Rules: Answer the questions in a new post and tag 10 blogs you would like to get to know better.
Tagged by: @oceanicstarlight
Nickname: uhhh. JP? Ginge(tho, I’m not ginger anymore...), Pugh,
Star sign: Capricorn sun
Time right now: 8:25PM EST
Favorite music artist(s): SO MANY, Right now? Carly Rae Jepsen, Ghost Quartet, Great Comet OST, sooo many more.....
Last movie I watched: Fences, so good.
Last TV show watched: uh, New Girl, before that I binged the new season of Voltron.
What are you wearing right now?: black jeans, my huffleepuff shirt, my Great Comet hoodie, underwear and socks..
When did you make your blog?: uhhh, I think I first made it in 2012 or something but then didn’t really understand it, then reactivated it in 2014 and followed a bunch of people.
What kind of stuff do you post: fandoms I’m in, but mostly social justice and pretty people/pictures, some shitposting it’s not organized at all, like my life.
Do you have any other blogs?: I have my old URL and 2 other URLs that I don’t use. one was gonna be an art blog but my self hatred for my art overrode my want to make art, lol
Do you get asks regularly?: nah, but I wouldn’t mind them I don’t think
Why did you choose your URL?: I love Sugawara Koushi. And also Rite of Spring(Stravinksy) so I combined them.
Hogwarts house: Hufflepuff
Pokemon team: Uh, I’ve been trying different teams, but Gardeviore, Tyranitar, Salamance, Sceptile, Gengar, Golem, Lapras, and a few other strong pokes are normally somewhere on my teams no matter what.
Favorite color: Purple, green, I like earth tones, and neons.
Average hours of sleep: uh.. normally 8ish I guess a bit less.
Lucky number: 7 has always given me a good feeling.
Favorite characters: Sugawara Koushi... Kvothe, uhhhh, I suck at thinking of people here, I like a lot of people. Kim and Kim are both amazing, but I think I like Kim Q a little bit more. Sonya, Marya, Helene, and Mary in Great Comet are my favorites...
Favorite public figure: Bernie Sanders maybe, Al Franken... Magdalene Visaggio, uhhhh... So many more... Sam Escobar, Mara Wilson...
How many blankets do you sleep with?: just one, it’s a little small for me, but it’s a duvet so it’s plenty warm except when it gets really cold.
Dream job: Building trumpets and making enough money to live and hopefully transition. idk. I’ve been rethinking this too lately and idk what I want lately.
Tagging: uhhhh... @slightlyunnatural @valeroyeaux @a-werewolf-awooo I know you said 10 but I don’t have 10 friends....
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For the week of 26 August 2019
Quick Bits:
Absolute Carnage #2 expands a bit further as Eddie and Peter regroup after getting their butts kicked. The story’s still a bit of chaos as the sparks are lit and it works to reference bits and pieces of the broader story across all of the tie-ins, but this remains visually stunning. The art from Ryan Stegman, JP Mayer, and Frank Martin is worth it alone.
| Published by Marvel
Absolute Carnage: Lethal Protectors #1 looks to be doing a bit of the heavy lifting on Carnage’s side of the story, continuing on from the Web of Venom: Cult of Carnage one-shot, delving into what Carnage is doing at the Ravencroft Institute and his followers. Great start from Frank Tieri, Flaviano, Federico Blee, and Joe Caramagna.
| Published by Marvel
Absolute Carnage: Miles Morales #1 expands on what we see of this confrontation in Absolute Carnage #2 from Saladin Ahmed, Federico Vicentini, Erick Arciniega, and Cory Petit. In terms of the overlap between the two books, it doesn’t actually line up the same entirely, but it’s still interesting, building too off of Miles’ interaction with Knull way back in the early issues of Venom.
| Published by Marvel
Action Comics #1014 is an intriguing story from Brian Michael Bendis, Szymon Kudranski, Brad Anderson, and Rob Leigh. While the Leviathan search and bits and pieces with Thorn and Red Cloud occur in the background, the thrust of this one is Marisol Leone introducing herself to the Daily Planet and inquiring how much money they need to operate at full efficiency. Very different premise than you would have thought from the head of a criminal organization who bought a newspaper. It makes you wonder what her long game is.
| Published by DC Comics
Amazing Spider-Man #28 concludes the arc with the Sinister Syndicate and Boomerang, showing just how messy the interconnections between Spider-Man’s life is right now. Very nice art from Kev Walker, John Dell, Laura Martin, and Andrew Crossley.
| Published by Marvel
Angel #4 is another highly impressive issue in what has been an excellent reinterpretation of the Angel characters and concepts from the beginning by Bryan Edward Hill, Gleb Melnikov, Roman Titov, and Ed Dukeshire. Very interesting hint at the Darkness behind everything and the drive for Angel to form his own team, while protecting Buffy.
| Published by BOOM! Studios
Ascender #5 concludes the first arc, with a pretty harrowing confrontation between Andy & co. and a number of the vampires’ agents on Sampson. Jeff Lemire, Dustin Nguyen, and Steve Wands do a great job of setting a catalyst to change the status quo here and add another level of tension.
| Published by Image
Avengers #23 continues “Challenge of the Ghost Riders”. The art from Stefano Caselli and Jason Keith is gorgeous, especially the fiery landscapes and colours of hell. It’s kind of weird that this series is still working through supernatural influences, characters, and locales, but it definitely makes this for a different kind of Avengers story.
| Published by Marvel
Batgirl #38 is another great issue from the new creative team of Cecil Castellucci, Carmine Di Giandomenico, Jordie Bellaire, and AndWorld Design. They’re building on what came before from Mairghread Scott and Paul Pelletier’s run, with the supporting cast, politics, and conflict with the Terrible Trio, but there’s a new verve to Babs’ character, a DIY attitude as she scrapes the bottom of the barrel just to continue her superhero career. It’s different, accentuated by very beautiful artwork from Di Giandomenico and Bellaire.
| Published by DC Comics
Batman/Superman #1 is kind of terrifying as Joshua Williamson, David Marquez, Alejandro Sanchez, and John J. Hill unleash the next stage of The Batman Who Laughs’ plan as Batman and Superman are forced to question who has been infected by the insane Batman’s toxin. There are some truly gruesome bits here, especially as we learn how the Batman Who Laughs took out his world’s Justice League, so go in with a strong stomach. Great art here from Marquez and Sanchez.
| Published by DC Comics
Black Panther #15 finally gets T’Challa back home to Earth. It’s not necessarily the homecoming you’d have expected, as he’s conflicted with memories of his life in the Intergalactic Empire and his past. Beautiful artwork from Daniel Acuña.
| Published by Marvel
Black Science #42 is part one of the two-part finale for the series from Rick Remender, Matteo Scalera, Moreno Dinisio, and Rus Wooton. It’s fairly epic. It continues to play into the conflict between Kadir and Grant, spotlighting two different possibilities: defiance or submission. We’re not entirely sure which choice Grant actually made, which makes this more interesting.
| Published by Image / Giant Generator
Buffy the Vampire Slayer: Chosen Ones #1 is a one shot with three stories telling tales of various Slayers through history. The lead from Mairghread Scott, Ornella Savarese, Wesllei Manoel, and Jim Campbell pulls double duty of not only introducing Sunnydale’s first Slayer, but also as to why the Hellmouth was fixed to the town. It’s rather good, with the added conflict of what humanity has done to itself, even without vampires in the mix. The other two stories are shorter, somewhat whimsical in art style, but still wonderfully told by Celia Lowenthal and Alexa Sharpe respectively.
| Published by BOOM! Studios
Captain America #13 gives us the first part of “The Legend of Steve” as Jason Masters and Sean Izaakse join Ta-Nehisi Coates, Matt Milla, and Joe Caramagna to provide the line art. This is an interesting start, melding some real life politics of the southern US border with Steve’s current conflicts.
| Published by Marvel
Detective Comics #1010 continues the rather compelling tale of Deadshot, Batman, and a plane full of billionaire crash survivors on a desert island. Peter J. Tomasi, Christian Duce, David Baron, and Rob Leigh weave humour and action throughout the story, including a rather interesting aside with a pair of World War II pilots who’ve been surviving on this island since before the war ended.
| Published by DC Comics
Dial H for Hero #6 proves that Joe Quinones is one of the best artists in the business. Again. Quinones, Scott Hanna, and Jordan Gibson weave through multiple different styles as a plague of superheroes erupts in Metropolis, complete with shifts to different formats, in this incredible tale.
| Published by DC Comics / Wonder Comics
Doctor Mirage #1 upends the status quo in this excellent debut from Magdalene Visaggio, Nick Robles, Jordie Bellaire, and Dave Sharpe. There’s some early Vertigo vibes here in the story’s tone and atmosphere, especially from the gorgeous artwork from Robles and Bellaire. Particularly when it comes to the eye effects. There’s something spooky and seemingly nefarious going on here, which makes it all the more compelling.
| Published by Valiant
Doctor Strange #18 is a very entertaining one shot from Mark Waid, Jesús Saiz, and Cory Petit. A rather brusque, rude Strange invades a family’s home in the middle of nowhere in search of an invasive demon. It’s a nice change of pace from the longer arcs.
| Published by Marvel
The Flash #77 continues two main threads; Captain Cold continuing to gather his Rogues and Flash reuniting with the other new Forces users to try to outrun the Black Flash. It’s interesting, picking up the various threads that Joshua Williamson has been weaving for some time now into a wider tapestry. Nice artwork from Rafa Sandoval, Jordi Tarragona, and Tomeu Morey.
| Published by DC Comics
Friendly Neighborhood Spider-Man #11 is another gorgeous one shot from Tom Taylor, Juann Cabal, Rachelle Rosenberg, and Travis Lanham delving into the character traits that really define Peter’s supporting cast, in this case an adventure of the “Friendly Neighborhood Mary Jane”. Wonderful funny bits here.
| Published by Marvel
GI Joe: A Real American Hero #266 begins “Snake Hunt” as Cobra Commander tries to do reconnaissance on Throwdown, hoping to kidnap him and brainwash him to Cobra’s side. Interesting set up here.
| Published by IDW
Ice Cream Man #14 is another highly inventive issue, spotlighting a man who has lost himself in crossword puzzles, ignoring his life, wife, and pretty much everything else following a tragedy. W. Maxwell Prince, Martín Morazzo, Chris O’Halloran, and Good Old Neon are consistently delivering intriguing horror with this series.
| Published by Image
Justice League #30 kicks off the “Justice/Doom War” from Scott Snyder, James Tynion IV, Jorge Jimenez, Alejandro Sanchez, and Tom Napolitano. It posits a bleak future where Luthor and Perpetua win, leaving the universe Doomed, causing even more complications when the Justice League attempt to prevent this horrible future. It does lead to some very intriguing returns to the main DC Universe, though.
| Published by DC Comics
Justice League Dark #14 is part one of “The Witching War” from James Tynion IV, Alvaro Martínez Bueno, Raul Fernandez, Adriano Lucas, and Rob Leigh. It’s interesting to see the other side of the coin here as the darker, villainous forces of the DC Universe gather to wage war on Wonder Woman’s team. Gorgeous artwork as always from Martínez Bueno, Fernandez, and Lucas.
| Published by DC Comics
Killers #2 adds a few more members of the Britain’s ninja programme to the mix as we get further details on what the Jonin wants and pieces of why they’re being attacked in the open. From the one arc in Ninja-K, I was under the impression that most of Colin King’s predecessors were dead, but apparently that really isn’t the case. Still, it’s an intriguing story, and the action art from Fernando Dagnino and José Villarrubia is beautiful.
| Published by Valiant
Knights Temporal #2 builds nicely off of that impressive first issue, going deeper into August trying to find out more about himself while being pressured to move forward by Jane. There’s definitely more going on than what we’re being let in on and it’s an intriguing mystery. Cullen Bunn, Fran Galán, and Dave Sharpe have something interesting here.
| Published by AfterShock
Mall #1 is a very impressive debut from Michael Moreci, Gary Dauberman, Zak Hartong, Addison Duke, and Jim Campbell. It’s a post-apocalypse thriller set within a mall that has seemingly withstood the brunt of the destruction of the world. This first issue sets up a bunch of gangs and cultists running this society and a mystery of who killed the top dog. Great art from Hartong and Duke.
| Published by Vault
Manor Black #2 is quite possibly even better than the first issue. Cullen Bunn, Brian Hurtt, and Tyler Crook are delivering a story here that is rich in mystery as we still don’t really know what Ari or the wild magicians’ deals are, and it just seems like their existence is throwing the town into a tailspin. The character moments here are wonderful and haunting. And the artwork from Tyler Crook...next level.
| Published by Dark Horse
Martian Manhunter #8 reveals a lot of Diane’s past and her history with the real John Jones in one of the most impressive character-driven issues to date. Steve Orlando, Riley Rossmo, Ivan Plascencia, and AndWorld Design continue to deliver an incredible story here.
| Published by DC Comics
Marvel Monsters #1 is an interesting one shot. There is a framing story featuring Kid Kaiju from Cullen Bunn, Scott Hepburn, Israel Silva, and Travis Lanham that’s entertaining, introducing a new villain, but you’re really going to be wanting to pick this up for the art pieces. There’s a murderers’ row of artists doing splash pages of the monsters and cross-section pages from Superlog and Gaigan-Yamazaki. It’s amazing.
| Published by Marvel
The Necromancer’s Map #1 is the follow-up to the very excellent Songs for the Dead series from last year by Andrea Fort, Michael Christopher Heron, Sam Beck, Ellie Wright, and AndWorld Design. Though I highly advise reading the first series, both for enjoyment and background, you can technically dive into this one and still be brought mainly up to speed. It’s a wonderful magical fantasy and this opening chapter goes into a number of mysteries, in the titular map, in the sickness afflicting one of few people that might be able to help with the map, and in Bethany’s raised and bitter friend/protector/minion, Elissar’s, past.
| Published by Vault
Power Pack: Grow Up #1 is another of the 80th anniversary specials, this one reuniting the original Power Pack team of Louise Simonson and June Brigham, with the creative team rounded out by Roy Richardson, Tamra Bonvillain, and Joe Caramagna, as well as a back-up illustrated by Gurihiru. This is definitely one of my favourite so far, capturing the feel of the old stories perfectly, while still telling an entertaining story for modern audiences.
| Published by Marvel
Resonant #2 is another winner for Vault. The artwork alone from Alejandro Aragon and Jason Wordie is worth giving this a look alone. Really neat layouts, panel transitions, and character designs. But also as a whole with David Andry and Deron Bennett, they’re crafting some unique world-building across this horror landscape that really sets this apart from your usual post-apocalypse.
| Published by Vault
RWBY #1 begins a new digital-first series based on Rooster Teeth’s animated web series franchise of the same name, from Marguerite Bennett, Mirka Andolfo, Arif Prianto, and Gabriela Downie. I’ve never watched any of the series, but this is still entertaining. This first issue gives us the backstory of the world and the lives of Ruby’s original team of Huntresses. I get the impression that I’d get more out of it if I had a grounding in the series beforehand, but I quite like the effort to fill in the blanks. Also, the artwork from Andolfo and Prianto is gorgeous.
| Published by DC Comics
Sera & The Royal Stars #2 delivers immensely on the promise of the first issue, richly unfolding the fantastical lore here of Parsa’s mythology, especially as aspected through its zodiac, and on the continued familial conflict between Sera’s side of the family and her uncle. Jon Tsuei, Audrey Mok, Raul Angulo, and Jim Campbell are telling a very fine fantasy story here.
| Published by Vault
She-Hulk Annual #1 has some wonderful artwork from Andy MacDonald and Matt Milla, with some very neat panels, layouts, and compositions. The story itself is also fairly entertaining, with some nice funny moments, as Jennifer Walters gets zapped into a robot body while Bullseye runs around with hers.
| Published by Marvel
Spider-Man: Life Story #6 concludes what has been a very interesting look at Spider-Man through the lens of aging normally across time from Chip Zdarsky, Mark Bagley, Andrew Hennessy, Frank D’Armata, and Travis Lanham. It’s been interesting seeing the different elements of the Spider-Man mythos remixed and reinterpreted in this fashion, entertaining along the way.
| Published by Marvel
Star Pig #2 is more odd fun from Delilah S. Dawson, Francesco Gaston, Sebastian Cheng, and Shawn Lee. Some interesting humour as Vess learns that Earth culture seems to have permeated throughout much of the galaxy, and that creepy spore creatures enjoy collecting human artifacts.
| Published by IDW
Star Trek: Year Five #5 begins the next “episode” in the series, from Jody Houser, Silvia Califano, Thomas Deer, and Neil Uyetake. After investigating a long dead ancient civilization, communication breakdowns begin to occur aboard the ship, with some interesting and combative results.
| Published by IDW
Star Wars: Age of Resistance - General Hux #1 shines a spotlight on one of the new era’s antagonists, with Tom Taylor, Leonard Kirk, Cory Hamscher, Guru-eFX, and Travis Lanham providing insight into Hux’s past. Some very dark humour in this one.
| Published by Marvel
Star Wars: Age of Resistance - Poe Dameron #1 gives us a tale of Poe before the Resistance was fully a thing, giving us a look at life under the New Republic. Tom Taylor, Ramon Rosanas, Guru-eFX, and Travis Lanham craft an interesting story here, establishing both a wider plot, and a more succinct tale as Poe learns some manoeuvres.
| Published by Marvel
Stranger Things: Six #4 concludes this mini focusing on the experiments prior to the first season from Jody Houser, Edgar Salazar, Keith Champagne, Marissa Louise, and Nate Piekos. It’s been interesting seeing the kids prior to Eleven and really just how evil Brenner and co. are. Some interesting twists too.
| Published by Dark Horse
Superman #14 begins the “Conclusion” to the House of El portion of the Unity Saga arc that has been running since the series began. Great art from Ivan Reis, Joe Prado, Oclair Albert, and Alex Sinclair. And a very welcome return of the Legion of Super-Heroes.
| Published by DC Comics
Teenage Mutant Ninja Turtles #97 turns up the heat on “City at War”. This is a rough one as Karai’s forces press their advantage on Splinter and we get further hints as to how far Karai has really fallen. Great art from Michael Dialynas and Ronda Pattison.
| Published by IDW
Test #3 gets weirder. Yeah. I didn’t think that was possible either. The reality being lain out here from Christopher Sebela, Jen Hickman, Harry Saxon, and Hassan Otsmane-Elhaou is layered, like peeling away at an onion, but we’re never quite sure what actually lays underneath and why any of this is happening.
| Published by Vault
Thanos #5 sets up a very intriguing reveal as to who Gamora has been telling this story to in the penultimate chapter from Tini Howard, Ariel Olivetti, Antonio Fabela, and Joe Caramagna. It makes you kind of reexamine the rest of the narrative, making you wonder what Gamora is really getting at other than just relaying her early years with Thanos.
| Published by Marvel
Thor #16 brings this volume to a close as Jason Aaron, Mike Del Mundo, Marco D’Alfonso, and Joe Sabino deliver a story that’s essentially a coda to War of the Realms and a summation of much of the seven years of Aaron’s time writing, giving a look to the possible immediate future of the present, before heading off to the forthcoming four-part finale of King Thor in the far-flung future.
| Published by Marvel
Tommy Gun Wizards #1 is built on a great premise of infusing magic into Prohibition era Chicago, setting wizards into Eliot Ness and his Untouchables’ war against Al Capone. It works even better in execution as Christian Ward, Sami Kavelä, Dee Cunniffe, and Hassan Otsmane-Elhaou bring it to life. Incredible period designs from Kavelä.
| Published by Dark Horse
Venom #17 elaborates on the Maker and Dylan portion of the story hinted at in Absolute Carnage #2, as they’re attacked by the new family of Life Foundation symbiotes from Absolute Carnage: Separation Anxiety, from Donny Cates, Iban Coello, Rain Beredo, and Clayton Cowles. It is interesting as to how interconnected these stories are. Unlike many other events, you kind of have to read all of these.
| Published by Marvel
Wonder Woman #77 begins “Loveless” from G. Willow Wilson, Jesus Merino, Vicente Cifuentes, Romulo Fajardo Jr., and Pat Brosseau. If follows up on Aphrodite’s death as Wonder Woman darts off to confront Cheetah. There are some shenanigans going on, so the set up is not as straightforward as you’d think.
| Published by DC Comics
Other Highlights: Bone Parish #12, Books of Magic #11, DuckTales: Silence & Science #1, Fantastic Four: 4 Yancy Street #1, Fight Club 3 #8, Freedom Fighters #8, Harley Quinn: Breaking Glass, House of X #3, Immortal Hulk: Director’s Cut #2, Invader Zim #46, Jughead: The Hunger vs. Vampironica #4, Just Beyond: The Scare School, Lumberjanes #65, Marvel Team-Up #5, Mary Shelley: Monster Hunter #5, Mighty Morphin Power Rangers #42, Mountainhead #1, Planet of the Nerds #5, Red Sonja & Vampirella meet Betty & Veronica #4, Rick & Morty #53, Runaways #24, She Said Destroy #4, Star Wars: Galaxy’s Edge #5, TMNT: Shredder in Hell #4, TMNT: Urban Legends #16
Recommended Collections: Age of X-Man: The Amazing Nightcrawler, Age of X-Man: X-Tremists, Barbarella/Dejah Thoris, Captain Marvel - Volume 1: Re-Entry, Doctor Who: The Thirteen Doctor - Volume 2, GI Joe: A Real American Hero - Sierra Muerte, The Girl in the Bay, Heathen - Volume 2, Jim Henson’s Beneath the Dark Crystal - Volume 2, Oberon - Volume 1, Orion - Book 2, Star Wars: Vader - Dark Visions, The War of the Realms: Journey into Mystery, Wolverine: Infinity Watch
d. emerson eddy knows the way to San José. But it’s full of sharks.
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Petticoats for Farutetto JSK
AKA an attempt at putting the butt in Farutetto..if I can say that?
Note: I will be referring to Farutetto as Faltetto in this post as MM has previously translated the dress name as such.
I'm honestly not really sure why I wrote this post, and I'm regretting it a little having finished writing it because the topic seems pointless, but if you like maximum poof, then maybe this niche blog topic is for you.
Related posts about farutetto/faltetto dress: Unboxing (2023 mist and navy), Mary Magdalene faltetto history (long), 1st coordinate post
Mary Magdalene's stock photos for Faltetto picture it bustled with a highly raised back, but they really left it as an exercise for the reader when it comes to achieving this effect ourselves.
Bustle-able skirts are common enough in classic lolita, but we don't have a lot of lolita petticoat options that provide a historical-style rump. Not to mention that the bustle effect going on above is quite extreme.
Some petticoats that I can think of that have increased back volume are Sheglit's Victorian pannier, and some of Victorian Maiden's old petticoats.
left: VM Hip Up Middle Tulle Pannier, right: VM Hip Up Pannier
The VM petticoats appear to be designed to be used with their bustle skirts, with a few extra tiers of hard tulle to help provide a slight volume to the outer skirt.
Sheglit Long Bustle Pannier
Sheglit's is similar, with a large amount of tulle gathered near the hips for an Edwardian silhouette. I don't own this petticoat, but it might work with faltetto if the petticoat is wide enough to stuff more volume underneath.
For me, I think these types of petticoats weren't quite going to cut it... I needed huge back poof. Or at least needed to try...
Here is faltetto without any petticoats. The dress itself has no additional volume built in, so it's pretty flat. The lining is as densely (or nearly) gathered as the outer chiffon, so you could argue it is giving a tiny bit of volume. But still, quite flat.
I have collected too many petticoats over the years and own about a million at this point, so note that the petticoats I am layering here are only a guide and should be achievable if you own 2 or 3 relatively poofy petticoats of your own.
I use a couple not very poofy petticoats as a base layer to help hold up the larger upper petticoat layers.
Layer 1 is a Malco Modes 580 ("Zooey"), which is a light-poof petti.
Layer 2: Just a deflated Mary Magdalene Pannier-skirt for a tiny bit more volume
You could probably use one decently poofy A-line or 1 quite poofy, slightly longer bell petti instead.
I layer a short bell shaped petticoat on top of these to give more volume to the upper portion of the skirt. A-line pettis tend to be quite bottom heavy and I think the delicate chiffon fabric of faltetto needs consistent support along its silhouette, or else it looks weird.
Layer 3 is AP's "short organdy pannier"
These are the base layers. Next I add a back cushion to help hold up all the layers that will follow. It helps a lot in creating a "shelf" effect at the back.
The cushion itself is made from kona cotton (scraps can also be used) with a pattern that I freehanded off of examples of edwardian back pads online. I don't think the exact shape matters that much--you could probably tie a literal tiny cushion to your hips. But the dimensions of this one are approximately this if you want to try it yourself:
You can round off the sides into a kind of 3-oval shape, or cut out a smooth semicircle, I don't think it will make much of a difference for this purpose.
After trying this setup with the upper layers added and finding the bustle effect not jutting out enough, I decided to add an extra volume layer just to the back. I don't have anything purpose-made right now, so I made do with a deflated bell shaped petticoat folded in half (and folded again slightly around the edges to keep the total pinned width about 3/4 of the waist) and pinned to the cushion.
The result so far is weird, but maybe it works...
The last actual petticoat layer is Angelic Pretty's "Long Organdy Pannier". I don't think AP makes these anymore, but they are a approx. 50cm long, gently bell-shaped petticoat designed for the longer dresses AP was releasing around 2016~2020. I find the longer length quite good for sweet-classic when the skirt of a JSK or OP is a little longer, or achieving a little more poof around the upper part of the skirt with certain longer classic pieces. It's not extremely poofy on its own, but I personally enjoy using it for various poof purposes.
Layer 6 or so (?) (AP Long Organdy Pannier)
This final petticoat layer also helps smooth out the bustle silhouette, from the front to the raised back.
Finally, on top of all that a tiered underskirt is layered on top. Faltetto doesn't have any built in underskirt (just a lining, which is expected to be bustled up with the main fabric), so it's more attractive to add some ruffles to the back that are visible when the skirt is lifted. Unfortunately, at this point the petticoats are so wide that I don't seem to have any underskirt wide enough for the entire circumference of the poof.
This is the result, but I actually wouldn't recommend positioning an underskirt like the above because the length of the underskirt didn't end up matching the length of the skirt, being quite a bit too short instead (and not really in a nice bustled looking way, in my opinion). In my initial worn photos, I instead fold the underskirt in half and pin it to the waistband of my petticoat (and then pin the underskirt up a little bit since doing this made it a bit too long), which kind of worked but also wasn't really a great solution. I might need to make my own super wide underskirt, or something...thoughts for another time.
Lastly, the dress can be added over top everything! And don't forget to bustle the dress. It's not an entirely intuitive process for first-timers, but there are loops on the back of the dress that you thread the bustle ties through and further tie into a knot. I might try to post a reel of this process eventually (and will update later if I do), but here are some pictures which muddily attempt to express how the bustle is tied:
It was about at this point that I realized that this JSK had a minor factory defect, but thankfully it was easily and very quickly fixed.
And so, here is how the dress looks with all those layers underneath from different angles!
From the front, it looks pretty much like a normal petticoat is being worn with it. I hope this is enough back poof, but what do you think...?
And here are some extra photos of this coordinate to show the set up worn. I can tell that this arrangement might not be very sustainable for a full day, so I will probably be tweaking the petticoat arrangement further in the future.
Last note: As you might be able to tell, I don't own any hoop or wire petticoats, so I can't really give good advice or opinions on where they would fit in here. A hoop skirt that has a rump in its silhouette would be historically on point and probably work quite well, but you would likely have to make a custom one with shorter length. I really don't know enough about mid 19th century fashion to comment on this either, though. But maybe I might attempt it some day!
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