartholomew’s Hospital.
Moriarty offers his nemesis-slash-wannabe-boyfriend a choice: dive from the roof to his death, or allow his closest friends and loved ones – among them, Una Stubbs’ Mrs Hudson, Rupert Graves’ Lestrade and Martin Freeman’s Dr Watson — to be murdered instead. He then pulled his cruellest trick of all, putting a bullet into the roof of his mouth, forcing Sherlock’s hand. The result, Sherlock apparently falling to his death, fuelled rampant fan speculation for months. Until he turned up spick and span in the next season, that is...
20. Broadchurch – Series 1, “Episode 8” (2013)
Murder mysteries are a game of cat and mouse for both the characters on screen and the audience at home, as both try to beat each other to nail down the killer. Bad ones make it too easy, good ones pull the wool over our eyes and great ones change the rules entirely. After seven hours of Broadchurch hunting down the possible killer of 11-year-old Danny Latimer, we knew we’d leave hour eight with an answer, expecting a final-minute reveal born from some intense action sequence that would mask the tragedy in adrenaline.
Instead, halfway through the episode, the killer, Joe, our lead detective Ellie Miller’s (Olivia Colman) husband, gives himself up, sick of being consumed by guilt and shame. It knocked the classic whodunnit structure on its head, changing the focus from the murderer to the fallout of his crimes. There’s Danny’s parents’ grief, which is finally felt in all its horrendous weight now that there are no longer question marks over the case, the town’s reckoning with the aftershock of such a harrowing crime, and Ellie’s life imploding before her eyes. Even though many viewers had worked out that Joe was the murderer, the real shock came from the horror of what it meant to be right...
16. Fleabag – Series 2, “Episode 4” (2019)
Throughout its two seasons, Fleabag became a beacon of rare relatability. It was a show about a woman actively not trying her best, self-sabotaging to bury emotion and hoping that none of it ever found its way to the surface. In its fourth episode of season two, it finally did. The episode is a bait and switch of sorts, as Phoebe Waller-Bridge’s titular Fleabag takes rejection from her hot priest crush (Andrew Scott) as a challenge, aiming to get him to relent on his spiritual allegiances and give into some good, old-fashioned carnal sin. For so long, it seems as if it’s not working, despite the pair dancing around the kind of sexual tension that feels like lightning in a bottle. But then she finds herself alone with him in the church late at night. He has had a few drinks. What starts as Fleabag in control ends with her walls breaking, the vulnerability she feels with the first person she’s connected with since the death of her best friend Boo corroding the armour that’s kept her feelings of guilt and shame and sadness locked away. He commands her to “kneel” and, well… you know the rest...
11. Fleabag – Series 2, “Episode 6” (2019)
Bringing back Fleabag didn’t seem like a good idea. Its beautifully constructed first season felt like the classic case of a one-and-done, particularly because of its gut-punch ending (the reveal that Fleabag had slept with her best friend Boo’s boyfriend shortly before she had died by suicide). And we’ve seen worse shows tarnish their legacies with ill-thought-out second runs. But, as evidenced by its dominance on this list, Fleabag series two went on to eclipse that first outing by every metric. This finale is a devastating conclusion to Waller-Bridge’s tragic romcom, with Andrew Scott’s sexy priest ultimately choosing God over love. Before that, we get to enjoy her father’s wedding to her ridiculous stepmother (Olivia Colman), her sister Claire (Sian Clifford) finding love with her Finnish namesake and a deeply moving and funny sermon from the hot priest (“Love is awful. It’s awful”). And, boy, that ending. The grim, bus-stop bench, the CGI fox, the priest’s devastating reply to her “I fucking love you”: “It’ll pass.” I defy you to see a fox at night on the streets of London and not think of it. But somewhere in here there’s a glimmer of hope, a sense that we’re leaving Fleabag better off than we found her...
9. Doctor Who – Series 3, “Blink” (2007)
Every episode of Doctor Who leans on existential wonder, conjuring concepts of the far reaches of time and space as the Time Lord navigates existence. “Blink” is a fascinating non-linear episode that introduces arguably the most terrifying monster yet – The Weeping Angels, lightning-fast creatures that can send someone through time with a single touch.
The perspective is switched from the usual Doctor and companion to place you in the shoes of Sally Sparrow, a normal girl roped into the world of the Doctor. She is tasked with deciphering the Doctor’s cryptic messages as he warns of the Weeping Angels. However, they turn into stone statues if they are laid eyes upon by a living creature – hence the iconic phrase “Don’t Blink”.
This anxiety-inducing episode prompts you to think at every moment what would I do? Every little action could prove to have deadly and unchangeable consequences. The prospect of being whisked away into another time is an unbearable thought. It is one of the best episodes of the show as it exemplifies everything wonderful about Doctor Who; evoking horror, mystifying time and space, as well as drawing upon emotion as the results of these life-changing stakes steadily come to fruition...
3. Fleabag – Series 2, “Episode 1” (2019)
“This is a love story,” says Fleabag (Phoebe Waller-Bridge) from the floor of a restaurant bathroom, dabbing at her bloody nose. So begins the opening episode of Fleabag’s triumphant second season, which turns a family dinner into a tense negotiation, punctuated with cigarette breaks for gasps of air and set to the operatic thrum of classical music.
Arguably the great achievement of the episode is managing a seamless recap of the previous season, reintroducing all of the faultlines within the family while adding a new face to the table in the Priest (Andrew Scott). The tension ratchets up as an annoying waitress hovers in the wings, Fleabag resists the temptation to bite over and over again, and her sister Claire (Sian Clifford) looks as though a vein in her temple might blow like a pipeline from the effort of holding her emotions in. Andrew Scott’s performance throughout the season is astonishing, but the charm he brings to his introduction is irresistible. Among a table of family members who don’t get her, here, finally, is an equal to tempt Fleabag into opening her heart fully. You can see it in her face as she shrugs him off during one of those cigarette breaks, and he says, in that sing-song voice: “Well, fuck you then.”...'
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pocketsizedquasar · 1 year
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If you’re willing to share, what sorts of changes are you going to be making to Fedallah and the other Asian crew members? (I’m reading Moby Dick for class right now, and Melville’s racism blindspots are really interesting)
hello! this is an excellent question, and one which i’m constantly in the process of wondering how to address.
melville’s racism is rampant in moby dick. even as he tries to write consciously abt race & capitalism, he still perpetuates racist, orientalist, etc stereotypes and beliefs, with all his characters of color. queequeg hardly ever gets to speak for himself, and instead is spoken over by the white narrator. the three officers, all white men, get introduced with backstories and personalities and nuance, while the harpooners, all nonwhite, are introduced via reductive stereotypes and descriptions that center almost exclusively on their “exotic” bodies. the officers all get last words, final soliloquies, as they die, and the harpooners get no such respect. ahab & fedallah’s filipino crew are regularly described as demonic and referred to with pejorative anti-asian language. pip’s suffering as a Black character at the hands of a white supremacist is treated as some divine revelation, & pretty much exclusively is used to further the (ostensibly) white ahab’s anguish.
and fedallah himself — a textbook orientalist caricature of a ~spooky exotic persian man~, whose prophecies and ~satanic~ tendencies plague and doom the narrative.
(putting under a cut bc this got long)
i’ve tried to deal with much of melville’s racism through my comic by expanding on the gaps — like you said, the blind spots — that melville left. queequeg, tashtego, and daggoo all get to speak for themselves and to each other; they exist beyond their relationship to the white characters; i’ve tried my best to deliberately ensure the cast of the pequod is diverse and full of characters of color as whole & non caricatured & authentic as i can. this includes the filipino stowaways who we later discover are ahab & fedallah’s oarsmen.
i’ve mentioned this a bit in the past, but i’m trying to draw a line between moby dick’s watsonian or in-universe racism (stubb being a racist dickhead to, well, everyone, but especially pip & fedallah), vs it’s doylist or out-of-universe or authorial racism (melville calling queequeg a s*vage and referring to pip as “bright” in the way “blacks” are bright). so while i’ll keep the fact that stubb is a racist asshole, i’m not going to treat queequeg and pip the way melville did. characters in moby dick: or, the webcomic (henceforth MDOTW) are racist, but hopefully, if i’ve done my job right, the narrative itself is not. 
i’m not going to get this right every time, but i’m hoping i’m doing an okay job.
fedallah specifically is...difficult. he is also deeply personal to me as a persian person & someone w zoroastrian roots in my family. the stereotypes to which melville reduces him are ones that i’ve directly dealt with in my life.
some things i can do to fix fedallah are simple: design choices such as getting rid of melville’s stupid matted hair thing & giving him a proper & period-accurate hair covering, etc. some are more difficult — the things that make fedallah a racist caricature (ie the mysticism and prophetic bullshit) are also the things that mark his role in the plot: his prophecies are important foreshadowing, and they do come true.
some of the things i have done to mitigate this:
-- the design choices i mentioned earlier . no more fucken weird visual orientalist caricature. he is a person and will look like one jfc
-- fedallah is not the only middle eastern character in MDOTW. i have made a very deliberate and conscious choice to cast ahab as nonwhite, particularly a middle eastern man. (i’ve waffled back & forth abt the specific ethnicity, but). i read an essay ages back called ‘the question of race in moby dick’ by fred v. bernard which made the case for reading ahab (and ishmael, tho that’s not the point of this post) as mixed Black, and since then i’ve had trouble reading ahab as white. i’ve talked a lot about how the take of ahab as just “privileged dude leading everyone to their doom” is sort of the most boring one for me; it’s certainly a valid reading of the text, but not particularly interesting. what’s more interesting to me is how the world in which ahab lives is legitimately an awful one — violent and colonialist and capitalist — and how ahab tries in his own deeply flawed ways to fight that world. in what ways is ahab’s rally against the white whale a rally against whiteness itself, and capitalism and colonialism and all these systems that have caused his trauma etc etc? but i digress — my point here is that i personally get even more from this narrative by casting ahab as nonwhite. i’ve made him swana as a persian person myself — i don’t feel equipped as a nonBlack person to tell this specific story about ahab if he were Black — but also because there are a lot of things about ahab where him being arab or persian makes a lot of sense. one of them being his relationship with fedallah, certainly, but also the way he describes religion, his relationship with fire (slash the worship of fire) etc etc lend to this. this also means, back to the original point, that fedallah no longer has to bear the burden of sole representative for this group of people. it allows the two of them to feed off each other. it also allows another dimension to their relationship — how does ahab know fedallah? why does ahab trust fedallah so much? well, the solidarity of being two persian or two swana people in this hellscape of USian whaling certainly is a compelling reason
-- and along those lines, making fedallah more of a person than just a vessel for spooky cryptic nonsense. sure, stubb and flask might not-so-jokingly speculate on how he’s the devil in disguise and keeps his tail tucked into his pants, and sure he might make a weird comment about how ahab can only die by rope on a ship full of hempen rigging, but what else is he? does he care for ahab? are they friends? what does he think about the white whale (bc we know what starbuck and ahab and stubb and etc etc think about it)? what is he gaining or losing from this? can i put him up as a foil against starbuck — the voice of reason, begging ahab to turn back — vs him seemingly egging ahab on? almost baiting him to continue? who is fedallah beyond his prophecies? does he believe his own prophecies? is there a way i can depart from those prophecies even further, and not have to rely on them so much to push the narrative forward?
tl;dr to answer your question, what am i changing about fedallah? oh god. hopefully lots of things. hopefully enough.
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gretchensinister · 7 months
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I wondered how much the reader was expected to know about the sources of the epigraphs that open Something Wicked This Way Comes.
Text of poem below read more.
Three epigraphs, like tent-poles, shall I say?
To prop and raise the canvas of the tale:
One, Yeats to mark the gnawing jaws of time
Two, Proverbs drawing sharp the ones to fear
Three, Stubb (who dies) claims power in a laugh.
Bright guiding lights! And ones I might not follow.
The line from Yeats a thread, a clue I followed
And found a poem with more than that to say.
The loved yet vanished thing? O gas-rasp laugh:
Laments a world before the War, this tale,
A sweet bright age when some had less to fear.
(The marching scourge was not impartial time.)
And now these words that tease through tongues and time
Excised from those ahead and those that follow—
A practice me and mine have cause to fear—
So with more space, what does the Good Book say?
Ah, still it props this lightning-shiver tale
A father urging wisdom. Ray, go laugh.
To face a whale like Moby with a laugh—
Defiance bold, and still it fails in time
As death for all but one completes that tale
It makes an eerie echo of what follows
The tome belies what tidbit tries to say—
Or not. “Ha”’s not proof ‘gainst cold death, just fear
I doubt the knowing reader you would fear,
Magician playing for magicians. Laugh
When they see how the trick is done, and say
You think you could do one like it next time?
No, you’d dismiss, say my kind could not follow
Even seduced, it’s crystal in your tale.
Still, unset shards shine clearer on the tale
And neither unlearned readers would cause fear
For they would only have your lead to follow.
Stubb who? But strengthens his epigraph laugh.
Words snap sharp, garnered fresh from text and time
To mean no more than what you’d have them say.
Such beacons! I can’t follow what they say.
I’ll break this tale’s frame, make it mine, this time
To hold my different fears, and curious laughs.
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The Making Of Canon
Summary: The news behind the Making of Sherlock Series 5, and what happens once it came out.
The Making of Canon
---2023---
“Mark Gatiss and Steven Moffat have just confirmed the release of Sherlock series 5…” (BBC Sounds, 2023)
“Benedict Cumberbatch and Martin Freeman have since talked about reprising their roles as Sherlock Holmes and Doctor Watson…” (Radio Times, 2023)
“Reports have just arisen of a fifth season of BBC’s Sherlock, and we have reason to believe them true…” (CNN, 2023)
“Sherlock Season 5 Has Been Confirmed!
[Picture of Benedict Cumberbatch as Sherlock Holmes and Martin Freeman and John Watson in promotional photos for BBC Sherlock Season 1]
We’ve all been waiting for it since 2017! After six years, we have results! Here’s what we know so far:
-Benedict, Martin, Mark, and Andrew will all be reprising their roles!
-The show will not re-cast Mrs. Hudson following Una Stubbs’ death. How exactly the show will handle her death is currently unknown.
-There are unproven rumors that this will be a “re-do” of season 4, instead of a continuation. We can only hope!” (NPR, 2023)
---2025---
“…the BBC proudly stands with the LGTBQ+ community, and series 5 of Sherlock is only part of our mission to create shows that proudly reflect the diversity that exists both in the world and in the BBC itself…” (BBC), 2025
“In a show of solidarity with the LGBTQ+ community of London, the BBC has made one of their biggest couples—finally a couple.” (CNN), 2025
“In a stunningly beautiful scene, the BBC shows that is accepts everyone—no matter whether you’re Sherlock or John.” (New York Times), 2025
Mrs. Hudson’s Funeral (Sherlock S5E1, The Third Stain) by BBC on YouTube:
“Somber violin music plays in the background, one of Sherlock’s own compositions, as a closed casket makes its way into the ground. Sherlock, John, Mycroft, Greg, and Molly are standing there, all dressed in black. John’s arm has wrapped around Sherlock’s waist as a means to keep him upright. He himself is looking on with a soldier’s determination, but he’s clearly barely holding it together. Mycroft and Greg are standing closer together than necessary, sharing Mycroft’s umbrella even though it’s not raining.
Later, once everyone else is gone, Sherlock and John stand alone, loosely holding hands. The camera is positioned to make it reminiscent of John’s graveyard scene from The Reichenbach Fall.
“Sorry for being the worst tenants ever,” they said simultaneously, voices clearly strained and close to tears. Their hands squeeze together as they look at the cold stone. This is the start of something.”
John and Sherlock Confess (Sherlock S5E3, The Three Garridebs) by BBC on YouTube:
“John and Sherlock are running across rooftops. John starts lagging behind and Sherlock grabs his hand to help him keep up. A slight blush crosses both of their faces, barely visible in the dark London sky. The criminal they are chasing, a serial killer named Mr. Asmium, is cornered, and, seeing the silver flash of John’s Sig Sauer, shoots. The bullet hits John in the leg, and he goes down, dragging Sherlock with him. Sherlock takes John’s gun and shoots Asmium in the shoulder, snarling at him, before letting the gun clatter to the ground and dropping to John’s side, supporting his head as he uses his navy blue scarf to stop as much bleeding as he can. John’s eyes flutter open again, and relief floods through Sherlock so extremely that his thoughts disappear and he leans his head forward and kisses John. It’s messy, and John is in pain and bleeding, but it’s perfect. John slowly manages to take the control away from Sherlock, surging up and having Sherlock move his hands to support his head again, as the blood loss forced John to lay back as Sherlock broke the kiss, gasping for breath.
“I love you, John. I’ve loved you for so long.”
“I love you, Sherlock. I’ve loved you for so long.””
here’s the ao3:
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