BHOC: MARVEL TALES #100
Despite the fact that it was a reprint title, MARVEL TALES didn’t miss the opportunity to go oversized for its 100th issue, a trend that had started with the centennial issues that Marvel and DC were putting out. It’s kind of a mixed bag, in that one of the secondary features doesn’t have any relation to the lead character, Spider-Man. But it was still entertaining, even if it cost more coin than…
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Mondo will release a Werewolf by Night toy today, October 19, at 1pm EST. The 10" soft vinyl figure is designed by James Groman, who also created the packaging art. Limited to 300, it costs $135 and is expected to ship in March.
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'We were all as one': Mike McCartney on playing with Wings on McGear (1974)
SDE: So, how did you get on with the sessions with Paul, what was the working practice because obviously you wrote a lot of songs together, did you come in with lyrics and ideas?
MM: He said, “right, now, the Eastmans have said to do an album [after they listened to the single Leave It and liked it], have you got enough stuff for an album?” I said, I’ve been writing for years, quietly in the background with my own ideas. With the Woman album that got me going and I kept going, so I’ve got lots of ideas for songs, but I was going to work and do another Woman album at some stage, you know, when I could afford it. So I had lots of ideas that I was going to do in the future, but I just couldn’t afford to do them. So I said, yes, I’ve got loads of stuff, it’s not finished. He said, “well, that’s great because we’ll work on it together. So, I’ve got Denny and you’ve got your drummer and we’ve got another guitarist which I’m thinking of, so what we’ll do is go into … down here in London, Abbey Road, is too expensive, and so that place you recorded the Woman thing, Strawberry [Studios, in Stockport], sounds great. So we’ll just go to there from our houses” – which were only three quarters of an hour away in Heswall on the Wirral – “and we’ll see what comes out”.
So, that’s what we did, I had all these ideas, I said, right, here’s the lyrics for this one, and here’s the song for this… and we just worked on them together, with Denny. So, these things started to magically come together, with Gerry Conway and then Jimmy [McCulloch]. It was a labour of love, it wasn’t like a nine-to-five. With our kid, his business was always with love, with his chums, and then going into Wings. You don’t do things for sessions, you do it for the love and the communicate and spread the love. So, to work in an environments like that is so much freer and far more productive. I listened to this after 40 years, this McGear album, and I suddenly realised how important it is in terms of music – how relaxed, how together, how professional, how joyous, how unique it was.
SDE: Did you get on well with Denny Laine and Jimmy McCulloch, were they a nice group?
MM: We were all as one. I was like a member; I was a member of Wings for a bit! Because, you were all there for the same reasons, you were all there for the love of music, and so that is a very strong powerful concoction, and that’s what produces these songs that have longevity. They transcend all of the other stuff I did, all The Scaffold stuff, if you listen to it, the majority of it – unless it’s things like ‘Liverpool Lou’ which was Wings [anyway] – but all the Scaffold stuff is all manufactured, all session people, and so there’s very little … I mean, one good one, again was [1971 single] ‘Do the Albert’, we did that with Mooney [Keith Moon] on drums. We did that in EMI [Abbey Road] in studio one, where we did ‘Lily the Pink’. Mooney was there early morning, and I remember him lining up his stuff, his drums, his side drums, his bottle of brandy [laughs] this was in the morning… absolute magic.
Mike McCartney interview on Super Deluxe Edition, McGear reissue, 2019
l-r: Mike, Jimmy McCulloch, Linda McCartney, Paul
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BHOC: JUSTICE LEAGUE OF AMERICA #162
It was at around this time that JUSTICE LEAGUE OF AMERICA had begun to feel tired to me. It had once been a favorite series, but in recent months, coupled with a growing interest in the Marvel style of storytelling, the venerable JLA had seemingly been slowing down, becoming a bit trite and simplistic and, well, dull. I had no way of knowing, of course, that we were in the final months of Julie…
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