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#Movie reviw
notyoung-neil · 2 months
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Uh okay how do i- oh okay!
THE TRUMAN SHOW
A REVIEW
(by:Neil Nordegraf aka young neil)
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"The film The Truman Show, released in 1998 and starring Jim Carey; tells the story of Truman burbank, who is unaware that his every move is being captured for a TV show that is broadcasted around the world without his knowledge. He slowly realizes that everything and everyone in his life is staged (and is just basically a lie-), leading him to a shocking revelation that his reality is fabricated and being watched by the public. Truman struggles to break free from this artificial existence once he uncovers the truth"
‼️SPOILERS AHEAD‼️
Oooookkayyy now time for the review part. I think the movie was really cool! I loved how each camera angle always shows a different perspective for example these ones
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Which are obviously hidden cameras but it's pretty neat that they managed to do all that. I wonder how they fit a big camera like that into that small of a raido in the car...
The story is so cool too! I mean come on imagine living your whole life normally but for some reason you can't leave town and you just live in suburbia all your life! Hell you can't even trust your bestest friend because thier just another actor. You can't trust your parents or wife like God truman must've got some real trust issues one he actually got out in the end- oh yeah BTW truman escaped at the end
The way Jim Carrey plays truman is awesome. I mean he's an actor what do you expect. A really popular one too but I think he really fits into Truman's character, seen as a sorta surberiban guy whos whole life is turned upside down and stuff. When the light first dropped he truman acted real curious about it and the way Jim portrayed it was perfect! Not like a child wonder sorta curious or stupid but like a genuine expression of curiosity. Eugh it's hard to explain. (Ugh thus is why I get B's and C's in english-)
Uhhhhh...I dunno what else to add. Really cool movie. Would watch it again. Maybe with a date or something uh 9/10 wished we can see what truman did at the end. Like what he did AFTER he escaped but hey cliff hangers are cool af
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syncchiniboii · 10 months
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Hey, y'all. I'm Kaine. Others call me Ken. And I'm your weird yet supportive uncle that lives in your attic.
✨Persona
✨Fire Emblem
✨Final Fantasy
✨Bleach
✨Code Geass
✨Dragon Ball
✨Quintessential Quintuplets
✨Metal Gear
✨Spider-Man
✨Yu-Gi-Oh!
✨Ratchet and Clank
✨Devil May Cry
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rickchung · 1 year
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The Menu (dir. Mark Mylod) x TIFF 2022.
[It’s] a delightfully deranged satirical feast skewering everything from the arrogant ultra-rich to the snobbery of fine dining culture. Starring as a simultaneously controlled yet unhinged celebrity chef on a secluded private island, Ralph Fiennes relishes being both absolutely terrifying and maniacally hilarious in this bloody culinary horror-comedy deconstructing the consumption of art by an elitist upper class.
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angelofverdum · 5 months
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Five Nights at Freddy (2023)
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I definitely don't belong here because I had no idea this was such a famous video game.
But the movie was awful. And some people told me, "It's because you don't know the game" IT SHOULDN'T MATTER.
Knowing the source material that a movie or a TV show is based on should only enhance the experience, but the movie has to be able to entertain without knowing all the lore behind it.
Everything was awful and dumb, except for three things:
Josh Hutcherson. He should do more movies. Get yourself a drama or something serious, boy. He is a good actor, and he should be doing good things.
Elizabeth Lail. Real ones know her as Anna from OUAT. She devoured that role, like why was Kristen Bell on the floor?
The animatronics. They spent those coins here, the angry expressions were so good. I'll give them their eights for that.
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moviestuvip · 2 years
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รีวิว The Lake บึงกาฬ ภาพยนตร์สัตว์ประหลาดสัญชาติไทย 
 เรื่องย่อ The Lake เมย์เด็กสาวคนหนึ่งที่ได้ค้นพบไข่ยักษ์ปริศนาและนำมันกลับมาที่บ้านของเธอนะครับนั่นจึงเป็นจุดเริ่มต้นของหายนะเมื่อสัตว์ประหลาดยักษ์จากใต้น้ำโผล่ขึ้นมาเพื่อตามหาลูกของมันทุกคนจึงต้องหนีเอาชีวิตรอดจากการตามล่าของไคจูคลั้งตัวนี้
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cookie-waffle · 10 months
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I think one of the reasons so many critics get backlash these days is how much they insult the intelligence of audiences who actually enjoy the movie they’re reviwing.
Because a lot of “reviews” give off a very pretentious and hostile “I’m smarter than you if you like this movie” vibe, and it turns people off from listening to film critics.
You can dislike a marvel movie without insulting all the fans and calling them babies for enjoying them. You can dislike a Disney movie without trying to convince the people who did like it that they shouldn’t. And you can think the Mario movie is shallow without throwing a huge fucking tantrum over other people liking it.
People will not respect your opinion if you shit on the fans. If you actually want what you say to have an impact on audiences, maybe don’t call said audiences stupid? Just because someone liked a silly illumination movie doesn’t mean they don’t have the intellectual capacity to understand much more sophisticated media.
Both Everything Everywhere AND Multiverse of Madness were very enjoyable to me, despite one of those films obviously being much better than the other. SHOCKING!!!!!! I can like both simple junkfood movies AND appreciate the art of film at the same time!! And do you know why? Because I’m a sapient, multifaceted, human being who can enjoy more than one kinda movie. Enjoying a marvel movie doesn’t prevent me from enjoying something with more nuance. Like actually fuck off if you think you’re smarter than other people because you don’t like a certain film.
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How is it in the year of our Lord 2023 that out of all things i was not expecting to actually enjoy a goddamn zack synder movie of all things like I have never seen a zack snyder film that I have liked before in my entire life.
Youve probably seen bad reviws for it but kust head me out okay...
Like I am moctly critical of the guy and if asked of my opion any point prior would say I think he should have been a cinemtograrhper and never a dricetor as his eye for visuals is great but his story and dricetion usally not so much. Like i would have describded him as a man who's become famous for making horrible adpatations of comic books into films. Always bastardising the charcaters and orignal meaning of the source material by failing the hypotthecial D20 roll for an 8th grade reading comphresion level check with a -30. That somehow seem to mosyly produce pro-facist messages that glorify western civilsation and hitsory that's loved by a fan base riffe with toxic masculinty.
Like how did this man produce a sci-fi movie with a female lead who carries the film and carries on the trope of buff women in thank tops that all claasic sci-fi greats have, rejects peer pressure to get with the strong traditionally masculine type and has its actual main male character and love intest be a too guiable and innocent farm boy who only wants to try his best to help people,
It has a overtly Anti-facist Anti-imeprlaism and Anti-colonilaism message at its core vis vi a plot like seven smaurai, is more creative with its set peice locations then most of the last three star wars movies.
Thats not even mentioning that it has a diverse supporting cast all with their own interesting back storirs from a legendary warrior who understnads greif of losing family and is agaisnt the glorfication fo violence as noble, to an old depressed war general who is punishing himself for past mistakes, a prince who was sold into slavery on a farm and has a compassin for animals who are treated horrinly liks he persumibly is, a robot who was built for war but would rather be commited to kindness with a great unique design and voiced by anthony f#cking hopkins.
Like everyone anyone can feel free to have wathever opion you want about this film its far from perfect, is it just kinda nock off star wars, yeah it is, but I would argue it says more in its run time and bettet then the last three star wars movies did in all of theirs did, not to mention kora as a charcter does more for former facist turned good plot then fin ever acheived.
I enjoyed it immensly also its audience score is like three times as high as its critical one so I feel vindicated enough that even if you don't think it's some kind of masterpiece of modern cinema you hoepfully will find some value in it
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yanderestevenuniverse · 11 months
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Spoiler free across the spiderverse review
...There is almost nothing bad i can say about this movie to say it is visualy stunning is an understatment
Each character is uniqe and likeable in their own way .
The villians have understandable motives.
The soundtrack is good.
The action sequences are a little fast paced and its hard to see whats going on and some of them drag on a bit but beside from that they are good.
the humor was quite funny and had me laughing at several points throughout the movie
Annoying that the movie is going to be split in two parts
My reviw does not give the movie justice just go see it trust me you will not regret it.
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"Flickering Dreams" Episode 48: Reviews of All Of Us Strangers, Baghead and The Zone of Interest.
Episode 48 of Flickering Dreams reviwing All of us Strangers, Baghead and The Zone of Interest. Plus more on the Oscars nominations.
In Episode 48 of Flickering Dreams I’m joined by: Scott Forbes from The Forbes Film and TV Review on Facebook; Emma Sewell from Emma@The Movies; and The Reverend Andy Godfrey from Konnect Radio and Sorted Magazine. In this episode Bob, Scott, Andy and Emma review the following films: All of Us Strangers: a romance cum ghost story set in London past and present; Baghead: a supernatural…
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mr-tp · 3 months
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#Samsung QN90C Neo QLED 4K TV Review: The Best TV for Movies and Gaming
The Samsung QN90C Neo QLED 4K TV is a great TV for anyone looking for the best possible picture quality. It has a peak brightness of over 2,000 nits, which is more than enough to produce bright, vibrant images. The contrast ratio is also excellent, with deep blacks and inky shadows.
The QN90C is also a great choice for gamers. It has a native refresh rate of 120Hz, which is ideal for playing fast-paced games. It also supports variable refresh rate (VRR), which helps to eliminate screen tearing and stuttering.
In addition to its excellent picture quality and gaming performance, the QN90C also comes with a wide range of features. It has a Smart TV platform with access to streaming apps such as Netflix, Disney+, and Amazon Prime Video. It also supports voice control with Amazon Alexa and Google Assistant.
The QN90C is a bit pricey, but it's worth the investment for anyone who wants the best possible TV experience.
#Summary : The Samsung QN90C Neo QLED 4K TV is a great TV with stunning picture quality, excellent gaming performance, and a wide range of features. It's a great choice for anyone looking for the best possible TV experience.
TO BUY RIGHT NOW! : https://amzn.to/3tK7GP0
Reviwe on YouTube : https://youtu.be/XSDSDZRxK6I
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vtchennalzone · 1 year
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கட்டா குஸ்தி திரைவிமர்சனம் GATTA KUSTHI MOVIE REVIWE...
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Grisly, Grim and a Fucking Delight: Feedback Review
TRIGGER WARNING: Torture, rape, daytime radio DJs. Don’t blame me, that’s just what’s in the movie.
Wow. Wow and a half. Wow and a half between two slices of thick white whoa. What a fucking movie. I’d say something like ‘they don’t make ‘em like that any more’, but they clearly do, because Feedback only came out a few years ago. I am astonished that I didn’t hear about it until tonight. You see, I was looking for an epic, slow-burn thriller to watch with my girlfriend and glamorous assistant, and I came across this little British movie about a radio talk-show host getting trapped in his studio when a bunch of masked psychos invade the premises. “Neat!” I thought upon reading the synopsis and watching the advert. “It’s Diehard but without schlubby, sarcastic Brits instead of overblown yanks.” As it turns out, I was wrong. Feedback is not an enjoyable but ultimately inconsequential gas pocket of a movie: it’s actually one of the most tense, conceptually horrifying and incendiary pieces of cinema- nay, Cinema with a capital C- that I’ve ever had the good fortune to witness. The more I think about it, the more impressed and enamoured I become. Unfortunately, in order to explain why, I’m going to have to spoil the whole freaking thing. For those of you who actually watch movies based on my recommendations (which would be, maybe, like two of you?) I’ll give you a nice non-spoilery recommendation right now: the acting is on-point, the plot is serpentine but not in a pretentious way, every prop and narrative element is used to maximum effect, the atmosphere gets tenser and tenser without ever letting you catch your breath and it’s exactly as long as it needs to be: there’s nothing missing and not an ounce of spare meat on it. It’s a lean, nasty predator of a movie and, if you let it, it will pin you down and rip out your jugular. I’ve only ever described one other movie as ‘transcendent’- a little psychological horror called The Perfection. Well, Feedback gets that exact same sticker but for completely different reasons. If you’re going to watch it- and you should- stop reading this review right now and go do it. It’s amazing.
And now for the spoilers. Consider this more of an analysis than a review. You see, the film reveals early on that the masked psychos invading the studio aren’t just randos with a political or philosophical axe to grind. They have beef with the radio host (whose name is Jarvis, incidentally. You don’t see enough Jarvises, either in real life or in movies. It’s a fun name and grossly underused, but I digress). You see, they think Jarvis’s friend raped a woman, killed another woman and beat the shit out of her boyfriend… and they think Jarvis knows all about it and may even have been involved. They force Jarvis to extract a confession from his friend early on and then kill him live on air, meaning that the rest of the film is devoted to a battle of wills between them and Jarvis as they try to force him to admit complicity, again live on air. Along the way, it’s also revealed that they aren’t just crusaders: they’re survivors of the incident and relatives thereof. Now, from the moment all these pieces were in place, I watched with an expectation of being disappointed. You see, I thought I knew what I was watching: Jarvis is visually and linguistically coded as am older slightly privileged but spiky elitist, so in most movies made after 2010 he’d automatically have been the bad guy (fuck me but do ageing white movie directors love to pretend they’re ‘woke’), while the people attacking him are visually and linguistically coded as youngish (except in one case) and victims, meaning that, in most movies, they would automatically be the good guys (hey, everyone loves an underdog, right?). I assumed I was watching one of those films. You know the ones I mean. One of those oh-so-clever ones that gets you to connect with and root for a character then reveals that he’s a shit-bag and punishes him and- by extension- you the viewer for taking his side. That was clever once, but I’ve now seen it on at least eight separate occasions, and it’s become trite. It’s particularly irksome because the victim-coded characters always get a free pass for their own shenanigans: they can murder, torture, brutalise and dehumanise but it’s always okay because something bad once happened to them. Frankly, I thought that’s what I was in for. Luckily. I was super wrong. That’s like regular wrong, only sexier and with sharper graphics.
You see, Feedback is way too smart to go for a black-and-white good-victims-versus-evil-central-character narrative. Instead, it’s a film about dehumanisation… or is it? You’ll see what I mean. In order to force Jarvis to admit complicity, his assailants don’t just fuck with him and his friend: they straight-up murder an innocent bystander and threaten to murder someone close to the protagonist. They hurt and do terrible things to Jarvis and the people around him, using torture methods that would make fucking ISIS throw up its hands and go ‘steady on, bruv’. They have a version of events that they’re convinced of but have only one unreliable character’s word for and Jarvis has a version of events that they refuse, point-blank, to believe. Jarvis’s story does begin to alter, but it’s never really apparent if he’s actually done something or if he’s just saying he has in order to keep the people around him (and himself) alive. Meanwhile, the ringleader of the little troop trying to extract a confession from Jarvis might be victim, but it also becomes apparent that she’s an unhinged psychopath intent on spilling as much blood as possible for her own personal sense of satisfaction and has as much interest in justice as a black hole has in the history of the stars it swallows up. Hooray! Some fucking moral ambiguity in a movie! I thought the entire industry had just forgotten how to fucking do that!
Much to my delight, Feedback doesn’t stop there. Merely by forcing the audience to make up their own minds about what they think happened and who’s actions are most justified, Feedback is already introducing a level of sophistication alien to modern cinema. But then it goes one step further by also subverting narrative expectations. You see, in a bleak, introspective, what-monsters-are-we-all flick like this, you expect the antagonists’ plan to succeed: you expect the last shot to be of the protagonist broken by the moral blankness of his reality, sitting in the wreckage of his life, unsure of whether he deserves what has happened to him or not. And that would have been a perfectly acceptable way to end this movie. But it doesn’t end like that. Because Jarvis is that rarest of things: a competent and determined dude. He’s not a superhuman. He doesn’t have special training. The flick doesn’t turn into an action movie or anything ridiculous. Jarvis just refuses to accept the bullshit happening to him and systematically works through every possible strategy to extricate himself without caving and admitting culpability that he doesn’t feel. He tries reasoned negotiation. He tries subduing one of the assailants temporarily and using them as a bargaining chip (the minimum necessary force approach), he tries escape and, finally, when all else fails, he uses a combination of psychology, surprise and familiarity with his environment to fight back with lethal force. It’s a considered, intelligent approach and, because his assailants aren’t organised terrorists just ordinary people who may (or may not) have a legit grievance with him, it succeeds and- to cut a long story short- he kills all of them in incredibly satisfying ways. There’s a bit involving a smug, I-can-be-as-evil-as-I-like-because-I’m-a-victim character getting skewered with a pair of scissors that instantly outranks anything in the Saw or Friday the 13th franchises as one of my all-time favourite movie kills (outright all-time favourite still goes to that bit in John Wick 3 with the really creative use of a library book, but that’s off topic).
During the climatic scenes of the movie, Jarvis screams his confession, but- as I said- it might only be a tool to distract his attackers and gain the upper hand while preserving the lives of the people he cares about. Equally, though, it might not. There’s a coldness to the character at the end of the film that wasn’t there at the beginning. Has he just been changed by the trauma of recent events, or are we seeing the facade drop away to reveal the true face of ruthless monster? And here lies the film’s final genius: not only doesn’t it answer this question (ambiguity for the win!) it also seems to suggest that the answer might not matter. Jarvis didn’t prevail because he was innocent- though he might be. His attackers didn’t fail because they became as bad as the thing they sought to fight (though they did). Victory and defeat aren’t defined by moral superiority. The film doesn’t assign winners and loser based on ethical or philosophical standpoint. Jarvis wins because he knows what the fuck he’s doing and his attackers are a bunch of overemotional quarter-wits with a half-baked plan that they can’t even stick to because they get too worked up. Survival, Feedback reminds us, has everything to do with being good at things, and fuck all to do with just being good. At every turn, the film tries to convince us that it has a moral point to make. Characters talk endlessly about truth and lies, justice and injustice… but in the end, it’s all smoke and mirrors. The film doesn’t have a central moral thesis (or, if it does, it’s a profoundly nihilistic one). Its real subjects are survival and will. It’s a study of what happens when two packets of brutal, remorseless determination meet eachother coming in opposite directions. It’s a dissection of the self-preservation instinct and its only real moral is ‘don’t fuck with a smart, grimly determined guy on his home turf if all you have to bring to the table is a short fuse and a big hammer’. Maybe that shouldn’t be refreshing, but in a cinematic landscape where every movie is determined to plant its flag on one side or the other of the political or ethical spectrum, it really fucking is. The fact that it gets you to think about ethical issues and who you believe on route elevates it, but the core of the film- the thing that makes it solid- is that refreshing element of nihilism. Breathe it in, folks: we don’t get many movies like this very often.
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thequeereview · 3 years
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Spice up your life! NYFF 2021 Film Review: Dune ★★★1/2
Spice up your life! NYFF 2021 Film Review: Dune ★★★1/2
Slam it to the left, if you’re having a good time. Shake it to the right, if you know that you feel fine. Chicas to the front. From Spice Up Your Life, written by Emma Bunton, Geri Halliwell, Matt Rowe, Melanie C, Richard “Biff” Stannard, and Victoria Adams This Spice Girls hit does not feature in Denis Villeneuve’s new screen adaptation of Frank Herbert’s 1965 novel Dune, although it sure…
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evilfranzkafka · 3 years
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Leigh in da tub 🧼
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marziblogsworld · 4 years
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I AM OBSESSED WITH THIS SCENE!!!
I AM OBSESSED WITH THEM!!!!
I AM OBSESSED WITH THIS MOVIE!!!!
Finally some quality content film about dancing after the STEP UP universe. I really enjoyed the movie, its characters, the storyline, everything was just amazing choreographed
THANKU NETFLIX FOR GIVING JORDEN FISHER AN AMAZING SCRIPT. YOU REDEEMED YOURSELF AFTER THAT DISASTER TLBILB (To all the boys i have loved before).
Protect Jorden fisher as Jake Taylor at all cost was my motto of the film.
Sabrina Carpenter as Quinn was amazing. I already loved her from TALL GIRL and i soo wanted her to have her own film and she didnot disappoint.
Liza Koshy is Queen and Gurl your taste over that mattress guy *yum* *yum*. 🤤🤤
So in movies i dont go all over in ships because they just have a two hour span to cover everything and i adore them not all over in love with them but daaamnnnn i could not hold myself over QUINN AND JAKE. I tell yaaah they will make you fall in hard....*cough* upper scene *cough*
Can i have its part two... Can i have more of Jorden Fisher. He is really precious i tell yah
I AM LIVING FOR THIS MOVIE SOUNDTRACK.
A must watch film guys. Go check it out.
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