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#Member States of Commission
reasonsforhope · 4 months
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The Klamath River’s salmon population has declined due to myriad factors, but the biggest culprit is believed to be a series of dams built along the river from 1918 to 1962, cutting off fish migration routes.
Now, after decades of Indigenous advocacy, four of the structures are being demolished as part of the largest dam removal project in United States history. In November, crews finished removing the first of the four dams as part of a push to restore 644 kilometres (400 miles) of fish habitat.
“Dam removal is the largest single step that we can take to restore the Klamath River ecosystem,” [Barry McCovey, a member of the Yurok Tribe and director of tribal fisheries,] told Al Jazeera. “We’re going to see benefits to the ecosystem and then, in turn, to the fishery for decades and decades to come.” ...
A ‘watershed moment’
Four years later, [after a catastrophic fish die-off in 2002,] in 2006, the licence for the hydroelectric dams expired. That created an opportunity, according to Mark Bransom, CEO of the Klamath River Renewal Corporation (KRRC), a nonprofit founded to oversee the dam removals.
Standards for protecting fisheries had increased since the initial license was issued, and the utility company responsible for the dams faced a choice. It could either upgrade the dams at an economic loss or enter into a settlement agreement that would allow it to operate the dams until they could be demolished.
“A big driver was the economics — knowing that they would have to modify these facilities to bring them up to modern environmental standards,” Bransom explained. “And the economics just didn’t pencil out.”
The utility company chose the settlement. In 2016, the KRRC was created to work with the state governments of California and Oregon to demolish the dams.
Final approval for the deal came in 2022, in what Bransom remembers as a “watershed moment”.
Regulators at the Federal Energy Regulatory Commission (FERC) voted unanimously to tear down the dams, citing the benefit to the environment as well as to Indigenous tribes...
Tears of joy
Destruction of the first dam — the smallest, known as Copco 2 — began in June, with heavy machinery like excavators tearing down its concrete walls.
[Amy Cordalis, a Yurok Tribe member, fisherwoman and lawyer for the tribe,] was present for the start of the destruction. Bransom had invited her and fellow KRRC board members to visit the bend in the Klamath River where Copco 2 was being removed. She remembers taking his hand as they walked along a gravel ridge towards the water, a vein of blue nestled amid rolling hills.
“And then, there it was,” Cordalis said. “Or there it wasn’t. The dam was gone.”
For the first time in a century, water flowed freely through that area of the river. Cordalis felt like she was seeing her homelands restored.
Tears of joy began to roll down her cheeks. “I just cried so hard because it was so beautiful.”
The experience was also “profound” for Bransom. “It really was literally a jolt of energy that flowed through us,” he said, calling the visit “perhaps one of the most touching, most moving moments in my entire life”.
Demolition on Copco 2 was completed in November, with work starting on the other three dams. The entire project is scheduled to wrap in late 2024.
[A resilient river]
But experts like McCovey say major hurdles remain to restoring the river’s historic salmon population.
Climate change is warming the water. Wildfires and flash floods are contaminating the river with debris. And tiny particles from rubber vehicle tires are washing off roadways and into waterways, where their chemicals can kill fish within hours.
McCovey, however, is optimistic that the dam demolitions will help the river become more resilient.
“Dam removal is one of the best things we can do to help the Klamath basin be ready to handle climate change,” McCovey explained. He added that the river’s uninterrupted flow will also help flush out sediment and improve water quality.
The removal project is not the solution to all the river’s woes, but McCovey believes it’s a start — a step towards rebuilding the reciprocal relationship between the waterway and the Indigenous people who rely on it.
“We do a little bit of work, and then we start to see more salmon, and then maybe we get to eat more salmon, and that starts to help our people heal a little bit,” McCovey said. “And once we start healing, then we’re in a place where we can start to help the ecosystem a little bit more.”"
-via Al Jazeera, December 4, 2023
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moonjxsung · 5 months
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Visions of You in Solitude
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Copyright Ⓒ 2023 by Moonjxsung
All rights reserved. No part of this book may be reproduced or used in any manner. Doing so will result in a legal takedown per the Digital Millennium Copyright Act and is subject to legal action.
Pairing: Hwang Hyunjin x fem reader
W/c: 26.5k
Warnings: erotic painting, mentions of masturbation, sex in a semi-public place (no one is around), breast/nipple play, dry humping, unprotected sex, creampie, oral sex (fem receiving), cum eating, use of pet names, drinking
Synopsis: You were hired to paint him- not fall for him. But intentions quickly shift when Hyunjin finds himself infatuated with you and learns the secrets you harbor.
18+. Mdni!
There’s something to be said about the loneliness that comes with being an artist. The repetitive cycle of translating tangibility to canvas or paper in whichever chosen medium. Fleeting muses you draw inspiration from, which quickly become burdensome as you’re faced with them every waking second of your day. Obsession with perfecting your craft, the anxieties that come with criticism of your life’s work and sometimes even succumbing to changing it entirely at the hands of someone else’s advice.
It’s very seldom even your craft at a certain point, only existing to satisfy the visual demands of others and turn a profit when displayed at a show. And it’s certainly not for everyone, not when it’s this lonely and rooted in the discomfort of personal solitude.
*
From this proximity, the blinding white walls that span the perimeter of the waiting room feel like that of a prison’s- coupled with the glossy laminate flooring and glaring white lights, you feel completely entrapped.
“They’re almost ready for you,” your boss says abruptly as he enters the room and occupies the gray folding chair next to you. “You have everything you need?”
Headcount- your black leather briefcase of oil paints, brushes, charcoal, pencils, paint thinner, old rags and your painting palette.
“The canvas is already set up,” your boss chimes in as if he can read your mind. “And there’s a seat for you. Just relax, and don’t push yourself.”
You take a deep breath, doing your best to follow his advice- but a part of you wants to get up and leave, to run away from all of this. Painting is your passion, it’s your forte and it’s been your life’s work for as long as you can remember. But being commissioned like this, for men much richer than money you’ll ever see, it feels suffocating.
They don’t tell you their names these days, nor the name of whatever organization they’re from. Last month it was an elite group of stock investors, the month before, it was a famous violinist from Japan. And today, it’s a male group, eight members with net worths that look like telephone numbers, or so you’ve been told. And it’s not that you’re intimidated, but you do get self-conscious at the prospect of people watching you while you paint. At some point, it’s like you become the model, their eyes boring into your flesh as you paint long strokes across the canvas and order them to hold still.
“Five minutes,” your boss now says, checking the time on his silver watch and adjusting it so that it sits a little higher up on his wrist.
You wish he wouldn’t count the minutes. You wish he’d stay quiet, allow you to sit with your thoughts and ruminate the day ahead of you. And yet he taps his heel in syncopation with the second hand on the clock above you, the echoing click of both driving you up the wall.
“I need a breather,” you state suddenly, sitting up from your chair and smoothing down your smock. “I need to go outside.”
“Three minutes,” he responds sterly, tapping at the glass lens of his watch and motioning to the door.
You shove your way past the double doors, past the white tiled hallway and just in front of the double doors that lead to freedom again. Two minutes.
It’s like your body is giving out on you involuntarily, your knees buckling as you grip the stair railing and steady your breathing. A quick glance around to ensure no one’s caught you heaving so nervously- and you’re too late. A man saunters down the hallway past you, his hands shoved casually in his pockets as he cocks his head to stare at you, his long black hair falling loosely around his shoulders as he does. He’s tall, and slim, with an elongated torso hugged by an expensive denim coat, his slender legs on display in black slacks and complemented by a sharp pair of boots. You don’t catch a very good look at his face, his figure blurring by as you check your watch, to the second now- you’re supposed to be inside.
You waste no more time jogging down the hallway past the figure and back into the waiting room, where your boss is angrily tapping his heel and scanning the room for you.
“There you are,” he says frustratedly. “No more breaks if you can’t manage your time. They’re waiting for us.”
And with a deep breath, he helps you gather your art supplies, motioning in front of you to the brightly lit room. You take one breath, and then two, as you finally begin into the painting room, eight men already seated and ready for you.
*
The crowd is nothing like the stock investors, or the violinists you’re used to. They’re rowdy, and loud. They very seldom sit still, cracking jokes amongst themselves and shoving each other off the wooden stools every other minute. You do your best to keep your gaze away from them when you don’t need to look at them, trying to memorize their features in intervals so you can focus on just the canvas in front of you as you paint. But it’s nearly impossible, their melodic voices pressing you for answers and insights into your artist career.
“What’s the hardest painting you’ve ever done?” One asks, his baritone voice sounding almost startling in contrast to his bright appearance.
“There’s lots,” you reply quietly. “I’m not sure I can pick one.”
You give him a small smile, trying to memorize the freckles on his face before turning back to the canvas, hoping you won’t have to glance back over at him for the next minute or so.
“Let’s take five,” your boss says as he enters the room again, two iced coffees balanced in his hands. “Thanks, guys.”
And the men scatter to their break room, where neat trays of food are already set out for them to choose from. As the doors swing closed behind them, you watch them select from a variety of pre-cooked noodles, assorted fruits and vegetables, packs of chips and trays upon trays of desserts. They’re fed as though they’re the ones doing all the painting.
“Coffee,” Q says, setting down a plastic cup in front of you, the straw already conveniently placed for you.
“Thanks, Quinton.”
Your boss, Quinton, or Q, is a brutally honest man when he wants to be, quick to comment on your work and keep you in your place. He runs your calendar like the military, never missing an important appointment and opting you in for every profitable painting session possible. He’s another thing you find suffocating at the worst of times, always somewhere breathing commands down your neck and dragging you to every private event under the sun.
“Let me see,” Q states plainly, gesturing to the canvas with his cup of coffee. You shyly angle the canvas toward him, hoping he won’t scrutinize anything about your pacing- you’re trying to get out of here as quickly as possible, and you silently pray the art doesn’t reflect that sentiment.
But to your surprise, he doesn’t, swiping a few stray eraser shavings off the canvas and giving you a nod.
“Looks good. Remember, we just need the skin tones and facial features. The clothes and all that can be filled in later with our reference pictures.”
You nod in response, taking a generous sip of your coffee, realizing this is probably the worst beverage you could’ve picked to calm your nerves. The caffeine pulsates through you, making your heart flutter even more than it already is, and the bitter taste leaves little to salivate over.
“How much longer, do you think?” You inquire, chewing on the tip of your straw nervously.
“No more than an hour, if you keep up this pace,” Q responds. “I’m going to the bathroom real quick, have everything ready again for when I get back. Don’t make me wait.”
You watch as he gets up from his own wooden stool, placing his cup of coffee where he sits, and exits the room to the corridor once again.
You’re alone in the painting room, the white sheets that line the floors staring back at you with little eyes in the form of paint splotches. From behind the door, you can still hear the eight men shuffling about, laughing loudly and downing their snacks. And you want to leave again, the feeling instilling another sense of foreignness inside of you. Like you don’t belong here, even though you’re the painter. You feel small, cramped, even useless, as you stare down the painted flesh outlines across from you.
A click of the door closing beside you garners your attention, and you look up expecting Q to return and resume the session. But it’s not Q- it’s the same figure from earlier in the hallway, slowly making his way inside and hoisting himself back up on the wooden stool. He keeps his head down as he gets comfortable again, two hands running through his black hair and slicking it back out of his forehead.
And then he looks at you- or stares, rather, two hands resting on the exposed wood in front of him as his legs balance on the wooden beams below. You can feel his eyes burning into your figure, and you do everything in your power to avert his gaze and keep your eyes locked on the canvas in front of you. But he remains like that, staring, for several minutes, until you nervously tilt your head to catch his gaze.
You feel your heart race as you do, catching a glimpse of his flawless features as he furrows his brows in concentration. His silky black hair isn’t the only striking thing about him- he has piercing brown eyes, which narrow with such intensity as he remains seated there, unmoving and confident in his stance. His plump lips contrast beautifully against his chiseled jawline, and his lanky figure makes him look like the contemporary art statues you’re so acquainted with, like he’s formed from wire and positioned to slouch so artistically in his spot.
You say nothing to the man, opting to give him a little nod, before focusing back on the beverage in your hands. And despite his clear fascination with you, he doesn’t reciprocate, instead pulling a cell phone out of his back pocket and preoccupying himself again.
You can’t quite tell if he’s rude, or strange, or even just unaware that his presence is so uncomfortable when he’s choosing to speak through cold stares instead of words. As you watch him through your peripheral vision, you hear the familiar sound of Q’s boots click through the doorway, gesturing rapidly at you and at the canvas.
“Let’s continue,” he orders, clasping his hands together with such purpose. “Where are they?” Q then questions, his eyes darting over the quiet man’s indifferent posture. And the strange man finally gets up from his stool, making his way through the break room door to usher the others inside once again.
They follow like a row of ducks, back to their respective seats, some of them with drinks in hand as they share whispered laughter amongst themselves and make little effort to sit still. You have no trouble picking up right where you left off, the innate talent to mirror figures in front of you coming in handy as you race the clock to complete their flesh-colored outlines.
Most of them converse lightly amongst each other, holding your gaze with a more serious expression when they catch you looking over at them.
Except for the strange man.
He’s relentless in his ways, continuing to stare so impolitely at you, his eyes piercing daggers right through your soul as he cocks his head to the left, and then the right, studying your face as you study all eight of theirs. What his intentions are exactly, you have no clue, simply opting to avert his gaze when you can and keep busy with your painting.
One hour later, the canvas illustrates all eight outlines of flesh and distinctive features, highlighting the beige freckles on one man’s, the toned biceps of another, and all other features that set them apart from each other. True to Q’s reminder, their clothes are traced in outlines, but color is void of their stencils, as you still have to bring the canvas home to complete the finishing touches. When they’re dismissed for the day, the gentlemen are all led by a sculpted man with a big smile who introduces himself as the leader, orchestrating the bows and applause that are held for you.
And as he ushers them out one by one, the strange man who’s been watching you all day is the last to leave, lingering a little bit too long with his hands shoved in his pockets like he wants to say something. He loiters by the canvas for several minutes, but you make no move to angle the painting at him, usually maintaining a certain extent of confidentiality in your work to keep the surprise.
He seems to take the hint, almost nodding indirectly at you and more toward the wall, as he finally saunters out of the room with his hands still in his pockets, his strides painfully slow as he disappears from your sight.
And when you look back to the painting, you cock your head at his outline, trying to gauge whether your art properly captures the sheer sense of unnerve he instills in you with his features alone.
*
Painting sessions are burdensome. They require a lot of planning ahead of time, stocking up on supplies, scheduling around the hours-long timeframe and of course, the mental preparation of having to be stared at by rich men for several hours.
But perhaps critique sessions are even worse these days.
Your paintings are typically set in stone after the initial outlines, considering there are usually a few important figures who review your work and give you the go ahead to take it home and finish it.
Yet sometimes, you still have people complaining, pointing out unimportant features like the color of their sneakers which aren’t to their liking. It’s normally Q who fights these battles for you, refusing to allow you to make any changes since the payments are made upfront, too. But sometimes, even he caves, ordering you to pull out your briefcase and mix a darker shade of green or add more volume to the subject’s hair.
It’s the worst with investors, who put their audacity at the same level as their incomes. But with boy groups like this, you’re unsure, having never done a painting for a band prior to this one.
The finished canvas is transported in a nylon zip-up bag, held by yourself and Q as you fit it inside the truck and secure it with metal prongs. While the drive there is just an hour long, it feels much longer than the last time you traveled there, perhaps because you’re much more nervous.
And perhaps also, it’s because of the same strange man as last time, who you already know is going to have a mouthful to say. The way he lingered by your work station a little too long, wouldn’t stop staring and even excused himself from his own break early to resume his insufferable task of making you uncomfortable. You reckon it’ll be a comment about his hair, asking for a longer length or more volume. Maybe something about the stage outfit you were presented with and how it doesn’t make his legs look long enough. Or knowing his douchebag tendencies, maybe he won’t hesitate to ask for a fucking bulge in his pants at this point.
When you arrive, Q calls over the building staff to help transport the collosal work of art, while you wait awkwardly on the side with your hands shoved in your pockets. You take a moment to crane your neck and look up at the building, a tall glass monument with blue-tinted windows and cobalt text that displays the company name. It’s just as intimidating as you remembered it, instilling the same unnerving feeling that a hospital might.
When the building staff are finally making their way inside, you follow reluctantly, making yourself as small as possible behind them while they navigate the long blinding corridors. It’s an unusual feeling to be at the top floor of the building that you were just looking up at from the street below, and as you pass the windows that line the hallways, you can make out the rows of cars and people that now resemble ants from this high up. It’s as though you were never down there to begin with, like the world is different from up here, much more secluded and shut-in.
And seeing the pin boards that line the walls, with photos of successful artists and flyers for company events, it very well might be, this haunting building where dreams either go to flourish or decay.
Into the last door on the right, eight chairs lined up for eight artists who definitely seem to have flourished. The building staff set up the canvas at the front of the room, securing it into its wooden easel, and Q occupies himself setting up a recording camera which points directly at the painting and captures all eight chairs in the frame. It’s common protocol for events like these to be filmed, not always for public consumption, but for the staff to archive important commemorative moments in the artist’s name. Once the camera is rolling, Q gives you a thumbs up, gesturing to the staff to permit their exit as you make your way to the front with him.
“Ready?” He asks, clasping his hands together as he eyes the camera nervously. You say nothing in response, giving him a small nod, before taking your spot on the other side of the canvas and folding your hands behind your back.
For a few moments of complete silence, the two of you keep your gazes fixed on the clock that lives on the wall across you, the hands ticking with the passing seconds as you await the arrival of the band. Q turns to say something, seemingly disregarding it as he turns back to the wall and shifts his eyes to the door every few moments.
You wish he wouldn’t be so… anticipatory. You wish he’d just stand there, like a rock, indicating nothing of importance, so that you could put less weight into this and unveil the painting to them without any reservations.
Here’s the painting, you want to say. It took me forever, so don’t criticize it. You guys are shorter than my usual subjects. Except for the weirdo- and he stares too much.
You smile to yourself at the thought of being so candid with them, before an abrupt push of the door startles you, and you instantly straighten your posture at the sounds of boots clicking along the floor, leading the eight men who live on the canvas behind you.
One by one they take their seats, dressed to the nines this time in black slacks and collared button ups. They even flaunt ties, mirroring the businessmen you’re used to painting, and the fancy attire quickly makes you nervous as they fold their hands in their laps and fail to joke around like they did the last time.
“Welcome,” a booming voice says, as other important looking figures stand around the room and eye the covered canvas. “It’s a pleasure to have you here, and we’re eager to see what you’ve come up with.”
Applause fills the room, inclusive of the members of the band, which you finally allow yourself to look at. They sit properly, hands folded in their laps and serious expressions painted on their chiseled faces.
Except for the strange one, again, whose gaze is locked on yours. He cocks an eyebrow curiously, as though you’re the one doing the staring. And you quickly turn your attention back to Q, hoping that disregarding the men will calm your nerves a little.
“… she’s paid particular attention to detail,” Q continues, and you realize you’ve missed half his speech already.
“And we are so excited to hang her work in this renowned building as a commemorative piece for the members. Without further ado, please let’s unveil the artwork.”
As he finishes, two members of the staff tug on the beige cloth, letting it fall to the tiled floor beneath it and expose the giant portrait.
Their faces light up instantly, little “woah’s” filling the room as they rise from their seats to take a better look. They laugh at their own figures, they point out each other's and most of them even pull out their cellphones to snap photos of your art. It’s always a gratifying feeling, having a crowd admire the fruits of your labor this way, especially when you aren’t immediately met with verbal protest against your creative choices.
You take a few steps back to give some room to them, the staff talking amongst themselves and gesturing to the building where you presume they speak about where the painting will live.
“It’s a hit,” Q says, coming around to tap you lightly on the arm. “You should be very proud of yourself.”
“Thanks, Quinton,” you respond. “I’m glad everyone enjoys it.”
And the staff applaud you once more, bowing to you and lining up to shake your hand as they begin to file out of the room again.
The members stick around for a good while, unable to take their eyes off the painting as they point out each other's features and admire their own. And as they begin to leave, several of them thank you personally on the way out, giving you a bow and shaking your hand.
“Thank you, really,” the man you remember being the group leader says to you. “We are so honored to have worked on this with you.”
Another clasps your hand in his, bowing several times before speaking. “Seungmin,” he states his name politely. “Thank you, I think you really did our old group leader justice.”
“Hey!” The leader calls, and you can’t help but laugh a little in response.
The others share similar sentiments, bowing and shaking your hand as they exit, chatting excitedly amongst themselves as they make their way down the hall for their next schedule.
And when you turn to face Q, you’re met with the last member, who folds his arms in front of him coldly and eyes the painting with raised eyebrows.
Like clockwork. He doesn’t like it, he’s going to request a change be made to it and he’s going to berate you in front of your own boss.
“It’s nice,” he chimes in casually from where he’s standing.
“Thanks,” you reply, Q gathering the cover from the floor and zipping it up again.
“Just one thing,” he says now, turning to face you.
“Oh, we normally don’t make changes after-”
“I have a freckle under my eye,” he finishes. “The left eye. You didn’t catch it.”
Your eyes scan the painting, where his chiseled face and long hair stare back at you, a serious expression in his eyes like he wears in person. And then you glance at him standing in front of you again, a small brown mole under his left eye, just like he speaks of.
“Go ahead and add it,” Q says, as he zips up the cover. “That should be on there already.”
And you nod your head at both of them, unzipping your briefcase again to retrieve your paints. He’s watching you like a hawk again, towering over your bent figure as you pull out a thin tube of brown paint and squeeze just a miniscule dollop onto the back of your hand. You retrieve your thinnest paint brush, dipping it into the paint and swiping it across your skin to rid the excess from the fine hairs.
It feels as though you have to paint it with his permission, as you bring the brush to his face and glance over at him for instruction. He gestures to his eye, motioning for you to start, as you bring the brush to his canvas flesh and tap on a tiny, single dot.
He stares at it for a moment, cocking his head as though a brown dot somehow won’t be to his liking. And even Q holds his breath while he waits for a comment from the man. You begin to say something, your lips parting silently, stuck on what to remark as you await his feedback. And then with bated breath, he finally speaks, giving a small nod as he does.
“Good,” he says simply. “It’s me now.”
Q nods at him, nods at you, and then gathers your belongings as you cap the loose tube of paint.
“Do you have a card?” The man asks suddenly, and Q pauses his shuffling about to retrieve one from his coat pocket.
“Here’s her card,” he says, against your silent protests. “She’s available for commission any time. Payments are up front and scheduling is through me only.”
The man nods, thumbing the gold foil cardstock in his slender fingers, and then shoves it into the pocket of his slacks.
“Hyunjin,” he says curtly, reaching his hand out to yours. “I’m the main dancer.”
And you just nod, placing your hand in his reluctantly as you shake once.
“Y/n.”
His hands are cold to the touch, the metal of his rings feeling like blocks of ice in your grasp. He holds it there for a moment, his narrowed eyes shooting daggers into yours, before he finally pulls away and pivots to leave with the rest of the band.
And you can only catch a glimpse of the back of his head when he’s halfway out, before Q turns to speak to you.
“Looks like we may be back very soon,” he remarks, latching your briefcase once more. “I’d hold on to that brown paint if I were you.”
*
Exactly four days pass before you hear from Hyunjin again. In fact, you’ve all but forgotten about the little run-in, until Q barges into your studio while you add the finishing touches to another client’s piece.
“I have a proposal for you,” Q voices, setting an iced coffee on the table beside you while you dip your paintbrush in a muddy cup of water.
“What is it?”
“Well financially, a massive opportunity. Career-wise, much of the same thing you’re already doing.”
“Businessmen?” You question, working your paintbrush in thin strokes to add hair to the figure on the canvas.
“Band,” he replies simply. “The same band you did last week. Just one member, though.”
And you know instantly who he speaks of, your face contorting into an expression of disgust as you wash your paint in the cup of water once more.
“Hyunjin?” You query.
“That’s him,” he says, snapping his fingers as the name comes back to him. “He’s offering double what we paid last, and just for an individual piece. That’s a massive markup from what we usually charge.”
“I don’t know,” you reply hesitantly. “I’m pretty busy with this, and we-”
“I already said yes,” he states simply.
“You did? What- I thought this was a proposal.”
“Yeah,” he says with a scoff. “A proposal to get your stuff ready. We start tomorrow. And he wants you to bring every color you’ve got.”
“Tomorrow? Don’t we already have a prior commitment?”
“Already moved them out,” Q says, sitting on the chair across from you.
“Look,” he begins, sighing deeply. “I know you’re hesitant about these things. But this is the best move you can do, career-wise. Painting these famous figures is a gold mine for us. One day you could be commissioned to paint royalty, and then we’ll be reaping three times our salary.”
And you sigh, too, knowing very well that he’s right. Being a painter who gets commissioned to commemorate important characters, you know the best thing you can do for yourself is say yes to every opportunity. You’re very seldom able to, which is why you have Q in the first place. But the prospect of spending another day with Hyunjin scares you, and you’re not sure Q would consider it a legitimate concern if you brought it up to him.
“I’ll be there, too,” Q interrupts, almost as though he can read your mind. “It’s just him. One day, max, and then you can pick up your other projects.”
It doesn’t seem like there will be a way out of this one, no matter how much you pray that things will fall through eventually.
“One day,” you echo. “And then I’m tunnel vision on the rest of my projects.”
*
You can tell Hyunjin’s thought about this very carefully, judging by the way he saunters into the room with purposeful strides and slings a bag off his shoulder.
He’s dressed a little more casually today in a denim jacket and jeans, with layered silver jewelry that contrasts nicely against his jet black hair.
“Like a model headshot, but painted,” he describes his vision to you, gesturing with his hands as he speaks.
“I want it to look really serious. And maybe a cool-toned color palette.”
He’s meticulous with his requests, and you wonder briefly if he dabbles in art, himself.
“Sure, we can do that,” Q responds, jotting down a few points in a small notepad.
You say nothing, letting Q do all the talking, but Hyunjin’s eyes glance over at you briefly like he wants you to acknowledge the request. So you just nod graciously, giving him a thin-lipped smile, and begin to undo your briefcase.
Hyunjin assumes his same spot on one of the wooden stools, dragging it closer to you by its leg and propping it within eye-view of your big canvas. And then he sits on it, or rather slouches, adjusting his gaze to look straight at you and maintain a cold, serious expression.
It’s just as unnerving as you’d remembered it, having this model-looking figure pierce daggers through your soul while you mix your paints- cool-toned ones, at his request, and prepare for the hour-long trek of capturing his essence.
At least you won’t have to talk to him- or so you’d assumed from the last session you completed with him.
“What’s your process like?” He asks, his sultry voice perfectly matching his features.
“Oh,” you remark, mixing a set of paints to mirror his even skin tone. “I don’t know, I just paint what I see.”
He nods, satisfied with your less-than-wordy answer, and then he begins to prod you with more questions.
“What are your favorite art supplies?”
You cock an eyebrow at this, well aware that you have a long list you can indulge him in, but not wanting to share your secrets with this complete stranger.
“I dunno,” you reply softly. “Oil paints, and graphite pencils really.”
Hyunjin nods again, and then he glances at Q, who gives him a thin-lipped smile much like yours, trying his hardest to remain polite with Hyunjin. You know Q is likely frustrated with you for not entertaining this conversation in a more lively manner, especially considering what he paid for this session, but you’re not going to indulge him in anything except painting him- and only for this one session, like you promised Q.
And the rest of the session is uneventful, Hyunjin poking you with questions about your personal favorite paintings or inquiring about a time you messed up on an important piece. All questions which are answered with brief “I don’t know’s” or “there are so many, I can’t choose.”
And although you are trying hard to keep Hyunjin at a distance, nothing seems to faze him, his head nods and little hums serving as indicators of his satisfaction with all of your answers. He doesn’t get pushy, like your other clients often do, and he even presses Q for a few answers as he makes sense of your work.
At just past 5, the session draws to a close, as Hyunjin rises from his stool and announces he has to tend to his evening dance practice.
“It’s nice seeing you again,” Hyunjin says as he approaches you, giving a small bow as Q waits off to the side.
“Thank you,” you voice back, glancing at Q for a push to leave.
And Hyunjin extends a single hand, gesturing for you to place yours in his, as he towers over you with a curious expression.
You reluctantly place your palm in his, letting the cool metal of his rings graze your skin as he clasps his thumbs over your fingers and rubs them in gentle back and forth motions. He doesn’t bring it up for a cordial peck, he doesn’t shake it- he simply caresses your artist hands tenderly, before letting go again and turning to give Q a small bow as well.
“Take care,” Hyunjin says, pivoting to exit the room into the corridor.
And as Q pesters you with orders to clean up your workstation, you examine your own hands, rotating your own fingers around, like they might somehow be changed by his touch.
*
ON HOLD- The notes under your projects on the big calendar in Q’s office read, written in dark red pen and underlined twice across the pages.
You furrow your brows in confusion, setting your bag down as you enter for the day and ready your art supplies.
“What’s going on?” You ask Q, who’s busy sorting through a stack of invoices.
“Have a seat,” he replies plainly, gesturing to one of the leather chairs that accompany his grand wooden desk. And you do, sitting on the very edge of the chair as you await further instruction from him.
“A gift came for you,” Q says, slinging a large box on the desk in front of you.
You stand up once again, peering inside at the myriad of oil paints, sharpened charcoal pencils, new smocks, palettes and even books about artists and their works. You dig through the supplies, heart racing at the expensive choices, feeling undeserving of all the presents the box contains.
“This is all for me?” You question, baffled at the prospect that anybody could care enough about your career to indulge you in such a fine assortment of goods.
“Read the card,” Q then says, his arms folded in front of him as he nods toward the top of the cardboard box, where a simple yellow envelope is taped to the cover, cursive text scribbled on the front. Hyunjin, it reads.
You undo the seal, pulling out the small card inside, which only contains a short, cold sentence, in contrast to the warm gift.
“For the next few”, it says, not so much as a sign off or even a simple “thanks”.
“Next few?” You repeat, meeting Q’s gaze with a confused expression.
Q sighs, sitting across from you, folding his hands out on the wooden surface where you can see them.
“His manager called this morning,” he begins. “And commissioned us for another one. Except this one has a long set of rules. He wants you to use these supplies, he wants to visit your studio instead of occupy the company building. And he specifically asked me not to accompany you.”
“What?” You exclaim, angered at the sheer audacity he has, and knowing very well that you only agreed to one painting.
“That’s completely against our rules,” you continue. “Did you tell him no?”
And Q gives you a sheepish grin, gesturing to the stack of papers he flipped through earlier. “They’re offering quadruple the pay,” he says sternly. “He’s obsessed with your work.”
“So what?” You argue. “I have a ton of other projects to finish. And I’m not throwing all of that away because some guy wants time alone with the artist.”
“There’s nothing wrong with wanting alone time with an artist,” Q emphasizes.
“This is a huge sacrifice, Quinton. I wish you would’ve run this by me earlier.”
Your eyes meet the calendar above his desk again, counting the number of projects with a big ON HOLD scribbled below them. Q sighs, evidently feeling a little guilty for his own actions, and then pinches his wireframe glasses between his fingers, pulling them off his face and tucking them into the pocket of his blazer.
“I’m willing to give you 10% more than what you already make from these.”
Your gaze snaps to his, a bewildered expression on your face as you process his words.
“What- seriously? Quinton, that’s-”
“His company’s loaded” he says with a shrug. “The guy is so much bigger than I thought he was. People love him.”
And your gaze flickers between the calendar and the big red text, Quinton’s hopeful stare and at the box of new art supplies you’ll be required to work with.
Q doesn’t need to press you for verbal confirmation, knowing that the caress of your fingers over Hyunjin’s name on the envelope serves as answer enough.
*
Your studio is particularly messy on Wednesdays, housing all of the project paraphernalia from the days prior. Today is no exception, canvases that sit on easels lining the walls and cans of paint thinner spread out on the tarps. You make your best attempt at shoving everything against the wall, creating a clear pathway for Hyunjin to stride into the way he always does. And you set up your canvas prior to his arrival, getting all of your necessary supplies in place to avoid the awkward few moments of setting up while he watches you so intently.
He’s a punctual idol if you’ve ever met one, arriving at 5pm on the dot, expensive-looking sunglasses shielding his eyes from the barely visible sunlight outside, and a black beanie pulled over his head. He looks like he could be a security guard of his own, the all-black attire even more unsettling as he makes his way inside.
There’s a reason you never house clients in your own studio- the reason being it’s small. It’s office-sized, large glass windows on one side of the wall that overlook a sea of greenery that’s now overgrown with all the recent rains. The floor is gray concrete, stained just about everywhere with swatches of paint and charcoal pieces. And the two tabled surfaces that are available are covered in art supplies, the color of the furniture now indistinguishable as they house tubes of paint, brushes and cans of thinner.
“You can put your bag on the chair there,” you say as he walks in, his hands still shoved in his pockets.
He does as told, setting a designer crossbody on the folding chair by one of the tables, and then he stands confidently, observing the room as he awaits further instruction.
He takes long strides around the perimeter of the room, leaning closely into the existing canvases to study your techniques. But he says nothing, remaining much quieter than last time, the only sound coming from his heeled boots as he moves elegantly around the studio.
“I’m ready,” you say, and Hyunjin turns around to face you. He cocks his head slightly, and then he brings one hand up to pull the beanie off his head, letting his brown tresses fall loosely around his handsome face, not requiring much adjustment as they seem to fall in disarray so perfectly. He pulls his sunglasses off as well, folding them between his plump lips before tucking them into the pocket of his jeans as he finally stops to look at you.
He looks as handsome as he always does, his unreal features looking as though he was modeled by a painting and not the other way around. You feel small in front of him, and unimportant, as he approaches you and stops just in front of your much smaller figure.
“How do you want me?” Hyunjin asks, cuffing up the sleeves of his black knit sweater.
“It’s up to you,” you reply to him, giving a small shrug as you speak.
“This one’s your call,” Hyunjin retorts. “I want it from the artist’s vision.”
And you can’t help the blush that creeps up on your cheeks, feeling embarrassingly flustered at the idea of someone caring even slightly about your vision. Everything’s from your client’s vision- the outfits, the poses, even the adjustments they request following the painting’s unveiling. It’s very seldom that you’re able to provide any directions to the standard of your vision, and though it’s unexpected, it’s a little endearing.
“My vision?” You echo, tapping your fingers on your chin.
You glance around the room at the supplies you have on hand, nothing special, but definitely materials you can work with.
Without replying to him, you pull forward one of the folding chairs, setting it down in front of your easel and gesturing to it.
“Could you sit on the top part? Like, on the back of the chair?”
Hyunjin nods, climbing up onto the chair and balancing as he takes a seat on the back part. It’s a little unstable looking, but Hyunjin seems to manage just fine, spreading his legs casually and running his hands through his hair.
“Your hands,” you chime in, taking note of the silver watch he flaunts on his left wrist. “Could you rest them on your knees?”
“Like this?” Hyunjin questions, sprawling his palms out over his kneecaps.
“Not quite,” you reply. “A little more like…”
And then without warning, you take both his hands in yours, positioning his elbows to rest atop his kneecaps so that his hands hang loosely in front of him. He cocks his face up to meet your gaze, the same intense expression he always houses, and you take a step back to admire the position.
“Exactly like that,” you say to him. “Tell me if you get uncomfortable and we’ll take a break.”
Hyunjin shoots a small smile, perhaps more of a smirk at you, as he sits still and watches you begin to paint in long strokes along the canvas. Your movements are fluid and impetuous, but every stroke proves itself more robust than the last, painting a clear outline of Hyunjin’s seated figure as he keeps his eyes on you. And maybe it’s because you’ve chosen his pose this time, or because it’s your third time doing this with Hyunjin, but you don’t feel nearly as uncomfortable anymore, keeping your attention on the painting and disregarding any implications that might derive from his cold stare.
“I wasn’t sure which brand of oil paints you preferred,” Hyunjin says suddenly. “So I bought you three kinds.”
“Oh, yeah,” you reply softly. “Thank you for the gifts. You really didn’t have to.”
“You have a talent,” Hyunjin voices. “I hung the last one up in my own studio.”
“You have a studio?” You question, remembering Q had previously mentioned something about him being an artist.
“I do,” Hyunjin answers. “It’s nothing like this one, just some canvases in the shared dorm we have. But I paint in all my free time. If I wasn’t here right now, I’d probably be painting.”
“That’s interesting,” you reply. “I’d love to see your work someday.
And Hyunjin doesn’t hesitate to pull his phone out, navigating to his camera roll to show you some of his pieces. He flashes you a painting of a bouquet of roses, placed in a glass case atop a table. Another showcases a city street, scribbled cars and people that line the pavement. And a whole gallery of them depict people- couples, in particular, in all sorts of romantic poses. Kissing, hugging, embracing with such passion and force, almost consuming each other with their visible desperation for one another.
“They’re beautiful,” you say, in awe at the technique of his art. You weren’t expecting him to be so good, for someone who doesn’t paint as a full-time career.
“Thank you,” Hyunjin replies, stuffing his phone back into his pocket. “I’ve learned so much from you.”
“Me?” You retort with a small chuckle. “I highly doubt that, your stuff is very unique. But I’m flattered that you’d say that. Thank you.”
Hyunjin keeps his gaze on yours for a moment, cocking his head to the side as though he’s observing your features. He doesn’t say anything, his eyes narrowing and widening again as he takes in the sight of you dabbing a little more olive paint into his complexion. And then he straightens his back, steadying himself on the chair with two hands gripping the sides.
“When was the last time you left this studio?” He inquires with a smug expression. He sounds a little more serious now, and his tone of voice makes your heartbeat race.
“I don’t live here,” you reply plainly. “I leave every day.”
“When was the last time you escaped?” He then clarifies. “When was the last time you weren’t confined here for the purposes of work?”
You furrow your brows, trying your best to keep busy with your task and avert his gaze.
“This is my job,” you say sternly. “I don’t want to escape.”
“I’m a dancer,” Hyunjin states matter-of-factly. “I don’t live in the studio at the building. Sure, the bright lights and the walls of mirrors help with the choreography. But sometimes I dance in my dorm. And sometimes I dance in a big grass field when nobody’s watching.”
You pause your brushstrokes for a moment, finally meeting his gaze as he stares down at you. He raises one eyebrow, waiting for an answer, which you fail to provide him with as he leans forward once again and clasps his hands together.
“You feel trapped here, don’t you?”
And suddenly his words infuriate you, the sheer audacity of him to walk into your studio demanding all these rules from you, like your boundaries can be overlooked if they’re bought. And who is he to pry into your life like this, knowing next to nothing about you except that you’re a painter? It’s blasphemous- offensive, even.
“I’m not trapped,” you say, standing from your stool and backing away from him a little. “I love my job. I can quit whenever I want to, and this is my passion.”
“Who are you when you’re not painting these portraits?” Hyunjin inquires, and your eyebrows contort into a much angrier frown.
“Who are you to imply any of this, anyway? You’re an idol. You’re the one who’s trapped in the confines of a million rules- are you even allowed to be here right now? Who are you when you’re not putting on the mask of a completely different persona?”
You exhale frustratedly as you finish, taking a moment to catch your breath, and trying your best to avoid his gaze. But when you meet his piercing eyes again, he’s smiling, a wicked expression on his face like he’s amused at your lashing.
“I’m glad you asked ,” he says simply.
“What?”
“I’d assumed it was part of your vision, to maybe scratch below the surface of the flesh outlines you paint. I know there’s more than meets the eye to your work. You have this passion about you.”
“Passion?” You reply nervously, now fiddling with the brush still in your grasp.
“Mhm,” Hyunjin responds casually. “Like you want to lash out. Go on, get it off your chest. I won’t mind.”
And you say nothing again, shrinking back into the confines of your wooden stool as you swirl the brush around in the same mug of water and dip it back into a dollop of paint.
“I’m sorry,” you voice to him. “I don’t treat my clients like this. I hope you’ll forgive me.”
Hyunjin’s shoulders sag a little, as though he was waiting for you to keep the chaos alive in this little studio. He just nods, and then he assumes the same position as earlier, his knees spread in front of him and his hands resting comfortably on his knee caps as he slouches forward.
You resume the task of shading in his skin tone, adding highlights to the elevated portions of his face and glancing over at him in intervals to confirm where the light hits him.
“I’ve learned so much from you,” Hyunjin says for the second time tonight, and you’re still unsure what he means by it. “I think we could learn a lot about each other.”
And the studio falls silent for the remainder of the session, as he allows his eyes to bore into your soul while you translate his being onto the canvas in front of you. Or at least the parts that are able to be translated.
*
Your calendar is blocked off for the remainder of the week for other clients, Hyunjin rescheduling his sessions as he prepares for a performance overseas.
Your heart sinks a little when Q announces the schedule change to you, secretly praying you haven’t completely ruined your artist/client relationship with Hyunjin. He’s definitely a little odd, and he can be pushy when he wants to be. But he’s undeniably more intriguing than the investors you’re used to housing at the studio, telling you stories of his dancing and inquiring about all your favorite techniques every chance he gets.
He’s the first client who’s ever uttered the word “vision” when it came to yours, and not his, and you can’t let go of the value it added to your last session with him. You had yelled at him, ordered him to stop projecting his thoughts onto yours and asking personal questions. But it was the first time you felt alive, somewhat visible to a client as you painted them. His eyes pierce through your soul, every tangible inch of it, and not just the empty shell of who you are when you’re not existing so loudly. And Hyunjin seems like the only catalyst that allows you to exist loudly these days, even Q walking all over you like you’re an extension of his tedious ways.
Although your last conversation didn’t go quite as smoothly as you’d hoped it would, Hyunjin’s words continue to circle your mind relentlessly, your heart trying to make sense of them no matter how hard you try.
“Who are you when you’re not painting these portraits?”
It’s a fair question, and it doesn’t necessarily have to be a discourteous one, either. Maybe he’s genuinely curious about the woman you are when you’re not following Q’s orders. But where has Hyunjin pulled the implication from that you’re anyone except for the person assigned to produce these portraits? You’ve given him no reason to think anything of you besides the well-mannered, focused painter you are. And to imply anything else would also, by extension, imply he knows something about you.
“I’ve learned so much about you,” he had also said to you, twice in the same session. And can one really learn from two, three sessions of watching an artist paint? Sure, if he was more focused on your technique and your mannerisms rather than staring at you so intensely. But he hadn’t seemed to be interested in much else, simply keeping his gaze on yours and asking base-level questions about your artist career.
If anything, you could learn a lot about Hyunjin, who has the whole world at his disposal and walks around this place like he owns it. He speaks of you like he’s trying to study you. He wants to learn from you, despite being the one wielding much more knowledge and wisdom than you could even begin to fathom. True, you don’t escape this studio- and you don’t utilize it without the intention to work. In fact, your work consumes you most days, your personal life just a microscopic dot in the grand scheme of this arrangement.
But Hyunjin seems to think otherwise, his generous gifts and his fascination with returning seeming to imply something else. Like he wants to learn from you, or like he’s convinced he already has.
In apprehension, like he knows you.
*
“Where are we going?” You query when Hyunjin arrives next, quickly ordering you to gather your supplies and ushering you to the door.
“We’re not painting here today,” he says plainly.
“What? No, Hyunjin I don’t paint anywhere except for-”
“The studio or a company,” he finishes. “That’s the issue. I want to take you somewhere more lively.”
“I can’t be around people,” you respond. “I don’t… it’ll just mess up the whole process.”
“Do you trust me?” Hyunjin asks suddenly, his hand extending out to yours for the briefcase you grasp.
What a simplified question- absolutely not. You don’t trust him, that’s the issue with leaving the studio. You’re still not sure of his career as a whole, you’re not sure why he’s so adamant about breaking all sorts of rules and you don’t know anything beyond his name.
“No,” you reply. “I don’t think I trust you at all, actually.”
And Hyunjin just smiles, stepping forward to take the briefcase from you.
“Good,” he replies, the same amused smile plastered on his face. “That means there’s still a lot I can teach you.”
He watches you slip on your coat, undeniably confused, but in a trance-like state obeying his commands, like your heart won’t let you hear your brain’s protests.
Hyunjin doesn’t drive. He doesn’t need to, having his own personal chauffeur at his beck and call, able to go just about anywhere in the evening during his allotted hours of free time. Ones he normally spends in the studio, watching you paint.
You sit quietly on one side of the fancy black car, your hands folded neatly in your lap and staring at the passing blur of city lights out the window. Hyunjin occupies the other, one of his slender hands resting atop the briefcase in an attempt to steady it whilst the driver makes sharp turns and brakes a little too harshly.
You watch as the city roads turn to one long paved road, surrounded by tall grass and trees. And this path goes on for a while, maybe 20 or 30 minutes, as you remain in comfortable silence. The driver seems to be acquainted with the road, turning every way he needs to, no form of navigation telling where to go, simply having memorized the route. And Hyunjin doesn’t seem tense in the slightest, humming softly to himself as he taps his fingers along the leather surface of the briefcase.
The fork at the end of the road signals the stopping point for the driver, who hits the brakes, but doesn’t turn the car off. The keys remain in the ignition as he comes around to open your door, guiding you out with one hand and bowing graciously to the both of you.
“One hour,” Hyunjin says to him, sliding him a generously folded bill.
The driver nods, occupying his spot in the driver’s seat, and you watch him make a U-turn before driving off down the path again.
The environment is quiet, much quieter than any spot back in the city. It’s nothing except for trees and tall grass that sway with the gentle evening breeze, the sky swallowing up a now orange sun as nighttime begins to over both of you. If you squint, you can even see the mountains from here, some of them lined with little yellow lights, probably vacant buildings or farm workers. And the birds sing their last songs of the day, mellow tunes that harmonize with the growing chirps of crickets.
“It’s pretty here,” you remark to Hyunjin, who stands looking out at the view with his hands tucked in his coat pockets.
He doesn’t reply for a moment, his long hair swaying with the breeze. And then he tilts his head in the direction of the briefcase, nodding once.
“Paint what you see,” he orders.
You nod reluctantly, scrambling to open the briefcase and set up your supplies.
“Do you want to stand there? Or… do you prefer something else?”
He smiles, a little amused at your rushed state, and then he shakes his head.
“Not me,” he clarifies. “The view. Paint what you see.”
You swallow a lump in your throat, stopping your movements and pondering the words for a moment. You haven’t painted a view in god knows how long. Your skills are rusty, your techniques are skewed and the whole concept of it makes you shudder.
“The view?” You question back. You take a moment to look at the view again- there are possibilities everywhere. Green grasses that resemble paint strokes themselves, a deepening blue sky with strokes of blues and blacks, stars like paint splatters and trees with sponge-painted bushels. The art is everywhere, the possibilities are vast and endless with a view like this one.
“The view,” Hyunjin echoes. “Don’t take it too seriously. This isn’t some company's order to paint me. I just want to see the world through your eyes.”
And you nod, once, Hyunjin helping you latch your sketch pad to the easel as you mix a myriad of blues and greens together on your wooden palette.
He flips through your sketch pad for a little while before stepping away, nodding at the pages upon pages of art unlike any of your portraits. When you think he’s going to move, he doesn’t, remaining in the same spot and nodding his head at the works. And you feel a little shy, a little confused at why he’s taken so much interest in the work you complete on the side, work completely unrelated to any of your portraits. When he reaches a blank page, he meets your gaze with a small smile, nodding his head once at you as he finally moves out of the way.
And then you finally begin, hesitantly, as Hyunjin finds a spot in an undisturbed part of the grass, sprawling his long legs out in front of him and pulling out a sketch pad from his own bag. He angles it away from you, beginning to make long, generous lines with his charcoal pencil, peering over at the trees every now and then to gauge their shape. And you remain there, a comfortable silence among both of you, as you both capture the view in your respective visions.
The technique comes back to you instantly, like motion memory, quickly sponging leaves into the trees and pulling the dark sky from its draped position over you to plaster it onto the canvas you work on. Blues, greens, glittering whites for the night stars and fantastic shades of chartreuse and viridian find their homes on the canvas, so carefully placed and mirroring the view you overlook. You emulate the shadows, the waning glints of light, even the sounds seem to live on the picturesque view where time stands still in the confines of four walls.
Hyunjin doesn’t disturb your work flow- in fact, for most of the time you remain there, you cease to remember he’s even working on a sketch of his own, his delicate figure disappearing among the trees as your peripherals shut him out and bring nature to the forefront.
It’s only an hour you’re there, like Hyunjin had promised, before he’s returning to your spot and standing behind you to look over your shoulder.
“Beautiful,” Hyunjin states dramatically. “Beautiful, and spectacular, and shining.”
You chuckle lightly, wiping the brush on your smock and tucking it away in one of the front pockets.
“Will you sign it?” Hyunjin asks, cocking his head a little to try to find where your signature currently sits, but finding nothing.
“Oh, yeah,” you respond, bringing a charcoal pencil to the bottom right and scribbling a quick signature.
He scans the painting once more, tracing a finger over the corner where you’ve added your signature, and then he gives a small nod before meeting your gaze.
“This one’s my favorite,” Hyunjin tells you. “Because it’s entirely your vision.”
“The ones I make of you are my vision, too,” you explain, and Hyunjin shakes his head with a small smile.
“I like how you see the world. Not how you see me. Or anybody else, for that matter.”
And you find yourself blushing again, unsure if his intention is to fluster you with his poetic words, but well aware that he’s having the effect on you regardless.
“Thank you,” you echo politely. “I like this one, too.”
Your gazes remain fixed on each other for a brief moment, the grass now standing still as the night falls over you, stars glittering in the black sky and the crickets singing their nocturnal songs.
For the first time since meeting him, Hyunjin looks less cold at this proximity to you, his entire demeanor exuding softness and comfort as he smiles at you. Maybe it’s the black puffer coat he wears, the collar pulled up to his chin to keep warm from the frigid winter night around you. He wears his glasses, too, these ones a thicker black frame, pushed high up on his face and a little dorky, admittedly. But it’s also because he seems kinder, more warm and welcoming. There’s no existing rush to capture him any which way- in fact, there’s no pressure to capture him at all. And maybe when you’re not translating his model-like appearance onto canvas, you’re able to step back and admire that he’s soft under his hard exterior, he’s so gentle and human.
At first, you debate telling him, a sudden urge inside of you to apologize for your presumptions of him and admit that he’s slowly become your favorite client to be around. Maybe he’s right- maybe you do have a lot you can teach each other. He lives a life of lavishness, entertaining varying aspects of his idol career and serving a role of great importance to those who know him. And he is certainly of importance to your career, being your highest-paying customer and the one you’ve painted the most now. But he plays a role in other parts of your life too, allowing you to try new techniques, entertain your vision, circling your mind with his poetic words and his strategic motions. All lessons which allow you to grow outside the confines of your studio, too.
But you settle on silence, not wanting Hyunjin to think too boldly of you. Maybe he’s like this with everybody he crosses paths with. Choreographers, vocal coaches and painters alike. Maybe he’s simply as fascinating as he looks.
As you study him again, the sound of a car engine interrupts you, and you turn around to find Hyunjin’s driver has returned as promised. You bring a hand up to shield your eyes from the bright headlights that illuminate the whole field, as Hyunjin helps you gather your supplies again, securing the canvas in its case and transporting it into the backseat of the car with the driver’s help.
Hyunjin holds the door for you this time, ushering you inside, and then he comes around to slide into the backseat next to you.
“I think it’s going to rain,” the driver says as he puts the car in reverse.
You crane your neck to look at the sky through the tinted windows, dark blue clouds that loom overhead and seem to make the night even colder.
“I have one more place we need to stop at,” Hyunjin says suddenly, sitting forward to make eye contact with the driver through the mirror.
The driver nods in response, as if the last location is a secret kept between them, as he begins down the dirt path again in silence.
*
“Ever been here?” Hyunjin questions, as he holds out a hand to guide you up the stairs. The steep concrete stairs lead to a grand crested marble doorway, a bronze statue out in front and dimly lit lamp posts that illuminate the sign overhead.
Museum of Modern Art.
“Once, a long, long time ago,” you respond. “I think I usually steer clear from galleries since I don’t show my work at them.”
Hyunjin chuckles softly, stopping at the front door and meeting the gaze of a security guard, who promptly strides over and opens the door just an inch.
Hyunjin pulls out an ID, and a folded paper of some sort, and you watch as the security examines it briefly before nodding. It’s only then that you realize the museum is closed for the evening, the only person around behind the night security, but of course that rule doesn’t apply to Hyunjin, who can get in just about anywhere with the flash of a smile.
“It’s the only way to visit with no one else around,” Hyunjin says, confirming your theory. “They let me stay as long as I want. Sometimes I draw here.”
You nod at his words, giving a small smile as the security eyes you intensely, and then he opens the door to guide both of you inside. Hyunjin removes his coat, slinging it over a nearby coat hanger, and he flaunts a white knit sweater with his dark jeans, looking cozy in contrast to the dark winter night outside. He holds your sketch pad tucked under one arm, and then he skips excitedly to a room behind a curtain.
“This one’s my favorite!” He exclaims, giggling softly like a child might. “Do you know they’re all made out of recycled materials?”
And you brush the curtain aside, being met with the sculptures he speaks of, neutral-toned figurines that appear to be made of paper mache, all resembling people. Their forms hold each other, mimic ballroom dancing, and even embrace each other in a tender kiss as they stand tall in the center of the room.
You watch as Hyunjin snaps a few photos with his cellphone, craning his neck to view them at a better angle, and then he turns to face you.
“What do you think?” Hyunjin asks.
“They’re beautiful,” you reply. “They kind of remind me of your drawings.”
He shoots you a flustered smile in response, touched that you’ve even remembered what his drawings look like. And then he graciously bows as he ushers to another room.
“I think you’ll like the next one.”
The next room behind another dark curtain is a gallery of paintings, all of them abstract forms of art that experiment with different colors and mediums. You take a while in this room, sauntering down the row of canvases and observing how each one captures something completely different from the others. Some include only cool-toned shades, their strokes much smaller and overall more somber. Some play with warm tones, long generous strokes that capture passion and heat. And some mix both, two stories dancing in harmony on one canvas, contrasting light with shadow and love with regret.
As you cock your head slightly, observing the way the colors are so evocative from this proximity, Hyunjin comes to stand next to you, cocking his head in a similar fashion and taking in the same details that you do. And if someone were to stand behind you, maybe both of you would mirror the painting, too, two hues of life and recluse working in perfect harmony alongside each other.
“Nice, isn’t it?” Hyunjin asks, and you hum in response.
“Yeah. I love these colors.”
Hyunjin nods, giving the painting a last once-over before nodding in the direction of another curtain.
“Come on, I want to show you this last one.”
The last room houses a little bench, where Hyunjin occupies the left side and pats the spot next to him. You take a seat, your hands folded neatly in your lap, as you observe the colossal painting in front of you.
It’s a watercolor painting, one amorphous shape at a far distance, yet at this proximity, the tangible outline of a figure, sat with legs pulled to the chest and crouched in a position evoking such sadness.
The cold blue hues highlight the shadows which define body parts among the pile of limbs, the curve of a breast, the almost indistinguishable outline of a leg, aspects you have to really squint hard to make out. But the colors complement each other so artistically, and the figure in the painting looks so melancholy, so longing for something more than the confines of the canvas she lives on.
“Isn’t it beautiful?” Hyunjin voices, and you nod, swallowing as you remain quiet.
He pauses for a moment, his voice hitching in the back of his throat, before speaking again.
“The artist was a child prodigy,” he begins. “Apparently they painted all their life and then became a sort of recluse into adulthood. No one’s seen a painting from them since. This was their last big project.”
“Interesting,” you remark quietly.
“Yeah,” Hyunjin replies. “And their art is always titled around themes of loneliness and solitude. Every painting kind of feels like a puzzle piece leading up to their disappearance from the art world.”
Hyunjin says nothing as your eyes dart around the room, swallowing nervously as you ponder what to say. And nothing comes to mind, nothing that won’t make you seem crazy, or irate.
And then before you can protest his actions, he flips open your sketch pad he’s kept tucked under his arm all this time, flipping through a few pages until he’s nearly at the end. He stops at one of your paintings, cool aqua hues filling the paper in the same manner as the one hung on the wall.
“It’s you, isn’t it?” Hyunjin finally says, and you realize he’s turned to face you now.
You stand up at this point, smoothing down your blouse and turning away from his gaze.
“Sorry, I have to go-”
You search for an exit, unable to locate one amidst the dark curtains and the dimly lit room. And the only thing you can think to do is walk back the way you entered, beginning back through the abstract painting gallery as Hyunjin follows behind you.
“They’re amazing,” Hyunjin says. “You have a talent. Your paintings were always my favorite-”
“Please, stop,” you interrupt, your heart beating erratically as you make your way past the paper mache sculptures.
“Why did you stop making them?” He asks, now standing still in the entrance, the security guard on high alert as he watches Hyunjin’s stressed demeanor.
“Sorry,” you voice to the security guard, bowing to him. “I have to go, thank you so much.”
And without turning to look at Hyunjin, you push the doors open, making your way out of the museum and onto the concrete steps. It’s raining now, hard, like the driver had predicted, and you march right past his parked car to one of the taxis parked by the curb.
The cab driver takes an address from you, punching it into his navigation system as he begins to drive down the street, and you pray he can’t hear the quiet sniffles coming from you in the backseat.
As he pulls away from the curb, you glance out the window at the museum, where Hyunjin’s now shoving past the door and standing still, his hands dropped at his sides and a hurt expression on his face.
His hair falls damp around his face as he lets the sheets of rain wash over him, his driver exiting the vehicle in a rush to get Hyunjin back into the safety of the car.
But he remains there, unmoving, his hurt gaze fixed on yours, as you turn a corner and fall out of his sight.
*
And just like the sessions were uneventful before Hyunjin, they’re much more uneventful after him, too.
Putting the sessions on hold for Hyunjin is nothing, his life full of vibrancy and color when he’s not spending an hour or two with you in the evening posing for a painting. It’s time he fills with extra dance practice, vocal training, spending time with his members and even doing art of his own.
But for you, it means returning to a life of mediocrity, requesting stock brokers to angle their big heads in a more appealing manner so you can capture every one of their unsightly features. You’re ogled at by salesmen, disrespected by accountants and not a single one of them could give a shit about your vision.
A part of you wants to call Hyunjin and apologize, to explain that he was out of line in his approach to identify you and catch you so off-guard. But you’re mostly angry at him, for having ruined something so beautiful you took pride in every week. Now he’s gone, the sessions put on pause until further notice and your life forever changed by Hyunjin, though he’ll keep living his life of lavishness despite being the source of all your pain.
“Now that we don’t have Hyunjin on the books after this week, I need you to resume the work on Mr. Lee’s painting. Let’s not lose sight of the ones we started prior to his pieces,” Q says, as he flips through a clipboard of printed schedules.
“This week?” You echo in question. “I thought sessions with Hyunjin were put on hold until further notice.”
“They were,” he responds. “After your last session this week. He’ll be here tomorrow evening. He’s your last client of the day.”
“Tomorrow?” You repeat, pausing your brush strokes as you turn to look at him. “He requested to come in tomorrow?”
“Yeah,” Q replies with furrowed brows. “Why, is there a problem? I already told him yes.”
“No, that’s fine,” you reply, rotating the brush around in your fingers as you think over his words. “Tomorrow works fine.”
Despite the sessions being put on hold, you’ll still have a moment to explain yourself to Hyunjin and make amends. It might not get you exactly where you were before all of this, but the thought of letting Hyunjin part ways thinking you despise him makes your stomach turn. You’ll still get a moment alone with him to rekindle the state of your friendship.
… Or so you thought. When you arrive at the studio the next day for your last session, Q is still there, organizing papers at one of the tables and still dressed in a fancy blazer and tie like he never left from this morning’s session.
“Quinton?” You call, setting your purse down and toying with the hem of your shirt.
“Yes?” He responds, not looking up at you.
“Are you… don’t you normally sit these sessions out?”
“Oh, I forgot to tell you,” he says casually. “I’ll be sitting in on this last one. I know they were put on hold pretty abruptly, and I wanted to be around for your last one.”
You give him a small nod, protesting his actions mentally. You won’t get a minute alone with Hyunjin after all- not with Q watching you like a hawk. You want to scream at him, to tell him he has to leave and that he’ll be permanently disrupting the client-artist relationship you’ve developed with your highest-paying customer if he stays and taints the room with his overwhelming presence. But he largely determines the success of your career, whether you like it or not. And requesting Q’s absence will most certainly point to something more going on between you and Hyunjin.
“Right,” you reply. “That’s fine.”
You wish Quinton wouldn’t be so… mechanical. You wish he could trust that you’ll get the job done, despite any existing tensions between you and Hyunjin. You wish he wouldn’t pretend to care about being present, when in reality you know he just wants to make sure it wasn’t you who screwed something up. And you wish he would leave you alone with Hyunjin to make amends the way you know you need to before you part ways with him.
When the door opens once again, you both turn your heads to look at Hyunjin, who strolls in with casual strides, his hands stuffed in his pockets. His gaze falls on Q, and he furrows his brows together, finally looking at you, with a confused expression on his face.
“Welcome!” Q says obnoxiously. “I’ll be sitting in for this session, I hope you don’t mind.”
Hyunjin shoots him a thin-lipped smile, giving a subtle nod as he slings his bag off.
“Sure,” he replies. “That’s fine.”
He assumes his spot on the same wooden stool, crossing his legs and folding his hands in his lap, and then he turns to meet your gaze.
“How do you want me?” Hyunjin asks. He sounds more somber than the other times he’d asked the same question, his voice trailing off a little as he waits for a reply.
“This is good,” you say, taking your own seat and beginning to work light strokes across the canvas. You start with his jawline, the same chiseled jawline you’ve gotten so used to painting, working a robust angle where the crook of his neck meets his cheeks. Then his eyes, the piercing intensity of them, narrowing involuntarily as he poses with such skill, the same eyes which have graced the covers of magazines and album covers. His lips, plump and rosy, forming a small pout as he remains silent. And the outline of his luscious brown tresses, which fall beautifully around his face and soften the rest of his features.
He looks so enchanting this evening, like he’s straight out of one of the paintings at the museum. And your anger feels almost completely dissipated once he’s in front of you like this, just a pressing urge to be alone with him so you can communicate properly.
“Looking good,” Q says as he comes up behind you, his hands folded behind his back.
Hyunjin’s eyes dart over at Q’s standing figure, glancing over at you again while you paint. You attempt to shoot him an apologetic expression, wanting to tell him it wasn’t your idea to have Q here watching your every move. But you can’t properly convey your emotions to him with Q practically breathing down your neck.
“Beautiful work”, Q chimes in, nodding as you add the color to Hyunjin’s hair.
You can feel yourself getting frustrated with him, wishing so badly you could at least ask him to wait on the other side of the room like he normally does. But he remains there, crowding around you as you work and filling the room with his awkward presence.
“I’ll drag up a chair,” Q says with a small chuckle. “So I don’t have to stand.”
And both you and Hyunjin watch as he pulls up a folding chair, dragging it along the floor in one painfully slow motion, the sound of the legs screeching against the concrete floor as he places it next to you and takes a seat.
Hyunjin’s eyes meet yours again, cocking his head slightly as though he’s asking why you’ve allowed Q to be so overbearing today. But none of this is according to your plans, either.
“Go on,” Q urges. “You don’t have to wait for me.”
You hadn’t even realized you’ve stopped painting, grasping your brush between your fingers as you watch Q adjust in his seat and gesture to the painting.
“I think we should take a break,” Hyunjin says finally. “My leg is cramping a little.”
“Of course,” Q echoes back. “We can take five. There’s a vending machine out by the front door. And the bathrooms are on the right, by the-”
Q can’t even finish his sentence before Hyunjin’s shoving his way past the door, taking long strides away from the studio and waiting outside. He pinches the bridge of his nose in deep annoyance, letting out a deep sigh as he ponders the evening’s events so far.
“I’m going to use the restroom,” you tell Q, setting your brush down and following Hyunjin. “I’ll be right back.”
And you follow his footsteps, pushing on the door to meet him outside, where he stands with one hand on his hip, the other massaging his temples frustratedly.
He looks angry, as you predict he would be, but you approach him anyway, fiddling with your thumbs as he stays quiet for a moment.
“I organized this last session to speak with you,” Hyunjin says in an annoyed tone. “I should’ve known you’d invite him.”
“I didn’t invite him,” you say quickly. “I didn’t even know he’d be here, I swear. He just stayed, and he was insistent on sitting in.”
Hyunjin finally drops his hand at his side, meeting your gaze, a softening expression on his face.
“I didn’t mean to scare you off,” he finally says. “I overstepped my boundaries. I’m just here to pay you for art. Not prod into your personal life.”
“I know,” you say back. “I wanted to explain to you, but…” your voice trails off, remembering this is technically your last session with him. And judging by the way everyone speaks of him, it’ll be near impossible to contact him again after this.
“It seems like I missed my chance,” you finish, referencing Q’s persistence.
Hyunjin glances around for a moment at the overgrown plants that line the studio windows, still damp from the evening rain. It looks like a jungle out here, the plants providing no clear view through the windows and instilling such a peaceful sense of privacy.
“Could you stay a little longer?” Hyunjin questions. “After he leaves. I just want to talk to you before I go.”
You think over his proposal for a moment- Quinton is punctual at leaving right past the hour mark. He never stays longer for hours than he needs to, but he’s no stranger to you utilizing the studio to finish up some of your work after hours.
“Sure,” you say finally. “Just pretend you’ve left after the session and I’ll tell him I need to stay longer. Don’t wait near the parking lot or he’ll see you.”
A somber smile grows on Hyunjin’s face as he nods in response.
“I’m going to call my driver and tell him I’ll be longer than the original session. Meet you back inside.”
And you make your way back into the studio, where Q is busy shuffling through papers at the table.
“Ready?” He asks, already taking strides back to his stool, positioned far too close to your canvas and Hyunjin’s seat.
“Yeah,” you reply, sighing a little as he occupies the seat next to you and glances around the room for Hyunjin.
“He’s taking a phone call,” you explain to Q. “Just give him a minute.”
And Q pushes his glasses further up his nose, humming in response as he observes your painting again.
“You’ve really mastered his features,” he comments, scanning over Hyunjin’s painted outline. “Even his eye mole is already there.”
And you scan the painting too, at the little mole painted just below Hyunjin’s left eye as he requested.
“Yeah,” you reply. “I guess I have.”
You wouldn’t forget it, because everything about him occupies your mind, much like his figure lives on your canvases.
*
It’s just half an hour more before you’re finished with Hyunjin’s painting. It’s still lacking some detail, like the contours along his face and the buttons of his cardigan. But they’re all details you give yourself time to finish later, before you wrap up your final piece and gift it to Hyunjin.
Q is relentless in his micromanaging for the remainder of the session, making useless comments about your techniques and asking Hyunjin about his own work. Hyunjin’s answers are all short and echo his clear annoyance, desperate to finish the session in order to speak with you privately. But you both remain collected in your manners, graciously conversing with Q and reaching the end of the session.
Q reviews his invoice documents as Hyunjin slings his bag on once more, standing by the door as though he’s ready to leave.
“Payment was finalized today, and your sessions are on hold until your tour is completed.”
“Thank you,” Hyunjin responds, bowing graciously. “It was a pleasure to work with both of you. I’ll be back when we’re done overseas.”
“Don’t hesitate to reach out!” Q calls, as Hyunjin makes his way past the door. He waves Q off with a small smile and then turns the corner until he’s out of sight.
“Well, there goes your best-paying client,” Q remarks with a deep sigh. “We have a lot more to pick back up on. I know Mr. Lee’s paintings are still in progress-”
“Thank you, Quinton,” you voice to him. “We’ll talk scheduling tomorrow. Please just get home safely.”
“You’re not leaving yet?” He queries, already pulling on his canvas bag and hanging his clipboard from a thumbtack on the wall.
“I’m going to finish the details while I still remember them. I’ll only be an hour longer.”
Q shrugs, making his way pivoting on his white canvas sneakers and giving you a small wave.
“Call if you need anything,” he says plainly. “Make sure to lock up.”
“I will,” you echo, craning your neck as you watch him finally exit past the door and jog down the stairs. You can’t see Hyunjin anywhere, but Q doesn’t seem to notice him if he’s still around, starting his car and speeding out of the parking lot.
And not even a full minute passes before Hyunjin makes his way back inside, shaking water off his hands.
“I stood under one of the gutters,” he says in a disgusted tone. His hair is stringy wet with rain water, and he chuckles when you meet his gaze with an amused smile.
“You’ll have to let me paint it like that, someday,” you respond, and he laughs lightly.
You take a seat on the folding chair previously occupied by Q, and Hyunjin assumes his same spot on the wooden stool. For a moment he says nothing, observing your face as you tap your fingers along the metal of the chair below you. There’s not a sound in the room between the two of you, with the exception of a small creak coming from the wooden stool as Hyunjin adjusts his long legs. He runs his hands through his hair nervously, and then he licks his dry lips with his tongue before speaking.
“I have something for you,” Hyunjin says suddenly, his voice echoing around the empty room.
He stands up to pull his bag off the floor, and then he digs around in it for a moment before pulling out his sketchbook. You watch as his slender fingers open the spiral-bound cover, flipping past pages upon pages of sketches and paintings. He flips close to the end, and then he stops, bookmarking the page with his index finger before turning the book to face you.
“I’m sorry if you don’t like it,” he says, keeping the book shut in anticipation. “It’s just something I drew.”
And then with bated breath, he opens the book out to you, adjusting the page in your view to give you a clear sight of its contents. It’s a carefully drawn sketch, of you, standing in front of an easel with a brush in your hand. Painting, like you always do. You recognize the scenery around you as the spot he took you to the other day, the long charcoal streaks perfectly capturing the grass that surrounded you and the tall trees that overlooked the hills. Although it’s a sight familiar to you, it also feels so foreign, seeing yourself through somebody else’s eyes. It feels peculiar to remember people also perceive you while you paint. It makes you feel less unimportant, a little more visible.
“Wow, Hyunjin, this is…”
“Do you like it?” Hyunjin interrupts.
“It’s so lovely. Really. I feel like I don’t deserve this.”
“You do,” he’s quick to respond. “You’ve drawn countless ones of me. And of so many other people. I wanted to gift you one of your own.”
You run your fingers along the thick paper, watching as Hyunjin tears it along its perforation and hands it to you.
“Please, keep it,” he urges.
And you bow once in response, turning to set the drawing along with your bag so you won’t forget it.
“Thank you,” you finally say. “I love it. I’m going to hang it with all my favorite art.”
Hyunjin smiles in response, a breathy chuckle escaping his lips, and then he shoves his hands in his pockets again, leaning against the wooden stool as a silence falls over you both.
For a moment, you ponder what to say to him, wanting to explain the events from the other evening, but unable to verbalize anything amidst your nervousness. Any way you think about it, you fear Hyunjin is going to get mad, especially considering you’d just walked away from him in the face of confrontation. But you also couldn’t help it, his accusation coming so suddenly and so boldly, regardless of it being based on any sliver of truth.
“I’m sorry,” Hyunjin breaks the silence. “I don’t know if I was right or not. But it wasn’t my place to ask you.”
You nod at him, initially planning to divert the topic. But you can’t any further, a growing urge inside of your chest to unveil the truth to him, knowing he’s already pieced this much of it together.
“It is my painting,” you say finally, your voice shaking a little. “I specialized in those ones before portraits. They kind of gained traction when they were first unveiled, and a lot of galleries picked them up. But they drew a lot of criticism, and it became so draining to be the topic of people’s judgment. I think being perceived so heavily just kind of… scared me off. So I shifted to portraits instead, and I no longer do public showings or galleries.”
Hyunjin doesn’t react in a shocked manner, nor does he press you for questions immediately. He just nods, taking in your words, and then he meets your gaze with a concerned expression.
“I learned so much from you,” he explains. “When your paintings were unveiled at the annual art show across the city, I was so mesmerized. They’re why I started painting, too.”
You chuckle lightly, shrugging at him as you slouch back in your seat.
“Yeah, well, I don’t do them anymore.”
You think over your response for a moment, and then you stand up from your seat, too, furrowing your brows together.
“How did you… know it was me?” You question, cocking your head slightly.
“I had a hunch when I first saw your painting techniques. But I also knew it the moment I saw your other paintings in your sketchbook,” he explains. “My favorite painting of the series is printed out and taped to my locker in our dance studio. It just felt like you. I paid attention to your art for years. I was bound to know it when I saw it.”
You nod for the umpteeth time tonight, making sense of his words as you think back to the signature you drew in front of him back in the field.
“I’m sorry I figured it out,” Hyunjin says finally. “I know this was an elaborate plan to remain anonymous and shift your focus to a new form of your work. And your portraits are amazing. But you have a real talent for those older ones. And the whole series just… it changed me.”
“You don’t have to be sorry,” you tell Hyunjin, looking up to meet his gaze at last. “If anyone was going to find out, I’m glad it was you.”
“You are?” Hyunjin questions, and you hum in response.
“As a client, you have this really interesting way of making me feel seen. When I’m around you, It feels a lot more comfortable from the businessmen I’m used to. It’s like…” your voice trails off as you struggle to finish your sentence. “I feel like I did when I was painting my old stuff. I can see the world beyond just portraits for a little bit.”
Hyunjin says nothing, his eyes flickering down to your lips and back at your eyes once more, which are wide with curiosity and passion as you speak. It’s such a sight to see you talk about your art with this level of devotion again, color in your face once more as you attest to your life’s work.
“Tell me,” Hyunjin begins. “Why are all your paintings so lonely?”
You chuckle softly, shrugging up at him.
“I am lonely,” you say simply.
“I’m lonely, too,” Hyunjin remarks.
And your expression turns serious again, your eyes not leaving his intense gaze as he flickers over your parted lips and takes one step closer to you. He’s towering over you at this point, a strand of hair falling into his face as he lets himself lean into you a little more, just barely grazing his lips over yours.
“Can I please kiss you?” Hyunjin asks so politely, his voice coming out in a whisper as he stops himself from pressing his lips to yours while he waits for an answer.
“Yeah” you finally reply in a whisper of your own, almost on your tippy toes to match his towering height.
And then without another second to waste, Hyunjin closes the gap between both of you, leaning down to press his plump lips to yours and embrace you in a tender, desperate kiss.
He tastes like mint, his lips working against yours with no particular rush, yet his mind still running rampant with thoughts of having you as close as possible. It feels so wrong kissing him here, in the studio you strictly use for the purposes of completing your work-related tasks and nothing more. But with Hyunjin’s lips on yours and his slender hands snaking around the small of your back to pull you closer, it also feels so thrilling, instilling a sense of desire deep within you that can only be fulfilled through acting upon the emotions rooted in your innate fascination with Hyunjin’s entire being.
And you feel visible right now, so tangible when Hyunjin’s nimble hands are running down the sides of your waist and sprawling his delicate fingers along your flesh. It’s you kissing him here, not some shell of who you are when you’re capturing the essences of millionaires on canvas. You’re not the scribbled outlines in Hyunjin’s sketches of couples consuming each other with such passion, though you mirror them. It’s you, child prodigy artist turned portrait specialist, and Hyunjin, in all his fame and splendor, who chooses to spend his free time with you in this studio teaching you about yourself the way you learn from him, too.
Hyunjin’s hands move to tug off the fabric of your cardigan, slouching it off your shoulders and letting it fall to the floor, where it piles in disarray among the white tarp that houses loose paints. You’re pretty sure there may still be wet paint on its surface, but you don’t care, your body desperately arching into Hyunjin’s tall frame as his hands cup your cheeks to kiss you even deeper.
You can barely reach him while his frame looms over you, only able to reciprocate his kisses on the tips of your toes as he takes full control of you with his mouth. And Hyunjin seems to take notice of this, intertwining his hands in yours and pulling you down with him as he sits among the tarp and sprawls his legs out in front of him. You bestride his lean figure, balancing yourself on his lap as he adjusts himself on the concrete floor, and you both laugh when you take note of the admittedly uncomfortable positioning. It’s not meant for lovers, this dinky studio and its cold, concrete flooring. But it’s nothing that can’t be overlooked when his lips are back on yours, kissing you breathlessly and tucking strands of hair behind your ears. You can feel him smiling into the kiss, an indication by Hyunjin’s definition that he’s wanted this so badly. And he knew it from the moment you walked into the company building the first time, nervously preparing yourself out in the hallway like you weren’t going to be an absolute pro at your craft the way he now knows you are. He also knew it every time he observed your paintings, both your old ones and the newer ones that capture Hyunjin with such ease, every minute detail that builds up his intense stare only to break him down and soften him, translating this multifaceted version of him only you seem to visualize. And he gains confirmation of it when he’s finally acting upon his urges, your hands snaking around the back of his neck and moving in tandem with his hungry kisses against yours, grasping at his flesh like you’re trying to prove to yourself he’s real, too.
His sweater is the second article of clothing to go, your bodies only separating from one another briefly as you guide the knit fabric off over him and discard it beside you in the tarp. Your hands find his torso reluctantly, running your fingers along his flesh as though asking for his permission. And Hyunjin smiles when you do, placing his hands over yours and pressing down a little firmer for you, so that you can feel every inch of his toned body. He wields the body of a dancer, delicate curves that run along his sculpted obliques and highlight the years of intense training he’s done. His body feels strong underneath you, but he still feels soft, his touches exuding the gentle fondness he possesses for you.
And you’re kissing him again, all while his hands find your tank top and he separates to undress you, pulling it off over your head and tossing it aside. His hands are quick to find your breasts, splaying them over the mounds of your chest and massaging gently as his kisses turn hungrier. You can feel him getting hard underneath you, and you can hear his breath hitching in the back of his throat as he struggles to contain his growing bulge while you straddle him. But you indulge him even further, undoing the clasp of your bra with your own hand as you continue kissing him. Hyunjin doesn’t notice until your hand reaches out to toss your bra aside, a gentle rustle emitting from beside you as it joins the pile of discarded articles of clothing. And he separates to take in the sight of you, raised goosebumps along your bare skin and your nipples aroused for him, the cold air grazing over your chest as you wait for him to resume his touches. Hyunjin gasps a little, leaning forward to take one in his mouth, and then he begins to suck harshly as his tongue swirls around your bud generously and trails saliva along your skin. You moan at the sensation, Hyunjin digging his fingernails into the small of your back and leaving little crescent marks as his sucking resumes harshly, soft moans bubbling from the back of his throat, too, as he stays latched to you. And then he pulls away to give attention to the other one, his teeth grazing the tip of your nipple before sucking again, his eyes shutting as he relishes in the taste of your skin in his mouth. Hyunjin’s hips rock gently against you as he does, chasing the friction of your legs around his crotch as he grows even harder beneath you, desperate for some release. And then he pulls away finally, breathing heavily, his eyes wide with lust and a bead of sweat dripping down his forehead. You bring a thumb to his forehead, swiping the bead off his blushed skin, before cupping your hands around his cheeks and bringing him in for a kiss.
“Please let me fuck you,” Hyunjin says sheepishly against your lips, groaning lightly when he feels you squeeze your thighs once against his crotch.
“You want to?” You ask teasingly, massaging your hands up and down the sides of his neck as he nods eagerly.
“I really, really want to,” Hyunjin responds, shutting his eyes as you squeeze your legs again and pepper his face in kisses, trailing from his forehead, to his cheeks and down his neck. Hyunjin leans back on the palms of his hands in a state of pure bliss, taking in the sensation he’s only dreamt of until now. And when you nibble down on his neck, beginning to suck a small bruise into his skin, he sits up suddenly, his hands finding yours and pushing you away gently.
“Wait,” Hyunjin says. “I can’t… do hickeys. Company’s orders,” he admits, a little defeated, and you nod your head quickly.
“I’m sorry,” you remark. “I totally forgot.”
“It’s okay,” Hyunjin almost cuts you off with a kiss, leaning forward and sitting up on his knees. He guides you down onto the tarp, hoisting himself up over you so that his figure is now hovering over yours, and then his hands find your pants.
“You can do hickeys though,” Hyunjin says in an amused tone, trailing kisses down your neck the same way you did him, and latching his teeth onto your flesh to suck a line of purple bruises. You chuckle underneath him, the sensation tickling a little, but still adding to the generous pool already formed between your legs. And as Hyunjin presses into you with his kisses, you can feel his erection graze your upper thigh, once more seeking the friction of your body for some sense of relief as he longs to feel you around his hardened cock.
“Hyunjin,” you voice as he kisses you, and he hums quietly in response.
“You’re hard,” you remark, your eyes flickering to the tent pitched underneath his jeans.
“Sorry,” he replies, pulling away with a worried expression in his eyes, and you shake your head quickly.
“No, no, it’s fine,” you assure. “I just want to take care of it for you.”
And your hands find your own jeans, pulling them off your legs and tossing them aside. Hyunjin’s eyes skim over your lace panties, the trim almost see through with delicate feminine patterns, and he begins to undo the button of his jeans, too.
He kisses you as he snakes off his own pants, not wanting to separate from you any more as his eagerness grows to be as close to you as possible. And when he’s finally letting his hard cock rub against the fabric of your panties, moaning softly at the sensation, he knows he won’t be able to take it much longer if he doesn’t make love to you right here in the studio.
So his hands work to pull off his boxers, finally freeing his erection against his abdomen and gasping with the cool air grazes the tip of his cock. You slide off your own panties as well, tossing them aside and letting his cock rest against your bare flesh now, his precum painting your clit with his preemptive arousal as he ruts against you. Your flesh is slick with his arousal and yours, the existing lube between both of you allowing your skin to glide upon one another so effortlessly, the same way your lips work against each other. And he continues to push his hardened length against you until he’s halfway inside of you, your cunt taking him with no struggle as he thrusts inside of you now. You adjust to his thick girth easily, his length seemingly never ending as he pushes deeper and deeper into you. And then he gives one particularly hard thrust, bottoming out inside of you and coaxing a fervent moan out of you.
“Is it okay?” Hyunjin asks, wincing at the sensation of your walls hugging his erection.
“So good,” you whine, tears pricking the corners of your eyes. “Feels so good.”
And he begins to move in and out of you at a slow pace, trying his best to stave off the orgasm he’s already close to reaching as he fucks you, filling your cunt entirely with his long cock and bottoming out every time he thrusts himself back in.
And he tries to kiss you, but he can’t, his mouth simply looming over yours in its parted position as he echoes his moans into you and lets his saliva-coated lips graze over you. He looks like the subject of an erotic painting himself, eyebrows arched up so artistically with every thrust, melting into your touch as you run your hands through his hair. His initial dominance over you is quickly shifted to that of submission to your mind and your body, little whines leaving his lips as he lets you consume him whole and mold him between in your touch, like he’s made of clay and you’re the sculptor. His lanky body seems to extend as he sways his hips into yours, little dips from the pads of your fingers embedding into his pale skin. He folds effortlessly above you, the points of his elbows jutting out as he steadies his body over you, like he’s made of wire and positioned to balance over you so perfectly, not very sturdy, and yet bent and snapped just right so that he can remain glued to you. And if you were to climb out of your body and paint this exact moment, all you would see are an indistinguishable, amorphous set of limbs that seem to dissolve into each other like hues of paint on a palette. Two colors swirling around to make one, the two of you like primary colors that create endless possibilities when mixed together like this, offspring of a hundred different shades, painting the darkened studio around you with your yearning for one another.
And as Hyunjin brings a hand to stroke your cheek gently, a smile grows on his breathless lips as he realizes he’s brushed a thick stroke of wet paint along your skin. The indigo stripe contrasts coldly against your flesh, still glistening in its freshness like he’s just begun on a blank canvas.
“It’s paint,” Hyunjin says as you gasp at the cold sensation, smiling too, when he swipes it again with his thumb and flashes it down at you.
And you chuckle lightly below him, taking note of the bright orange streak that lines his neck, just below his adam’s apple. You’re not sure when it got there, or whether it was from you or him, but you run a finger through it too, bringing it to his cheek to rub your thumb lovingly across his face and paint it there, too. And in one swift motion, Hyunjin swipes the palm of his hand along the tarp, coating it in hues of indigo and deep violet and gray, cupping a hand around your breast to coat it in the same wet substance. And you do the same, your hand dipping generously into the myriad of reds and fuchsia paints that live below you, running a hand down his chest and painting a long stripe along his toned torso.
You both laugh, as he picks up his pace again, pushing himself to the hilt inside of you, the paints melting together with your sweat as he fucks you rhythmically again. And like two blank canvases finally being put to use, new colors blossom between the two of your longing bodies, shades of magenta and blue-gray making themselves known across your breasts and his torso. The colors are vibrant and robust, transferring life from the dull tarp of the studio floor onto blank slates of skin. You wish you could step out of your body and capture the colors forever, mix paints together into little jars and name every shade after every feeling Hyunjin’s ever given you. Longing, lust, fear, fascination, infatuation, obsession.
“I think I’m obsessed with you,” Hyunjin breathes into your mouth so desperately. “It’s indescribable, the things you do to me.”
He lets his hands intertwine with yours again, giving them a small squeeze as he fucks you a little faster now and lets his groans shift into small whimpers that escape his lips.
“Please let me cum inside you,” Hyunjin begs, his cock slipping against your cervix with ease as wettened noises of his arousal pooling against yours fill the room. “Please, please, I promise to take care of you, baby. I feel like I belong here.”
He’s a whimpering mess for you now, tears pricking the corners of his eyes as he fucks you and lets his hands explore every inch of your body. You want to cry, too, at the realization again that this all feels so tangible, that he makes you feel so seen when he’s hovering over you, placing open-mouthed kisses onto yours and letting his melodic moans fill your ears. The paint between you serving as proof that he’s touched you so desperately and wholly, creating art together in the confined space of your otherwise dull studio. And you want to feel him cum inside you, too, as a final reminder that you’re visible to him, that you’re no longer a fleeting, anonymous artist when you’re with Hyunjin. That he sees you for exactly you are, he knows your deepest secrets, and yet still he holds you, whispering words of permanence in your ear and letting you mold him like art. He’s an artist on his own, and he’s art at the hands of you, both of which draw you to him in ways you can’t begin to fathom, unlike anything you’ve felt before. And he teaches you that you’re an artist on your own, and art at the hands of a lover, both of which you hadn’t considered before Hyunjin, deeming yourself invisible in your comfortable solitude to the vast world around you. But the two coincide to echo the same sentiment that he teaches you exactly the way he also learns from you.
“Cum inside me,” you breathe desperately, grasping his hands a little tighter as he fucks you at a faster pace now.
“Yeah?” Hyunjin confirms, still staving off his orgasm until your verbal consent is heard.
“Yes,” you respond, wrapping your legs around his waist and making your best attempt to kiss him through his release. And you do, your lips moving against his in labored breaths, as he finally twitches inside of you and paints the inside of your listless body, hues of glazed white arousal filling your aching cunt as he whimpers through his orgasm.
“Fuck,” Hyunjin, breathes, giving a few more thrusts as he slows, his arousal dripping onto the tarp below you as he pulls out. And he rolls over to lie beside you, a mess of paint streaks sprawled out along his skin as his chest rises and falls with slowing breaths. The two of you say nothing for a moment, your eyes glued to a blank canvas housed on an easel in front of you.
It’s an almost blinding shade of white, begging for an ounce of color like the shades that now live on your skin. And through your heavy breaths, you picture the endless possibilities that can fill in the empty spaces above you. Grasslands, trees, oceans, clear waters and a vast, endless blue sky…
*
There is no overseas schedule Hyunjin has to tend to. You’re already aware of this, Hyunjin explaining to you that he made it up to put the sessions on hold and to keep Q from pressing him with questions.
But he resumes the sessions after a few weeks of putting them on pause, because he can’t seem to stay away from you any longer.
Hyunjin reckons he has a couple dozen of your paintings in his room now, all similar portraits of his face, portraits you capture in your signature formal essence, his face staring straight ahead or off in the distance, complete with the fine details of his long dark hair and the mole under his eye.
Only now that Hyunjin is back, Q is present at nearly every appointment. You’re not sure why things changed, and Q maintains a new stance to Hyunjin that the guidelines are based on adjusted company policies. But Hyunjin will do just about anything to be close to you- even if it means putting up with your obnoxious boss breathing down your neck every minute while you paint him.
The sessions are somehow even more unnerving than they used to be, Hyunjin still making every valiant effort to convey his obsession with you through intense stares and little gestures only the two of you can read. Q is obstinate in his ways, his gaze constantly flickering between you and your paintings to ensure everything is going swimmingly. But Hyunjin wishes so badly he could spend the entirety of these sessions alone with you, getting to break down your walls and see you for the person he knows you are when you’re not doing portraits under Q’s all-seeing eye.
With every passing day, and every passing session, Hyunjin grows a deep hatred for Q, despising the way he watches you work and chimes in to converse with the two of you. And he knows he shouldn’t, aware that Q is just your boss and nothing more. Something you’ve reiterated to him time and time again, but he can’t help it, desperate to have you all to himself every second of the day, a deep-seated longing to protect you from the hurt you’ve been dealt and wanting so badly for you to break free from the monotonous cycle you’ve confined yourself to of painting for anyone except yourself.
You can tell Hyunjin hates Q, judging by the way he doesn’t so much look in his direction when he arrives for his sessions. But you can’t convey the slightest bit of reaction in front of either of them, too scared of the prospect of what would happen to your career if anyone were to find out you’re fucking a client.
You maintain a professional composure around Hyunjin, despite the knowing stares he gives you and the sketches you catch him slipping into your purse when Q isn’t looking. At times he’s not around, you complete your daily tasks, well-mannered and organized to the clients who hire you, shooting them kind smiles and complimenting their black business attire when they show up for the evening. When the days draw to a close, Q is punctual as always, leaving just minutes past your last appointment and taking his work home with him.
And when his sleek black car turns out of the corner of the parking lot, Hyunjin slips inside like a mere shadow on the wall, quick to seduce you all over again and gift you with all of his recent sketches. Some of them are portraits of you, smiling or focused on your work. Some of them are erotic nude shots of you, lying on the tarp of the studio or touching yourself the way he pictures you do when you’re all alone. And some of them include both of you, your bodies tangled desperately into each other and drowning in your yearning and love. Sometimes nude, his hands on yours and fucking you mercilessly. Sometimes fully clothed, his lips on yours and bundled up in winter clothes. But always together, always desperate in your touches and always so tangible. You reckon he’s persuaded you into being fucked you on every surface of the dingy studio by now- against the canvases, on the tarp- several times, on the table Q typically occupies and just about every stool available to the two of you. And while Q is oblivious about why you stay a little longer every night, Hyunjin is both calculated and persuasive in returning so you two can get some time alone, time that always ends with his seed dripping out of your still-aching cunt, bodies entangled somewhere within the studio and covered in fresh swatches of paint.
He may have somewhat of an obsession with you, but life is teeming around the studio when Hyunjin is near, the colors and shapes of your work much more robust and vibrant when he’s striding around the space commenting on all his favorite pieces of yours. And you relish in stories of his days, typically spent at fan events or at dance practices. Having him return feels like having your physical figure return home to you, the world in complete equilibrium when he’s near, much less lonely than the one you’re used to.
“I could watch you do this forever,” Hyunjin remarks, watching you glide a brush along your canvas, filling in the shadows of a figure on the canvas in front of you.
And this one’s not a portrait- it’s a watercolor figure, much like the ones you used to paint back then, the technique coming back to you with ease as you highlight the convexes of a body mirroring yours and add varying hues as highlights.
Per Hyunjin’s request, you paint the figures occasionally, only because he’s repeatedly expressed his fascination at watching you complete the process in a live session. The paintings reminiscent of your old work aren’t for sale, nor are they critiqued by anyone except for yourself. And they’re certainly not done with the knowledge of Q, who would turn irate at you utilizing the studio’s supplies for anything but portraits.
They’re just for his viewing pleasure, a little exchange you indulge him in as he continues to gift you with sketches of his own.
Hyunjin’s arms snake around your waist as you paint, his head resting on your shoulder as he watches you dip your brush into a mug of water and dilute the caramel shade that taints the bristles.
“Will you add a second one?” Hyunjin asks in a curious whisper, his lips grazing your ear as you paint.
“A second one?” You echo.
“Yeah,” Hyunjin says, working a trail of kisses down the shell of your ear. “This one’s you. Will you add me?”
You chuckle lightly, dipping your brush into a warmer shade of brown and swirling it around to gather the color on the fine hairs.
“So they can resemble us,” Hyunjin says, his kisses traveling even lower. “Paint me fucking you the way you like it.”
You chuckle softly again, not missing the way Hyunjin’s hands travel to your skirt, flipping it up to graze his hands along the mound of your upper thigh.
“Hyunjin, I-” you begin to say. But you can’t answer him, shutting your eyes in pleasure as you hear him unzip his jeans behind you and position himself.
“Keep painting,” he says in a sultry whisper, pumping himself lightly behind you as he pulls your panties down.
And you try, bringing your brush to the canvas to add a second figure like he’s requested. But you can hardly make it past the first few strokes before Hyunjin’s sliding into your dripping cunt, letting his hands grip your waist to steady himself as he begins to move.
“Go on,” Hyunjin encourages, as his hips thrust in and away from your trembling figure, your hands trying their very best to keep hold of the little wooden paint brush and fill in his form.
You manage to add a subtle few streaks, beginning the amorphous outline of Hyunjin’s hair, his tall lanky figure towering over yours and taking you with such desperation.
But you don’t get very far before Hyunjin is angling your face to kiss your drooly lips, his hands now finding purchase on your breasts as he continues to fuck you. And all of this is wrong, you know very well. You’re not supposed to be sleeping with a client like this, much less one this powerful, this rich and who wields so much he can hold against you. One slip up and Hyunjin can go tell the world about how you’re the artist who disappeared to sell yourself out to rich men for all their selfish needs. And any option you have to defend yourself would never hold up against his wealthy corporation and all its investors.
But you also can’t help but give into his urges when he’s around, his lips so tantalizing on yours and his cock filling you so fully and completely when he has his way with you.
Maybe it’s not even just about the sex for you- maybe it also has something to do with his stories you live through vicariously, listening to tales of the outside world while you’re trapped in this studio or at the businesses of wealthy men. It’s also the drawings he makes for you, ones you find yourself staring at for hours after he leaves, like proof that he was here and he touched you. The drawings are you in your most tangible form, his hands on yours and his lips on the curves of your neck. It’s like a glimpse into a version of yourself that ceases to exist when he’s absent. And it’s the late hours of the night he spends asking so politely to watch you paint your older work, always so fascinated with the way your mind conjures up varying lonely figures crafted from watercolors and a nylon bristle brush. Older work you hadn’t realized you missed so dearly until you began producing it for Hyunjin again.
But you know that to Hyunjin this is just a exhilarating idea for him, to view your art the same way he carves out a couple hours each week for a museum tour or to sketch in one of his books. He probably finds it more convenient to fuck you here where nobody’s around than to stroke himself in a dorm he shares with three other men. And you can feel it in the way he so desperately pleads you to paint for him or cum for him- that his obsession with you is less about you, and more about the thought of you.
Maybe this is just the result of Hyunjin uncovering a secret nobody else paid close enough attention to connect you to. Or the thrill of you being his favorite artist for years, and realizing you’re finally tangible in front of him, real, and not disappeared like he previously took you for. You reckon it must be the same phenomenon other girls feel toward him, getting intimate with somebody they idolize, desperately cupping his face like it might dissipate if they don’t grasp hard enough. But just the thought of somebody doesn’t imply love. It doesn’t imply a mutual understanding, and it certainly doesn’t imply permanence for either party involved. When he’s gone again, you’ll cease to be real like you already are when he’s not around. And then every vision you have will be rooted in unfaltering solitude once more, your anonymous life resuming again.
“Will you cum for me?” Hyunjin asks, and you snap back to the feeling of his cock twitching in your dripping cunt as he grips your waist. “God, you don’t understand what you do to me.”
You can’t give him an answer before you feel him reaching his release inside of you, shooting thick white ropes of his cum into you and slowing his pace again as he moves your hair away from your face.
“Fuck, I’m sorry, I couldn’t help it,” Hyunjin says sheepishly as he pulls out. “Sit down for me,” he orders between kisses to your neck, trailing down to your shoulder, grazing his hands along your waist and groaning against you.
And he’s already guiding you back to one of the stools, kneeling between your legs and spreading you for him, your glistening cunt on full display for him to taste.
“Want you to cum for me,” Hyunjin whispers, before positioning one of your legs on the wooden dowels of the stool. You can’t verbalize anything to him before his tongue is darting into your entrance, lapping his own release out of you and trailing up to give attention to your swollen clit. He works you in such desperate motions, tongue working your core like a starved animal and eagerly trying to coax an orgasm out of your trembling body. When his arousal is effectively brought out of your tight cunt and painting the tip of his tongue white, he coats your clit in it, giving kitten licks to your bundle of nerves as he hums against your flesh and whispers little pleas for you to let go.
And between your pussy still clenching down around the sheer memory of his cock inside of you mere minutes ago, and his plump lips kissing all over your wettened core, you do let go for him, dribbling cum down the edge of the wooden stool and threading your fingers through his hair as he trails kisses down to your thighs in encouragement.
“So good,” Hyunjin murmurs as he comes up for air, intertwining his fingers in yours as you get cleaned up. You shoot him a little “thank you”, and Hyunjin presses a chaste kiss to the back of your hand as he nods, getting dressed once more and tucking his softened cock back into his boxers.
“Come here,” he states. “I want to ask you something.”
“Should I be concerned?”
“It’s exciting,” Hyunjin retorts.
He guides you to his same wooden stool, where he climbs upon the seat and then takes your hands in his again as you stand in front of him, pressing a small kiss to your palm before speaking.
“You know I care about you, right?” He begins, his eyebrows raised curiously.
“You’ve mentioned it,” you reply.
“And you know I love your art.”
“So you’ve told me,” you say, and Hyunjin brings your hand up to press another kiss to your palm.
“I have a proposal for you,” he then says. “And I just want you to hear me out.”
Your heart sinks at his words, already fearing the worst as you wait for him to elaborate. You pray he hasn’t done anything to reveal your identity, or to make these secret erotic sessions public, knowing you’d both never live a normal life again at either of the instances occurring.
“What is it?” You ask Hyunjin, heart racing in your chest.
He rubs his thumb along the back of your hand soothingly, trying to calm you down before he speaks.
“I privately sponsor the art gallery every year,” he begins. “I put some funding toward a painting of my choice and it allows those artists to have their pieces displayed for the winter show and make connections,” he continues.
“Okay…”
“And I want to sponsor you this year,” Hyunjin finishes, giving your hands a little squeeze.
“Hyunjin, there can't be an installment of your face at the art museum. People will get suspicious.”
“Not my face,” he says reassuringly. “Your art. Like the ones you used to do.”
And you feel your throat dry up at his words, the exact thing you’d feared coming to fruition.
“I can’t,” you’re quick to say.
“Why not?”
“Because I don’t do those paintings anymore. I can paint you, or another person or whoever. But I can’t do one of my old ones.”
“But your old ones are beautiful,” Hyunjin says. “It doesn’t have to be your old series. You can start a new one. Do something entirely different.”
“I don’t want to do something entirely different, Hyunjin. It’s a chapter of my life that’s been closed already. You know I don’t do those anymore.”
Hyunjin maintains his collected composure, his eyes softening as he speaks to you.
“You’re not happy doing portraits. I know you. You have a spark in you when you’re painting for yourself, and people love them. You deserve to be doing what you love.”
“I’m sorry,” you say, letting go of Hyunjin’s grasp and shaking your head. “I’m so grateful for the offer, but I can’t put myself back out there again.”
“You can still be anonymous,” Hyunjin offers. “Some artists I’ve sponsored choose to remain anonymous and only reveal to serious patrons of their art. I can make sure they don’t find out who you are.”
“It’s me and my art I don’t want to be seen,” you emphasize.
Hyunjin doesn’t say anything now, rising from the wooden stool and reaching for the iced coffee he’s placed on the table beside you.
“Okay. I won’t press it any further.”
He swirls the cup of ice around in his hand, and then he hangs his head in defeat.
“Hyunjin, seriously. Thank you for the offer. It’s sweet of you to consider it. But I’m not ready yet.”
He shoves a hand in his pocket and cocks his head slightly.
“Is this because of Quinton?”
“What? Hyunjin, I already told you our relationship is strictly professional-”
“Not romantically,” Hyunjin continues. “You’re like a slave to him. You do everything he tells you to do. He probably doesn’t let you leave this studio.
You’re quiet again, not answering him immediately. No, you don’t stay here at Q’s behest. But it just feels safer to follow his advice. He was just a client when you met him, but he took you under his wing to get you where you are now. He runs all your schedules, he books your appointments for you, he even gives his say on most of your work. He’s the only part of your old life that’s remained the same, despite your transition to portraits, and cutting him off would be stepping into a world completely unbeknownst to you.
“No,” you say finally, but you don’t expand further upon your stance.
“You’re so lonely here,” Hyunjin responds frustratedly. “And yet you follow orders from the same person whose job it is to keep you invisible.”
“Why should I follow your orders?” You retort.
“Because I love you.”
“You don’t love me, Hyunjin,” you reply frustratedly, finally feeling the anger overtake you as you continue your angered speech. “You love the idea of me. You love the idea of escaping your crazy rich life to try and resolve the tortured artist you’re so infatuated with. You love the idea of fulfilling somebody’s life with your presence because it’s all you do for a career. I’m not the person I was when I was doing those paintings- I do portraits now, and I work under somebody who knows what’s best for me. And you’re just a client I’m sleeping with.”
Hyunjin purses his lips, amused you would stoop that low for the purposes of declining his offer. And then he shakes his head as he speaks again.
“You’re right,” he finally says. “I’m just some client you’re sleeping with. I never tried to push you out of this line of work you hate so much, or drew you on every page of my sketch book or made love to you in every square inch of this goddamn studio. I’m not proposing this because I care about you and I want you to do what you love, it’s because I’m just a client you’re sleeping with.”
And he pivots on his heel to exit the studio, taking rushed steps toward the door as tears brim the corners of your eyes.
“Hyunjin, wait,” you call desperately.
“I see you,” Hyunjin says suddenly, turning around to face you. “I see all of you. Your work didn’t just materialize by some anonymous form. You’re a painter, a really talented one, and I don’t want you to feel this all-consuming solitude anymore. I say that because I love you, not just because I’m sleeping with you. If you want to remain invisible to everybody except Quinton, then be my guest. Just know that I tried.”
And without another word, the studio is empty again, the tip of your brush still dripping with the remnants of the warm brown color and every intention to add a second figure to your painting.
*
You don’t speak with Hyunjin any more that evening. Or the next day. Or perhaps for a whole week following the conversation, for that matter. The reality is that you want to partake in his offer, the thought of it candidly piquing your interest to paint something other than another rich man. And it would be nice to watch your art be displayed for people to see just once, rather than to live on the walls of a company where only people within a certain tax bracket will ever grace your work. But what you reiterated to Hyunjin still stands- you’re scared to venture out into the competitive world of art galleries again. Your old series was a hit, sure, but it was also torn down relentlessly by those who didn’t understand it and those who simplified it down to its medium. And it was a much harder endeavor to make people understand your watercolor forms, unlike the portraits Q advises you continue producing.
But you can’t seem to stop thinking of Hyunjin’s proposal as a whole, understanding very well that his offer is one of the kindest things he could propose to you at this place in your life. He sees you- all of you, and subsequently he knows that you’re unhappy in this monotonous abyss of adding new features to the same faces every day. The way a change for you is determined only by a shift in a client’s pose or even just an addition of their pet- it’s all so repetitive, exactly what art isn’t supposed to be.
Maybe you’re just scared of getting rejected again, or perhaps it’s that you’re scared of finally being seen again, anonymous or not, putting yourself on the map again and being perceived.
*
“I want a painting,” Hyunjin says as he saunters into the studio one evening, throwing off his bag and dragging a stool to the middle of the room.
“Oh- Hyunjin, pleased to see you again,” Q remarks, bowing and giving you a nervous look.
Hyunjin doesn’t even acknowledge him, keeping a stern gaze locked on yours as if he’s challenging you.
“We have the evening booked today,” Q begins. “But I’m sure we can accommodate something for next week-”
“I need it now,” Hyunjin replies. “I’m willing to pay five times your asking price.”
And you narrow your eyes at Hyunjin, knowing he’s making his best attempt to provoke you and disrupt the work you’re completing per Q’s orders.
“How do you want it?” Q then asks, not hesitating to put aside your entire evening for Hyunjin’s offer.
“I want to be in a suit. And I want to be holding a wad of cash. I want to look like an investor.”
“Interesting,” Q says, his gaze flickering to yours. “She can do it though.”
Q turns to face you, giving you a knowing look as he raises his eyebrows. “I’ll clear your calendar for today and we can stay and work on this piece.”
And Hyunjin looks to you, too, waiting for you to protest, to say something along the lines of a refusal to partake in the outlandish task. But you avert both of their gazes, readying your paint palette and gesturing to one of the stools in front of you.
“Have a seat,” you say plainly, void of any emotion or desire to fulfill the task. And by the way Q hovers over you, void of autonomy, too, Hyunjin concludes.
“How are things at the company?” Q asks Hyunjin, leaning in a little too close to you as you begin painting long strokes on the canvas.
“Fine,” Hyunjin says, not taking his gaze off yours. His eyes are narrowed like he’s challenging you, yet you don’t give him the reaction he searches for.
“You must be busy,” Q remarks, his hands folded behind his back. “It’s been a while since we’ve seen you here.”
“Yeah, and I’m sure you’re running her schedule like the fucking military,” Hyunjin retorts, cocking an eyebrow at him. Q takes a sharp breath, but he doesn’t argue, doing his best to keep in line at your highest-paying client.
“She’s pretty busy,” Q replies reluctantly. “But it’s nothing she can’t handle.”
Hyunjin doesn’t say anything, again waiting for you to chime in, but you still don’t, working on adding details to Hyunjin’s tresses on the canvas.
“This will be my final session,” Hyunjin then says, and your head snaps to meet his gaze.
“Is that so?” Q questions. “Going overseas again?”
“Indefinitely,” Hyunjin replies. “Not overseas, I’ve just no need for the paintings anymore.”
Your lips part as though to ask if he’s serious, but you can’t, not with Q here alongside you.
“I have so many of them now,” Hyunjin remarks, not taking his eyes off you. “It’s been a lovely time with the two of you, but I won’t be returning after this evening. I hope you understand.”
“Please don’t hesitate to reach out if there’s anything we can provide you with,” Q voices. “I hope we’ll remain connected with the peers at your company.”
“Oh, you will,” Hyunjin replies. “I’m sure the investors and the senior managers will love portraits of their own. She’ll have a lifetime of portraits to complete when I’m gone.”
You can feel a pit forming in your stomach, queasy at the thought of carrying on this task of capturing rich businessmen and ceasing your sessions with Hyunjin. He’s unmoving in his attempts to make you revisit your old art. But his begging has also been eye-opening, making you realize just how much you hate this line of work and having Q breathe down your neck.
Hyunjin has a point, you’re unhappy doing portraits. You love the watercolor figures you paint, you love your time with Hyunjin and the feeling of unending curiosity he instills in you. There’s no solitude when he’s around, filling every aspect of your life with such color and vibrancy like the figures you paint. And you learn from him just as much as he learns from you.
But the fear remains, the feeling of hopelessness remains, the perception that Hyunjin is only obsessed with an idea of you and that your career is far gone from the watercolor figures you painted so long ago.
And of course, that you require Q’s uncompromising presence in your life to be even close to successful. He’s the one who transitioned you to a successful career of portraits after your previous line of work fell through. And you’re not sure you can shift to a new focus without him to guide you.
“Hyunjin,” you say suddenly, garnering the attention of both he and Q.
“What is it?” Q replies, as though you’re referring to him. And you wish he wouldn’t be so… disruptive, making you lose your train of thought as Hyunjin waits for your words with bated breath.
“I’ve completed the initial outline,” you settle on saying. “It should be sent over to you in a couple days.”
And he nods, a somber, thin-lipped expression on his face as he understands you’re never going to divert from this path of fear you walk, one you’re forcing yourself to stick to.
“Thank you,” Hyunjin responds, getting up to leave again. “I’ll see you around.”
*
Private events are seldom actually private for Hyunjin. The interior of the gallery is organized accordingly so that patrons can mingle with their respective artists and all of the prestigious guests invited.
But the exterior is only private up the crowd control stanchions, where beyond it live hordes of people wielding all sorts of fancy cameras and cell phones, snapping photo after photo and analyzing every one of Hyunjin’s movements.
Hyunjin’s attending an art gallery today, the crowds murmur amongst each other, the message echoing all over the city and overshadowing the art itself, which hasn’t even been unveiled yet.
His departure from the black limousine he arrives in is met instantly with deafening screams, the repetitive click of camera shutters and commands for him to angle his face every which way. The people stop to stare at his fitted black suit, the long black hair he sports styled slick out of his face and expensive jewelry he flaunts as a clear indicator that he’s a sponsor of the evening’s show, alongside a long list of other wealthy individuals.
His hands remain tucked in the pockets of his black slacks, giving a gracious bow to the fans before making his way inside to the main event.
And the gallery is significantly more packed than he’s used to, people crowding every square inch of the marbled floors and admiring the intricate pieces of art. The curtains are pulled back neatly so that guests can roam freely among the halls, easels set up in neat rows and canvases mounted on walls to display all the sponsored works of art.
Hyunjin is quick to gravitate to the long white table pushed against the wall by the entrance, set up with generous servings of hors d’oeuvres. And in a bout of nervousness, he’s sampling the cheese platters and the varying flavors of wine, sighing as he swirls a glass of cherry merlot between his slender fingers.
He was supposed to be here sponsoring you tonight, unveiling your paintings for the world to appreciate once again, and so that he’d finally put forth the notion that you’re more than the halls of law offices your portraits exist in.
But that was three weeks ago now- three weeks in which Hyunjin failed to visit you like he’d warned he would. And three weeks in which neither of you reconnected, letting the temporary affair between you dissipate like the sketches he stopped producing of you, like the portraits he finished collecting from you. And like the hope he held onto that maybe you’d come around and entertain a life in which you aren’t so comfortable being invisible and inhibited at the hands of your Q. But that never came around, and although Hyunjin is frustrated with you, he misses you just as much, knowing very well he could spend a lifetime learning from you if only you let him. Now in the gallery he once dragged you to, where he admitted to having learned the secret you hid, he can only pray you know that he sees you for who you are, and not some invisible producer of your static portraits. That a life lived in complete solitude doesn’t have to be the answer to succumbing to your fears, even if it feels more comfortable than the perception and the critiques of others. And that although the idea of you was a lovely one indeed, he loves every part of you, not just the concept of you- and pushing you to grow was his way of making it known.
The gallery hosts are quick to introduce the paintings and their respective sponsors, a variety of them being under anonymous titles and names as they choose to remain hidden, too. But Hyunjin doesn’t wait around to listen to much of it, examining the paintings on his own in between nervous trips to the snack table, where he gets tipsy off a little too much cherry wine. It’s his first time not being a sponsor to a specific painting, instead having opted to donate a large sum to the gallery in his company’s name. But after you declined his invitation to be sponsored, Hyunjin didn’t see it fit to highlight the work of any other painting. It’s you he wants to see up there, proudly showing off your work and making a name for yourself in the industry again the way he knows you secretly want to. And he so badly wishes he could stop by your studio one last time to tell you that he’s not sure he can ever sponsor another painting again if it’s not one of yours. Your art circles his mind relentlessly, as do your words, your heart, your body and your real, tangible presence.
“Nice, isn’t it?” A voice says from beside Hyunjin. He almost jumps, the wine making him a little tired at this point in the evening, not having socialized with many people while he stands in the corner of the room and takes in the sight.
“Quinton?” Hyunjin voices plainly, scowling at his uptight demeanor as he leans against the table beside Hyunjin and crosses his legs.
“So nice to see our former highest-painting client,” Q responds. “And to what do I owe the pleasure?”
“I’ve never seen you at one of these,” Hyunjin chimes in. He then looks around the room frantically, thinking maybe you’d accompanied him to the event tonight.
“Don’t bother,” Q says, as he takes a sip of wine. “I’m alone. Just scoping out the competition.”
He’s quiet for a moment, swirling his glass of wine around in his hand before speaking again.
“She never had a portrait at one of these gallery shows. Said they felt too commercial. Of course her old stuff was shown just about everywhere. I think she was just scared.”
“You mean- you knew?” Hyunjin questions.
“Of course I knew. I led her career’s entire rebranding. Of course she didn’t love the portraits, but the money came to us like you wouldn’t believe. And coupled with her fear of these gallery walks and important figures, we had no choice but to compromise. I got her the opportunity to paint people like you. And she did all the work.”
Hyunjin doesn’t say anything for a moment, simply shaking his head and crossing his legs, too.
“She had a lot of people who believed in her art.”
Q shrugs. “She was free to walk whenever she wanted. Her fear kept her controlled, not me. I’m just another businessman for all she cares.”
And Hyunjin gives a small nod, finishing the last of his wine.
“Look, I can’t help but feel like I owe you an apology,” Hyunjin says finally. “I was just a little jealous whenever you were around. Not that there was anything going on, I just mean-”
“You think you’re the first client to have taken a liking to her?” Q interrupts. “I’ve seen it a million times. People want to take advantage and they get obsessed, and they start pulling crazy shit like offering five times the pay for a simple portrait.”
Q looks down to examine his leather shoes, adjusting the glasses that rest on the bridge of his nose. And then he sighs frustratedly before speaking again.
“I would know,” Q then says, doing his best to avert Hyunjin’s gaze. “She’s a tough one to crack. She loves her paintings, and being alone and I don’t think she’d ever give the time of day to a good man. Not even if he followed her to her next endeavor.”
Hyunjin nods at the marbled floor, and then his head snaps in the direction of Q’s somber gaze.
The way he speaks of you, the way he gets a little too close to you for Hyunjin’s liking- Hyunjin finally thinks he understands. It’s not just the fear of being perceived that keeps you from picking up your old life again. It’s the fear of abandoning Q, who so arrogantly feels like he’s owed something for helping get you back on your feet after you shifted your work’s focus.
He’s the only other person who knows your secret, and he holds it over you like it makes him more important than anyone else in your life. He reduces you to a lifetime of following his orders, likely because he’s bitter that he was never the solution to your loneliness. A wealthy businessman himself, it was Q who kept returning for paintings once not long ago, accumulating piles of your work and making every last effort to pursue you. But when he wasn’t successful, he convinced you that you were right about your fears, that it was your best move to take his advice and he’d keep you turning a generous profit as long as you stuck by him. Q was so hopelessly devoted to an idea of you, and when he couldn’t help you overcome your fears, he became the catalyst for your fears, instead.
“You and I are a lot of the same,” Q voices. “Two rich men with dreams just out of our reach. It seems money can’t buy you everything, after all.”
Hyunjin doesn’t say anything, swallowing nervously and looking at Q. And then Q shakes his head as he sets his glass of wine down on the table.
“Only I’ve never seen her willingly paint the same client so many times the way she does with you,” he finishes. “I guess she really liked being seen, after all.”
Q adjusts his glasses once more, and Hyunjin feels his heart sink at Q’s words, suddenly feeling overwhelmingly guilty for not having contacted you again.
“Could you tell her I stopped by?” Hyunjin inquires.
“Me? Oh no,” Q begins. “I can’t get in contact with her. No one can.”
“You- what? What do you mean?”
“Exactly that,” Q responds. “She told me she was done, and she walked out on me with a single watercolor palette and a notepad. She didn’t say anything else.”
“Did she say where she was going?” Hyunjin interrupts to ask, and Q shakes his head.
“She just left, and it’s been almost a month and she’s still MIA. Maybe she’ll come crawling back when she needs another rebranding.”
Hyunjin can feel his heart sinking deeper and deeper with every passing word that leaves Q’s lips.
He’s tried your cell phone- twice since leaving, and you never answered. But he assumed it to be a fleeting argument that would eventually make amends in due time when he could stomach visiting the studio again- not you running away from all of this for good.
“I have to go,” Hyunjin says frantically, chugging the rest of his wine and slamming his glass on the table.
“It was me who found her the first time,” Q says, not taking his eyes off the art across the room.
“What?”
“It was me who chased after her. After she disappeared. Don’t be surprised if she shuts you out when you finally do find her- I think I’ve already scarred her enough with my relentless attempts at persuasion.”
Hyunjin nods nervously, watching as Q cocks his head at the art, still averting Hyunjin’s gaze. And when he finally does turn to look at him, his eyes are glossy with tears, guilt painting every feature on his face.
“Could you just tell her I’m sorry?”
Hyunjin nods, though he makes no verbal promise to relay the message to you.
“Don’t do what I did,” Q emphasizes. “I think you’re the one person who makes her feel like art, herself. Don’t ruin this.”
*
“I forgot my ID today,” Hyunjin remarks to the security guard in the late hours of the evening. He’s met with a gracious bow, the same security guard opening the door and ushering him inside anyway.
“Don’t worry about it. Take as long as you need.”
The security guards all know Hyunjin very well now, taking note of the way his visits increased tenfold following your departure from the city.
At first he felt as though maybe he was searching for you when he’d come out here, any ounce of proof that you had indeed existed the way he remembered, and hopeful for the confirmation that you moved on to something new.
But as paintings cycled through their respective artists, and exhibits cycled through varying themes, it was a confirmation he never received, never finding a hint of you among the gallery. Thus, Hyunjin drew the hopeful conclusion that you’d escaped to a nicer city, worked on your old paintings again and made a new life for yourself, independently instead of under the overbearing presence of any other man. It’s what he wishes, at least, feeling disheartened every time he remembers you’ve very seldom lived any part of your professional career for yourself only.
The gallery is quiet at this hour, akin to the silent gray evening beyond its walls, and Hyunjin’s shoes squeak along the floors as he makes his way over to the curtains that veil the artwork.
New sculptures, by the same artist who had formed the paper mache ones. These ones are formed from wire and clay, the figures once again embracing each other in tender touches and dances. Hyunjin studies every careful bend and arch, making a mental note to sketch some of them when he gets a chance.
Another room houses a similar spread of modern art from before, these ones all coinciding with the warm lighting that hangs overhead, strokes along the canvases all housing similar warm-toned hues. He knows you’d love this installment and its careful attention to making use of color.
And the last room, the same little room behind a curtain, a small bench in front of a colossal canvas and just barely lit for his eyes to make out the scene.
Hyunjin’s seated before he can even examine the artwork, squinting carefully at the painting to get a better look. He even makes a conscious decision to put on his black frame glasses, making every attempt to get a proper look at the artwork in front of him.
Diluted hues of paint and water dance along the canvas, figured outlines he’s very familiar with, and the essence of solitude radiating from every brush stroke. Only this one isn’t one figure- it’s two, a warm-toned figure and a cool-toned outline holding each other in a tender embrace, their faces indistinguishable, true to the mystery of your work.
And between them, bright hues of paint, yellows, blues, magentas, fantastic mixtures of chartreuse and vermillion, all painted like brush strokes along their yearning bodies and illustrating a profound sense of togetherness, much more robust than the ever-present solitude.
“Visions of you in solitude,” reads the small bronze beneath the canvas.
As he cocks his head to make sense of the painting, he feels the leather of the bench dip beside him, indicating the presence of another patron. And at this hour, he doesn’t need to turn his head to understand who it is.
“There’s two,” Hyunjin says with a small smile, not averting his gaze from the painting.
“It felt incomplete without one.”
“Is that…”
“You?” You question quietly.
He nods in response, eyes scanning the swatches of paint between their bodies. It has to be me, he thinks. It has to be us.
“Maybe it is,” you reply. “I don’t disclose my processes to just about anyone. But you’re welcome to make your assumptions how you see fit.”
Hyunjin gives a breathy chuckle, finally turning to meet your gaze.
You look lighter- happier, as though you have the weight of your fears and reservations off your shoulders for once. Hyunjin can’t help but lean a little closer into you before stopping himself, knowing he can’t come in here to mirror the same thing Q once did long ago.
“You’re doing galleries,” he settles on saying.
“And they scare the hell out of me,” you respond, huffing a little at the end of your sentence. “But, it is nice to be seen again.”
He gives a little nod, and then his mind goes back to Q, who had asked to relay his version of an apology to you. But Hyunjin hesitates to speak of him, not wanting to taint your new art with the mentions of the old businessmen who took advantage of you.
“I’d have kept my distance if I knew how this went down the first time,” Hyunjin explains, hoping you’ll get what he implies. “It wasn’t fair of me to ask you to shift your focus. I just wanted you to be happy.”
You sigh for a moment, scanning the painting across from you, too, before turning to speak to him once more.
“Of all the clients I’ve painted, you were the first to ask about my vision. I think you do see me. And I think it was easier to say you loved an idea of me, because I couldn’t understand why you’d love any other part.”
Hyunjin nods, not taking his eyes off of yours.
“I learn from you the same way you learned from me,” you continue. “And you make me feel so seen. But I’m learning how to do that without needing you, too. Getting comfortable with my loneliness, I don’t think it’s something I was able to practice very much. At least not with…”
Hyunjin nods, not needing to hear Q’s name to know who you speak of.
“I understand,” Hyunjin voices. “And I want you to take all the time that you need. What matters is that you feel fulfilled, and that you’re not being pushed at the hands of somebody else. That’s more than enough for me to love you at a distance.”
And you nod at him, your heart swelling at his words as he turns to look back at the painting once more. The two of you stay there like that for several minutes, observing the way you’ve so carefully captured the togetherness you feel when you’re beside him. Swatches of paints that echo the color he brings into your life, and yet rooted in the solitude you’re still learning to be comfortable with. Visions of him in your own solitude, also creating a version of yourself that will continue to learn from him as much as he learns from you. And still art at the hands of him, both when you’re loving him wholly, and at this comfortable distance from each other.
And by the summer months, he’ll love you at a close proximity when you’re ready again, exchanging passionate embraces behind the curtains at galleries and making love to you in your shared apartment. He’ll continue to draw for you, and remain the biggest fan of the two-piece figures you illustrate with watercolors, capturing the same sense of togetherness and yet unwavering solitude that comes with breaking yourself down to the world around you. And the love will be reciprocated unconditionally by you, who finally feels seen at the hands of somebody who perceives you beyond just a concept.
But for now, he’ll remain right here, at this comfortable distance, allowing himself to learn from you as much as you learn from him. And the love will be undemanding, but it will be real, tangible.
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add yourself to the tag list here.
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sardonic-the-writer · 3 months
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𝐁𝐞𝐜𝐨𝐦𝐢𝐧𝐠 𝐀 𝐌𝐞𝐦𝐛𝐞𝐫 𝐀𝐭 𝐓𝐡𝐞 𝐇𝐚𝐳𝐛𝐢𝐧 𝐇𝐨𝐭𝐞𝐥 𝐖𝐨𝐮𝐥𝐝 𝐈𝐧𝐜𝐥𝐮𝐝𝐞
↳ warnings: mentions of cannibalism and porn
↳ song: hit the road jack—ray charles
↳ notes: i can't believe i'm posting this (derogatory)
masterlist | commissions | carrd
• You had decided to move into the hotel after a particularly flashy poster caught your eye
• You were just walking to your run down apartment from a shift at your work, messing with the frayed ends of your sleeves, when a burst of neon red and yellow entered your field vision
• It was a poorly drawn advertisement colored head to toe in bright hues and glitter, advertising a hotel that would offer you a shot of getting out of hell
• With a shrug and a tug of the poster, you slipped it off the brick wall and into your pocket
• It’s not like you had anything else going on, and a free room was a free room. Besides; if the redemption thing turned out to be real, that would just be an added bonus
• Upon arriving at the doorstep of the hotel a few days later with a duffel bag in hand and the other rapping against the front door, you were nearly knocked over by a thin demon with red cheeks excitedly asking if you were there to check in
• “Oh my gosh hi! How are you! Because you look amazing and oh my gosh I’m so happy you’ve decided to check in!” She all but shouted in your ear. Cringing slightly, you leaned away from her embrace to slip inside
• “I’m guessing you don’t get a lot of guests?” You asked slowly as she closed the door behind you, some nearby dust stirring up at the action. The inside looked to empty to be a hotel
• “Nope!”
• Your first sign that you were getting more than you had bargained for should have been the sound of scuttling feet as a small demon made her way across your feet to impale a bug on her claws. She was lightly scolded for ‘accidently frightening our new addition’ before running off with the insect
• "Sorry about that! Nifty is really passionate about her job." The demon next to you laughed nervously. You just shifted your weight and nodded awkwardly in response
• Looking a few feet over to the living area, there was a lanky fellow covered in fuzz and lounging on a sad looking couch. He was flicking through channels on a T.V. You caught them occasionally landing on one and laughing before moving on, never staying entertained for too long
• The demon caught your eye, and waved two of his four hands at you in a lazy greeting
• “Oh, that’s Angel Dust! Our other resident." The woman, you now knew as Charlie, fussed. “He’s been with us for a few months, and has shown incredible progress! Something I’m sure you will find yourself doing!” She bounced on the balls of her feet happily while steering you around by the shoulders
• “Uh huh.” You couldn’t help but nod slowly, only now noticing that the channels Angel had been focusing on were blasting various types of porn shows
• A hasty tour was promptly carried out through the rest of the building. You were shown different rooms, all in various states of decay, while simultaneously meeting the other hotel inhabitants
• A fierce lady with a spear— Vaggie, as she had been introduced as —didn’t seem too up for conversation, only giving Charlie a peck on the cheek and you a suspicious glare before climbing a pair of stairs to take care of something else
• Back downstairs, the local bartender didn’t even bother to look at you, instead mumbling something under his breath while playing cards with a snake like demon
• “Don’t take it to heart. Husk is a big sweetheart, really.” Charlie waved at you with a closed eye smile, missing the way that Husk flipped her off grumpily. “And that’s Sir Pentious over there! Besides Angel Dust, and now you I guess, he’s our only guest.”
• The snake simply offered a loud and hissing hello before demanding with theatrical outrage that Husk was cheating. At least you think it was theatrical outrage. He seemed high strung either way
• But by far, the most memorable staff member you met on the tour was a tall demon with a red suit and fluffy ears; the likes of which you and Charlie had barged in on as he ate a plate of what looked like flesh. Whether animal, or something else, you couldn’t tell
• “Finally, this is our facility manager, Alastor! He helps out with all kinds of things here, and will be a key element in your redeeming process.” Your cheery guide announced. She seemed to ignore the slight tension in the air as the other member in the room smiled tightly, but the feeling disappeared as the tall demon stood up in greeting
• “Why Charlie!” Alastor’s voice crackled with heavy static, reminding you of audio from a gramophone. Or perhaps one of those old fashioned radio’s. “If I knew we were having company, I would have made myself more presentable!” He chuckled without ever looking anywhere but you
• You had to tilt your head up to look at him completely. There wasn’t a wrinkle on his suit, and every one of his hairs sat perfectly on his head. Even his monocle appeared to be freshly polished
• “Presentable.” You said slowly and without emotion, aware of Alastor’s highetened gaze on you. “Right.”
• Charlie was quick to get you to your new room after that
• It was weird, trying to fall into a rhythm with a group of people that had already become so aquatinted with one another, but you managed
• The trust exercises were cheesy and took too long, chores were a daily task for everyone, and Alastor snuck around in the shadows too much for your liking, but at least you had a place to live
• Besides. Who was to say you couldn’t make a few friends along the way?
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i used to live in illinois. there are several joined cities there. twin cities. the two i knew of were joined to Japanese cities.
it was a very real heartfelt thing. there were big plaques and markers.
there was a very real warmth and human connection that was uplifting.
You know....like, actuelly, You guessed it- Love.
i was just thinking wouldn't be great if towns and cities had city council membres and community membres bring proposals for this, but for Iranian cities.
i realise it might be easier after the revolution is done. but wouldn't it be expressing more Love and faith and hope if these things were put into the discussion and planning phase now?
can't You just picture it?
new city gouvernements all around Iran receiving requests to forme twin city designations?
the rejuvenation of hope and Love and connexion to the world beyond Their parte of the world?
WE CAN SO FLOURISH AND BLOSSOM LOVE :)))
You're feeling it, right? :)))
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wingy-lalka · 5 months
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The Sphere Foundation has launched a petition calling for easier visas for LGBT people from Russia
Due to the recognition of LGBT as an "extremist organization," Sphere launched a petition calling on foreign countries that have signed international human rights conventions to ensure that visas and travel documents are easier to obtain for LGBT people and specialized human rights defenders from Russia.
Human rights activists emphasize that recognition of LGBT as an "extremist organization" will lead exclusively to mass repressions against LGBT people, especially those who publicly advocated for the LGBT community.
The petition is addressed to the Ministries of Foreign Affairs of the European Union member states, the UN High Commissioner for Human Rights Volker Turk, as well as representatives of the European Commission.
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steveyockey · 5 months
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Measuring purely by confirmed kills, the worst mass murderer ever executed by the United States was the white supremacist terrorist Timothy McVeigh. On April 19, 1995, McVeigh detonated a massive bomb at the Murrah federal building in Oklahoma City, killing 168 people, including 19 children. The government killed McVeigh by lethal injection in June 2001. Whatever hesitation a state execution provokes, even over a man such as McVeigh — necessary questions about the legitimacy of killing even an unrepentant soldier of white supremacy — his death provided a measure of closure to the mother of one of his victims. “It’s a period at the end of a sentence,” said Kathleen Treanor, whose 4-year old McVeigh killed.
McVeigh, who in his own psychotic way thought he was saving America, never remotely killed on the scale of Kissinger, the most revered American grand strategist of the second half of the 20th century.
The Yale University historian Greg Grandin, author of the biography Kissinger’s Shadow, estimates that Kissinger’s actions from 1969 through 1976, a period of eight brief years when Kissinger made Richard Nixon’s and then Gerald Ford’s foreign policy as national security adviser and secretary of state, meant the end of between three and four million people. That includes “crimes of commission,” he explained, as in Cambodia and Chile, and omission, like greenlighting Indonesia’s bloodshed in East Timor; Pakistan’s bloodshed in Bangladesh; and the inauguration of an American tradition of using and then abandoning the Kurds.
No infamy will find Kissinger on a day like today. Instead, in a demonstration of why he was able to kill so many people and get away with it, the day of his passage will be a solemn one in Congress and — shamefully, since Kissinger had reporters like CBS’ Marvin Kalb and The New York Times’ Hendrick Smith wiretapped — newsrooms. Kissinger, a refugee from the Nazis who became a pedigreed member of the “Eastern Establishment” Nixon hated, was a practitioner of American greatness, and so the press lionized him as the cold-blooded genius who restored America’s prestige from the agony of Vietnam.
Not once in the half-century that followed Kissinger’s departure from power did the millions the United States killed matter for his reputation, except to confirm a ruthlessness that pundits occasionally find thrilling. America, like every empire, champions its state murderers. The only time I was ever in the same room as Henry Kissinger was at a 2015 national-security conference at West Point. He was surrounded by fawning Army officers and ex-officials basking in the presence of a statesman.
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wayte01 · 2 years
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#Make an Account#Where to Buy Tencent Stock: China's Biggest Internet Company#What is the Tencent Stock Exchange Code (HK) for Tencent? If you're looking to invest in Tencent (HK:700.HK) — China's largest internet com#this post is a must-read. I'll walk you through everything you need to know beyond the Tencent Stock quotes and#most notably#which exchange has the lowest Tencent stock price.#Dear Tencent Stockholders#We've Got Some News for You#I've listed top picks for brokerage firms currently offering free trading of Tencent stock. If you're not already a member of one of these#I encourage you to register today#as it will save you money on commissions and help your portfolio grow faster.#Here's a quick look at the top three brokerages offering free trading of Tencent stock (or any other stock):#1) BIYAPAY: The top pick for a brokerage for its good features. Unlike other platforms#We are happy to announce that Biyapay now offers the ability to trade Tencent stocks on our platform. You can sign up quickly and start sel#and no requirements are needed. You can also buy USDT and Hongkong stocks at the same time. The exchange rate is the same as real-time glob#such as margin trading and lending#which will help you make more money from your investment!#Biyapay is a professional digital asset trading platform#and we are specialized in blockchain technology research and application for many years with rich experience in this field. Our products ha#including in the United States#Canada#Australia#New Zealand#Japan#South Korea#and other countries.#2) Ameritrade: The online discount brokerage firm is offering free trading for all stocks that trade on the New York Stock Exchange (NYSE)#including Alibaba.com (BABA) and its parent company#Yahoo! Inc. (YAHOO). If you're an existing member of Ameritrade#simply log into your account and click on to choose this option during the registration process. It's that easy!
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fatehbaz · 8 months
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This April [2021], the Iowa Department of Corrections issued a ban on charities, family members, and other outside parties donating books to prisoners. Under the state’s new guidelines, incarcerated people can get books only from a handful of “approved vendors.” Used books are prohibited altogether [...].
In 2018, the Michigan prison system introduced an almost identical set of rules, and Ohio, Pennsylvania, and Washington have all made attempts to block book donations, which were only rolled back after public outcry. Across the United States, the agencies responsible for mass imprisonment are trying to severely limit incarcerated people’s access to the written word [...].
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The official narrative is that donated books could contain “contraband [...]" -- the language used in Michigan [...]. This is a flimsy justification that begins to fall apart under even the lightest scrutiny. [...] [Contraband] [...] [is] not originating from nonprofit groups like the Appalachian Prison Book Project or Philadelphia’s Books Through Bars. [....] The old cartoon scenario of a hollow book with a saw or a gun inside just isn’t realistic, and its invocation is a sign that something else is going on.
That “something else,” predictably enough, is profit. With free books banned, prisoners are forced to rely on the small list of “approved vendors” chosen for them by the prison administration. These retailers directly benefit when states introduce restrictions. In Iowa, the approved sources include [B&N] and [B-a-M], some of America’s largest retail chains -- and, notably, ones which charge the full MSRP value for each book, quickly draining prisoners’ accounts. An incarcerated person with, say, $20 to spend can now only get one book, as opposed to three or four used ones; in states where prisoners make as little as 25 cents an hour for their labor, many can’t afford even that.
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With e-books, the situation is even worse, as companies like [GTL] supply supposedly “free” tablets which actually charge their users by the minute to read.
Even public-domain classics, available on Project Gutenberg, are only available at a price under these systems -- and prisons, in turn, receive a 5% commission on every charge. All of this amounts to rampant price-gouging and profiteering on an industrial scale.
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The rise of these private vendors has also been mirrored by the systematic dismantling of the prison library system. In the last ten years, budgets for literacy and educational resources have seen dramatic cuts, reducing funding to almost nothing [...]. In Illinois, for instance, the Department of Corrections spent just $276 on books across the entire state in 2017, down from an already meager $605 the previous year. (This means, incidentally, that each of the state’s roughly 39,000 prisoners was allotted seven-tenths of a cent.)
Oklahoma, meanwhile, has no dedicated budget for books at all, requiring prison librarians to purchase them out-of-pocket. [...]
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These practices become all the more abhorrent when you consider the impact books can have behind bars. By now, the social science on their benefits is well-established [...]. [O]ther inmates have reported that reading meant “the difference between just giving up mentally and emotionally and making it through another day, week, or year,” countering the dehumanizing effects of their imprisonment. A book can offer a brief, irreplaceable moment of calm in hellish circumstances. [...]
[There is] a shameful pattern in American society, where many people simply don’t think about the incarcerated on a day-to-day basis, let alone sympathize with their worsening conditions. [...] One of the most common arguments for the American carceral system, and its continued existence, is that of rehabilitation. According to its defenders, a prison is not simply a place of suffering, where unwanted populations are sent to disappear. Nor is it a callous money-making machine, intended to squeeze free labor from them in a regime of functional slavery. Instead, prison rehabilitates -- so the story goes. [...] In these terms, the basic legitimacy of mass imprisonment, and its allegedly positive social role, is taken for granted. [...] But the practice of book banning exposes the lie. Not only do American prisons have little interest in education, healing, and growth, but they will actively prevent them the moment there is a dollar to be made or an ounce of power to be secured.
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Text by: Alex Skopic. "The American Prison System's War on Reading". Protean (Protean magazine online). 29 November 2021. [Bold emphasis and some paragraph breaks/contractions added by me.]
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batboyblog · 2 months
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Things Biden and the Democrats did, this week #7
Feb 23-March 1 2024
The White House announced $1.7 Billion in new commitments from local governments, health care systems, charities, business and non-profits as part of the White House Challenge to End Hunger and Build Healthy Communities. The Challenge was launched with 8 billion dollars in 2022 with the goal of ending hunger in America by 2030. The Challenge also seeks to drastically reduce diet-related diseases (like type 2 diabetes). As part of the new commitments 16 city pledged to make plans to end hunger by 2030, the largest insurance company in North Carolina made nutrition coaching and a healthy food delivery program a standard benefit for members, and since the challenge launched the USDA's Summer EBT program has allowed 37 states to feed children over the summer, its expected 21 million low income kids will use the program this summer.
The US House passed a bill on Nuclear energy representing the first update in US nuclear energy policy in decades, it expands the Nuclear Regulatory Commission and reduces reducing licensing fees. Nuclear power represents America's single largest source of clean energy, with almost half of carbon-free electricity coming from it. This bill will boost the industry and make it easier to build new plants
Vice President Harris announced key changes to the Child Care & Development Block Grant (CCDBG) program. The CCDBG supports the families of a million American children every month to help afford child care. The new changes include capping the co-pay families pay to no more than 7% of their income. Studies show that high income families pay 6-8% of their income in childcare while low income families pay 31%. The cap will reduce or eliminate fees for 100,000 families saving them an average of over $200 a month. The changes also strength payments to childcare providers insuring prompt payment.
The House passed a bill making changes to the Small Business Administration’s 8(a) program. The 8(a) is an intensive 9 year program that offers wide ranging training and support to small business owners who are socially and economically disadvantaged, predominantly native owned businesses. Under the current structure once a business reaches over 6.8 million in assets they're kicked off the program, even though the SBA counts anything under $10 million as a small business, many companies try to limit growth to stay on the program. The House also passed a bill to create an Office of Native American Affairs at the SBA, in order to support Native-owned small businesses.
The White House and HUD announced steps to boost the housing supply and lower costs plans include making permanent the Federal Financing Bank Risk Sharing program, the program has created 12,000 affordable housing units since 2021 with $2 billion and plans 38,000 additional units over ten years. As well as support for HUD's HOME program which has spent $4.35 billion since 2021 to build affordable rental homes and make home ownership a reality for Americans. For the first time an administration is making funds available specifically for investments in manufactured housing, $225 million. 20 million Americans live in manufactured housing, the largest form of unsubsidized affordable housing in the country, particularly the rural poor and people in tribal communities.
The Department of Energy announced $336 million in investments in rural and remote communities to lower energy costs and improve reliability. The projects represent communities in 20 states and across 30 Native tribes. 21% of Navajo Nation homes and 35% of Hopi Indian Tribe homes remain unelectrified, one of the projects hopes to bring that number to 0. Another project supports replacing a hydroelectric dam in Alaska replacing all the Chignik Bay Tribal Council's diesel power with clear hydro power. The DoE also announced $18 million for Transformative Energy projects lead by tribal or local governments and $25 million for Tribal clean energy projects, this comes on top of $75 million in Tribal clean energy projects in 2023
Transportation Secretary Pete Buttigieg put forward new rules to ensure airline passengers who use wheelchairs can travel safely and with dignity. Under the planned rules mishandling a wheelchair would be a violation of the ACAA, airlines would be required to immediately notify the passenger of their rights. Airlines would be required to repair or replace the wheelchair at the preferred vendor of the passenger's choice as well as provide a loaner wheelchair that fits the passenger's needs/requirements
The EPA launched a $3 Billion dollar program to help ports become zero-emission. This investment in green tech and zero-emission will help important transportation hubs fight climate change and replace some of the largest concentrations of diesel powered heavy equipment in America.
the EPA announced $1 Billion dollars to help clean up toxic Superfund sites. This is the last of $3.5 billion the Biden administration has invested in cleaning up toxic waste sites known as Superfund sites. This investment will help finish clean up at 85 sites across the country as well as start clean up at 25 new sites. Many Superfund sites are contained and then left not cleaned for years even decades. Thanks to the Biden-Harris team's investment the EPA has been able to do more clean up of Superfund sites in the last 2 years than the 5 years before it. More than 25% of America's black and hispanic population live with-in 5 miles of a Superfund site.
Bonus: Sweden cleared the final major barrier to become NATO's 32nd member. The Swedish Foreign Minster is expected to fly to Washington to deposit the articles of accession at the US State Department. NATO membership for Sweden and its neighbor Finland (joined last year) has been a major foreign policy goal of President Biden in the face of Russian aggressive against Ukraine. Former President Trump has repeatedly attacked NATO and declared he wants to leave the 75 year old Alliance, even going so far as to tell Russia to "do whatever the hell they want" with European NATO allies
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fullhalalalchemist · 1 year
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🚨🚨🚨URGENT PLEASE READ AND REBLOG
dec 13, 2022
we literally have just a few days to act. the senate is debating about putting KOSA, the Kids Online Safety Act, into the omnibus spending bill. if it is added, it WILL pass. despite the title and content of the bill seeming to be about protecting kids, we know everytime someone claims they are "saving the children" they have more sinister goals
which is why Senator Blumenthal is working with one of the biggest transphobes in the senate, Marsha Blackburn, to force this bill through, and claiming they are listening to LGBT voices when they are blatantly ignoring us.
essentially this bill gives every state attorney generals the power to remove anything they deem 'harmful' to kids online. you can see how a state like Texas or Florida would run with that, yes? it also forces you to upload your government ID online to access the internet. the bill will create a 'commission' led by handpicked members of the govt to oversee what is and isn't allowed online. it will lead to mass censorship of anything related to race or LGBT content. in a post-Roe world too? say goodbye to any abortion/sex-related info.
they are doing a shit ton of PR for this, including claiming they are listening to LGBT voices. i mean just look.
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two weeks ago, 90+ human rights, LGBT, and tech orgs signed onto an open letter telling Senators NOT to pass this bill. in response, over 230 orgs led by the American Psychological Association signed a letter urging senators to. it's really fucking bad. like i can't sleep because of this. i didn't expect this to happen. we really really need people to speak up.
if this bill goes through it will literally kill off the internet as we know it
sign the open letter and petitions against KOSA here
the best way to fight against this bill is to call these specific senators (if you have dem senators, call them too)
nancy pelosi (202) 225-4965 roger wicker (202) 224-6253 chuck schumer (202) 224-6542 maria cantwell (202) 224-3441
call script below:
For Wicker only:
I'm calling because I'm asking the Senator to vote no on KOSA S.3663 from being added to the omnibus and being put through the Senate. The re-released text of the bill is still not adequate enough, and it's being rushed. This bill does not belong in an omnibus anyway. As a Gen Z, I also want to protect kids. I've been there. But this language is not ready yet. It should not move forward at all.
Hello Senator __:
My name is _, and I strongly urge you to oppose the dangerously misguided KOSA bill from being added to the omnibus spending bill. Bills like this should not be included in spending bills. Over 90 human rights and LGBT organizations have spoken out against this bill.
KOSA gives state attorney generals full power to sue any website if they see it has anything that is “inappropriate for children”'. For the past year, Republicans claimed everything LGBT is “grooming” children and we ended up with a shooting in Colorado and bomb threats sent to hospitals, NO senator should support a bill with vague phrasing like this. Before that, they successful removed books on race due to "CRT". This gives them a pass to do this to the entire internet. KOSA will only lead to more harm towards minorities and LGBT youth across the nation by censoring everything online.
The Heritage Foundation said they will use KOSA to target LGBT kids, specifically trans kids. In a post-Roe world, they will even use KOSA to censor resources on abortion. Anything they dislike will be targeted.
A bill this huge and this impactful should not be added to any spending bill. Even if it was a small bill, it has nothing to do with the omnibus spending bill and shouldn't be added at ALL. It needs more time being discussed. There should be hearings on it as well
We all care about kids mental health. We all want to hold Big Tech accountable, but this is NOT it. This will give Big Tech more power while taking away resources from the most vulnerable children. It is not the solution.
Please, do NOT support this bill. Do the right thing, and VOTE NO on KOSA.
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reasonsforhope · 1 year
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LGBTQ+ organizations and allies are celebrating Michigan for becoming the first state in three years to pass comprehensive anti-discrimination protections for sexual orientation and gender identity. The legislation, which now heads to Gov. Gretchen Whitmer (D) to be signed into law, finally passed after decades of court battles and hold-ups from Republican legislators.
The bill passed in a 64-45 vote in the Democrat-led House on Wednesday. It amends the state’s 1976 Elliott-Larsen Civil Rights Act (ELCRA) to include LGBTQ+ people among its protected groups. The law forbids discrimination in housing, employment, and public accommodation within businesses, government buildings, and educational facilities on the basis of religion, race, color, national origin, age, sex, height, weight, familial status, marital status — and now, LGBTQ+ identity.
Democrats had tried introducing various LGBTQ+ non-discrimination measures over the last 40 years, according to the bill’s gay sponsor Sen. Jeremy Moss (D). However, the attempts were repeatedly voted down by Republican-led legislatures. Last January, Democrats took control of the full legislature for the first time in nearly 40 years, finally giving them the chance to pass the protections.
In July 2022, Michigan’s Supreme Court issued a landmark 5–2 ruling that ELCRA already forbade discrimination based on sexual orientation and gender identity as forms of discrimination based on sex and gender. This followed a 2020 Michigan Court of Claims ruling that said ELCRA didn’t ban anti-gay discrimination as well as a 2018 vote by Michigan’s Civil Rights Commission interpreting ELCRA as protecting LGBTQ+ people from religious-based discrimination...
When the House voted to pass the historic bill on Wednesday, a crowd in the House gallery broke into applause, Bridge Michigan reported. Republican House members had tried adding amendments that would’ve carved out exceptions for religious people to continue discriminating against LGBTQ+ people. None of these amendments passed into the final bill.
Gov. [Whitmer] has signaled that she will soon sign the bill into law. In a Wednesday tweet, she noted the observation of International Women’s Day and wrote, “I’m celebrating trans women who have continuously led the way, despite constant threats to their lives and liberty. I’m proud that we’re finally in a position to expand the Elliott-Larsen Civil Rights Act to protect LGBTQ+ Michiganders. Let’s get it done!”
-via LGBTQ Nation, 3/9/23
Note: If it's not clear from the language, this is basically a done deal--the bill signing IS ABSOLUTELY GOING TO HAPPEN.
As scary as things are right now, there are so many of us fighting to protect ourselves, our communities, and the queer and trans people around us.
This comes only a day after Minnesota's governor signed a landmark executive order that guarantees the right to gender-affirming care and prevents the state from complying with any other states' attempts to interfere. via them.us, 3/9/23
There is hope, and there are so many people fighting for us.
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odinsblog · 5 months
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Land and Housing
As a result of decades of land confiscations and discriminatory land policies, Israeli authorities have hemmed in Palestinian towns and villages, while nurturing the growth and expansion of Jewish communities, many of which in practice exclude Palestinians. The majority of Palestinians in Israel live in these communities, while some live in “mixed cities” like Tel Aviv-Jaffa and Haifa.
Ninety-three percent of all land in Israel constitutes state land, directly controlled by the Israeli government. Israeli authorities confiscated much of this land, several million dunams, from Palestinians through several different legal instruments, as documented in a later chapter of this report. A government agency, the Israel Land Authority (ILA), manages and allocates state lands. Almost half the members of its governing body belong to the JNF, whose explicit mandate is to develop and lease land for Jews and not any other segment of the population. The fund owns 13 percent of Israel’s land, which the state is mandated to use “for the purpose of settling Jews.”
Israeli authorities have almost exclusively allocated state lands for the development and expansion of Jewish communities. Since 1948, the government has authorized the creation of more than 900 “Jewish localities” in Israel, but none for Palestinians except for a handful of government-planned townships and villages in the Negev and Galilee, created largely to concentrate previously displaced Bedouin communities. Less than 3 percent of all land in Israel falls under the jurisdiction of Palestinian municipalities, where the majority of Palestinian citizens live, according to a 2017 estimate by Israeli and Palestinian groups.
Even inside Palestinian towns and villages within Israel, Israeli authorities discriminatorily restrict the land available for residential growth. The authorities have zoned large sections of Palestinian towns and villages for “agricultural” use or as “green” areas, prohibited residential building in them, and built roads and other infrastructure projects that impede expansion. A 2003 Israeli government-commissioned report found that “many Arab towns and villages were surrounded by land designated for purposes such as security zones, Jewish regional councils, national parks and nature reserves or highways, which prevent or impede the possibility of their expansion in the future.”
While increasing focus in recent years on these issues has resulted in more state-approved residential development, they have done little to date to change the reality of hemmed-in Palestinian towns and villages. By contrast, in case studies documented by Human Rights Watch in each of Israel’s six districts, planning authorities provided sufficient land and zoning permissions to predominantly Jewish communities to facilitate their growth.
(continue reading)
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usedpidemo · 6 months
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Shangri-la (Oh My Girl Yooa)
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Thank you for the commission! I hope it's to your liking.
—————
“What the?”
What welcomes you inside the bedroom takes you by complete surprise. It’s the kind that leaves you with more questions than answers. She had been very vague about the whole ordeal, skittering around the details. she was completely straightforward about one thing: to get fucked. That’s the main selling point.
Her inviting tone, her sultry expression, her lust—it’s still freshly imprinted on your mind from an hour ago. You’ve heard those words—their many variations—a handful of times, but hers is by far the most enticing and the sweetest sounding:
“Wanna have sex with me tonight?”
—————
Admittedly, it was never on your bucket list to attend a concert, let alone a group who sings primarily in foreign. It was supposed to be just a kind gesture for a roommate.
He’s your resident nerdy K-pop fan, the kind that gets bullied in real life and on the internet. He’s the full package; posters on the bedroom wall, a book full of photocards, and a shelf of albums and lightsticks which he considers as his sacred temple. You were never meant to go beyond a toe’s dip into this unhealthy obsession he’s engrossed himself in; completing his homework was enough exposure. 
If there was one takeaway from your observations, it was quite obvious: the girls are really hot. And that’s all that you needed to convince yourself to go. 
Besides, you were his roommate—and his only friend. Out of the kindness of your heart, you have an obligation to be there for him, at least until you graduate.
For the most part, the show was entertaining. Again, the girls were pretty attractive, and they were dressed in outfits that flaunted their bodies exceptionally well. Your friend’s relentless screaming accustomed you to the crowd’s energy, which was no joke. Even in a small, intimate venue, there were several moments where you felt that the place might collapse off the audience’s deafening shouts alone. At least you came prepared with noise canceling earplugs.
It’s not a huge surprise when he suddenly vanishes after the show. He’s been in and out of sight the whole time; getting freebies, merch shopping, taking numerous bathroom breaks, to the point where he just straight up forgets he left his phone with you before running off again. 
To make things worse, it’s the dying moments of the night, when everyone in the VIP section, the two of you included, gets to greet the members for only a brief passing moment. He’d been acting like his entire life has been building to this moment, completely neglecting the fact you were his ride home. 
Of course you’re not entirely sure about who’s who in this group. Six equally pretty girls, all wearing the exact same shirt and short skirt combination, down to the colors, with equally warm smiles. You didn’t have enough time to familiarize yourself with each of their names; the internet in the area has been failing you for hours. The staff was strict with phones the closer you approached them. It didn’t help that everyone screamed through their introductions, too.
Unsurprisingly, nothing substantial came of your interaction. A series of repetitive, awkward bows and near-silent whispers of “hello.” You’ve been putting off Duolingo for months, and it showed. It should have been a forgettable affair, considering the hundreds of people they’re greeting just from tonight’s queue alone. It’s not like you particularly stand out from the rest of the crowd; a casual shirt and jeans combo that’s indistinguishable from the dozens in attendance, and you don’t have anything on you that screams ‘overly dedicated fan.’
So when you’re pulled aside by the same staff closely watching the queue during the meet and greet, asked to head backstage as part of some secret lucky draw, you’re not surprised. There’s an age-old superstition that states that you’re more likely to meet celebrities the less you’re familiar with them. It rings true, and you have first hand proof.
You’re led to this singular door in what’s basically an unused narrow hallway. The kind that criminals use to trap their victims. Definitely safe. The staff member instructs you to head in before leaving you there alone. Nothing more, nothing less. 
Instead of your friend, you find one of the members you just met, waiting on the other side. You have so many questions, but she she gives you another to entertain:
“You wanna have sex with me tonight?”
Much to her amusement ,you’re taken aback. At first, you’d think she was pulling some kind of prank. By the way she smiles and laughs, it’s a reaction all too familiar to her, like this is some kind of cliche. It’s not a surprise to hear those words from any girl, knowing your experiences at college parties and bars, but from a traveling singer? Simply put, it’s quite ridiculous.
“You’re joking right?” you say, hand close to the door you just entered, ready to make a beeline for it. You glance around the enclosed, compact space, searching for any possible hidden cameras recording the scene.
She shakes her head, taking a step forward. “Not at all. You should consider yourself lucky.”
“Do you do this all the time?” you ask, her reply not easing you in the slightest. Your hand inches a little closer to the door. It’s not like she’s going to hurt you; if anything, her thin figure’s probably what should worry her if you dare to even breathe heavily on her, let alone touch. 
“Yeah. Every stop. You look really cute,” she says, reaching her hand out to you. “And you look like you can give me a good time tonight.”
There’s something flattering about her words, coming from an idol singer, complimenting you that hits a chord harder than other girls. Her sincere tone, doll-like eyes twinkling, and expressive lips certainly help. It’s alluring—devastating—to a casual like you; how much more to someone who worships her. 
Then, here comes the killing blow:
“So, what’s it going to be?” She kisses you on the chin, wrapping her arms around your neck. It’s not suffocating, not in the slightest, but you might as well be entangled by them. Her eyes, sharp and fiery, are daring you to say otherwise to her seemingly coarse question. 
Leaning your head against her shoulder, her scent and soft skin prove to be intoxicating. You can’t get enough. That hand you’ve been pressing on the door is no longer there; it’s coiled around her back, taking inventory of her slim waist and arched back, then teasing at the fabric of her shirt. Even if she wasn’t the girl you just watched perform on stage, she’s too gorgeous to turn down. And it isn’t like you’ll find your friend, anyway. Perhaps this is your way of getting back at him for being insufferable all throughout.
“Here?” you ask, whispering in her ear, playing with fire. 
She holds you by the cheek, tilting an eyebrow. Shaking her head, she drags her tongue on the ridge of your ear. “Somewhere nicer.”
—————
It’s only you and her in the backseat of one of their vans, windows tinted and the front closed off that it’s safe to assume that the driver can’t hear you—perfectly convenient. He probably doesn’t know you’re even there. 
It’s inside the car that you finally become familiar with each other. YooA, or as she’d prefer you to call her, Shiah, and you have this light bulb moment where you put it all together. You bring up this collection of photocards in your friend’s book holder; you recognize her face on some of the cards. She laughs. Heartily. Her face lights up, honored at the thought, and it’s a sincere look. Other artists would simply wave it off and move on, but she appears intrigued by the effort to obsess over her.
She calls it a bias, and you call it an obsession. In the other’s eyes, you’re both strange. To you, it’s unhealthy and strange; to her, it’s part of the appeal, part of the culture.
So it’s all the more surprising when you admit you’re simply there because of him, that you would have looked the other way otherwise. And in response, she has this warm, wholesome smile; she doesn’t appear offended by your candidness. You don’t know a thing about them, other than they’re delicious eye candy.
“So this is your first foray into K-pop? I hope it was a good one,” she says, flashing you a cute pout. “That means a lot for all of us.”
Yeah, you nod, your eyes wandering down her slim body, draped in darkness, only brought to the light by passing street lamps. You notice how slender and lanky she is. It doesn’t change the appeal; she’s unreal. “I should go more often if that’s the case.”
Shiah chuckles. “You didn’t pay, then. I bet you’re getting more than what he bargained for.”
To which you nod, barely holding in a particularly uncharacteristic grin. She catches it. An opportunity to twist the knife.
It’s a casual affair when you reach the hotel. There’s a surprising lack of fanfare upon your arrival. You assume idols have as much popularity as any other celebrity, but you’re both left alone—and without security, walking past the front desk without a care or a question. Tension gradually builds as you climb floor after floor, until you step out that elevator and into her room, away from prying eyes. 
What welcomes you inside Shiah’s bedroom catches you off-guard.
“What the?”
The person sitting at the center of the bed turns to your direction, shouts out your name. You can recognize that voice anywhere.
“Hey! There you are!”
You immediately turn to Shiah, who replies gleefully, “Of course I knew. Your friend told me everything. He wanted me to invite you along.”
Forget that your friend orchestrated the whole ordeal. It’s the fact that he wants you to join him in a threesome. You expected him to be greedy with the rare opportunity to have a beautiful idol all to himself, but instead, he’s somehow still involving you in the action. There’s a lot to take in, and you don’t exactly know where to start.
“Is this even allowed?” you ask, unsure of your place in this room. You’re slowly soaking up the scenery; none of it makes any sense. Scattered on the bedroom floor is Your friend’s shirt and his bag, freebies and personal belongings alike,, while Shiah casually saunters around the mattress, gradually removing pieces of jewelry from herself and placing them on the nightstand.
“Of course, dude!” says your friend. His energy hasn’t waned in the slightest. You’re amazed his voice hasn’t changed at all, let alone his ability to speak. He had been screaming beside you for the entirety of the show, you’d probably go deaf because of him if not for your earplugs. “I wouldn’t have asked her if she wasn’t allowed to, or if she didn’t feel it.”
“He’s right,” adds Shiah, unbuttoning her jeans. Looking at her again, she grabs your attention with the casual stripping of her pants, pooled around her ankles, leaving only pale colored panties that leave nothing to the imagination. “Plus, I haven’t tried having a threesome before, and tonight seemed like a good idea to try that.”
Surely, you’ve heard weird things before, but none were as out of pocket as this.
“C’mere dude,” says your friend, gesturing to you to take the spot beside him on the bed. “We’re going to fuck an idol tonight. And not just any idol, my freaking bias!”
Your eyes continue to linger on her. Shiah, now undoing her top, candidly tossing them aside. The one time you regret not having your phone on hand to capture without obstruction. Her tits are bite-sized handfuls, nipples firm and on full display, and her figure is so paper thin, you’ll break her when you hold her by her ridiculous proportions. The only thing missing is some fragile warning label plastered on her skin as a reminder to handle her with care.
This is the most awkward you’ve been with your friend since you first met, when he first moved into your dorm. Seated on the mattress, you’re anxious of what’s about to happen. You worry she won’t be able to handle you two; he worries that he won’t be able to ruin her to the fullest extent. 
She meets you at the center in nothing but panties. She scans you both from head to toe, and notices your contrasting expressions. Facing you, she says, “Hey. I wouldn’t do this if I wasn’t confident about the idea. If you don’t make me unable to walk after tonight, I’m gonna be quite disappointed. So chin up.”
Reassuring of a tone it may sound, it doesn’t ease your worry even a little. It doesn’t discourage her either; it’s part of the challenge.
She drops to her knees, and that’s when you come around on the idea. Her fingers make work of your pants; yours first, then your friend’s. With eagerness written on her face, your hard cocks hang between her tiny face. Pausing, undecided, she takes a moment to think which one to satisfy. The way she eyes both yours, then your friend’s—you can tell how hungry she is: how she wants them shoved inside her mouth, down her throat, taking all that delicious load. If she could fit both at once, she certainly would.
“Which one should I take first, boys?” she asks, innocuous sounding, her doll-like eyes pleading up with a playful pout. Knowing full well she already has this whole thing already planned out. You and your friend swallow hard, telepathically aligned, thinking of the same idea, based on the rather silent response.
Shiah has your eyes fluttering, hands already gripped to the edge of the bed, lips letting out a string of delightful moans. It sounds like relief, agony, and ecstasy all at once. She’s leaving soft kisses on your tip, her tongue running circling around your length, and her fingers slowly pumping at your base. All your doubts and hesitations, gone in an instant. The very few glimpses you catch of her, her eyes speak to you, staring, telling you to take it all in.
She feels so good, handles you deftly, as if she’s already acquainted with your cock, even though it’s the first time. Pushing all the sensitive, perfect spots and getting you into a steady rhythm. 
“See? I told you it was gonna be—fine—fuck—” 
Your friend folds just as quickly as you do, if not faster. His words, instantly reduced to echoed grunts, groans, and curses, his hand palming Shiah’s scalp. She’s focused, taking turns with each cock, kissing and teasing you both with the prospect of shoving it down her needy, thirsty throat. One hand on your dick and the other on his, stroking you at near-synchronized tempo, then vice versa. You wonder exactly why she’s even hesitant and nervous about taking two at once when she’s clearly a natural at satisfying cocks. 
She’s well aware that she has only one mouth to fulfill her craving for cock. There’s a look of regret every time she stops sucking one cock in place of the other. It’s almost as if she’s failing, even though the pleasure-ridden expressions on your faces say otherwise. “I hope this is good enough,” she frowns, taking a moment to plant another direct kiss on each cockhead. “I wish I could fit you both in my mouth, but I—”
“Shhh.” Your friend interjects, tugging harshly at Shiah’s dark locks, then rubbing his hand around her forehead. “You’re doing so fucking well, so much better than we hoped—”
Suddenly, he finds himself slowly crumbling. Precum coating around her dainty fingers, while he loses grip on his consciousness, lying flat on the bed. If there’s anything you’ve learned in the very short time you’ve had Shiah on her knees, it’s that she’s particularly gentle. You can feel she’s not going to ruin you instantly and that she’s nowhere close to crushing your cock, unlike some of the girls you’ve known in the past. 
This is all new to your friend, after all. It shouldn’t be surprising.
Still, she continues to pleasure you both, taking a moment to slip his erection inside her throat, slurping and swallowing his cock whole. Her eyes instantly slam shut, mumbling a songful hum, finally soaking in the taste after intentionally restraining herself from her lust. Turning to your side, your friend clearly can’t take her; his mouth agape, his chest heaving, breathing heavily, his eyes widely staring at the ceiling in a useless effort to distract himself. In his mind, she’s relentless, overwhelming, cruel.
Her eyes slide in your direction, brows furrowed, apologetic. You shake your head, smile lightly, perfectly understanding of the situation. It’s not that she’s ignoring you; her other hand’s pressing on the base of your cock, down to the underside, pressing on your balls. She’s already left her mark on you even though she’s doing the bare minimum. The layer of precum on her fingers is clear proof. That should be more than enough. 
And when you find your friend completely unresponsive, breathing through his mouth, you tilt your head at an angle and make this poor sleeping impression—something he hasn’t had in over 24 hours. It’s the command that causes Shiah to slip his cock from her mouth with a silent pop, his dick throbbing with her spit dripping from the tip. Her focus turns over to you; her eyes meeting yours, her hands pressing on each knee, and your fingers brushing loose strands of hair aside to see her pretty face, flushed but flawless. It’s now just down to you two. 
She gives your head a playful swirl, and you lift your brows in approval, subtly biting at the lip to show her you like it. Her eyes lock in, scanning through each subdued wince, waiting for the go ahead.
It’s the slightest head motion that nearly ends you. You’re uncertain if you even said yes or no.
Shiah looks so much better with your cock in her mouth than anyone else’s. She knows, too. You pause to take the sight in—your length buried deep in her mouth, occasionally poking her throat, her cheeks hollow, her eyes looking wide at you with a fiery glint, begging you to take her, use her, ruin her. You’re perfectly positioned to work her; your hand is palming the back of her head, giving her this assertive stare that appears demeaning, but you can tell she prefers to be seen that way. It would be criminal to have her on her knees and not have your way with her.
And you do just that.
You hold her still, using the little increments of strength to motion her into a bobbing motion. She surrenders herself into your control, moving her head back and forth with the grip of your hand. Like the swing of a pendulum, you watch your base disappear and appear between her lips. You’re nowhere close to burying yourself entirely in her mouth, but she feels so incredible, so intoxicating, she may as well be deepthroating you.
It’s not the firmness of her luscious lips kissing your cock nor her lewd expressions that shake you, but her suction. She hums this wistful note while sucking your cock—a song of satisfaction. In contrast to the steady rhythm you’re attempting to impose, she drags your length along her tongue, forcing you into this playful tug-of-war whenever you draw your cock back, directing where your cum should land. She envisions it: the notion of your hot load collected on her cheeks. Her fingers point where she wants them, using her pleading eyes and brows to entice you. 
And you’re not going to deny her request. She’s too charming and expressive to turn down. Even more so when your cock is lodged between her lips. 
You utter this particularly incomprehensible mix of a groan and a grumble while your throbbing cock unloads the warm cum she desires. Without wasting a single drop, she takes it all, puffing her cheeks with your seed while carefully pulling your cock out her mouth. Your hand is no longer resting on her head but rather around her shoulder and collarbones. She plays with the load in her mouth, gargling, swishing, before swallowing it all. Afterward, she sticks out her silky tongue, face completely flustered, showing you the aftermath: leftovers of your cum painting her mouth.
“God, Yoo—I mean, Shiah—” you breathe, lightly falling back on the bed as your legs go numb. Your flaccid cock isn’t enough to show how much she’s drained you in one fell swoop. “How are you so—”
“I told you I wouldn’t be doing this if I wasn’t so confident about it,” she remarks, rising to her feet before pushing you down on the sheets, straddling herself on your lap. Her energy remains steadfast. It’s infectious. Winking and pouting, she adds, “Now fuck me till I can’t walk.”
You’re completely sold on the idea, but you can’t do it alone.
Pushing Shiah off you, you shake your friend back into consciousness. You’re holding her by the shoulders, giving her lips a quick kiss. A soft gesture telling her to be a tad patient. Her eyes clue you in; she’s dying to be fucked, to be used, to be ruined. Your friend looks around, feeling hazy, completely unaware of what transpired, even though it’s only been less than 10 minutes. 
“What’d I miss?” he asks, still trying to make sense of things. The last thing he remembers is Shiah on her knees. Now he sees you and his bias in each other’s embrace. Surprisingly, he’s not fazed in the slightest. The bed’s tremors—rumblings—are good enough indicators.
You’re unable to completely look him in the eye, and you don’t know what to answer, so she does it for you: “Your friend blew a nice load inside my mouth. We were just about to have round two. Join us.”
To her amusement, the reply has you staring at her utterly gobsmacked. It’s not the fact that she’s telling it straight, with zero sugarcoating, but her candid, conversational delivery and deadpan expression, as if they’re close friends catching up on lost time. He doesn’t seem bothered, nor does he ask any further questions. Knowing him, he’d be disappointed if you didn’t. 
Really, what’s there to question when given an opportunity to fuck an idol without any conditions or red tape. He’s not making the most of the moment as you have, and the hurried jump off the bed to take position behind her indicates he’s not going to waste any more time. You’re scared you might get into a confrontation over how you’ll take her.
“Say the word and I’ll move aside,” you tell him, calmly. 
“Let me have her tight ass,” is the reply, straightforward. Chalk it up to tension, but there’s a hint of harshness in his voice, as though some bitterness is leaking. He subtly pulls her away from your side, prompting you to let him take full control. 
You aren’t surprised at where he ends up taking her. The bed is the comfiest option, but in his mind, the safest and the most cliche. A shower to ease the tension and stress in the muscles—that’s a good one too, on top of having her possibly pressed against the panels and the idea of soaping her tits while fucking her in the wet. This luxurious suite, which feels like walking from the one end of a parking lot to the other on weary legs, has a handful of mirrors to watch her get railed on. None are as captivating and inviting as the biggest one—the large glass windows that overlook the city, lit up by lights from nearby skylines and the illumination from the living room. 
He presses her tiny frame against the window, then on air, giving her tiny butt a firm slap. Followed by another. Something about Shiah with her back arched, yelping with each spank, arouses him. Her too. She whines, biting on her lip, hands trying to latch to anything. There’s plenty to claim—from her bite-sized chest, to her slinky waist, to her soiled panties. Something he slips down to her ankles. 
In the moment, your friend doesn’t acknowledge you. He’s all up in her hair, licking the shell of ear, a set of clenched digits digging into her warmth. Her eyes fluttering, she whines, pressing a hand around his waist, mumbling, begging, “Fuck me, please, fuck me.”
You can tell she’s apologetic, wants to be punished and manhandled like a naughty girl. Your friend has this glare in his eyes—a look of hunger. His fingers pump away at her core, without care for pace or comfort, just the satisfaction of hearing her cries and the need for her to cum. Bumping her against the window, he’s kissing her, claiming her as his own. Red marks form everywhere on her neck, collarbones, and back. Her entire body. All his. 
You let him. You watch. Not out of guilt, not out of arousal. It’s his moment.
He looks over his shoulder and finds you just watching. “C’mere,” he growls between muted groans, tone low. It should be awkward (it is) but all that tension disappeared the moment she got on her knees. Approaching the twosome in such a strange fashion, he continues to finger Shiah, shifting her away from the window, binding her from behind by one hand. He’s suppressing his tongue, teasing his cockhead against the entrance of her pussy, barely able to restrain himself. 
When you’re in front of her again, you’re greeted by a hot mess. Her juices are dripping down her thighs, pooling around her feet. His coated fingers line around her warmth, around her tight hole. His lust is on full display, cussing out a storm about how incredibly wet and tight she is while she prepares herself to get fucked into oblivion. It’s not the first time you’ve heard him say these things; he talks a loud talk about how he’d fuck his biases in explicit detail, writes particularly concerning essays about the positions they’d be railed in, how they would cum, and how many times he would make them cum. 
At the end of the day, it was none of your business.
And ultimately, he might have been onto something.
You let out this loud unsuppressed moan burying yourself inside her tight cunt. She’s suffocating, overwhelmingly tight—the kind of heat that can make you cum almost immediately. You’re still recovering from your first orgasm, putting you on the backfoot. Still, her walls are too inviting not to get hard again. Meanwhile, your friend, who’s been eager to fuck Shiah’s ass for the longest time, is in no rush. His cock is barely entering her tight hole, slowly easing himself inside her with deep breaths. He’s grabbing a handful of her flesh, openly moaning and grunting taking her.
“F-fuck, Yoo—” he mutters, grabbing at her petite cheeks with an ironclad grip. Pulling her closer to his body so his cock can split her in half. He’s growing greedy—and desperate.
Everything you’re doing to Shiah can be seen in the window’s reflection: you pounding into her tight cunt, your friend’s cock spearing her from behind, her body practically sandwiched between your twosome. The combined weight is more than capable of crushing her slim frame, her skin like tire marks on both your chests. Neither of you move with an understanding of working as a team, and it shows; your collective strokes are unsteady, erratic, chaotic.
This isn’t good for your back—at all. Shiah’s bent forward in part to your friend’s slow, deep thrusts into her delicious ass, rippling with each stroke. She’s clutching to your shoulders for support, screaming from the absolute depths of her lungs getting doubled up. The uncomfortable position is mostly clouded by the overwhelming sensation of your cocks tag teaming on her two sensitive holes. You’re leaning, steadily falling back. That inescapable warmth—that intoxicating heat—keeps you coming back for more, friction be damned.
God, Shiah’s pussy is so fucking perfect.
And that’s what you end up muttering. In an endless choir of ecstasy-charged moans, profanities, and wet sloppy slaps of skin against skin, you throw those words out to the wind. So good, so tight—those doubts you had entering the room, now just thoughts from yesterday. She’s everything you want in a satisfying fuck; your hands intertwined with her waist, rocking her frame with every plunge, savoring each entry into that needy womb.
It’s no surprise then that she cums so soon.
It’s been slowly building to this moment. The signs were there all along; the blink and you’ll miss it patch on her jeans, the phallic object in her purse, the wet puddle forming on her panties, the not so subtle gestures she’s giving fans between performances—she’s been desperate to cum on a cock and her wish can finally be granted. 
In dramatic fashion, she’s all over you. Clinging to you like her lifeline, showing you how you’ve ruined her. Body trembling, legs quaking—the ripples send shockwaves through your body, also in the process of falling apart. Throwing out her hips, a new layer of juices coat both cocks, dripping to the floor. You’re there to break her fall, but you have nothing to stop yours. 
Passing through deaf ears, her screams revert to soft pleas. “Cum, cum in me—please—fuck—” she whines in bursts, riding out her climax in waves, waiting for you two to join her over the edge. You’re preoccupied with the raging fire in your loins, restraining your urge to release your seed inside her needy cunt prematurely. At this point, you’re almost done, holding onto the last of your resolve not to spurt right then and there. The layer of her slick coating your cock doesn’t do you any favors, either.
Propping her body straight, your thrusts remain relentless. Steadied pace, at your own will, rocking her senseless—that’s how you want to finish inside her. You want to keep her in that position: cupping her tiny chest, wrapping an arm on the neck, resting a hand on your light shoulder. Shiah’s body is the perfect plaything.
All of that is too good to be true.
“Cumming, gonna cum—” you mutter, rather ashamedly, though you’re holding up better than anyone ever expected, especially after already orgasming once. You press her to your friend, almost a flat out shove. The line couldn’t be any thinner. “Shit—”
Your legs are on the cusp of crumbling, but at least they’re generous enough to let you savor this moment. Spilling your pent up need, you fuck that remaining cum into her. It’s fulfilling, euphoric. All the proof is down there, dripping between her legs and on your cock. The sight of her splayed, wrecked hole, oozing with seed, tempting you to stick a thumb around her slick core. She squirms at your sensitive touches, still needy and in want.
Only after the orgasm does your vision clear again. It’s an amusing scene; your friend is still pounding into Shiah’s tight ass at a feverish pace. Last one in, last one out—at least you think, that’s how the saying goes, until he lets out this guttural groan, indicating he’s reached his own climax too. If not for the setting, it’s an accomplishment worth cheering, the kind that’s worth a celebration of a life milestone. Cocks buried to the hilt, the sight of her holes spilling seed never grows old. 
At least you both can agree on one thing: staying inside the welcoming warmth that is Shiah’s heat. Neither of you want to leave, even when you regain mobility in your legs.
You’ve got the rest of the night to ruin her, leave her room hobbling or crawling on her feet. Your friend has a bucket list of positions to fuck her in, so it’s the least of your worries. Besides, both of them know you have no intention of leaving. And in the middle of this non-existent conundrum, while your friend is leaving soft kisses all over her back as a victory lap, she takes a moment to glance at you both. Noticing the similarity of smiles on your faces and your supportive nature towards your friend, she’s reminded of something she shares with her members, apart from the fact they’re getting railed at this very moment:
True friendship.
—————
(A/N: Expect a bit more crowdedness aka more-somes over the next few fics. I also haven't written an Oh My Girl member since Arin in over a year, so that's one off the list! This one took a while, had a whole other story involving roadtrips and hitchhiking, which I ultimately scrapped. Thank you for reading!)
(P.S. If you want to have your own story/idol written, you can ask for a commission :D)
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weathertheraine · 7 months
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Pirate AU!! Thank you @stringofturtles for watching OFMD S1 with me and re-igniting my Pirate Emotions so I had the motivation to finish this. The first sketches have been sitting in my files for months so please forgive the fact that they look different skdfjh.
More fleshed out AU details under the cut !! :D
- The kids are a little older than canon - the third years in their early 20s - but the story still starts with the second and third years as an established crew who then pick up the first years and the coaches.
- Daichi as a Captain is of course very much like he is in canon. He works very hard to take care of his crew and takes on a huge responsibility for providing for them (as well as making sure they don’t die in idiotic ways). Suga is First Mate so it’s his job to make sure DAICHI is okay and not worrying himself to death. He also has a good handle on morale/the emotional state of the crew.
- Asahi is the first line of offence when dealing with other ships. He doesn’t like actually hurting people, but he’s good at breaking ranks and barrelling through defences to get hold of whatever Karasuno needs. He was ‘off the team’ and out of commission for a little while after he lost his hand (not seeing combat while he was in recovery, and needing to build up his courage again). Noya played a huge part in helping him back onto his feet, and has been kind of protective ever since.
- Noya’s job is to make sure the ship isn’t boarded, so he very rarely leaves it.
- Ennoshita and Kiyoko work together as navigators and managing the little money the crew has. Ennoshita is the only crew member in the beginning who can kind-of read (Kiyoko can only read a little), and they work a lot with maps and planning out journeys.
- Tanaka is great at intimidating opponents. His eyepatch is totally for show - he thinks it makes him look cooler and scarier. His parrot doesn’t often co-operate with him.
- Narita and Kinoshita take care of maintenance and supplies and making sure there isn’t gunpowder anywhere there shouldn’t be, as well as things like fraying rigging and rotting boards/canons secure and the like. Of course, things like that are everyone’s responsibility, but these two consider is theirs particularly. It’s thankless work but the boat would definitely have burned down by now if not for them.
- Enter the first years!
- Kageyama is a prodigy swordsman with a huge reputation as a lethal pirate, although most people who spread those rumours don’t realise he’s as young as he is. He was marooned by his previous crew for being a controlling Captain (who should never have been captain in the first place, having only his fighting talent as the real reason).
- Hinata recently ran away from home to “become a pirate” without much of an idea what that actually entailed, and ran into Kageyama without knowing his reputation. All he knew was that this guy was incredible fighter, and he demanded that he teach him to fight! He now won’t leave him alone.
- Tsukishima ran away as a very young child in an attempt to find Akiteru, whose sailing ship was attacked and lost at sea. He fell in with pirates along with Yamaguchi (who was picked up after surviving a shipwreck), and the pair ended up sticking together as they bounced from ship to ship, ready to run whenever it seemed like tensions were getting high. They (read: tsukki) are going to need to break this habit, if they’re going to be a real part of this new crew.
- Tsukishima and Yamaguchi can’t sleep if they’re not in the same hammock. Embarrassing. The reason Yamaguchi was so tiny as a little kid is that he didn’t get enough food. Tsukishima still tries to sneak him extra (and gets in trouble with Daichi).
- Tadashi ends up as a sharpshooter, one of the few kids who’s confident using a pistol
- Hinata and Kageyama spar together all the time. It’s GOING to end in a make-out the first time Hinata successfully beats him.
- Neither of them have noticed that Tanaka’s eyepatch switches sides.
- Yachi is picked up when the crew stop in a bar in her town. She’s a better-off girl, about to be talked into an politically advantageous marriage, and desperately wants to get out of her situation. “Running away with pirates” was admittedly pretty drastic, but anything sounds like a good idea when Hinata suggests it so sincerely!!
- Ukai is a washed up older pirate, without a crew. Takeda is a very unlucky literature teacher who just happened to be on a sea voyage. They both ended up taken as hostages by the same (meaner) pirate crew, who were then stolen by the Karasuno kids. Although, it’s kind of unclear at this point whether they’re actually prisoners… They’re being treated very nicely (especially Sensei) and are in danger of getting attached…
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gothhabiba · 3 months
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Application of the Convention on the Prevention and Punishment of the Crime of Genocide in the Gaza Strip (South Africa v. Israel)
The Court indicates provisional measures
The Hague, 26 January 2024. The International Court of Justice today delivered its Order on the Request for the indication of provisional measures submitted by South Africa in the case concerning Application of the Convention on the Prevention and Punishment of the Crime of Genocide in the Gaza Strip (South Africa v. Israel).
It is recalled that, on 29 December 2023, South Africa filed an Application instituting proceedings against Israel concerning alleged violations by Israel of its obligations under the Convention on the Prevention and Punishment of the Crime of Genocide (the “Genocide Convention”) in relation to Palestinians in the Gaza Strip. In its Application, South Africa also requested the Court to indicate provisional measures in order to “protect against further, severe and irreparable harm to the rights of the Palestinian people under the Genocide Convention” and “to ensure Israel’s compliance with its obligations under the Genocide Convention not to engage in genocide, and to prevent and to punish genocide” (see press release No. 2023/77).
Public hearings on South Africa’s request for provisional measures were held on Thursday 11 and Friday 12 January 2024.
In its Order, which has binding effect, the Court indicates the following provisional measures:
“(1) By fifteen votes to two, The State of Israel shall, in accordance with its obligations under the Convention on the Prevention and Punishment of the Crime of Genocide, in relation to Palestinians in Gaza, take all measures within its power to prevent the commission of all acts within the scope of Article II of this Convention, in particular: (a) killing members of the group; (b) causing serious bodily or mental harm to members of the group; (c) deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; and (d) imposing measures intended to prevent births within the group;
IN FAVOUR: President Donoghue; Vice-President Gevorgian; Judges Tomka, Abraham, Bennouna, Yusuf, Xue, Bhandari, Robinson, Salam, Iwasawa, Nolte, Charlesworth, Brant; Judge ad hoc Moseneke; AGAINST: Judge Sebutinde; Judge ad hoc Barak;
(2) By fifteen votes to two, The State of Israel shall ensure with immediate effect that its military does not commit any acts described in point 1 above;
IN FAVOUR: President Donoghue; Vice-President Gevorgian; Judges Tomka, Abraham, Bennouna, Yusuf, Xue, Bhandari, Robinson, Salam, Iwasawa, Nolte, Charlesworth, Brant; Judge ad hoc Moseneke; AGAINST: Judge Sebutinde; Judge ad hoc Barak;
(3) By sixteen votes to one, The State of Israel shall take all measures within its power to prevent and punish the direct and public incitement to commit genocide in relation to members of the Palestinian group in the Gaza Strip;
IN FAVOUR: President Donoghue; Vice-President Gevorgian; Judges Tomka, Abraham, Bennouna, Yusuf, Xue, Bhandari, Robinson, Salam, Iwasawa, Nolte, Charlesworth, Brant; Judges ad hoc Barak, Moseneke; AGAINST: Judge Sebutinde;
(4) By sixteen votes to one, The State of Israel shall take immediate and effective measures to enable the provision of urgently needed basic services and humanitarian assistance to address the adverse conditions of life faced by Palestinians in the Gaza Strip;
IN FAVOUR: President Donoghue; Vice-President Gevorgian; Judges Tomka, Abraham, Bennouna, Yusuf, Xue, Bhandari, Robinson, Salam, Iwasawa, Nolte, Charlesworth, Brant; Judges ad hoc Barak, Moseneke; AGAINST: Judge Sebutinde;
(5) By fifteen votes to two, The State of Israel shall take effective measures to prevent the destruction and ensure the preservation of evidence related to allegations of acts within the scope of Article II and Article III of the Convention on the Prevention and Punishment of the Crime of Genocide against members of the Palestinian group in the Gaza Strip;
IN FAVOUR: President Donoghue; Vice-President Gevorgian; Judges Tomka, Abraham, Bennouna, Yusuf, Xue, Bhandari, Robinson, Salam, Iwasawa, Nolte, Charlesworth, Brant; Judge ad hoc Moseneke; AGAINST: Judge Sebutinde; Judge ad hoc Barak;
(6) By fifteen votes to two, The State of Israel shall submit a report to the Court on all measures taken to give effect to this Order within one month as from the date of this Order.
IN FAVOUR: President Donoghue; Vice-President Gevorgian; Judges Tomka, Abraham, Bennouna, Yusuf, Xue, Bhandari, Robinson, Salam, Iwasawa, Nolte, Charlesworth, Brant; Judge ad hoc Moseneke; AGAINST: Judge Sebutinde; Judge ad hoc Barak.”
*Judge XUE appends a declaration to the Order of the Court; Judge SEBUTINDE appends a dissenting opinion to the Order of the Court; Judges BHANDARI and NOLTE append declarations to the Order of the Court; Judge ad hoc BARAK appends a separate opinion to the Order of the Court.
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moon-simmers · 4 days
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ARGENTINIDAD
🇦🇷 A Argentinian Historial Sim Download A few weeks ago my historical tumblr with things related from my country took a lot of relevance, thanks to many resources I realized that there are many people who are interested in having several argentinian sims in their game, so this is for them and everyone interested in the history of different countries (or who need some sim for their game lol).
[More photos, info and download below]
These sims are originally from my Women's Day post inspired by female historical figures from different decades in Argentina. They are doctors, lawyers, writers and much more. But there is a bonus included which is two new sims = Corina Kavannagh and Lola Mora.
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Corina Kavanagh. 1890-1984.
Corina Kavanagh was an Argentinian rancher known for the Kavanagh Building , the tallest concrete skyscraper in Argentina and South America at the beginning of the last century. This building has a legend that says it was built because Corina fell in love with a man of the Anchorena family, one of the most illustrious surnames in Argentina. The Anchorena's were an aristocratic and landowning dynasty with a Basilica which they could see from their mansion. Corina had a wealthy family but they looked down on her as a "nouveau riche" with no lineage, so the Anchorenas prohibited her from having a relationship with one of their members. Corina bought the land between the basilica and the mansion and built 120 meters of concrete so that they could not see the church. Since 1936, the only way for the Anchorena family to visit their Basilica was through the Corina Kavanagh passage.
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(Lola) Dolores Candelaria Mora. 1866-1936.
The most flattered and discussed Argentine sculptor of her time, the artist who scandalized the society of her time, died in poverty and was vindicated by time. She began studying portrait and drawing in Tucumán and then obtained a scholarship in 1896 to perfect herself in Rome where she changed drawing for sculpture. There she was highly praised and in 1900 the artist decided to return to the country, where she obtained several state commissions, including the Fountain of the Nereids in 1903. She also faced controversy due to the nudity of her figures, and in her workshop it was common to find her working with pants on the structures of the sculptures.
DOWNLOAD:
Listed below are all the sims to download and with a view of their outfits.
CUSTOM CONTENT NEEDED (Not included)
THE CC FOR EACH ONE IS LISTED HERE
Each zip includes a file explaining how to install it.
It is a google document with all the cc of each creator (some links go to simfileshare because they are cc of some deactivated creator).
AT THE BOTTOM IS LISTED ONE SHEET FOR EACH SIM
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SIMS DOWNLOAD:
Mariquita J. P. Sánchez de Thompson. 1786-1868
[SIMFILESHARE]
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Felicitas A. G. Guerrero. 1846-1872
SIM: [SIMFILESHARE]
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Cecilia Grierson. 1859-1934.
SIM: [SIMFILESHARE]
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(Lola) Dolores Candelaria Mora. 1866-1936.
SIM: [SIMFILESHARE]
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Julieta Lantari. 1873-1932
SIM: [SIMFILESHARE]
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María Angélica Barreda. 1888-1963.
SIM: [SIMFILESHARE]
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Corina Kavanagh. 1890-1984.
SIM: [SIMFILESHARE]
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Amalia Celia Figueredo de Pietra. 1895-1985.
SIM: [SIMFILESHARE]
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Victoria Ocampo 1890-1979
SIM: [SIMFILESHARE]
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Finlandia Pizzul. 1902-1987.
SIM: [SIMFILESHARE]
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KO-FI / CAFECITO
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