Tumgik
#Mary Woronov
l-ultimo-squalo · 1 month
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Terrorvision (1986) dir. Ted Nicolaou
183 notes · View notes
ladamarossa · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Silent Night, Bloody Night (1972)
126 notes · View notes
marypickfords · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Mary Woronov in Sugar Cookies (Theodore Gershuny, 1973)
232 notes · View notes
misterwhirly · 1 year
Text
Tumblr media
Mary Woronov and Madeline Kahn
1973
181 notes · View notes
anitapallenberg · 2 years
Photo
Tumblr media Tumblr media Tumblr media
Sugar Cookies (1973) | Dir. Theodore Gershuny
1K notes · View notes
holdoncallfailed · 2 months
Text
Tumblr media
maryyyyy 🫶
27 notes · View notes
Photo
Tumblr media
MONSTERS  |  Pillow Talk  |  S1E10  |  1988
556 notes · View notes
chaoticdesertdweller · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Silent Night, Bloody Night, 1972
Dir. Theodore Gershuny
36 notes · View notes
bitter69uk · 4 months
Text
Tumblr media
“Mary Woronov burned herself into my brain when, as a college student in 1966, I first saw her smoldering, imperious performance in Andy Warhol’s epic film Chelsea Girls. She was one of the most original, stylish and articulate sexual personae of the royal House of Warhol. I never forgot her, and I followed her subsequent movie career with great fascination … Warholism, which is my philosophy as a critic, merged the visual and performing arts and closed the gap between high and popular culture. Thirty years later, it can be clearly seen that the Warhol Factory, with all its riveting decadent excesses, was as seminal an avant-garde circle as that of the Dadaists and Surrealists after World War I in Paris.”
/ Camille Paglia from the back cover blurb on Mary Woronov’s 1995 autobiography Swimming Underground: My Years in the Warhol Factory /
Born on this day 80 years ago (8 December 1943): insolent Warhol Superstar turned queen of cult movies, actress, writer, visual artist and recovered amphetamine enthusiast … Mary Woronov! I love the strikingly angular Woronov’s deadpan performances, resting bitch face and witheringly contemptuous voice in Silent Night, Bloody Night (1972) (which is recommended Christmas viewing by the way), Death Race 2000 (1975), Rock’n’Roll High School (1979) and Eating Raoul (1982). But hell, Woronov is even great value doing guest spots on episodes of Charlie’s Angels (1976) and Murder, She Wrote (1985). One of the best things she ever did was play the mother in punk band Suicidal Tendencies’ 1983 video “Institutionalized” (“All I wanted was a Pepsi, just one Pepsi, and she wouldn't give it to me”). Pictured: sullen young Woronov as Hanoi Hannah in Chelsea Girls (1966).
44 notes · View notes
scenesandscreens · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Warlock (1989)
Director - Steve Miner, Cinematography - David Eggby
"Our interest lies in stopping those who would see all good falter. It lies in stopping the powers of misrule from coming of age. It lies in finding that damned book, and thwarting a vile beast of a man who shall not rest until God himself is thrown down, and all of creation becomes Satan's black hell-besmeared farting hole!"
26 notes · View notes
davidhudson · 4 months
Text
Tumblr media
Happy 80th, Mary Woronov.
Smile, 2001.
27 notes · View notes
vsthepomegranate · 9 months
Text
Tumblr media
Sugar Cookies (1973)
by Theodore Gershuny
34 notes · View notes
ladamarossa · 4 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Mary Woronov as Diane Adams in Silent Night, Bloody Night (1972)
45 notes · View notes
marypickfords · 1 year
Photo
Tumblr media Tumblr media
Sugar Cookies (Theodore Gershuny, 1973)
165 notes · View notes
fatmagic · 1 year
Photo
Tumblr media
81 notes · View notes
spookytuesdaypod · 1 month
Text
Tumblr media
spooky tuesday is a (now not so new!) podcast where we’re breaking down all of our favorite slashers, thrillers, monster movies and black comedies on the new scariest day of the week.
did anyone else just get the strangest craving for pizza? we could use a little snack here at spooky tuesday, especially since we've got nothing to do for the rest of the night besides play the harpsichord, try on other people's glasses, and snoop through this big old house while babysitting some old lady. oh, yeah — and we're watching the house of the devil (2009). in ti west's satanic panic-inspired '80s slow burn, college student samantha agrees to take on an unusual gig for some much-needed rent money, and though bestie greta gerwig reminds her to be wary of weirdos, things still go more than a little sideways.
give spooky tuesday a listen on apple podcasts, spotify, iheart radio, or stitcher
7 notes · View notes