IMAGES: B-2 bombers return to the Red Flag, accompanied by Australian F-35s and RAF Typhoons
Australian F-35A fighters participate for the first time in the Red Flag at Nellis Air Base in Nevada.
Fernando Valduga By Fernando Valduga 01/16/2024 - 23:19in Military, Military Operations, Red Flag
Three B-2 Spirit bombers returned for the first Red Flag exercise of 2024 at Nellis Air Base, Nevada, this week, alongside the Eurofighters Typhoon of the British Royal Air Force (RAF) and the F-35A of the Royal Australian Air Force (RAAF).
More than 30 units and 2,000 military personnel participate in air combat training, considered by the participating allies as one of the "most advanced" and "most difficult" training opportunities in the world.
Three B-2 Spirit stealth bombers arrive for Red Flag 24-1 at Nellis Air Base, Nevada, January 11, 2024. (Photo: U.S. Air Force / Senior Airman Bryson Britt)
The exercise began on January 15 and will incorporate realistic and sophisticated combat scenarios until January 26.
The B-2 Spirits will focus on increasing interoperability, training against scenarios involving a contested, degraded and operationally limited environment, said 2ª Ten Lindsey A. Weichel from the 509ª Bomber Wing.
The stealth bombers, usually a regular presence on the Red Flag in recent years, did not fly in the first edition of last year's Red Flag due to a safety impasse - although the exercise virtually simulated the aircraft and crew members participated. The B-2 finally returned to the Red Flag-Alaska 23-3, flying deep into the Arctic Circle in August 2023.
This Red Flag 24-1 exercise in Nellis will also involve:
USAF F-35 Lightning II
USAF F-22 Raptors
RAF FGR-4 Typhoons
RAAF F-35As
EA-18G U.S. Navy Growlers
Six Royal Air Force FGR-4 Typhoons prepare to land for Red Flag-Nellis 24-1 at Nellis Air Base, Nevada, January 10, 2024. (Photo: U.S. Air Force / William R. Lewis)
"Training prioritizes first-time combat missions, mission commander updates, integration and signaling of unique experiences that most contribute to readiness and partnership," Colonel Eric Winterbottom, commander of the 414º Combat Training Squadron, said in a statement.
He added that this training is vital for aviators to operate independently to strengthen the resilience and survivability of the mission.
A Royal Air Force Typhoon FGR-4 lands at Nellis Air Base, Nevada, on January 10, 2024, in preparation for the Red Flag-Nellis 24-1. (Photo: U.S. Air Force / William R. Lewis)
Almost 100 aircraft depart from the base twice a day, some of them remaining in the air for up to five hours. The training will see night launches to also simulate night combat operations.
This iteration also marks the first participation of Australian F-35As since RAAF joined the exercise since 1980.
An Australian Royal Air Force F-35A lands at Nellis Air Base, Nevada, on January 10, 2024, in preparation for the Red Flag-Nellis 24-1. (Photo: U.S. Air Force / William R. Lewis
"The Red Flag Nellis exercise will test all facets of our F-35A capability, allow us to integrate with our American and British allies and practice how we project force in combat operations." Wing Commander Adrian Kiely, Commander of Squadron Nº 3 of the RAAF, said in a statement.
Founded in 1975, the Red Flag was initially designed to intensively train U.S. Air Force pilots on air combat missions, drawing lessons from the Vietnam War. With the Pentagon focusing on China, the exercise changed to expand over the Pacific.
A U.S. Navy EA-18G Growler designated for Whidbey Island Naval Air Station, Washington, arrives for Red Flag-Nellis 24-1 at Nellis Air Base, Nevada, on January 10, 2024. (Photo: U.S. Air Force / William R. Lewis)
This year's edition is aligned with the 2022 National Defense Strategy and focuses on deterring aggression, addressing the challenges in the Indo-Pacific and Europe, and building a joint force.
There are usually three Red Flag exercises per year: a U.S.-only session, one open to Five Eyes nations (UK, Australia, Canada and New Zealand) and another that includes a broader list of global allies.
Source: Air & Space Forces Magazine - Edition: Cavok
Tags: Military AviationB-2 SpiritEurofighter TyphoonF-35 Lightning IIRAAF - Royal Australian Air Force/Royal Australian Air ForceRAF - Royal Air Force/Royal Air ForceRed FlagUSAF - United States Air Force / U.S. Air Force
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Fernando Valduga
Fernando Valduga
Aviation photographer and pilot since 1992, he has participated in several events and air operations, such as Cruzex, AirVenture, Dayton Airshow and FIDAE. He has works published in specialized aviation magazines in Brazil and abroad. He uses Canon equipment during his photographic work in the world of aviation.
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Pivotal Precedents: Unveiling the 8 Most Influential Court Cases in the History of Personal Injury Law
In personal injury law, landmark court cases have played a transformative role in shaping legal landscapes, setting precedents, and championing the cause of justice for those who have suffered harm. This deep dive into the annals of legal history explores the eight most influential court cases that have left an indelible mark on the evolution of personal injury law. From groundbreaking decisions that established fundamental principles to cases that triggered legislative changes, these pivotal precedents have paved the way for protecting individuals' rights and pursuing justice.
Donoghue Stevenson (1932): The Birth of Duty of Care
In the quaint town of Paisley, Scotland, the Donoghue Stevenson case unfolded, forever altering the landscape of personal injury law. Mrs. Donoghue found herself at the heart of a legal battle after consuming a ginger beer contaminated with a decomposed snail. This case laid the foundation for the "duty of care" principle, establishing that manufacturers owe a duty to consumers to produce safe products. The judgment in favor of Mrs. Donoghue resonated far beyond its immediate implications, becoming a cornerstone in personal injury law worldwide.
Brown Kendall (1850): Shaping the Doctrine of Negligence
As personal injury law evolved in the United States, the Brown-Kendall case shaped the negligence doctrine. Arising from a dog attack, this case addressed the concept of negligence and introduced the "reasonable person" standard. Chief Justice Lemuel Shaw's influential decision emphasized that negligence is the absence of due care and laid the groundwork for future negligence cases, establishing a standard that has endured through the centuries.
MacPherson Buick Motor Co. (1916): Expanding the Duty of Care to Third Parties
In the early 20th century, the MacPherson Buick Motor Co. case marked a significant expansion of the duty of care. This case involved a defective wheel that caused injury to the plaintiff, MacPherson. Justice Benjamin Cardozo's groundbreaking decision shifted the focus from the privity of contract to foreseeability, extending the duty of care to third parties whom a defective product might harm. The ruling revolutionized product liability law, emphasizing the manufacturer's responsibility for the safety of its products.
Winterbottom Wright (1842): Laying the Foundation for Tort Law
In the corridors of English common law, the Winterbottom Wright case laid the foundation for modern tort law. While Winterbottom was a humble postal worker injured due to a defective coach, the case's significance extends far beyond the specifics of the incident. Chief Justice Tindal's ruling established the concept of duty of care owed by one party to another and set the stage for the development of tort law, influencing subsequent personal injury cases around the globe.
Escola Coca-Cola Bottling Co. (1944): The Emergence of Strict Product Liability
The Escola Coca-Cola Bottling Co. case in California marked a pivotal moment in the evolution of product liability law. Plaintiff Gladys Escola suffered severe injuries when a Coca-Cola bottle exploded. While the exact cause remained unknown, Justice Roger Traynor's concurring opinion introduced the concept of strict product liability. This groundbreaking decision shifted the burden of proof from the injured party to the manufacturer, recognizing that manufacturers should be responsible for the safety of their products.
Greenman Yuba Power Products, Inc. (1963): Strengthening Product Liability Laws
Building on the foundation laid by Escola, the Greenman Yuba Power Products, Inc. case further solidified the principles of strict product liability. When injured by a defective power tool, Clement Greenman sought recourse against the manufacturer. The California Supreme Court's decision, authored by Justice Roger Traynor, firmly established the manufacturer's liability for defective products, emphasizing consumer protection and accountability in the marketplace.
Borel Fibreboard Paper Products Corp. (1973): Asbestos Litigation and Mass Torts
The Borel Fibreboard Paper Products Corp. case marked a turning point in personal injury law by addressing the complex issue of asbestos-related injuries. Clarence Borel, suffering from asbestosis, sought compensation from the manufacturers of asbestos-containing products. This case laid the groundwork for mass tort litigation, where numerous individuals with similar injuries could file claims collectively. The precedent set in Borel influenced subsequent mass tort cases, establishing a framework for handling large-scale personal injury claims.
Helling Carey (1974): Advancing Medical Malpractice Law
The Helling Carey case in Washington was crucial in advancing patient rights in medical malpractice. The case centered around a woman who sued her ophthalmologist for failing to detect and treat glaucoma in its early stages. The Washington Supreme Court's decision introduced the "reasonable physician" standard, emphasizing that doctors must inform patients of risks that a reasonable physician would disclose. This decision significantly impacted medical malpractice law, highlighting the importance of informed consent and patient autonomy.
In the rich tapestry of personal injury law, these eight influential court cases have shaped the principles, doctrines, and precedents that guide the pursuit of justice for those who have suffered harm. From the birth of duty of care to the evolution of negligence and the emergence of strict product liability, each case represents a milestone in the ongoing development of personal injury law. As we navigate the complexities of the legal system, these pivotal precedents continue to influence and inspire, serving as beacons for fairness, accountability, and protecting individual rights in the face of adversity.
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Bathurst is again for 2022.The largest race of the Supercars calendar is upon us and this 12 months the Great Race returns to its conventional date in October after doubling because the season finale final 12 months.This 12 months’s race will mark the last-ever Holden v Ford Bathurst battle before the sport starts its new Gen3 era next year.The Holden Commodore will lower its closing laps round Mount Panorama earlier than it's changed on the grid next year by the GM Camaro.Defending Bathurst champion Chaz Mostert will begin the race as one of many favourites, however he may have a brand new co-driver this 12 months in Fabian Coulthard for Walkinshaw Andretti United.It shall be WAU’s closing Bathurst 1000 competing below the Holden banner earlier than the well-known former Holden Racing Team squad switches to Ford in 2023.Mostert’s Bathurst-winning associate from 2021, Lee Holdsworth, will line-up in a Mustang for Grove Racing in what shall be his closing Bathurst as a championship driver.Defending Supercars champion Shane van Gisbergen will take a massive 525-point lead over Tickford Racing’s Cameron Waters into the race, permitting him to take a serious swing at profitable his second Mount Panorama crown.He will once more be partnered by Garth Tander, who he received the 2020 Bathurst 1000 with.Here’s every thing it's worthwhile to know in regards to the Great Race this week.BATHURST 1000Mount PanoramaThursday, October 6 – Sunday, October 9.SCHEDULETHURSDAY 11am -12pm: Supercars Practice 1 (all drivers)3.55pm – 4.55pm: Supercars Practice 2 (co-drivers)FRIDAY10.10am – 11.10am: Supercars Practice 3 (all drivers)1pm-2pm: Supercars Practice 4 (all drivers)4.15pm – 4.55pm: Supercars QualifyingSATURDAY10.20am – 11.20am: Supercars Practice 5 (co-drivers)1pm – 2pm: Supercars Practice 6 (all drivers)5.05pm: Supercars top-10 ShootoutSUNDAY8am – 8.20am: Supercars warm-up8.40am – 9am: Supercars Drivers’ Parade11.15am: Supercars Race 30 (161 laps)THE RACELaps: 161The monitor: 6.213kmAverage pace: 178km/hTop pace: 300km/hTHE 2022 BATHURST GRIDTRIPLE EIGHT RACE ENGINEERING/RED BULL AMPOL RACINGBroc Feeney/Jamie WhincupShane van Gisbergen/Garth TanderDICK JOHNSON RACING/SHELL V-POWER RACING TEAMAnton De Pasquale/Tony D’AlbertoWill Davison/Alex DavisonTICKFORD RACINGJames Courtney/Zane GoddardCameron Waters/James MoffatThomas Randle/Zak BestJake Kostecki/Kurt KosteckiWALKINSHAW ANDRETTI UNITEDNick Percat/Warren LuffChaz Mostert/Fabian CoulthardEREBUS MOTORSPORTWill Brown/Jack PerkinsBrodie Kostecki/David RussellTEAM 18Mark Winterbottom/Michael CarusoScott Pye/Tyler EveringhamCOOLDRIVE RACINGTim Slade/Tim BlanchardGROVE RACINGLee Holdsworth/Matt Payne (R)David Reynolds/Matt CampbellBRAD JONES RACINGAndre Heimgartner/Dale WoodBryce Fullwood/Dean FioreMacauley Jones/Jordan BoysJack Smith/Jaxon Evans (R)PREMIAIR RACINGChris Pither/Cameron Hill (R)James Golding/Dylan O’KeeffeMATT STONE RACINGJack Le Brocq/Aaron Seton (R)Todd Hazelwood/Jayden OjedaTRIPLE EIGHT RACE ENGINEERING (WILDCARD)Craig Lowndes/Declan Fraser (R)EREBUS MOTORSPORT (WILDCARD)Richie Stanaway/Greg MurphyMATT CHAHDA MOTORSPORT (WILDCARD)Matt Chahda (R)/Jaylyn Robotham (R)(R) – Bathurst rookieBATHURST PIT LANE ORDERGarage/Team1. Triple Eight Race Engineering Triple Eight Race Engineering2. Dick Johnson Racing Dick Johnson Racing3. Tickford Racing Tickford Racing4. Tickford Racing Tickford Racing5. Walkinshaw Andretti United Walkinshaw Andretti United6. Erebus Motorsport Erebus Motorsport7. Brad Jones Racing Brad Jones Racing8. Brad Jones Racing Brad Jones Racing (SCT Logistics)9. Team 18 Team 1810. Grove Racing Grove Racing11. Matt Stone Racing Matt Stone Racing12. PremiAir Racing PremiAir Racing13. Blanchard Racing Team Matt Chahda Motorsport (wildcard)14. Triple Eight Race Engineering (wildcard) Boost Mobile (wildcard)LAST YEAR1. Chaz Mostert/Lee Holdsworth (Walkinshaw Andretti United/Holden)2. Cameron Waters/James Moffat (Tickford Racing/Ford)3. Brodie Kostecki/David
Russell (Erebus Motorsport/Holden)Mostert claimed his second Bathurst 1000 crown when he and Holdsworth delivered WAU their first win at Mount Panorama since 2011 in a dominant efficiency. It was a robust day for WAU with the workforce’s different pairing – Bryce Fullwood and Warren Luff – additionally ending fifth to provide the squad two vehicles inside the highest 5 for the primary time since 2002. Waters completed runner-up for the second consecutive 12 months, whereas Kostecki claimed a maiden Bathurst 1000 podium after being disqualified from the top-10 shootout for having underweight doorways, which had pushed him from fourth to tenth on the beginning grid.MORE MOTORSPORTCould Supercars be seeing one of the best seasons of all-time?Secret wedding, Bathurst and a baby: Courtney’s massive monthMcLaughlin’s surprise tip to take out Bathurst 1000LAP RECORDQualifying lap file: Chaz Mostert, 2021, 2min03.3732s (Walkinshaw Andretti United/ Holden Commodore ZB) Race lap file: Chaz Mostert, 2019, 2min04.7602s (Tickford Racing, Ford Mustang GT)MOST BATHURST WINS1. Peter Brock 92. Jim Richards, Craig Lowndes 73. Larry Perkins, Mark Skaife 64. Steven Richards 55. Allan Moffat, Greg Murphy, Jamie Whincup, Garth Tander 4MOST BATHURST POLES1. Peter Brock 62. Mark Skaife 53. Allan Moffat 44. Ian Geoghegan, Greg Murphy, Chaz Mostert, Mark Winterbottom, Glenn Seton, Dick Johnson, Craig Lowndes, Jamie Whincup, Garth Tander, David Reynolds, Kevin Bartlett.2022 SUPERCARS CHAMPIONSHIP STANDINGS1. Shane van Gisbergen (Triple Eight/Holden Commodore) 27822. Cameron Waters (Tickford Racing/Ford Mustang) -5253. Will Davison (Dick Johnson Racing/Ford Mustang) -6024. Anton De Pasquale (Dick Johnson Racing/Ford Mustang) -6695. Chaz Mostert (Walkinshaw Andretti United/Holden Commodore) -778TVEvery session of the Bathurst 1000 shall be broadcast reside on Fox Sports and Kayo. – The devoted Bathurst 1000 channel will run from Monday October 3 to October 10 on Fox Sports 503. – On-air occasions for LIVE racing on Fox Sports:October 6: 7.25am-6pmOctober 7: 7.45am-5.45pm October 8: 8.10am-6.30pmOctober 9: 7.15am-7pm (Race begins 11.15am)Watch each Practice, Qualifying & Race of the 2022 Repco Supercars Championship Live & Ad-Break Free During Racing on Kayo. New to Kayo? Start your free trial now >Originally revealed as Ultimate guide to Bathurst 1000 2022: When is the Great Race, how to watch, schedule, grid
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Winterbottom stays in Supercars to 2024
Winterbottom stays in Supercars to 2024
Team 18 has signed up Mark Winterbottom for a full-time Supercars drive for another two years, meaning Frosty will be driving at age 43.
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《Can we get some head cannons for our Australian boi, Mark Winterbottom (aka Frosty), please? -mun》
*grumbles as I head to the wiki because I legit have never heard of this guy XD*
You know it astonishes me how many localization changes were put in this movie for this one particular scene. The amount of effort going into inserting a different character (suddenly Jeff Gorvette makes so much sense for the American version), and going and finding some high profile local racer to say two (2) lines of dialogue for a version of a movie that'll only be shown in relevant countries is STAGGERING.
I also like how it implies that Lewis Hamilton is friends with every single racer, because he's mainstream enough to be the constant of the conversation XD
Got his nickname as a result of having an anomalous ability to not overheat while racing (in the Australian outback, of all places). His internal temps stay weirdly cool all the time.
Will beat you on the track AND in a friendly game of soccer.
Has never been to a Wendy's to try a Frosty, but it's on his list next time he comes to the States.
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A Cock and Bull Story (Tristram Shandy: A Cock and Bull Story) (2005) Michael Winterbottom
May 15th 2020
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Kenneth Branagh © JOHAN PERSSON Provided by Narrative PR.
“Belfast” A Conversation with Kenneth Branagh
“Belfast” is the story of a working-class family grappling with the start of The Troubles in Northern Ireland in the late 1960s. Join Washington Post Live for a conversation with Academy Award-nominated actor and director Kenneth Branagh about his own childhood in Northern Ireland and how the film is reflective of his memories of leaving Belfast because of the conflict.
Kenneth Branagh is one of the world’s most acclaimed filmmakers and actors.
Most recently, Branagh wrote and directed BELFAST, a poignant story of love, laughter and loss in one boy’s childhood amid the social tumult of the late 1960s. Nominated for 11 Critics Choice Awards and 7 Golden Globe Awards, the film stars Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds and introduces 10-year-old Jude Hill. Branagh’s work on this film has also been recognized with both a DGA and a PGA Award nomination.
Branagh will soon be seen starring as Prime Minister Boris Johnson in the upcoming Sky Atlantic limited series THIS SCEPTRED ISLE. The series tells the story of the events surrounding the Prime Minister, the UK government and the country in the face of the first wave of the global pandemic. It is directed by Michael Winterbottom and produced by Passenger and Winterbottom’s Revolution Films. The series is expected to release in Fall 2022.
Most notably, Branagh played the crucial role of Commander Bolton in Christopher Nolan’s epic film DUNKIRK. At the 90th Academy Awards this film received a total of 8 Academy Award® nominations and was awarded the top prize for Best Sound Editing, Best Sound Mixing and Best Film Editing. The additional 5 nominations included Best Picture, Best Director, Best Cinematography, Best Original Score and Best Production Design. Additionally, Branagh played Sir Laurence Olivier in MY WEEK WITH MARILYN, opposite Michelle Williams and directed by Simon Curtis. The role earned Branagh an Academy Award® nomination for Best Supporting Actor, as well as a Golden Globe and Screen Actors Guild nomination. This marked Branagh’s fifth career Academy Award® nomination, making him one of the first actors to receive five nominations in five separate categories (Actor, Supporting Actor, Director, Screenplay, and Short).
Branagh's first venture into filmmaking met instant success. His 1989 production of HENRY V, which he adapted from the Shakespeare and both starred in and directed, won a score of international awards including Academy Award® nominations for Best Actor and Best Director.
Outside of his roles on screen, Branagh maintains a strong connection to the theatre. In 2016, the Kenneth Branagh Theatre Company took up a yearlong residency at London’s Garrick Theatre.
Branagh is a graduate of the Royal Academy of Dramatic Art where he won the Bancroft Gold Medal. He succeeded Lord Attenborough as President of RADA in the summer of 2015. He received the prestigious Michael Balcon Award from the British Academy of Film and Television Arts (BAFTA), for outstanding contribution to cinema. In 2012 he received a Knighthood for his services to drama and the community in Northern Ireland. And this year Belfast awarded him with their Freedom of the City.
Click here for transcript
https://www.washingtonpost.com/washington-post-live/2022/02/03/belfast-conversation-with-kenneth-branagh/
Remember… I've heard from people in the north of Ireland that there's this great sense of pride and a great sense that the compassion that we try to find in the film for, you know, the complete experience is something that can be a tiny but valuable part of the mosaic that is processing the experience of very, very traumatic and defining events like (Bloody Sunday). — Sir Kenneth Branagh
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THE GANG’S ALL HERE
1931
The Gang’s All Here is a 1931 musical comedy with music by Louis E. Gensler, book by Russel Crouse, Oscar Hammerstein II, and Morrie Ryskind, with lyrics by Owen Murphy and Robert A. Simon. It was directed by Frank McCoy and staged by Oscar Hammerstein II.
The plot concerned a war between bootleggers in 1931 Atlantic City NJ, with the second act set mainly in Nantucket RI.
Note: The musical is not related to the popular song “Hail! Hail! The Gang’s All Here” nor the 1943 film starring Carmen Miranda and Alice Faye.
The musical had its out-of-town tryout in Philadelphia, where they realized it was in trouble and called in Oscar Hammerstein as play doctor. Although Hammerstein had no hopes for The Gang’s All Here, he couldn’t say no to his colleagues and agreed to go to Philadelphia to see what he could do to improve the musical.
After the Philadelphia tryout at the Shubert, Ruby Keeler (possibly sensing she was in a turkey) departed the cast and was replaced with Gina Malo. Keeler went to Hollywood where she thrived.
After Philadelphia, the show made a short stop at the Shubert in Newark, New Jersey (above) before heading to Broadway’s Imperial Theatre, opening February 18, 1931 and lasting just 23 performances.
One of the unique song titles was “By Special Permission of the Copyright Owner, I Love You”.
Every time a radio is playing, they're saying
"And next you will hear us play
Something with the publisher's okay"
Listening to this great announcer trilling
This thrilling new text, told me what to do
Try this very notion out on you...
I asked your Father, he said "Okay!"
I asked your Mother, she said "Hooray!"
By special permission of the copyright owner I love you!
Vaudeville sensation Ted Healy headlined. He is largely remember as the man responsible for “The Three Stooges”. Just prior to this musical, Healy and the original stooges parted ways over a dispute, and Healy replaced them with three other ‘stooges’, who also appeared with him in his next musical, Billy Rose’s Crazy Quilt (May 1931).
The reviews were mostly negative. Brooks Atkinson said that “seldom has a lavish musical struggled so clumsily to reconcile a satiric book with the antics of clowns. Despite feverish re-working, the show was a hurly-burly of disjoined scenes.”
Dorothy Parker said that the show was “fantastically confused and preposterously elongated” and “dragged on beyond midnight.”
George Jean Nathan said the musical needed “a carload of blue pencils” and Arthur Ruhl said that it was “excessively long-winded, labored and dull.”
The show ended abruptly, with patrons arriving to be told the show had prematurely ended its run.
Set drawing for the first scene of Act One of The Gang’s All Here. It was designed by Henry Dreyfuss. It is unclear how this ties into the scene description in the program of “On the Boardwalk at Atlantic City”. But the drawing is dated February 14, 1931, just four days before the show’s Broadway opening, and well past the preview period. In addition to re-writes, it is likely that scenic changes were also made.
If anything good came from the musical, it seems that one of the character names - Winterbottom - was recycled into the Pulitzer Prize-winning musical Of Thee I Sing (coincidentally also set in Atlantic City) which opened just a few months later. In it, there the President was named Wintergreen and the Vice President Throttlebottom. The common thread was book writer Morrie Ryskind created both shows.
ATLANTIC CITY
In 1931, the Ritz Carlton Hotel in Atlantic City was marking its first decade, and was already known for it’s superior service and accommodation. In 1921, another musical was set at the Ritz titled Ritz Carlton Nights. That one, however, unlike The Gang’s All Here, actually originated in Atlantic City.
Peacock Alley was not located at the Ritz, but at the Marlborough-Blenheim Hotel. It was so named because it was the connecting hallway between the conjoined Marlborough and Blenheim hotels, and allowed guests to “peacock” (strut in their finery) for the perusal of other guests.
Interestingly, when the HBO series “Boardwalk Empire” (which also concerned bootleggers during prohibition), showed the Ritz, it was actually modeled on the Marlborough-Blenheim’s more exotic exterior, not the actual Ritz’s boxy frame.
The Boardwalk in 1931. In 1930′s Atlantic City, it could be truly said that “the gang’s all here.”
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F1 racers as Cars from Cars (why is this so funny?!😂)
1. Lando Norris as Lightening McQueen
2. Daniel Ricciardo as Ramone
3. Sebastian Vettel as Strip 'The King' Weathers
4. Max Verstappen as Francesco Bernoulli
5. Lewis Hamilton as Hamilton (for obvious reasons)
6. Chares Leclerc as Miguel Camino
7. Lance Stroll as Raoul ÇaRoule
8. Esteban Ocon as Mark "Frosty" Winterbottom
9. Alex Albon as Max Schnell
I wouldn’t call them super accurate but a girl tried 😂
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So, I finally got my hands on the Black Mirror game trilogy.
One of my all-time favourite games. Be prepared, bc I have a series of headcanons post-Black Mirror III.
I don’t know if I should tag for spoilers, I mean, the game is pretty old, so yeah.
Anyway, here’s my series of headcanons.
Adrian Gordon, finally free of Mordred’s curse, decides it’s time to properly sue Murray not for extortion, or blackmail, because he knows that this would be a lost battle, BUT over the USE THE GORDON’S NAME FOR HIS HORRIBLE AND TACKY MERCH AND THE ILLICIT USE OF THE GORDON’S NAME IN GENERAL
His solicitor is more than happy to comply.
THe second thing he does is making sure no one accidentally opens the portals ever again - he makes the constructors pour concrete over all openings. He’s had enough of magic portals, rituals, blood, curses and whatnot. Sister Antolini is not exactly happy, but she gets it. Yes, also the entrance to the catacombs underneath the castle’s cellar gets properly sealed.
This means the DISMANTLING OF THE GORDON’S MUSEUM.
The dismantling of the horror museum and Murray out of the game is the starting point for the people of Willow Creek to trust Adrian.
It is still a bit of a stretch to say that the Willow Creek people are warming up to him, but whenever someone hints at Adrian being an arsonist/murderer they get cut off by someone else chiming in with: that is the Crazy Yankee, our good Lord Gordon has never done anything at all.
Tom gets discovered - he was killed by Ralph, who is taken away to a proper structure. Adrian goes to visit him whenever he can.
Adrian really takes on Dr. Winterbottom’s advise: Edward is hired as butler and is allowed to live at the Black Mirror castle. Adrian also manages to hire 2 gardeners and a stable hand/carpenter. Edward conscientiously helps Adrian with administration.
Adrian graduates in Physics at the University of Bath. He then takes on photography as a hobby. He is pretty good and his photos end up through the years to several showings. He has one wing of the castle dedicated especially to his photography shoots.
He keeps writing his diary, under the suggestion of Dr. Winterbottom.
He has restored the paintings in the castle and has filled the empty spaces with photos of his mother Cathrin, his adoptive mother Rebecca and landscapes from all over the world.
He still keeps that one photo of Angelina, but it’s kept mostly under lock and key.
Edward suggests the employment of a cook and Adrian complies - mostly because Edward is not the best at proper cooking.
Because both Edward and Adrian are more or less the same age, they do become good friends - just like old Bates had been for Lady Victoria and Sir William.
Once Adrian is stabilised enough financially and emotionally, he decides that Willow Creek deserves a good revamp - who knows, the town per se is not bad, but it suffers from years of neglect.
The pub gets a new owner, who renews the whole place and brings the Three Kegs back to its golden age.
Abaya, the shop owner, renews the shop, as new people start to arrive.
The former Ashburry sanatorium, former Gordon’s palace gets a new name and a new owner - Murray, finally conceding that he is too old, retires and spends the rest of his days in his house - which is now the former museum and pawn shop.
Bobby gets a proper carer and a proper house to live in, thanks to Adrian.
Inspector Spooner gets transferred back to London, Denise leaves with him against her father’s wishes. She will never come back to Willow Creek.
Dr. Hermann’s house gets acquired by a proper pathologist.
Now Adrian needs to think to his castle in Wales. He does not know what to do with that castle exactly, but he has to bring it back. By now Black Mirror castle has been nearly all restored - new electronics have made their way in the medieval walls too - a computer and a laptop just to start with, the fire actually gave him the chance to choose furniture and decorations which are a bit more practical whilst still keeping the “old castle” vibe.
Something very similar to the Black Mirror castle happens to the Wales castle - marshes get reclaimed, the place is restored.
Adrian does find love again - he makes sure that his beloved knows everything.
They adopt for 2 reasons mainly: the blood of a Gordon is sure something to be wary, also Adrian wants to honour his adoptive mother. Also Adrian is the one and only Gordon so far, no one can say anything.
The wedding is very simple - Willow Creek residents, the bride/groom family, Adrian and the new Warmhill priest, Father Valerius.
Mark the gravedigger finally gets an apprentice BTW.
I will write more if I think of other stuff.
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Hans Coper 100
Our new FREE display of Hans Coper's work is open today!
Internationally renowned ceramic artist, Hans Coper (1920–1981), was an influential figure of the artistic diaspora in the UK. Born in Germany, Coper fled to London in 1939. He redefined the concept of studio pottery over a relatively short period of about thirty years. Using clay as his medium, he distinguished himself by fusing wheel-based pots together to great sculptural effect. With a limited palette of burnished black or creamy white, often with scored lines or etched surfaces, each of Coper's pots has its own presence.
To mark the 100th anniversary of Coper's birth, we're displaying a number of his works across Galleries 18 & 34. Curated by Charles Park, together with Matthew Winterbottom and Lena Fritsch.
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Westray Airfield to Papa Westray Airport: The world’s shortest regularly scheduled flight
There are only 2.7 km (1.7 miles) between the two airfields, a distance shorter than the length of many runways at bigger airports, but the 1-2 minute long flight between the two Orkney island has provided a reliable connection for more than fifty years now. Much faster than the ferry connection that requires 25 minutes for the same journey, it is an important public service to the residents as well as people visiting the island for work-related reasons.
A Britten-Norman Islander BN-2 by Loganair is normally used for the service, capable of taking eight passengers. Most often, these are researchers who go to the island of Papa Westray due to it having about as many archeological sites as inhabitants (90 according to the 2011 census), or more rarely health personnel, but the flight has also become popular with tourists.
Currently, there are plans to bring electric aircraft into service, as the short trip length makes this a feasible option. It would likely be the first regularly scheduled flight using planes with electric engines.
Read more:
BBC Northeast, Orkney and Shetland: Final trip for Orkney shortest flight pilot (26 May 2013)
Chris Clarke: The World's Shortest Commercial Flight Takes Less Than A Minute, Jalopnik (17 April 2015)
Ken Banks: Orkney islands could get first electric plane service, BBC Northeast, Orkney and Shetland (16 October 2018)
Loganair timetable for flights
Orkney Ferries timetables
Videos:
Andrew Brown: Westray to Papa Westray flight
Sam Chui: Short documentary about a cancelled flight during heavy fog
Image sources:
Topmost photo, Papa Westray Airport, looking towards Westray: Drewcorser, CC-BY SA 3.0, via Wikimedia Commons
Second photo from top, Westray Airfield, looking towards Papa Westray: John Winterbottom, CC BY-SA 2.0, via Wikimedia Commons
Third photo from top, Britten-Norman Islander on Papa Westray Airport: Mark Longair, CC BY-SA 2.0, via Wikimedia Commons
Fourth photo from top, Papa Westray Airport building: John Ireland, CC BY-SA 2.0, via Wikimedia Commons
Map: Dcs002 and Nilfanion using Ordnance Survey data © Crown copyright and database right, CC BY-SA 3.0, via Wikimedia Commons
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1861 Georges Méliès 1875 D.W. Griffith 1879 Victor Sjöström 1880 Tod Browning 1881 Cecil B. DeMille 1884 Robert Flaherty 1885 Allan Dwan / Sacha Guitry / G.W. Pabst / Erich von Stroheim 1886 Michael Curtiz / Henry King / John Cromwell 1887 Raoul Walsh 1888 F.W. Murnau 1889 Charles Chaplin / Jean Cocteau / Carl Theodor Dreyer / Victor Fleming / Abel Gance / James Whale 1890 Clarence Brown / Fritz Lang 1892 Ernst Lubitsch 1893 William Dieterle 1894 Frank Borzage / John Ford / Jean Renoir / King Vidor / Josef von Sternberg 1895 Buster Keaton 1896 Julien Duvivier / Howard Hawks / Leo McCarey / Dziga Vertov / William Wellman 1897 Frank Capra / Douglas Sirk 1898 René Clair / Sergei Eisenstein / Henry Hathaway / Mitchell Leisen / Kenji Mizoguchi / Preston Sturges 1899 George Cukor / Alfred Hitchcock 1900 Luis Buñuel / Mervyn LeRoy / Robert Siodmak 1901 Robert Bresson / Vittorio De Sica 1902 Emeric Pressburger / Max Ophüls / William Wyler 1903 Vincente Minnelli / Yasujiro Ozu 1904 Delmer Daves / Terence Fisher / George Stevens / Jacques Tourneur / Edgar G. Ulmer 1905 Mikio Naruse / Michael Powell / Otto Preminger / Jean Vigo 1906 Jacques Becker / Marcel Carné / John Huston / Anthony Mann / Carol Reed / Roberto Rossellini / Luchino Visconti / Billy Wilder 1907 Henri-Georges Clouzot / Joseph H. Lewis / Jacques Tati / Fred Zinnemann 1908 Tex Avery / Edward Dmytryk / Phil Karlson / David Lean / Manoel de Oliveira 1909 Elia Kazan / Joseph Losey / Joseph L. Mankiewicz 1910 John Sturges / Akira Kurosawa 1911 Jules Dassin / Nicholas Ray 1912 Michelangelo Antonioni / Samuel Fuller / Gene Kelly / Alexander Mackendrick / Don Siegel 1913 André de Toth / Mark Robson / Frank Tashlin 1914 Mario Bava / William Castle / Robert Wise 1915 Orson Welles 1916 Budd Boetticher / Richard Fleischer / George Sidney 1917 Maya Deren / Jean-Pierre Melville 1918 Robert Aldrich / Ingmar Bergman 1920 Federico Fellini / Eric Rohmer 1921 Luis García Berlanga / Miklós Jancsó / Chris Marker / Satyajit Ray 1922 Blake Edwards / Jonas Mekas / Pier Paolo Pasolini / Arthur Penn / Alain Resnais 1923 Ousmane Sembene / Seijun Suzuki 1924 Stanley Donen / Sidney Lumet 1925 Robert Altman / Claude Lanzmann / Sam Peckinpah / Maurice Pialat 1926 Roger Corman / Shohei Imamura / Jerry Lewis / Andrzej Wajda 1927 Kenneth Anger / Ken Russell 1928 Stanley Kubrick / Jacques Rivette / Nicolas Roeg / Agnès Varda / Andy Warhol 1929 Hal Ashby / John Cassavetes / Alejandro Jodorowsky / Sergio Leone 1930 Claude Chabrol / Clint Eastwood / John Frankenheimer / Kinji Fukasaku / Jean-Luc Godard / Frederick Wiseman 1931 Jacques Demy / Mike Nichols / Ermanno Olmi 1932 Milos Forman / Monte Hellman / Louis Malle / Nagisa Oshima / Carlos Saura / Andrei Tarkovsky / François Truffaut 1933 John Boorman / Stan Brakhage / Roman Polanski / Bob Rafelson / Jean-Marie Straub 1934 Sydney Pollack 1935 Woody Allen / Theo Angelopoulos 1936 Hollis Frampton / Danièle Huillet / Ken Loach 1937 Ridley Scott 1938 Paul Verhoeven 1939 Peter Bogdanovich / Francis Ford Coppola / William Friedkin / Glauber Rocha 1940 Dario Argento / Brian De Palma / Victor Erice / Terry Gilliam / Abbas Kiarostami / George A. Romero 1941 Bernardo Bertolucci / Stephen Frears / Patricio Guzmán / Krzysztof Kieslowski / Hayao Miyazaki / Raúl Ruiz / Bertrand Tavernier 1942 Peter Greenaway / Michael Haneke / Werner Herzog / Walter Hill / Martin Scorsese 1943 Roy Andersson / David Cronenberg / Mike Leigh / Terrence Malick / Michael Mann / Alan Rudolph 1944 Charles Burnett / Jonathan Demme / George Lucas / Peter Weir 1945 Terence Davies / Rainer Werner Fassbinder / George Miller / Wim Wenders 1946 Joe Dante / Claire Denis / David Lynch / Paul Schrader / Oliver Stone / John Woo 1947 Hou Hsiao-hsien / Takeshi Kitano / Rob Reiner / Steven Spielberg / Edward Yang 1948 John Carpenter / Philippe Garrel / Errol Morris 1949 Pedro Almodóvar 1950 Chantal Akerman / John Landis / John Sayles 1951 Kathryn Bigelow / Jean-Pierre Dardenne / Abel Ferrara / Aleksandr Sokurov / Robert Zemeckis / Zhang Yimou 1952 Jacques Audiard / Gus Van Sant 1953 Jim Jarmusch 1954 James Cameron / Jane Campion / Joel Coen / Luc Dardenne / Ang Lee / Michael Moore 1955 Olivier Assayas / Béla Tarr / Johnnie To 1956 Danny Boyle / Guy Maddin / Lars von Trier / Wong Kar-wai 1957 Ethan Coen / Aki Kaurismäki / Spike Lee / Mohsen Makhmalbaf / Tsai Ming-liang 1958 Tim Burton 1959 Nuri Bilge Ceylan / Pedro Costa / Sam Raimi 1960 Leos Carax / Atom Egoyan / Hong Sang-soo / Richard Linklater / Takashi Miike / Jafar Panahi 1961 Alfonso Cuarón / Todd Haynes / Peter Jackson / Alexander Payne / Abderrahmane Sissako / Michael Winterbottom 1962 David Fincher / Hirokazu Koreeda / Kenneth Lonergan 1963 Michel Gondry / Alejandro González Iñárritu / Park Chan-wook / Steven Soderbergh / Quentin Tarantino 1964 Guillermo del Toro / Kelly Reichardt / Andrey Zvyagintsev 1965 Jonathan Glazer 1966 Lucrecia Martel 1967 Denis Villeneuve 1969 Wes Anderson / Darren Aronofsky / Noah Baumbach / Bong Joon-ho / James Gray / Spike Jonze / Steve McQueen / Lynne Ramsay 1970 Paul Thomas Anderson / Jia Zhangke / Christopher Nolan / Apichatpong Weerasethakul 1971 Sofia Coppola / Carlos Reygadas Directors listed by key production country (Country of birth, if it differs, is listed in brackets) Argentina Lucrecia Martel Australia Jane Campion (New Zealand) / George Miller Austria Michael Haneke (Germany) Belgium Chantal Akerman / Jean-Pierre Dardenne & Luc Dardenne Brazil Glauber Rocha Canada David Cronenberg / Atom Egoyan (Egypt) / Guy Maddin / Denis Villeneuve China Jia Zhangke / Zhang Yimou Denmark Carl Theodor Dreyer / Lars von Trier Finland Aki Kaurismäki France Olivier Assayas / Jacques Audiard / Jacques Becker / Robert Bresson / Leos Carax / Marcel Carné / Claude Chabrol / René Clair / Henri-Georges Clouzot / Jean Cocteau / Jacques Demy / Claire Denis / Julien Duvivier / Abel Gance / Philippe Garrel / Jean-Luc Godard / Sacha Guitry (Russia) / Patricio Guzmán (Chile) / Claude Lanzmann / Louis Malle / Chris Marker / Georges Méliès / Jean-Pierre Melville / Max Ophüls (Germany) / Maurice Pialat / Roman Polanski / Jean Renoir / Alain Resnais / Jacques Rivette / Eric Rohmer / Raúl Ruiz (Chile) / Jean-Marie Straub & Danièle Huillet / Jacques Tati / Bertrand Tavernier / François Truffaut / Agnès Varda (Belgium) / Jean Vigo Germany / West Germany Rainer Werner Fassbinder / Werner Herzog / F.W. Murnau / G.W. Pabst (Austria-Hungary) / Wim Wenders Greece Theo Angelopoulos Hong Kong Wong Kar-wai (China) / Johnnie To / John Woo (China) Hungary Miklós Jancsó / Béla Tarr India Satyajit Ray Iran Abbas Kiarostami / Mohsen Makhmalbaf / Jafar Panahi Italy Michelangelo Antonioni / Dario Argento / Mario Bava / Bernardo Bertolucci / Vittorio De Sica / Federico Fellini / Sergio Leone / Ermanno Olmi / Pier Paolo Pasolini / Roberto Rossellini / Luchino Visconti Japan Kinji Fukasaku / Shohei Imamura / Takeshi Kitano / Hirokazu Koreeda / Akira Kurosawa / Takashi Miike / Hayao Miyazaki / Kenji Mizoguchi / Mikio Naruse / Nagisa Oshima / Yasujiro Ozu / Seijun Suzuki Mauritania Abderrahmane Sissako Mexico Luis Buñuel (Spain) / Alejandro Jodorowsky (Chile) / Carlos Reygadas New Zealand Peter Jackson Poland Krzysztof Kieslowski / Andrzej Wajda Portugal Pedro Costa / Manoel de Oliveira Russia / USSR Sergei Eisenstein (Latvia) / Aleksandr Sokurov / Andrei Tarkovsky / Dziga Vertov (Poland) / Andrey Zvyagintsev Senegal Ousmane Sembene South Korea Bong Joon-ho / Hong Sang-soo / Park Chan-wook Spain Pedro Almodóvar / Victor Erice / Luis García Berlanga / Carlos Saura Sweden Roy Andersson / Ingmar Bergman / Victor Sjöström Taiwan Hou Hsiao-hsien (China) / Tsai Ming-liang (Malaysia) / Edward Yang (China) Thailand Apichatpong Weerasethakul Turkey Nuri Bilge Ceylan UK John Boorman / Danny Boyle / Terence Davies / Terence Fisher / Stephen Frears / Jonathan Glazer / Peter Greenaway / David Lean / Mike Leigh / Ken Loach / Joseph Losey (USA) / Alexander Mackendrick (USA) / Steve McQueen / Michael Powell / Michael Powell (UK) & Emeric Pressburger (Hungary) / Lynne Ramsay / Carol Reed / Nicolas Roeg / Ken Russell / Michael Winterbottom USA (A-B) Robert Aldrich / Woody Allen / Robert Altman / Paul Thomas Anderson / Wes Anderson / Kenneth Anger / Darren Aronofsky / Hal Ashby / Tex Avery / Noah Baumbach / Kathryn Bigelow / Budd Boetticher / Peter Bogdanovich / Frank Borzage / Stan Brakhage / Clarence Brown / Tod Browning / Charles Burnett / Tim Burton USA (C-D) James Cameron (Canada) / Frank Capra (Italy) / John Carpenter / John Cassavetes / William Castle / Charles Chaplin (UK) / Joel Coen & Ethan Coen / Francis Ford Coppola / Sofia Coppola / Roger Corman / John Cromwell / Alfonso Cuarón (Mexico) / George Cukor / Michael Curtiz (Hungary) / Joe Dante / Jules Dassin / Delmer Daves / Brian De Palma / André de Toth (Hungary) / Guillermo del Toro (Mexico) / Cecil B. DeMille / Jonathan Demme / Maya Deren (Ukraine) / William Dieterle (Germany) / Edward Dmytryk (Canada) / Stanley Donen / Stanley Donen & Gene Kelly / Allan Dwan (Canada) USA (E-G) Clint Eastwood / Blake Edwards / Abel Ferrara / David Fincher / Robert Flaherty / Richard Fleischer / Victor Fleming / John Ford / Milos Forman (Czechoslovakia) / Hollis Frampton / John Frankenheimer / William Friedkin / Samuel Fuller / Terry Gilliam / Michel Gondry (France) / Alejandro González Iñárritu (Mexico) / D.W. Griffith / James Gray USA (H-L) Henry Hathaway / Howard Hawks / Todd Haynes / Monte Hellman / Walter Hill / Alfred Hitchcock (UK) / John Huston / Jim Jarmusch / Spike Jonze / Phil Karlson / Elia Kazan (Turkey) / Buster Keaton / Henry King / Stanley Kubrick / John Landis / Fritz Lang (Austria) / Ang Lee (Taiwan) / Spike Lee / Mitchell Leisen / Mervyn LeRoy / Jerry Lewis / Joseph H. Lewis / Richard Linklater / Kenneth Lonergan / Ernst Lubitsch (Germany) / George Lucas / Sidney Lumet / David Lynch USA (M-R) Terrence Malick / Joseph L. Mankiewicz / Anthony Mann / Michael Mann / Leo McCarey / Jonas Mekas (Lithuania) / Vincente Minnelli / Michael Moore / Errol Morris / Mike Nichols (Germany) / Christopher Nolan (UK) / Alexander Payne / Sam Peckinpah / Arthur Penn / Sydney Pollack / Otto Preminger (Austria-Hungary) / Sam Raimi / Bob Rafelson / Nicholas Ray / Kelly Reichardt / Rob Reiner / Mark Robson (Canada) / George A. Romero / Alan Rudolph USA (S-U) John Sayles / Paul Schrader / Martin Scorsese / Ridley Scott (UK) / George Sidney / Don Siegel / Robert Siodmak (Germany) / Douglas Sirk (Germany) / Steven Soderbergh / Steven Spielberg / George Stevens / Oliver Stone / John Sturges / Preston Sturges / Quentin Tarantino / Frank Tashlin / Jacques Tourneur (France) / Edgar G. Ulmer (Austria-Hungary) USA (V-Z) Gus Van Sant / Paul Verhoeven (Netherlands) / King Vidor / Josef von Sternberg (Austria) / Erich von Stroheim (Austria) / Raoul Walsh / Andy Warhol / Peter Weir (Australia) / Orson Welles / William Wellman / James Whale (UK) / Billy Wilder (Austria-Hungary) / Robert Wise / Frederick Wiseman / William Wyler (Germany) / Robert Zemeckis / Fred Zinnemann (Austria-HungaryJonas Mekas)
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INTERVIEW: Supercars Champ Mark Winterbottom on Vulnerability, Uncertainty and the Future of the Series
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