#Me: ''Just draw something simple and sketchy.'' | Explore Tumblr Posts and Blogs

crownedinmarigolds · 3 days

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Hello all! I will be officially closing my commissions about halfway through May so that I can be with my family during the summer time - so this is my final call for anyone who may like a commission before I close them! I love drawing OCs and the like! Unless we've spoken about it previously, I am not taking anymore group commissions as that queue is full. So I am taking headshots, waist-ups, and quick sketches only! ~ ~ ~

My quick sketch commissions are always open on my KO-FI!

Prices may slightly vary depending on specific details, but that is something we can discuss in private. The prices shown are pretty solidly what I will charge!

PLEASE NOTE: I will not start work until payment is made.

The prices include the character + a simple background color. The group portraits will probably require a bit more discussion - such as if you don't want them just standing together and want them to be doing something as a group, that may change the price slightly depending on what they're up to. If you'd like to add a background, we can talk about that as well!

Disclaimers: I have a very sketchy and not 100% clean art style, so please expect that in the finished product! I am down for not safe for work scenes or subjects like sex, violence, blood, etc - but obviously the more gross end of the spectrum I won't touch. That can be discussed in private! I am not good at drawing mechs, cars, or animals, so while you can ask me to, I may deny it just to ensure you don't get a subpar final drawing.

I also work full time and am a wife and mother! I like to think I'm fast and incredibly attentive but just please be respectful that I may have to step away to take care of my family. I have to save drawing for after I am off work and when my child is asleep.

If you'd like to commission me, go ahead and send me a direct message through Tumblr or email me at [email protected]! You will be getting concept sketches, updates as I go, and of course the high res copy of your image at the very end.

I am on KO-FI, and here is my Art Tumblr Tag for more examples of my work!

Thank you all so much!!

#commissions open #commissions #art #crownedinmarigolds #commission information #commission boost #headshot commissions #waist up commissions #quick sketch commissions

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inbarfink · 3 months

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After all these years, ‘I Remember You’ is still one of the great highlights of Adventure Time Storytelling. And not just in the basic ‘what???? Silly children’s cartoon does something SAD??? HOLY SHIT MIND BLOWN’ way. But with the execution of that Something Sad. How it manages to pack so many Complex Emotions into just 11-minutes of television. And especially the way it utilizes the basic Adventure Time format for that purpose.

So Adventure Time is a Board-based show. Each episode has an outline pitched and written down by the writer’s room, and then this outline goes to a team of (usually) two Storyboard Artists who develop that simple outline into a full story. And with the show’s art-style deliberately eschewing staying perfectly ‘on-model’ in favor of having the animators take direct reference from how the different storyboarders draw the characters

And the show being generally extremely versatile in terms of themes and tone - AT has allowed a lot of their Storyboarders to really express themselves and their unique artistic vision as part of the Big Collaborative Narrative that is Adventure Time.

Now, the Boarders who worked on ‘I Remember You’ are Cole Sanchez and Rebecca Sugar. These two were a Storyboarding Duo from the start of S4 and until Sugar left the AT Crew during S5, and they always struck me as a curious combination. I think really from all of the individual boarders working on AT during that time, these two really are the closest to having like… Totally Opposite Artistic Sensibilities as boarders.

With Sugar favoring a style that is very loose and sketchy and also very rounded. Focusing on expressions and subtle body language and lighting. And being famous for going deep in depth into Big Moments of Emotional Catharsis

And Sanchez having a very clear art style that emphasizes strong silhouettes and clear lines that suggest flatness. Focusing more on major poses and the character’s positions in the space. And having just a really great eye for AT’s brand of silly humor.

Like, I almost kinda suspect these two were paired together so they can each cover for the other’s “weakspots” in writing ‘Adventure Time’.

And there were a few episodes that did some really interesting stuff with this very contrasting pair - ‘Jake the Dog’ is another example. Giving most of the Farmworld scenes to Sugar and most of the Time Room scenes to Sanchez both plays to their personal strengths as storyboarders and helps to emphasize the strong emotional contrast between these two scenarios.

And ‘I Remember You’ is actually kinda unique among Adventure Time episodes cause… Most episodes will have the two boarders alternate between working on the episode throughout it. Like you’d have Boarder A draw a bit and then Boarder B and then Boarder A again… But “I Remember You” is divided between Sanchez and Sugar… basically perfectly in the middle.

So the entirety of the first half of the episode was boarded by Sanchez

Until Ice King pushes Marceline and then leaves the room in shame.

And then, Sugar takes over.

And, like, even if you don’t know anything about the Behind the Scenes of Adventure Time or who Cole Sanchez and Rebecca Sugar even are - the Shift is noticeable. The shift in tone, in narrative focus, in the subtleties in which the characters are drawn.

The entire first half of the episode has this thin veneer of just being a Silly Goofy Ice King Episode. Sanchez’s talent for Adventure Time’s brand of comedy is on full display… but there is also this underlying feeling that Something is Happening just under the surface. And these hints of the Big Emotions of ‘IRY’ expressed via Sanchez’s kinda goofy style really create this balance between putting the audience into a false sense of security that this is just a Very Normal Episode about two characters hanging out and the Tension constantly brewing in the subtext.

And then it all comes to a blow.

And then the Shift happens. And now we are in Sugar’s court.

And this subtle shift in the artstyle and storytelling also coincide with Marceline finally openly expressing her feelings and the Reveal of Simon and Marcy's shared past. The episode changes focus from Ice King's silly antics to Marceline's feelings. Everything changes, everything in the first part of the episode gets recontextualized and... even on the most basic level, the episode is now Noticeably Different.

I would almost say that Sanchez’s half of the episode has Ice King define the tone, while Sugar’s half of the episode has Marceline define the tone. But more than anything it’s the catharsis. The reveal and release of those emotions that were building up so expertly through the Sanchez half of the episode. All of the Sugar-boarded scenes in this episode are really heartbreaking on their own, just through the tragedy of the story and Sugar’s expert knowledge of howto convey emotion in the visual medium - but it’s so enchanted by what came before it.

“I Remember You” is truly a great testament to how ‘Adventure Time’ could use every aspect of its medium to tell a great story in such a short time.

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vampucci · 3 months

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MUTUAL AID + ART COMMISSIONS

Latasha is a 17 year old kid who recently got a place to stay through a housing program after being homeless for several years. Within the last two months she’s had the cops called on her for going in a gym to get out of the cold, gotten pneumonia, been diagnosed with severe asthma, gone to the ER twice, found out she was on the hook for the previous tenant’s unpaid electrical bill, and she’s had to pay out of pocket for expensive medication to survive multiple times. She recently had to evacuate her apartment building because the heating was off during a winter storm, and then when her case manager made complaints, the landlord filed a restraining order against her and Latasha was evicted. She was unable to get her stuff back before being placed in her new unit.

She has absolutely nothing and has been struggling through a terrible commute to work with no bed to sleep on. I’ve been donating everything I can but I’m broke so there’s nothing I can do to help her out, and she has no family or friends in the area.

So donate to her venmo @latashasmith63112 to get a fun picture from me!!! 😎

I mostly do single-character illustration (so stuff like OCs, DnD characters, your special guy), but I can and will draw anything within reason—just ask. For OCs I’d like some form of reference.

Any donation below $25 will be more sketchy, may be B&W or have a few colors. Opt for a bust for slightly more detail, full body for less.

Any donation of $25 or more can have color, more detail, simple shading and/or a partial background.

Any donation of $50 or more or so you can request more complicated color & shading, multiple characters, and/or a full environment.

Any donation of $100 or more can have all that and be more complex and detailed. I can paint it. I’ll do whatever. I would paint horses for this much. It’ll take a bit longer the more you want from me though.

You’re free to negotiate! These are very loose guidelines because I’m happy to be flexible if it encourages you to donate, so if you want something and only have so much to give, ask me anyway.

For more examples check out my tag. (I can also draw women, I promise)

I rarely take commissions, so there’s currently no limit to how many I’ll take on. I will keep you updated with your expected timeline (smaller donations will take less time).

Just send me a screenshot showing that you donated! (I will also check with Latasha to verify that she got it.) Donate to: latashasmith63112

You can send me a Tumblr message with your screenshot or email me at [email protected]. My Discord is vampucci. I’ll usually respond within about a day. If you don’t have venmo let me know and I’ll work something out.

(If for whatever reason you don’t care about the art, feel free to just send her money. I will be grateful forever if you do, or if you share the post. She’s a really sweet, thoughtful kid and any help she can receive that brings her joy and relief in an unimaginably cruel world is something truly special. Thanks!)

#jjba #jojo’s bizarre adventure #diopucci #dio brando #enrico pucci #homestuck #sorry to tag browsers but it does count. they are in the post

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spicyraeman · 2 months

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Hello! I'm trying to shorten my sketch to good drawing time and I think your lae'zels are good (great) drawings. What does your initial process look like? (If you don't mind sharing your process) Do you have a sketch step or are you going straight in with the outline somehow? I'm trying to find a process that's more comfortable than I what I do now, which is sketchy and messy. And then I hate the inks I do because the sketch always looks better.

Thanks :)

Lucky for both of us I actually still have the sketch layer for my last Lae’zel drawing so I don’t have to make anything new to show the process!

I have no idea how to organize this so I'm just gonna go with my own weird thing and do levels and hope that it makes sense!

Level 1: This level is entirely for working out poses and forms. The sketch is really ugly and has no detail, just the basic building blocks for the pose and anatomy. Most of the time it looks even messier than this example, but I had to mock one up for this because if the pose is simple and I'm familiar with the character I'll just skip right into level 2

Level 2: This is when I start adding in details, not anything clean, still very messy and basic. I try to keep it loose and mostly from memory so I don’t overwork the sketch more than it needs. I usually start with a simple anatomy sketch, add hair and clothing overtop on another layer, erase the underlying anatomy, and then merge it all into one layer

Level 2.5: Sometimes on more complicated areas like the hair, hands, face, and clothes I’ll do another cleaner sketch with reference just in those areas to make the jump to level 3 easier. If I intend to leave it as a sketch ill usually do this with the whole piece and leave it as a "cleaned sketch" something a bit cleaner and more detailed than the level 2 example but not quite at level 3

Level 3: Here is where I really start busting out the references and getting down into the details. Since I don’t do inks and prefer a sketchier style this is basically my line art. I work through it in parts so things like the face, hair, clothing, hands, and skin details are all usually split up into different layers so it’s easier to manipulate and erase bits. Then at the end I merge it all together into one layer and either start on colors or call it done.

In really simplified terms, my drawing process is - draw a sketch, lower the opacity, make a new layer, draw a cleaner sketch, and then keep repeating that process till I get the results I'm looking for. Its definitely probably not the best way to do things but it works for me!

Hope all this makes sense and that the insight on how I do things helps you out!

#asks #really hoping this makes sense to anyone besides me #cuz I know my brain works a little weird

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littledigits · 4 months

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Hi! I absolutely love your work and your art style (and I think Hilda is one of the best animated shows ever made!!) I want to dip my toe into drawing, mainly because I want to be able to do little sketchy character drawings for my D&D campaign lol. Is there any particular book or course you might recommend for getting started? Thank you!

thank you so much ! <3

I would say if you want to start drawing , do whatever makes it accessible and fun for you to start. I cant go hardcore into learning, i need some indulgence to keep it fun.

Its hard for me to recommend anything off the top of my head. there is SO MUCH GOOD STUFF OUT THERE NOW ADAYS. also you may look at a book or a course and the way its explained wont make sense to you, but someone else could put it a different way and it could click better! Everyone has a different workflow and different methods, so what i'd recommend is just poke around in some youtube videos and just watch a few beginner ones, see what methods you vibe with. But at the end of the day do what you feel like is most fun and dont sweat the details

DONT BE AFRAID TO REFRENCE THINGS! When I was in school for animation, one of the first things you did to learn to draw on model was draw overtop of the model sheet and break down the proportions. (how many 'heads' tall is it , how many 'eyes' wide is the face). If you see a style you like, learn from it !

Drawing overtop of a character and breaking it down is a great exercise if there is a style you want to mimic. Understanding the proportions helps because then when you draw, if it looks -off- you can test out your own . Who knows, maybe you accidentally made the body too long or short! People are afraid to trace or draw over, but its a great exercise as long as you dont take credit, especially if you're not just doing it for something to look pretty but you want to *understand* how it was done. This helps a lot in building your own style ! my style is a mish mash of everything i've loved and worked on over the years, and it changes over time. So if you see something and you're like 'ooo thats COOL how did they do it' , save it , break it down , maybe you'll learn a few new things !

also I recommend to start with simple shapes ! I put some screen captures from rough sketches that Scott Lewis did, who is a senior animator on hilda. Even as an experienced animator he knows how important the fundamentals are (which is why hes good at his job haha). I think if you want to do fun sketchy things for DND , keeping it simple is the way to go :) you'd be surprised how much expression you can get out of shapes ! I hope this helps you get started on drawing all the endless DND shenanigans that I'm sure live in your head :D .

#thepaisleyelf #starting to get into art for dnd drawing is best reason #as someone who loves shitposting dnd doodles it is pure bliss

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secretsofblackthornhall · 2 years

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Emma to Jem

Dear Jem,

As promised, the newest updates on the House That Wouldn’t Stop Being Cursed. Spoiler alert: I think we’re going to need your help again. (Ask Kit if you don’t know what a “spoiler” is.)

So here’s where we are: we’ve assembled all of the items—we think—that are tied to the curse. We placed them all in the dining room together and lit some candles, but nothing happened. Julian said it was like we were trying to get the objects to have a romantic evening together. I guess it was optimistic to think things would be that simple!

During the past few weeks we’ve collected a number of books on curse-breaking. And looked up some stuff about it on the Internet, though I have to say you never know with “online” whether you’re accessing a real magic spell or something tied to some kind of game. Julian, of course, had already read the books, and noted the similarities between most of the curse-breaking spells. They all require cursed objects to be brought together, and for candles made of pure tallow to be lit. Fortunately we were able to grab tallow candles at the Shadow Market, and we arranged them in a circle around the objects. When we lit them, it did look very mysterious and magicy.

We combined several of the Latin spells in the books to try to get something workable. A sort of We call out for the curse laid upon these objects to be broken, in the name of the Angel Raziel. We tried to make ourselves sound very important, like we knew Raziel well and would be having a pint down at the pub with him once the curse breaking was over.

Now, I’m sure you’re staring in horror that we decided to do this ourselves, and you’re right, we shouldn’t have, but we were just so excited to have all the objects that we thought it was worth at least a try. After all, how wrong could it go?

Answer: very wrong! A chill, clammy wind immediately rose up inside the dining room and swirled in circles, blowing out most of the candles. I started shivering, not because it was cold (although it was suddenly very cold) but because my skin was crawling. I had a terrible sense of encroaching darkness, like my vision was beginning to fade at the edges. Julian started paging through the books fast, looking for some kind of cancellation spell.

And then, of course, the music box on the sideboard began playing by itself. And not the tune it usually plays, which is a Strauss waltz. This was some other tune, something dissonant and harsh (as harsh as the tinkly sounds of a music box can be, I suppose). And it was loud, much louder than any music box could be, like the sound was being picked up and whirled around the room.

“Nooo.” It was a harshly breathed word, and I felt a presence sweep into the room. Rupert, half-transparent and looking furious. He swept a glowing hand through the candles, snuffing out the flames. Thank the Angel, the wind died down and the chill went out of the air. And I felt like I could breathe again. Julian and I stared at each other.

“Nephilim,” Rupert breathed. It was probably the most we’ve ever heard him say, in terms of real distinct words and phrases. I don’t know if it was because he was angry, or because the curse-breaking spell had had a tiny effect. “Nephilim — do not play with magic. Tatiana played with magic. She was . . . destroyed.” He was so upset that the features of his face seemed to be rearranging themselves, his eyes widening to be huge like an anime drawing. His mouth turned down at the sides. “Not worth destroying yourselves,” he whispered. “Find another way. Or leave me prisoned.”

And with that, he disappeared — kind of flew apart in white-silver pieces, like papers blowing on the wind.

A shudder went up my spine. Rupert. I think I liked him better when he could only move things around in the dust.

Anyway, we could use your help. Maybe it’s that we need a warlock to do the right magic, but the more we look at the items we’ve collected the more we wonder if one of them is wrong. We’ve followed some sketchy clues to find them, after all. And we’ve bothered Hypatia, Magnus, and Ragnor so much that I don’t think we could bear to have one of them come and then tell us it’s the objects that are the problem.

So…would you and Tessa be willing to come visit and check out the situation? Maybe you’ll be able to tell something about the objects since you recognized some of them. And between an ex-Silent Brother and a warlock I’m sure you’d bring enough magical wisdom to work out what we should be doing. We’d love to see all four of you, in fact, if you’d like to make it a family outing. We can watch Mina for you! There will be scones! And now that the faeries have gotten rid of all the hogweed choking the gardens, they’re looking very nice. Lovely for walks, or if Kit is in a teenage brooding mood, they’re great for brooding. Did I mention the scones?

Love,

Emma

#secrets of blackthorn hall #sobh #emma carstairs #jem carstairs #tessa gray #shadowhunters #kit herondale #rupert blackthorn

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kinun · 1 month

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Show me your pony ocs! (if you want) [closed]

I've been a gen 4 artist and, honestly, have drawn less and less ponies over the years. Yet, every once in a while I feel like drawing them again and I would remedy it by drawing my own sona and ocs.

Instead, I thought I could change it up and draw something new. So, I want to ask if anyone would like to have their oc sketched!

I have some examples of my art below and I would like to note that this is not necessarily me opening up my requests/commissions. I'll purely go with vibes.

That means I may pick a very extravagant design or just a very simple one. Whatever speaks to me. Same with the style. Some may be very sketchy and others may have contrast filled in just like my examples. And of course it also goes with vibes whether it'll be just a bust or full body drawing.

If you want to send yours in then I'd love if you'd include descriptions of the character. I love seeing what people come up with in both designs and story! Some backstory and character traits could also help with giving me ideas on how to draw your ocs.(this is not required though dw)

And again, I always was a gen 4/fim artist so I won't change my art style if you send in Gen 5 characters. Actually, I've been recently been experimenting with differences between pony species sooooo... That might happen.

Examples:

(Find the finished works under #Kinun draws OCs)

(That little goat demon in two of these is the sona of my friend @starpaintanimus-blog while the rest are my ocs)

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anonymouspuzzler · 1 year

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here's that other AU I've put way more into - the "Uncle Cally AU", where Cal was instead taken in by one Aquato Family Circus! This one is admittedly the brainchild of @friendlyfrankenstein, I just happened to take the ball and run... and run... and run.......

don't think this doodle dump is the start and end, though! There's a lot more coming up in the queue soon...

(alt text/image IDs under the cut!)

[Image 1 ID: A character design sheet for "Caligosto Aquato", an alternate version of Loboto who joined the Loboto Family Circus. He is wearing goggles similar to Raz's and has a full head of hair, with shaggy bangs and a light green kerchief patterned with yellow flowers. He has on a high-collared shawl cape with several safety pins and patches, over a navy-blue and white-striped Aquato family unitard and brown, puffy short-shorts with a deep red cummerbund. There are two patches on the torso of his unitard. His right arm has an elbow-length brown sleeve on his forearm with several patches and safety pins, while the left hand just has a red band around his wrist. He is wearing navy blue fingerless gloves on both hands, as well as knee-high, laced navy blue boots. There is a small knee guard on his left knee, while his left thing has a scrap of fabric tied around it, the same color and pattern as his kerchief. A detail shot shows him pushing up his goggles, revealing his green-and-red heterochromia and dark circles around his eyes. Off to the side is a design for his "Doctor Loboto" guise, wearing a simple surgical mask that covers his face, his canon-compliant shower cap, an oversized powder-blue button up, a apron over that with complex buckles in the back similar to canon, greenish surgical gloves, and the same blue boots as his "circus" design.]

[Image 2 ID: A rough sketch design for Cally's caravan. It is shaped like a carriage, with a swooped roof with a decorated lantern hanging off of it. There is a big window in the back, posters taped to the sides, and a hatch on the roof on the other side through which Cally is peeking out. There is an accordion-shaped, slightly curving tower emerging from the curved part of the roof, with a pipe weaving through and emitting a small cloud of smoke where it ends. The top of the "tower" has another, smaller window, in which Raz can be seen reading a comic and peeking outside. There is another, smaller lantern dangling from the tower, as well as what looks like a radio antennae at the very top.]

[Image 3 ID: A traditional ink doodle-page with various sketches of Loboto and other Psychonauts characters. At the center is a drawing of Uncle Cally and Augustus standing side by side. Cally is wearing large earrings and a shawl with a hood, a puffy-sleeved blouse, fabric tied around his waist like a skirt, and his usual striped tights and heeled boots. Augustus has a shawl wrapped around his neck and shoulders like a scarf, is wearing a baggy shirt with large, dangling sleeves, has a sash tied around his waist like a belt, and has his usual shorts, striped tights and boots.]

[Image 4-5 IDs: Various rough gestural sketches of Cally doing stretches, contortions and circus tricks. The first image is done digitally, while the second is traditional pen on a lavender post-it note. In one of the digital poses, a sketchy Raz can be seen balancing on top of one of Cally's feet.]

[Image 6 ID: A single-panel comic of a younger Cally and Augustus stretching. Cally is leaning against a wall with one hand, grabbing the ankle of his bent leg with the other, grinning and saying, "So is 'mooning over letters from Donatella' going in the act or something". Augustus, next to him in a deep lunge, holding a paper in one hand, blushing and glaring, retorts "Don't get on my case just because *you* don't like girls." Cally replies in turn, "You're just jealous the new strongman asked me out first".]

[Image 7 ID: A sketchy five-panel comic of Cally and the Aquato kids. In the first panel, Cally is squatting to secure a pulley on the ground, looking over at a young Raz in his circus outfit, who is staring at him. In the second, Mirtala runs by as he picks up his tools, tripping on a rock, causing a frantic Cally to catch her with a telekinetic hand; while he does, Raz is tugging on his arm, trying to get his attention. In the next panel he is bent over to pick up Mirtala, providing an opening for Frazie to spring up onto his shoulders, while Raz hangs around his legs yelling. In the next panel, Frazie is hanging off his back, sticking her tongue out at Raz, who climbs up Cally's leg pointing and shouting at Frazie, all while Mirtala fidgets in Cally's hold and Dion, shouting and holding a crying baby Queepie at arm's length, appears to the side. Cally, looking overwhelmed, screams "AUGUSTUS". The final panel shows Cally handing Mirtala over to an exhausted-looking Donatella, shouting "STOP HAVING KIDS". Augustus, standing next to Donna holding a sleeping Queepie in his arms, grins cheekily and retorts "But they're just so much fun to make".]

[Image 8 ID: A single-panel comic of Donatella and Cally. Cally is grinning, holding a terrified child upside-down by the ankles, using telekinesis to hold his arms and head in place, money falling to the ground out of his pockets. Donatella is in front of the kid, pointing and shouting, "YOU TRY TO SNEAK IN FREE, LITTLE PUNK?? THINK IT'S FUNNY DESTROYING SMALL FAMILY CIRCUS?! THAT YOU WILL ESCAPE CONSEQUENCES??" Augustus, in the background, looks on in horror.]

[Image 9 ID: Cally in the far foreground, motion-blurred and looking utterly terrified, running from Donatella in the background, who has skidded into frame in a wide stance, eyes glowing red.]

[Image 10-12 IDs: A three-panel comic of Cally, Oleander, and the Aquatos. Cally and Oleander are sitting side-by-side on a log, working on a rope-and-pulley system. Mirtala and Frazie walk in from the right side of the screen, Mirtala looking delighted and shouting, "It's Uncle Oly!! Uncle Oly's visiting!!" Oleander looks mildly surprised, while Cally looks extremely flustered. In the next panel, he catches Mirtala by the head with one hand, saying, "Woah woah *woah*-- Tala. Who told you to call him that??" Frazie, walking past behind him with a smug grin, responds, "Mom said we might as well get used to saying it sooner rather than later." In the last panel, a blushing and furious Cally says "Did she now," as he whirls around to look at Donatella, who looks incredibly smug as she stands with Queepie dangling from her hands by his arms. Off to the side, Oleander looks down in flustered confusion as Mirtala holds her arms up and shouts "UNCLE OLY UNCLE OLY WATCH MY NEW TRICK".]

[Image 13 ID: A drawing of Raz, Augustus, and Cally in the postgame of Psychonauts 2, at the cliff by the falls. Augustus is standing, staring out at the falls, with a hand on the back of Raz at his left, staring slightly up at him, and Cally to his right, sitting with his legs crossed, one arm propping him up, and the other up around his brother's back.]

#Anonymous Puzzler art #psychonauts #psychonauts 2 #caligosto loboto #augustus aquato #donatella aquato #all the aquatos really but they're the most prominent #psychonauts 2 spoilers #friendlyfrankenstein #tw for some lightly suggestive humor

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emerxshiu · 10 days

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rat brainrot going hard

sorry for not posting this week, i was cooking some stuff but this drawing took almost the entire week to do, worst part, it was a shitpost

i still dont know why this took me so much

so uh, almost all my drawings this week have been related to this two(and lis) so much so that i struggled because i wanted to draw other things so i would just stare at a blank sheet of paper for over half an hour, god that was torture, tho i dont mind drawing the sillies, sometimes it gets a bit boring drawing the same over and over y'know? im also going to take this as an opportunity to ramble about my forgo gijinka, because surprisingly i hadnt done that yet.

og image

ok now to actually talk about the wet rat

ive tried doing a gijinka of em since i joined the fandom (my first gijinka was fecto elfilis (well not really they were fnaf, but i mean when i got into kirby and when i started using the term gijinka))

but most of the time it just looked like elfilin but like...evil, with a different ear and a hospital gown, thats it, so i barely drew them since i didnt like that, but on february, i actually sketched an idea that i liked, and thought it looked cute but a bit off (i mean off in a good way)

(yes im posting this image again because i think its the best drawing of my forgo (im very inconsistent with my style ok))

they have their eyes closed most of time, like in game, i considered giving them legs but i ended up with the tail, since i didnt want to end up with like a fourth evil elfilin, the arms are like that so i can have em be small and weird like in the actual game, but i also made it so they can like change it, that way i can make em have hands and stuff if necessary (like to hold that frying pan for example)

not sure if a lot of you notice it but um, bro has no neck, i took away his neck privileges, i did it just to see but i ended up falling in love with that and stuck around, and also that allows me to draw them bending their head like in the drawing above because their neck isnt necking and i like that, i like being able to draw characters doing stuff that shouldnt be anatomically possible or is abnormal (i did something a bit similar with void) thair clothes are rugged because well forgotten land you know what i mean, but in general theyre actually pretty simple

i also did the drawing in digital

i tried doing very sketchy lineart, i tried a new brush in this one and thats the one im using for my last drawings (not sure if anyone noticed the brush change) it was pain painting it because i did it all with the brush in the same size, not changing it, god did my hands hurt and it was a bad idea

i accidentaly downloaded the following 3 drawings twice lol

sleepy zzzz

i think they would wear something like this to sleep, i dunno i just wanted to draw em in something cute, and sleepy, with elfilin slippers (the mug also has elfilin btw) oh and also i like changing their hair, here one of their long bangs is tied into a bow, kinda like callie from splatoon, i have some drawing im probably wont post, one more of forgo wich looks very much like the upper one but like eyes closed, and one of fecto elfilis gyaru because my sister asked me to draw them like that, bad thing is i didnt look up references on gyaru since i couldnt use my phone at the moment, i did like the hair i did for them in that one tho, they have their bangs tied up in a bun, and then left the rest loose, making it look longer than it actually is. i might redraw it, but actually looking up gyaru so i can make something more accurate, i like the style, but im not too informed on it

elfilin being silly like a kitty :p

not much more to say on this, just sillines :3

there is totally not a cropped drawing there

based on the kirby manga, where they make it so elfilis sings really bad, at first i didnt like it that much since i had imagined they'd sign great, but after i while i started to find it a bit cute so now its a headcanon, they like to sing but suck at it.

writing this just made me remember i wanted to do another drawing too for this with kirby and them singing, but i forgot to do it, im kinda tired (and its late) ill probably draw it, but for next post or another one

tried drawing fecto forgo as a plushie, silly.

i wanna learn how to sew so i can make plushies of characters (like prince fluf!) but im way too lazy, i will get around it some day! (hopefully)

elfilin too as a plush

i also wanna learn to sculpt, i tried doing a clay kirby once, but one his feet broke in half, and one day my mom put it in a box, and his eyes fell off and stuck to the box :(

i really wanna do figures for characters i like or dont have enough merch or my ocs (prince fluff, flamberge, fecto elfilis)

but as i said, im way too lazy and unmotivated, though its be nice, one day, maybe one day if i stop procrastinating

it doesnt have the same ring to it as "feto rata mojada alien" wich is how my sister and i call them (she doesnt know that much about kirby, but i sometimes show her my drawings (reluctantly sometimes, but im the older so like >:) she has too if she wants to show me her stuff too))

silly rat and wet rat, thats how i call em (because wet rat alien fetus is too long sometimes)

you can tell the brainrot was too strong (were near done(kinda))

they gain a mouth whenever i fell like it very much

artblock hit, and all the rest of pages i stared at them for 30 minutes

it felt weird looking at my fecto elfilis with the eyes so big, it looked off (in a weird way)

dunno, tried drawing them in a different pose i i dunno really

i think these are from tuesday. i did more but those were oc (mostly splatoon) or other kirby character related, and i want this to be a rat post (might post those tommorow or another day maybe)

i dunno (x2), i tried drawing elfilin like elfilis, i really liked the hands here. i still struggle a bit with anatomy but i think this was quite good for my usual character just stading looking at the front or a quarter profile. im considering making this into a fully digital drawing, what do i say by considering im actually doing that fuck it, i just think it looks kinda cool

"This new creation, driven by pure chaos, was defeated by the bright light of Kirby's hope."

Chaos Elfilis reminds me of a moth. kirby's hope is a bright light.

you can see my thought process. i just thought itd be a bit cute and kinda silly and funny.

the kirby fandom wiki, said that chaos elfilis looked akin to a moth, and it just stuck with me, so i wanted my gijinka of them to be moth inspired, and thats when i saw just how cute moths are! i mean im still a bit scared of insects but at least now i kinda like em.

i feel like i need to say sorry to that one moth i desintegrated in a matter of seconds with a book because i thought it was an spider and didnt think (im so sorry little guy)

but ah yeah elfilis, moth, it made sense to me since chaos elfilis has the soul of morpho knight, who is a butterfly, and moths are kinda like butterflies too. and i thought itd be cute

so uh yeah i sometimes like making my chaos elfilis be a bit like a moth, that includes liking light, a lot, so uh kirby is like a lamp in here because i said so

now to talk about the desing since for some reason i hadnt earlier, as i said before, they are very moth inpired so uh im might say that word way too many times (im sorry i suck at explaining stuff)

their horns are thinner to resemble moth anntenae, and they curve just because i thought it look cool, and to differentiate it a bit from fecto elfilis. their bangs tie into a bun (i forgot to draw that but i dont wanna go and change it now, way too tiredv man and i still have to post this on other places) the bun looks a bit like an eye, because well, they are basically a soul boss, and moths have things in their wings that look like eyes, btw chaos elfilis doesnt have their wings here because i got lazy and i didnt want them to like cover most of the drawing. the things coming from their bun are like the trhee things theyve got in their head, theyre shaped like that to resemble insects legs a bit, fecto elfilis also had the 3 things (i dunno how to call em sorry) as their eyelashes, but chaos elfilis has just white eyelashes, because the bun already has the 3 things and because my morpho has white eyelashes so (i still havent done my morpho gijinka yet, i just know im gonna give the butterfly some white eyelashes cuz cute and pretty grimm reaper) the rest of the hair is shaped into like a ponytail but like, adn shaped, with whats left shaped like a lil moth

the waistband they have is a nod to morpho, they used to have a bow shaped just like the butterfly morpho appears as, but i took it out because i thought it crowded the design way too much, and also because it was too on the nose. the arms have those golden things because my fecto has it and because my og chaos elfilis gijinka had them so i wanted to bring it back, the hand fades into white because the red in the hand wasnt hard to distinguish so i came up with that to make it easier to see.

the red part of the pants are actually a bit fuzzy akin to a moth and the white part has those stripes to loke like insect stuff because y'know akin to a moth. the boots are like the red part in their legs their model in-game has, so i just made em tall boots, the high heels? originally it was platform just ike my fecto but then i wanted to draw them in high heels when i was slightly redoing chaos elfilis, and welp, i loved it and now theyve got high heels. those rings around the ankle are inspired by the ones leaongar has around their arm. also can you tell anatomy is not my strong suit? and that i dont draw high heels often?

i made a slight change in my kirby, making the sleeves be a different color, since the one he had before i felt was way too white, and i wanted to have more saturation in it

i also forgot but elfilin is supposed to wear that during forgotten land, and then i decided that after the anding of the main story he changes clothes, but i forgot about that while doing this so he has his pre-ending clothes (also because i still cant really decide on their second outfit for the post-game)

god im so tired i wanna talk and show more drawings but o shit im sweating why is it so hot in here

um thank you for reading all the unnecessary long rambles about why i do certain stuff in my gijinkas, i appreciate it a lot (im still sorry about writing walls upon walls of text but i just cant help it)

Jambuhbye! :D

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specialagentlokitty · 1 year

Text

Patrick Jane x reader - knowledge

Hiii could I ask fooooor aaa Patrick Jane x reader where reader isn't one to to goof around rather distant but very observant, like she's just on her head but her head is always running and when talking to her she may come across cold but in reality shes like super dupper awkward with the whole interactions thingy. But aslo very intelligent so on a case Jane where she's on the field with Jane and perhaps Cho (we love cho) Jane, well is Jane, but she finds a flaw on his deduction and just bluntly says so but then she's so awkward cuz dude she's new and Jane has already made a name on the CBI and Cho is there which only makes - @fucklife-or-me 💜

You were speaking to one of the officers who arrived on scene, getting his version of what he saw when he arrived.

Jane and Cho were simply wondering around the house, looking at everything while Jane was rattling things off.

“Excuse me.”

You walked away from the officer and over to the pair of them, arms crossed over your chest as you listened to Jane.

He was rambling on about what had happened here, and for the most part out agreed with him, everything he said matched up with all of the evidence.

All except one thing.

“In his coffee were an assortment of medications, aiming to knock him out so his wife could kill him.”

You shook your head.

“You’re wrong.” You said bluntly.

“How so?” Cho asked.

You walked over to both cups and pointed at them both, looking at the steam rising.

“These are freshly made coffee’s, neither have been drunk. The victim was killed at some point last night we know that, and the murderer stayed until just now.”

Jane frowned a little bit, looking at the two cups before turning back to you.

“So what were the cups for then?” He asked.

You shrugged a little bit, going to look around the home.

You were looking at everything and finally you stopped by a draw that was slightly open.

Pulling on a glove, you pulled it open and looked inside.

“My guess, it was a robbery gone wrong.”

You turned them them and just stared at them before you awkwardly looked away.

You didn’t know what to say now, so you simply padded away to carry on looking around before you headed towards the office.

When you got there, you sat down at your desk to do some paperwork before Cho and Jane got back.

“You were right, the victims wife came home and gave us a list of what was missing.” Cho said.

He set the list in your desk and walked away while Jane sat on the other side of your desk.

He watched you working, you were carefully monitoring what you were writing down, and double checking everything.

He looked at the list you had been given before setting it back.

He’d only spoken to you a few times, and this was your first time working a case with him, and he was curious as to how smart you really were.

“If you were to steal something, where would you take it for a quick turn over?”

You looked up at him before quickly typing something into your computer before turning the screen towards him.

“Simple, pawn shops and car boot sales. Car boot sales are a lot easier then pawn shops but there is two in the area that are pretty sketchy, and only three car boots going on today.”

You wrote down everything and handed it over to him before going back to his work.

“How’d you figure that out?”

You shrugged and carried on working on whatever it was you were doing and he handed the information to Lisbon and Rigsby.

Jane decided to stay there with you and carry on questioning you, he wanted to see how able you were, and maybe get a feel for why you spoke so coldly towards them all.

You were a hard worker, that was for sure.

But there was something about about you, an intelligence that you tried to keep hidden deep down within you.

He wanted to see the extent of that knowledge, and he wanted to see how many things you were knowledgeable.

So he kept asking questions about the case, you were giving you him all the answers he wanted and he was sending them over to the rest of the team.

You stopped talking after a while and simply got up and walked away from him without another word.

Jane watched you walk to the kitchen and he titled his head a little bit as he smiled.

“She’s kinda cold towards people.” Grace whispered.

Jane shook his head as he looked up at her.

“Nope, she’s just socially awkward.”

He beamed and got up and walked away, now he was going to find a way to help you over this social awkwardness

#the mentalist x reader #the mentalist imagine #the mentalist #Patrick Jane #patrick jane imagine #patrick jane x reader

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cornflakesdoesart · 1 year

Photo

sketchy “dress up doll” outfit ref of Dawn, some lore and design notes under the cut!

[ID: four images of the same character in different states of dress, the character has tan skin, elf ears and messy waist lenght grey hair. In the first image she is wearing simple grey underwear consisting of a bralette and panties, in the second she is wearing brown boots with beige spats, muted green ankle lenght pants and a cream longsleeved henley top, in the third image she is wearing a cold muted green poncho with pockets over the previous outfit, a belt with a hip pouch and other pockets, fingerless gloves and armwarmers and a khaki green scarve, on the next image she also has a back pack on with a rifle, the scarve is pulled over her head like a hood and she has googles and an air filtering mask on End ID]

Dawn is a wasteland wanderer known as a "stray" on a rocky, dry planet on the rim of a galactic empire in the far future! She is a calm and capable person who is generally kind but she is not very expressive and often feels detached from her own emotions, she is not a lousy fighter, skilled with a knife and a rifle, but that’s just out of neccessity of her lifestyle, she also has some arcane and healing knowledge. As most strays, she is not too keen to divulge her real name or who she was before she became a wanderer, the only thing people know for sure is that she has been one since she was a child.

Some obvoius inspiration for the setting and story is all your favourite desert media, such as star wars, dune, mad max and trigun.

For her outfit I looked at some demobaza clothes and star wars concept arts specifically but I have a whole pinterest board for this story so I have some other stuff there that were kind of an amalgamation of references, once an other artist drew her and interpreted her pants as calf length from an old drawing of her and I really liked that so I incorporated it here as well! Other stuff I wanted to include is a sport bra like undergarment not like the little bandeu I drew her with in the past, nothing too structured just something to keep the girls in place while she's running or jumping. A head covering is important of course, she lives in a sunny desert climate like place after all! And the firm ankle coverage that gave me some problems with the ankle lenght pants, so I ended up giving her sort of spats, they're for some protection against small venomous snake or scorpion like animals! They also have an added bonus of reminding me a little bit of foreign french legion vibe which matches the desert aestethic so happy accidents! Her poncho looks a bit too much like Jyn Erso's on that one concept art that is in my pinterest board and overall her clothes are bit too dark for desert dwelling I think, so when I come back to her design these are things I'm looking to improve!

#original character #oc art #oc artist #Character Design #oc dawn #post apocalyptic fashion #post apocalyptic #digital art #character reference

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crownedinmarigolds · 1 month

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Happy almost Spring everyone! My huge huge IRL commitments have been squared away and I'm ready to work! Thank you all so much for checking me out!

~ ~ ~

My quick sketch commissions are always open on my KO-FI!

Prices may slightly vary depending on specific details, but that is something we can discuss in private. The prices shown are pretty solidly what I will charge!

PLEASE NOTE: I will not start work until payment is made.

I am on KO-FI, and here is my Art Tumblr Tag for more examples of my work!

Thank you all so much!!

#please note my prices have updated slightly and i hope i haven't upset anyone with this decision!#art commissions #crownedinmarigolds #commissions #vampire the masquerade #dungeons and dragons #world of darkness #these are my updated prices as of march 2024 #commission info #commission information #my art

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zarvasace · 3 months

Text

Vidow Animatic Thoughts (pt 1)

I shall detail thought process etc. let’s go. It’s long. Under cut. Hit tumblr max image upload so this is three parts.

part 1 // part 2 // part 3

Animatic can be found here

Program: procreate dreams (it’s clunky but it works). This whole video took me something like 8 hours? Over the course of uhhh three days? Pretty quick.

Introduction

This is my first ever animatic, so when I began, I wanted to keep it simple. I chose my favorite pencil brush and like three colors (I later added one for emphasis). I had a couple specific scenes in mind, and I knew how I wanted the progression to go, but I winged most of it, shot by shot. The song does a good job of building up with a sort of three-act structure, so.

I referenced the castle from Breath of the Wild, but I didn’t stress too much about the details. The plan was to make it sketchy and quick. The beginning is mostly just things moving across the screen. I think that works, though, setting up the angsty mood and giving me room to expand later on. The first shot with Vio’s face is sort of meant to be a fake-out: you’re looking at him, but no he’s looking at a mirror, which is obvious when it cracks. Not sure if that came across but the cracks are very cool anyway.

This is also the first time you see white, which sort of represents change/time through the whole thing.

And then we see the first of Shadow, and he has his own color: black. He's a real drawing here (rather than black smoke or something) mostly to establish that black=Shadow.

Not much to say about the next bit, with the door and stuff dropping, I just wanted to make it clear that we’re in Vio’s bedroom at the end of a day.

And then he’s being dramatic about getting in bed. Mostly just to show that he’s tired and Haunted. Also I think it does work in establishing that this isn’t really Shadow’s doing. Whether or not he’s actually there doesn’t matter, because it’s Vio who thinks he does, and we’re seeing this from Vio’s perspective. He’s the one who can’t let Shadow go, so whether Shadow is actually haunting him like a ghost doesn’t matter.

Verse 1

SO first off, Vio is sad and has bad dreams. Well, good dreams. They're good, but they make him sad. Shadow shows up in black again, definitely part of the dream (further blurring the line between reality and delusion). Vio's in white in his dream, which doesn't happen anywhere else. If white represents change, then this is Past Vio, or the Vio That Vio Wishes He Was But Isn't. It's definitely memories of some kind, though, because white Vio's hair is short, where normal Vio has a long braid throughout.

We only see Shadow as more than an influence (by that I mean a shadow, a flash, a feeling) a few times, and this is the first. His presence is stronger in dreams and weaker in the reality that Vio lives in.

But the sun comes up and Vio is actually alone. White is the sun/light a lot here, meaning that time is passing. Vio's still brooding. (I really like that little "in the heat of the day" shot, the glint is in Vio's lower eyes which may hint at tears, but it's definitely not obvious yet.) I don't particularly LOVE that drawing of Vio braiding his hair, but it gets the point across. He can't stop thinking about Shadow, even as he goes about his day.

Chorus 1

This part hammers that in: Vio CAN'T stop thinking about Shadow and wallowing in his memories, it's driving him to distraction and failure. He's not moving on. It's right there in the lyrics: "I can never let you go." There's a reference to evil root beer as he's eating, distracted from Red (hi Red!) right beside him. He feels guilty, and can't shoot arrows without imagining himself hurting Shadow more. He still half-expects Shadow to be there for his discoveries. He feels watched, like Shadow should be there all the time, even when he isn't doing anything. He's brooding. Broody boy.

Interlude

Broody boy continues. Important: when he's walking to his room/the library/wherever books are, he's going right to left. I studied a couple videos of walk cycles to get those feet right, and they still aren't right, but I'm still impressed with myself! Also, apparently I now have a mental library of Gothic Windows. I thought that was a fun shot. Vio sure sighs a lot.

Verse 2

This verse is ramping things up and preparing for the turn.

"Nothing ever changes, so I've learned." I feel like this is quite a Vio statement to make. I don't think it's perfectly applicable—in this post-canon-adjacent AU, clearly the four of them are still separate people, which would be quite a change, but for Vio? I think it means that he's maybe a little upset that nobody else is grieving to the point of distraction. People are going about their lives, but every single step Vio takes is shadowed. (ba dum tish.)

The flower was a spur-of-the-moment decision, since I wanted something in the spot where the book was and didn't really want to just draw vague smoke again. But it ended up being thematic and calling back to a later moment in the video. And maybe it hints that Shadow might be showing his approval that Vio is at least trying to do what he loves (that is, reading books.)

And Vio's back in his room, surrounded by books. He's tried so hard to forget. He doesn't look particularly interested in what he's reading, and we know why. I tried to frame that "to forget" shot in a way that looks like he might be drowning in his own ambition, like he has all these books and he's just desperate that one of them will distract him or be a replacement for Shadow's influence in his life, which is quickly growing to dangerous levels...

Did Vio actually see Shadow here? Well, once again, it doesn't matter, because Vio thinks he did, thinks so hard that he throws himself to the ground. It doesn't injure him, but it doesn't take a fortune-teller to imagine that he might do something truly reckless if this keeps going. And Vio sees that, I think, here. He realizes that what he sees might not be real. He's in the "dark night of the soul" here, and actually cries, which is a big deal for his character. It's just two tears—white, if you'll notice—but it represents his hitting rock-bottom.

"And you've never loved me once" is maybe not the right line for this, I considered changing it to "you only loved me once" but I eventually decided to keep the line as it is in the song so there's minimal dissonance for the viewer. The song's story isn't quite the same as the one I'm pulling out here, but this line is the turning point in the song's story and in mine.

(continued in part 2!)

#fs #vidow #vidow animatic

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racketballz · 1 year

Note

I've got a question about your art (that I love so much it's killing me !!!), anyway. So, when you're coming up with your ppg/rrb, did you first come up with your concept before searching for inspiration or did you first looked for inspiration before coming up with your concept. By concept I mean, the way your wanted to draw them and by inspiration, I'm talking about... what inspired you (you even posted pics about it, like butch's haircut is 50's etc).

Jumpscare ahead but it was jus the natural progression of things and then I was staring at all of them and then I started to come up with a concept I could stick which is what the reference sheet it for!

I think this is the first time I drew him ever and I basically like took what the show had! It looks very UH BAD and I drew it like 2 times and I wa slike this looks dumb LMAO

And then this time lasted for a whilE there are maybe like oof 10 drawings with his hair like this emo situation I think because I wanted him to match buttercup?? Because I was kinda drawing her hair a little like that but tbh it was a default hair at the time because it’s an emo hair cut easy to draw

BUT THENNNNN I was thinking of them playing sports and he naturally needs to get hair out of his face so I gave him a headband! And then the pushed back was borned

SWIFTLY AFTER THIS I DIDNT DRAW THE GUY very often because I was stuck like something wasn’t sitting right with the design for me so my style changed quite a bit because I was drawing other stuff and my art got like really “messy” and sketchy so I was able to draw looser lines and I did a yearly beach greens at the time and I pushed his hair back and long hair isn’t functional for a guy like him so I gave him an undercut! When I first drew this I stared at this picture for a long time because I liked it so much

The concept of them going to the beach besides the anime beach episode that happens in TEF it also reminded me of like the 50s of a bunch of kids spring break-ing and just like having a good time idk how to describe but that stuck with me for a while and of course the beach chapter is like one of my favorites for this reason!

But then I started messing around with the concept at this point and butches hair turned into a pompadour with like a fade situation it’s a good shape it doesn’t get in his face for when he’s fighting but it does get messy and hairs come out in the front.

I combined aspects of the original design to make not too round because he’s a sharp guy so I added spikes in the back some hairs that simple don’t stay down I ran into some issues later on because I can’t do a pompadour shape from the front so I tweaked some stuff after the reference sheet even further but I enjoy drawing him the side because I think that’s where he looks cutest lol

Fake apologies for rambling butchs hair is my favorite part of my designs other than those mole 🥲💚

#THANK YOU FOR ASKING ABOUT HIS HAIR

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thewandererh · 11 days

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HII wait are you THE the Wanderer (like the one on yt)??? Really sorry if not and I’m mistaking you for the wrong person here

In any case! I love the way you draw iterators and slugcats SO MUCH??? Like your style is just so incredibly eye-pleasing and wonderful to look at I am in incredible awe. Anyway uhm. Yeah! Scuttles away

(- @strandedaylily)

yes!!! i am :]!! the one who animated tr on yt yeash thats me💥. and its you!! the real strandedaylily,, reposted some of ur stuff recently to show it off f4 answering this. love ur thingers :DD✨

and thanku sm 😭😭 that means??? so much??!? its been a journey finding my style and i love that u love it sm!! i have a few diff styles for iterators and slugcats, and whipped up these fast sketchy style analysis sheets last night.

observe:

Iterator Styles

I have two main styles for iterators: chibi and humanoid-ish. round head vs oval head with a cheek curve (cheek curve is a staple of my style. was actually against it when drawing iterators with it for the first time, yet it’s become such a signature now XD. I love it a lot huhu). here is an example with my lovely boy Twine (he is not the main antagonist despite his mischievous posings). also!! slim eyes for devious characters, like twine and shadows (and leaves, unwillingly /lore). the two ogs 💛 with their yellow jack-o-lantern faces. theres a phrase i made up a bit ago: you can’t spell wanderer without jack-o-lantern-faced iterator, can you?

got better with posing over the years but im still struggling with fabric and cloaks </3

Slugcat Styles

now for slugcats, its evolved a different way. rather with two stages, they have a few more. when i first discovered rainworld, i had a very simple way of drawing. u heads and 3 fingers and toes, aswell with really odd aggressively-digi legs. and then it evolved when i learned “sketching” (blotting down odd shapes with barely any sense of proportion. balls for the elbows, no line of action, eyeing it and getting anatomy wrong lol) and things got really disproportionate. theres more stages, but i made a few complex and simple examples of my style over the years :]!! maybe i put too much effort into it but it was interesting to figure out!!

theres some timeskips in the big timeline one, and some other arts of mine might showcase style changes a bit better, and this is only my digital gallery, but oh well!!! whats done is done until its undone💥 /ghibli movie reference

didn’t do iterators or general effects-and-tidbits-i’ve-learned (shading, rendering, lineart, etc) bc i’ve spent so much time already. so you get SLUGCAT BEAM BLASTED💥💥. all this art ranges from 2019-2024 (the years i’ve been a rainworld fan :])

yes i spent hours analyzing my old and new art just for fun but i think i learned something. thanks for asking this and putting a big smile on my face :]!! have a good day you (and anyone else whos reading this. thx for reading so far and so much💛✨!!)

#rainworld #rainworld slugcat style evolution #style evolution #style growth #personal art journey #art evolution timeline #art evolution #style changes #rainworld slugcat #rw slugcat #rambling #yapping into the void #slugcat beam blasted #wanderer overload #hashtag look at my old art #im happy about where i am rn and how far ive gone :]#keeping arting you lovley beginning and intermediate and master artists!!#artist appreciation

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orokay · 11 months

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Hello, orokay!! I've adored your art for years now and I was wondering if you have any tips on how to draw and paint/render scars? I can never seem to get them to look right, any help is appreciated! Hope you're having a good year!

Hi anon, thank you so much!

Sorry this took a minute to reply to, I've been trying to figure out how I wanted to respond. For me, a lot of questions about how I do certain things are kind of tricky bc generally the answer is 'idk I just try things and tweak it until it feels right' and I don't really feel qualified to give art advice bc most of the time I'm just making stuff up as I go, but I know that's not really a helpful answer 😭

My art style tends to lean towards simple and stylized, so for scars I try to limit them to three colors at most, less if I feel like I can get away with it. It also depends a lot on the scar since there are different types of scars. Usually how I pick the colors I use is: one color darker than than the skin tone (shading), one slightly lighter than the skin tone for the injured flesh and occasionally an even lighter color for highlights. I'll include some examples under the cut. But please please please keep in mind wrt scars 99.9% of the time I'm just winging it and going off of what I think looks cool, I don't know anything about the science behind how people scar so please do your own research if you want to be accurate.

I'd say when approaching/researching scars you need to consider a few things:

Skin color of the person- Scars look different on different skin colors and different people scar differently. I think this is one of the biggest things to remember! Color pick for the scar based off of the character's skin tone and shade. The color you use for scar tissue on a person w/ light skin is going to look unrealistic and out of place on person with dark skin, doubly so if the undertone of their skin is different (ie. warm vs neutral vs cool undertones). It's so important to look up references because everyone scars differently and skin type can make a huge difference on how a person scars.

Color of the person's blood- same vibe as with blushing/lip color/etc. if your character has blue blood, the scar likely isn't going to be pink. This probably isn't something you're going to have to keep in mind a lot, but just in case. This also kind of ties into the first one because if a character has a non-human skin tone, like blue, and red blood then the scar is probably going to be more of a purple tone, for example.

Type of scar- think about the injury and what kind of scar would result from it. I'm not a doctor so idk how scarring works and generally go off of vibes, but if you want to make it as accurate as possible, I'd suggest looking up images of scars from whatever type of injury you want your character to have. I used to work with dogs and I scar easily so I have a lot of bite/scratch scars. Some of them are lighter than my skin and raised while others that were less deep are darker and on the surface of the skin (aka no texture). My brother has a very deep dog bite scar that's left a dent in his skin and light, pink and shiny scar tissue. Basically, if you know you have the stomach for it, I 100% suggest looking up examples of the type of injury you're thinking of so you can see how that injury tends to scar. Is it hypertrophic? Atrophic? Keloid?

How was it treated and how old is the scar?- is it a burn scar that received skin grafts? is it a surgical scar? stitches? did it heal well or was there infection? All of these things can change how a wound heals and scars. New scars are going to be much more stark, especially if they're still healing, and most scars fade over time. Examples under the cut...

Some examples from my drawings over the years:

OC w/ healed burn w/ skin graft stylized and very simplified // really simple, sketchy scars on Narci:

This iteration of Blue's blood is green so the scar on her cheek is green (we're going to ignore her lips and the flush on her ears lol):

raised scars on nikora and blair's cheeks:

#answered asks #i cannot stress enough i go off of vibes 99.9% of the time im not an expert anything i get right is purely by accident #pleaaaaaaaaaase do research #if anyone else has actual medical knowledge and wants to give tips/point anon towards resources please feel free to add on #i'd like to learn more too ^^

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